WEBVTT - UNPACKED REALITY - MASTERCHEF AUSTRALIA - JAMES

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload.

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<v Speaker 2>The podcast Last Weep thereby.

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<v Speaker 1>Hey guys, welcome back to TV Reload. I want to

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<v Speaker 1>thank you for clicking and downloading on today's episode with James,

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<v Speaker 1>the first eliminated contestant from Master Chef Australia twenty twenty four,

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<v Speaker 1>which is on Network ten from Sunday through to Thursday

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<v Speaker 1>at seven point thirty. Having forged a successful career in

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<v Speaker 1>primary teaching, family man, James is a father to son

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<v Speaker 1>Benji and daughter Goldie. Becoming a parent has changed his

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<v Speaker 1>perspective and he told me that his kids remind him

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<v Speaker 1>every day on how to always find the joy in life.

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<v Speaker 1>James was determined to lead by example, which in so

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<v Speaker 1>many ways I feel like he was able to achieve

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<v Speaker 1>in showing his own kids, along with those he teaches,

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<v Speaker 1>that you can go against the grain embrace a challenge

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<v Speaker 1>with nothing to lose. While he was eliminated this week,

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<v Speaker 1>I think it's an amazing achievement to actually get onto

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<v Speaker 1>this show and I look forward to unpacking his time

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<v Speaker 1>in the Master Chef kitchen. James does reveal which of

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<v Speaker 1>the judges style he connected to most and if he

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<v Speaker 1>noticed a shift into making sure we as an audience

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<v Speaker 1>hear the instructions being offered to all of the contestants

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<v Speaker 1>with tips that we can actually use at home. We

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<v Speaker 1>will discuss his early departure from his calamari to how

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<v Speaker 1>the kitchen's are allocated and what advantages he learnt while

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<v Speaker 1>filming the first five episodes of this series. I will

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<v Speaker 1>get his opinions on the way in which contestants can

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<v Speaker 1>stand out on this show and if having a bigger

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<v Speaker 1>backstory helps you stay in the competition longer. There are

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<v Speaker 1>some tips along the way on how to be Master

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<v Speaker 1>Chef fit, and of course where he hopes his food

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<v Speaker 1>dreams may still take him. There's so much to unpack

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<v Speaker 1>with James, and he's very lovely and very generous with

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<v Speaker 1>his time. So sit back and relax as we unpack

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<v Speaker 1>the wonderful world of Master Chef Australia. Hello, hey, James,

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<v Speaker 1>how are you.

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<v Speaker 2>I'm well, thank you?

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<v Speaker 1>How are you? I'm doing very well. I was just

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<v Speaker 1>saying I am so excited with Master Chef being back

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<v Speaker 1>because as the weather gets colder, you just need the

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<v Speaker 1>comfort of the food and that's definitely what this show.

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<v Speaker 2>Vibes definitely, definitely.

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<v Speaker 3>I have many a memory of doing the same in

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<v Speaker 3>wintery England and well, this is the kind of closest

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<v Speaker 3>we get to winter here in person.

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<v Speaker 1>I just wanted to say win or lose. At least

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<v Speaker 1>you had fabulous hair on national television. And I couldn't

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<v Speaker 1>stop thinking about it.

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<v Speaker 2>It has a life of its own. I don't do

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<v Speaker 2>anything to it.

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<v Speaker 3>It's what happened, and I don't think I could try

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<v Speaker 3>and get anything else from it.

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<v Speaker 1>No, I think that people wanted to mimic it, they

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<v Speaker 1>couldn't do that. Like it's it's got its own personality.

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<v Speaker 3>So the kids in my class used to do impressions

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<v Speaker 3>of me, and it was always involving kind of flicking

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<v Speaker 3>back the frind.

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<v Speaker 1>I guess you know your daughter Goldie is a bit young.

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<v Speaker 1>But what did your son Benji think of his dad

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<v Speaker 1>being on television?

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<v Speaker 2>You know what they're watching it right now? Well, last

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<v Speaker 2>the night, it was a little bit, it was a.

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<v Speaker 3>Little bit late last night, but I went through kind

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<v Speaker 3>of the photos with him and explained kind of what happened,

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<v Speaker 3>and you know, he was a wee bit sad, but

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<v Speaker 3>I explained that, you know, I felt super proud of myself,

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<v Speaker 3>and he said, you know, but I wanted you to

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<v Speaker 3>get that cafe and under Up and I said, well,

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<v Speaker 3>you know what, We've just been in under Up for

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<v Speaker 3>the holidays and I got to cook the lots there

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<v Speaker 3>in our own place, and that's what I love about cooking.

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<v Speaker 3>So you know, I'm hoping it feels very proud about it.

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<v Speaker 2>I explained to him. Some days things don't go your.

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<v Speaker 3>Way, and you know you gonna be proud of how

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<v Speaker 3>you approach things as well, if not the outcome.

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<v Speaker 1>Of course, over the weekend, I was teaching one of

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<v Speaker 1>my best friend's kids how to play Uno. The skill

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<v Speaker 1>in teaching kids on the importance of winning and losing,

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<v Speaker 1>I think is really important. You've probably taught a very

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<v Speaker 1>vital lesson to Benji.

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<v Speaker 3>Yeah, I hope so, and I hope so that you

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<v Speaker 3>know the kids I teach at school as well, I

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<v Speaker 3>think maybe I'll do it. I'll do an assembly for them.

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<v Speaker 3>And though I went on Master's Jeff and I failed

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<v Speaker 3>and then put a question mark in the end and

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<v Speaker 3>talk about you know what is failure? Was it a failure?

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<v Speaker 2>Because I feel like it wasn't for me.

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<v Speaker 3>Yes, you know, it was shorter, but I felt like

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<v Speaker 3>I got a lot out of it, and you know,

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<v Speaker 3>I think there's kind of lessons there that I can

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<v Speaker 3>can pass on. So hopefully one day one of those

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<v Speaker 3>kids might just go and give it a go.

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<v Speaker 1>You know, the Food Dreams Cook Elimination that had some

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<v Speaker 1>pretty big stories being established by some of the other characters,

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<v Speaker 1>and establishing those characters for the audience. Is having a

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<v Speaker 1>good story just as important as being a good cook

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<v Speaker 1>when it comes to being on the show.

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<v Speaker 2>Yeah, it's interesting. I think what really kind of strikes

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<v Speaker 2>me is the people that.

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<v Speaker 3>Stand out and the kind of the stories that they

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<v Speaker 3>have are the ones that come out so naturally, you know,

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<v Speaker 3>explaining to my wife that, you know, Juan is this

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<v Speaker 3>incredibly exuberant person, full of life, and he's like that

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<v Speaker 3>for everything, so it's so genuine but never feels force.

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<v Speaker 3>If you were shopping in a Supermark with him, he'd

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<v Speaker 3>have the same reaction for, you know.

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<v Speaker 2>A beautiful tomato. And that's what I think.

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<v Speaker 3>Kind of helps you connect to those people, is that actually,

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<v Speaker 3>when they're really being themselves and.

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<v Speaker 2>They're being kind of open and vulnerable.

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<v Speaker 3>About perhaps their experiences in their past, that's what helps

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<v Speaker 3>with the story so I'd say, you know, anyone that's

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<v Speaker 3>thinking about it, you don't need to conjure anything up.

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<v Speaker 3>As long as you, you know, being real thing that

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<v Speaker 3>will come across.

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<v Speaker 2>Well.

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<v Speaker 1>I think it's always Authenticity is the currency for the audience,

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<v Speaker 1>you know, if you're wanting to connect through to anybody,

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<v Speaker 1>and that is just being authentically yourself, which I guess

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<v Speaker 1>you know is a really important lesson to be again,

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<v Speaker 1>you know, teaching people and especially young people. You're not

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<v Speaker 1>going to just win a show or do well on

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<v Speaker 1>a show by being authentic. I think being authentic and

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<v Speaker 1>being true to yourself is so important just day to day.

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<v Speaker 2>Yeah, it's incredibly important. I think.

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<v Speaker 3>You know, then you can be proud of how you

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<v Speaker 3>conduct yourself. You can be proud of your efforts, can

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<v Speaker 3>be proud of how you've interacted with other people, you know.

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<v Speaker 3>I think of the team Challenge on the Tuesday. You know,

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<v Speaker 3>we had a lot of us trying to do a

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<v Speaker 3>lot of things, and you know, I picked leaves and

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<v Speaker 3>I cut dough and I made a broth.

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<v Speaker 2>I did the jobs that needed to be done to.

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<v Speaker 3>Support other people create the dishes that they wanted to do.

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<v Speaker 3>And I think that in itself is something that I

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<v Speaker 3>think is important as well, that sometimes you just got

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<v Speaker 3>to be, you know, a part of it rather than

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<v Speaker 3>you know, the shining star at the front.

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<v Speaker 1>When did you start to get the sinking feeling that

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<v Speaker 1>you might be going home? Because I'm assuming, you know,

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<v Speaker 1>with so many people cooking in that dream cook, you

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<v Speaker 1>know eventually going to start to think, oh, it's going

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<v Speaker 1>to be somebody.

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<v Speaker 3>I think I'd made a real kind of decision that

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<v Speaker 3>morning that I was ignoring the black apron and just

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<v Speaker 3>going to really enjoy myself. And you know, you know,

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<v Speaker 3>I hope I don't feel a bit of foolish to say, actually,

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<v Speaker 3>like I really enjoyed the cook And up until seeing

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<v Speaker 3>Andy peering at the squid, up until that point, I

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<v Speaker 3>was feeling really good. I was hoping i'd taken on

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<v Speaker 3>board what the judges said earlier in the week to

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<v Speaker 3>other contestants about being kind of intentional and you.

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<v Speaker 2>Know, not kind of trying to overdo it.

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<v Speaker 3>So I was feeling good and then you see Andy

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<v Speaker 3>kind of peering at the squid, in my heart sank.

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<v Speaker 1>That's when you go, yeah, that's the sinking feeling. If

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<v Speaker 1>I was to be sent home on one of these shows.

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<v Speaker 1>I always wonder if I would ever try and make

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<v Speaker 1>that dish at home again, to see if I could

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<v Speaker 1>do a better job, or whether I would be like patistic,

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<v Speaker 1>could never see it again.

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<v Speaker 2>Do you know what.

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<v Speaker 3>I had the same thoughts, and I thought, you know,

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<v Speaker 3>maybe it'll be a long time before before I tackle

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<v Speaker 3>a squid.

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<v Speaker 2>But actually, you know, I cooked it the other day.

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<v Speaker 3>My nieces wanted to have a look at it, so

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<v Speaker 3>I did some cooking with them and kind of, you know,

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<v Speaker 3>adjusted it based on the judges feedback to think, you know, okay,

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<v Speaker 3>you know, Poe wasn't a fan of the the you know,

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<v Speaker 3>the filling mixed with us all.

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<v Speaker 2>So what should I do differently? And I think that's

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<v Speaker 2>important too, to kind of not be stubborn and think, oh,

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<v Speaker 2>you know what, you know, I did what I.

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<v Speaker 3>Wanted to do and that's the way to do it,

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<v Speaker 3>to actually think, okay, you know what, these these judges

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<v Speaker 3>know what they're talking about. So I gave it another

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<v Speaker 3>go with taking their feedback on board, and yeah, I'm

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<v Speaker 3>sure it's not the last time I'll cook it.

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<v Speaker 1>Was it something that you'd made before?

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<v Speaker 2>Though?

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<v Speaker 1>Because I always think of these shows like if I

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<v Speaker 1>was cooking, I'd have like about ten dishes that I

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<v Speaker 1>knew really well. If I was on Ruphoul's drag race,

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<v Speaker 1>i'd probably have a few outits made. You know, were

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<v Speaker 1>you prepared with meals? I mean, was this the one

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<v Speaker 1>you were going to go with?

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<v Speaker 3>I think, you know, I've got I've got my little

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<v Speaker 3>kind of pads, and I've got like different ideas.

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<v Speaker 2>It's kind of scribbled down and different dishes that you

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<v Speaker 2>cook for friends.

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<v Speaker 3>And you know, I had actually cooked this for friends before,

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<v Speaker 3>So I think it was probably there kind of sitting

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<v Speaker 3>in my mind, and I felt.

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<v Speaker 2>That it suited the food dream. Perhaps there's a bit

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<v Speaker 2>to me the things.

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<v Speaker 3>Maybe I should have gone for something else, But I

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<v Speaker 3>think kind of also with its link to kind of

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<v Speaker 3>Greek holiday memories with me, I was I was going

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<v Speaker 3>to go down that path anyway, and I was I

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<v Speaker 3>was pleased with the choice, just not the execution.

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<v Speaker 1>How long were you filming for, like to make five

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<v Speaker 1>episodes of this show? You know, it's you know, which

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<v Speaker 1>are very long episodes. I'm assuming that you're there for

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<v Speaker 1>a very long time.

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<v Speaker 3>Yeah, so we've obviously we've got that kind of what

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<v Speaker 3>comes across the week filming, but there's you know, time

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<v Speaker 3>before it as well, perhaps even looking at kind of

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<v Speaker 3>the equipment and how how we do things, and obviously

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<v Speaker 3>you've got to get across the.

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<v Speaker 2>Melbourne So I was there kind of what would have.

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<v Speaker 3>Been about two weeks or so, perhaps you know, might

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<v Speaker 3>not feel that long, but also when you're two weeks

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<v Speaker 3>away from your your wife and your kids does feel

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<v Speaker 3>like a long time.

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<v Speaker 2>And also you know the days are long.

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<v Speaker 3>It's a huge, huge production and you can see the

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<v Speaker 3>quality of it.

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<v Speaker 2>It looks fantastic on TV.

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<v Speaker 3>You know, my family back home kind of looking at

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<v Speaker 3>the English one, which perhaps you know, I assume a

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<v Speaker 3>different budget, so they've got to make sure they get

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<v Speaker 3>things right. They've got to make sure that they kind

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<v Speaker 3>of don't miss kind of reactions and angles.

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<v Speaker 2>So you know, they're big pays too, so not just

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<v Speaker 2>kind of you know how many weeks.

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<v Speaker 3>It is, but yeah, each day is long and you've

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<v Speaker 3>got to be you've got to be Master Chef fit.

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<v Speaker 1>What was your journey with Master Chef Australia, Because you know,

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<v Speaker 1>a few times you've sort of related back to what

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<v Speaker 1>it looks like overseas where you're from. Had you thought

0:09:38.960 --> 0:09:41.000
<v Speaker 1>about applying for that series, so it was this the

0:09:41.040 --> 0:09:43.480
<v Speaker 1>first time you applied for this one? Did someone see

0:09:43.480 --> 0:09:44.559
<v Speaker 1>you cooking on Instagram?

0:09:44.679 --> 0:09:44.760
<v Speaker 2>Like?

0:09:44.800 --> 0:09:46.000
<v Speaker 1>What was the lead up?

0:09:46.200 --> 0:09:49.360
<v Speaker 3>So we watched it in England for years as well.

0:09:49.480 --> 0:09:52.320
<v Speaker 3>My wife's Australian, so you know, we'd kind of tuned

0:09:52.360 --> 0:09:55.040
<v Speaker 3>into it there. And then I was watching last season

0:09:55.320 --> 0:09:57.560
<v Speaker 3>and at the same time I was thinking, you know,

0:09:57.679 --> 0:10:00.120
<v Speaker 3>did I want to go to Tafe and maybe do

0:10:00.280 --> 0:10:03.320
<v Speaker 3>like a commercial cookery or culinary arts course. And then

0:10:03.360 --> 0:10:06.199
<v Speaker 3>I saw you can't apply to Master Chef once you've

0:10:06.240 --> 0:10:09.760
<v Speaker 3>done formal training because obviously it's for amateurs. So I thought, well,

0:10:09.800 --> 0:10:12.400
<v Speaker 3>you know what, I'll apply for Master Chef just to

0:10:12.480 --> 0:10:15.160
<v Speaker 3>kind of not have that wad if hanging over me

0:10:15.200 --> 0:10:17.400
<v Speaker 3>in the future. Nothing will come of it, and then

0:10:17.440 --> 0:10:19.320
<v Speaker 3>I'll go and I'll go and do my course. And

0:10:19.360 --> 0:10:21.520
<v Speaker 3>then it kind of snowballed from there that, you know,

0:10:21.520 --> 0:10:24.800
<v Speaker 3>I did the application and things started going.

0:10:24.559 --> 0:10:26.400
<v Speaker 2>And I, you know, up until the point of you know,

0:10:26.440 --> 0:10:27.480
<v Speaker 2>getting the phone call to.

0:10:27.400 --> 0:10:28.880
<v Speaker 3>Say that I was going to be going across the

0:10:28.920 --> 0:10:31.559
<v Speaker 3>Melbourne it all felt quite surreal and.

0:10:31.600 --> 0:10:32.720
<v Speaker 2>Kind of happened quite quickly.

0:10:32.840 --> 0:10:34.800
<v Speaker 1>Well, the return of Master Chef comes with you know,

0:10:34.920 --> 0:10:38.440
<v Speaker 1>some people talking about the usual critiques and the contestants

0:10:38.440 --> 0:10:40.960
<v Speaker 1>please wear hair nets and you know, no, it's done

0:10:41.080 --> 0:10:44.160
<v Speaker 1>casting and make the food that we can cook at home.

0:10:44.559 --> 0:10:46.920
<v Speaker 1>I feel like all I want to see is relatable

0:10:46.960 --> 0:10:49.439
<v Speaker 1>people on this show. What do you think the magic

0:10:49.559 --> 0:10:51.400
<v Speaker 1>of MASTERSHEF Australia is for you?

0:10:51.720 --> 0:10:54.600
<v Speaker 3>Yeah, I think it's it's kind of that marriage of

0:10:54.760 --> 0:10:58.560
<v Speaker 3>all those different elements. You know that these are everyday people,

0:10:58.679 --> 0:11:00.960
<v Speaker 3>These are the people you work in the office with,

0:11:02.480 --> 0:11:05.160
<v Speaker 3>your kids, teachers, and that they've all got this little

0:11:05.240 --> 0:11:08.240
<v Speaker 3>kind of passion and they just want a platform to

0:11:08.280 --> 0:11:10.800
<v Speaker 3>try and experiment with a bit more and see where

0:11:10.840 --> 0:11:14.040
<v Speaker 3>it can go. And to see the quality that a

0:11:14.080 --> 0:11:16.960
<v Speaker 3>bunch of amateurs have is quite special. Like seeing some

0:11:17.000 --> 0:11:19.800
<v Speaker 3>of the food that's produced and people at home perhaps

0:11:19.840 --> 0:11:22.920
<v Speaker 3>thinking could I do that, or being inspired by that

0:11:23.120 --> 0:11:23.920
<v Speaker 3>or having a go at that.

0:11:24.040 --> 0:11:26.440
<v Speaker 2>I think it kind of really connects and resonects with people.

0:11:26.600 --> 0:11:28.600
<v Speaker 1>Are there any tricks that you've learned along the way

0:11:28.600 --> 0:11:30.240
<v Speaker 1>from being on the show, Like if they asked you

0:11:30.280 --> 0:11:32.800
<v Speaker 1>to go back to do it again, like would you

0:11:32.960 --> 0:11:35.200
<v Speaker 1>be like, oh, I kind of understand this, and I've

0:11:35.200 --> 0:11:37.760
<v Speaker 1>seen some secrets from behind the scenes that you have

0:11:37.800 --> 0:11:40.360
<v Speaker 1>helped or would help me do better next time.

0:11:40.520 --> 0:11:42.480
<v Speaker 3>Yeah, I think a lot of it is kind of

0:11:42.559 --> 0:11:46.840
<v Speaker 3>how you approach the first five minutes and getting yourself

0:11:46.880 --> 0:11:49.720
<v Speaker 3>sorted and then giving yourself time at the end, because

0:11:49.760 --> 0:11:52.400
<v Speaker 3>obviously you want it to look great as well, and

0:11:52.440 --> 0:11:54.520
<v Speaker 3>perhaps we don't always do that when we're cooking at

0:11:54.559 --> 0:11:55.760
<v Speaker 3>home with friends.

0:11:55.480 --> 0:11:57.960
<v Speaker 2>Or you pause to go and sort out the kids fast.

0:11:57.760 --> 0:12:00.280
<v Speaker 3>Time, or you have a glass of wine that you

0:12:00.320 --> 0:12:03.760
<v Speaker 3>don't often have that kind of concentrated time on a dish.

0:12:03.760 --> 0:12:06.880
<v Speaker 3>So setting that preparation time at the beginning at the end.

0:12:06.720 --> 0:12:07.840
<v Speaker 2>I think is really important.

0:12:07.960 --> 0:12:10.160
<v Speaker 3>You could see those people that only had to go

0:12:10.200 --> 0:12:12.760
<v Speaker 3>to the pantry once or only had to race to

0:12:12.800 --> 0:12:15.320
<v Speaker 3>the back to get all their equipment wants are really

0:12:15.360 --> 0:12:17.840
<v Speaker 3>going to kind of maximize their time, and it's going

0:12:17.840 --> 0:12:20.120
<v Speaker 3>to come across in their food rather than you know,

0:12:20.880 --> 0:12:23.439
<v Speaker 3>everyone kind of doing a half jog trying to look

0:12:23.440 --> 0:12:26.400
<v Speaker 3>as calm as possible, but wanting to know that actually

0:12:26.400 --> 0:12:28.480
<v Speaker 3>they feel like they should be sprinting to go back there.

0:12:28.520 --> 0:12:30.640
<v Speaker 1>Again, do people get sad about where they get placed

0:12:30.679 --> 0:12:33.040
<v Speaker 1>in the kitchen? I mean, obviously the producer whoever you know,

0:12:33.120 --> 0:12:35.400
<v Speaker 1>come over and say you've got to stand certain places.

0:12:35.640 --> 0:12:38.440
<v Speaker 1>Does that become something that people become conscious of, like,

0:12:38.559 --> 0:12:40.680
<v Speaker 1>oh no, I've been put in the back row because

0:12:40.679 --> 0:12:42.640
<v Speaker 1>it's something I've always thought with Master Chef, you know,

0:12:42.640 --> 0:12:45.480
<v Speaker 1>when the series first started, there's so many contestants there,

0:12:45.720 --> 0:12:47.760
<v Speaker 1>you know, does the placement of where you are in

0:12:47.800 --> 0:12:49.520
<v Speaker 1>the room become important to anyone?

0:12:49.559 --> 0:12:49.960
<v Speaker 2>Do you know what?

0:12:50.120 --> 0:12:53.120
<v Speaker 3>I always assumed that it was, you know, it was chosen,

0:12:53.320 --> 0:12:56.000
<v Speaker 3>or that people there for certain places, but it really

0:12:56.040 --> 0:12:58.600
<v Speaker 3>is a bit of a free for all. Oh wow, Yeah,

0:12:58.640 --> 0:13:01.319
<v Speaker 3>it's whoever you know, you to go wherever you go.

0:13:01.559 --> 0:13:04.680
<v Speaker 3>So I think some people definitely prefer the back bench

0:13:04.679 --> 0:13:07.040
<v Speaker 3>because then you're close to the equipment, so anything you've

0:13:07.080 --> 0:13:09.240
<v Speaker 3>forgotten you can just nip across, and it's like being

0:13:09.240 --> 0:13:11.240
<v Speaker 3>at home where you can reach down to your cupboards.

0:13:11.480 --> 0:13:14.200
<v Speaker 3>Other people, therefore, perhaps choose the front you're closer to

0:13:14.240 --> 0:13:16.040
<v Speaker 3>the pantry, and then everyone else.

0:13:16.160 --> 0:13:17.880
<v Speaker 2>You get what you get and you don't get upset.

0:13:18.440 --> 0:13:18.640
<v Speaker 2>You know.

0:13:18.720 --> 0:13:21.440
<v Speaker 3>I think about yesterday, I was, you know, next to

0:13:22.040 --> 0:13:25.040
<v Speaker 3>Lily and Jill, and you kind of you have that

0:13:25.080 --> 0:13:27.760
<v Speaker 3>little bit of kind of support from each other. You're

0:13:27.760 --> 0:13:29.640
<v Speaker 3>trying to focus on your dish, but also you're kind

0:13:29.640 --> 0:13:32.680
<v Speaker 3>of chatting away or giving words of encouragement, So I think,

0:13:32.960 --> 0:13:35.319
<v Speaker 3>you know, you get all those different elements and you're thinking, oh,

0:13:35.320 --> 0:13:37.400
<v Speaker 3>should I be choosing place, or should I be looking

0:13:37.400 --> 0:13:39.760
<v Speaker 3>at person? Or have I just been too long in

0:13:39.800 --> 0:13:41.480
<v Speaker 3>the pantry and there's only one spot left.

0:13:41.559 --> 0:13:43.880
<v Speaker 1>I mean, it's all just would be so surreal because

0:13:43.920 --> 0:13:46.120
<v Speaker 1>as well, when you're in the moment with this sort

0:13:46.160 --> 0:13:49.000
<v Speaker 1>of stuff and the tensions on the clocks, obviously ticking

0:13:49.280 --> 0:13:50.520
<v Speaker 1>people will behave differently.

0:13:50.600 --> 0:13:53.640
<v Speaker 3>We all kind of respond to a pressure in different ways.

0:13:53.920 --> 0:13:56.520
<v Speaker 3>Some people absolutely thrive from it, and I'm sure they're

0:13:56.520 --> 0:13:57.800
<v Speaker 3>the ones that will.

0:13:57.679 --> 0:13:58.480
<v Speaker 2>Go the furthest.

0:13:58.720 --> 0:14:02.040
<v Speaker 3>It's funny, like the moment when you're you know, perhaps

0:14:02.080 --> 0:14:04.520
<v Speaker 3>the judges come over and you feel like time has

0:14:04.840 --> 0:14:08.120
<v Speaker 3>slowed right down beforehand, and then when they're talking away

0:14:08.160 --> 0:14:09.600
<v Speaker 3>to you and you feel like you've got to get

0:14:09.600 --> 0:14:10.439
<v Speaker 3>in with something, you.

0:14:10.400 --> 0:14:12.360
<v Speaker 2>Look up and time has flown by.

0:14:12.640 --> 0:14:15.640
<v Speaker 3>And then also obviously that physical representation of a huge

0:14:15.640 --> 0:14:18.320
<v Speaker 3>clock hanging above you, that thing really.

0:14:18.080 --> 0:14:20.240
<v Speaker 1>Absolutely enough, that's just thee of for me, I'd be

0:14:20.240 --> 0:14:22.240
<v Speaker 1>looking at that clock more than I need to. I

0:14:22.280 --> 0:14:23.880
<v Speaker 1>don't know whether or not this is hard for you

0:14:23.920 --> 0:14:26.520
<v Speaker 1>to pick because you were there. This lineup of judges

0:14:26.560 --> 0:14:28.440
<v Speaker 1>that are there this year, they seem like they're helping

0:14:28.480 --> 0:14:31.000
<v Speaker 1>you guys a little bit more with some tips that

0:14:31.040 --> 0:14:32.120
<v Speaker 1>people can use at home.

0:14:32.400 --> 0:14:34.120
<v Speaker 2>Yeah. I think that's a really interesting point.

0:14:34.280 --> 0:14:37.600
<v Speaker 3>I think, you know, obviously they are judges and they

0:14:37.640 --> 0:14:40.800
<v Speaker 3>are judging, but I think they also are acknowledging that

0:14:41.120 --> 0:14:45.360
<v Speaker 3>we're amateurs in a completely alien environment, both in the

0:14:45.400 --> 0:14:47.440
<v Speaker 3>set of a kitchen you've never cooked in before, but

0:14:47.480 --> 0:14:48.920
<v Speaker 3>also a TV set.

0:14:49.000 --> 0:14:51.040
<v Speaker 2>You know, they want you to succeed.

0:14:51.120 --> 0:14:52.760
<v Speaker 3>No one wants to be eating a bad plate of

0:14:52.760 --> 0:14:54.680
<v Speaker 3>food at the end, and you can see it.

0:14:54.920 --> 0:14:56.520
<v Speaker 2>You know, it's a lot of them.

0:14:56.520 --> 0:14:58.640
<v Speaker 3>Why they've taken these parts is because they want to

0:14:58.640 --> 0:15:02.560
<v Speaker 3>share their knowledge or share those experiences. Probably like in class,

0:15:02.600 --> 0:15:04.480
<v Speaker 3>if I see a kid, you know, making a mistake,

0:15:04.560 --> 0:15:06.560
<v Speaker 3>I'm not going to walk past and go, oh, that's

0:15:06.600 --> 0:15:07.840
<v Speaker 3>wrong and then just leave them.

0:15:09.280 --> 0:15:11.760
<v Speaker 2>You want to you want to say to them, you know,

0:15:11.880 --> 0:15:12.840
<v Speaker 2>have you thought about this?

0:15:13.040 --> 0:15:15.800
<v Speaker 3>And I think that's the interesting balancing act that the

0:15:15.880 --> 0:15:19.080
<v Speaker 3>judges get in that they're not telling you exactly what

0:15:19.080 --> 0:15:21.360
<v Speaker 3>you need to do, but they're giving you kind of

0:15:21.520 --> 0:15:23.960
<v Speaker 3>questions to draw out that knowledge from you to get

0:15:23.960 --> 0:15:25.440
<v Speaker 3>you to kind of reflect about it.

0:15:25.680 --> 0:15:29.080
<v Speaker 1>Jean Christoph and Po particularly, I've picked up in the

0:15:29.120 --> 0:15:32.560
<v Speaker 1>first five episodes that there's moments that they're they're really

0:15:32.640 --> 0:15:35.040
<v Speaker 1>offering you some new skill sets, you know, And I

0:15:35.040 --> 0:15:37.680
<v Speaker 1>think that that that's something maybe I hadn't even noticed

0:15:37.720 --> 0:15:38.880
<v Speaker 1>on this series before.

0:15:39.040 --> 0:15:41.080
<v Speaker 3>Yeah, I think I think it probably kind of speaks

0:15:41.120 --> 0:15:44.640
<v Speaker 3>to their personalities. They're both kind of very generous spirits.

0:15:44.960 --> 0:15:48.360
<v Speaker 3>They probably kind of can't help themselves. Yeah, true, but

0:15:48.440 --> 0:15:50.920
<v Speaker 3>also you know, again they want the very.

0:15:50.720 --> 0:15:52.280
<v Speaker 2>Best from everyone that you know.

0:15:52.320 --> 0:15:54.480
<v Speaker 3>I know, Jean Christoph spoke to me about kind of

0:15:54.640 --> 0:15:56.960
<v Speaker 3>being respectful of a squid and kind of, you know,

0:15:57.040 --> 0:15:58.200
<v Speaker 3>being careful with it.

0:15:59.160 --> 0:16:01.120
<v Speaker 2>Perhaps too careful.

0:16:00.760 --> 0:16:02.840
<v Speaker 3>In the end, but you can see he really wants

0:16:02.880 --> 0:16:05.520
<v Speaker 3>to impart that knowledge. You know, He's got so much

0:16:05.600 --> 0:16:07.600
<v Speaker 3>experience that you know, he wants to share it and

0:16:07.600 --> 0:16:11.000
<v Speaker 3>it'll be interesting kind of perhaps as the competition moves on,

0:16:11.400 --> 0:16:14.400
<v Speaker 3>whether they get to a point where they feel like

0:16:14.480 --> 0:16:17.280
<v Speaker 3>contestants should be knowing these things now, or whether they

0:16:17.400 --> 0:16:19.200
<v Speaker 3>keep sharing that information.

0:16:19.400 --> 0:16:21.280
<v Speaker 1>I know this is a terrible thing to ask contestants

0:16:21.280 --> 0:16:23.080
<v Speaker 1>because it puts you on the spot, but all I

0:16:23.120 --> 0:16:25.040
<v Speaker 1>want to know is these two things. And the first

0:16:25.040 --> 0:16:28.360
<v Speaker 1>one is which one of those judges hosts of this

0:16:28.440 --> 0:16:30.840
<v Speaker 1>show did you connect with the most. I always find

0:16:30.840 --> 0:16:32.000
<v Speaker 1>that very fascinating.

0:16:32.280 --> 0:16:34.560
<v Speaker 2>I think for me it was probably Jean Christoph.

0:16:34.840 --> 0:16:37.280
<v Speaker 3>You know, we had a nice chat about London because

0:16:37.280 --> 0:16:39.680
<v Speaker 3>obviously he spent a lot of time there. I really

0:16:39.760 --> 0:16:42.320
<v Speaker 3>kind of connected with his approach to things that he's

0:16:42.320 --> 0:16:45.120
<v Speaker 3>got this amazing knowledge, but he's very softly spoken, he's

0:16:45.200 --> 0:16:48.200
<v Speaker 3>quite quiet, and then you get these bubbles of energy

0:16:48.280 --> 0:16:49.880
<v Speaker 3>and kind of quirkiness from him.

0:16:50.200 --> 0:16:51.840
<v Speaker 2>Yeah, even off camera, he's.

0:16:52.440 --> 0:16:54.760
<v Speaker 3>Wanting to kind of have a chat and wanting to

0:16:54.760 --> 0:16:56.960
<v Speaker 3>get to know people more. So I think probably in

0:16:57.000 --> 0:16:58.800
<v Speaker 3>my short time, it would have been him. And then

0:16:59.080 --> 0:17:01.960
<v Speaker 3>obviously I think all of them are doing a great job,

0:17:01.960 --> 0:17:04.160
<v Speaker 3>but I think, you know, Poe being new to it too,

0:17:04.280 --> 0:17:07.960
<v Speaker 3>and she really understands the situation all of the contestants

0:17:07.960 --> 0:17:10.679
<v Speaker 3>are in, having done it multiple times herself, and I

0:17:10.720 --> 0:17:13.080
<v Speaker 3>think that I think that really is helping kind of

0:17:13.080 --> 0:17:15.960
<v Speaker 3>people and the other contestants connect to her because she

0:17:16.040 --> 0:17:18.800
<v Speaker 3>really has that understanding that, Yeah, she's.

0:17:18.640 --> 0:17:21.359
<v Speaker 1>So established with the brand, but like I was interviewing

0:17:21.400 --> 0:17:23.240
<v Speaker 1>her last week, and you know, we was able to

0:17:23.280 --> 0:17:25.239
<v Speaker 1>sit down and have a conversation, and there's she's just

0:17:25.280 --> 0:17:27.840
<v Speaker 1>a very cool check, you know what I mean, Like

0:17:27.880 --> 0:17:30.960
<v Speaker 1>there's something very real about her which makes you just

0:17:31.040 --> 0:17:33.480
<v Speaker 1>want to tell her your most appalling secrets.

0:17:33.600 --> 0:17:37.080
<v Speaker 2>Yeah, I know what you mean.

0:17:37.200 --> 0:17:40.639
<v Speaker 3>She's you know, yeah, she's very natural and you know,

0:17:40.800 --> 0:17:43.520
<v Speaker 3>I think you know, Yeah, definitely a.

0:17:43.400 --> 0:17:45.480
<v Speaker 2>Great addition to the mars Chef team.

0:17:45.680 --> 0:17:47.320
<v Speaker 1>And the second part of that question is the one

0:17:47.320 --> 0:17:48.760
<v Speaker 1>that no one likes, and that is who is your

0:17:48.760 --> 0:17:51.639
<v Speaker 1>favorite contestant? Like, who's left behind that you loved that

0:17:51.800 --> 0:17:53.040
<v Speaker 1>you would like to see when.

0:17:53.080 --> 0:17:56.160
<v Speaker 2>Oh, it's tough because we.

0:17:56.080 --> 0:17:58.639
<v Speaker 1>Only want one. It's like so far boys, you know,

0:17:58.880 --> 0:18:00.560
<v Speaker 1>it's a terrible thing to do to anyone.

0:18:01.520 --> 0:18:04.840
<v Speaker 2>Oh, it's really tough. Okay, I'm thinking out loud.

0:18:04.920 --> 0:18:08.560
<v Speaker 3>Obviously, like one, his energy shines through and he's an

0:18:08.600 --> 0:18:11.119
<v Speaker 3>absolutely beautiful soul. But maybe I might have to go

0:18:11.200 --> 0:18:13.879
<v Speaker 3>team w A and be a toss up there between

0:18:14.040 --> 0:18:18.800
<v Speaker 3>Alex and darsh Obviously Dash was my roommate, and you know,

0:18:18.880 --> 0:18:21.480
<v Speaker 3>I think also his his ability to do sweet and

0:18:21.560 --> 0:18:22.800
<v Speaker 3>savory might give him an.

0:18:22.760 --> 0:18:24.919
<v Speaker 2>Edge sort of push.

0:18:25.160 --> 0:18:27.119
<v Speaker 3>Maybe that, But I could give you a much longer

0:18:27.119 --> 0:18:28.439
<v Speaker 3>list and I'd be happy with that.

0:18:28.720 --> 0:18:30.680
<v Speaker 1>It's a longer podcast. It's a longer show.

0:18:30.840 --> 0:18:32.840
<v Speaker 2>Yeah, yeah, yeah, the version.

0:18:33.200 --> 0:18:35.680
<v Speaker 1>Everyone who joins the podcast gets asked this last question,

0:18:35.760 --> 0:18:38.240
<v Speaker 1>what is something from behind the scenes, something you know,

0:18:38.440 --> 0:18:40.239
<v Speaker 1>kind of like a behind the scenes secret of what

0:18:40.280 --> 0:18:42.000
<v Speaker 1>it's like to even be on a show like this.

0:18:42.440 --> 0:18:42.960
<v Speaker 2>I think it's.

0:18:43.040 --> 0:18:45.680
<v Speaker 3>Yeah, it's interesting because you watch the show and it's like, oh,

0:18:45.760 --> 0:18:47.800
<v Speaker 3>you just think they're cooking and then that's done, but

0:18:47.840 --> 0:18:50.800
<v Speaker 3>you're spending so much time with the other contestants. Kind

0:18:50.840 --> 0:18:52.760
<v Speaker 3>of the bus to and from set is like a

0:18:52.840 --> 0:18:55.840
<v Speaker 3>rowdy school bus. It is full of life, and when

0:18:55.840 --> 0:18:57.560
<v Speaker 3>you've got you know, characters like John O.

0:18:57.800 --> 0:18:59.200
<v Speaker 2>And then also I.

0:18:59.160 --> 0:19:01.399
<v Speaker 3>Think maybe people don't realize that you need to be

0:19:01.480 --> 0:19:04.080
<v Speaker 3>properly like Master Chef fit. You need to be able

0:19:04.119 --> 0:19:07.120
<v Speaker 3>to cope with long, long days, and you need.

0:19:06.960 --> 0:19:09.520
<v Speaker 2>To be able to be happy with a pause at.

0:19:09.400 --> 0:19:11.240
<v Speaker 3>Some times, and there might be while they're kind of

0:19:11.240 --> 0:19:13.680
<v Speaker 3>resetting cameras alonger pause, and you need to be able

0:19:13.760 --> 0:19:16.600
<v Speaker 3>to not let your mind wander too much in those moments.

0:19:16.720 --> 0:19:19.040
<v Speaker 2>And then other times you'll just be told right, ready

0:19:19.160 --> 0:19:21.119
<v Speaker 2>go and you've really got to go, and you'll be

0:19:21.119 --> 0:19:22.639
<v Speaker 2>thinking oh, I thought we were going to, you know,

0:19:22.920 --> 0:19:24.639
<v Speaker 2>take a breaking away. You said something.

0:19:25.119 --> 0:19:28.160
<v Speaker 3>So it's that change of pace that I think could

0:19:28.240 --> 0:19:30.520
<v Speaker 3>really throw some people. And I think perhaps you know,

0:19:30.520 --> 0:19:32.840
<v Speaker 3>it doesn't come across in the show, because it comes

0:19:32.840 --> 0:19:36.400
<v Speaker 3>across as this beautiful whole, the whole thing. And obviously

0:19:36.440 --> 0:19:37.960
<v Speaker 3>things have got a pause at different.

0:19:37.680 --> 0:19:40.360
<v Speaker 2>Points to get cameras, so you've got to be kind.

0:19:40.160 --> 0:19:42.879
<v Speaker 3>Of in the zone to go slow when you need to,

0:19:42.960 --> 0:19:45.240
<v Speaker 3>and you know, raring to go at other points.

0:19:45.440 --> 0:19:48.399
<v Speaker 1>Well, James, I must admit it was probably where I

0:19:48.400 --> 0:19:50.400
<v Speaker 1>start up with this conversation. I noticed you right from

0:19:50.400 --> 0:19:52.919
<v Speaker 1>the start with gorgeous hair, and I was able to,

0:19:53.560 --> 0:19:55.199
<v Speaker 1>you know, follow your story throughout it. I think you

0:19:55.240 --> 0:19:57.800
<v Speaker 1>did a fantastic job and I look forward to seeing

0:19:57.800 --> 0:19:59.639
<v Speaker 1>what happens with you next. I don't think I think

0:19:59.680 --> 0:20:02.280
<v Speaker 1>it's in important to still hold onto the dreams that

0:20:02.320 --> 0:20:05.120
<v Speaker 1>you had, win or lose. I think that's still very important.

0:20:05.240 --> 0:20:06.920
<v Speaker 2>Absolutely, Thank you so much,