1 00:00:00,040 --> 00:00:02,640 Speaker 1: Ok Now, we know that Charles Darwin University is creating 2 00:00:02,640 --> 00:00:05,680 Speaker 1: a new arts academy. It's set to be up and 3 00:00:05,760 --> 00:00:08,560 Speaker 1: running by twenty twenty four, and the university says that 4 00:00:08,600 --> 00:00:11,440 Speaker 1: it is going to en life in the territory's creative 5 00:00:11,480 --> 00:00:14,400 Speaker 1: scene and nurture local artists. Now joining me on the 6 00:00:14,480 --> 00:00:17,840 Speaker 1: line is Charles Dalwen University's Dean of the College of 7 00:00:17,840 --> 00:00:22,959 Speaker 1: Indigenous Futures, Education and the Arts. It is Professor Ruth Wallace. 8 00:00:23,000 --> 00:00:24,759 Speaker 1: Good morning to you, Professor Wallace. 9 00:00:25,800 --> 00:00:27,920 Speaker 2: Morning Katy on this lovely Friday morning. 10 00:00:28,000 --> 00:00:29,560 Speaker 1: Oh, it's lovely to have you on the show. It 11 00:00:29,640 --> 00:00:33,480 Speaker 1: is a very nice day, Ruth. Where is the academy 12 00:00:33,520 --> 00:00:34,080 Speaker 1: going to be? 13 00:00:35,840 --> 00:00:37,800 Speaker 2: Well, I mean, I think you've got to think about it, Katie, 14 00:00:37,840 --> 00:00:40,879 Speaker 2: that the territory is the place of innovation of the 15 00:00:41,600 --> 00:00:44,080 Speaker 2: How could we contain that in one justice at one place. 16 00:00:44,520 --> 00:00:47,760 Speaker 2: So it'll be on our campuses in Alice Springs and Darwin. 17 00:00:47,960 --> 00:00:50,680 Speaker 2: But I'd also envisage us being able to move into 18 00:00:50,680 --> 00:00:54,360 Speaker 2: the places where in re engaging with so the Noullen Boy, 19 00:00:54,880 --> 00:00:57,720 Speaker 2: the Working Catherine, the Working Tenant Creek. So I'd love 20 00:00:57,800 --> 00:01:00,320 Speaker 2: to be seeing pop up events in those places. But 21 00:01:00,400 --> 00:01:03,280 Speaker 2: also on country. Can you imagine we could take people 22 00:01:03,280 --> 00:01:06,400 Speaker 2: out on a study tour maybe to be painting or 23 00:01:06,440 --> 00:01:10,200 Speaker 2: to be learning about weaving or dancing and sharing culture 24 00:01:10,440 --> 00:01:13,360 Speaker 2: out on country. So the theater needs to follow where 25 00:01:13,480 --> 00:01:15,080 Speaker 2: artists are and their practices. 26 00:01:15,680 --> 00:01:18,360 Speaker 1: And do you know what kind of new courses are 27 00:01:18,400 --> 00:01:22,080 Speaker 1: going to be established as part of this new venture. 28 00:01:23,440 --> 00:01:25,800 Speaker 2: So we've already been thinking about that, and we've got 29 00:01:25,800 --> 00:01:28,320 Speaker 2: a whole lot of work that we're already starting to 30 00:01:28,360 --> 00:01:31,360 Speaker 2: develop around the music industry and the art industry. There's 31 00:01:31,360 --> 00:01:37,280 Speaker 2: some fabulous new techniques around screenprinting, around ways to use 32 00:01:37,319 --> 00:01:41,800 Speaker 2: three D glasses and technology in creative practice. People are 33 00:01:41,800 --> 00:01:45,839 Speaker 2: starting to make movies with their phones, people are using 34 00:01:46,120 --> 00:01:50,440 Speaker 2: online orchestras. People are changing their creative practice all the time. 35 00:01:50,840 --> 00:01:53,560 Speaker 2: So we want courses that reflect that change, but also 36 00:01:53,640 --> 00:01:56,360 Speaker 2: recognize that being an artist is not just being an artist. 37 00:01:56,360 --> 00:01:58,880 Speaker 2: It's also running a business, or it might be running 38 00:01:58,920 --> 00:02:02,720 Speaker 2: a admin sent running a art center or something. So 39 00:02:02,800 --> 00:02:06,880 Speaker 2: we will have courses across music, screen and new media administration, 40 00:02:07,000 --> 00:02:10,680 Speaker 2: the music industry, and also very importantly live production. So 41 00:02:10,680 --> 00:02:14,040 Speaker 2: we've got some amazing work that is growing around how 42 00:02:14,040 --> 00:02:16,320 Speaker 2: do you get festivals to work effectively. How do you 43 00:02:16,560 --> 00:02:18,840 Speaker 2: found to work, how do you make sure that everything 44 00:02:18,919 --> 00:02:22,519 Speaker 2: is transmitted well and effectively? And our students in that 45 00:02:22,639 --> 00:02:23,440 Speaker 2: are just sellings. 46 00:02:23,960 --> 00:02:26,200 Speaker 1: How wonderful I reckon? This sounds like it's going to 47 00:02:26,200 --> 00:02:29,000 Speaker 1: be a great thing for the territory roots. And you've 48 00:02:29,040 --> 00:02:31,959 Speaker 1: touched on our indigenous culture and some of the different 49 00:02:32,000 --> 00:02:35,720 Speaker 1: ways that that can really be brought into the different 50 00:02:35,760 --> 00:02:40,080 Speaker 1: courses and into things, but also some of the wonderful 51 00:02:40,120 --> 00:02:42,640 Speaker 1: events and even when you look at some of the 52 00:02:42,639 --> 00:02:45,160 Speaker 1: wonderful territory talent that we've got as well. 53 00:02:46,560 --> 00:02:48,880 Speaker 2: Look, there's so many amazing people here, so you think 54 00:02:48,919 --> 00:02:51,120 Speaker 2: the bush bands that do their event down in Central 55 00:02:51,160 --> 00:02:53,400 Speaker 2: Australia and getting behind young people who are going to 56 00:02:53,400 --> 00:02:55,919 Speaker 2: be the artists of the future. We're doing some amazing 57 00:02:55,960 --> 00:02:59,560 Speaker 2: work with Hermansburg who are developing ceramics for the art industry, 58 00:03:00,120 --> 00:03:02,280 Speaker 2: thinking about how to do that at a production level 59 00:03:02,400 --> 00:03:05,520 Speaker 2: so that every conference or large event they would be 60 00:03:05,560 --> 00:03:09,320 Speaker 2: handing out beautiful work from those places by building economies 61 00:03:09,360 --> 00:03:12,360 Speaker 2: for those Virtual reality We've got one place we're working 62 00:03:12,400 --> 00:03:15,760 Speaker 2: with Dulling Boy. They're actually building ways to use three 63 00:03:15,800 --> 00:03:19,840 Speaker 2: D glasses to have an experience of their community and 64 00:03:19,880 --> 00:03:24,840 Speaker 2: their culture and their historic history through engaging the language 65 00:03:25,120 --> 00:03:27,840 Speaker 2: and the art. It is fine telling work, and I 66 00:03:27,840 --> 00:03:30,240 Speaker 2: think people will really be very excited about it and 67 00:03:30,280 --> 00:03:32,600 Speaker 2: will bring a lot of people to the territory. One 68 00:03:32,600 --> 00:03:34,560 Speaker 2: other thing we're going to do is a research center, 69 00:03:34,920 --> 00:03:36,680 Speaker 2: and that's actually going to be led by Yongnu and 70 00:03:36,680 --> 00:03:39,520 Speaker 2: baland are working together to think about how we work 71 00:03:39,560 --> 00:03:43,560 Speaker 2: in new media, to share knowledge and to think about 72 00:03:43,560 --> 00:03:46,520 Speaker 2: our place in new ways and share that through all 73 00:03:46,600 --> 00:03:48,360 Speaker 2: forms of digital media. And I think that will be 74 00:03:48,440 --> 00:03:49,400 Speaker 2: very exciting as well. 75 00:03:49,640 --> 00:03:51,960 Speaker 1: ROAs has that been quite a bit of work happening 76 00:03:52,000 --> 00:03:55,800 Speaker 1: behind the scenes here already, because twenty twenty four doesn't 77 00:03:55,840 --> 00:03:58,720 Speaker 1: seem that far away. It sounds as though there's been 78 00:03:58,800 --> 00:04:00,720 Speaker 1: quite a bit of planning happening for a while. 79 00:04:02,080 --> 00:04:04,200 Speaker 2: Oh yes, we like a bit of plotting and scheming, 80 00:04:04,720 --> 00:04:06,640 Speaker 2: so yes, we have been working on that and we 81 00:04:06,760 --> 00:04:10,120 Speaker 2: have already got people who will be committed as part 82 00:04:10,160 --> 00:04:13,680 Speaker 2: of the program to start this year as visiting artists, 83 00:04:13,800 --> 00:04:17,240 Speaker 2: as visiting research fellows in the art to start building 84 00:04:17,240 --> 00:04:20,320 Speaker 2: the community and building the partnership. We've also just about 85 00:04:20,320 --> 00:04:22,920 Speaker 2: to go out with an advertisement for our director, who 86 00:04:22,920 --> 00:04:26,240 Speaker 2: will be someone who can really lead the academic but 87 00:04:26,320 --> 00:04:29,520 Speaker 2: also the artistic conversation, the how will work. And we're 88 00:04:29,560 --> 00:04:32,599 Speaker 2: really interested in thinking about building a reference group that 89 00:04:32,680 --> 00:04:34,880 Speaker 2: will start to have a voice of the territory and 90 00:04:35,279 --> 00:04:38,719 Speaker 2: lead the work and have a interaction with community all 91 00:04:38,760 --> 00:04:41,080 Speaker 2: the time. There's so much going on. We want to 92 00:04:41,120 --> 00:04:43,279 Speaker 2: connect and we want to partner with everybody else and 93 00:04:43,320 --> 00:04:44,599 Speaker 2: we need ways to do that. 94 00:04:45,040 --> 00:04:47,560 Speaker 1: And Ruth, do you think that the arts academy that 95 00:04:47,640 --> 00:04:50,839 Speaker 1: we will have in the Northern Territory through Charles Dalen University, 96 00:04:51,080 --> 00:04:53,279 Speaker 1: how do you reckon it's going to differ and be 97 00:04:53,440 --> 00:04:56,479 Speaker 1: more attractive than what those are that are maybe running 98 00:04:56,520 --> 00:05:00,119 Speaker 1: in other states already. 99 00:05:00,200 --> 00:05:00,599 Speaker 2: Territory. 100 00:05:02,360 --> 00:05:03,640 Speaker 1: I mean, I know that, Ruth. 101 00:05:06,560 --> 00:05:09,800 Speaker 2: I just think that we have people here who have 102 00:05:09,960 --> 00:05:15,080 Speaker 2: gone on to the leaders nationally and internationally in the 103 00:05:15,120 --> 00:05:18,280 Speaker 2: movie sector, in dance, in music. We have people in 104 00:05:18,320 --> 00:05:21,200 Speaker 2: communities who are bangaradaptist. We have people who are starring 105 00:05:21,240 --> 00:05:23,560 Speaker 2: in films like Moran Tatsil, We have people who are 106 00:05:23,600 --> 00:05:27,240 Speaker 2: singers like Jessica Mailboy. People here are leaders in their 107 00:05:27,240 --> 00:05:30,080 Speaker 2: craft and we'll be able to demonstrate what that looks 108 00:05:30,120 --> 00:05:32,200 Speaker 2: like in this place. But what will be quite different 109 00:05:32,520 --> 00:05:34,560 Speaker 2: is we're not centered in just one place. We'll have 110 00:05:34,640 --> 00:05:37,520 Speaker 2: the theater here and certainly we'll use it. We'll make 111 00:05:37,520 --> 00:05:40,039 Speaker 2: sure there's lots of events going on in activities, but 112 00:05:40,160 --> 00:05:42,720 Speaker 2: will also be where the artists are. So if it 113 00:05:42,800 --> 00:05:46,039 Speaker 2: means there's something great happening in Barunga, why wouldn't we 114 00:05:46,040 --> 00:05:48,200 Speaker 2: have the academy as part of those and connect to 115 00:05:48,240 --> 00:05:50,479 Speaker 2: what's going on in country that I think is going 116 00:05:50,520 --> 00:05:53,680 Speaker 2: to be unique about the events that we'll be able 117 00:05:53,720 --> 00:05:55,520 Speaker 2: to hold and the people we can engage. 118 00:05:55,720 --> 00:05:58,880 Speaker 1: And is there going to need to be additional funding 119 00:05:59,000 --> 00:06:01,480 Speaker 1: or anything like that or is this you know, it's 120 00:06:01,480 --> 00:06:03,320 Speaker 1: a done deal. It's happening no matter what. 121 00:06:05,200 --> 00:06:09,200 Speaker 2: The Vice Chancellor Scott Bowman has very generously put some 122 00:06:09,240 --> 00:06:11,799 Speaker 2: innovation funds in to get us started, so that means 123 00:06:11,800 --> 00:06:14,560 Speaker 2: that we have got the startup funds, it's definitely happening. 124 00:06:14,960 --> 00:06:17,240 Speaker 2: We are building our courses so that we'll have a 125 00:06:17,279 --> 00:06:22,360 Speaker 2: pathway from certificate through certificate two three four diploma degree 126 00:06:23,000 --> 00:06:25,160 Speaker 2: so you can do you undergraduate, do you a postgraduate 127 00:06:25,160 --> 00:06:27,279 Speaker 2: and go on to research. So it will mean that 128 00:06:27,320 --> 00:06:30,640 Speaker 2: we're building pathways that will underpin and build the program. 129 00:06:31,080 --> 00:06:33,760 Speaker 2: We also going to build micro credentials and short courses 130 00:06:33,760 --> 00:06:36,200 Speaker 2: of people get out on country. They will generate the 131 00:06:36,240 --> 00:06:39,160 Speaker 2: income that will keep the programs going and we'll work 132 00:06:39,160 --> 00:06:42,560 Speaker 2: with all of our partners. We don't want to do 133 00:06:42,600 --> 00:06:46,240 Speaker 2: anything without working with the creative industries across the region, 134 00:06:46,560 --> 00:06:49,320 Speaker 2: and I think together we can make this viable. So 135 00:06:49,600 --> 00:06:52,159 Speaker 2: at the moment, yes it's definitely happening, Yes we have 136 00:06:52,240 --> 00:06:54,880 Speaker 2: the investment already, but we want to hear from others 137 00:06:54,960 --> 00:06:57,440 Speaker 2: and what we could do that's a great idea, or 138 00:06:57,480 --> 00:06:59,800 Speaker 2: what's the next opportunity. Always open for that. 139 00:06:59,880 --> 00:07:03,360 Speaker 1: Well, Professor Ruth Wallace, it is always lovely to speak 140 00:07:03,400 --> 00:07:05,400 Speaker 1: to you. I really appreciate your time this morning, and 141 00:07:05,680 --> 00:07:07,840 Speaker 1: this sounds like an exciting thing for the territory. 142 00:07:09,000 --> 00:07:11,200 Speaker 2: Thanks very much, Katie, have a lovely weekend you two