1 00:00:01,000 --> 00:00:05,279 Speaker 1: Christian Christian O'Connell's show podcast. 2 00:00:05,519 --> 00:00:08,119 Speaker 2: Hey, good evening, It's Tuesday night. Welcome to the Christian 3 00:00:08,119 --> 00:00:11,280 Speaker 2: O'Connell Show. Yesterday, I was asking for movie recommendations, but 4 00:00:11,320 --> 00:00:14,080 Speaker 2: of a very specific type of movie. You know, there 5 00:00:14,080 --> 00:00:16,040 Speaker 2: are those movies which we hold very dear and I 6 00:00:16,079 --> 00:00:18,520 Speaker 2: think they actually stay with us. They show us something 7 00:00:18,520 --> 00:00:20,640 Speaker 2: about our lives, don't they, And they change you a 8 00:00:20,680 --> 00:00:22,880 Speaker 2: little bit at the end of it. And I was 9 00:00:22,880 --> 00:00:25,239 Speaker 2: looking for those movies because over the next six weeks, 10 00:00:25,280 --> 00:00:27,480 Speaker 2: on a Monday afternoon with my thirteen year old daughter 11 00:00:27,480 --> 00:00:29,000 Speaker 2: who's homeschool at the moment, and a bit of a 12 00:00:29,000 --> 00:00:30,800 Speaker 2: FuG about it. And I understand I would have been 13 00:00:30,800 --> 00:00:33,040 Speaker 2: even worse at that age if I had to do homeschooling. 14 00:00:34,000 --> 00:00:36,320 Speaker 2: We're going to on a Monday afternoon, I'm letting at 15 00:00:36,320 --> 00:00:38,080 Speaker 2: a knockoff for herly and but she's got to watch 16 00:00:38,080 --> 00:00:39,760 Speaker 2: a movie with a dad and then we have to 17 00:00:39,800 --> 00:00:42,919 Speaker 2: talk about it afterwards. And yesterday, so many calls, Thank 18 00:00:42,960 --> 00:00:45,959 Speaker 2: you very much yesterday for all the calls, all the emails, 19 00:00:46,000 --> 00:00:47,839 Speaker 2: I mean, so many emails throughout the day that you're 20 00:00:47,840 --> 00:00:50,159 Speaker 2: taking time that you've got going on right now, But 21 00:00:50,240 --> 00:00:52,800 Speaker 2: emails that you'd thought about during the day and why 22 00:00:52,840 --> 00:00:55,200 Speaker 2: this certain movie. And some of you sent me Top 23 00:00:55,280 --> 00:00:57,240 Speaker 2: five to movies that you've watched with your kids or 24 00:00:57,240 --> 00:00:59,160 Speaker 2: that you watch with your mum or dad that stay 25 00:00:59,200 --> 00:01:02,440 Speaker 2: with you. Are loads so many greatness, but one cat 26 00:01:02,520 --> 00:01:04,040 Speaker 2: coming up. I thought it's got to be that. It's 27 00:01:04,040 --> 00:01:06,679 Speaker 2: stand by Me. And so we watched stand By Me 28 00:01:06,800 --> 00:01:09,640 Speaker 2: yesterday afternoon at two thirty, I let a little fire 29 00:01:09,720 --> 00:01:12,320 Speaker 2: closed the curtain, so we made little color cuphouse there 30 00:01:12,360 --> 00:01:14,880 Speaker 2: and I made some snacks and we sat down with 31 00:01:14,920 --> 00:01:18,399 Speaker 2: the dogs and the cats, and then what stand By Me? 32 00:01:18,480 --> 00:01:20,319 Speaker 2: And I think when I first saw this, I think 33 00:01:20,319 --> 00:01:23,319 Speaker 2: it came out in eighty six, I was thirteen, and 34 00:01:23,959 --> 00:01:26,600 Speaker 2: I remember watching it with my three best mates. And 35 00:01:26,760 --> 00:01:29,399 Speaker 2: it is about friendship, what happens as you grow older 36 00:01:29,440 --> 00:01:31,839 Speaker 2: and into teens and all when you start to realize 37 00:01:31,880 --> 00:01:34,199 Speaker 2: some of the ugly truths about life. And I remember 38 00:01:34,240 --> 00:01:36,000 Speaker 2: we all watched it, and I remember we all cycled 39 00:01:36,280 --> 00:01:38,360 Speaker 2: out of there together. We'd cycled all the way there. 40 00:01:38,520 --> 00:01:40,720 Speaker 2: We felt like it was our movie. It was about us, 41 00:01:40,880 --> 00:01:43,280 Speaker 2: even though we didn't quite fully know what was coming 42 00:01:43,319 --> 00:01:45,360 Speaker 2: our way. As you go into and they talk about 43 00:01:45,400 --> 00:01:47,960 Speaker 2: the movie They even say this is it before girls 44 00:01:48,000 --> 00:01:50,520 Speaker 2: came along? You know the narrator Jordi, when he talks 45 00:01:50,520 --> 00:01:53,080 Speaker 2: about it is that's how we were before girls came along. 46 00:01:53,200 --> 00:01:55,600 Speaker 2: And it's got that Stephen King is a genius, you know. 47 00:01:55,640 --> 00:01:58,720 Speaker 2: Look at Misery and Shawshank Redemption, which was also a 48 00:01:58,760 --> 00:02:01,280 Speaker 2: short story which was this originally was stand by me 49 00:02:01,360 --> 00:02:04,640 Speaker 2: called The Body. It's got this great opening line. I 50 00:02:04,680 --> 00:02:07,000 Speaker 2: was twelve going on thirteen the first time I saw 51 00:02:07,040 --> 00:02:09,960 Speaker 2: a dead human being. What you're there, aren't you? It 52 00:02:10,080 --> 00:02:12,480 Speaker 2: just snaps your attention. It just towards you straight in 53 00:02:12,600 --> 00:02:15,840 Speaker 2: the Richard Drafers had grown up. Jordi, it's about watching 54 00:02:15,840 --> 00:02:18,400 Speaker 2: it again now, all those years later, watch it now 55 00:02:18,440 --> 00:02:20,880 Speaker 2: as a dad with my thirteen year old daughter. Of course, 56 00:02:20,919 --> 00:02:24,520 Speaker 2: it's going into that world now and seeing it again 57 00:02:24,560 --> 00:02:26,840 Speaker 2: as a as a forty seven year old, but with 58 00:02:26,880 --> 00:02:29,840 Speaker 2: my daughter as well. It had an even deeper meaning 59 00:02:29,880 --> 00:02:32,360 Speaker 2: for me. I love seeing it my daughter she absolutely 60 00:02:32,400 --> 00:02:34,760 Speaker 2: loved it as well. It's about as perfect a movie 61 00:02:34,919 --> 00:02:35,760 Speaker 2: as you'll ever see. 62 00:02:35,840 --> 00:02:37,920 Speaker 3: Yeah, did you ache? Because I mean Biank and I 63 00:02:37,919 --> 00:02:40,640 Speaker 3: watch it as well. Inspired by your movie Club, we 64 00:02:40,720 --> 00:02:43,560 Speaker 3: made a little one of our own, The Ache of 65 00:02:43,800 --> 00:02:46,640 Speaker 3: nostegia that I felt because I was the same. I 66 00:02:46,680 --> 00:02:48,440 Speaker 3: saw it originally when I was a teenager, and I 67 00:02:48,440 --> 00:02:50,560 Speaker 3: thought that's a great movie. But now you watch it again, 68 00:02:50,639 --> 00:02:53,120 Speaker 3: you think about yourself at that age. We know, don't 69 00:02:53,160 --> 00:02:54,440 Speaker 3: with friends at that age. 70 00:02:54,200 --> 00:02:56,960 Speaker 2: And then what happens from when you're twelve to where 71 00:02:56,960 --> 00:02:59,160 Speaker 2: you are now. And that's why it's got these two 72 00:02:59,240 --> 00:03:00,880 Speaker 2: kind of things that I think make it work and 73 00:03:00,880 --> 00:03:03,119 Speaker 2: stand the test of time. The movie is seen through 74 00:03:03,120 --> 00:03:05,600 Speaker 2: the children's eyes, you know, the four of them, but 75 00:03:05,639 --> 00:03:08,320 Speaker 2: it's also thren through this kind of bittersweet knowing of 76 00:03:08,360 --> 00:03:11,919 Speaker 2: the narrator's voice, who has the knowledge of wisdom and 77 00:03:12,040 --> 00:03:14,240 Speaker 2: time and knows what happens to them all already in 78 00:03:14,240 --> 00:03:16,680 Speaker 2: the opening scene, you know that Chris dies, he's not 79 00:03:16,720 --> 00:03:18,280 Speaker 2: going to be there, and when he fades at the 80 00:03:18,360 --> 00:03:20,840 Speaker 2: end of it, it just it breaks your hearts. And 81 00:03:20,880 --> 00:03:23,520 Speaker 2: it's a movie about a loss of innocence, isn't it. 82 00:03:23,520 --> 00:03:25,520 Speaker 2: Even when they talk about their parents, and some of 83 00:03:25,520 --> 00:03:27,640 Speaker 2: the parents are very neglectful in the movie, you know, 84 00:03:27,680 --> 00:03:28,840 Speaker 2: and it's quite brutal at. 85 00:03:28,720 --> 00:03:31,119 Speaker 3: Times, and there are those dark things in the dark 86 00:03:31,160 --> 00:03:34,800 Speaker 3: things that happened to his friends, but there it's as 87 00:03:34,800 --> 00:03:37,400 Speaker 3: you said, viewed through the innocence of childhood, so everything 88 00:03:37,480 --> 00:03:39,240 Speaker 3: is a little bit matter of fact about it. 89 00:03:39,240 --> 00:03:42,440 Speaker 2: It's a beautiful movie. There's a scene that I just loved. 90 00:03:42,480 --> 00:03:44,520 Speaker 2: There are a couple of scenes that really stand the 91 00:03:44,520 --> 00:03:47,360 Speaker 2: test of time. There's a scene where they're all just 92 00:03:47,400 --> 00:03:50,080 Speaker 2: throwing pebbles and rocks in a can. Do you rememb 93 00:03:50,080 --> 00:03:52,320 Speaker 2: when you were that age, you didn't even you didn't 94 00:03:52,320 --> 00:03:54,120 Speaker 2: even have a watch. When I was at that age, 95 00:03:54,120 --> 00:03:56,720 Speaker 2: I didn't even have a watch on a phone, or 96 00:03:56,800 --> 00:03:58,840 Speaker 2: emails coming and or people text me going, did you 97 00:03:58,880 --> 00:04:02,240 Speaker 2: get the email? He hadn't replied. Time had no relevance. 98 00:04:02,320 --> 00:04:04,040 Speaker 3: You didn't worry about what you had to do that night, 99 00:04:04,080 --> 00:04:05,400 Speaker 3: what do you have to do the next day, what 100 00:04:05,520 --> 00:04:07,560 Speaker 3: you had to get prepared for whatever's coming up in 101 00:04:07,600 --> 00:04:10,240 Speaker 3: your life. You're just like you're in the moment, completely 102 00:04:10,280 --> 00:04:11,040 Speaker 3: in the moment. 103 00:04:10,880 --> 00:04:14,000 Speaker 2: You felt like you had your place in the world sorted, 104 00:04:14,200 --> 00:04:16,760 Speaker 2: and then things kind of get chipped away, and that's 105 00:04:17,160 --> 00:04:20,080 Speaker 2: the full journey of time. But I cannot recommend watching 106 00:04:20,120 --> 00:04:22,880 Speaker 2: it again. I did some research yesterday evening about the movie. 107 00:04:22,920 --> 00:04:25,159 Speaker 2: I didn't realize it It got filmed in nineteen eighty five. 108 00:04:25,240 --> 00:04:27,640 Speaker 2: And the independent movie company that signed the rights to this, 109 00:04:28,240 --> 00:04:30,520 Speaker 2: they got brought as the way the company says, buy 110 00:04:30,560 --> 00:04:31,920 Speaker 2: each other. But they were doing that in the eighties 111 00:04:31,960 --> 00:04:33,640 Speaker 2: of a lot of different movie companies changed and they 112 00:04:33,720 --> 00:04:36,200 Speaker 2: got swallowed up. And the new guy at Columbia Pictures 113 00:04:36,200 --> 00:04:37,800 Speaker 2: he'd brought this was like, no way, We're not put 114 00:04:37,800 --> 00:04:40,560 Speaker 2: money into this. It's a movie in the eighties, when 115 00:04:40,600 --> 00:04:43,600 Speaker 2: there are all these big Spielberg blockbusters. There's et there's 116 00:04:43,600 --> 00:04:46,120 Speaker 2: all these big movies come out Indiana Jones, this is 117 00:04:46,120 --> 00:04:48,159 Speaker 2: a movie set in the nineteen fifties. Yeah, you know, 118 00:04:48,160 --> 00:04:50,680 Speaker 2: there's actually quite dark. It's a Stephen King book as well. 119 00:04:50,920 --> 00:04:52,760 Speaker 2: So they cancel it. But then one of the guys 120 00:04:52,800 --> 00:04:54,320 Speaker 2: who made a lot of money from the sale of 121 00:04:54,320 --> 00:04:57,400 Speaker 2: the independent movie company is Norman Lear. Norman Lear is 122 00:04:57,440 --> 00:05:00,800 Speaker 2: a big TV sitcom producer At Once I'm in the seventies, 123 00:05:00,800 --> 00:05:05,000 Speaker 2: he was the exec producer of three different huge sitcoms 124 00:05:05,000 --> 00:05:06,800 Speaker 2: that were number one on different networks, so he made 125 00:05:06,800 --> 00:05:09,320 Speaker 2: a lot of money. When he sold his independent movie company, 126 00:05:09,560 --> 00:05:11,720 Speaker 2: he cut checked for eight million dollars of his own 127 00:05:11,760 --> 00:05:14,200 Speaker 2: money to make sure that stand by Me still got 128 00:05:14,200 --> 00:05:17,039 Speaker 2: made well, So it got it was three days away 129 00:05:17,040 --> 00:05:18,800 Speaker 2: from being canceled. They were just gonna they were just 130 00:05:18,839 --> 00:05:22,080 Speaker 2: gonna get it, and it's an amazing movie. It actually 131 00:05:22,360 --> 00:05:25,200 Speaker 2: gets better. Yeah, I thought it got so much better. 132 00:05:25,320 --> 00:05:28,560 Speaker 2: And all the four kids, they're like teenagers. They're given 133 00:05:28,600 --> 00:05:31,440 Speaker 2: these amazing performances. You know, Jerry O'Connell, the chubby little 134 00:05:31,520 --> 00:05:34,280 Speaker 2: kid in it, Lardas who goes on to become Cush 135 00:05:34,640 --> 00:05:37,400 Speaker 2: you know, years later as Jerry Maguire's quarterback, and then 136 00:05:37,400 --> 00:05:40,880 Speaker 2: obviously River Phoenix. It is his movie. He is electrifying. 137 00:05:40,920 --> 00:05:44,120 Speaker 2: There's an amazing magnetic presence in there, but there's no 138 00:05:44,200 --> 00:05:45,640 Speaker 2: you know, when you watch an actor and you're not 139 00:05:45,680 --> 00:05:48,960 Speaker 2: watching an actor, it feels like there's no filter between 140 00:05:49,000 --> 00:05:51,720 Speaker 2: them as an actor and a human being. River Phoenix. 141 00:05:51,760 --> 00:05:53,080 Speaker 2: I don't know how he did this. I think it 142 00:05:53,120 --> 00:05:55,320 Speaker 2: was fourteen or fifteen when he made this movie. He 143 00:05:55,360 --> 00:05:58,240 Speaker 2: carries the movie and a lot of very profound, deep 144 00:05:58,279 --> 00:06:01,560 Speaker 2: lines as well, and you're watch in this three dimensional, 145 00:06:01,839 --> 00:06:04,560 Speaker 2: very very real performance of what it is to be 146 00:06:04,600 --> 00:06:07,080 Speaker 2: a human being, not a child, and you're thinking, what 147 00:06:07,120 --> 00:06:09,720 Speaker 2: would he have done with his career? What other amazing 148 00:06:09,800 --> 00:06:11,520 Speaker 2: art would River Phoenix have made? 149 00:06:11,600 --> 00:06:13,880 Speaker 3: Yeah, well, he had the maturity of an adult in 150 00:06:13,920 --> 00:06:16,960 Speaker 3: that performance, and because he's the leader of the group, 151 00:06:17,000 --> 00:06:19,880 Speaker 3: it's so perfectly played by him in that movie. 152 00:06:19,960 --> 00:06:22,039 Speaker 2: Yeah, go and watch it again. Honestly you'll you'll be 153 00:06:22,080 --> 00:06:24,760 Speaker 2: grateful for seeing stand by Me. It will, it will. 154 00:06:24,800 --> 00:06:26,920 Speaker 2: I think it's one of those movies. In fact, let's 155 00:06:26,920 --> 00:06:28,880 Speaker 2: take some calls this. What are the movies you've seen 156 00:06:28,960 --> 00:06:30,880 Speaker 2: in the last couple of years that on a second 157 00:06:30,960 --> 00:06:33,440 Speaker 2: or third viewing actually not only stand up to test 158 00:06:33,440 --> 00:06:36,200 Speaker 2: of time, but actually get better that like a fine wine. 159 00:06:36,440 --> 00:06:38,160 Speaker 2: I don't know whether they've aged. I think it's probably 160 00:06:38,200 --> 00:06:41,240 Speaker 2: more that we've aged. That's what is. Life has happened 161 00:06:41,279 --> 00:06:43,719 Speaker 2: to us and sort of come through us, and we're different. 162 00:06:43,760 --> 00:06:46,040 Speaker 2: The movie is the same, but we are not the same. 163 00:06:48,480 --> 00:06:52,920 Speaker 2: The Christian O'Connell Show podcast, Guys, your discussion about stand 164 00:06:52,920 --> 00:06:55,800 Speaker 2: By Me my favorite movie ever, has actually had me 165 00:06:55,800 --> 00:06:59,000 Speaker 2: in tears. Andrew Renny, Sorry, that is not what it's 166 00:06:59,080 --> 00:07:01,080 Speaker 2: had to do this morning. Trying to cheer everybody up, 167 00:07:02,120 --> 00:07:05,760 Speaker 2: especially you're talking about River Phoenix and just how amazing 168 00:07:05,920 --> 00:07:08,360 Speaker 2: he isn't it. He's incredible. It's an amazing performance in 169 00:07:08,480 --> 00:07:11,640 Speaker 2: River Phoenix. It's just it blows your way. A couple 170 00:07:11,680 --> 00:07:13,800 Speaker 2: of times you're like, how was he? It's like, I 171 00:07:13,840 --> 00:07:16,800 Speaker 2: guess it's like Lebron and these Michael Jordan's and Kobe's, 172 00:07:16,800 --> 00:07:19,200 Speaker 2: you know in Sport, you know in Tiger Woods. It's 173 00:07:19,240 --> 00:07:20,840 Speaker 2: an otherworldliness, isn't it. 174 00:07:21,160 --> 00:07:23,560 Speaker 3: There's this scene and we were tearing up watching this 175 00:07:23,640 --> 00:07:27,880 Speaker 3: scene where River Phoenix is telling Gordie that I wish 176 00:07:27,880 --> 00:07:30,960 Speaker 3: I was your dad because your dad is in what 177 00:07:31,080 --> 00:07:33,080 Speaker 3: your talents are, and if I was your dad, then 178 00:07:33,080 --> 00:07:34,120 Speaker 3: I would encourage your talent. 179 00:07:34,200 --> 00:07:35,720 Speaker 2: He says, You've got these gifts because they know that 180 00:07:35,760 --> 00:07:37,680 Speaker 2: when they go to high school, which are about start, 181 00:07:37,760 --> 00:07:39,840 Speaker 2: it's all going to change. And Chris knows that he's 182 00:07:39,840 --> 00:07:41,080 Speaker 2: going to be and he says that I'm just going 183 00:07:41,120 --> 00:07:44,080 Speaker 2: to be a workshop making birdhouses, nash treys. You'll be 184 00:07:44,120 --> 00:07:46,480 Speaker 2: with more intelligent kids, you know. And you've got this gift. 185 00:07:46,520 --> 00:07:48,880 Speaker 2: He says, You've got this gift from God about your storytelling. 186 00:07:48,920 --> 00:07:50,200 Speaker 2: You need to do that and because I don't want 187 00:07:50,200 --> 00:07:51,920 Speaker 2: to do that, it's a dumb skill. And he goes, 188 00:07:51,920 --> 00:07:53,640 Speaker 2: you're an idiot if you think that, and he goes 189 00:07:53,680 --> 00:07:56,800 Speaker 2: on to become that writer. Uh yeah, Angie, Andngie says 190 00:07:56,800 --> 00:07:58,120 Speaker 2: she's going to watch it today. Well, look over the 191 00:07:58,160 --> 00:07:59,760 Speaker 2: next couple of weeks, why don't you on a Monday night, 192 00:07:59,760 --> 00:08:01,680 Speaker 2: if you to watch the movie that I'm gonna watch 193 00:08:01,680 --> 00:08:03,840 Speaker 2: with my daughter Lois, You're more than welcome to join us, 194 00:08:04,080 --> 00:08:06,880 Speaker 2: and then we can have a little Tuesday morning film club. 195 00:08:07,360 --> 00:08:09,000 Speaker 2: So this morning, then I want to know the movies 196 00:08:09,120 --> 00:08:11,560 Speaker 2: like stand by Me by the Way the thirteen year Old. 197 00:08:11,600 --> 00:08:13,120 Speaker 2: Then Lois at the end of the movie, right, we 198 00:08:13,160 --> 00:08:15,040 Speaker 2: watched the movie, I'm in tears at the end for 199 00:08:15,040 --> 00:08:18,600 Speaker 2: different reasons. She's blown away by it. It's spellbinding. And 200 00:08:18,680 --> 00:08:21,160 Speaker 2: you know, she's got her own reasons why that movie 201 00:08:21,160 --> 00:08:23,320 Speaker 2: that she probably doesn't even talk to me about, But 202 00:08:23,400 --> 00:08:25,240 Speaker 2: she's got her own where she can plot on her life, 203 00:08:25,280 --> 00:08:27,040 Speaker 2: where she is, where they are. So at the end, 204 00:08:27,080 --> 00:08:28,280 Speaker 2: I go, what do you think? She goes, as amazing, 205 00:08:28,320 --> 00:08:30,520 Speaker 2: it's one of the best movies I've ever seen. She said, Oh, 206 00:08:30,600 --> 00:08:32,040 Speaker 2: can we get like the poster? I want to put 207 00:08:32,080 --> 00:08:34,480 Speaker 2: my bed on wall? That's what we're Well, we're going 208 00:08:34,480 --> 00:08:36,280 Speaker 2: on and we're getting a poster. And then is it 209 00:08:36,320 --> 00:08:38,040 Speaker 2: sad that I also got one for myself as well? 210 00:08:38,840 --> 00:08:41,040 Speaker 3: Imagine daddy daughter posting. 211 00:08:42,200 --> 00:08:45,200 Speaker 2: The family that poster her together, Stay Together, And then 212 00:08:45,240 --> 00:08:46,600 Speaker 2: I go, what do you think? What do you think 213 00:08:46,600 --> 00:08:49,720 Speaker 2: it's about? She goes, well, you know it's when I 214 00:08:49,720 --> 00:08:51,760 Speaker 2: see stuff like this, I just feel sorry for you. 215 00:08:53,120 --> 00:08:55,320 Speaker 2: Straight away. I'm like, oh no, I can't add any 216 00:08:55,320 --> 00:08:57,760 Speaker 2: more tears. And I'm like, it's like being a I 217 00:08:57,760 --> 00:08:59,000 Speaker 2: felt like I was on account. Its like you are 218 00:08:59,040 --> 00:09:01,960 Speaker 2: in therapy, but the therapist is my thirty year old Jordan. 219 00:09:02,160 --> 00:09:04,360 Speaker 2: I got confused. But what do you mean? She said, Well, 220 00:09:04,360 --> 00:09:06,920 Speaker 2: in the movie there, they're all they're really nurturing to 221 00:09:07,000 --> 00:09:09,200 Speaker 2: each other. You know that what they're crying, they're talking 222 00:09:09,200 --> 00:09:11,679 Speaker 2: about their feelings. You've grown up, so I feel sorry 223 00:09:11,679 --> 00:09:13,440 Speaker 2: for you dad. Being a guy, it must be awful. 224 00:09:13,840 --> 00:09:17,800 Speaker 2: You can't talk about your feelings. That is profound. She goes, 225 00:09:17,880 --> 00:09:20,480 Speaker 2: You know, she said, you know this thing toxic masculinity. 226 00:09:20,760 --> 00:09:23,160 Speaker 2: They don't have it in that no one's having to 227 00:09:23,160 --> 00:09:25,640 Speaker 2: go each other for crying. They all cry, they all 228 00:09:25,679 --> 00:09:28,000 Speaker 2: have their moments, and everybody else supports each other out. 229 00:09:28,360 --> 00:09:31,360 Speaker 2: They all they all lift each other, don't they true friendship? 230 00:09:31,400 --> 00:09:33,240 Speaker 2: Then I'll tell you what it is that phrase isn't 231 00:09:33,240 --> 00:09:35,480 Speaker 2: It's a cliche one, but that's what it is. There's 232 00:09:35,520 --> 00:09:37,360 Speaker 2: four kids in this, but actually it's about the relation 233 00:09:37,480 --> 00:09:40,680 Speaker 2: between Jordie and Chris. It's those The other two are younger, 234 00:09:40,720 --> 00:09:43,439 Speaker 2: aren't they. They are twelve? Whereas they the other two, 235 00:09:43,559 --> 00:09:45,640 Speaker 2: Jordan and Chris, they out there. They're older and a 236 00:09:45,640 --> 00:09:48,560 Speaker 2: bit wise, aren't they. Jordie's sort of the sensitive one, 237 00:09:48,600 --> 00:09:51,120 Speaker 2: isn't he? And Chris is tougher, but he's sensitive as well. 238 00:09:51,400 --> 00:09:53,480 Speaker 2: And each of them has what the other one needs. 239 00:09:53,960 --> 00:09:56,800 Speaker 2: Chris needs a bit more sensitivity and Jordie needs a 240 00:09:56,800 --> 00:09:58,559 Speaker 2: bit more strength as well. And they complete each other, 241 00:09:58,600 --> 00:10:01,800 Speaker 2: don't they. In the short story the Body, it's actually 242 00:10:01,880 --> 00:10:04,839 Speaker 2: Chris who grabs the gun towards the end. In the 243 00:10:04,840 --> 00:10:07,800 Speaker 2: movie it's Gordo, all right, because it's a coming of 244 00:10:07,840 --> 00:10:09,400 Speaker 2: age for him. If you see how he lifts it 245 00:10:09,440 --> 00:10:11,480 Speaker 2: above his head. This is like a thing in many 246 00:10:11,520 --> 00:10:13,880 Speaker 2: movies of like the sword being pulled from a stone. 247 00:10:14,160 --> 00:10:16,160 Speaker 2: It's a coming of age moment for Jordie that he 248 00:10:16,280 --> 00:10:18,679 Speaker 2: is strong enough now to fight back. Where's the beginning 249 00:10:18,679 --> 00:10:20,600 Speaker 2: of the movie, were lose a baseball gap. He can't 250 00:10:20,640 --> 00:10:22,880 Speaker 2: fight back. You've see in his eyes when he looks 251 00:10:22,920 --> 00:10:25,400 Speaker 2: at Keith of Sutherland. This will be redressed, and it 252 00:10:25,480 --> 00:10:28,520 Speaker 2: is later on, but in the in the story, it's not, Steve. 253 00:10:29,160 --> 00:10:30,199 Speaker 3: I only watched it last night. 254 00:10:30,240 --> 00:10:32,160 Speaker 2: I've actually be if I went to bed last night. 255 00:10:32,520 --> 00:10:34,760 Speaker 2: I put half an out into making notes. I mind 256 00:10:34,800 --> 00:10:37,720 Speaker 2: doing podcast exod today with you Jack, where I just 257 00:10:37,760 --> 00:10:39,439 Speaker 2: need to share these notes about it. I've got a 258 00:10:39,440 --> 00:10:40,080 Speaker 2: lot more to say. 259 00:10:40,120 --> 00:10:42,040 Speaker 3: You do an audio commentary and watch the whole. 260 00:10:42,400 --> 00:10:44,640 Speaker 2: I loved it anyway, we're supposed to be taking cools somewhere. 261 00:10:45,120 --> 00:10:49,040 Speaker 2: Movies that age, movies the age with time, like stand 262 00:10:49,080 --> 00:10:54,040 Speaker 2: by Me? Joe, good morning, Hi, how are you doing, Christian? Hey, listen, 263 00:10:54,040 --> 00:10:55,880 Speaker 2: I'm really sorry you're on hold there. Whilst Jack and 264 00:10:55,880 --> 00:10:59,200 Speaker 2: I are talking about stand by Me? What's a movie 265 00:10:59,240 --> 00:11:01,600 Speaker 2: like that that gets at it with time? Does the 266 00:11:01,640 --> 00:11:05,120 Speaker 2: Princess Bride gets better with time? Yeah? I love that movie. 267 00:11:05,480 --> 00:11:07,480 Speaker 2: It's so good it. What's the line in there? I 268 00:11:07,520 --> 00:11:12,360 Speaker 2: am the son of a murdered in. My name is 269 00:11:12,480 --> 00:11:16,319 Speaker 2: Nigo Montoya? You killed my father? Prepared to die? That's it. 270 00:11:16,400 --> 00:11:18,920 Speaker 2: I love that movie. Yeah, it's a great one. That's 271 00:11:18,920 --> 00:11:21,480 Speaker 2: a brilliant one. Yeah, we have seen it, but years ago. 272 00:11:21,600 --> 00:11:25,640 Speaker 2: So fantastic movie. Also directed by Rob Reiner, yeah, direct, 273 00:11:26,480 --> 00:11:29,040 Speaker 2: and it gets funnier as you get older. The book's great. 274 00:11:29,120 --> 00:11:31,040 Speaker 3: I haven't seen it, but I know during Lockdown he's 275 00:11:31,080 --> 00:11:34,640 Speaker 3: been getting celebrities to send homemade bits of the movie 276 00:11:34,640 --> 00:11:37,199 Speaker 3: in and he's coddling together a whole version of. 277 00:11:37,160 --> 00:11:39,120 Speaker 2: The Princess, like a fan kind of made version of 278 00:11:39,200 --> 00:11:39,839 Speaker 2: Princess Brian. 279 00:11:40,160 --> 00:11:42,480 Speaker 3: Yeah, but also like Josh gadd is in it. Paul 280 00:11:42,559 --> 00:11:44,800 Speaker 3: rand is playing one of the characters, and they're just 281 00:11:44,840 --> 00:11:48,000 Speaker 3: all filming it from home, super low quality, but he's 282 00:11:48,000 --> 00:11:50,520 Speaker 3: gonna coble it together as a full version of the Princess. 283 00:11:51,040 --> 00:11:53,960 Speaker 2: Great thing to do, all right, One last call, Patrick, 284 00:11:54,000 --> 00:11:55,600 Speaker 2: Good morning, Christian. 285 00:11:55,640 --> 00:11:56,120 Speaker 1: Here are you going. 286 00:11:56,200 --> 00:11:57,800 Speaker 2: I'm good, buddy, thanks to calling the show. I hope 287 00:11:57,800 --> 00:11:59,680 Speaker 2: you're well. What's a movie that gets better with time? 288 00:12:00,600 --> 00:12:02,120 Speaker 1: Definitely The stand Lock Kid? 289 00:12:02,840 --> 00:12:06,040 Speaker 2: Oh yeah, Patrick, This came up yesterday after the show 290 00:12:06,080 --> 00:12:07,600 Speaker 2: when people obviously had a bit of time to think 291 00:12:07,600 --> 00:12:09,920 Speaker 2: about it. This movie camp coming up. I've not seen it, 292 00:12:09,920 --> 00:12:10,680 Speaker 2: tell me about. 293 00:12:10,480 --> 00:12:14,520 Speaker 1: It, Okay, So basically stand Lock Kids in a nut shell. 294 00:12:15,920 --> 00:12:20,320 Speaker 1: Boy moves to a new town, tries to make friends 295 00:12:20,320 --> 00:12:24,200 Speaker 1: out of baseball field, ends up grabbing a ball that 296 00:12:24,320 --> 00:12:28,840 Speaker 1: his stepfather has The ball is signed by Babe Ruth. 297 00:12:31,440 --> 00:12:34,280 Speaker 2: It's a great moment because I'm ready start to tear up. Seriously, 298 00:12:34,320 --> 00:12:36,240 Speaker 2: you had me stepfather the ball. 299 00:12:36,440 --> 00:12:39,120 Speaker 3: Yes, all the kids to afford a ball, so like 300 00:12:39,120 --> 00:12:40,440 Speaker 3: where we're going to get a ball? Where we're going 301 00:12:40,440 --> 00:12:42,400 Speaker 3: to get a ball? He goes, well, I know, like 302 00:12:42,480 --> 00:12:44,360 Speaker 3: to be cool with these kids. I know my dad's 303 00:12:44,360 --> 00:12:45,960 Speaker 3: got a ball, but it's the one he loves signed 304 00:12:45,960 --> 00:12:48,200 Speaker 3: by Baby Ruth. He keeps it on his mantle, and 305 00:12:48,240 --> 00:12:50,600 Speaker 3: so he sneaks in steals the ball and then they 306 00:12:50,640 --> 00:12:54,080 Speaker 3: start playing with the Babe Ruth ball. Yeah when did 307 00:12:54,120 --> 00:12:57,439 Speaker 3: you like, early nineties would you say, Patrick. 308 00:12:57,400 --> 00:12:58,959 Speaker 1: Yeah, ninety three or something like that. 309 00:12:59,040 --> 00:13:01,560 Speaker 2: Yeah. Right, that's a great one. I might't watch that 310 00:13:01,600 --> 00:13:03,320 Speaker 2: next week. Thank you very much for that one, Patrick, 311 00:13:03,640 --> 00:13:06,600 Speaker 2: The Christian O'Connell Show podcast