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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: Wow wow we Yeah that was again just don't know

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Speaker 2: whether that was brilliant or awful.

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Speaker 3: Well, let us know if you listen to this podcast

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Speaker 3: and you're always going to hear the bit that's coming up,

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Speaker 3: which is like six people doing a Kermit impersonation and

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Speaker 3: just the confusion that ensued because they didn't realize which

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Speaker 3: Kermit they each were, so they all just started talking

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Speaker 3: at the same time, and then they started fighting with

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Speaker 3: each other, and then they started abusing us.

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Speaker 4: And then all of a sudden, Elmo was there, the.

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Speaker 5: Green Boys easy being green, they just they just came

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Speaker 5: from the clowns, didn't they And it was like, you know,

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Speaker 5: it's it was almost like.

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Speaker 2: You know, we were the substitute teacher and we've lost

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Speaker 2: control of the class. Yes, and all they banded together

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Speaker 2: and they came.

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Speaker 4: Forward, abused us, came for us during our own show.

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Speaker 2: We set up the segment for them for people that

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Speaker 2: can impersonate with the frog, and then they came for us.

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Speaker 4: Yeah, they said it wouldn't happen at Sesame Street.

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Speaker 3: We're far more organized and just had a torching our

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Speaker 3: radio show.

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Speaker 6: I would implore everyone listening to the podcast as well

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Speaker 6: to stick with it because it very much goes from

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Speaker 6: the worst Will and Woody segment of all time to

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Speaker 6: one of the best.

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Speaker 2: But yeah, it shifted. At some point. It was like

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Speaker 2: this is awful, this is awful, We've got bad commns.

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Speaker 2: And then it just went It just went up. As

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Speaker 2: soon as we embraced the chaos, just got so we

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Speaker 2: embrace the chaos, it just became brilliant. So that was

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Speaker 2: buddy enjoyable. Guys. You will also hear Woody exposing his

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Speaker 2: cowardice on a whole new level as he threw me

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Speaker 2: in front of John Ibrahim live on radio.

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Speaker 3: I stand by that mood the dog eat dog world

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Speaker 3: and sometimes to do business push a dog in front

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Speaker 3: of a bus and I pushed you, but you were

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Speaker 3: the farer.

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Speaker 4: You were the farer on the grassy knoll, and Johnny

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Speaker 4: brihammitted to know that. Unfortunately, avengeuls sweet for you, my friend.

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Speaker 3: When I got caught dropping my guts on Jackie's ches our,

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Speaker 3: I tell you what, Kate, our digital producer, has stitched

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Speaker 3: both of us up. She has got something coming and

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Speaker 3: am id blowing the camera right now and I hope

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Speaker 3: you're seeing this, Kate, but you have stitched both of

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Speaker 3: us up and revenge will be sweet.

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Speaker 2: What are we thinking?

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Speaker 4: I'm not going to say it in front of her. Okay,

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Speaker 4: I'm gonna say in front of.

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Speaker 3: Her, but I'm thinking something pretty creative and nasty anyway. So,

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Speaker 3: because Kate did put that in her socials, Jackie actually

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Speaker 3: called the show live to let me know what she

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Speaker 3: thought about me farting in her chair, which was bad.

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Speaker 3: But I do actually have her number now because she

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Speaker 3: also abused me of a voicemail. Anyway, something to celebrate, mate,

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Speaker 3: little wins in a creepy way. By the way, woulds

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Speaker 3: you sort of ye?

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Speaker 4: I'm not, No, I'm not. I'm not a creep am.

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Speaker 2: I enjoy the podcast.

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Speaker 4: I don't leave it like that.

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Speaker 2: We will see tomorrow. I'm sure you're not as decorated

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Speaker 2: as the guests we've currently got on the phone. She's

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Speaker 2: a two time the AFLW Premiership player, two time w

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Speaker 2: NBA Champion and Order of Australian recipient. It is Aaron

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Speaker 2: Phillips who joins.

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Speaker 4: Us right now.

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Speaker 7: Thanks for having we guys.

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Speaker 2: Pleasure to have you mate. If you just missed it,

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Speaker 2: Aaron just lost Australia's easiest quiz so to rub salt

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Speaker 2: in the wound there erin.

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Speaker 7: But oh, I know I should have my Order of

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Speaker 7: Australia taken off of me. That was horrendous.

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Speaker 4: I would hope so, I would bloody hope so.

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Speaker 3: And we'll take it, will take it, will take it.

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Speaker 4: Yeah, as a duo.

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Speaker 3: But Aaron, the reason we've got you on is we'd

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Speaker 3: love to hear your perspective on I think it's the

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Speaker 3: biggest news this week, even if you're not a sports

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Speaker 3: fan or cricket fan, but it's tim pain with those

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Speaker 3: that scandal that's come back up or re emerged. It

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Speaker 3: happened in twenty seventeen he sent some lude pictures to

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Speaker 3: a staffer of Cricket Tasmania. What he did was very wrong,

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Speaker 3: but again he has sorted out his wife. And the

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Speaker 3: question to you is do you think, as an athlete

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Speaker 3: or a sportsperson in the public eye that you have

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Speaker 3: a higher standard to hit as far as the way you.

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Speaker 4: Live your life.

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Speaker 7: Absolutely I do. And you know what the thing is,

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Speaker 7: we're in the public eye and so naturally that just

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Speaker 7: comes with extra responsibilities of being a decent human and

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Speaker 7: modeling itself the right way to people. So you know,

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Speaker 7: a lot of athletes do think it's unfair, but that's

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Speaker 7: just that kind of comes with the job. And it's

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Speaker 7: also a privilege, I've got to say, like getting to

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Speaker 7: do something that you absolutely love and to have the

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Speaker 7: power in the platform to be able to go and

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Speaker 7: be a positive influence for young people for the next generation, Like,

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Speaker 7: that's really powerful. And I always think of it now,

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Speaker 7: as you know, if my younger version looked up to

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Speaker 7: me now would I would they be happy with me?

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Speaker 7: But honestly, isn't that hard just to be to be

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Speaker 7: a decent human? I don't think so. Like it's just

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Speaker 7: do the right thing and you know that that should

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Speaker 7: be what you should do at the end.

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Speaker 3: Of the day.

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Speaker 2: It's a good thing to aim for one hundred percent.

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Speaker 2: It's a good message as well there. And I think

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Speaker 2: I think a part of me did I do feel

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Speaker 2: I actually do feel sorry for Tim Paine because I

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Speaker 2: do think people make mistakes, yeah, and and people flirt

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Speaker 2: with other people, and that's I mean, how many times

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Speaker 2: do we have to see that on the news to

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Speaker 2: know that people will continue It doesn't matter how many

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Speaker 2: times you've been married or redone your vows or whatever.

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Speaker 2: You're going to feel attracted to other people. That's going

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Speaker 2: to happen. And I think the part of me that

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Speaker 2: felt sorry for was that he made up with his family.

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Speaker 2: His wife forgave him. They've obviously been through a whole

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Speaker 2: bunch of therapy, and then it just got dragged out

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Speaker 2: into the public again in front of his family. That

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Speaker 2: was the hard thing to watch. That was the bit

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Speaker 2: where it was like, geez, I think they've been through it.

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Speaker 7: Yeah, And I think you said it perfectly, like we

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Speaker 7: all make mistakes, right, and it's you know, and what

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Speaker 7: we love like human behavior. We love to like tear

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Speaker 7: people down and we love to you know.

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Speaker 2: Yeah, that's right.

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Speaker 8: We want to.

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Speaker 7: We want the.

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Speaker 2: Public wants to. We want to want to sacrifice somebody

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Speaker 2: we can pin up and hang all our own issues

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Speaker 2: and we protect onto them definitely.

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Speaker 7: But you know, I'm like the biggest thing now for

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Speaker 7: Tim and for those that do make mistakes, in which

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Speaker 7: we all do, Like I said, some are more significant

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Speaker 7: than others. It's what you do next, you know, and

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Speaker 7: how you can correct correct that, how you can then

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Speaker 7: learn and teach from your mistakes so that someone else

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Speaker 7: doesn't do the same thing. I think that's really important.

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Speaker 7: I think as society we've got to, you know, we've

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Speaker 7: got to have a bit of empathy for people although

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Speaker 7: they have done the wrong thing, and try to help

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Speaker 7: them become better, you know, rather than just let's bury them.

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Speaker 9: Yeah.

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Speaker 2: No, that's right, and that's that's the vibe at the moment,

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Speaker 2: I hope, because I know the Australian team, the actual

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Speaker 2: cricket team itself, came out and said that they were

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Speaker 2: really unhappy with the way that it got brought up.

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Speaker 3: Again and they wanted to play in the ashes and

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Speaker 3: he can. He can still play in the ashes, just

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Speaker 3: won't be the captain. So I that is somewhat of

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Speaker 3: a good middle ground to a fit with it all

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Speaker 3: coming out. Aaron, thanks so much for your time and

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Speaker 3: any word on the new AFL season.

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Speaker 4: How you feeling for it?

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Speaker 7: Yeah, really excited. I think we'll have a schedule out

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Speaker 7: next week. But god, it's not too far away, so

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Speaker 7: I expect you boys to be out there and some

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Speaker 7: Crows gear.

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Speaker 2: You're trying to slip that in at the end, isn't it.

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Speaker 2: We'll be out there mate. It'd be great just for

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Speaker 2: the because I know that you guys have finally opened

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Speaker 2: the border in South Australia as well, so.

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Speaker 7: No two cases here already. So you know we're basically

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Speaker 7: we're about to start living with this virus. Yeah, but

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Speaker 7: we're always going to do so. Yeah, it's going to

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Speaker 7: take South Australians a while to get used to it.

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Speaker 7: You guys have been used record so long. But we'll

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Speaker 7: be right here.

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Speaker 2: Yeah, absolutely, And you've blocked everyone from Byron Bay as well.

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Speaker 2: How are you going to stop that? I do what

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Speaker 2: I was worried about how they're going to pick him

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Speaker 2: at security, But I reckon if they just put you

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Speaker 2: at the security gate and you just got a chance

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Speaker 2: to spear tackle them if they walked through, then maybe

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Speaker 2: they keep them out.

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Speaker 10: I'll be there.

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Speaker 2: Thanks so much for joining us there, and it's always

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Speaker 2: a pleasure mate. And yeah, hopefully in personal next time

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Speaker 2: that'll be a trait.

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Speaker 7: Yeah, awesome, guys, thanks so much for having me.

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Speaker 1: It's the Will and Woody Podcast.

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Speaker 2: We're currently sharing Kylin Jackie Oh's studio. We're in Sydney

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Speaker 2: filming a TV show. Wards, we're living together. We're coming

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Speaker 2: here every day and graciously they've let us to use

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Speaker 2: their studio, which is really nice, very kind. We're not

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Speaker 2: allowed to use their microphones. No, totally fair enough. Normally

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Speaker 2: they've got their their gold and their silvery sparkled bedazzled numbers.

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Speaker 3: Yep, we've just got a few big w numbers. I

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Speaker 3: think microphones have got the monochrome.

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Speaker 2: We're not allowed to use their coffee machine. We're only

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Speaker 2: allowed to use an instant coffee available in the kitchen.

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Speaker 2: That's cool, but look at the end of the day,

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Speaker 2: we're using the space when you're a studio, so we're

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Speaker 2: super grateful. Yes, Now, when you're working in the same

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Speaker 2: space over a long period of time, naturally, any human

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Speaker 2: releases forms of gas. Now, this was off air that

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Speaker 2: I did this, and I'm sorry. I don't mean to

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Speaker 2: talk about farts. You and I normally get pulled in

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Speaker 2: for doing you know, juvenile content in and around farts,

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Speaker 2: these sorts of things.

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Speaker 4: But we didn't do this on air.

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Speaker 2: This was all off air until our digital producer kV

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Speaker 2: filmed me, recorded me, and then put on our socials

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Speaker 2: me farting during an ad break. Here is the fart,

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Speaker 2: just just so you can hear it here, jalous, it's.

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Speaker 3: Quite cute, clear as quite a cute one, nice little

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Speaker 3: cute one.

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Speaker 2: Know it again.

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Speaker 4: I think we should hear it again. It's more talous.

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Speaker 2: This is why we're not able to do it.

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Speaker 9: Fart.

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Speaker 2: Sorry you have time to quite you had your headphones on.

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Speaker 2: I didn't hear it. All's fair in love war and

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Speaker 2: a little cheeky fart in the ad break as far

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Speaker 2: as I'm concerned. Now, this is where things get interesting.

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Speaker 2: Kyle Sandalans is not on socials apparently, but he gets

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Speaker 2: one of his many minions here to He's almost like

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Speaker 2: the wicked witch of the West. And his minions are

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Speaker 2: like the crows or the monkeys with the crow wings.

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Speaker 2: Good description fly around, they get things for him, They

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Speaker 2: give him the fodder and then you know, he comes

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Speaker 2: back to him and then he tortures us. And this

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Speaker 2: is exactly what happened today. And he sent in how

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Speaker 2: do I put this his muscles.

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Speaker 4: Called his mate. I think he is mates with this guy.

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Speaker 2: I'm sure he's mates with him, but he basically enlisted

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Speaker 2: the scariest person in Sydney to give a call.

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Speaker 4: Yeah, hey, guys, hey, I've been watching the video with me.

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Speaker 11: Mate here John for him. He wants to welcome you

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Speaker 11: to Sydney.

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Speaker 9: Holy moly, John, John, Hey buddy.

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Speaker 4: It's really really good thing.

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Speaker 2: John.

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Speaker 4: Nice to meet you, man, Nice to meet you.

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Speaker 11: You didn't seriously fight and.

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Speaker 5: Well, I want to make it very clear that it

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Speaker 5: was actually Will who did that. So you've got Will here.

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Speaker 2: Yeah, sure, okay, John, Yeah, Yeah, you know. Look, I look, yeah,

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Speaker 2: I might have. I might have let one slip, just

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Speaker 2: in the rigors of joing the show. Yeah.

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Speaker 11: Wait, he's not having it.

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Speaker 2: She First of all, you're a dog.

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Speaker 4: No, well you hell, I'm sorry.

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Speaker 2: I abandoned me in a moment of that was pathetic.

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Speaker 12: Yeah.

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Speaker 2: I would never go to war with you. You are

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Speaker 2: a coward.

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Speaker 4: I'd be shocking.

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Speaker 2: I was getting tortured, coward.

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Speaker 4: I would squeal.

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Speaker 2: Even ask for my name. I did you actually interrupted

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Speaker 2: the conversation to say, first of all, before you go on, John,

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Speaker 2: it definitely wasn't me. It was Will. And then you

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Speaker 2: left me to hang out to dry to Johnny Bream.

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Speaker 4: Yeah, no, the evidence is compelling.

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Speaker 2: I apologize, baby.

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Speaker 4: Yeah, no, I get that, but I am a coward.

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Speaker 6: Uh.

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Speaker 4: And here's the thing.

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Speaker 3: I sort of thought it was a bit of a joke,

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Speaker 3: but then We actually were on Kyle and Jack Yo's

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Speaker 3: show this morning because they were obviously talking about it,

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Speaker 3: and I was like, in jest, I brought up the

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Speaker 3: whole John Ibrahim thing just to make sure it was

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Speaker 3: a joke.

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Speaker 12: We've been shitless for the last twelve hours, worried.

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Speaker 11: That John ibrihim is looking for us. He was just joking, right, Oh, no,

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Speaker 11: he's not looking for you. He's got the tongue and

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Speaker 11: is out looking for you.

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Speaker 4: Yea perfect.

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Speaker 13: We actually haven't left the flat for about ten hours.

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Speaker 4: We need to leave Sydney. We need to leave Sydney immediately.

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Speaker 2: No, we're not backing down. And this is where this

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Speaker 2: is where I've got a point with you. Bullies only

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Speaker 2: respond to strength wards.

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Speaker 4: Yeah, what do you want to do?

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Speaker 2: I think we need to strike back.

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Speaker 3: I think that is a terrible idea at all. I

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Speaker 3: think we flee.

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Speaker 2: No, absolutely not. Thirty one o six five is a

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Speaker 2: fine number. We're in this studio every day at the moment.

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Speaker 2: If you guys have got an idea as to how

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Speaker 2: we can get Kyle back for threatening us with John Ibrahim,

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Speaker 2: give us a call on thirty one six five.

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Speaker 3: Did you just hear that sentence? You want to you

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Speaker 3: want to hit back the king of Australian raiding.

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Speaker 2: I don't want to hit him back. I want to.

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Speaker 4: Metaphorically, you want to hit back, you want you want

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Speaker 4: to get him back? Yeah, what are you thinking?

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Speaker 8: Like?

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Speaker 4: What sort of stuff are you thinking?

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Speaker 2: I'm not sure. I'm not sure. Sky's the limit here,

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Speaker 2: thirty one or six fives of phone number? You've got

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Speaker 2: an idea of how he can prank Kyle Back. I

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Speaker 2: would love to hear from you. You and I sharing

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Speaker 2: coylein Jackie Oh's studio at the moment. We're both up

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Speaker 2: in Sydney filming a TV show. And I threw caution

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Speaker 2: to the wind, mind the pun during an ad break

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Speaker 2: a couple of days ago, and yeah, I had a

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Speaker 2: little pop during an ad break. Now look that audio

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Speaker 2: was captured. It was a cute one. It was an

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Speaker 2: ineffensive one. As I said, all's fair in love and

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Speaker 2: Warren a bit of a fart in the ad break.

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Speaker 2: That's in the radio codes, of course. So I felt

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Speaker 2: very comfortable about this. Anyway, Kyle found out about it,

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Speaker 2: I am sitting in his chair and to be fair,

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Speaker 2: it was probably a drop in the ocean of stuff

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Speaker 2: that the big fellow release is in here.

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Speaker 3: I mean, it's true we should be offending the man.

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Speaker 3: We shouldn't been registered on this chair. This chair is

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Speaker 3: used to a barrage. Here is like the Gates of

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Speaker 3: Mordor when it comes to farts. Like it has received

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Speaker 3: all sorts of assaults in the past.

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Speaker 2: It's still good.

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Speaker 4: I do not think we should be offending this guy.

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Speaker 3: Because Kyle's response to finding out that you fart on

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Speaker 3: his chair was to get his mate, John Ibrahim to

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Speaker 3: give us a phone call.

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Speaker 2: Hey guys, Kyle.

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Speaker 11: Hey, I've been watching a video with me mate here,

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Speaker 11: John Ibrahim. He wants to welcome you to Sydney.

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Speaker 9: Holy moly, John, John, Hey buddy, how you doing.

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Speaker 4: Hey, it's really really good things.

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Speaker 7: John.

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Speaker 4: Nice to meet you, man.

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Speaker 12: Nice to meet you.

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Speaker 11: Seriously fighting.

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Speaker 5: Well, I want to make it very clear that it

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Speaker 5: was actually Will who did that.

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Speaker 4: So you've got Will here.

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Speaker 2: Yeah, sure, okay, John, Yeah, Yeah, you know. Look, look, yeah,

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Speaker 2: I might have I might have let one slip, just

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Speaker 2: in the rigors of joining the show.

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Speaker 11: Yeah wait, he's not having it.

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Speaker 2: First of all, I might die for this, but you

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Speaker 2: are going straight to hell for own your friend in

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Speaker 2: the line. Of fire when he needed you.

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Speaker 3: I'll take hell over John Ibrahim trying to hunt me down.

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Speaker 2: You don't know who Johnny Abraham is, by the way,

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Speaker 2: if you're not, they pretty much did a whole season

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Speaker 2: of Underbelly about him. That's the kind of status we're

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Speaker 2: dealing with him.

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Speaker 4: He's the king of the Cross. Here's the king of

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Speaker 4: the Cross.

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Speaker 10: Yeah.

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Speaker 2: So third and one O six five is a phone number.

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Speaker 2: I think bullies only respond to strength woods. Kyle got

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Speaker 2: us back with a threat from Johnny Ibrahim. Yeah, I

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00:15:22,160 --> 00:15:24,960
Speaker 2: didn't appreciate it. Time to strike back you and again

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00:15:25,080 --> 00:15:29,480
Speaker 2: Kyle back? Yeah, third and one O six five. What

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Speaker 2: do you think we should do? How do you think

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Speaker 2: we should prank? Calm back? Sam? Aboard aboard a boat?

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Speaker 4: Finally a voicive reason. Finally, a vosive reason. Just yeah,

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Speaker 4: just just leave the city, you think, Sam, I think

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Speaker 4: the world is a.

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Speaker 3: Big place and the borders are open.

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Speaker 2: Will get your bath bought out?

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Speaker 3: Yeah? That's that is Sage advice, Sam, Sage advice, but

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Speaker 3: it's not very fun.

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Speaker 2: Zion is called on thirty one and six five. Zion.

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Speaker 2: How you doing Hi?

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Speaker 7: I think you okay?

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Speaker 2: How do you think we should prank carback.

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Speaker 7: So I was thinking like a conger line of people

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Speaker 7: to go past the chair and fast on their way past.

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Speaker 3: So just bringing through anyone in the office. Maybe we

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Speaker 3: just bring in a particularly flatulent inducing food.

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Speaker 2: Like like like a big five bean paste, like yeah on.

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Speaker 4: Some coulieflower or something, and then we just bring the

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Speaker 4: whole office in here.

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Speaker 2: Yeah, I don't mind it. That could be a range

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Speaker 2: of mind. He has got to sit in the chair again,

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Speaker 2: Mark on thirty one and six five. How should we

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Speaker 2: prank carlback?

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Speaker 13: Well, since Carlock's parking his cars in the all the

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Speaker 13: no parking zone, get one of your car.

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Speaker 3: We don't know, we've got access to where he parks

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Speaker 3: his car.

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Speaker 4: Everybody. I wouldn't want to damage his car though.

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Speaker 3: If we told he's driving the Ghost what is it

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Speaker 3: the Bentley, doesn't it Bentley ghosts Sexymobile?

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Speaker 2: Yeah, his car takes out like a quarter of the

385
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Speaker 2: underground car park.

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Speaker 4: Yeah here at the station.

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Speaker 2: That's one thing we found out. We don't have a

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Speaker 2: car park. Now we have to car park share with

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Speaker 2: the head of sales, or not even the head of sales,

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Speaker 2: the assistant head of online sales or something. We share

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Speaker 2: their car park and they burnt us out. Kyle is

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Speaker 2: a quarter of the car park here to himself.

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Speaker 3: Is it too simple to us get here really early

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Speaker 3: tomorrow and take his car park, just slash his tires?

395
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Speaker 4: Why it wasn't going to face Brad here? Brad? What

396
00:17:30,000 --> 00:17:30,960
Speaker 4: do you reckon we should do?

397
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Speaker 3: We're thinking we're considering getting Kyle back for him threatening

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Speaker 3: us with John Ibrahim.

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Speaker 8: All right, boys, let me explain something to you. You're

400
00:17:39,000 --> 00:17:40,560
Speaker 8: not from here, and I'm only going to address Will

401
00:17:40,560 --> 00:17:43,200
Speaker 8: because Woody, clearly you're the brains of the group. Okay,

402
00:17:43,840 --> 00:17:47,440
Speaker 8: don't mess with King Kyle brother yield before. So's just

403
00:17:47,600 --> 00:17:50,280
Speaker 8: let this one slide. But if you were going to

404
00:17:50,320 --> 00:17:53,080
Speaker 8: do something to him, yes, might be a good idea

405
00:17:53,160 --> 00:17:58,720
Speaker 8: to tinfoil everything in his office individually. Any parts you

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Speaker 8: do do slide.

407
00:17:59,600 --> 00:18:05,000
Speaker 2: Right off, so we could tin foil his chair. Yeah,

408
00:18:05,040 --> 00:18:06,639
Speaker 2: before he comes in tomorrow. I mean it's a bit

409
00:18:06,680 --> 00:18:08,639
Speaker 2: of a nuisance for him. I obviously don't want to like,

410
00:18:08,760 --> 00:18:11,159
Speaker 2: you know, it's been fun between us so far.

411
00:18:11,440 --> 00:18:13,800
Speaker 3: No, Yeah, we've got a good relationship, a good relationship

412
00:18:13,840 --> 00:18:17,119
Speaker 3: with him. He says nice things about us to our

413
00:18:17,200 --> 00:18:20,919
Speaker 3: faces when we see him, really really when we see him,

414
00:18:20,960 --> 00:18:24,040
Speaker 3: says lovely things to us. Look, leave it with us, guys.

415
00:18:24,200 --> 00:18:27,680
Speaker 3: I look, if we're going to do this, I'm terrible.

416
00:18:27,720 --> 00:18:30,800
Speaker 3: I'm nervous about him.

417
00:18:30,920 --> 00:18:31,280
Speaker 4: Keep going.

418
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Speaker 3: He's a big figure and he's intimidating. He's also mates

419
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Speaker 3: with John Ibrahim, and he has made a threat against us.

420
00:18:36,840 --> 00:18:40,200
Speaker 3: It's quite scary scary prospects at the moment, But I

421
00:18:40,320 --> 00:18:41,679
Speaker 3: do like the idea of having a bit of fun

422
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Speaker 3: with this.

423
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Speaker 2: I don't think we've got the idea. Damn no, I

424
00:18:43,840 --> 00:18:46,840
Speaker 2: don't think we've known it yet. I would like to

425
00:18:46,880 --> 00:18:48,040
Speaker 2: know where the gold microphone is.

426
00:18:48,560 --> 00:18:50,720
Speaker 4: I'm pretty sure I know where it is. Wow, I

427
00:18:51,320 --> 00:18:52,720
Speaker 4: had a photo with it once. I sent it to

428
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Speaker 4: my family.

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Speaker 1: It's the Will and Woody Podcast.

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Speaker 2: Is it okay to hook up with someone at a wake?

431
00:19:00,320 --> 00:19:02,120
Speaker 2: That's the question we're asking all of you, guys, because

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Speaker 2: one of our producers, Missus doubtfires, join us in the studio.

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00:19:07,400 --> 00:19:08,960
Speaker 2: Welcome doubt Fire, Welcome back.

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00:19:09,119 --> 00:19:12,840
Speaker 3: Hello, nice failed it did your own voice.

435
00:19:12,880 --> 00:19:14,160
Speaker 4: I don't need the audio there at all.

436
00:19:14,240 --> 00:19:18,919
Speaker 2: Goodness, now mate, talk because you're right in your email.

437
00:19:19,040 --> 00:19:20,680
Speaker 2: We get an email of what's going on in the

438
00:19:20,720 --> 00:19:22,560
Speaker 2: world in the morning you send an email this morning.

439
00:19:22,600 --> 00:19:24,800
Speaker 2: And before we got into the stories, you're just like boys.

440
00:19:24,800 --> 00:19:27,200
Speaker 2: Before I crack into it, is it okay to hook

441
00:19:27,280 --> 00:19:28,920
Speaker 2: up with someone at awake? You had a story? And

442
00:19:29,000 --> 00:19:30,679
Speaker 2: then I was like, where's this come from? Now you've

443
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Speaker 2: got a story for us far.

444
00:19:31,600 --> 00:19:32,560
Speaker 4: Away, a bit of a story.

445
00:19:32,920 --> 00:19:36,040
Speaker 14: I went to see my mate the other night and

446
00:19:36,760 --> 00:19:40,560
Speaker 14: she had attended a memorial awake over the weekend that

447
00:19:40,640 --> 00:19:43,159
Speaker 14: had been put off because of COVID. People haven't been

448
00:19:43,160 --> 00:19:45,240
Speaker 14: able to get together, so they put it off. So

449
00:19:45,320 --> 00:19:47,399
Speaker 14: they went away and they had this massive du like

450
00:19:47,760 --> 00:19:49,080
Speaker 14: thirty to forty people.

451
00:19:49,320 --> 00:19:49,520
Speaker 2: Nice.

452
00:19:49,920 --> 00:19:52,359
Speaker 14: So I'm like, really trading sensitively around.

453
00:19:52,119 --> 00:19:53,560
Speaker 4: The area, like how you feeling, mate?

454
00:19:53,600 --> 00:19:54,720
Speaker 2: You're right, You're right, yours you?

455
00:19:54,800 --> 00:19:55,280
Speaker 14: I'm all right?

456
00:19:55,480 --> 00:19:57,200
Speaker 1: But I have this little twinkling her and I was like,

457
00:19:57,240 --> 00:19:58,800
Speaker 1: what what you got? Someone tell me?

458
00:19:58,920 --> 00:20:01,400
Speaker 4: She went, well, you know that drought I was telling

459
00:20:01,440 --> 00:20:03,440
Speaker 4: you about a couple of weeks ago. It's ended.

460
00:20:04,520 --> 00:20:06,800
Speaker 2: What she said.

461
00:20:06,880 --> 00:20:08,760
Speaker 14: Yeah, So we did all the you know, we did

462
00:20:08,800 --> 00:20:10,520
Speaker 14: the service, We had a good cry, had a good

463
00:20:10,560 --> 00:20:13,159
Speaker 14: feed at a bottle of wine, and then well he

464
00:20:13,280 --> 00:20:13,960
Speaker 14: was just sat.

465
00:20:13,840 --> 00:20:15,200
Speaker 5: There and I just jumped on him.

466
00:20:15,440 --> 00:20:20,159
Speaker 4: What was what was the connections to the to the past,

467
00:20:21,000 --> 00:20:21,439
Speaker 4: the deceased.

468
00:20:22,680 --> 00:20:26,879
Speaker 14: Yeah, yeah, so and she she was attending her cousin's

469
00:20:27,440 --> 00:20:31,680
Speaker 14: memorial and she hooked up with her cousin's best mate.

470
00:20:32,680 --> 00:20:39,480
Speaker 2: Oh oh wow, that's it's close connect tide connects. Yeah.

471
00:20:41,240 --> 00:20:43,840
Speaker 2: Is there a rule around her though, like hooking up? Like,

472
00:20:44,320 --> 00:20:46,840
Speaker 2: do you think that surely the closer you are with

473
00:20:47,000 --> 00:20:49,720
Speaker 2: the with the disease, Well, yes, that would mean that

474
00:20:49,960 --> 00:20:52,800
Speaker 2: it precludes you from hooking up with someone. Do you

475
00:20:52,880 --> 00:20:55,359
Speaker 2: think cousin's a bit close? Elge? I don't know.

476
00:20:55,440 --> 00:20:57,159
Speaker 14: I think you would have approved. I think it had

477
00:20:57,240 --> 00:20:59,040
Speaker 14: been like, do you know what it's been a massively

478
00:20:59,119 --> 00:21:02,400
Speaker 14: tough year. You've you've been through Helen Bike. You've had

479
00:21:02,440 --> 00:21:05,760
Speaker 14: a few babies getting with him, some getting there at.

480
00:21:05,760 --> 00:21:08,920
Speaker 2: Least the words of the dead person that you're using,

481
00:21:10,200 --> 00:21:14,040
Speaker 2: it's been blood. It's tough. A couple of bies get

482
00:21:14,200 --> 00:21:16,840
Speaker 2: in there until That's exactly what he was thinking, is

483
00:21:16,880 --> 00:21:20,560
Speaker 2: he was six feet under. We're taking calls right now,

484
00:21:20,680 --> 00:21:24,239
Speaker 2: thirty six five days with that missus doubtfire lovely from

485
00:21:24,280 --> 00:21:26,240
Speaker 2: you guys. Is it okay to hook up with someone

486
00:21:26,440 --> 00:21:28,040
Speaker 2: at a wait? Have you hooked up with someone the

487
00:21:28,080 --> 00:21:30,800
Speaker 2: wake Blake's called on thirty one and sixty five, Blake,

488
00:21:30,920 --> 00:21:34,000
Speaker 2: this is your best friends wake?

489
00:21:35,000 --> 00:21:37,399
Speaker 11: Yep, okay, well yes it was so.

490
00:21:37,800 --> 00:21:41,400
Speaker 13: Yeah, I haven't seen all the boys in years, went back,

491
00:21:41,480 --> 00:21:44,040
Speaker 13: caught up with everyone and we kind of bummed into

492
00:21:44,080 --> 00:21:46,159
Speaker 13: each other outside the toilets and who's we?

493
00:21:46,600 --> 00:21:47,000
Speaker 2: Who's we?

494
00:21:47,920 --> 00:21:49,400
Speaker 12: Me and one of the girls that was there.

495
00:21:50,880 --> 00:21:54,480
Speaker 2: What's the connection with her and the deceased? She is?

496
00:21:55,280 --> 00:21:58,840
Speaker 4: She was friends with the wife, Okay, friends.

497
00:21:58,560 --> 00:22:01,240
Speaker 2: With Okay, so that's just enough for her. But you're

498
00:22:01,520 --> 00:22:03,160
Speaker 2: you're this blokes best friend?

499
00:22:03,760 --> 00:22:05,639
Speaker 13: Yeah, well yeah, he was one of one of the

500
00:22:05,760 --> 00:22:07,679
Speaker 13: one of the main boys in the group. Yep, okay,

501
00:22:08,600 --> 00:22:10,600
Speaker 13: And yeah, so we ended up bumping into each other

502
00:22:10,640 --> 00:22:12,720
Speaker 13: outside the toilet. We didn't go on like, you know,

503
00:22:12,840 --> 00:22:15,560
Speaker 13: drinking all night yea, And yeah I ended up in

504
00:22:15,600 --> 00:22:16,399
Speaker 13: the disabled toilet.

505
00:22:16,840 --> 00:22:22,240
Speaker 3: Oh, like your best mate's a wingman from the grave,

506
00:22:22,560 --> 00:22:27,160
Speaker 3: which yeah, there, which which it was funny as soon

507
00:22:27,200 --> 00:22:29,639
Speaker 3: as I say that out loud, if I if I,

508
00:22:29,840 --> 00:22:33,480
Speaker 3: if I died and my best mate was at my wake, I.

509
00:22:33,520 --> 00:22:36,280
Speaker 4: Would be pumped about him hooking up with someone.

510
00:22:37,320 --> 00:22:39,560
Speaker 3: If it's my wag that's got you together with someone,

511
00:22:39,960 --> 00:22:41,480
Speaker 3: like you know, I can't fist bump you. But you know,

512
00:22:41,520 --> 00:22:44,600
Speaker 3: at least give my my stone hinge a tap or something,

513
00:22:44,640 --> 00:22:46,840
Speaker 3: you know what I mean, my stone henge. Yeah, you know,

514
00:22:46,960 --> 00:22:50,560
Speaker 3: my gravestone, Give.

515
00:22:50,480 --> 00:22:58,080
Speaker 4: My tamp, give my graves gravestone, and I think I'd

516
00:22:58,119 --> 00:22:58,480
Speaker 4: be pumped.

517
00:22:58,480 --> 00:22:59,840
Speaker 2: All right, Well, let's see it for some other people

518
00:22:59,880 --> 00:23:03,320
Speaker 2: that that's your point of view. Books Fi pup stone

519
00:23:03,440 --> 00:23:06,400
Speaker 2: Ende fed him one six five a wingman from beyond

520
00:23:06,480 --> 00:23:08,560
Speaker 2: the grave. As you've described it, is it okay to

521
00:23:08,640 --> 00:23:11,960
Speaker 2: hook up with someone at awake? Is it okay to

522
00:23:12,000 --> 00:23:15,760
Speaker 2: hook up with someone at awake? I've got some very

523
00:23:15,760 --> 00:23:18,480
Speaker 2: good friends of mine who refused to be named, or

524
00:23:18,520 --> 00:23:20,879
Speaker 2: at least the male in the relationship refused to be

525
00:23:20,960 --> 00:23:26,360
Speaker 2: named who hooked up at awake and are still together. Yeah,

526
00:23:26,359 --> 00:23:28,880
Speaker 2: because I think he made his play at the wake.

527
00:23:30,000 --> 00:23:31,960
Speaker 4: Yeah, I mean, which is which is questionable?

528
00:23:32,119 --> 00:23:34,199
Speaker 2: I think he was. I think he was fancying her

529
00:23:34,280 --> 00:23:36,680
Speaker 2: for a long time. Sure she then you know, saw

530
00:23:36,760 --> 00:23:39,000
Speaker 2: her drunken grieving, and that's when he made a play.

531
00:23:39,240 --> 00:23:43,440
Speaker 2: Which is which is which is reminiscent of wedding crashes.

532
00:23:43,440 --> 00:23:46,080
Speaker 2: If we all remember the scene with Will Ferrell at

533
00:23:46,119 --> 00:23:46,680
Speaker 2: a funeral.

534
00:23:46,840 --> 00:23:48,479
Speaker 15: Yeah, I'll throw on a wedding every now and then,

535
00:23:48,960 --> 00:23:50,359
Speaker 15: but funerals are insane.

536
00:23:50,840 --> 00:23:54,200
Speaker 2: The chicks are so horny it's not even fair. So

537
00:23:55,000 --> 00:23:59,200
Speaker 2: so if that's you, is that true grief is an aphrodisiac?

538
00:23:59,240 --> 00:23:59,680
Speaker 4: Apparently?

539
00:24:00,680 --> 00:24:02,600
Speaker 3: I just feel like I don't want to comment on that,

540
00:24:02,680 --> 00:24:04,960
Speaker 3: because I do think that if someone is grieving, the

541
00:24:05,080 --> 00:24:06,600
Speaker 3: last thing you want to be doing is taking advantage

542
00:24:06,600 --> 00:24:07,000
Speaker 3: of that person.

543
00:24:08,320 --> 00:24:12,320
Speaker 2: Necessarily taking advantage. You might be consoling each other. You

544
00:24:12,400 --> 00:24:14,560
Speaker 2: know you're comforting each other in your grief, but if

545
00:24:14,600 --> 00:24:16,960
Speaker 2: you want someone to hold, if your intentions aren't to

546
00:24:17,000 --> 00:24:18,960
Speaker 2: grieve with the person, it's just to like, oh, here

547
00:24:19,000 --> 00:24:20,760
Speaker 2: we go. Then I think that's a bit of foul play.

548
00:24:20,960 --> 00:24:23,680
Speaker 2: Having said that, sorry, what you just said that you

549
00:24:23,840 --> 00:24:26,240
Speaker 2: just said before the dead person would fist bump you

550
00:24:26,359 --> 00:24:27,400
Speaker 2: from the grave.

551
00:24:27,280 --> 00:24:29,920
Speaker 3: I said, if I was the dead person, I would

552
00:24:29,960 --> 00:24:32,840
Speaker 3: be pumped into my friend hooked up at my way

553
00:24:33,200 --> 00:24:34,320
Speaker 3: right if they were.

554
00:24:34,240 --> 00:24:37,280
Speaker 2: Taking advantage of a grieving person, woulds no, So you're

555
00:24:37,320 --> 00:24:38,400
Speaker 2: going straight to heaven, my friend.

556
00:24:38,480 --> 00:24:38,639
Speaker 4: Thank you?

557
00:24:38,720 --> 00:24:40,880
Speaker 2: Every got Sam here on thirteen one and six five,

558
00:24:40,920 --> 00:24:43,480
Speaker 2: Your bloody Sam, Sam? Can you hook up with someone

559
00:24:43,520 --> 00:24:43,920
Speaker 2: at awake?

560
00:24:46,720 --> 00:24:49,800
Speaker 8: I think cooking up someone's awake is not the best idea,

561
00:24:49,920 --> 00:24:53,080
Speaker 8: even though in my story I have so.

562
00:24:53,520 --> 00:24:56,280
Speaker 9: For me. It was at my best mate's wake.

563
00:24:56,920 --> 00:24:59,080
Speaker 8: Yeah, and while the fan.

564
00:24:59,040 --> 00:25:02,000
Speaker 12: Was sitting Now I'm quite friendly, quite probably very friendly

565
00:25:02,040 --> 00:25:02,560
Speaker 12: of the family.

566
00:25:02,880 --> 00:25:04,800
Speaker 11: The sister was crying, so I went up to hug

567
00:25:04,880 --> 00:25:06,840
Speaker 11: the sister to make try and make her feel better.

568
00:25:07,000 --> 00:25:11,359
Speaker 2: So the sister, the sister of the deceased, the sister

569
00:25:11,480 --> 00:25:13,720
Speaker 2: of the defeas Jim whiz.

570
00:25:13,560 --> 00:25:14,119
Speaker 9: Mate on.

571
00:25:16,240 --> 00:25:19,200
Speaker 11: And as I hugged her, she leaned in for a kiss.

572
00:25:21,320 --> 00:25:24,560
Speaker 2: So she's taking advantage of you. She's lured you in

573
00:25:24,720 --> 00:25:27,840
Speaker 2: with her grief and then she she knows you're going

574
00:25:27,880 --> 00:25:29,840
Speaker 2: to console her, and she takes advantage of you.

575
00:25:31,200 --> 00:25:31,400
Speaker 7: Yeah.

576
00:25:31,440 --> 00:25:33,840
Speaker 12: And this was probably a good solid five to ten

577
00:25:33,920 --> 00:25:35,320
Speaker 12: seconds in front of everyone.

578
00:25:35,560 --> 00:25:40,000
Speaker 8: Everyone of the way, oh my god, there was quite

579
00:25:40,040 --> 00:25:41,359
Speaker 8: a bigger gasp from everyone.

580
00:25:41,600 --> 00:25:44,480
Speaker 12: But I think what made me laugh was that the

581
00:25:44,680 --> 00:25:46,520
Speaker 12: dad was cheering in the background.

582
00:25:49,200 --> 00:25:50,840
Speaker 1: It's the Will and Woody podcast.

583
00:25:51,640 --> 00:25:53,440
Speaker 2: Bit of context for everyone. You and I are doing

584
00:25:53,520 --> 00:25:56,200
Speaker 2: our radio show every day at the moment in the

585
00:25:56,320 --> 00:25:58,040
Speaker 2: studios of Kyle and Jackie are.

586
00:25:58,400 --> 00:26:00,720
Speaker 4: They're very good of them to allow to use their studio.

587
00:26:00,840 --> 00:26:04,200
Speaker 2: Will all right, mate, if you don't get your nose

588
00:26:04,240 --> 00:26:06,440
Speaker 2: out of their ass cracks soon. I mean, I'm so

589
00:26:06,680 --> 00:26:09,840
Speaker 2: sick of you brown nosing. It's actually very good of

590
00:26:09,880 --> 00:26:14,480
Speaker 2: the of course, look it's very good of them. The

591
00:26:14,560 --> 00:26:17,040
Speaker 2: reason that you're walking on eggshl so much is because

592
00:26:17,119 --> 00:26:20,160
Speaker 2: yesterday during the show, during the ads, which it happens, Okay,

593
00:26:20,200 --> 00:26:22,760
Speaker 2: I didn't do it on air or anything. I may

594
00:26:23,520 --> 00:26:29,000
Speaker 2: have thrown caution to the winds, had a little fart

595
00:26:29,040 --> 00:26:30,760
Speaker 2: on air. It was in the ads. No one noticed

596
00:26:30,800 --> 00:26:34,000
Speaker 2: apart from our digital producer Kate, who was filming us

597
00:26:34,000 --> 00:26:37,879
Speaker 2: all the time. She posted on our socials. Unfortunately, Kyle

598
00:26:38,040 --> 00:26:42,800
Speaker 2: saw this I am sitting in his chair, which again

599
00:26:43,119 --> 00:26:46,119
Speaker 2: I would like to stress was like a person blowing

600
00:26:46,200 --> 00:26:49,920
Speaker 2: on it versus the absolute gales that it probably cops

601
00:26:49,920 --> 00:26:52,960
Speaker 2: while he's sitting on this thing. Now, he saw this

602
00:26:53,080 --> 00:26:57,680
Speaker 2: thing and he got well, he got a very scary

603
00:26:57,800 --> 00:26:59,399
Speaker 2: man to call me and threaten me.

604
00:27:00,280 --> 00:27:02,359
Speaker 11: It's your lip him. He wants to welcome you to Sydney.

605
00:27:02,600 --> 00:27:07,439
Speaker 9: Holy moly, John, John, Buddy, you know.

606
00:27:07,800 --> 00:27:09,040
Speaker 4: Hey, it's really really good things.

607
00:27:09,080 --> 00:27:09,280
Speaker 7: John.

608
00:27:09,359 --> 00:27:11,040
Speaker 4: Nice to meet you, man, Nice to meet you.

609
00:27:11,560 --> 00:27:14,280
Speaker 11: Seriously, fight in coshare did you wait?

610
00:27:14,359 --> 00:27:17,600
Speaker 2: He's not having it now Woods in that situation. We

611
00:27:17,720 --> 00:27:19,720
Speaker 2: haven't played the whole audio clip there, but you threw

612
00:27:19,800 --> 00:27:20,400
Speaker 2: me under the bus.

613
00:27:20,560 --> 00:27:22,320
Speaker 4: Well, you're the one who farted, so you deserved it.

614
00:27:22,600 --> 00:27:26,600
Speaker 2: Fine, fair enough, my cowardly friend. But then, in the

615
00:27:26,720 --> 00:27:30,040
Speaker 2: ultimate case of suffering in your jocks, quite literally your

616
00:27:30,160 --> 00:27:34,800
Speaker 2: fart filled jocks, you also let Fluffy off the chain

617
00:27:35,240 --> 00:27:38,360
Speaker 2: in this show as you're sitting in Jackie Oh's chair.

618
00:27:39,560 --> 00:27:44,639
Speaker 4: She's just at home though, easy, ok, okay, no, no,

619
00:27:44,760 --> 00:27:45,960
Speaker 4: Jackie will not find it funny.

620
00:27:46,359 --> 00:27:48,920
Speaker 3: That was a direct message at our audio producer, a

621
00:27:49,000 --> 00:27:51,840
Speaker 3: digital producer, Kate, to not put that video on our socials.

622
00:27:51,960 --> 00:27:52,399
Speaker 2: But she did.

623
00:27:52,600 --> 00:27:55,359
Speaker 4: She did, and I'm very unhappy about it.

624
00:27:56,160 --> 00:27:57,320
Speaker 2: She's scared having some.

625
00:27:57,400 --> 00:28:00,960
Speaker 4: Words anyway, Jackie's been centered. Get this. Jackie has like

626
00:28:01,080 --> 00:28:03,920
Speaker 4: left me a voicemail. I'm changing my number. I'm getting

627
00:28:03,960 --> 00:28:05,199
Speaker 4: out of here. I'm going underground, but.

628
00:28:05,520 --> 00:28:07,840
Speaker 2: You've got Jackie chasing. I've got Johnny brihim after me.

629
00:28:08,320 --> 00:28:12,240
Speaker 4: Yeah, I prefer because I know Jackie doesn't like farts. Anyway.

630
00:28:12,280 --> 00:28:13,359
Speaker 4: This is the voicemail she left me.

631
00:28:14,160 --> 00:28:17,120
Speaker 7: Hey what it is, JACKI oh, yeah, I just got

632
00:28:17,240 --> 00:28:22,080
Speaker 7: sent a really interesting story actually of you farting on

633
00:28:22,240 --> 00:28:25,359
Speaker 7: my chair. What the f is wrong with you guys?

634
00:28:26,119 --> 00:28:29,800
Speaker 10: Seriously, first Kyles and now mine?

635
00:28:30,480 --> 00:28:33,399
Speaker 7: Do you know how I feel about farts? Okay, call

636
00:28:33,520 --> 00:28:35,320
Speaker 7: me back, but I do know.

637
00:28:35,320 --> 00:28:37,640
Speaker 4: How she feels about fats. I'm catching the next flight

638
00:28:37,680 --> 00:28:39,040
Speaker 4: out of Sydney. I need a leave.

639
00:28:39,120 --> 00:28:40,440
Speaker 2: We've got one more show to do here.

640
00:28:40,760 --> 00:28:41,200
Speaker 4: I don't care.

641
00:28:41,280 --> 00:28:42,520
Speaker 2: How's she going the film? And she knows that you

642
00:28:42,640 --> 00:28:44,960
Speaker 2: use her salt and pepper shankers, I do not. And

643
00:28:45,120 --> 00:28:47,120
Speaker 2: you rub the crystals that she's got in front of

644
00:28:47,160 --> 00:28:48,920
Speaker 2: her chair there as well. You like the crystals, No.

645
00:28:48,960 --> 00:28:49,240
Speaker 4: I don't.

646
00:28:49,240 --> 00:28:50,840
Speaker 3: I do like the hand soaps, though the hand soaps

647
00:28:50,840 --> 00:28:54,120
Speaker 3: are nice. My hands have never felt smoother. But seriously, no,

648
00:28:54,280 --> 00:28:57,320
Speaker 3: she doesn't like farts. No, and she's leaving me voicemails.

649
00:28:57,440 --> 00:28:59,360
Speaker 3: I'm going to just chuck this fine, I'm turfing it.

650
00:28:59,440 --> 00:29:00,360
Speaker 3: I'm gonna get out of here.

651
00:29:00,720 --> 00:29:02,960
Speaker 2: I actually you probably don't need to worry about calling

652
00:29:03,000 --> 00:29:04,520
Speaker 2: her if your personal phone, because I've got her to

653
00:29:04,560 --> 00:29:05,040
Speaker 2: call the show.

654
00:29:05,160 --> 00:29:07,400
Speaker 4: That's not funny on the hotline here, that's not funny,

655
00:29:08,840 --> 00:29:09,480
Speaker 4: could I jack?

656
00:29:10,800 --> 00:29:14,880
Speaker 7: Well? Well, well, well, oh my god, yeah, no I

657
00:29:15,040 --> 00:29:17,480
Speaker 7: expected dish of will not you, Boddy?

658
00:29:17,680 --> 00:29:19,080
Speaker 2: I'm so sorry, Jackie.

659
00:29:19,120 --> 00:29:19,760
Speaker 4: I'm so sorry.

660
00:29:20,320 --> 00:29:24,720
Speaker 7: No, no, no, no, no, so many questions. Okay, yep,

661
00:29:24,800 --> 00:29:28,640
Speaker 7: sure number one, you've been using my crystals.

662
00:29:29,400 --> 00:29:29,720
Speaker 2: Sorry.

663
00:29:29,880 --> 00:29:31,600
Speaker 4: He has a special of the crystals.

664
00:29:32,080 --> 00:29:34,120
Speaker 2: He holds them up, he loves them.

665
00:29:34,960 --> 00:29:37,000
Speaker 7: Oh my god, no wonder they're not working for me.

666
00:29:39,240 --> 00:29:41,040
Speaker 4: I'm taking all the good energy, Jackie.

667
00:29:41,080 --> 00:29:43,880
Speaker 2: You've got, Like remember Jackie's seat, She's got this lot

668
00:29:43,920 --> 00:29:45,720
Speaker 2: of little like set of goodies in front of her.

669
00:29:45,840 --> 00:29:47,480
Speaker 2: She's got the salt and pepper shakers.

670
00:29:47,720 --> 00:29:48,040
Speaker 4: What else?

671
00:29:48,040 --> 00:29:50,200
Speaker 2: Since she got there with bubblehead of Kyle dressed as

672
00:29:50,200 --> 00:29:50,720
Speaker 2: a warrior.

673
00:29:52,600 --> 00:29:55,840
Speaker 4: There's a stamp here saying your girl approved.

674
00:29:56,480 --> 00:29:58,520
Speaker 3: So I've been using I've been using that if they've

675
00:29:58,560 --> 00:30:01,400
Speaker 3: been and there's just a number of bells to call producers,

676
00:30:01,440 --> 00:30:02,800
Speaker 3: which I'm also quite enjoying.

677
00:30:07,720 --> 00:30:08,120
Speaker 12: Random.

678
00:30:08,240 --> 00:30:10,840
Speaker 2: You've got some random stuff there. You've got some random

679
00:30:10,880 --> 00:30:11,440
Speaker 2: stuff there.

680
00:30:11,960 --> 00:30:16,200
Speaker 7: The greatest defense, Yeah, yes, okay, yes, no, what you

681
00:30:16,280 --> 00:30:19,360
Speaker 7: were going to say, the greatest offense? Farting in my chair.

682
00:30:20,080 --> 00:30:22,400
Speaker 7: You know, I only spoke to you guys two weeks

683
00:30:22,440 --> 00:30:26,360
Speaker 7: ago about how much I hate parts and I have

684
00:30:26,520 --> 00:30:30,080
Speaker 7: not parted in twenty years for that very reason. No,

685
00:30:30,600 --> 00:30:34,280
Speaker 7: you haven't in twenty years and here you are no

686
00:30:34,760 --> 00:30:36,440
Speaker 7: farting on my chair.

687
00:30:36,800 --> 00:30:39,360
Speaker 2: Yeah no, I know, but it was a big, a

688
00:30:39,440 --> 00:30:42,280
Speaker 2: big part. But I think we should play it again.

689
00:30:43,200 --> 00:30:45,000
Speaker 2: Let's play it again. Let's still hear it again.

690
00:30:46,440 --> 00:30:54,440
Speaker 4: She's just at home there, easy, jagie.

691
00:30:55,920 --> 00:30:56,680
Speaker 2: What did you eat?

692
00:30:56,960 --> 00:30:57,000
Speaker 6: No?

693
00:30:57,680 --> 00:30:58,960
Speaker 12: No, what did you eat today?

694
00:30:59,520 --> 00:31:00,160
Speaker 4: My Actually he.

695
00:31:00,200 --> 00:31:02,840
Speaker 3: Found some bread which was a few days off in

696
00:31:02,960 --> 00:31:04,160
Speaker 3: the fridge here at the station.

697
00:31:08,160 --> 00:31:08,880
Speaker 4: Is that your bread?

698
00:31:11,360 --> 00:31:16,920
Speaker 2: I'm gonna cry, Oh my god, We've only got one

699
00:31:16,960 --> 00:31:18,880
Speaker 2: more show to do. You But I feel like if

700
00:31:18,920 --> 00:31:21,000
Speaker 2: you ran a black light across this studio and it

701
00:31:21,080 --> 00:31:22,960
Speaker 2: looked like the windscreen of a truck which had just

702
00:31:23,040 --> 00:31:27,040
Speaker 2: driven across the null ball. It is this studio. He's

703
00:31:27,080 --> 00:31:29,840
Speaker 2: getting in a deep clean when when we're out of.

704
00:31:31,400 --> 00:31:34,440
Speaker 7: I'm definitely doing that. And I may not have John

705
00:31:34,480 --> 00:31:37,280
Speaker 7: Ibrahim sitting next to me, but I have someone scarier

706
00:31:37,360 --> 00:31:38,560
Speaker 7: who wants to say something.

707
00:31:38,720 --> 00:31:41,520
Speaker 2: Oh Jesus, Okay, okay, I'm.

708
00:31:41,440 --> 00:31:42,120
Speaker 7: Handing you over.

709
00:31:42,520 --> 00:31:45,040
Speaker 12: Yeah, mummy's chat.

710
00:31:49,000 --> 00:31:50,600
Speaker 1: It's the Will and Woody podcast.

711
00:31:51,920 --> 00:31:52,760
Speaker 4: Wool and Woodies.

712
00:31:53,480 --> 00:31:57,680
Speaker 3: Fine alone, pretty simple task here. Thirteen one oh six

713
00:31:57,760 --> 00:32:00,360
Speaker 3: y five is a number. Call us and can instance

714
00:32:00,400 --> 00:32:03,120
Speaker 3: you're in the car with someone else, got Tracy here,

715
00:32:03,320 --> 00:32:04,200
Speaker 3: Hi Tracy.

716
00:32:04,800 --> 00:32:06,720
Speaker 2: Hillary, how are you very very well?

717
00:32:06,760 --> 00:32:08,000
Speaker 4: Who are you in the car with, Trice?

718
00:32:08,720 --> 00:32:10,320
Speaker 7: I'm with Anne Ann?

719
00:32:10,560 --> 00:32:11,600
Speaker 4: And who's Anne?

720
00:32:12,640 --> 00:32:14,560
Speaker 13: Anne is a very good friend of mine from work.

721
00:32:15,040 --> 00:32:17,160
Speaker 4: Okay, perfect, Chuck Anne on the fine place?

722
00:32:17,240 --> 00:32:20,560
Speaker 15: Trace, all right, I am it's got to have a chat.

723
00:32:20,640 --> 00:32:22,920
Speaker 1: Here are you?

724
00:32:23,040 --> 00:32:26,080
Speaker 4: My name is Anne O good I and Ianne?

725
00:32:26,480 --> 00:32:26,600
Speaker 2: Uh?

726
00:32:27,320 --> 00:32:28,360
Speaker 4: Are you from England?

727
00:32:28,480 --> 00:32:32,560
Speaker 8: And yeah, mom my mom's mom's from Scotland.

728
00:32:32,680 --> 00:32:34,240
Speaker 7: So I've got a bit of a rich accent. But

729
00:32:34,520 --> 00:32:36,480
Speaker 7: I'm over from Lancaster.

730
00:32:37,760 --> 00:32:44,440
Speaker 4: Lane Castire can make sense? Lipped a bit there, Tracy.

731
00:32:44,600 --> 00:32:55,400
Speaker 2: We think you're alone, yeah, Lane Castire, Trice. Sean's called

732
00:32:55,440 --> 00:32:59,280
Speaker 2: guy Sean. Who you in the car? Was, Shorty?

733
00:33:00,080 --> 00:33:01,480
Speaker 8: I got my work mate James with me.

734
00:33:03,000 --> 00:33:09,920
Speaker 4: Yeah, Chuck James on the phone. Yep, you're right good James,

735
00:33:10,760 --> 00:33:11,680
Speaker 4: big data that work?

736
00:33:12,840 --> 00:33:15,120
Speaker 2: No, not really? What do you do James?

737
00:33:15,400 --> 00:33:18,120
Speaker 8: What do you What are you doing with scaffolders?

738
00:33:18,840 --> 00:33:21,480
Speaker 2: Your scaffolders? Alright?

739
00:33:22,120 --> 00:33:24,200
Speaker 4: Okay, so can you put Shawn back on the phone place?

740
00:33:25,080 --> 00:33:25,280
Speaker 11: Yep?

741
00:33:26,520 --> 00:33:31,160
Speaker 2: Good mate, ge whiz there could be two people there.

742
00:33:31,200 --> 00:33:32,480
Speaker 4: It's a subtle different Shorty.

743
00:33:32,800 --> 00:33:36,880
Speaker 2: We'll go one more time here. What's your spirit? Animal, Sean, Sorry,

744
00:33:37,160 --> 00:33:38,640
Speaker 2: what's your spirit? Animal?

745
00:33:39,600 --> 00:33:39,840
Speaker 8: Mind?

746
00:33:39,880 --> 00:33:40,280
Speaker 11: The wolf?

747
00:33:40,960 --> 00:33:41,360
Speaker 4: A wolf?

748
00:33:41,440 --> 00:33:42,280
Speaker 2: Give me a wolf howl?

749
00:33:43,200 --> 00:33:47,600
Speaker 4: Oh, give the phone back to the other boat. What's

750
00:33:47,600 --> 00:33:49,480
Speaker 4: he killed again, Aaron?

751
00:33:50,120 --> 00:33:50,400
Speaker 8: James?

752
00:33:50,920 --> 00:33:56,640
Speaker 3: James, he's way off, mate, James, James, do a wolf howl, James.

753
00:33:57,320 --> 00:34:02,320
Speaker 4: Oh, it's different. I think the same guy that I think, Argue.

754
00:34:02,360 --> 00:34:03,160
Speaker 2: It's two different blokes.

755
00:34:03,160 --> 00:34:05,120
Speaker 4: So yeah, now let's go with you, Sean, we reckon

756
00:34:05,240 --> 00:34:07,480
Speaker 4: James is real real?

757
00:34:07,800 --> 00:34:10,840
Speaker 2: Yeah, well, thank you.

758
00:34:10,960 --> 00:34:12,840
Speaker 4: Okay, let's go tomorrow here Tomorrow. Who are you in

759
00:34:12,880 --> 00:34:13,239
Speaker 4: the cow with?

760
00:34:14,080 --> 00:34:14,239
Speaker 3: Hi?

761
00:34:14,400 --> 00:34:15,239
Speaker 9: I'm with my daughter.

762
00:34:15,640 --> 00:34:16,600
Speaker 4: You don't know what's her name?

763
00:34:17,440 --> 00:34:19,160
Speaker 8: Her name is Darcy Darcy.

764
00:34:19,400 --> 00:34:21,080
Speaker 4: Okay, Chuck Darcy on the pue.

765
00:34:20,920 --> 00:34:22,920
Speaker 7: Please Hi Darcy.

766
00:34:24,680 --> 00:34:26,120
Speaker 12: For people on the radio want to talk to you.

767
00:34:28,840 --> 00:34:29,480
Speaker 13: Ara.

768
00:34:32,000 --> 00:34:32,320
Speaker 4: Darcy.

769
00:34:33,480 --> 00:34:35,359
Speaker 2: Then might just be one person in the car there

770
00:34:36,800 --> 00:34:43,160
Speaker 2: a yeah, tomorrow, tomorrow. Hell, let's let's go to Ash.

771
00:34:43,280 --> 00:34:45,800
Speaker 2: I love when they double down there in the voice.

772
00:34:45,800 --> 00:34:50,120
Speaker 4: Still I'm still here, Ash. Who are you in the

773
00:34:50,200 --> 00:34:50,440
Speaker 4: cow with?

774
00:34:51,200 --> 00:34:52,399
Speaker 11: How you going with my dad?

775
00:34:52,440 --> 00:34:52,720
Speaker 8: Brian?

776
00:34:53,640 --> 00:34:54,000
Speaker 2: Brian?

777
00:34:54,160 --> 00:34:54,359
Speaker 4: Dad?

778
00:34:54,440 --> 00:34:59,400
Speaker 2: Bryan? Okay, how old's Brian? Ash? What's your favorite memory

779
00:34:59,440 --> 00:34:59,880
Speaker 2: of Brian?

780
00:35:01,120 --> 00:35:01,279
Speaker 13: Oh?

781
00:35:02,200 --> 00:35:06,920
Speaker 8: Probably playing a bit of cricket on the beach. When

782
00:35:06,960 --> 00:35:07,680
Speaker 8: more kids. I guess.

783
00:35:07,840 --> 00:35:10,319
Speaker 2: Oh nice, great memory. They're a great memory that your

784
00:35:10,400 --> 00:35:13,480
Speaker 2: dad just rolling down pies as you spank him into

785
00:35:13,520 --> 00:35:20,120
Speaker 2: the water rolling Alright, what's his name? Brian? Is it right? Okay? Cool?

786
00:35:20,160 --> 00:35:21,239
Speaker 2: Check him on ash, check him on.

787
00:35:24,080 --> 00:35:26,080
Speaker 12: Guys are going so.

788
00:35:28,440 --> 00:35:30,719
Speaker 4: Brian? What was your favorite moment from Cricket on the beach?

789
00:35:30,800 --> 00:35:32,120
Speaker 2: Mate? Oh?

790
00:35:32,640 --> 00:35:35,600
Speaker 8: Probably a fact that my son kumpole for anything.

791
00:35:36,280 --> 00:35:39,279
Speaker 4: He's also got a shocking voice on him. He's got

792
00:35:39,280 --> 00:35:42,879
Speaker 4: a terrible way of trying to be his dad. It's

793
00:35:42,960 --> 00:35:52,680
Speaker 4: just you, mate, Yeah, oh great.

794
00:35:52,560 --> 00:35:55,880
Speaker 1: Suff It's the Will and Woody podcast right now.

795
00:35:55,960 --> 00:35:57,879
Speaker 2: We're teaming up with my deal dot com dot au

796
00:35:58,320 --> 00:36:01,520
Speaker 2: to give you guys the chance to win cash.

797
00:36:04,200 --> 00:36:10,279
Speaker 15: But telling me need it wanted my dealer, mydeal dot

798
00:36:10,360 --> 00:36:11,080
Speaker 15: com dot are.

799
00:36:11,000 --> 00:36:14,400
Speaker 3: You doing deals with Will and Mordie thanks to mydeals

800
00:36:14,440 --> 00:36:15,239
Speaker 3: dot com dot are you?

801
00:36:15,760 --> 00:36:19,120
Speaker 2: That's a good deal, buddy? Simple Woods. I actually don't

802
00:36:19,120 --> 00:36:21,520
Speaker 2: think I've had a radio comf it's this simple. Ever,

803
00:36:22,120 --> 00:36:24,239
Speaker 2: All you have to do is offer us a deal.

804
00:36:24,560 --> 00:36:27,080
Speaker 2: The deal can be anything. If we decide to mind

805
00:36:27,160 --> 00:36:29,480
Speaker 2: deal it, you win cash. Willamwoody dot com dot you

806
00:36:29,560 --> 00:36:30,960
Speaker 2: if you want to, if you want to enter and

807
00:36:31,040 --> 00:36:33,759
Speaker 2: don't over complicated, guys. The deal can be anything. So far.

808
00:36:33,960 --> 00:36:35,879
Speaker 2: A girl offered to get a tattoo on her legs

809
00:36:35,920 --> 00:36:38,680
Speaker 2: of Woody with rat legs, he gave her five hundred bucks.

810
00:36:38,719 --> 00:36:40,960
Speaker 2: For someone offered us one of his dad's sheep, we

811
00:36:41,040 --> 00:36:43,160
Speaker 2: gave him four hundred bucks. Yeah, the spring lamb actually

812
00:36:43,400 --> 00:36:46,120
Speaker 2: spring lamb, yes, spring Lamb. Yeah, I'm going to junk

813
00:36:46,120 --> 00:36:47,200
Speaker 2: in the freezer for next season.

814
00:36:47,480 --> 00:36:50,319
Speaker 3: Well no, no, no no, I'm still figuring out how

815
00:36:50,320 --> 00:36:52,840
Speaker 3: I can get it to the courtyard. Your courtyard that is.

816
00:36:52,880 --> 00:36:54,520
Speaker 3: I think it's good training for the baby which is

817
00:36:54,560 --> 00:36:56,800
Speaker 3: coming out for you. Congratulations again. But right now we

818
00:36:56,880 --> 00:37:00,680
Speaker 3: have a new deal to discuss. We've got Michael here. Hello, Michael.

819
00:37:01,280 --> 00:37:02,879
Speaker 9: Hey boys there you going good?

820
00:37:03,000 --> 00:37:05,640
Speaker 4: Thank you mate. Now, Michael, what do you want to

821
00:37:05,680 --> 00:37:06,440
Speaker 4: do us to deal with?

822
00:37:07,360 --> 00:37:10,640
Speaker 12: All right? Well, I heard you heard the segment with.

823
00:37:12,480 --> 00:37:14,359
Speaker 2: Michael. What was that? Michael? Say that again for me, mate.

824
00:37:14,760 --> 00:37:17,600
Speaker 10: I heard the segment with Martin the Martian earlier on

825
00:37:18,360 --> 00:37:21,640
Speaker 10: and the Martian. I'm not going to do the voice,

826
00:37:21,719 --> 00:37:24,040
Speaker 10: but I reckon I have the best Kermit the Frog

827
00:37:24,160 --> 00:37:24,960
Speaker 10: voice in Australia.

828
00:37:25,360 --> 00:37:26,560
Speaker 4: Before we get to kem the Frog.

829
00:37:26,600 --> 00:37:28,120
Speaker 3: Yes, it was a few days ago we spoke to

830
00:37:28,160 --> 00:37:29,920
Speaker 3: an impersonator of Marvin the Martian.

831
00:37:29,960 --> 00:37:32,880
Speaker 2: Here it is give us your best Marvin the Martian

832
00:37:33,920 --> 00:37:35,120
Speaker 2: well Maryland.

833
00:37:36,880 --> 00:37:39,799
Speaker 12: For recent Europe from the Marshall Boys.

834
00:37:42,000 --> 00:37:45,400
Speaker 4: Which was a brilliant It's not a bad Marvin the Martian.

835
00:37:45,480 --> 00:37:46,640
Speaker 4: But we've sort of tricked to you there. I mean

836
00:37:46,680 --> 00:37:48,880
Speaker 4: we've heard it now. That was a bit of a

837
00:37:48,920 --> 00:37:50,759
Speaker 4: stitch up. So we heard the voice and then we

838
00:37:50,800 --> 00:37:51,359
Speaker 4: didn't pay them.

839
00:37:51,440 --> 00:37:54,120
Speaker 2: He gave up the goods, and then as a result

840
00:37:54,160 --> 00:37:55,360
Speaker 2: we didn't pay it for him, we went on to

841
00:37:55,400 --> 00:38:00,719
Speaker 2: go and buy a spring lamb. Michael, you're Michael, You're there. Yeah, yeah,

842
00:38:00,880 --> 00:38:03,759
Speaker 2: so you're What you're saying is you've learned from that

843
00:38:03,920 --> 00:38:06,200
Speaker 2: dude's mistake and you're not going to give us the goods.

844
00:38:06,880 --> 00:38:10,360
Speaker 10: Yeah. I'm confident in I'm confident in myself. And my

845
00:38:10,560 --> 00:38:13,239
Speaker 10: deal to you guys is you could bring anyone on

846
00:38:13,840 --> 00:38:17,240
Speaker 10: to do their best Kermit impression, but if you blindly

847
00:38:17,320 --> 00:38:17,680
Speaker 10: pick me.

848
00:38:18,000 --> 00:38:18,480
Speaker 12: You pay me.

849
00:38:20,040 --> 00:38:20,799
Speaker 4: How much do you want?

850
00:38:21,600 --> 00:38:25,920
Speaker 16: Five hundred, five hundred Jesus Christ, I'll tell you what.

851
00:38:26,000 --> 00:38:26,360
Speaker 2: I'll tell you.

852
00:38:26,440 --> 00:38:28,799
Speaker 4: I'll tell you what. If you're so confident about your

853
00:38:28,880 --> 00:38:31,560
Speaker 4: Kermit the Frog Voice. Let's let's go with your rules.

854
00:38:32,239 --> 00:38:33,480
Speaker 3: And by the way, if you if you think you've

855
00:38:33,480 --> 00:38:35,200
Speaker 3: got a good Kermit the Frog Voice, give us a

856
00:38:35,280 --> 00:38:37,440
Speaker 3: call now thirteen one oh sixty five if you think

857
00:38:37,440 --> 00:38:39,719
Speaker 3: you've got a better one than Michael. But Michael, if

858
00:38:39,760 --> 00:38:42,000
Speaker 3: we take some other calls up next as well, if

859
00:38:42,040 --> 00:38:45,600
Speaker 3: we don't pick you, you have to pay them five

860
00:38:45,719 --> 00:38:46,279
Speaker 3: hundred bucks.

861
00:38:47,160 --> 00:38:47,920
Speaker 12: Okay.

862
00:38:48,880 --> 00:38:52,960
Speaker 4: If you're that confident you're the best, all right, you're in.

863
00:38:53,719 --> 00:38:54,160
Speaker 10: Yeah, I'm in.

864
00:38:54,560 --> 00:38:56,440
Speaker 2: What all right?

865
00:38:56,680 --> 00:38:59,160
Speaker 3: So we need people who can do a good Kermit

866
00:38:59,239 --> 00:39:00,759
Speaker 3: the Frog to give it. What's the call right now,

867
00:39:00,920 --> 00:39:02,120
Speaker 3: thirteen one oh sixty five.

868
00:39:02,280 --> 00:39:02,600
Speaker 4: Michael.

869
00:39:02,680 --> 00:39:05,040
Speaker 3: If we pick you up next as the best, you

870
00:39:05,160 --> 00:39:07,400
Speaker 3: win five hundred bucks from us. If we don't pick you,

871
00:39:07,840 --> 00:39:09,799
Speaker 3: you have to pay someone else five hundred bucks.

872
00:39:12,800 --> 00:39:17,960
Speaker 2: Michael, yep, that's fine. Okay, well, you know what, let's

873
00:39:18,000 --> 00:39:20,720
Speaker 2: do the stakes. Let's make it a gorilla one thousand,

874
00:39:20,840 --> 00:39:22,040
Speaker 2: one thousand bucks.

875
00:39:23,360 --> 00:39:23,799
Speaker 9: All right?

876
00:39:25,280 --> 00:39:25,680
Speaker 12: All right?

877
00:39:25,800 --> 00:39:33,080
Speaker 2: Then, all right, yes, it's a curve of the frog

878
00:39:33,160 --> 00:39:35,120
Speaker 2: off up next. If you think you got a good

879
00:39:35,480 --> 00:39:38,839
Speaker 2: curve of the frog voice, give us a call. If

880
00:39:38,880 --> 00:39:41,400
Speaker 2: we pick Michael, he wins a thousand bucks as the

881
00:39:41,440 --> 00:39:44,040
Speaker 2: best one. If we don't, he has to give a

882
00:39:44,120 --> 00:39:47,279
Speaker 2: thousand bucks the person we choose. Wow, this is good gear.

883
00:39:47,320 --> 00:39:50,399
Speaker 2: It's all thanks to mydeal dot com dot au. Wille whatdy.

884
00:39:50,840 --> 00:39:52,279
Speaker 2: We've got a chance for you guys to just win

885
00:39:52,360 --> 00:39:54,680
Speaker 2: some cash, cold hard money, all thanks to my deal

886
00:39:54,719 --> 00:39:55,480
Speaker 2: dot com dot au.

887
00:40:00,120 --> 00:40:04,680
Speaker 15: I need it, want it, my dealer, mydeal dot com

888
00:40:04,760 --> 00:40:05,200
Speaker 15: dot are you.

889
00:40:05,760 --> 00:40:09,160
Speaker 5: Doing deals with willemmrdie thanks to mydeals dot com dot

890
00:40:09,200 --> 00:40:10,799
Speaker 5: a you lea's a good deal.

891
00:40:11,160 --> 00:40:13,520
Speaker 2: So no need to over complicate this one, guys. All

892
00:40:13,520 --> 00:40:15,560
Speaker 2: you gotta do is make us an offer. If we

893
00:40:15,719 --> 00:40:18,440
Speaker 2: my deal it, the cash is yours enter at Willimwoody

894
00:40:18,480 --> 00:40:20,120
Speaker 2: dot com dot are you some great deals on my

895
00:40:20,280 --> 00:40:23,560
Speaker 2: deal dot com dot au. Phenomenal deals there, If I

896
00:40:23,640 --> 00:40:26,360
Speaker 2: mean totally honest with you, it's almost like cheating that website.

897
00:40:26,480 --> 00:40:28,560
Speaker 2: Need it one at my deal it mydeal dot com

898
00:40:29,120 --> 00:40:31,160
Speaker 2: dot Au. But let's get down to it. Woods. We've

899
00:40:31,160 --> 00:40:34,480
Speaker 2: got an incredible offer today from one of our callers

900
00:40:34,520 --> 00:40:36,400
Speaker 2: who said he has such a good kerm at the

901
00:40:36,440 --> 00:40:39,520
Speaker 2: Frog voice that he is willing to go into a

902
00:40:39,719 --> 00:40:43,439
Speaker 2: blind Kermit the Frog off. So we've got a whole

903
00:40:43,560 --> 00:40:45,759
Speaker 2: board of calls here from people who think they do

904
00:40:45,880 --> 00:40:49,600
Speaker 2: great kerm At the Frog impersonations. He thinks that we

905
00:40:49,680 --> 00:40:53,440
Speaker 2: will pick him as the best, and he says, if

906
00:40:53,480 --> 00:40:56,000
Speaker 2: we don't pick him as the best, he will give

907
00:40:56,040 --> 00:40:58,800
Speaker 2: one thousand dollars to the person who we think is

908
00:40:58,920 --> 00:40:59,320
Speaker 2: the best.

909
00:40:59,520 --> 00:41:00,760
Speaker 4: Extra ordinary stakes.

910
00:41:00,840 --> 00:41:02,920
Speaker 2: Now, obviously if we choose him, we give him a

911
00:41:02,960 --> 00:41:05,200
Speaker 2: thousand bucks as well. So there's obviously a prize there

912
00:41:05,239 --> 00:41:08,520
Speaker 2: for him to win. But he's whisking a thousand bucks

913
00:41:08,560 --> 00:41:09,280
Speaker 2: on his Kermit.

914
00:41:09,120 --> 00:41:09,680
Speaker 4: The Frog voice.

915
00:41:09,800 --> 00:41:11,880
Speaker 3: He's walking the walk. Bloody love it now before we

916
00:41:11,960 --> 00:41:12,640
Speaker 3: get into it, just a.

917
00:41:12,680 --> 00:41:14,239
Speaker 2: Quicker mind for every because a lot of people probably

918
00:41:14,280 --> 00:41:16,279
Speaker 2: think of himself, what does Kermit sound like? So I've

919
00:41:16,320 --> 00:41:17,800
Speaker 2: got a little bit of Kermit the Frog just to

920
00:41:17,880 --> 00:41:19,760
Speaker 2: reset your Kermit radars have listened.

921
00:41:21,120 --> 00:41:25,600
Speaker 1: There are so many songs, balls.

922
00:41:25,840 --> 00:41:27,160
Speaker 9: And what's on the.

923
00:41:29,520 --> 00:41:31,719
Speaker 2: It's a little bit of good sense of Kermit. There

924
00:41:31,760 --> 00:41:33,520
Speaker 2: a button push of jowel seems to think he doesn't

925
00:41:33,520 --> 00:41:34,080
Speaker 2: be good Kermit.

926
00:41:34,120 --> 00:41:34,839
Speaker 4: What have you got for us?

927
00:41:34,880 --> 00:41:35,000
Speaker 9: Joe?

928
00:41:35,200 --> 00:41:36,920
Speaker 6: I grew up in a family that loved a bit

929
00:41:36,920 --> 00:41:39,920
Speaker 6: of Sesame Street when Kermit was the your backstory mate,

930
00:41:40,000 --> 00:41:41,919
Speaker 6: Just do your Kermit nineteen ninety five.

931
00:41:42,880 --> 00:41:46,000
Speaker 2: Hei Hold this is Kermit d from reporting for Sesame

932
00:41:46,080 --> 00:41:46,680
Speaker 2: Street News.

933
00:41:47,000 --> 00:41:48,279
Speaker 4: Wow, good, it's pretty good.

934
00:41:48,480 --> 00:41:54,120
Speaker 2: Not a bad, Kermet, not a bad, right, Mike, you're

935
00:41:54,160 --> 00:41:56,720
Speaker 2: not in the competition. You're in the Mike to the buttons,

936
00:41:56,760 --> 00:41:56,960
Speaker 2: you go.

937
00:41:57,400 --> 00:42:00,600
Speaker 4: Michael is somewhere in here, as you said, Well, but

938
00:42:00,680 --> 00:42:01,520
Speaker 4: we've got Mike.

939
00:42:01,920 --> 00:42:05,279
Speaker 2: So Michael's our elite Kermit. He's the one that thinks

940
00:42:05,280 --> 00:42:06,280
Speaker 2: he's the captain Kermitt.

941
00:42:06,360 --> 00:42:08,319
Speaker 3: Yes, and he gets a thousand bucks from us if

942
00:42:08,360 --> 00:42:11,439
Speaker 3: we choose him. Otherwise he pays someone else a thousand bucks. Yes,

943
00:42:11,600 --> 00:42:14,839
Speaker 3: so we've got caller one here. Hello, caller one, Hello,

944
00:42:15,040 --> 00:42:16,080
Speaker 3: I am Criminy Frog.

945
00:42:16,920 --> 00:42:20,720
Speaker 12: Oh wow, we okay, you might know me from Sustame Street.

946
00:42:21,120 --> 00:42:22,640
Speaker 12: You might also know my friend, mister.

947
00:42:23,680 --> 00:42:25,560
Speaker 2: What have you done during lockdown?

948
00:42:26,320 --> 00:42:28,040
Speaker 12: Have you just been binge watching Netflix?

949
00:42:29,000 --> 00:42:29,680
Speaker 4: What shows?

950
00:42:31,040 --> 00:42:32,600
Speaker 12: Mainly Brooklyn.

951
00:42:34,760 --> 00:42:36,719
Speaker 2: Nine fans? Okay, all right, thank you very much, Kermit,

952
00:42:36,880 --> 00:42:38,440
Speaker 2: Thank you very much. Kermit one. Bad.

953
00:42:38,480 --> 00:42:40,120
Speaker 4: I don't think pretty good? Not bad?

954
00:42:40,320 --> 00:42:41,000
Speaker 2: Okay, not bad.

955
00:42:41,040 --> 00:42:41,799
Speaker 4: I'm going to call it too.

956
00:42:41,840 --> 00:42:48,000
Speaker 2: Hello caller too, Hello, Kermit two? Are you there? Call

957
00:42:48,040 --> 00:42:48,560
Speaker 2: the number two?

958
00:42:48,640 --> 00:42:50,479
Speaker 13: Why are there so many?

959
00:42:53,400 --> 00:42:58,040
Speaker 4: What if that is Michael? That is appalling? That is

960
00:42:58,719 --> 00:43:02,920
Speaker 4: nowhere here. Let's go to call it three two is

961
00:43:02,960 --> 00:43:03,399
Speaker 4: no idea?

962
00:43:04,360 --> 00:43:04,640
Speaker 7: Sorry?

963
00:43:04,760 --> 00:43:06,600
Speaker 2: Where did you become a Kermit connoisseur?

964
00:43:06,840 --> 00:43:08,799
Speaker 4: And when I went and when I started said I'm

965
00:43:08,800 --> 00:43:09,799
Speaker 4: gonna give a thousand bucks someone.

966
00:43:09,840 --> 00:43:14,839
Speaker 3: Okay, I's got a call three, Call of three Okay, Hello,

967
00:43:15,640 --> 00:43:18,279
Speaker 3: hello Kermit three and my Kermit three.

968
00:43:18,480 --> 00:43:20,640
Speaker 12: It's hard to know when you're actually are risking for us.

969
00:43:21,400 --> 00:43:22,719
Speaker 7: I think it's me Colo three.

970
00:43:23,080 --> 00:43:26,719
Speaker 12: That's pretty good, Frog, and I'm here to talk to you.

971
00:43:28,480 --> 00:43:29,360
Speaker 12: What do you want to talk to you?

972
00:43:30,640 --> 00:43:35,600
Speaker 4: I want to know what was your last holiday? Kermit?

973
00:43:35,680 --> 00:43:36,800
Speaker 4: What was the last holiday you went on?

974
00:43:39,360 --> 00:43:39,400
Speaker 6: It?

975
00:43:39,480 --> 00:43:39,640
Speaker 9: Three?

976
00:43:40,440 --> 00:43:44,080
Speaker 4: Three? Yeah, what was the last holiday you went on?

977
00:43:44,160 --> 00:43:44,680
Speaker 4: Kim it three?

978
00:43:45,040 --> 00:43:45,200
Speaker 1: Oh?

979
00:43:45,400 --> 00:43:46,840
Speaker 12: I haven't seen a holiday?

980
00:43:47,440 --> 00:43:48,359
Speaker 7: Working hard?

981
00:43:50,160 --> 00:43:50,440
Speaker 2: Okay?

982
00:43:50,880 --> 00:43:51,960
Speaker 4: And of course.

983
00:43:54,320 --> 00:43:57,440
Speaker 2: One, two and three there All right, let's go to

984
00:43:57,560 --> 00:44:01,920
Speaker 2: Kermit four. Call of four? Kermit?

985
00:44:02,000 --> 00:44:02,480
Speaker 4: Are you there?

986
00:44:04,560 --> 00:44:05,200
Speaker 2: Kermit four?

987
00:44:05,800 --> 00:44:13,120
Speaker 4: Jesus Christ, are you there? Okay? Kermit four is obviously out,

988
00:44:13,560 --> 00:44:14,480
Speaker 4: Kermit falls out.

989
00:44:14,920 --> 00:44:17,400
Speaker 2: I think we've just had a little bits obviously pretty

990
00:44:17,400 --> 00:44:20,520
Speaker 2: confusing for our producers, given that there are four anonymous people,

991
00:44:20,680 --> 00:44:24,520
Speaker 2: each of them is called Kermit the Frog, so we're

992
00:44:24,640 --> 00:44:28,200
Speaker 2: trying to figure out who we're spoking. So he's fucking

993
00:44:28,239 --> 00:44:32,680
Speaker 2: to Kermit one, Kermit two, and Kermit three. Thus far, Okay,

994
00:44:32,960 --> 00:44:36,840
Speaker 2: I'm going to throw to court Kermit four. Now, is

995
00:44:36,920 --> 00:44:38,919
Speaker 2: that correct? I've got our producer ed who is giving

996
00:44:39,000 --> 00:44:41,520
Speaker 2: me all sort of ed. Which Kermit am I speaking to? Now?

997
00:44:41,560 --> 00:44:44,080
Speaker 2: I've heard three Kermits. This is Kermit four that I'm

998
00:44:44,160 --> 00:44:45,000
Speaker 2: talking to right.

999
00:44:45,200 --> 00:44:46,919
Speaker 4: Trying to call four?

1000
00:44:47,560 --> 00:44:49,600
Speaker 2: Okay, Kermit four? Are you there?

1001
00:44:54,280 --> 00:44:56,400
Speaker 3: We're gonna have to get rid of Kermit four. If

1002
00:44:56,440 --> 00:44:59,239
Speaker 3: the guy can't talk, he's gone. Okay, so we're jes

1003
00:44:59,360 --> 00:45:01,439
Speaker 3: we're doing Kermitt one, Kermit two, and Kermit three.

1004
00:45:02,040 --> 00:45:05,239
Speaker 2: What is going on to Kerman four? Is pound out

1005
00:45:05,280 --> 00:45:09,560
Speaker 2: in the competition? In choctational fashion? Four is out of

1006
00:45:09,640 --> 00:45:10,040
Speaker 2: the ker.

1007
00:45:10,600 --> 00:45:13,480
Speaker 4: I think the best. Yes, I can hardly remember that

1008
00:45:13,560 --> 00:45:14,319
Speaker 4: because its been in such a.

1009
00:45:14,320 --> 00:45:19,800
Speaker 2: Suzzleka Ke one, Kermit two or Kerment three? Okay, Kermit

1010
00:45:19,880 --> 00:45:20,600
Speaker 2: four is bound out?

1011
00:45:21,719 --> 00:45:26,480
Speaker 4: Okay? Can we can I hear from people? Keep hanging up?

1012
00:45:26,560 --> 00:45:29,040
Speaker 4: People are just giving up? Can I hear from Kermit

1013
00:45:29,120 --> 00:45:31,000
Speaker 4: two against hello? Say hello Kermit two?

1014
00:45:33,680 --> 00:45:34,600
Speaker 2: What is going on?

1015
00:45:36,400 --> 00:45:39,320
Speaker 12: We don't know what you're asking you just you just

1016
00:45:39,400 --> 00:45:40,440
Speaker 12: see Kermit and we don't know.

1017
00:45:43,160 --> 00:45:50,040
Speaker 16: We don't know which because we're saying we're saying.

1018
00:45:51,960 --> 00:45:53,560
Speaker 12: In the history books. I can tell you that.

1019
00:45:55,600 --> 00:45:58,480
Speaker 2: We're getting insolved by us.

1020
00:45:58,680 --> 00:46:01,000
Speaker 4: Which number Kermit is the better?

1021
00:46:09,120 --> 00:46:12,680
Speaker 12: This is an absolute zuit work for you guys.

1022
00:46:13,600 --> 00:46:15,640
Speaker 7: It's not it's not working.

1023
00:46:17,880 --> 00:46:21,799
Speaker 2: Is way better organized than Kermit, whichever one you are.

1024
00:46:23,040 --> 00:46:25,520
Speaker 2: We've got four Kermits with their phone lines up, just

1025
00:46:25,640 --> 00:46:29,560
Speaker 2: slinging abuse. Now it's absolutely flipped on its.

1026
00:46:29,480 --> 00:46:31,960
Speaker 4: Head a thousand, Maxim Michael.

1027
00:46:32,040 --> 00:46:37,000
Speaker 2: I think I think that Michael, the Kermit connoisseur, is

1028
00:46:37,160 --> 00:46:37,839
Speaker 2: Caller two.

1029
00:46:38,400 --> 00:46:41,359
Speaker 12: I think it is, and caller three.

1030
00:46:42,960 --> 00:46:46,520
Speaker 2: Oh, Michael, who are we talking to right now? I

1031
00:46:47,920 --> 00:46:51,080
Speaker 2: think that's Michael. I think I think Michael three is Kermit. No,

1032
00:46:52,400 --> 00:46:53,960
Speaker 2: what whose call of three?

1033
00:46:56,400 --> 00:46:56,440
Speaker 13: No?

1034
00:46:57,880 --> 00:47:01,480
Speaker 4: This is so con this is so I don't know, Michael,

1035
00:47:01,680 --> 00:47:04,479
Speaker 4: I don't know what's going on. All right, we're gonna

1036
00:47:04,480 --> 00:47:04,680
Speaker 4: hang on.

1037
00:47:05,440 --> 00:47:07,040
Speaker 2: We're gonna figure out what's happen.

1038
00:47:09,280 --> 00:47:09,560
Speaker 4: Michael.

1039
00:47:09,560 --> 00:47:13,400
Speaker 3: Are you still there? Michael Just say yes, Okay, is

1040
00:47:13,440 --> 00:47:15,600
Speaker 3: still there? Okay, let's go to traffic.

1041
00:47:15,680 --> 00:47:17,399
Speaker 4: Yeah, we need to figure this out, figure out.

1042
00:47:17,280 --> 00:47:20,640
Speaker 2: What's happened right up, my god, But we need to

1043
00:47:20,640 --> 00:47:21,799
Speaker 2: get to the bottom of this. We spent the last

1044
00:47:21,840 --> 00:47:23,399
Speaker 2: half hour doing it. We said we've got some cash

1045
00:47:23,440 --> 00:47:25,319
Speaker 2: to give away all thanks to my deal at dot

1046
00:47:25,440 --> 00:47:28,399
Speaker 2: com dot au, mydeal dot com dot you. It's very simple.

1047
00:47:28,440 --> 00:47:30,239
Speaker 2: You guys make us an offer. If we do it

1048
00:47:30,320 --> 00:47:33,520
Speaker 2: my dealer with you, you get the cash for the offer. Now,

1049
00:47:33,560 --> 00:47:35,279
Speaker 2: we had a guy called Michael call up who said

1050
00:47:35,320 --> 00:47:38,200
Speaker 2: he did the best Kermit the Frog impersonation in Australia

1051
00:47:38,239 --> 00:47:40,000
Speaker 2: and he was so confident of that. He said he

1052
00:47:40,120 --> 00:47:43,520
Speaker 2: could do a blind Kermit off with all the best

1053
00:47:43,800 --> 00:47:46,680
Speaker 2: Kermit the Frog impersonators with Australia and we would still

1054
00:47:46,760 --> 00:47:49,080
Speaker 2: pick him, not knowing who it was. So we had

1055
00:47:49,080 --> 00:47:52,240
Speaker 2: a full bank of calls right and if we picked

1056
00:47:52,320 --> 00:47:54,960
Speaker 2: him he won a thousand dollars. He was so confident

1057
00:47:55,040 --> 00:47:57,600
Speaker 2: that he said if we didn't pick him, he would

1058
00:47:57,600 --> 00:47:58,680
Speaker 2: give a thousand dollars.

1059
00:47:58,480 --> 00:47:59,480
Speaker 4: To the person that we picked.

1060
00:48:00,080 --> 00:48:03,439
Speaker 2: Is the sat It's all sounding perfect, It all makes

1061
00:48:03,480 --> 00:48:04,080
Speaker 2: total sense.

1062
00:48:04,280 --> 00:48:06,920
Speaker 4: And then all of a sudden, we've got four Kermits

1063
00:48:06,960 --> 00:48:07,520
Speaker 4: on the phone.

1064
00:48:07,600 --> 00:48:09,520
Speaker 2: It's just absolute none of them, none of them had

1065
00:48:09,600 --> 00:48:11,080
Speaker 2: a name, and they.

1066
00:48:11,040 --> 00:48:11,840
Speaker 4: Order started abusing.

1067
00:48:11,880 --> 00:48:14,560
Speaker 3: This was into this can I hear from Kermit too?

1068
00:48:14,600 --> 00:48:16,279
Speaker 3: Against Hello? Say hello Kermit too?

1069
00:48:19,000 --> 00:48:19,920
Speaker 2: What is going on?

1070
00:48:21,680 --> 00:48:23,200
Speaker 12: We don't know if you're acting correct?

1071
00:48:23,320 --> 00:48:23,440
Speaker 2: Or not.

1072
00:48:23,640 --> 00:48:25,719
Speaker 12: You just you skit and we don't know.

1073
00:48:29,960 --> 00:48:35,320
Speaker 16: We don't know which because we're saying, we're saying.

1074
00:48:37,239 --> 00:48:38,840
Speaker 12: In the history books, I can tell you that.

1075
00:48:41,120 --> 00:48:43,759
Speaker 2: How we're getting insolved. It's whipped on us.

1076
00:48:43,960 --> 00:48:55,920
Speaker 4: Which number Kermit is this? This is an absolute zuit.

1077
00:48:56,160 --> 00:48:57,960
Speaker 7: No where to go for you guys.

1078
00:49:00,239 --> 00:49:08,520
Speaker 2: It's way better organized than this. Wow, that is Chambali.

1079
00:49:10,000 --> 00:49:12,960
Speaker 2: But the good news is I don't know what that was.

1080
00:49:13,120 --> 00:49:15,040
Speaker 2: Brilliant aupathetic.

1081
00:49:15,120 --> 00:49:15,560
Speaker 4: We'll never know.

1082
00:49:15,680 --> 00:49:16,920
Speaker 2: It's right on the line, isn't it.

1083
00:49:17,200 --> 00:49:19,200
Speaker 4: So the good news is we've simplified it. We have

1084
00:49:19,280 --> 00:49:21,399
Speaker 4: got two Kermits on the line. Okay.

1085
00:49:21,600 --> 00:49:23,040
Speaker 3: One of them is going to go home with a

1086
00:49:23,080 --> 00:49:26,399
Speaker 3: thousand bucks. Okay, hello Kermit one.

1087
00:49:27,600 --> 00:49:29,440
Speaker 12: Oh will we to talk to you today?

1088
00:49:29,719 --> 00:49:30,000
Speaker 2: Okay?

1089
00:49:30,080 --> 00:49:31,000
Speaker 9: Now I like that.

1090
00:49:31,280 --> 00:49:33,680
Speaker 12: I like that song you just sleep? Haven't use that country?

1091
00:49:33,840 --> 00:49:36,680
Speaker 8: Okay, how are you?

1092
00:49:36,880 --> 00:49:38,480
Speaker 12: How is everybody in Melbourne?

1093
00:49:39,320 --> 00:49:42,120
Speaker 4: We are really good. We also broadcast all around Australia

1094
00:49:42,200 --> 00:49:44,600
Speaker 4: not to flex their Kermit one. You can say to

1095
00:49:44,640 --> 00:49:45,280
Speaker 4: all of Australia.

1096
00:49:45,920 --> 00:49:51,560
Speaker 2: Er one Australia, all right, thank you? Right, that's Kermit

1097
00:49:51,600 --> 00:49:51,920
Speaker 2: one there.

1098
00:49:51,920 --> 00:49:57,560
Speaker 4: Okay, hello Kermit Hello, Kermit one, Hello is yappy? Er

1099
00:49:58,480 --> 00:49:59,839
Speaker 4: Hello Kermit two.

1100
00:50:00,880 --> 00:50:02,799
Speaker 12: Hello, fellows, how are you going to name?

1101
00:50:03,880 --> 00:50:05,200
Speaker 2: We're going very very well.

1102
00:50:05,239 --> 00:50:07,560
Speaker 12: And I cannot believe what was going on in that

1103
00:50:07,680 --> 00:50:09,440
Speaker 12: segment just before this is crazy?

1104
00:50:09,760 --> 00:50:11,640
Speaker 2: Yeah it was there. There's a lot of curvetsy. How

1105
00:50:11,680 --> 00:50:13,680
Speaker 2: did you go knowing that all your other Kermits were

1106
00:50:13,719 --> 00:50:16,399
Speaker 2: on the phone there? Were you feeling threatened there?

1107
00:50:16,680 --> 00:50:16,719
Speaker 12: No?

1108
00:50:18,239 --> 00:50:19,520
Speaker 2: Oh you felt a bit at home, did you?

1109
00:50:20,239 --> 00:50:20,439
Speaker 7: Yeah?

1110
00:50:20,520 --> 00:50:22,160
Speaker 12: Basically it's just like Jame Street.

1111
00:50:22,680 --> 00:50:26,040
Speaker 2: Yeah, right, yeah, that's that's true. I what do you think?

1112
00:50:26,280 --> 00:50:28,759
Speaker 2: So one of these two is Michael Kermit one or

1113
00:50:28,800 --> 00:50:33,000
Speaker 2: Kermit two is Michael. And if we pick Michael, remember

1114
00:50:33,040 --> 00:50:34,719
Speaker 2: we don't, we haven't got a name attached to either

1115
00:50:34,760 --> 00:50:37,120
Speaker 2: one of these people, they win a thousand dollars and

1116
00:50:37,200 --> 00:50:39,279
Speaker 2: if Michael loses, he has to give a thousand dollars

1117
00:50:39,320 --> 00:50:40,040
Speaker 2: to the other Kermit.

1118
00:50:40,360 --> 00:50:41,319
Speaker 4: Who do you think is better?

1119
00:50:41,440 --> 00:50:44,600
Speaker 2: I think Kermit two is the better Kermit. Yeah.

1120
00:50:44,640 --> 00:50:47,840
Speaker 3: I think Keermitt one was a bit squeaky, and I

1121
00:50:47,920 --> 00:50:51,040
Speaker 3: think I think Kermit one's got some like he's making

1122
00:50:51,080 --> 00:50:51,520
Speaker 3: his laugh.

1123
00:50:51,880 --> 00:50:53,880
Speaker 4: Yeah, But Kermit two, I think you're right. If we

1124
00:50:53,960 --> 00:50:55,600
Speaker 4: go to the specific, we've got the purest.

1125
00:50:55,640 --> 00:50:57,759
Speaker 2: I think they've got the purest Kermit voice. I think

1126
00:50:57,800 --> 00:50:58,760
Speaker 2: they're the Kermit Connors.

1127
00:50:59,680 --> 00:51:03,160
Speaker 4: Okay, Michael, are you Kermit too?

1128
00:51:04,160 --> 00:51:04,319
Speaker 10: Yes?

1129
00:51:04,800 --> 00:51:05,200
Speaker 14: I am.

1130
00:51:10,440 --> 00:51:13,400
Speaker 2: Michael, your mate and broke and gee whiz? Was it

1131
00:51:13,480 --> 00:51:15,239
Speaker 2: a real trial by file.

1132
00:51:16,719 --> 00:51:17,160
Speaker 12: Showed up?

1133
00:51:18,480 --> 00:51:23,080
Speaker 2: How about it a combat by Kermit that was totally wild?

1134
00:51:23,640 --> 00:51:26,480
Speaker 2: My congratulations, you get a thousand dollars all thanks to

1135
00:51:26,600 --> 00:51:30,759
Speaker 2: my dealer. The cash is yours, awesome, thanks very much.

1136
00:51:30,960 --> 00:51:33,880
Speaker 2: Unbelievable effort. We've got Kermit one on the phone here

1137
00:51:33,960 --> 00:51:37,000
Speaker 2: as well. Kermit one, bad luck. I'm sorry.

1138
00:51:38,280 --> 00:51:38,520
Speaker 10: For me.

1139
00:51:40,320 --> 00:51:42,880
Speaker 12: That's funny way that health a little. I said, Okay,

1140
00:51:42,920 --> 00:51:44,680
Speaker 12: you can perform for me when I'm sick.

1141
00:51:46,200 --> 00:51:46,440
Speaker 9: I can.

1142
00:51:48,880 --> 00:51:51,000
Speaker 4: Let's get out of here. Let's get out of here.

1143
00:51:52,560 --> 00:51:58,680
Speaker 2: You never want to hear me when I'm sick. Good kid,