1 00:00:00,400 --> 00:00:03,480 Speaker 1: Job mission with Jones and Amanda. 2 00:00:03,120 --> 00:00:06,960 Speaker 2: From the podcast series at Muma Mia. The executive editor 3 00:00:07,040 --> 00:00:09,119 Speaker 2: of Mum and Mia, Claire Stevens, is with us. 4 00:00:09,280 --> 00:00:13,960 Speaker 1: Hello Claire, Hello, all right, I need to talk about 5 00:00:14,000 --> 00:00:17,239 Speaker 1: Married at First Sight last night, and I would love 6 00:00:17,280 --> 00:00:22,720 Speaker 1: you guys to weigh in, like you're boring. I know, 7 00:00:22,920 --> 00:00:25,320 Speaker 1: I couldn't believe it. We are not that far in 8 00:00:25,400 --> 00:00:27,080 Speaker 1: and we've already lost a lot of drama, which is 9 00:00:27,080 --> 00:00:29,040 Speaker 1: great because we're getting new couples. Good, We're getting a 10 00:00:29,040 --> 00:00:32,800 Speaker 1: new couples Christ and Yes, so that's so, that's very, 11 00:00:32,880 --> 00:00:35,360 Speaker 1: very good. But I want you guys to weigh in 12 00:00:35,360 --> 00:00:37,600 Speaker 1: as the experts, because you know what, I'm campaigning Jones 13 00:00:37,640 --> 00:00:39,960 Speaker 1: and Amanda replace the experts because I just think you're 14 00:00:40,040 --> 00:00:43,680 Speaker 1: more common sense. I think Job, I genuinely think you would. 15 00:00:44,159 --> 00:00:46,920 Speaker 1: So first, we have Holly who has turned up to 16 00:00:46,960 --> 00:00:48,760 Speaker 1: the commitment ceremony by herself. 17 00:00:48,880 --> 00:00:50,839 Speaker 3: She's the one who was with the Texan and he 18 00:00:50,880 --> 00:00:51,760 Speaker 3: has left the series. 19 00:00:51,800 --> 00:00:54,880 Speaker 2: He has right, and am I right in saying this. 20 00:00:54,960 --> 00:00:56,920 Speaker 2: They can't contact him in any way. 21 00:00:57,040 --> 00:01:00,520 Speaker 1: Well, they're like he's gone, and it doesn't he wants 22 00:01:00,560 --> 00:01:02,880 Speaker 1: to be part of the show anymore at all, which 23 00:01:02,880 --> 00:01:06,480 Speaker 1: I always find interesting because what happens with contracts and stuff? 24 00:01:06,520 --> 00:01:08,840 Speaker 3: Can you just walk out thing? I'm surprised at that, 25 00:01:08,920 --> 00:01:11,240 Speaker 3: and particularly as this was a third show heat audition four. 26 00:01:11,400 --> 00:01:14,000 Speaker 3: He likes being on the telly exactly did he not 27 00:01:14,240 --> 00:01:16,399 Speaker 3: like how he was being depicted? Is that what we think? 28 00:01:16,800 --> 00:01:19,839 Speaker 1: Probably not. I think he just ended up being really 29 00:01:19,840 --> 00:01:23,440 Speaker 1: frustrated with Holly, which is ironic because he was incredibly 30 00:01:23,440 --> 00:01:24,640 Speaker 1: frustrating himself. 31 00:01:24,760 --> 00:01:26,720 Speaker 3: And so she walked in on her own last night. 32 00:01:26,880 --> 00:01:29,800 Speaker 2: Yes, and she dropped the big bombshell. She spoke her truth. 33 00:01:29,920 --> 00:01:32,280 Speaker 4: She did. I watched Andrew last week sit on the 34 00:01:32,280 --> 00:01:35,920 Speaker 4: couch and take it accountability and not excuse himself to 35 00:01:36,000 --> 00:01:38,920 Speaker 4: a degree, and I watched Holly roll her eyes and 36 00:01:39,000 --> 00:01:41,840 Speaker 4: poor faces. And then again last night, I watched Holly 37 00:01:42,680 --> 00:01:44,920 Speaker 4: ignore him when she came into the room and then 38 00:01:45,200 --> 00:01:49,520 Speaker 4: very dramatically move her seat. So I don't think Holly's 39 00:01:49,560 --> 00:01:53,240 Speaker 4: behavior has been one hundred percent adult. 40 00:01:54,520 --> 00:01:57,920 Speaker 2: So that's Olivia unloading on Holly. And the reason why 41 00:01:58,320 --> 00:02:00,640 Speaker 2: was because Holly read that let her out. 42 00:02:00,880 --> 00:02:05,480 Speaker 5: Yeah, I've been alone this entire journey, and I came 43 00:02:05,520 --> 00:02:08,400 Speaker 5: into the room hoping for support I felt I earned 44 00:02:09,240 --> 00:02:14,440 Speaker 5: and I walked in the villain. I felt alone in 45 00:02:14,480 --> 00:02:19,680 Speaker 5: the room. I got attacked and you couldn't see it. Instead, 46 00:02:19,720 --> 00:02:20,360 Speaker 5: you judged me. 47 00:02:22,280 --> 00:02:25,359 Speaker 1: Holly sat on the couch, and she did. She had 48 00:02:25,440 --> 00:02:28,400 Speaker 1: several pieces of paper and that was a five pager 49 00:02:28,560 --> 00:02:31,160 Speaker 1: it was, and you looked at it and you went, oh, 50 00:02:31,200 --> 00:02:36,760 Speaker 1: I know. I was like, come on quickly, now, when 51 00:02:36,800 --> 00:02:39,000 Speaker 1: you see someone coming with a sheaf of paper, you 52 00:02:39,080 --> 00:02:40,079 Speaker 1: just go Okay. 53 00:02:39,840 --> 00:02:43,040 Speaker 3: Oh gosh, who's riding on that side? Like the others 54 00:02:43,040 --> 00:02:44,839 Speaker 3: are saying, she's the pain in the neck. 55 00:02:45,040 --> 00:02:48,679 Speaker 1: Yes. So that's what's interesting is that Olivia and Jackson 56 00:02:48,760 --> 00:02:51,400 Speaker 1: from the beginning have been this gorgeous couple that you 57 00:02:51,440 --> 00:02:54,800 Speaker 1: almost thought, how did they stumble into this? They're incredibly normal, 58 00:02:54,960 --> 00:02:57,880 Speaker 1: why are you here? Very confusing? But then in this 59 00:02:57,960 --> 00:03:00,840 Speaker 1: situation they become the villains. Yeah, and I think it 60 00:03:00,880 --> 00:03:03,760 Speaker 1: goes to show anyone who goes on reality TV. You're 61 00:03:03,800 --> 00:03:05,760 Speaker 1: on it for long enough, you're going to become a demon. 62 00:03:05,919 --> 00:03:07,760 Speaker 1: Something very bad is going to happen. You're going to 63 00:03:07,800 --> 00:03:08,519 Speaker 1: say the wrong thing. 64 00:03:08,680 --> 00:03:10,959 Speaker 3: But if they observe stuff that the others haven't. 65 00:03:11,080 --> 00:03:14,960 Speaker 1: Look, maybe, but what we're seeing here, I like in 66 00:03:15,000 --> 00:03:17,800 Speaker 1: it to the grace tame situation, which is there's this 67 00:03:18,000 --> 00:03:23,919 Speaker 1: Andrew who is being awful and emotionally cruel to this woman, 68 00:03:24,000 --> 00:03:26,440 Speaker 1: and then she rolls her eyes and everybody's like, how 69 00:03:26,520 --> 00:03:29,280 Speaker 1: dare she roll her eyes? How very rude? How very 70 00:03:29,360 --> 00:03:32,080 Speaker 1: rude and inappropriate. So it is interesting that we've got 71 00:03:32,120 --> 00:03:34,880 Speaker 1: on Married at First Sight playing out what we've also 72 00:03:34,920 --> 00:03:35,640 Speaker 1: got in Parliament. 73 00:03:35,720 --> 00:03:38,160 Speaker 3: Yes, people don't like girls who don't smile and make 74 00:03:38,280 --> 00:03:39,160 Speaker 3: nice No. 75 00:03:39,320 --> 00:03:42,920 Speaker 1: And I find that really fascinating because I don't know 76 00:03:42,960 --> 00:03:46,120 Speaker 1: why women seem to be held to such a higher standard, 77 00:03:46,200 --> 00:03:47,800 Speaker 1: And it happens on this show. 78 00:03:47,800 --> 00:03:49,880 Speaker 2: A lot that people and by other women. 79 00:03:50,240 --> 00:03:55,320 Speaker 1: Yes, one hundred, it's live weighing in and having that 80 00:03:55,560 --> 00:03:59,000 Speaker 1: opinion that this woman is being incredibly rude, and like. 81 00:03:58,960 --> 00:04:02,040 Speaker 2: Jenny Morrison says, you disappointed in grace time, Yeah, are 82 00:04:02,080 --> 00:04:03,040 Speaker 2: you just going to be polite? 83 00:04:03,200 --> 00:04:03,400 Speaker 4: Well? 84 00:04:03,600 --> 00:04:06,000 Speaker 2: No, I was groomed by a guy that was five 85 00:04:06,040 --> 00:04:07,520 Speaker 2: times my age when I was fifteen. 86 00:04:07,680 --> 00:04:12,240 Speaker 1: Exactly when you objectively look at the situation, you think, oh, 87 00:04:12,520 --> 00:04:14,400 Speaker 1: doesn't she kind of have the right to maybe roll 88 00:04:14,400 --> 00:04:18,680 Speaker 1: her eyes? So, as always Married at First Sight commentary. 89 00:04:18,200 --> 00:04:22,120 Speaker 3: On the culture, it echoes, It does you, it. 90 00:04:22,040 --> 00:04:24,360 Speaker 1: Does And then we have the second couple I want 91 00:04:24,360 --> 00:04:26,320 Speaker 1: to talk about. We have Tamara and Brent. 92 00:04:26,560 --> 00:04:29,040 Speaker 2: So Brent, Brent is the foot god he is. 93 00:04:29,160 --> 00:04:29,839 Speaker 3: Last night. 94 00:04:31,320 --> 00:04:38,520 Speaker 2: We engaged in intimacy. Yes, who sounds remarkably like con 95 00:04:38,720 --> 00:04:41,160 Speaker 2: from the Castle and the hotel Trace and I was 96 00:04:41,200 --> 00:04:44,440 Speaker 2: staying in They had this one channel kickboxing twenty four 97 00:04:44,440 --> 00:04:47,960 Speaker 2: hours a day a day he does, that's. 98 00:04:47,640 --> 00:04:49,760 Speaker 1: Exactly the same. Especially amazed. 99 00:04:49,800 --> 00:04:51,000 Speaker 3: Are they working as a couple. 100 00:04:51,839 --> 00:04:56,920 Speaker 1: Definitely not so. Tamara and Brent have been having this 101 00:04:57,040 --> 00:05:00,640 Speaker 1: fight about the volume on the television and has gone 102 00:05:01,000 --> 00:05:05,280 Speaker 1: for several days, this fight. But the annoying thing is 103 00:05:05,320 --> 00:05:08,760 Speaker 1: the cameras didn't capture it, so it's we're just hearing 104 00:05:08,800 --> 00:05:11,200 Speaker 1: them fight about something. We have no idea of knowing 105 00:05:11,320 --> 00:05:13,640 Speaker 1: who's in the right, who's in the wrong. It started 106 00:05:13,680 --> 00:05:15,560 Speaker 1: that the volume was too loud, and then it's now 107 00:05:15,600 --> 00:05:17,960 Speaker 1: turned into someone wants to turn music on. Can you 108 00:05:18,040 --> 00:05:21,000 Speaker 1: imagine if your petty fights were shown on the television, 109 00:05:21,320 --> 00:05:24,400 Speaker 1: how embarrassing that would be. I'd look like such about Curson? 110 00:05:24,400 --> 00:05:27,800 Speaker 3: What are yours? Oh? 111 00:05:27,920 --> 00:05:31,120 Speaker 1: Yesterday my partner and I had a huge fight because 112 00:05:31,279 --> 00:05:34,840 Speaker 1: I was late to something because I was recapping married 113 00:05:34,839 --> 00:05:38,240 Speaker 1: at First Sight and he said, it's it's because you 114 00:05:38,279 --> 00:05:41,000 Speaker 1: went out last night and you hungover, and I was like, well, 115 00:05:41,040 --> 00:05:43,640 Speaker 1: maybe it is, but I'm an adult woman and i 116 00:05:43,680 --> 00:05:45,080 Speaker 1: can make my own bad decision. 117 00:05:45,760 --> 00:05:49,080 Speaker 2: Sure, I've got to forard tattoo was my choice. 118 00:05:49,040 --> 00:05:53,120 Speaker 1: My choice, and I stand by. But this couple, I 119 00:05:53,160 --> 00:05:57,960 Speaker 1: think it really goes to show what happens in actual relationships, 120 00:05:57,960 --> 00:06:01,560 Speaker 1: because it turns out Brent calls to a dictator and 121 00:06:01,600 --> 00:06:04,479 Speaker 1: he says that she dictates when he should go to bed, 122 00:06:04,600 --> 00:06:06,919 Speaker 1: when he should nap, when he should get up, And 123 00:06:06,960 --> 00:06:08,960 Speaker 1: then it turns out it's because he's complaining about being 124 00:06:09,000 --> 00:06:12,679 Speaker 1: tired all the time. And I reckon relationships are about 125 00:06:13,080 --> 00:06:16,760 Speaker 1: listening to somebody whinge and not trying to correct them 126 00:06:16,960 --> 00:06:18,640 Speaker 1: or tell them what to do about it. Because don't 127 00:06:18,680 --> 00:06:21,000 Speaker 1: we all complain about being tired all the time? Should 128 00:06:21,000 --> 00:06:21,840 Speaker 1: we go to bed earlier? 129 00:06:22,040 --> 00:06:22,320 Speaker 4: Yes? 130 00:06:22,640 --> 00:06:23,880 Speaker 3: Are we going to no? 131 00:06:24,240 --> 00:06:25,920 Speaker 1: And if our partner tells us, are we going to 132 00:06:25,920 --> 00:06:26,400 Speaker 1: be annoyed? 133 00:06:26,800 --> 00:06:27,240 Speaker 2: Yes? 134 00:06:27,560 --> 00:06:28,240 Speaker 1: Don't baby me? 135 00:06:28,560 --> 00:06:30,320 Speaker 3: Isn't it interesting? And married at first sight? And we've 136 00:06:30,320 --> 00:06:32,960 Speaker 3: said this before. It's relationships that are truncated into a 137 00:06:33,040 --> 00:06:35,880 Speaker 3: very short period of time. That is a couple who've 138 00:06:35,880 --> 00:06:37,680 Speaker 3: been together a long time kind of fight. 139 00:06:37,920 --> 00:06:40,200 Speaker 2: In the outside world, that's a twenty five year relationship. 140 00:06:40,240 --> 00:06:42,560 Speaker 3: Should there could be something where a guy comes in 141 00:06:42,640 --> 00:06:45,040 Speaker 3: and puts a cup of coffee on the bench and 142 00:06:45,040 --> 00:06:47,719 Speaker 3: the woman's emptied the dishwasher and that ends a marriage. 143 00:06:47,800 --> 00:06:50,080 Speaker 3: And it's not because of the cup. It's because you 144 00:06:50,160 --> 00:06:53,880 Speaker 3: don't see that I've done. You don't see me, you 145 00:06:53,920 --> 00:06:57,360 Speaker 3: don't think of my feelings, you don't respect me. All 146 00:06:57,440 --> 00:06:58,840 Speaker 3: these things are loaded, aren't they. 147 00:06:58,960 --> 00:07:01,080 Speaker 1: And that's what's fascinating is that these people have been 148 00:07:01,080 --> 00:07:04,280 Speaker 1: married two weeks and they're already they're already having that fight, 149 00:07:04,440 --> 00:07:06,400 Speaker 1: having a middle aged people's fights. 150 00:07:06,520 --> 00:07:08,360 Speaker 2: I know it's the span of a house fly. 151 00:07:08,560 --> 00:07:11,000 Speaker 1: I know it's different if you've been together ten years, 152 00:07:11,040 --> 00:07:12,920 Speaker 1: but yeah, two weeks. I just don't think they've got 153 00:07:12,920 --> 00:07:16,040 Speaker 1: a future a working yeah God. 154 00:07:16,040 --> 00:07:18,920 Speaker 2: But they're providing entertainment and Claire, a reason for you 155 00:07:18,960 --> 00:07:20,840 Speaker 2: to come in and chat with the which we always love. 156 00:07:21,080 --> 00:07:24,080 Speaker 2: Will you come back next week for the cash and prizes, 157 00:07:24,160 --> 00:07:27,320 Speaker 2: of which there are none? There? 158 00:07:27,320 --> 00:07:31,200 Speaker 3: She goes Claire Stevens, was she's still here? Potend you've gone? 159 00:07:31,240 --> 00:07:34,840 Speaker 5: Claire? Yeah, Jonesy and Amanda's