1 00:00:00,800 --> 00:00:03,640 Speaker 1: It's a woman Woody podcast minis, but when you're in 2 00:00:03,640 --> 00:00:05,800 Speaker 1: a rush or just can't be bothered listening to them 3 00:00:05,840 --> 00:00:08,200 Speaker 1: blather on for half an hour. Twenty five years on 4 00:00:08,320 --> 00:00:15,280 Speaker 1: from the release of this song, Spices Girls have admitted 5 00:00:15,760 --> 00:00:18,400 Speaker 1: that that wasn't meant to be the original release in 6 00:00:18,480 --> 00:00:21,079 Speaker 1: nineteen ninety six. It was meant to be this other 7 00:00:21,120 --> 00:00:24,239 Speaker 1: song called Feed Your Love, which we can play a 8 00:00:24,280 --> 00:00:29,120 Speaker 1: little bit of absolute snow fast would have been the 9 00:00:29,120 --> 00:00:30,840 Speaker 1: death of them. So you know, do you a bit 10 00:00:30,880 --> 00:00:34,080 Speaker 1: of a sliding doors moment? Dare I say now, actually 11 00:00:34,120 --> 00:00:36,280 Speaker 1: that's true. If they went with that, Yeah, the Spies 12 00:00:36,320 --> 00:00:38,160 Speaker 1: Girls would never have taken out. It's not a good song. 13 00:00:38,640 --> 00:00:40,159 Speaker 1: Shocking and look at the end of the day, as 14 00:00:40,159 --> 00:00:42,800 Speaker 1: I said before, so the reason they didn't release that song, 15 00:00:42,840 --> 00:00:45,720 Speaker 1: Feed Your Love is because the the lyrics were too saucy. 16 00:00:46,040 --> 00:00:49,160 Speaker 1: And I reckon, that's lazy songwriting. Okay, it's lazy songwriting. Okon. 17 00:00:49,200 --> 00:00:51,159 Speaker 1: If you're a songwriter worth your salt, you should be 18 00:00:51,200 --> 00:00:54,280 Speaker 1: able to desource any lyric. I agree, and that's what 19 00:00:54,320 --> 00:00:55,960 Speaker 1: you and I are going to do right now. Woods, 20 00:00:56,000 --> 00:00:58,400 Speaker 1: You and I Teta tet men are men in the 21 00:00:58,440 --> 00:01:01,279 Speaker 1: studio we're going to be throwing saucy songs at each other, 22 00:01:01,760 --> 00:01:03,960 Speaker 1: and then the other one has to desource the lyrics 23 00:01:03,960 --> 00:01:06,320 Speaker 1: of that song tasty all right, do you want to 24 00:01:06,319 --> 00:01:07,039 Speaker 1: go first? 25 00:01:07,040 --> 00:01:07,400 Speaker 2: To go first? 26 00:01:07,440 --> 00:01:09,280 Speaker 1: I can go first. Okay, do you want to go first? 27 00:01:09,480 --> 00:01:11,000 Speaker 1: I don't care, I'll go first, all right, cool. I 28 00:01:11,040 --> 00:01:13,720 Speaker 1: want you to disource the lyrics this song. 29 00:01:14,000 --> 00:01:24,200 Speaker 2: Okay, the Vinyls, pretty saucy song speaking about touching themselves. 30 00:01:24,760 --> 00:01:28,000 Speaker 2: So the music will cut out for the line I 31 00:01:28,120 --> 00:01:32,199 Speaker 2: touch myself right right here we go hit. 32 00:01:34,880 --> 00:01:48,800 Speaker 1: Desource it words, I teach myself French bone, give me it. Yeah, beautiful, 33 00:01:49,800 --> 00:01:51,559 Speaker 1: thank you very good, damn it. I put the pressure 34 00:01:51,560 --> 00:01:53,320 Speaker 1: on myself with the pressure go here we go. We 35 00:01:53,400 --> 00:01:56,520 Speaker 1: on this song by LITL John and the East Side Boys. 36 00:01:56,560 --> 00:02:09,560 Speaker 1: It's get Low you don't know? Oh yeah, there's obviously 37 00:02:09,600 --> 00:02:12,760 Speaker 1: a line there. They've actually already disourceed a bit, but 38 00:02:12,800 --> 00:02:15,120 Speaker 1: there's an original line there which is pretty naughty, where 39 00:02:15,400 --> 00:02:18,359 Speaker 1: the window to the wall till the sweat dripped down. 40 00:02:18,440 --> 00:02:22,600 Speaker 1: Oh yeah, okay, and then you're going to take over okay, yeah, okay, 41 00:02:22,840 --> 00:02:29,680 Speaker 1: ready to go. So the threat of a lion raw 42 00:02:30,440 --> 00:02:36,959 Speaker 1: ra raw raw, Thank you, thank you very much very 43 00:02:37,000 --> 00:02:43,800 Speaker 1: good top game, the game Lion. I could have almost 44 00:02:43,840 --> 00:02:44,679 Speaker 1: used that in that song. 45 00:02:45,000 --> 00:02:46,079 Speaker 2: All right, no, next. 46 00:02:45,840 --> 00:02:54,720 Speaker 1: One, Oh okay, brings all the milkshakes to the yard. 47 00:02:55,280 --> 00:02:59,920 Speaker 1: She's obviously making it's an analogy about her breasts, which 48 00:03:00,040 --> 00:03:03,200 Speaker 1: you know, pretty saucy stuff. Don't tweaking nipples. Don't teaking nipples? 49 00:03:03,200 --> 00:03:06,359 Speaker 1: Why I send it breasts. So what we're going to 50 00:03:06,440 --> 00:03:09,079 Speaker 1: do is you'll just have to kicks off from the start. 51 00:03:09,280 --> 00:03:11,760 Speaker 1: My milkshap bring all the boys to that's when you'll 52 00:03:11,800 --> 00:03:15,960 Speaker 1: come in from there. Well, bloody hell, you're making me 53 00:03:16,040 --> 00:03:18,280 Speaker 1: change a lot. Here, my milkshap bring all the boys 54 00:03:18,320 --> 00:03:19,960 Speaker 1: to the yard. You can have a second to think 55 00:03:20,000 --> 00:03:21,680 Speaker 1: about it. Yeah, okay, my. 56 00:03:24,960 --> 00:03:25,240 Speaker 2: Okay. 57 00:03:27,560 --> 00:03:33,359 Speaker 1: My silk makes your skin feel nice? Oh yeah, I remember. 58 00:03:35,000 --> 00:03:36,120 Speaker 2: I had silver. 59 00:03:36,840 --> 00:03:50,080 Speaker 1: My silk. Let's move on there, I'm gonna get. 60 00:03:50,760 --> 00:03:54,320 Speaker 2: My silk makes my skin feel nice. 61 00:03:55,640 --> 00:03:57,920 Speaker 1: Actually that's a tight lyric and have you ever had 62 00:03:57,960 --> 00:04:00,760 Speaker 1: silk on your face? It's beautiful anyway, all right, just 63 00:04:00,840 --> 00:04:06,880 Speaker 1: move We all know this song by Missy Elliott. That's 64 00:04:07,040 --> 00:04:10,240 Speaker 1: that's very naughty. So you know where it's going to 65 00:04:10,280 --> 00:04:16,040 Speaker 1: cut out. Well, here we go, hey, how yeah? Oh 66 00:04:16,240 --> 00:04:20,360 Speaker 1: gee whiz can't be worse than mine, mate, don't worry 67 00:04:20,400 --> 00:04:25,960 Speaker 1: the pressures off. Ah uh oh god, yeah, I don't 68 00:04:26,000 --> 00:04:29,080 Speaker 1: know why am I rhyming with my my p and 69 00:04:29,120 --> 00:04:31,400 Speaker 1: my c. Don't ask me where you're rhyming. I didn't 70 00:04:31,400 --> 00:04:35,920 Speaker 1: bother with the rhyme and where am I starting from here? 71 00:04:36,839 --> 00:04:39,400 Speaker 1: Oh yeah, okay, cool, alright, alright, alright, yeah yeah, cool, 72 00:04:39,440 --> 00:04:40,280 Speaker 1: cool cook cool, all right. 73 00:04:41,360 --> 00:04:41,760 Speaker 2: I don't know. 74 00:04:42,279 --> 00:04:49,240 Speaker 1: Okay, I know I haven't gone anything. I really said, 75 00:04:49,240 --> 00:04:51,040 Speaker 1: like my pussy and I was like, okay, where's That's 76 00:04:51,040 --> 00:04:52,800 Speaker 1: what I don't want to say him More of the 77 00:04:52,839 --> 00:04:56,080 Speaker 1: boys on the Full Show podcast. You know you want 78 00:04:56,160 --> 00:04:56,320 Speaker 1: to