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Speaker 1: Good. After that, everybody, it is where them? What are

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Speaker 1: you going to be getting your home for the next

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Speaker 1: couple of hours? Woodrow, We've got a very funny man

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Speaker 1: who's going to be joining us a little bit later

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Speaker 1: on in the show. One of our favorite comedians is

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Speaker 1: an international sensation and his name is Ross Noble.

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Speaker 2: To be honest, the luck dancing never really took off

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Speaker 2: and men did it?

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Speaker 3: You know a woman doing.

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Speaker 4: A sexy dance like that?

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Speaker 1: Yeah, check me out. You know that's g stringing up.

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Speaker 1: I think the.

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Speaker 4: Reason that Brooks don't suit the I think the main

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Speaker 4: reason falls, do.

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Speaker 5: You know what I mean?

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Speaker 1: I disagree with him.

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Speaker 6: I disagree, and I'll be bringing it up with him,

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Speaker 6: but I vehemently disagree that a man's stripping is not sexy,

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Speaker 6: and then that is incredibly sexy.

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Speaker 1: Well, you've bet you've been in this. You've you've dabbled

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Speaker 1: in the shipping game before. I haven't dabbled. I'm an

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Speaker 1: experienced dancer, you know. To the show. There is some

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Speaker 1: gear on our Instagram. What do you facebook with them?

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Speaker 1: What you can say would scroll down? You've got to

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Speaker 1: scroll down a few times.

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Speaker 7: But yeah, me me showing people how to sexy dance.

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Speaker 1: Yeah, worth looking at. Well the Dancing Bender weekend. You

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Speaker 1: did dance all over the country in a leopard print outfit.

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Speaker 6: Yes, actually including giving a married woman a lap dance

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Speaker 6: and her husband was standing two meters away.

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Speaker 1: So that was interesting.

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Speaker 6: Yes, I believe at that point I was doing the

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Speaker 6: handstand with the legs open and I saw the husband

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Speaker 6: through my legs.

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Speaker 1: Very very good coming out very shortly as well. What

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Speaker 1: a debate that's divided you, you and me for a

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Speaker 1: really long time, and I think it actually divides the

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Speaker 1: population fifty to fifty as well. I don't think you've

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Speaker 1: got a choice as to where you stand on this

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Speaker 1: debate either. But we're going to be touching that very

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Speaker 1: very shortly, and I do want to try, I'm try

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Speaker 1: and settle it a little bit because I'm I still

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Speaker 1: think that I've got a good defense. Okay, you definitely

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Speaker 1: don't think so. Okay, No, I'm very confused, but I'm no.

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Speaker 1: It's the great thing is that I know everybody else

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Speaker 1: is going to be able to get involved.

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Speaker 6: Absolute pandemonium in Florida will caused by an EMU.

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Speaker 1: This emu jumps they think off a truck isn't. Sorry,

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Speaker 1: there is sure at Florida. There it's an Australian, exclusively Australian.

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Speaker 6: But now I thought, you questioned man, as I arrogantly

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Speaker 6: flick over my laptop, I'm going to read the headline there, big.

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Speaker 1: Boy, get away em you. But I don't think it

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Speaker 1: is well, it isn't. It could be a Cassowary's.

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Speaker 6: It could be a it's an a and if you

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Speaker 6: need more evidence that it's an emu.

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Speaker 1: But sorry for everyone, an EMU ran out in traffic.

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Speaker 6: It jumped off a truck and caused hours of delays

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Speaker 6: on a bridge. Here is what sounds like an incredibly

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Speaker 6: intelligent and informed woman speaking about the incident.

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Speaker 1: My husband saw something was going on in the room

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Speaker 1: and this vehicle kind of went around and he's.

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Speaker 8: Like, there's something in the road. He's like, I think

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Speaker 8: it's a lama.

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Speaker 1: And I was like a lama and he was like,

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Speaker 1: oh my gosh, it's an emu. Only in Florida would

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Speaker 1: this happen?

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Speaker 7: No, I have to video this.

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Speaker 1: Nobody's gonna believe me. Here can we hear that laugh again? Actually,

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Speaker 1: she loves it. She's an intelligent woman. It's an am

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Speaker 1: you but.

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Speaker 6: I do like what she said at the end there

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Speaker 6: she said, I have to video this because no one

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Speaker 6: is going.

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Speaker 1: To believe me.

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Speaker 6: Yeah, which is true, because it's an Australian animal blocking

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Speaker 6: the roape like it's it's very it's a rogue story.

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Speaker 1: I want to know.

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Speaker 7: I'm thirteen one oh sixty five. If people can relate

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Speaker 7: to this.

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Speaker 6: If you've ever had a no one is gonna believe

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Speaker 6: me moment.

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Speaker 7: So something extraordinary has happened to you.

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Speaker 6: Yep, and you've gone home that night and you've gone story,

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Speaker 6: and no one's.

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Speaker 7: Going to believe me, and maybe no one does believe you.

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Speaker 1: Yeah, you told me something funny about Bill Murray recently. Yes, Yes,

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Speaker 1: And this exact instance. He often walks around.

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Speaker 6: The New York City Brooklyn, and he'll he'll do very

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Speaker 6: weird things. So he'll walk up to somewhere and just

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Speaker 6: open mouth kiss them and then back away, and the

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Speaker 6: person's going Bill Murray has just kissed me. And all

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Speaker 6: he says is no one will believe you.

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Speaker 1: He knows other things.

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Speaker 6: He'll take his top off and jump on someone's car

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Speaker 6: and then walk away. No one will believe it is

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Speaker 6: so good. I have a story that no one believes.

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Speaker 6: I think you believe this one because you were there.

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Speaker 1: If I was there, then that seems to make sense.

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Speaker 1: You didn't actually see it, though. Remember we saw Tyo

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Speaker 1: Cruz performing.

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Speaker 6: This guy just electric, it was absolutely electric.

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Speaker 1: I think we got it was a performance, wasn't it

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Speaker 1: just a few other people.

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Speaker 6: Anyway, I was genuinely having eyes with Tyo Cruz and.

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Speaker 1: He struggled to believe with so this.

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Speaker 6: He literally sang a song to me. He's sang I

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Speaker 6: got a hangover, not that one, but to me. And

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Speaker 6: so I had the moment with him, and I was like, right,

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Speaker 6: he wants me up there.

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Speaker 1: Yeah, there's no doubt about it. He's making eyes with me.

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Speaker 1: He wants me out there.

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Speaker 6: So I remember going backstage and got to the stairs

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Speaker 6: side of stage.

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Speaker 1: Ah.

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Speaker 6: Yes, and was halfway up the stairs ready to get

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Speaker 6: on stage to have my moment with Tyer Cruz, and

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Speaker 6: then the security guards spear tackled me through a wall.

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Speaker 6: I went no one, No one believed security god tackled

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Speaker 6: me through a wall. Thirteen one oh sixty five. I

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Speaker 6: want to hear from Beeber who can relate to what

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Speaker 6: I've just said. Have you got or have you had.

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Speaker 1: Yes and no one will believe me moment. Ross Noble

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Speaker 1: is going to be on the show a little bit

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Speaker 1: later on. He's a super star comedian. That's a sup

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Speaker 1: of songs from Schultz on Kiss thirteen one oh sixty five.

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Speaker 6: Now though, we are asking if you have ever had

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Speaker 6: a no one will believe me moment? So such an

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Speaker 6: extraordinary story that no one will believe you.

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Speaker 1: I've got another one here. Oh, like that time that

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Speaker 1: I saw that black panther in a Victorian rainforest, which

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Speaker 1: is just not true. And you saw a cat, you

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Speaker 1: saw a big cat. No, and ah, you saw a

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Speaker 1: big No, it's not fair. That was a at did

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Speaker 1: you know? If you look online? And I keep having

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Speaker 1: to reiterate this to people, and I mean this wherever

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Speaker 1: you are, google Victoria or New South Wales. I think

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Speaker 1: we've spread as far as the border these days. You're one,

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Speaker 1: of course, Yeah, No, there's a family of them. There

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Speaker 1: was a circus that crashed there in the seventies and

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Speaker 1: they and the circus because photos with like cattle with

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Speaker 1: their throats ripped out, and there's genuinely videos of these

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Speaker 1: black panthers that live in the rainforest around Victoria, New Southwest.

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Speaker 7: I just want to say, you don't have to google

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Speaker 7: that if you find that boring.

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Speaker 1: How is that big cat? Sorry boy? Thirty six five?

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Speaker 1: No one oblig moment?

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Speaker 7: Sharon here, Sharon hay Gun, Hello, Hi Sharon.

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Speaker 1: Have you had a no one will believe me moment?

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Speaker 9: Yeah?

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Speaker 10: I was driving along a busy road and I'll see

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Speaker 10: this object jumping into the air on the side of

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Speaker 10: the road, and so I pulled over to get a

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Speaker 10: closer look, got out of the car and it was

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Speaker 10: a cat and had a can stuck on its head.

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Speaker 10: So anyway, I had a blanket in the booth, so

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Speaker 10: I've got my partner at the time to get out.

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Speaker 10: He threw the blanket over the top of the cat,

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Speaker 10: held it down, and then he held it as I

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Speaker 10: slowly and gingerly pulled the can off the cat's hairs

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Speaker 10: because I was worried that my cat, because it could

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Speaker 10: have been open with one of the old fashioned cane

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Speaker 10: Openeah pulled it off and looked at me.

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Speaker 11: He let go and just ran into the bush and no.

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Speaker 1: One, I mean, who doesn't believe you? I'm on board.

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Speaker 1: It was a panther, I mean, was it a panther?

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Speaker 1: That will give us the next level. No, it was

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Speaker 1: just a standard cat.

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Speaker 7: It wasn't And it's not that ridiculous of a story.

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Speaker 1: You've done a really nice big shart. It's a great

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Speaker 1: come on and say that you've got a good deed.

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Speaker 1: We would have accepted the call. Wow, get on your

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Speaker 1: shays for going. I mean, she has very untrustworthy people

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Speaker 1: in her life. It's a believable story. I pulled over

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Speaker 1: to help a cat get a can of it's head

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Speaker 1: stand in Tuesday, I got Maddie here. Hey, Maddie hare

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Speaker 1: Gon very good. Have you had a no one or

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Speaker 1: have you had a no one? Will believe me moment? Yes, sir.

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Speaker 12: I work at the airport, so I get quite a.

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Speaker 11: Lot of celebrities coming through. Now.

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Speaker 12: I she kindly didn't want me to say her name,

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Speaker 12: so I'm going to keep it down. But I escorted

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Speaker 12: this celebrity onto the aircraft.

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Speaker 1: Oh hang on, Maddie, how sorry before you go on?

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Speaker 1: I mean just humorous. You don't have to say her name.

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Speaker 1: But what like a grade? How big are we talking?

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Speaker 11: Yeah?

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Speaker 1: Like a grade, A grade like Nicole Kidman A grade?

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Speaker 12: Yes, yes, yes, very very high up there.

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Speaker 1: Australian no American American? So can I just that? Is

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Speaker 1: it actress or singer or neither?

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Speaker 11: Wow?

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Speaker 1: Huge Hispanic African American? White? Okay, blonde?

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Speaker 12: Yes, no, I don't know her natural color, but she

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Speaker 12: was blonde at the time.

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Speaker 1: If we get it, well you will you agreed to

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Speaker 1: admit it. Great, Okay, okay, okay, can I can? I can?

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Speaker 1: I keep hearing the story? What's that?

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Speaker 7: What happened when you got on to the planet.

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Speaker 5: Okay?

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Speaker 12: So I escorted into her onto the aircraft and she,

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Speaker 12: you know, she spent quite a lot of money, so

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Speaker 12: she was in one of the suite.

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Speaker 6: You know.

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Speaker 12: I sat down with her, explained everything, and she.

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Speaker 11: Turns around and goes so, you know, I decided to.

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Speaker 12: Walk off and she comes back. She's like, hey, come

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Speaker 12: back here, and I was like can. She like, can

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Speaker 12: you fly with me? And I was like, oh, my prone,

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Speaker 12: have my passport on me. She's like, you know what,

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Speaker 12: like go home, get your passport and you know, come

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Speaker 12: with me. And I was like, I'm sorry, I can't,

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Speaker 12: Like that's not what I can do. I'm really sorry,

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Speaker 12: and you know I want I had to pull my

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Speaker 12: prone out and have a photo, but I didn't have

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Speaker 12: my phone on me?

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Speaker 11: Sorry?

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Speaker 1: Why why why do you why why did she ask you?

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Speaker 12: I'm all because she's happy with my experience and she

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Speaker 12: kind of tipped me about one hundred and fifty dollars.

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Speaker 9: Yeah, it was cool.

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Speaker 1: That's I'm what sorry meant with you on a bit more.

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Speaker 1: Why didn't you go?

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Speaker 12: Because I didn't have not past it on me and

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Speaker 12: because it was an international flight.

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Speaker 1: It's okay. Now back on, who was Blondie actress? How old?

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Speaker 12: I think she's in her twenties, late twenties, early thirties.

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Speaker 7: Yeah, twenties, early thirties.

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Speaker 1: This is not out. We're much better at forty to fifty.

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Speaker 3: Yeah.

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Speaker 1: Absolutely. Can you give us the letter of the first name?

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Speaker 1: Oh God, damn it that, Maddie.

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Speaker 7: Just give us this e E of the first name

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Speaker 7: Aaron Brockovich, stupid.

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Speaker 1: Sorry character Julia Roberts Elaine from I have had no

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Speaker 1: idea anyone just going to produce that. You can you

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Speaker 1: just tell us who it is?

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Speaker 12: No, I can't.

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Speaker 1: Blonde Emily Blunt, Emily Blunt. No, that was good, though,

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Speaker 1: really good. Okay, all right, we're gonna have to m

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Speaker 1: m Emma Stone.

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Speaker 6: Won't say you told us we won't say you told us.

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Speaker 1: Now we believe you, Maddie, we believe you. Sorry without

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Speaker 1: going to it, but we didn't believe you. Butz wow

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Speaker 1: because she plays Billy Jane King and she has a

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Speaker 1: little bit of girl and girl action in that movie.

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Speaker 1: So well, there you go. Made you go Maddie, all right,

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Speaker 1: we better get moving. I feel like Maddie's bit rattled.

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Speaker 1: Thanks for Maddie, Thank you. That's g wheiz. I it's

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Speaker 1: very often that myths and stories match up with science.

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Speaker 1: And I was recently up in f n Q far.

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Speaker 7: North Queensland, North Queensland, Good Boy, good Cat.

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Speaker 1: On the Great Berwrier Reef, and I found out I

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Speaker 1: was interested, obviously naturally very interested about what's going on.

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Speaker 1: That's just kind of who I am. I'd like to

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Speaker 1: delve as far and as deep as I can into whereverrain.

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Speaker 7: You like knowledge, Yeah, you're a fan of knowledge.

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Speaker 1: I like learning. Yeah. So I was on the Barrier

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Speaker 1: Reef and I found out did you know that the

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Speaker 1: Great Barrier Reef was as we know it right now?

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Speaker 1: Was really only formed about eight to ten thousand years ago.

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Speaker 1: Didn't know that you'd think that it would be one

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Speaker 1: of those things that's been there for millennia, but it's

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Speaker 1: only really eighteen thousand years ago that's been formed. And

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Speaker 1: the funny they found this out because the coral can

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Speaker 1: only leave at a certain depth. It has to be

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Speaker 1: quite close to the surface, yes, and it's quite the

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Speaker 1: Australia doesn't drop off all that much on Queen's Land,

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Speaker 1: so it goes quite flat. Right. So the only reason

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Speaker 1: that's been formed is because the ice the ice melted

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Speaker 1: from the ice Age about eighteen thousand years ago, of course,

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Speaker 1: and the water rose up really quickly. Yes, So that's

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Speaker 1: the scientific exploit explanation from how it existed. So I

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Speaker 1: found out and I think you'll find this quite funny.

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Speaker 1: In indigenous culture they tell a story about how the

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Speaker 1: Barrier Reef was before the water rose up, quite a

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Speaker 1: lush hunting ground for them. So they go out there

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Speaker 1: and they could climb across the rocks because it were

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Speaker 1: quite show and they could spearfish across quite easily. But

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Speaker 1: the funny thing was that apparently, and this is the

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Speaker 1: story they've been telling independent of the science behind it,

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Speaker 1: that there was a guy that went out there about

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Speaker 1: eight to ten thousand years ago, right, and he goes

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Speaker 1: out fishing. He's very very hungry man. Ye can't find

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Speaker 1: anything to it. I suck. He just sucked with this spear, right,

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Speaker 1: he can't anything.

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Speaker 7: Hunting would have just been tough, wouldn't it.

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Speaker 1: You know, would have been like, you know, we can

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Speaker 1: go to the pantry. It's like, oh, pick.

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Speaker 6: Up me spear. Jeff's got my spear? Gary, can I

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Speaker 6: use your spear?

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Speaker 11: Oh?

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Speaker 1: Then you've got to get it. And then you go heavy.

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Speaker 1: There's a lot and by the time it's dinner time

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Speaker 1: now for dinner, and there are people relying on you

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Speaker 1: for good. So you can empathize with this bloke. Absolutely,

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Speaker 1: he's probably got Garry's spear. It's a bit heavy. You

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Speaker 1: can't find anything. Yeah, Mary's off gathering obviously and gathering

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Speaker 1: but easier job berries and nuts. Yeah, I would. I

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Speaker 1: would have put my hand out the gathering very early.

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Speaker 1: Probably contended to be a woman. So we would not

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Speaker 1: have unded my friend. No, absolutely, they would have been

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Speaker 1: blogged back then that actually probably had exactly the same idea.

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Speaker 6: Yeah, and we'd have been tormented because you know, Dad

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Speaker 6: would have been like, no, you gottahn't so.

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Speaker 1: No mate, sorry, but I want to a drama, you know,

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Speaker 1: so this guy is probably one of those bikes. She

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Speaker 1: goes out. He's on the reef and he can't find

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Speaker 1: anything to eat or he's just not good enough with

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Speaker 1: his spear. Eventually he says, a sting ray and this

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Speaker 1: is the this is the story they've been telling for

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Speaker 1: eight ten zersand years, remember, exactly the same time as

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Speaker 1: the ice age and when it melted. He goes out

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Speaker 1: and he sees the sting ray and that's their sacred animal.

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Speaker 1: Cannot touch the sting rays fair enough, but he's bloody hungry.

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Speaker 1: Oh naughty boy, Gary spear is proving heavy to carry.

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Speaker 1: He doesn't want to go any first. Sting rays and

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Speaker 1: easy target. It's pretty big. They lie pretty still on

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Speaker 1: the bottom of his He spears it. Oh bastard, sorry,

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Speaker 1: ye well yeah, he spears the sting ray. It comes

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Speaker 1: back and he's like, guys have got food, but sorry,

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Speaker 1: killed a sacred one. Yeah, what can you do? They

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Speaker 1: all go, your bloody idiot, I can't believe he did that.

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Speaker 6: Now with a mouthful stingraysing mate, you're a god.

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Speaker 1: This is good. So they're giving it to him. And

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Speaker 1: keep in mind that I told you before that at

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Speaker 1: exactly the same time. So the reason so they said

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Speaker 1: you will be cursed and you've ruined us, And then

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Speaker 1: to this guy's like just the worst luck you could

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Speaker 1: possibly imagine. The next day the ice cat start to

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Speaker 1: melt and it's he's completely flooded. The water apparently was

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Speaker 1: coming up by a few hundred meters a year. So

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Speaker 1: this isn't just something that was like, oh god, it

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Speaker 1: may or may not have been your fault. It was

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Speaker 1: like the next day they could not exactly the spot.

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Speaker 1: You can't come back from that either. They still tell

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Speaker 1: the story about this thousand years down the track ruined

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Speaker 1: all of their hunting lands.

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Speaker 7: Wow, he's the most history, isn't he.

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Speaker 3: Ever?

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Speaker 1: That's that's awful. It's shocking stuff. I was trying to think. Yeah,

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Speaker 1: I mean, like, how would you punish a guy like

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Speaker 1: that because it putting into death? Is that?

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Speaker 6: But they believe in the dream time and they weren't

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Speaker 6: taking you to dream time? Mate, You don't deserve dream time.

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Speaker 1: You always have to I don't know who knows, you know,

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Speaker 1: death by sting ray. I don't know what a barbin.

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Speaker 6: Just with the bar Yeah, every every person who is

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Speaker 6: born like a baby when they're born.

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Speaker 1: The tradition is that they get a barb in their hands.

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Speaker 1: The guy on the it's a river of his story

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Speaker 1: here on a case. It's felling woody getting you. I've

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Speaker 1: got a question for you and for everybody else, and

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Speaker 1: it's going to be device device. It's going to be polarizing,

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Speaker 1: and I will need a few soldiers on my side

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Speaker 1: because it's worth giving a game. Why are some people

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Speaker 1: later in some people not? Just comes down to if

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Speaker 1: you're selfish or not.

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Speaker 6: And I know it's true, though, you just put yourself

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Speaker 6: before other people and then you're a late person.

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Speaker 1: And I disagree with that. How I disagree with that?

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Speaker 1: And I had this conversation with friends the other night

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Speaker 1: because I don't think I am a selfish person, and

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Speaker 1: I don't think I don't know you are either.

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Speaker 7: But I think in terms of time, yes, maybe.

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Speaker 1: No, And I don't think that I value my time

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Speaker 1: more than anybody else's. So why do you think you're

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Speaker 1: a late per? Because I think there's a reason. I

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Speaker 1: think I think there has to be a way to

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Speaker 1: describe it. So there are late people and there are

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Speaker 1: not late people. Sure, right, I think we all know

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Speaker 1: that everybody has at least one friend who is late.

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Speaker 1: I think it's bad to be labeled a late person,

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Speaker 1: by the way, Yes, and I tend to agree. And

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Speaker 1: that's why I'm opening up this discussion because I know

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Speaker 1: that I am labeled a late person and I try

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Speaker 1: really hard to not be late. Yes, and I have

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Speaker 1: noticed it used to be worse. I did, I did.

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Speaker 1: I still suck at it. I'm still bad at it,

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Speaker 1: and I think and the numbers thirty one oh six

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Speaker 1: y five. If you've got any thoughts on this, I'd

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Speaker 1: love to hear from you, because I know people get

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Speaker 1: quite right up about this, and people get quite right

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Speaker 1: up at me. And I'm trying to.

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Speaker 6: Use because you're valuing your time more than the person

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Speaker 6: who's waiting for you.

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Speaker 1: That's I mean, I don't know how you can argue

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Speaker 1: against that. Okay, good. So I think that I'm time

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00:19:12,320 --> 00:19:16,720
Speaker 1: dyslexic in the same way that some people are challenged

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Speaker 1: with numbers and they struggle with words, I struggle with time.

390
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Speaker 1: By the end of the time, I don't think I

391
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Speaker 1: have like the appropriate configuration in my brain which is

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Speaker 1: good at figuring out how long something has been or

393
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Speaker 1: how long I have to go, or even reminding myself

394
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Speaker 1: that time is a factor in any situation. Clock.

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Speaker 7: Yes, sorry, I mean it's pretty simple, look at your phone.

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Speaker 1: But like I have to get my girlfriend every morning

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Speaker 1: to remind me to look at the clock because I'm

398
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Speaker 1: so incapable of remembering that time is a factor for

399
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Speaker 1: me in whatever I'm doing. Sure, I just I can't

400
00:20:00,520 --> 00:20:03,199
Speaker 1: seem yeah, I just can't seem to remember that the

401
00:20:03,240 --> 00:20:05,880
Speaker 1: time is something that I'm considering because it's like it's

402
00:20:05,920 --> 00:20:11,640
Speaker 1: the It's almost like when you're looking at a painting

403
00:20:11,760 --> 00:20:14,680
Speaker 1: and an artist has decided to make something in the

404
00:20:14,680 --> 00:20:18,719
Speaker 1: foreground appear really attractive. Sure, and they've done like some

405
00:20:18,760 --> 00:20:21,400
Speaker 1: trees or something in the background. If you were then

406
00:20:21,560 --> 00:20:25,040
Speaker 1: asked to describe the painting later on, you would obviously

407
00:20:25,040 --> 00:20:26,959
Speaker 1: remember the thing at the front, But then if they

408
00:20:26,960 --> 00:20:29,159
Speaker 1: asked you what was in the background, you'd be like,

409
00:20:29,480 --> 00:20:31,720
Speaker 1: I can't remember what the hell's in the background. Yeah,

410
00:20:31,880 --> 00:20:34,080
Speaker 1: for example, the monelisut. You know, you know what a

411
00:20:34,119 --> 00:20:36,840
Speaker 1: face looks like, right, yeah, definitely pretty pretty flat. What's

412
00:20:36,880 --> 00:20:39,320
Speaker 1: in a background? Oh, no idea? You have no idea.

413
00:20:39,359 --> 00:20:41,600
Speaker 1: So that's kind of like me when I'm doing something

414
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Speaker 1: and that's what happens to time for some reason, I

415
00:20:44,160 --> 00:20:45,520
Speaker 1: cannot hold on to it.

416
00:20:45,760 --> 00:20:48,360
Speaker 6: So in your argument, then you're also putting whatever you're

417
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Speaker 6: doing over the person.

418
00:20:49,880 --> 00:20:52,920
Speaker 1: Not deliberately. Though not deliberately. I think that's the key point,

419
00:20:52,960 --> 00:20:56,760
Speaker 1: because I'm trying to defend time poor people here, because

420
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Speaker 1: I realize that we get a really bad name for ourselves.

421
00:21:00,760 --> 00:21:02,280
Speaker 1: So what do you want people to call up and say?

422
00:21:02,480 --> 00:21:05,439
Speaker 1: There's obviously two sides to this debate in which you

423
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Speaker 1: and I represent quite clear. I'm a late person. You're

424
00:21:09,080 --> 00:21:11,919
Speaker 1: not a late person. Non late people see late people

425
00:21:12,000 --> 00:21:16,760
Speaker 1: as the demon late people. I think have and should

426
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Speaker 1: have a chance to defend themselves, and I love I

427
00:21:20,720 --> 00:21:23,439
Speaker 1: would thirty one and six five. Now I'm also I

428
00:21:23,440 --> 00:21:25,160
Speaker 1: would love to hear the other side of it. If

429
00:21:25,160 --> 00:21:26,800
Speaker 1: you if you've just heard my argument you think is

430
00:21:26,800 --> 00:21:28,080
Speaker 1: the biggest, like, okay, we've ever heard?

431
00:21:29,320 --> 00:21:31,080
Speaker 6: Please call I can I can hear what you're saying.

432
00:21:31,119 --> 00:21:32,680
Speaker 6: I understand what you're saying that you get, Oh, you

433
00:21:32,680 --> 00:21:38,359
Speaker 6: get lost in time? You know when I'm writing my

434
00:21:38,440 --> 00:21:41,199
Speaker 6: novel with chronicles and travels of the world, I get

435
00:21:41,280 --> 00:21:45,160
Speaker 6: lost in time. No, I actually get that set in alarm.

436
00:21:45,359 --> 00:21:48,200
Speaker 6: No I do, I do even care about the person

437
00:21:48,280 --> 00:21:49,280
Speaker 6: I do is setting alarm.

438
00:21:49,359 --> 00:21:49,560
Speaker 13: I do.

439
00:21:49,640 --> 00:21:51,359
Speaker 1: I set in alarm every single one. Do you know

440
00:21:51,400 --> 00:21:53,640
Speaker 1: that I wake up every single before I go to bed.

441
00:21:53,680 --> 00:21:57,200
Speaker 1: Every single night, I count down fifteen minute brackets from

442
00:21:57,200 --> 00:21:58,760
Speaker 1: when I have to leave the house to when I

443
00:21:58,800 --> 00:22:04,520
Speaker 1: have to leave. I just can't late exactly exactly.

444
00:22:05,680 --> 00:22:08,240
Speaker 6: He's another people thirteen one sixty five either side of

445
00:22:08,240 --> 00:22:08,560
Speaker 6: the coin.

446
00:22:08,560 --> 00:22:10,320
Speaker 7: Are you the late person or do you get frustrated

447
00:22:10,320 --> 00:22:11,000
Speaker 7: with late people?

448
00:22:11,320 --> 00:22:13,280
Speaker 1: Yeah? And why do you just want to I just

449
00:22:13,400 --> 00:22:15,239
Speaker 1: I feel like there are late people out there who

450
00:22:15,280 --> 00:22:17,560
Speaker 1: are getting torched, and I don't think there's any malice

451
00:22:17,600 --> 00:22:19,240
Speaker 1: in what we're doing. And I want to hear from you,

452
00:22:19,320 --> 00:22:23,239
Speaker 1: all right, it's it's it's it's fire in here. I mean,

453
00:22:23,400 --> 00:22:26,440
Speaker 1: I don't like to expose things that we like to

454
00:22:26,600 --> 00:22:29,200
Speaker 1: argue about, but reality is, one of us is a

455
00:22:29,280 --> 00:22:31,760
Speaker 1: late person. One of us isn't. Yes, that's right.

456
00:22:31,880 --> 00:22:33,920
Speaker 6: And look, my argument, which is the simple one, which

457
00:22:33,920 --> 00:22:35,680
Speaker 6: we've heard a lot of times before, is that I

458
00:22:35,840 --> 00:22:38,119
Speaker 6: just think a late person is a selfish person.

459
00:22:38,480 --> 00:22:41,040
Speaker 1: They're valuing their time over the person who is now

460
00:22:41,119 --> 00:22:44,040
Speaker 1: waiting for them. Yes, I haven't heard you actually argue

461
00:22:44,080 --> 00:22:44,680
Speaker 1: this point before.

462
00:22:44,720 --> 00:22:47,480
Speaker 6: Where do you think you have this form of dyslexia

463
00:22:47,560 --> 00:22:49,760
Speaker 6: with time the lack of a better word, where you

464
00:22:50,440 --> 00:22:52,399
Speaker 6: you get lost in doing something.

465
00:22:52,960 --> 00:22:55,800
Speaker 1: Well, yeah, there's there's that part of it. Yes, And

466
00:22:55,880 --> 00:23:00,199
Speaker 1: I also think that I am genuinely far worse at

467
00:23:00,359 --> 00:23:06,120
Speaker 1: estimating and being able to figure out how long has

468
00:23:06,200 --> 00:23:09,680
Speaker 1: transpired in any given amount of time. So I'm just

469
00:23:09,760 --> 00:23:12,159
Speaker 1: incapable of doing that. So like, for example, when when

470
00:23:12,160 --> 00:23:13,680
Speaker 1: everyone wakes to set their alarm in the morning, so

471
00:23:13,760 --> 00:23:15,880
Speaker 1: you need to get up a little bit earlier, you're

472
00:23:15,880 --> 00:23:18,440
Speaker 1: able to go set my alarm out out, yes, and

473
00:23:18,480 --> 00:23:20,840
Speaker 1: you're able to estimate quite quickly that'll probably be an

474
00:23:20,880 --> 00:23:24,320
Speaker 1: hour earlier. I can't do that, so do too. I

475
00:23:24,440 --> 00:23:26,000
Speaker 1: do it. I do it in five I have to

476
00:23:26,040 --> 00:23:29,240
Speaker 1: do it in ten minute increments because my estimation is

477
00:23:29,320 --> 00:23:29,919
Speaker 1: so far off.

478
00:23:29,960 --> 00:23:32,000
Speaker 6: But why don't you do three times as much and

479
00:23:32,040 --> 00:23:34,200
Speaker 6: then you'll be early because early people.

480
00:23:34,320 --> 00:23:37,320
Speaker 1: Just wake up nine hours early. It's like, well, we'll

481
00:23:37,400 --> 00:23:38,399
Speaker 1: just go to bed.

482
00:23:38,720 --> 00:23:40,920
Speaker 7: At least you're not putting out a person who's waiting.

483
00:23:40,760 --> 00:23:41,280
Speaker 6: For your mate.

484
00:23:41,880 --> 00:23:46,359
Speaker 1: You got to live with the Cassi. Cassie, I'm thirty

485
00:23:46,400 --> 00:23:50,400
Speaker 1: one and six five, You're you're a late person, yep

486
00:23:50,520 --> 00:23:53,040
Speaker 1: to everything. Okay, and so why do you think it

487
00:23:53,119 --> 00:23:53,600
Speaker 1: is Cassie.

488
00:23:54,400 --> 00:23:56,919
Speaker 10: Okay, So I actually got in trouble today because I'm

489
00:23:57,000 --> 00:23:58,120
Speaker 10: late every day to work.

490
00:23:58,680 --> 00:24:00,600
Speaker 1: But my defense is I.

491
00:24:00,680 --> 00:24:04,280
Speaker 10: Actually overachieved, so I try to get so much done

492
00:24:05,080 --> 00:24:07,800
Speaker 10: before I leave, and I try and get everything.

493
00:24:07,880 --> 00:24:11,879
Speaker 1: There's a bit in a bit you're trying to do

494
00:24:12,040 --> 00:24:14,320
Speaker 1: too much, and sometimes you're trying to do things with

495
00:24:14,480 --> 00:24:16,640
Speaker 1: other people in the time before you go and see

496
00:24:16,640 --> 00:24:17,200
Speaker 1: another person.

497
00:24:17,359 --> 00:24:19,440
Speaker 11: Absolutely, it's actually non selfie.

498
00:24:20,600 --> 00:24:21,760
Speaker 1: No, that's fair. No, no, you can't.

499
00:24:22,760 --> 00:24:25,520
Speaker 7: Maybe maybe I'm going to go on, Cassie, what time

500
00:24:25,520 --> 00:24:26,440
Speaker 7: do you wake up in the morning.

501
00:24:27,359 --> 00:24:29,760
Speaker 1: I get up for around seven seven thirty, wake up

502
00:24:29,800 --> 00:24:33,280
Speaker 1: at six. She needs to be awake so that she

503
00:24:33,359 --> 00:24:36,680
Speaker 1: can do things during that is go to be We're

504
00:24:36,680 --> 00:24:38,639
Speaker 1: not all getting up at sparrows so that we can

505
00:24:38,720 --> 00:24:39,879
Speaker 1: be at a meeting at nine o'clock.

506
00:24:39,920 --> 00:24:41,640
Speaker 6: Well, if you want to do all your amazing things

507
00:24:41,640 --> 00:24:43,200
Speaker 6: for humankind before work.

508
00:24:43,200 --> 00:24:46,440
Speaker 1: That's early. That's just being That's what am I being. Well,

509
00:24:46,480 --> 00:24:48,800
Speaker 1: you're patronizing Cassie. You don't know what she does in

510
00:24:48,840 --> 00:24:51,240
Speaker 1: the morning. You do what you do in the morning.

511
00:24:51,320 --> 00:24:53,720
Speaker 1: You go on your stepper Cassie might go and help

512
00:24:53,800 --> 00:24:56,560
Speaker 1: out somebody. Maybe she's working at home with shelter or

513
00:24:56,680 --> 00:24:57,960
Speaker 1: carry on. Kids.

514
00:24:59,320 --> 00:25:01,400
Speaker 3: I'm a single with kids and I have so much

515
00:25:01,480 --> 00:25:01,800
Speaker 3: to say.

516
00:25:03,400 --> 00:25:06,040
Speaker 1: That's a good argument. That's a very good argument. I'm

517
00:25:06,040 --> 00:25:06,679
Speaker 1: going to shout out there.

518
00:25:07,560 --> 00:25:10,400
Speaker 10: And they're always late to everything because they stop around

519
00:25:10,440 --> 00:25:12,520
Speaker 10: so much, and I try and make everything's done to

520
00:25:12,600 --> 00:25:13,520
Speaker 10: make their life easier.

521
00:25:14,040 --> 00:25:16,640
Speaker 6: That's completely understandable. Will doesn't have kings on the other hand,

522
00:25:16,760 --> 00:25:19,440
Speaker 6: so he has no excuse. Single mother with kids, they're

523
00:25:19,440 --> 00:25:21,879
Speaker 6: absolute champions and pills about society and got on your Cassie,

524
00:25:21,880 --> 00:25:22,800
Speaker 6: and you can be late to anything.

525
00:25:22,920 --> 00:25:26,159
Speaker 1: My indoor plants are often considered my children, Mishi on

526
00:25:26,280 --> 00:25:30,200
Speaker 1: Thurday one six five. So you're not a late person.

527
00:25:31,200 --> 00:25:33,560
Speaker 8: No, I'm not a late person, but my cousins are

528
00:25:33,640 --> 00:25:34,200
Speaker 8: late people.

529
00:25:34,880 --> 00:25:36,639
Speaker 1: Okay, And does this frustrate you?

530
00:25:37,600 --> 00:25:39,960
Speaker 8: They turned up two hours late to my twenty first

531
00:25:40,040 --> 00:25:42,439
Speaker 8: Thurthday party and tell the entire thing up.

532
00:25:43,160 --> 00:25:45,680
Speaker 1: Oh that's pretty bad. And what was their excuse?

533
00:25:47,040 --> 00:25:49,000
Speaker 8: They just said, I don't know. We were trying to

534
00:25:49,000 --> 00:25:50,720
Speaker 8: get there, but they just couldn't get They didn't have

535
00:25:50,800 --> 00:25:51,480
Speaker 8: a good excuse.

536
00:25:51,680 --> 00:25:53,399
Speaker 1: That's not good. That's not good. And I think I

537
00:25:53,640 --> 00:25:56,359
Speaker 1: think I think this is yeah, yeah, look if you

538
00:25:56,440 --> 00:25:59,879
Speaker 1: if you, if you're affecting somebody's like when you are.

539
00:26:00,119 --> 00:26:01,920
Speaker 1: But I mean, but but I think what I'm saying

540
00:26:02,080 --> 00:26:04,840
Speaker 1: is that, like and Mischi, I appreciate the call, Thanks Mischa.

541
00:26:05,280 --> 00:26:08,440
Speaker 1: I'm not defending all late people here. That's the key,

542
00:26:08,840 --> 00:26:10,840
Speaker 1: because I know that there are people that are late

543
00:26:10,920 --> 00:26:14,760
Speaker 1: to everything right. I'm I can still clocking on time

544
00:26:14,840 --> 00:26:15,560
Speaker 1: every now and then.

545
00:26:15,600 --> 00:26:17,560
Speaker 7: And that's why I think the argument's flawed, because I.

546
00:26:17,760 --> 00:26:20,480
Speaker 1: Know dot fright because I try. But you know what

547
00:26:20,760 --> 00:26:24,159
Speaker 1: it's like, as I said, when I'm genuinely struggle with this,

548
00:26:24,480 --> 00:26:25,439
Speaker 1: I genuinely struggle.

549
00:26:25,440 --> 00:26:26,919
Speaker 6: I'm sitting there in the morning, I want to order

550
00:26:27,000 --> 00:26:29,080
Speaker 6: me breakfast, and I'm sitting there looking at me clock

551
00:26:29,119 --> 00:26:29,959
Speaker 6: and half an hour late.

552
00:26:30,160 --> 00:26:32,159
Speaker 1: It's like it's like you struggle with noise in the

553
00:26:32,160 --> 00:26:36,320
Speaker 1: background when you go to a cafe Holly thirteen one

554
00:26:36,359 --> 00:26:39,240
Speaker 1: and six five, you're a late person.

555
00:26:40,200 --> 00:26:42,520
Speaker 8: I definitely am. I can say I've never been as

556
00:26:42,640 --> 00:26:45,159
Speaker 8: late as two hours. I think that's a bit. I

557
00:26:45,240 --> 00:26:48,040
Speaker 8: just have a lot of trouble, like just interpreting the time.

558
00:26:48,480 --> 00:26:51,040
Speaker 8: And I definitely would not described as selfish by any

559
00:26:51,080 --> 00:26:53,760
Speaker 8: of my friends. But I just can't. I can see

560
00:26:53,800 --> 00:26:56,120
Speaker 8: the clock, but it just doesn't make It doesn't register.

561
00:26:57,400 --> 00:26:59,680
Speaker 1: No, it doesn't. It doesn't register. It's like it doesn't

562
00:26:59,720 --> 00:27:01,560
Speaker 1: hit you in the head. I know exactly what you mean,

563
00:27:01,880 --> 00:27:04,639
Speaker 1: so you can't. So what's that? What's the time right now? Holly, No,

564
00:27:04,760 --> 00:27:07,440
Speaker 1: she's not talking about that. She's not she can read.

565
00:27:10,119 --> 00:27:13,600
Speaker 1: You can't read the time, you know, I don't patronize it.

566
00:27:13,680 --> 00:27:17,000
Speaker 1: This is significant. I'm trying to understand. You're not undermining

567
00:27:17,040 --> 00:27:19,000
Speaker 1: what she's saying. Holy, what you're saying is you can

568
00:27:19,080 --> 00:27:22,040
Speaker 1: read the time, just like a person I imagine who

569
00:27:22,359 --> 00:27:24,760
Speaker 1: struggles with numbers, for example, can read the number aloud,

570
00:27:24,800 --> 00:27:27,960
Speaker 1: but they're incapable of quantifying what the number is meaning

571
00:27:28,040 --> 00:27:28,560
Speaker 1: in their head.

572
00:27:29,240 --> 00:27:30,080
Speaker 3: You have to think about it.

573
00:27:30,200 --> 00:27:33,040
Speaker 8: Really good at maths, Like I'm actually studying maths. I'm

574
00:27:33,119 --> 00:27:35,920
Speaker 8: really good at mathematics. I just can't when it comes

575
00:27:35,960 --> 00:27:38,120
Speaker 8: to arriving in to something, and I'm so embarrassed. I'm

576
00:27:38,119 --> 00:27:41,199
Speaker 8: always so embarrassed and so much apologetic when I'm late.

577
00:27:41,280 --> 00:27:42,000
Speaker 8: But I just can't.

578
00:27:42,560 --> 00:27:45,439
Speaker 6: Ever since I was a kid, it doesn't look at

579
00:27:45,480 --> 00:27:48,399
Speaker 6: the time you go, it's quarter to five but then

580
00:27:48,440 --> 00:27:50,160
Speaker 6: you're like, I don't know what that means.

581
00:27:50,160 --> 00:27:52,840
Speaker 1: It's like it's like, for example, if somebody gave if

582
00:27:52,880 --> 00:27:56,720
Speaker 1: somebody showed you a piece of modern art, which I

583
00:27:56,800 --> 00:27:59,400
Speaker 1: thank you for your Honestly, it's down on the line

584
00:27:59,400 --> 00:28:01,119
Speaker 1: here because I think you're going to empathize with this.

585
00:28:01,359 --> 00:28:03,960
Speaker 1: Someone shows you're a piece of really modern abstract h

586
00:28:04,400 --> 00:28:06,840
Speaker 1: and it really hits, really hits a chord with them,

587
00:28:06,880 --> 00:28:08,520
Speaker 1: and they talk about all this stuff that they feel

588
00:28:08,560 --> 00:28:10,000
Speaker 1: and that sort of stuff, and you look at it

589
00:28:10,040 --> 00:28:13,040
Speaker 1: and you go, I'm just saying squares and scribble exactly.

590
00:28:13,200 --> 00:28:14,760
Speaker 1: That's what I feel like the time is with some

591
00:28:15,119 --> 00:28:17,000
Speaker 1: I can't it doesn't register with me. It's like it

592
00:28:17,119 --> 00:28:19,760
Speaker 1: hits this wall and I can't interpret it for some reason.

593
00:28:19,960 --> 00:28:22,000
Speaker 1: I don't know what that right, why that is? So

594
00:28:22,119 --> 00:28:24,200
Speaker 1: how's that different? You just don't know what the time is.

595
00:28:24,800 --> 00:28:26,720
Speaker 1: I can read by now it's four forty eight and

596
00:28:26,760 --> 00:28:29,040
Speaker 1: we've got to go to another song. But but this

597
00:28:29,200 --> 00:28:31,280
Speaker 1: is the whole point. It's like if you ask a pedophile,

598
00:28:31,359 --> 00:28:35,639
Speaker 1: for example, who shift well, okay, well that's a bad example.

599
00:28:36,640 --> 00:28:38,640
Speaker 1: But somebody that's got like a really mental like a

600
00:28:38,720 --> 00:28:42,360
Speaker 1: mental illness, for example, like something that you can't subjectively understand.

601
00:28:42,720 --> 00:28:46,440
Speaker 1: You don't have that, so you can't understand it. Well,

602
00:28:46,920 --> 00:28:47,520
Speaker 1: do you know what I mean?

603
00:28:47,560 --> 00:28:50,040
Speaker 6: I'd love to see someone who PhD on this or something,

604
00:28:50,160 --> 00:28:51,920
Speaker 6: because again, in ten years we might go I can't

605
00:28:51,920 --> 00:28:54,000
Speaker 6: believe we hadn't diagnosed people who can't read the time.

606
00:28:55,320 --> 00:28:57,720
Speaker 1: No, I'm honestly, I'm trying to understand it. I'm trying

607
00:28:57,760 --> 00:29:00,200
Speaker 1: to understand it. We're going to go to traffic. Thank

608
00:29:00,200 --> 00:29:01,800
Speaker 1: you for all those calls, By the way, I really

609
00:29:01,840 --> 00:29:04,760
Speaker 1: do appreciate that. Track Ross was on the Shouter five

610
00:29:05,480 --> 00:29:07,160
Speaker 1: would drive Ross Nobles on the show a little bit

611
00:29:07,240 --> 00:29:10,000
Speaker 1: later on absolutely mate. But last night I had a

612
00:29:10,040 --> 00:29:13,000
Speaker 1: great catch up with my grandpa Love.

613
00:29:13,040 --> 00:29:15,400
Speaker 6: I'm living in the same city as Pops now, so

614
00:29:15,480 --> 00:29:17,520
Speaker 6: great to catch up with him every now and then.

615
00:29:18,360 --> 00:29:21,360
Speaker 1: I was telling Granddad about a visit.

616
00:29:21,240 --> 00:29:25,120
Speaker 6: That i'd had recently to a Buddhist temple, and when

617
00:29:25,120 --> 00:29:26,959
Speaker 6: I said this to him, I was very shocked by

618
00:29:27,040 --> 00:29:27,680
Speaker 6: his response.

619
00:29:28,120 --> 00:29:32,440
Speaker 1: He was really excited. He was like, Wow, that's that's amazing.

620
00:29:33,520 --> 00:29:36,240
Speaker 1: A Buddhist temple to a Buddhist testable. He was like that,

621
00:29:36,600 --> 00:29:37,960
Speaker 1: he's absolutely incredible.

622
00:29:38,000 --> 00:29:40,400
Speaker 6: And I was like, from those moments where you get

623
00:29:40,400 --> 00:29:42,680
Speaker 6: shocked and you go like, I just didn't think my

624
00:29:42,760 --> 00:29:48,320
Speaker 6: grandfather nice moment. I'm related to this guy, so of

625
00:29:48,400 --> 00:29:50,040
Speaker 6: course he's into it. And he said to me, do

626
00:29:50,080 --> 00:29:52,600
Speaker 6: you have any photos? Have you got any photos of it?

627
00:29:53,320 --> 00:29:54,520
Speaker 1: And I was like, I.

628
00:29:54,600 --> 00:30:00,239
Speaker 6: Absolutely do, Grandpa, And unbelievable, he's that keen. I never

629
00:30:00,320 --> 00:30:03,960
Speaker 6: seen my grandfather so excited. In the twenty nine years

630
00:30:04,000 --> 00:30:06,480
Speaker 6: i've known my grandfather, I have never seen this excited.

631
00:30:07,200 --> 00:30:09,520
Speaker 6: So opening my phone, he's sitting there impatiently. He puts

632
00:30:09,560 --> 00:30:11,440
Speaker 6: his drink down, he's going like, just shout, showers the

633
00:30:11,480 --> 00:30:14,480
Speaker 6: photos opened up my phone. I flick over and go, mate,

634
00:30:14,520 --> 00:30:17,360
Speaker 6: I've got a fair few here. Just flick right, So

635
00:30:17,520 --> 00:30:21,000
Speaker 6: give him my phone and he's flicking. He's flicking right

636
00:30:21,080 --> 00:30:24,280
Speaker 6: and anyways, so his eyes are excited and then he's

637
00:30:24,320 --> 00:30:28,760
Speaker 6: flicking and every with every flick he just starts starts

638
00:30:28,760 --> 00:30:32,520
Speaker 6: looking a little bit flat, just going like he flicks again,

639
00:30:32,600 --> 00:30:34,200
Speaker 6: and you know, by the third or fourth flick, I

640
00:30:34,240 --> 00:30:36,320
Speaker 6: mean his borderline is all the emotion is gone.

641
00:30:36,840 --> 00:30:39,760
Speaker 7: He's looking he's looking borderline sad, and I'm.

642
00:30:39,680 --> 00:30:41,760
Speaker 1: Going, What's what's going on? Grandpa?

643
00:30:41,960 --> 00:30:45,840
Speaker 6: Like it's you look disappointed, and he goes, ah, it's

644
00:30:47,120 --> 00:30:48,600
Speaker 6: it's not really what I expected.

645
00:30:49,040 --> 00:30:52,760
Speaker 1: What And I was like after like a classic like waster,

646
00:30:53,080 --> 00:30:55,560
Speaker 1: and he goes like, you know, where are all the

647
00:30:55,680 --> 00:30:59,959
Speaker 1: naked people? Why does that excuse me? Well, and I'm

648
00:31:00,040 --> 00:31:04,240
Speaker 1: thinking grand parathons. Well, you told me you went to

649
00:31:04,320 --> 00:31:16,600
Speaker 1: a nudist temple. He left, he left my house and

650
00:31:16,640 --> 00:31:22,560
Speaker 1: went home. Limpore. Ross Nobles, an international star of a comedian,

651
00:31:22,680 --> 00:31:25,200
Speaker 1: is on the show Good After. Note everyone, it is

652
00:31:25,280 --> 00:31:27,680
Speaker 1: will and getting your home for the next little while.

653
00:31:28,160 --> 00:31:32,080
Speaker 1: We have the international sensation that is Ross Noble is

654
00:31:32,120 --> 00:31:33,960
Speaker 1: going to be joining us very shortly.

655
00:31:34,280 --> 00:31:37,240
Speaker 2: To be honest that the luck dancing never really took off,

656
00:31:37,280 --> 00:31:39,960
Speaker 2: and men did it? You know a woman doing a

657
00:31:40,040 --> 00:31:41,000
Speaker 2: sexy dance like that?

658
00:31:41,120 --> 00:31:42,440
Speaker 3: Oh yeah, check me out.

659
00:31:42,560 --> 00:31:44,120
Speaker 1: You know nice Jay stringing up.

660
00:31:44,240 --> 00:31:47,480
Speaker 4: I think the reason that flips don't shut the I

661
00:31:47,560 --> 00:31:49,240
Speaker 4: think the main reason balls.

662
00:31:51,640 --> 00:31:52,560
Speaker 1: What's your take on that?

663
00:31:53,040 --> 00:31:55,560
Speaker 6: I disagree with him vhemently. Yeah, I think I I

664
00:31:55,680 --> 00:31:57,800
Speaker 6: think I met my very best wind strip dancing.

665
00:31:58,600 --> 00:32:01,160
Speaker 1: No, but all right, I thought you're going to be

666
00:32:01,240 --> 00:32:02,600
Speaker 1: more specific with that, and I was a little bit.

667
00:32:02,600 --> 00:32:06,680
Speaker 6: Rattled, not necessarily my what he complained about it, but

668
00:32:06,960 --> 00:32:09,280
Speaker 6: I think that me sexy dancy for my girlfriend.

669
00:32:09,720 --> 00:32:12,480
Speaker 1: It's a real treat for her. Yeah. Great, and what

670
00:32:12,600 --> 00:32:18,840
Speaker 1: a lucky girl. Very good stuff, Bunny, want to come here.

671
00:32:19,240 --> 00:32:21,800
Speaker 1: As we get young in this afternoon, we get some

672
00:32:21,880 --> 00:32:24,200
Speaker 1: wonderful calls on this show. We really appreciate all the

673
00:32:24,240 --> 00:32:26,479
Speaker 1: calls that you guys are bringing. In fact, if you're

674
00:32:26,480 --> 00:32:28,240
Speaker 1: listening on a Friday, we do have a segment called

675
00:32:28,240 --> 00:32:31,280
Speaker 1: the Call of Fame where we celebrate the best cause

676
00:32:31,560 --> 00:32:33,680
Speaker 1: from the week. One of our favorite calls on the

677
00:32:33,760 --> 00:32:37,840
Speaker 1: show was a little while ago. We were asking whether

678
00:32:38,120 --> 00:32:45,560
Speaker 1: there was a song to describe your pregnancy. Oh, yes, yeah,

679
00:32:45,600 --> 00:32:47,320
Speaker 1: that's good stuff. Why was it a moment in your

680
00:32:47,360 --> 00:32:49,160
Speaker 1: life that you could use it a song to describe?

681
00:32:49,280 --> 00:32:49,320
Speaker 14: No?

682
00:32:49,440 --> 00:32:51,080
Speaker 1: No, we were asking what song do you want to be?

683
00:32:52,480 --> 00:32:55,560
Speaker 6: Because Mariah Carey had a request to play her live

684
00:32:55,680 --> 00:32:59,360
Speaker 6: performance as her baby came out. That's right, and she

685
00:32:59,440 --> 00:33:02,000
Speaker 6: wanted to tie with the applause of the song as

686
00:33:02,040 --> 00:33:04,280
Speaker 6: the baby came out, and that came out in.

687
00:33:05,240 --> 00:33:07,360
Speaker 1: So what song did you want your baby to hear

688
00:33:07,920 --> 00:33:11,920
Speaker 1: as it came outs out? Yeah? Okay, And Kate called up,

689
00:33:12,080 --> 00:33:14,440
Speaker 1: She's she has been inducted into the Call of fame.

690
00:33:14,320 --> 00:33:16,880
Speaker 7: Here and this is what she said, Okate, what song

691
00:33:16,920 --> 00:33:17,680
Speaker 7: would you want playing?

692
00:33:17,720 --> 00:33:21,040
Speaker 1: As the baby pops out? Torn by Natalie and Brill.

693
00:33:27,440 --> 00:33:28,640
Speaker 9: And you're lying naked?

694
00:33:31,200 --> 00:33:33,360
Speaker 1: Great call, good stuff. Now with some friends about this

695
00:33:33,400 --> 00:33:35,120
Speaker 1: the other day and we were saying that, you know,

696
00:33:35,200 --> 00:33:39,400
Speaker 1: when you go through a breakup mm hmm, often there's

697
00:33:39,400 --> 00:33:43,880
Speaker 1: an instance or there are instances which occur in and

698
00:33:43,960 --> 00:33:47,040
Speaker 1: around the breaker, which is sort of like the hallmark

699
00:33:47,120 --> 00:33:50,480
Speaker 1: of the breaker. Sure, there's there's something that's happened and

700
00:33:50,880 --> 00:33:59,160
Speaker 1: you remember it quite vividly now for example, And what

701
00:33:59,240 --> 00:34:00,920
Speaker 1: I want to do here is if you can think

702
00:34:01,000 --> 00:34:03,560
Speaker 1: of one of these moments. I'm thirteen one and sixty five.

703
00:34:03,600 --> 00:34:06,640
Speaker 1: If there is a song to describe your break up,

704
00:34:07,520 --> 00:34:10,799
Speaker 1: then please give us a call. And all I want

705
00:34:10,880 --> 00:34:14,000
Speaker 1: is the song name from you, and then I would

706
00:34:14,200 --> 00:34:17,200
Speaker 1: like for us to try and figure out what happened

707
00:34:17,480 --> 00:34:21,240
Speaker 1: based on the song that you give us. For example,

708
00:34:22,760 --> 00:34:25,600
Speaker 1: this is a song I think they would describe one

709
00:34:25,640 --> 00:34:26,440
Speaker 1: of my breakouts.

710
00:34:27,080 --> 00:34:30,799
Speaker 3: I want a girl with the short skirt and a lone.

711
00:34:34,719 --> 00:34:35,160
Speaker 1: Jacket.

712
00:34:36,640 --> 00:34:38,640
Speaker 6: You want to go with a long with a short

713
00:34:38,719 --> 00:34:41,239
Speaker 6: skirt and a long jacket, and that describes is that

714
00:34:41,360 --> 00:34:44,279
Speaker 6: because your ex girlfriend was in the same office as us,

715
00:34:44,320 --> 00:34:46,360
Speaker 6: and she used to always wear a tiny skirt to

716
00:34:47,719 --> 00:34:51,560
Speaker 6: work to try insroduce you back, which did work.

717
00:34:51,600 --> 00:35:03,160
Speaker 14: Well, who's well played, I've gone for you okay, So

718
00:35:03,280 --> 00:35:04,359
Speaker 14: am I trying to pick which moment?

719
00:35:04,440 --> 00:35:06,800
Speaker 1: Yeah, you'll know the moment bring.

720
00:35:11,000 --> 00:35:12,600
Speaker 15: Because I was stuck and you didn't let me out.

721
00:35:12,719 --> 00:35:17,200
Speaker 15: But I was stuck in the ring of fire. The

722
00:35:17,480 --> 00:35:21,200
Speaker 15: lightest prazific incidents with a ring with a ring.

723
00:35:23,040 --> 00:35:25,799
Speaker 1: Oh when the girl left her ring at my name?

724
00:35:29,320 --> 00:35:32,359
Speaker 1: So ready, No, when you got hit with that when

725
00:35:32,400 --> 00:35:33,040
Speaker 1: she had a ring?

726
00:35:34,120 --> 00:35:36,200
Speaker 6: There was that one, so yeah, yeah, yeah, yeah, I

727
00:35:37,280 --> 00:35:39,560
Speaker 6: deserved getting hit. Then yeah, I drew blood, which was

728
00:35:39,560 --> 00:35:44,319
Speaker 6: probably too much. It was a backhand to the face.

729
00:35:44,400 --> 00:35:45,880
Speaker 1: Now, the other thing I was trying to count with

730
00:35:46,040 --> 00:35:48,320
Speaker 1: one for another breakup that I went through. But I

731
00:35:48,480 --> 00:35:50,920
Speaker 1: was struggling to find a song that wasn't too explicit

732
00:35:51,239 --> 00:35:54,560
Speaker 1: when I broke up with a girl and as I

733
00:35:54,640 --> 00:35:56,160
Speaker 1: left the car, she told me to go.

734
00:35:56,480 --> 00:36:03,719
Speaker 6: And it's it's hard to going because she pretty much

735
00:36:03,719 --> 00:36:05,560
Speaker 6: said go and hook up with Woody.

736
00:36:05,680 --> 00:36:09,200
Speaker 1: Yes, but shed it in very aggressive terms. Yes, that's right. Yeah,

737
00:36:09,680 --> 00:36:15,160
Speaker 1: and what song we are thinking? There was nothing? Maybe

738
00:36:15,239 --> 00:36:18,800
Speaker 1: like dirty focusgular. No, it was too vague. Though I

739
00:36:18,880 --> 00:36:21,839
Speaker 1: want to kiss you all over. It was all over.

740
00:36:21,960 --> 00:36:25,560
Speaker 1: That was the reference. It was yeah anyway, thirteen thirteen,

741
00:36:25,640 --> 00:36:28,040
Speaker 1: one oh six five is the number, and I know

742
00:36:28,200 --> 00:36:32,840
Speaker 1: I don't want, I don't want, you know, just a

743
00:36:33,080 --> 00:36:35,279
Speaker 1: sappy love song here like I don't want to hear

744
00:36:35,360 --> 00:36:37,680
Speaker 1: Harry Nilson's I can't live if living without Here. It's

745
00:36:37,680 --> 00:36:40,600
Speaker 1: a lovely song, but it's a generic breakup song. I

746
00:36:40,719 --> 00:36:43,719
Speaker 1: want to know if there was a specific instance in

747
00:36:44,000 --> 00:36:47,839
Speaker 1: your breakup that a song can use to describe. All right,

748
00:36:48,200 --> 00:36:49,719
Speaker 1: one and six fives another tell us a song, We'll

749
00:36:49,719 --> 00:36:51,000
Speaker 1: try and guess what happened. I hope we get some

750
00:36:51,080 --> 00:36:54,279
Speaker 1: great stories out of it. Up next Will. I would

751
00:36:54,320 --> 00:36:57,120
Speaker 1: love people to call up if there's an Often I

752
00:36:57,160 --> 00:36:59,920
Speaker 1: think when you've been through a breakup, there's a set

753
00:37:00,000 --> 00:37:04,799
Speaker 1: eminal moment. Yes, yes, something that's happened, which is made

754
00:37:04,880 --> 00:37:07,399
Speaker 1: the breakup happen, or in the course of the heat

755
00:37:07,520 --> 00:37:09,600
Speaker 1: that the most hectic part of the breakup, there was

756
00:37:09,600 --> 00:37:11,920
Speaker 1: an instance that occurred, and I'd love you to call

757
00:37:12,040 --> 00:37:15,240
Speaker 1: up if you can use if there is a song

758
00:37:15,600 --> 00:37:19,680
Speaker 1: that would best describe that moment or best describe your breakup.

759
00:37:20,040 --> 00:37:22,000
Speaker 1: So what we're going to do is, if you've got

760
00:37:22,040 --> 00:37:23,359
Speaker 1: one of those moments, we've got one of those songs,

761
00:37:23,400 --> 00:37:26,200
Speaker 1: we give us a call, give us the song, and

762
00:37:26,320 --> 00:37:30,160
Speaker 1: then we're going to try and guess what happened in

763
00:37:30,320 --> 00:37:30,880
Speaker 1: your breakup.

764
00:37:31,040 --> 00:37:33,440
Speaker 7: Okay, we've got Jemmy here, Hey, Jemma, hay you gun?

765
00:37:34,840 --> 00:37:37,400
Speaker 1: Yeah, I'm good, hell are you? We're excited about this?

766
00:37:37,520 --> 00:37:38,719
Speaker 1: So what have you got for us?

767
00:37:39,560 --> 00:37:39,840
Speaker 11: Okay?

768
00:37:40,000 --> 00:37:43,560
Speaker 5: It was somebody that I used to know by girls here, yes.

769
00:37:43,719 --> 00:37:48,560
Speaker 1: Yes, absolutely, yeah, yeah, I know the song very well.

770
00:37:48,600 --> 00:37:51,600
Speaker 6: So now we're trying to guess what happened in your breakup.

771
00:37:51,680 --> 00:37:53,839
Speaker 6: For that to nay you to somebody that I used

772
00:37:53,840 --> 00:37:58,600
Speaker 6: to know, I didn't have to stoop.

773
00:37:58,680 --> 00:38:02,400
Speaker 1: So I want to say with the chorus, here is it?

774
00:38:02,840 --> 00:38:04,720
Speaker 1: Is there something to do with him? Just like dropping

775
00:38:04,800 --> 00:38:08,160
Speaker 1: off the radar completely and you don't know who is anymore?

776
00:38:08,200 --> 00:38:12,719
Speaker 5: Gemma pretty much but kind of a blessing now, but

777
00:38:13,880 --> 00:38:18,239
Speaker 5: just basically, you know, we ended amicably and then you know,

778
00:38:18,440 --> 00:38:20,120
Speaker 5: and then you know, he decides to go home with

779
00:38:20,200 --> 00:38:21,719
Speaker 5: a girl a week after we break up.

780
00:38:21,680 --> 00:38:21,759
Speaker 14: So.

781
00:38:23,840 --> 00:38:27,080
Speaker 5: Yeah, yeah, and then I'm off like yeah, and then

782
00:38:27,480 --> 00:38:32,320
Speaker 5: I don't exist, so yeah, pretends he doesn't. I'm in

783
00:38:32,360 --> 00:38:35,120
Speaker 5: a great place honestly, like you just went the.

784
00:38:35,160 --> 00:38:37,520
Speaker 1: Full don't talk anymore thing.

785
00:38:38,239 --> 00:38:41,080
Speaker 8: Yeah yeah, but it's you know, you don't need that.

786
00:38:42,080 --> 00:38:45,919
Speaker 6: It's a good attitude, Gemma bullet dodged good in those cases,

787
00:38:46,000 --> 00:38:47,000
Speaker 6: he's obviously a bad person.

788
00:38:47,400 --> 00:38:49,480
Speaker 1: Great stuff. I was also going to suggest, like you know,

789
00:38:49,520 --> 00:38:50,719
Speaker 1: in that film clip where they're kind of in the

790
00:38:50,800 --> 00:38:53,719
Speaker 1: paint him and what a bit of body painting, maybe

791
00:38:53,840 --> 00:38:55,880
Speaker 1: like a gad, we didn't go down that angle. Ye,

792
00:38:57,239 --> 00:39:01,560
Speaker 1: Actually this is hard, Maybe this is maybe this is

793
00:39:03,800 --> 00:39:07,279
Speaker 1: actually here you go, it's tough. Actually we're asking this

794
00:39:07,400 --> 00:39:09,400
Speaker 1: this song to describe your breakup, and we've got to

795
00:39:09,440 --> 00:39:11,560
Speaker 1: try and guess how the breakup happened. So what have

796
00:39:11,640 --> 00:39:11,920
Speaker 1: you got?

797
00:39:13,040 --> 00:39:14,080
Speaker 5: Joline by jolly?

798
00:39:14,200 --> 00:39:17,440
Speaker 1: Pardon sorry that.

799
00:39:21,320 --> 00:39:24,160
Speaker 6: This might seem way too simple. But did he just

800
00:39:24,400 --> 00:39:26,680
Speaker 6: did he just hook up with someone else called Joeline?

801
00:39:27,719 --> 00:39:27,759
Speaker 4: No?

802
00:39:29,360 --> 00:39:34,520
Speaker 1: That okay, I'm begging you, please don't take my man?

803
00:39:37,840 --> 00:39:38,279
Speaker 1: What do you mean?

804
00:39:38,320 --> 00:39:38,520
Speaker 3: I mean?

805
00:39:38,560 --> 00:39:40,880
Speaker 1: Sorry, I'm going to stay with Woods here. It's got

806
00:39:40,920 --> 00:39:42,120
Speaker 1: that's got to be it's going to be some We've

807
00:39:42,120 --> 00:39:44,399
Speaker 1: got Joeline on the seed. What's the story. Actually, it's

808
00:39:44,440 --> 00:39:46,359
Speaker 1: not that simple. Okay, what is it then?

809
00:39:47,600 --> 00:39:50,520
Speaker 8: So it's kind of Roles reverse in the sense that

810
00:39:50,800 --> 00:39:55,239
Speaker 8: he had a girlfriend and I was somewhat taking him.

811
00:39:55,680 --> 00:39:58,320
Speaker 11: But when I found out what she looked like, she

812
00:39:58,440 --> 00:39:59,920
Speaker 11: looked like Joeline.

813
00:40:00,320 --> 00:40:00,719
Speaker 12: What the.

814
00:40:02,719 --> 00:40:05,319
Speaker 1: Urban fiery locks of auburn hair and all that sort

815
00:40:05,320 --> 00:40:05,640
Speaker 1: of gear.

816
00:40:06,680 --> 00:40:08,719
Speaker 6: Yeah, yeah, wow, there you go.

817
00:40:08,880 --> 00:40:11,759
Speaker 1: Okay, once again, very good, nowhere near it. Yeah, it's

818
00:40:11,760 --> 00:40:15,839
Speaker 1: a ripper of a song. Excellent, This is all very

819
00:40:16,160 --> 00:40:18,600
Speaker 1: is really hard. But you probably should have tried this before.

820
00:40:18,640 --> 00:40:19,520
Speaker 1: We did it on the radio.

821
00:40:19,719 --> 00:40:22,400
Speaker 6: But we've had two fails, and I know in the

822
00:40:22,480 --> 00:40:25,200
Speaker 6: radio textbook, you have two fails, you try again to

823
00:40:25,239 --> 00:40:25,480
Speaker 6: get it.

824
00:40:27,200 --> 00:40:30,040
Speaker 1: Got Damien here, Hey, Damien, Hey, how you going?

825
00:40:30,080 --> 00:40:30,360
Speaker 6: Guys?

826
00:40:30,920 --> 00:40:33,480
Speaker 11: This mine is sweet trans.

827
00:40:39,360 --> 00:40:42,879
Speaker 1: A sweet transfer site. Okay, all right, it's it's again.

828
00:40:42,920 --> 00:40:46,479
Speaker 1: It's an obvious guess, Damien. But I've got to guess

829
00:40:46,680 --> 00:40:53,359
Speaker 1: that your partner or ex partner now decided to transgender.

830
00:40:54,640 --> 00:40:57,640
Speaker 11: Yep, now we're male, my expo.

831
00:41:02,400 --> 00:41:04,920
Speaker 7: Sorry, we don't mean to celebrate the break up, obviously, Diamond.

832
00:41:04,960 --> 00:41:09,960
Speaker 11: But aa okay, I'm in a better place now.

833
00:41:10,040 --> 00:41:11,960
Speaker 1: But yeah, okay, so did he when did he tell you?

834
00:41:12,040 --> 00:41:14,080
Speaker 1: Did you have like suspicions or how did he tell

835
00:41:14,080 --> 00:41:14,920
Speaker 1: you what happened?

836
00:41:16,040 --> 00:41:20,719
Speaker 11: So we were together for eight years and literally went

837
00:41:21,239 --> 00:41:25,080
Speaker 11: one night I came home and when he was a shoe,

838
00:41:25,800 --> 00:41:29,000
Speaker 11: were crying and I said, oh, what's wrong, and they went, oh,

839
00:41:29,080 --> 00:41:30,360
Speaker 11: my girlfriend just broke up with me.

840
00:41:33,040 --> 00:41:34,920
Speaker 1: They said their girlfriend just broke up with them.

841
00:41:35,520 --> 00:41:39,399
Speaker 11: Yep, but they that's what she said that, Oh yeah,

842
00:41:39,440 --> 00:41:42,440
Speaker 11: my girlfriend just broke up with me. And I was like, okay,

843
00:41:43,040 --> 00:41:46,880
Speaker 11: two things girlfriends yea and broke up with you. And

844
00:41:47,200 --> 00:41:50,600
Speaker 11: then we had to track. And then two days later.

845
00:41:52,440 --> 00:41:59,920
Speaker 1: We were over wow to and I'm confused, where's the girlfriend?

846
00:42:00,080 --> 00:42:03,959
Speaker 1: Heels like a third person? Who's now? Was there another

847
00:42:03,960 --> 00:42:05,240
Speaker 1: relationship going on there? Damien?

848
00:42:05,920 --> 00:42:10,200
Speaker 11: So there was another recesship going on between my girlfriend

849
00:42:10,239 --> 00:42:11,680
Speaker 11: at the time and another girl.

850
00:42:11,960 --> 00:42:15,200
Speaker 1: Oh right, I had no idea that, right, And so okay,

851
00:42:15,440 --> 00:42:17,160
Speaker 1: so that was the cattle. I can't I can't ever

852
00:42:17,239 --> 00:42:19,680
Speaker 1: ever put myself in the shoes of somebody who is

853
00:42:20,880 --> 00:42:25,000
Speaker 1: who knows that they are a different gender, but they

854
00:42:25,080 --> 00:42:29,120
Speaker 1: haven't fully embraced that yet. Difficult to be so hard,

855
00:42:29,520 --> 00:42:31,920
Speaker 1: very very difficult, And Damien, I've got to ask you

856
00:42:32,040 --> 00:42:34,160
Speaker 1: because I always would like to think that if my

857
00:42:34,880 --> 00:42:36,960
Speaker 1: lovely girlfriend Sam came and said to me that she

858
00:42:37,120 --> 00:42:40,000
Speaker 1: wanted to be a man. That I would be completely

859
00:42:40,520 --> 00:42:42,520
Speaker 1: forgiving of that and understanding of that and all that

860
00:42:42,640 --> 00:42:44,040
Speaker 1: sort of gear. But it must have been tough.

861
00:42:45,120 --> 00:42:47,160
Speaker 11: Oh yeah, so for me it was really tough.

862
00:42:47,239 --> 00:42:48,000
Speaker 5: But yeah, I was.

863
00:42:49,600 --> 00:42:50,439
Speaker 1: What can you do? Yeah?

864
00:42:52,480 --> 00:42:55,520
Speaker 11: Yeah, go for it. It's perfectly fine. You know, that's

865
00:42:55,560 --> 00:42:56,719
Speaker 11: what would make you happy to do it?

866
00:42:56,840 --> 00:43:00,320
Speaker 1: I'm and can you do Damien? No? I mean, like,

867
00:43:00,440 --> 00:43:02,160
Speaker 1: has it changed the relationship at all? I meant you

868
00:43:02,239 --> 00:43:04,959
Speaker 1: now go and get a beer at the driving range

869
00:43:05,000 --> 00:43:11,480
Speaker 1: or anything like that. Okay, so that would also be

870
00:43:11,600 --> 00:43:14,640
Speaker 1: interested as well. Make things, Yeah, to make things easier,

871
00:43:14,640 --> 00:43:18,000
Speaker 1: wouldn't it, Because you know, there's stuff that guys can

872
00:43:18,040 --> 00:43:20,399
Speaker 1: do together the girls you can't necessarily do with girls,

873
00:43:20,440 --> 00:43:21,480
Speaker 1: you know what I mean? I feel like that it'd

874
00:43:21,520 --> 00:43:23,000
Speaker 1: open up a bit of a pathway between you and

875
00:43:23,080 --> 00:43:24,719
Speaker 1: that person. Potentially it could.

876
00:43:24,960 --> 00:43:25,279
Speaker 11: I haven't.

877
00:43:25,320 --> 00:43:25,600
Speaker 3: I don't know.

878
00:43:25,600 --> 00:43:28,000
Speaker 7: I don't haven't made her to change gender, but you know,

879
00:43:28,400 --> 00:43:29,000
Speaker 7: if it happens, I.

880
00:43:29,080 --> 00:43:31,400
Speaker 1: Let you know, Like, for example, if Courtney said to

881
00:43:31,440 --> 00:43:34,759
Speaker 1: you I want to become a man, they'd be, you know,

882
00:43:34,880 --> 00:43:37,160
Speaker 1: initially upset, Yeah, sure, but then you know, you could

883
00:43:37,600 --> 00:43:39,239
Speaker 1: go to the footy a little bit more often together.

884
00:43:39,320 --> 00:43:42,759
Speaker 1: When do we still go to the footy, there's really

885
00:43:42,880 --> 00:43:46,439
Speaker 1: gender stereotype. We can go into the male change room together.

886
00:43:47,280 --> 00:43:49,360
Speaker 1: I'm not dying to do that. I'm not dying to

887
00:43:49,440 --> 00:43:55,640
Speaker 1: do that. Yeah, you can still go to the boy

888
00:43:57,239 --> 00:44:03,279
Speaker 1: we did on Sunday. She's still a very very impressive man,

889
00:44:03,800 --> 00:44:06,000
Speaker 1: an incredibly interesting man as well. I've got to say.

890
00:44:06,560 --> 00:44:09,919
Speaker 1: In Ross Noble joins us to the studio right now.

891
00:44:09,840 --> 00:44:14,239
Speaker 13: About lovely introductions. The very first time anyone has called

892
00:44:14,280 --> 00:44:15,279
Speaker 13: me an impressive man.

893
00:44:15,280 --> 00:44:18,080
Speaker 1: You are, You're very impressive, I think, certainly.

894
00:44:18,080 --> 00:44:19,360
Speaker 3: I've never heard it from a woman.

895
00:44:23,400 --> 00:44:24,279
Speaker 1: Have you heard from women?

896
00:44:24,400 --> 00:44:29,080
Speaker 16: Ros Oh, good Lord, that wasn't what women have said.

897
00:44:29,719 --> 00:44:38,000
Speaker 13: Lord, I hang around with very high pitched women who

898
00:44:38,120 --> 00:44:43,759
Speaker 13: talking has nineteen seventy surprise. Oh no, I said, good Lord,

899
00:44:43,800 --> 00:44:46,120
Speaker 13: Because I just thought I'll certainly move the mic. Rather

900
00:44:46,280 --> 00:44:48,560
Speaker 13: this is how lazy are. Rather than move away from

901
00:44:48,600 --> 00:44:53,279
Speaker 13: the mic, I thought I'll just push them. I thought,

902
00:44:53,360 --> 00:44:58,560
Speaker 13: that's but this quite quite smooth table has got a move.

903
00:44:58,840 --> 00:45:01,960
Speaker 13: It's yeah, but it's got a grip underneath this. Know

904
00:45:02,000 --> 00:45:04,600
Speaker 13: if you detected this. But the listeners were listen.

905
00:45:06,480 --> 00:45:10,600
Speaker 1: Yeah, there is no We definitely heard that as well.

906
00:45:13,400 --> 00:45:15,320
Speaker 13: It's the noise that you get, you know, in the

907
00:45:15,440 --> 00:45:18,360
Speaker 13: films when it's the new things, like when the Godzilla

908
00:45:18,400 --> 00:45:20,919
Speaker 13: appears or the Giant the giant creatures in there. They'll

909
00:45:20,960 --> 00:45:22,480
Speaker 13: be in the car like that and there's just a

910
00:45:22,600 --> 00:45:25,720
Speaker 13: silence and they'll just go, do you think something's happening?

911
00:45:25,760 --> 00:45:39,239
Speaker 3: And you're here, Oh you moved it towards you?

912
00:45:39,640 --> 00:45:43,640
Speaker 1: Oh yeah, yeah, that's screams dinosaurs?

913
00:45:45,000 --> 00:45:46,480
Speaker 3: Is this even entertainment?

914
00:45:46,760 --> 00:45:47,040
Speaker 4: It is?

915
00:45:48,680 --> 00:45:50,719
Speaker 13: People are in their cars and that's what you want,

916
00:45:50,840 --> 00:45:52,800
Speaker 13: you know, if you're sitting there, if you're in traffic

917
00:45:52,920 --> 00:45:55,000
Speaker 13: and you're just applying your brakes, you want to hear that,

918
00:45:55,120 --> 00:45:55,400
Speaker 13: don't you.

919
00:45:55,480 --> 00:45:57,239
Speaker 16: If you're in the car and you're yeah, listening to

920
00:45:57,239 --> 00:46:00,560
Speaker 16: the radio and there's a like an advert and you hear.

921
00:46:00,480 --> 00:46:03,640
Speaker 3: A baby but that and you're driving, you always got

922
00:46:03,719 --> 00:46:05,680
Speaker 3: wow that, you know.

923
00:46:05,960 --> 00:46:08,600
Speaker 1: Or if there's a you know what I mean, people

924
00:46:08,880 --> 00:46:10,719
Speaker 1: think a dinosaur or.

925
00:46:14,280 --> 00:46:16,840
Speaker 13: How freaked out would you be if they just listened

926
00:46:16,920 --> 00:46:19,040
Speaker 13: to they're listening to that, we go there's a will

927
00:46:19,120 --> 00:46:21,440
Speaker 13: and they look behind them and then the car behind

928
00:46:21,880 --> 00:46:27,799
Speaker 13: like squashed, right a fish you fish in a tank

929
00:46:27,880 --> 00:46:31,560
Speaker 13: and it just grows and it's squeezed itself in.

930
00:46:35,120 --> 00:46:40,640
Speaker 3: You're listening to commercial radio, so my favorite while.

931
00:46:40,600 --> 00:46:44,560
Speaker 1: I'd love to it's actually on my ass to be everylf. No,

932
00:46:44,680 --> 00:46:45,640
Speaker 1: it's incredible.

933
00:46:46,040 --> 00:46:50,080
Speaker 3: Not a sperm wheel. Shut up, shut up? Is that

934
00:46:50,160 --> 00:46:50,720
Speaker 3: a manatee?

935
00:46:51,400 --> 00:46:51,640
Speaker 9: It is?

936
00:46:51,960 --> 00:46:53,120
Speaker 4: You know.

937
00:46:53,200 --> 00:46:55,320
Speaker 1: Here's the thing, though I asked for a jugong.

938
00:46:56,160 --> 00:46:58,600
Speaker 3: My god, you stop it.

939
00:46:58,840 --> 00:47:01,359
Speaker 1: Sorry, so you are flashing out again.

940
00:47:01,440 --> 00:47:07,759
Speaker 16: Sorry, I'm yeah, to be honest, how old are you now?

941
00:47:07,880 --> 00:47:08,359
Speaker 1: Twenty nine?

942
00:47:08,440 --> 00:47:10,200
Speaker 3: Twenty and I give it a few years. It look

943
00:47:10,280 --> 00:47:14,279
Speaker 3: like that's all I'm saying.

944
00:47:14,400 --> 00:47:17,799
Speaker 1: It's actually it's actually my spirit animal. Yeah, that's why

945
00:47:17,880 --> 00:47:19,920
Speaker 1: you got that on his on his eyes and I

946
00:47:20,080 --> 00:47:21,520
Speaker 1: actually have mine.

947
00:47:21,600 --> 00:47:22,160
Speaker 3: Oh my god.

948
00:47:22,520 --> 00:47:24,000
Speaker 1: What is spirit animal? Which is.

949
00:47:25,600 --> 00:47:26,080
Speaker 3: Mere cat?

950
00:47:26,200 --> 00:47:30,640
Speaker 1: Yeah? And then they talked through see together.

951
00:47:30,880 --> 00:47:31,520
Speaker 3: Oh my god.

952
00:47:32,560 --> 00:47:39,520
Speaker 16: I feel like I feel like, has this come out

953
00:47:39,640 --> 00:47:41,200
Speaker 16: on the has this come out on the show?

954
00:47:43,040 --> 00:47:43,320
Speaker 3: Okay?

955
00:47:43,600 --> 00:47:43,920
Speaker 14: You know what?

956
00:47:44,080 --> 00:47:47,399
Speaker 13: That is the most That is the most beautiful thing.

957
00:47:48,360 --> 00:47:50,040
Speaker 13: It's the most beautiful thing I've ever seen.

958
00:47:50,440 --> 00:47:51,680
Speaker 1: Thank you, you know, thank you?

959
00:47:52,000 --> 00:48:02,360
Speaker 3: If you you know, why why wouldn't you what? No, No,

960
00:48:02,560 --> 00:48:04,640
Speaker 3: it's quite quite extraordinary.

961
00:48:05,520 --> 00:48:07,080
Speaker 6: So you.

962
00:48:09,239 --> 00:48:12,080
Speaker 1: Hold your question. Hold your question. I think for people

963
00:48:12,120 --> 00:48:13,600
Speaker 1: that are knew to the show, they might want to

964
00:48:13,640 --> 00:48:15,759
Speaker 1: know why this and how this happens. Well, if you're

965
00:48:15,800 --> 00:48:18,120
Speaker 1: just joining us once we have our pants. Oh we

966
00:48:18,160 --> 00:48:20,839
Speaker 1: had our pants halfway down in the studio with Ross Noble,

967
00:48:20,880 --> 00:48:22,759
Speaker 1: who joins us right now? Ross, we just showed you

968
00:48:23,000 --> 00:48:23,640
Speaker 1: our tattos.

969
00:48:23,800 --> 00:48:26,440
Speaker 3: When did this? You've talked to You've talked about this

970
00:48:26,520 --> 00:48:26,879
Speaker 3: on the shore.

971
00:48:27,000 --> 00:48:29,759
Speaker 1: What happened? What happened? So what happened is we were

972
00:48:29,800 --> 00:48:32,800
Speaker 1: doing different things for each of Austra's World Cup games.

973
00:48:32,880 --> 00:48:35,000
Speaker 1: We had no rights to the World Cup. We had

974
00:48:35,120 --> 00:48:37,680
Speaker 1: nothing like we really had to scrap. We also had

975
00:48:37,719 --> 00:48:42,960
Speaker 1: no budget in general. But the game against Peru, we

976
00:48:43,080 --> 00:48:44,719
Speaker 1: asked people what they thought we could do for the

977
00:48:44,760 --> 00:48:47,680
Speaker 1: game against Peru to celebrate Austras game against Peru. This

978
00:48:47,800 --> 00:48:49,520
Speaker 1: dude caught up and said, you guys should do an

979
00:48:49,560 --> 00:48:53,120
Speaker 1: inca trail where there's a tattoo which connects one of

980
00:48:53,200 --> 00:48:55,040
Speaker 1: you to the other one and then we let the

981
00:48:55,080 --> 00:48:57,839
Speaker 1: people decide what they thought that tattoo should be. Yeah,

982
00:48:58,400 --> 00:49:00,360
Speaker 1: hence the spirit animals and the tin cans talking to

983
00:49:00,400 --> 00:49:00,640
Speaker 1: each other.

984
00:49:00,680 --> 00:49:02,399
Speaker 13: And how did you come how did you come back?

985
00:49:02,640 --> 00:49:06,560
Speaker 13: Because obviously a manatee I mean, I love you. Don't

986
00:49:06,560 --> 00:49:07,040
Speaker 13: get me wrong.

987
00:49:07,160 --> 00:49:09,680
Speaker 1: The jew Gong was my daddy's most spirit animal, but

988
00:49:09,800 --> 00:49:12,120
Speaker 1: she drew amenity and we only find that.

989
00:49:12,160 --> 00:49:12,400
Speaker 14: It was.

990
00:49:16,160 --> 00:49:19,239
Speaker 1: We had a marine biologist called the show and say, sorry, mate,

991
00:49:19,280 --> 00:49:20,080
Speaker 1: that's not a jew.

992
00:49:20,120 --> 00:49:21,160
Speaker 3: Go hang on a second.

993
00:49:21,239 --> 00:49:23,600
Speaker 13: I don't claim to be a marine biologist, but straight

994
00:49:23,680 --> 00:49:25,880
Speaker 13: away that was really impressive.

995
00:49:26,000 --> 00:49:27,560
Speaker 1: I don't even know what amenity was.

996
00:49:28,320 --> 00:49:34,440
Speaker 3: But how did you? How did you come up with

997
00:49:34,520 --> 00:49:35,480
Speaker 3: the spirit animals?

998
00:49:35,520 --> 00:49:35,920
Speaker 12: How do you?

999
00:49:36,440 --> 00:49:38,440
Speaker 1: Good? Question? It really just comes down to what you

1000
00:49:38,520 --> 00:49:41,400
Speaker 1: connect with and then the attributes that you can attach

1001
00:49:41,560 --> 00:49:45,840
Speaker 1: to the animal, which you saying yourself, So.

1002
00:49:45,880 --> 00:49:54,160
Speaker 3: You like picking over walls when you feel that what? Yes,

1003
00:49:54,239 --> 00:49:55,000
Speaker 3: of course that's right.

1004
00:49:55,200 --> 00:49:57,880
Speaker 1: But he does like peaking over walls when he feels threatened, right,

1005
00:49:58,040 --> 00:49:58,239
Speaker 1: I do?

1006
00:49:58,800 --> 00:49:59,240
Speaker 3: Excellent?

1007
00:49:59,640 --> 00:50:02,520
Speaker 13: And great thing is as well because I'm not sure

1008
00:50:03,760 --> 00:50:08,920
Speaker 13: well actually no you if if for whatever reason, beautiful

1009
00:50:09,000 --> 00:50:12,920
Speaker 13: bond is broken, yes, I see your way out right.

1010
00:50:13,560 --> 00:50:17,120
Speaker 16: What you need to do is get braces tattooed on it.

1011
00:50:17,840 --> 00:50:28,440
Speaker 9: It offers Huey the Chef, because I watch television.

1012
00:50:29,680 --> 00:50:32,279
Speaker 13: I love I love the fact that you just how

1013
00:50:32,360 --> 00:50:34,520
Speaker 13: do you know, Hughe like, that's the big thing, not like,

1014
00:50:34,800 --> 00:50:36,000
Speaker 13: how do you know so much about?

1015
00:50:38,239 --> 00:50:41,239
Speaker 16: And then what you could do is you could have

1016
00:50:41,560 --> 00:50:43,880
Speaker 16: the rest of the cast of the Lion King.

1017
00:50:46,200 --> 00:50:48,560
Speaker 1: On the full on both sides.

1018
00:50:48,880 --> 00:50:52,520
Speaker 13: You could have in your your actual arm crack. You

1019
00:50:52,600 --> 00:50:58,120
Speaker 13: could have Movefassa like he's no, no, he's claws like this,

1020
00:51:00,640 --> 00:51:01,400
Speaker 13: and it's him like.

1021
00:51:02,960 --> 00:51:03,439
Speaker 3: His mouth.

1022
00:51:05,000 --> 00:51:08,000
Speaker 1: This has been fun. You have got just a great

1023
00:51:08,080 --> 00:51:10,200
Speaker 1: mind to explore. And he's got a brand new show

1024
00:51:10,239 --> 00:51:14,200
Speaker 1: called El Hablador, which I think is, as I've read

1025
00:51:14,239 --> 00:51:17,279
Speaker 1: in the description, purely just a way of creating a

1026
00:51:17,360 --> 00:51:19,239
Speaker 1: title which sounds mysterious. It's not.

1027
00:51:21,040 --> 00:51:21,680
Speaker 3: So I've done that.

1028
00:51:21,760 --> 00:51:24,040
Speaker 13: I've actually I sort of did the major tour, did

1029
00:51:24,080 --> 00:51:26,600
Speaker 13: the comedy festival, I did all the rounds of stuff.

1030
00:51:26,760 --> 00:51:28,319
Speaker 16: So I've put on some extra days.

1031
00:51:28,360 --> 00:51:30,600
Speaker 1: And this is great. This is for everybody outside of

1032
00:51:30,640 --> 00:51:31,280
Speaker 1: the major cities.

1033
00:51:31,360 --> 00:51:34,120
Speaker 16: Yes, so yeah, so I'm so these are the days

1034
00:51:34,160 --> 00:51:34,760
Speaker 16: that I missed.

1035
00:51:35,200 --> 00:51:38,319
Speaker 3: So yeah, look dot com, it's all on there.

1036
00:51:39,640 --> 00:51:41,279
Speaker 1: I feel like I've got another I've got so many

1037
00:51:41,320 --> 00:51:42,000
Speaker 1: things to ask.

1038
00:51:41,920 --> 00:51:46,719
Speaker 3: You, but I'll come back. I'll come back. I'd love

1039
00:51:46,760 --> 00:51:47,080
Speaker 3: to come back.

1040
00:51:47,120 --> 00:51:47,880
Speaker 1: I'd love you to come back.

1041
00:51:47,920 --> 00:51:48,480
Speaker 3: Why don't I.

1042
00:51:48,600 --> 00:51:52,239
Speaker 13: Get just a tattoo on my bomb cheese just of

1043
00:51:52,360 --> 00:51:58,799
Speaker 13: the string. I will come back, but I'll just say that.

1044
00:51:58,880 --> 00:51:59,319
Speaker 15: Is a joke.

1045
00:51:59,360 --> 00:51:59,920
Speaker 3: That's not happening.

1046
00:52:00,840 --> 00:52:01,560
Speaker 1: You're not coming back.

1047
00:52:01,920 --> 00:52:02,719
Speaker 3: I am coming up.

1048
00:52:02,760 --> 00:52:06,120
Speaker 1: No, you're coming back doing You just have to get

1049
00:52:06,160 --> 00:52:09,160
Speaker 1: a line your whole ass though.

1050
00:52:10,560 --> 00:52:13,920
Speaker 3: You're a man twenty nine years forty two.

1051
00:52:14,160 --> 00:52:17,600
Speaker 13: Yeah, and I don't know whether you have electrolysis on

1052
00:52:17,760 --> 00:52:20,640
Speaker 13: your botics. My hos does not look like yours.

1053
00:52:20,880 --> 00:52:23,480
Speaker 1: Right, Okay, have the I have.

1054
00:52:23,560 --> 00:52:26,320
Speaker 16: A hairy, terrible, terrible.

1055
00:52:28,280 --> 00:52:29,120
Speaker 3: Lerable down there.

1056
00:52:29,400 --> 00:52:31,520
Speaker 1: Honestly, take you down to the depths.

1057
00:52:31,560 --> 00:52:34,880
Speaker 3: No one want No one wants to see the deaths.

1058
00:52:36,280 --> 00:52:40,080
Speaker 1: Alright enough, thanks so much, coming in ross novel dot com,

1059
00:52:40,200 --> 00:52:42,600
Speaker 1: I believe is where you can find all the info.

1060
00:52:42,800 --> 00:52:45,320
Speaker 1: He's going everywhere. He's in every state in terms of

1061
00:52:45,400 --> 00:52:47,399
Speaker 1: the rural side of things as well, So make sure

1062
00:52:47,440 --> 00:52:49,120
Speaker 1: even if you know people out there, it's worth while

1063
00:52:49,120 --> 00:52:51,480
Speaker 1: getting him along places like the Gold Coast, Darwin Moncrief,

1064
00:52:51,560 --> 00:52:56,920
Speaker 1: Cairn's Townsville, the in Lawncestern, Hobart, Liz Moore McKay.

1065
00:52:57,239 --> 00:52:57,600
Speaker 15: It works.

1066
00:52:57,640 --> 00:53:00,640
Speaker 1: It's a great and where and where I've got you

1067
00:53:00,640 --> 00:53:02,200
Speaker 1: in here is where it is where so you can

1068
00:53:02,239 --> 00:53:04,360
Speaker 1: still see him I suppose you can track out to

1069
00:53:04,440 --> 00:53:06,800
Speaker 1: the depths if you're in Melbourne anyway, Yes, to go

1070
00:53:06,920 --> 00:53:09,200
Speaker 1: to web mate. Thanks for coming in love it to

1071
00:53:09,239 --> 00:53:12,120
Speaker 1: meet you. Cheers. We have had a wonderful time. Well

1072
00:53:12,160 --> 00:53:14,640
Speaker 1: you had it Honestly, if you tuned in just before,

1073
00:53:14,760 --> 00:53:16,400
Speaker 1: you're new to the show and you're going, who the

1074
00:53:16,480 --> 00:53:18,600
Speaker 1: hell was that guy who was in the studio with us?

1075
00:53:18,680 --> 00:53:21,560
Speaker 1: That was Ross Noble. He is an absolute superstar of

1076
00:53:21,640 --> 00:53:26,160
Speaker 1: a comedian, internationally acclaimed, does all the best shows, all

1077
00:53:26,200 --> 00:53:28,960
Speaker 1: the best comedy festivals all across the world. He is

1078
00:53:29,080 --> 00:53:30,399
Speaker 1: going to be in Australia. You can see his dates

1079
00:53:30,400 --> 00:53:32,239
Speaker 1: Bossonoble dot com. I know you can check that out,

1080
00:53:32,320 --> 00:53:37,439
Speaker 1: but I mean that might have seemed like an edited chat.

1081
00:53:37,719 --> 00:53:40,920
Speaker 1: It was that we have three hours of raw audio.

1082
00:53:43,000 --> 00:53:46,640
Speaker 1: He really has a wonderful mine to pick and we're

1083
00:53:46,680 --> 00:53:48,680
Speaker 1: doing something new which you can check out on a

1084
00:53:48,760 --> 00:53:51,960
Speaker 1: YouTube channel where we're putting extended chats and moments that

1085
00:53:52,040 --> 00:53:53,440
Speaker 1: we have with guests that you might not get during

1086
00:53:53,480 --> 00:53:54,520
Speaker 1: the show as well. So if you want to go

1087
00:53:54,560 --> 00:53:56,640
Speaker 1: and check out all that stuff there, it's William Woody's

1088
00:53:56,640 --> 00:53:58,759
Speaker 1: the channel on YouTube. Otherwise, if you just came for

1089
00:53:58,800 --> 00:54:00,920
Speaker 1: all the tidbits and the best stuff. Willam Wodio Instagram,

1090
00:54:00,920 --> 00:54:03,520
Speaker 1: Will and Modiam Facebook as always, Or if you're into

1091
00:54:03,920 --> 00:54:07,560
Speaker 1: listening to audio rather than seeing the guests with your eyes,

1092
00:54:08,280 --> 00:54:09,960
Speaker 1: you can go to the iHeartRadio at Woods. It's a

1093
00:54:10,040 --> 00:54:10,520
Speaker 1: great app.

1094
00:54:10,560 --> 00:54:11,239
Speaker 3: I've got the app.

1095
00:54:11,719 --> 00:54:13,120
Speaker 6: You can you can get us there, you can get

1096
00:54:13,120 --> 00:54:15,279
Speaker 6: a you can get a station that's just dedicated to

1097
00:54:15,440 --> 00:54:16,160
Speaker 6: nineties music.

1098
00:54:16,680 --> 00:54:21,759
Speaker 1: Yeah, you say this a lot. It's my jam. I

1099
00:54:21,840 --> 00:54:22,560
Speaker 1: mean when we're on.

1100
00:54:22,960 --> 00:54:28,120
Speaker 6: Us obviously, but outside of that, yeah, bit of Narnies, bit.

1101
00:54:28,080 --> 00:54:31,040
Speaker 1: Of I hope you had a wonderful Wednesday. Whilan Woodie

1102
00:54:31,040 --> 00:54:35,880
Speaker 1: from bridget over Sea to see tomorrow get a fresh

1103
00:54:35,960 --> 00:54:37,880
Speaker 1: way to drives home with Will and Woody