1 00:00:05,640 --> 00:00:08,760 Speaker 1: It's your dad. I mean, I feel he's right in 2 00:00:08,800 --> 00:00:10,800 Speaker 1: there the crosshairs of this radio show at the moment. 3 00:00:10,880 --> 00:00:14,080 Speaker 2: But well, he keeps committing crimes. Okay, what keeps committing crime? 4 00:00:14,120 --> 00:00:16,520 Speaker 2: So first I want to say, I'm very grateful for 5 00:00:16,560 --> 00:00:18,640 Speaker 2: the fact that he came over last night and baby 6 00:00:18,640 --> 00:00:20,599 Speaker 2: sat my beautiful daughter, allowing him and I to go 7 00:00:20,600 --> 00:00:21,360 Speaker 2: and have a date night. 8 00:00:21,480 --> 00:00:24,480 Speaker 1: Yep, you know, credit to him, no doubt, cracking date 9 00:00:24,560 --> 00:00:25,360 Speaker 1: night for him as well. 10 00:00:25,840 --> 00:00:27,800 Speaker 2: Well, yeah, we went and saw the orchestra where she 11 00:00:27,800 --> 00:00:29,640 Speaker 2: she wasn't super pumped about, but it was a great 12 00:00:29,720 --> 00:00:34,000 Speaker 2: night out for one of us anyway. Anyway, so just 13 00:00:34,080 --> 00:00:37,479 Speaker 2: before we left, we did that the classic you know, 14 00:00:37,640 --> 00:00:40,080 Speaker 2: kind of like make dad feel comfortable. And Mim had 15 00:00:40,120 --> 00:00:44,920 Speaker 2: actually in the afternoon just made this like healthy, healthy slice, 16 00:00:45,240 --> 00:00:48,800 Speaker 2: which is actually more for remy than adults. But she 17 00:00:48,880 --> 00:00:52,120 Speaker 2: said to Dad, Hey, Steve, I've just made this slice 18 00:00:52,159 --> 00:00:54,920 Speaker 2: which is on the bench here, like, help yourself to 19 00:00:55,200 --> 00:00:57,920 Speaker 2: a bit of the slice if you want. Yeah, and Dad, no, 20 00:00:57,920 --> 00:00:58,800 Speaker 2: no way, it's not a problem. 21 00:00:58,800 --> 00:01:01,120 Speaker 1: All good, which is like telling someone that's been working 22 00:01:01,160 --> 00:01:04,120 Speaker 1: in a trench aill afternoon there's a hot shower, but 23 00:01:05,360 --> 00:01:06,120 Speaker 1: only if you need. 24 00:01:06,600 --> 00:01:10,319 Speaker 2: My dad's very snacky. I have a stack anyway, got 25 00:01:10,360 --> 00:01:12,200 Speaker 2: home from the orchestra. 26 00:01:12,440 --> 00:01:14,480 Speaker 1: Sorry, it's just strange analogy for all those people that 27 00:01:14,520 --> 00:01:17,319 Speaker 1: can empathize with working in I got it. 28 00:01:17,360 --> 00:01:21,399 Speaker 2: I'm following, I'm following. So we got home. We got 29 00:01:21,400 --> 00:01:25,199 Speaker 2: home from the orchestra, and I noticed in the corner 30 00:01:25,240 --> 00:01:28,959 Speaker 2: of the kitchen Dad was clearly hiding evidence, and he 31 00:01:29,000 --> 00:01:32,080 Speaker 2: was clearly embarrassed because the slice wall sitting on some 32 00:01:32,600 --> 00:01:34,839 Speaker 2: cooking paper. Yeah, some baking paper. 33 00:01:34,920 --> 00:01:36,480 Speaker 1: Yeah, baking paper is traditionally what it's called. 34 00:01:37,319 --> 00:01:39,560 Speaker 2: And I noticed that the baking paper was kind of 35 00:01:39,560 --> 00:01:43,920 Speaker 2: like scrunched up to conceal the actual slice, so the 36 00:01:43,959 --> 00:01:46,119 Speaker 2: slice was kind of hidden. And I was like, that's 37 00:01:46,120 --> 00:01:47,800 Speaker 2: a bit weird that that's gone on. And I was like, ih, 38 00:01:47,800 --> 00:01:49,520 Speaker 2: she wouldn't want a bit the slice. 39 00:01:49,640 --> 00:01:51,800 Speaker 3: I was going to say, like, you would have known 40 00:01:51,800 --> 00:01:52,960 Speaker 3: that the slice was there as well. 41 00:01:53,080 --> 00:01:55,760 Speaker 2: So I popped open and I opened up the baking paper, 42 00:01:55,800 --> 00:01:58,520 Speaker 2: and I was like, oh, now, hang on, there would 43 00:01:58,520 --> 00:02:03,040 Speaker 2: have been let's say, eighteen pieces of slies, eighteen pieces 44 00:02:03,040 --> 00:02:06,600 Speaker 2: of slies eighteen and not only did Dad only leave 45 00:02:06,760 --> 00:02:10,679 Speaker 2: one bit of slice, but realizing that was probably having 46 00:02:10,760 --> 00:02:13,639 Speaker 2: too much. What he had clearly done is ripped the 47 00:02:13,680 --> 00:02:17,680 Speaker 2: final piece in half to make it look to make 48 00:02:17,720 --> 00:02:21,120 Speaker 2: it look like he'd left two bits of slies. 49 00:02:21,960 --> 00:02:26,440 Speaker 1: So well, I think the firm he had seventeen pieces 50 00:02:26,480 --> 00:02:26,880 Speaker 1: of slices. 51 00:02:27,000 --> 00:02:28,440 Speaker 2: I mean they were little, they were small. 52 00:02:30,800 --> 00:02:34,200 Speaker 1: How big or small they are, seventeen pieces of just 53 00:02:34,560 --> 00:02:35,480 Speaker 1: feels like a lot. 54 00:02:35,760 --> 00:02:38,200 Speaker 2: Just to defend him slightly, he was watching the footy 55 00:02:38,240 --> 00:02:40,320 Speaker 2: last night. If you're an ANFL fan, very stressful game 56 00:02:40,440 --> 00:02:43,320 Speaker 2: last night, seventy and when Dad gets stressed, he gets 57 00:02:43,360 --> 00:02:46,640 Speaker 2: super snacky, so he ate seventeen pieces of slices. But 58 00:02:46,680 --> 00:02:48,320 Speaker 2: here's the question I want to ask, because when I 59 00:02:48,360 --> 00:02:51,640 Speaker 2: saw that he'd left one bit of slice and ripped 60 00:02:51,639 --> 00:02:53,920 Speaker 2: it in half, I was kind of like, Dad, just 61 00:02:54,000 --> 00:02:54,480 Speaker 2: finish it. 62 00:02:54,919 --> 00:03:00,600 Speaker 1: How you take this chance this because I've seen written 63 00:03:00,600 --> 00:03:02,520 Speaker 1: on the board here should you leave one orf oor? 64 00:03:02,560 --> 00:03:04,200 Speaker 1: Finish them? And I obviously do have a known one. 65 00:03:04,240 --> 00:03:06,079 Speaker 1: This is about beforehand. But I came in here thinking 66 00:03:06,080 --> 00:03:09,880 Speaker 1: to myself, your stance had better be that you leave 67 00:03:09,919 --> 00:03:12,959 Speaker 1: one piece, because that's what you do. I have worked 68 00:03:12,960 --> 00:03:15,440 Speaker 1: with you in the same office for ten years. You 69 00:03:15,480 --> 00:03:18,600 Speaker 1: are a serial one piece lever, and you're exactly the 70 00:03:18,639 --> 00:03:20,119 Speaker 1: same as your dad's because you don't want to feel 71 00:03:20,120 --> 00:03:22,080 Speaker 1: guilty about the fact that you polish something off, and 72 00:03:22,120 --> 00:03:25,480 Speaker 1: you think that by leaving one behind it completely absolves 73 00:03:25,480 --> 00:03:28,000 Speaker 1: you of the fact that you've obliterated the entire snack, 74 00:03:28,480 --> 00:03:32,520 Speaker 1: and it is so much worse than if you just 75 00:03:32,600 --> 00:03:35,080 Speaker 1: finish it. Just finish it. You're there, You've done it, 76 00:03:35,440 --> 00:03:38,040 Speaker 1: except the fact that you've eaten everything, and we can 77 00:03:38,080 --> 00:03:41,320 Speaker 1: all go on like adults. It's this petty It's fair. 78 00:03:41,360 --> 00:03:43,600 Speaker 1: You know. I'm not guilty because I've left one and 79 00:03:43,640 --> 00:03:45,440 Speaker 1: I might have split that one into two to make 80 00:03:45,480 --> 00:03:47,640 Speaker 1: it look like they are two. It's fair you do 81 00:03:47,720 --> 00:03:48,320 Speaker 1: that as well. 82 00:03:48,400 --> 00:03:51,080 Speaker 2: I am like my father. I always leave one. Mem 83 00:03:51,120 --> 00:03:53,000 Speaker 2: the other day went to the fridge and she noted 84 00:03:53,040 --> 00:03:56,080 Speaker 2: we had pickled cucumbers, those small little pickled cucumbers, so 85 00:03:56,120 --> 00:03:59,560 Speaker 2: you've got like sixty in a jar. I left one, oh, 86 00:04:00,000 --> 00:04:02,200 Speaker 2: one of them sitting there in Brian and I thought 87 00:04:02,200 --> 00:04:04,560 Speaker 2: that was doing the right thing. So look, I do 88 00:04:04,720 --> 00:04:05,840 Speaker 2: leave one because. 89 00:04:05,680 --> 00:04:07,360 Speaker 1: It means you don't get rid of the rubbish either. Yeah, 90 00:04:07,360 --> 00:04:09,680 Speaker 1: but for the person that has to go there afterwards, 91 00:04:09,680 --> 00:04:12,200 Speaker 1: they're like, oh, okay, great, so I don't get anywhere 92 00:04:12,240 --> 00:04:14,240 Speaker 1: near the snack I was after and I'm limped with 93 00:04:14,240 --> 00:04:14,960 Speaker 1: an empty wrapper. 94 00:04:15,120 --> 00:04:17,200 Speaker 2: Yeah, that's fair, that's a fair argument. Thirteen one oh 95 00:04:17,240 --> 00:04:18,560 Speaker 2: sixty five is our number. 96 00:04:18,600 --> 00:04:20,960 Speaker 1: Though it's lazy, it's sneaky. 97 00:04:21,480 --> 00:04:24,400 Speaker 2: I want to hear some other opinions. Should you leave 98 00:04:24,480 --> 00:04:29,200 Speaker 2: one or finish them off? Because he's the other thing 99 00:04:29,240 --> 00:04:32,800 Speaker 2: for the finish leaving one finish So obviously we're talking 100 00:04:32,800 --> 00:04:36,080 Speaker 2: food here. My dad last night, Mim had made a 101 00:04:36,120 --> 00:04:42,360 Speaker 2: beautiful slice. They were about eighteen slices off slice, and 102 00:04:42,480 --> 00:04:45,400 Speaker 2: Dad decided to leave one. Hilariously broke the last one 103 00:04:45,440 --> 00:04:47,279 Speaker 2: in half, as if to try and hide the evidence 104 00:04:47,279 --> 00:04:50,200 Speaker 2: that he had done the. 105 00:04:49,160 --> 00:04:52,280 Speaker 1: The crime, the crime of eating seventeen pieces of child slice. 106 00:04:52,480 --> 00:04:54,200 Speaker 1: Kathy's called Kathy, what do you reckon? 107 00:04:56,000 --> 00:05:01,120 Speaker 4: I reckon you just finish it? Someone thinks they're the 108 00:05:01,200 --> 00:05:03,159 Speaker 4: full pack it in there or whatever it is. 109 00:05:03,360 --> 00:05:04,919 Speaker 1: It's deceptive as if you. 110 00:05:05,000 --> 00:05:06,080 Speaker 5: Leave one or two shots. 111 00:05:08,040 --> 00:05:08,240 Speaker 6: Yeah. 112 00:05:08,520 --> 00:05:12,320 Speaker 2: Actually it's a fair analogy. It's a fair analogys. 113 00:05:11,920 --> 00:05:14,280 Speaker 1: Comes down to the guilty, and they're cowards. Joanne's called 114 00:05:14,320 --> 00:05:16,279 Speaker 1: on thirty one and sixty five. Joeanne, you agree with 115 00:05:16,279 --> 00:05:17,720 Speaker 1: me as well? Yes? 116 00:05:18,400 --> 00:05:19,600 Speaker 2: Hang okay, Joan Let me. 117 00:05:22,720 --> 00:05:23,000 Speaker 7: Question. 118 00:05:23,160 --> 00:05:25,200 Speaker 2: I have a question for Joanne. Joanne, if you have 119 00:05:25,240 --> 00:05:27,600 Speaker 2: a real hankering for a tim Tam and your partner 120 00:05:27,600 --> 00:05:29,359 Speaker 2: happens to be at home and he's tucked into a 121 00:05:29,360 --> 00:05:32,880 Speaker 2: couple of Timmy's, surely you would still rather get your 122 00:05:32,880 --> 00:05:34,480 Speaker 2: lips around one than none. 123 00:05:35,440 --> 00:05:46,040 Speaker 1: Yes, exactly, Joanne's Joanna and pots so easy just a soundboard. 124 00:05:46,480 --> 00:05:50,000 Speaker 2: Yes, Natalie, which side do you sit on here? Natalie? 125 00:05:50,040 --> 00:05:51,840 Speaker 2: Should you leave? You finish them off? 126 00:05:52,880 --> 00:05:56,120 Speaker 4: I definitely think you should finish them off. My husband 127 00:05:56,240 --> 00:05:58,640 Speaker 4: does this all the time, but he does it with 128 00:05:58,920 --> 00:06:01,679 Speaker 4: soft drink, and he will leave the bottle in the fridge. 129 00:06:01,720 --> 00:06:05,160 Speaker 4: It's literally a drop and we'll leave it in there 130 00:06:05,320 --> 00:06:08,040 Speaker 4: four days and it drives me mental. 131 00:06:09,480 --> 00:06:11,200 Speaker 1: I'm going to cross out to I Digital produce a cave. 132 00:06:11,320 --> 00:06:13,840 Speaker 1: I think she's pretty obstinate about how she feels about 133 00:06:13,839 --> 00:06:14,839 Speaker 1: this cav What do you reckon? 134 00:06:15,440 --> 00:06:15,719 Speaker 6: Yeah? 135 00:06:15,720 --> 00:06:21,000 Speaker 2: Look, my boyfriend does this to me like every third day, 136 00:06:21,200 --> 00:06:22,960 Speaker 2: So I'm constantly replacing chocolate. 137 00:06:23,200 --> 00:06:24,680 Speaker 1: Yeah, because then you're the one who's got to buy 138 00:06:24,680 --> 00:06:25,440 Speaker 1: it next as well. 139 00:06:26,080 --> 00:06:31,320 Speaker 2: He I bought it, it's mine, Oh, it's your's your chocolate. 140 00:06:31,640 --> 00:06:34,440 Speaker 2: He tucks into your chocolate as well. 141 00:06:34,480 --> 00:06:40,240 Speaker 1: That's what I want to talk about, A dilemma that 142 00:06:40,279 --> 00:06:43,800 Speaker 1: I feel like everybody who watches television goes through now, 143 00:06:43,839 --> 00:06:46,839 Speaker 1: whether you've seen Baby Reindeer or not. I think that 144 00:06:47,560 --> 00:06:52,039 Speaker 1: we're increasingly hard. It is increasingly difficult to commit to 145 00:06:52,080 --> 00:06:55,000 Speaker 1: a new TV show so much out there. We've just 146 00:06:55,040 --> 00:06:58,159 Speaker 1: become saturated in so many good shows for so long 147 00:06:58,240 --> 00:07:01,000 Speaker 1: that we're now way more discerning, and we've all become 148 00:07:01,720 --> 00:07:04,440 Speaker 1: TV show snobs and we can all agree that there's 149 00:07:04,480 --> 00:07:07,000 Speaker 1: nothing worse than starting a show and realizing that it's 150 00:07:07,000 --> 00:07:10,760 Speaker 1: not worth it. But and we've all kind of got 151 00:07:10,760 --> 00:07:12,760 Speaker 1: our own private tests and stuff. Do you know, like 152 00:07:12,800 --> 00:07:14,320 Speaker 1: I kind of need to be recommended to show probably 153 00:07:14,320 --> 00:07:15,880 Speaker 1: three or four times for people. I need to be 154 00:07:15,920 --> 00:07:17,760 Speaker 1: like pulled up and be like, hey, you have to 155 00:07:17,800 --> 00:07:21,440 Speaker 1: watch this Tomatoes. That's definitely part of it. But people 156 00:07:21,520 --> 00:07:23,520 Speaker 1: need to like eyeball me, and it's all people that 157 00:07:23,560 --> 00:07:25,240 Speaker 1: need to know me, and they go, I know you, 158 00:07:25,280 --> 00:07:27,480 Speaker 1: I know what You're like, this is unmissible because then 159 00:07:27,480 --> 00:07:31,440 Speaker 1: I then I managed to dodge that awful feeling of 160 00:07:31,480 --> 00:07:35,760 Speaker 1: starting a show and feeling like I've wasted my time. 161 00:07:37,320 --> 00:07:42,560 Speaker 2: To nature presently, or West and time. 162 00:07:46,440 --> 00:07:49,840 Speaker 3: Both those voices, and I fear, well, we don't know 163 00:07:49,840 --> 00:07:51,840 Speaker 3: if I'm announce the production after a note no, but yeah, 164 00:07:51,880 --> 00:07:55,600 Speaker 3: that was you singing on it. I think that we're 165 00:07:55,600 --> 00:07:59,040 Speaker 3: in this dilemma right now, repressing play or wasting time 166 00:07:59,160 --> 00:08:02,400 Speaker 3: around the show Baby Reindeer, because every now and then 167 00:08:02,400 --> 00:08:04,160 Speaker 3: you get a massive show, which because this huge audience, 168 00:08:04,160 --> 00:08:06,520 Speaker 3: it almost gets like a cult following. Everyone's talking about it, 169 00:08:06,520 --> 00:08:08,360 Speaker 3: you're seeing news articles about it, and you're sitting there 170 00:08:08,400 --> 00:08:10,840 Speaker 3: and you're coming into the weekend, in particular on the 171 00:08:10,840 --> 00:08:13,600 Speaker 3: weekend where you've finally got time to watch TV, but 172 00:08:13,680 --> 00:08:15,720 Speaker 3: you don't want to waste your TV time. 173 00:08:15,640 --> 00:08:18,440 Speaker 1: Because TV time's precious. And I want to know should 174 00:08:18,440 --> 00:08:20,680 Speaker 1: I be watching Baby Reindeer? I just want to for 175 00:08:20,720 --> 00:08:22,200 Speaker 1: the people that are listening that haven't watched it, I 176 00:08:22,240 --> 00:08:24,120 Speaker 1: feel like I'm doing you all a great service right now. 177 00:08:24,120 --> 00:08:26,720 Speaker 2: It's an awesome question. What would you otherwise be watching tonight? 178 00:08:26,720 --> 00:08:26,800 Speaker 1: That? 179 00:08:26,840 --> 00:08:27,640 Speaker 2: What's the competition? 180 00:08:27,840 --> 00:08:30,160 Speaker 1: Well, it's the matrix for the twenty seventh time I've. 181 00:08:30,200 --> 00:08:34,200 Speaker 7: Checked the bluepil The story ends, you wake up in 182 00:08:34,200 --> 00:08:35,319 Speaker 7: your bed and believe. 183 00:08:35,160 --> 00:08:37,000 Speaker 1: I want to see I want to see Morpheus. I 184 00:08:37,040 --> 00:08:38,760 Speaker 1: want to see now you know. 185 00:08:38,720 --> 00:08:41,680 Speaker 2: And the thing there is it's a safe bet because 186 00:08:41,720 --> 00:08:42,040 Speaker 2: you know. 187 00:08:42,040 --> 00:08:44,120 Speaker 1: It's that's the thing. And I feel like there's often 188 00:08:44,160 --> 00:08:46,040 Speaker 1: that the trade off. When you're thinking about a new show, 189 00:08:46,120 --> 00:08:47,959 Speaker 1: you know that you've got the gladiators. You know you've 190 00:08:47,960 --> 00:08:51,199 Speaker 1: got gladiators sitting there. Sylvia is called Sylvia. 191 00:08:52,320 --> 00:08:54,679 Speaker 4: Hi, guys, tell you, Okay, for. 192 00:08:54,640 --> 00:08:57,679 Speaker 1: Everyone who's listening who hasn't seen it, is it worth it? 193 00:08:57,679 --> 00:09:00,199 Speaker 1: Should press play when we're wasting my time? 194 00:09:02,200 --> 00:09:07,440 Speaker 4: Absolutely, it's worth it. I thoroughly enjoyed it. I enjoyed 195 00:09:07,480 --> 00:09:12,280 Speaker 4: it so much so I actually watched its white. I 196 00:09:12,280 --> 00:09:15,480 Speaker 4: didn't Yeah, I didn't binge watch it like. I actually 197 00:09:15,520 --> 00:09:18,200 Speaker 4: took my time and sort of did. There are only steady, 198 00:09:18,360 --> 00:09:20,600 Speaker 4: like thirty minute episodes, so you can kind of almost 199 00:09:20,600 --> 00:09:21,240 Speaker 4: do two or night. 200 00:09:22,960 --> 00:09:24,720 Speaker 1: Is it a bit disturbing, Like I've been told that 201 00:09:24,720 --> 00:09:27,680 Speaker 1: that's the cash. I'm not into that disturbed porn. Look, 202 00:09:27,760 --> 00:09:31,840 Speaker 1: there's some very I'm using that. I'm using that an analogy. 203 00:09:32,200 --> 00:09:33,959 Speaker 1: You know, people talking about grief. 204 00:09:33,679 --> 00:09:35,880 Speaker 2: Porn, because you're the wrong tree. If you thought it 205 00:09:35,880 --> 00:09:36,880 Speaker 2: was I didn't think it was porn. 206 00:09:37,160 --> 00:09:44,360 Speaker 4: Go on you sorry, it's not porn, guys. 207 00:09:45,640 --> 00:09:46,320 Speaker 1: It was a metaphors. 208 00:09:47,960 --> 00:09:53,160 Speaker 4: But there are some very strong adult themes throughout the show. 209 00:09:53,880 --> 00:09:57,959 Speaker 4: There's actually different levels of themes as well, Like there's 210 00:09:57,960 --> 00:10:01,640 Speaker 4: the overlying plot, then there's another subplot, and I think 211 00:10:01,800 --> 00:10:07,800 Speaker 4: every plot and I guess character brings with it, you know, 212 00:10:08,040 --> 00:10:10,000 Speaker 4: a lot of a lot of interest. 213 00:10:10,440 --> 00:10:13,040 Speaker 1: Yeah, I thought it was Okay, Sylvia, it sounds brilliant again, 214 00:10:13,679 --> 00:10:15,320 Speaker 1: you know, I'll throw this to you Matrix for the 215 00:10:15,320 --> 00:10:20,000 Speaker 1: twenty eighth time. Dodge this pretty bloody good movie. Are 216 00:10:20,000 --> 00:10:23,800 Speaker 1: you watching Baby Rainbow or Reindeer over that? 217 00:10:25,120 --> 00:10:26,880 Speaker 4: I've actually never watched the Matrix? 218 00:10:27,120 --> 00:10:31,720 Speaker 2: Why God, are you kidding, Sylvie? Are you joking? 219 00:10:32,280 --> 00:10:34,640 Speaker 1: I'm going to try and explain it to you. I 220 00:10:34,720 --> 00:10:38,720 Speaker 1: think when there's two plot lines in Baby, Baby Dear, 221 00:10:38,800 --> 00:10:41,280 Speaker 1: but where is this twelve plots? Going to the Matrix 222 00:10:41,360 --> 00:10:43,880 Speaker 1: to leat Sylvia. Actually, I'll tell you what. I might 223 00:10:43,920 --> 00:10:46,080 Speaker 1: watch Baby Rady this weekend if you watch The Matrix 224 00:10:46,200 --> 00:10:48,760 Speaker 1: and then you can get back to us. First one, 225 00:10:49,960 --> 00:10:52,760 Speaker 1: watch the first one, right, cool? Okay, you can get 226 00:10:52,760 --> 00:10:53,200 Speaker 1: back to us. 227 00:10:53,200 --> 00:10:53,400 Speaker 5: There. 228 00:10:53,840 --> 00:10:54,360 Speaker 8: I'm going to go. 229 00:10:54,400 --> 00:10:56,240 Speaker 1: It's on stand. You can check it out on stand 230 00:10:57,200 --> 00:10:59,160 Speaker 1: where all of their shows are. Jessica's called on thirty 231 00:10:59,200 --> 00:11:01,240 Speaker 1: one of sixty five. Yes, a bit of a public 232 00:11:01,280 --> 00:11:04,120 Speaker 1: service announcement for the whole public. Do we waste our 233 00:11:04,200 --> 00:11:07,120 Speaker 1: time watching Baby Reindeer this weekend? 234 00:11:07,760 --> 00:11:10,920 Speaker 8: Absolutely? Not not a fan or whatsoever. 235 00:11:10,760 --> 00:11:14,040 Speaker 2: Suggests what no spoilers here? Please? But why you gotta 236 00:11:14,040 --> 00:11:17,800 Speaker 2: give us some reasons why it's not good without spoilers. 237 00:11:18,000 --> 00:11:22,960 Speaker 8: I think it's just a bit cringe weary. The fact that, yeah, 238 00:11:23,360 --> 00:11:27,440 Speaker 8: the Stalker material is just not not not a good thing. 239 00:11:28,360 --> 00:11:33,240 Speaker 2: Oh okay, so good that like a bit a bit heavy, 240 00:11:33,440 --> 00:11:35,719 Speaker 2: just didn't leave you in like a good mood like that. 241 00:11:36,080 --> 00:11:39,000 Speaker 8: Embarrassing, Like I felt a bit awkward watching it. 242 00:11:39,559 --> 00:11:42,920 Speaker 1: I can't wow? That really that interesting? Meal suggest you're 243 00:11:43,000 --> 00:11:46,120 Speaker 1: you're on a matrix for you think if I watched 244 00:11:46,120 --> 00:11:48,200 Speaker 1: The Matrix for around thirty three that's the better option. 245 00:11:49,200 --> 00:11:54,320 Speaker 8: I'm also with Sylvia, I haven't watched the Matrix. What 246 00:11:54,480 --> 00:11:58,960 Speaker 8: is wrong with guarantee that you watch it having not 247 00:11:59,080 --> 00:12:01,600 Speaker 8: even seen it? Watch it for the thirty third time? 248 00:12:01,840 --> 00:12:04,640 Speaker 2: Jess, would you be open to watching The Matrix this weekend? Please? 249 00:12:04,640 --> 00:12:08,040 Speaker 2: On stand potentially yes, you think that's the air you're 250 00:12:08,080 --> 00:12:08,920 Speaker 2: breathing now? 251 00:12:10,400 --> 00:12:12,000 Speaker 1: Please please watch watch it? 252 00:12:12,120 --> 00:12:12,360 Speaker 8: Yes? 253 00:12:13,200 --> 00:12:15,080 Speaker 1: Please will be okay? You can come back to us. 254 00:12:15,120 --> 00:12:21,840 Speaker 1: I mean, it's awesome. You know who Keanu Reeves is, Yeah, okay, 255 00:12:22,000 --> 00:12:22,720 Speaker 1: it's He's. 256 00:12:22,679 --> 00:12:28,160 Speaker 8: A lounge guy. 257 00:12:24,080 --> 00:12:35,679 Speaker 1: He's the lounge God. Jess report Backer. Hey, we've got 258 00:12:35,679 --> 00:12:38,480 Speaker 1: a brand new podcast. We've got an array of brilliant 259 00:12:38,520 --> 00:12:41,120 Speaker 1: guests sharing who they are and how they are. The 260 00:12:41,160 --> 00:12:44,480 Speaker 1: second guest in the season after Will Anderson, is Kate Lanbrook. 261 00:12:44,679 --> 00:12:47,440 Speaker 2: Oh, such an amazing chat with Kate, So please go 262 00:12:47,440 --> 00:12:49,280 Speaker 2: and listen to the whole thing. But we just want 263 00:12:49,280 --> 00:12:51,760 Speaker 2: to play you a little bit now. And it's funny. 264 00:12:51,760 --> 00:12:54,680 Speaker 2: We're just talking about the fact that Justin Bieber is 265 00:12:54,720 --> 00:12:57,959 Speaker 2: going to be having a baby with Hailey Bieber, because 266 00:12:58,280 --> 00:13:02,199 Speaker 2: I feel like for anyone who is a parent, when 267 00:13:02,240 --> 00:13:04,640 Speaker 2: you do have a child in the world, something happens 268 00:13:04,880 --> 00:13:08,160 Speaker 2: where you do at random moments just really worry about 269 00:13:08,440 --> 00:13:11,640 Speaker 2: just them being safe or you sathing will pop into 270 00:13:11,640 --> 00:13:13,559 Speaker 2: your head about them getting hurt. And this was such 271 00:13:13,559 --> 00:13:16,800 Speaker 2: an interesting thing to talk to Kate Langbrook about because 272 00:13:16,960 --> 00:13:20,160 Speaker 2: one of her kids, Lewis, actually diagnosed with cancer when 273 00:13:20,200 --> 00:13:21,199 Speaker 2: he was three, and this. 274 00:13:21,200 --> 00:13:22,040 Speaker 1: Was interesting to talk about. 275 00:13:22,600 --> 00:13:24,560 Speaker 2: That's funny, it's almost been I'm most happy. It's like 276 00:13:24,559 --> 00:13:27,000 Speaker 2: when I'm in a really joyful moment with my partner 277 00:13:27,040 --> 00:13:29,360 Speaker 2: Mim and Remy, and that's when just I don't know 278 00:13:29,360 --> 00:13:31,160 Speaker 2: where it comes from, but something pops into my head 279 00:13:31,160 --> 00:13:35,160 Speaker 2: of something horrific happening to Remy, and it really dragged 280 00:13:35,200 --> 00:13:37,520 Speaker 2: me out of a moment, and I don't really know 281 00:13:37,559 --> 00:13:40,960 Speaker 2: how to express that emotion or deal with that emotion, 282 00:13:41,200 --> 00:13:43,040 Speaker 2: so sort of naturally it just kind of like just 283 00:13:43,080 --> 00:13:45,760 Speaker 2: put that away and like that's just that's not even real. 284 00:13:45,840 --> 00:13:48,560 Speaker 2: But I think we all as parents, you know, you 285 00:13:48,679 --> 00:13:52,840 Speaker 2: worry about your kids, about them being healthy and happy 286 00:13:52,880 --> 00:13:56,520 Speaker 2: and getting through life. Has that changed since you actually 287 00:13:56,559 --> 00:13:59,560 Speaker 2: really did experience, well, very close to the death of 288 00:13:59,559 --> 00:14:00,079 Speaker 2: one of you. 289 00:14:00,280 --> 00:14:09,200 Speaker 5: Well, I think I care less. I care less about risk. Yeah, 290 00:14:09,559 --> 00:14:13,680 Speaker 5: I care less about broken bones, do. 291 00:14:13,679 --> 00:14:14,360 Speaker 2: You know what I mean? 292 00:14:15,040 --> 00:14:19,680 Speaker 5: And not that I don't care, but I know, yeah, 293 00:14:19,720 --> 00:14:23,040 Speaker 5: these were things. I think it's really important for the 294 00:14:23,200 --> 00:14:29,720 Speaker 5: children to assert themselves in the world and to ride 295 00:14:29,760 --> 00:14:35,600 Speaker 5: their bikes, walk home and to We live in Saint Kilda, 296 00:14:35,720 --> 00:14:38,600 Speaker 5: so we were like one of the terrible. 297 00:14:38,440 --> 00:14:41,840 Speaker 1: You also grew up in Guinea, that is the most 298 00:14:41,920 --> 00:14:44,480 Speaker 1: dangerous country in the world by some means. Correct. 299 00:14:45,240 --> 00:14:47,640 Speaker 5: The parts we were in at that time, were okay, 300 00:14:47,760 --> 00:14:49,560 Speaker 5: but you couldn't drag me back then. 301 00:14:49,640 --> 00:14:54,000 Speaker 1: No, no, no, exactly with what I'm talking about about 302 00:14:54,000 --> 00:14:56,000 Speaker 1: this sense of independence that you carried. And it's funny 303 00:14:56,000 --> 00:14:58,680 Speaker 1: you said that your dad's Dutch and my partner's Dutch, 304 00:14:58,760 --> 00:15:03,640 Speaker 1: and there's a stoic, dark, hectic, but I can't. There 305 00:15:03,640 --> 00:15:05,920 Speaker 1: are times when I look at my daughter now, and 306 00:15:06,080 --> 00:15:08,320 Speaker 1: she's nearly two, and I look at her and I 307 00:15:08,440 --> 00:15:10,360 Speaker 1: almost feel a bit of strange from her because she 308 00:15:10,480 --> 00:15:14,360 Speaker 1: is so independent and she picks herself up, and the 309 00:15:14,400 --> 00:15:16,320 Speaker 1: way that she dusts herself up and the way that 310 00:15:16,360 --> 00:15:17,200 Speaker 1: she'll walk into a group. 311 00:15:17,280 --> 00:15:19,120 Speaker 2: She's okay, dad, which one of us is. 312 00:15:19,080 --> 00:15:22,800 Speaker 1: To be because you seem to do a lot of dun. 313 00:15:24,280 --> 00:15:29,400 Speaker 8: Can't like that. 314 00:15:31,120 --> 00:15:34,040 Speaker 1: And I see in you what I was seeing Sam 315 00:15:34,080 --> 00:15:36,800 Speaker 1: as well, which is just like her dad is just 316 00:15:36,880 --> 00:15:39,600 Speaker 1: like we just carry on, mate, and I'm going to 317 00:15:39,720 --> 00:15:41,360 Speaker 1: let you go and do your things. 318 00:15:41,440 --> 00:15:44,040 Speaker 2: They ride their bikes in the round, so hectic. 319 00:15:44,280 --> 00:15:47,240 Speaker 5: The Dutch have got her saying you're not made of sugar. 320 00:15:47,440 --> 00:15:52,120 Speaker 5: You won't that's what that who you've had a baby with, 321 00:15:53,040 --> 00:15:55,840 Speaker 5: and you know what will You're not made of sugar, 322 00:15:56,040 --> 00:15:56,760 Speaker 5: you won't melt. 323 00:15:56,960 --> 00:15:59,720 Speaker 1: Yeah, it's acknowledging the fact that you have got something 324 00:15:59,720 --> 00:16:01,760 Speaker 1: going on, but you can kind of smile with it 325 00:16:01,800 --> 00:16:02,640 Speaker 1: and you can live with it. 326 00:16:02,640 --> 00:16:06,720 Speaker 5: Well, that's heroicism, brilliant, great chat. 327 00:16:06,800 --> 00:16:09,680 Speaker 1: Geeesh's good, isn't she? Hey? Just search Share my Mood 328 00:16:09,760 --> 00:16:11,520 Speaker 1: wherever you get your podcasts. If you want to listen 329 00:16:11,560 --> 00:16:13,600 Speaker 1: to more of that, the Kate Langbrook episode is now 330 00:16:13,680 --> 00:16:15,680 Speaker 1: up there in full for all of your listening pleasures. 331 00:16:15,680 --> 00:16:17,160 Speaker 1: And I would highly recommend that. If you've got a 332 00:16:17,160 --> 00:16:19,600 Speaker 1: big walk coming up this weekend, that's a wonderful, wonderful listener. 333 00:16:19,560 --> 00:16:21,440 Speaker 1: I hope you guys have enjoyed hearing that across the week. 334 00:16:21,520 --> 00:16:24,280 Speaker 1: We've got another one coming for you next week as well, 335 00:16:24,400 --> 00:16:26,120 Speaker 1: involving can I say, Can I say? 336 00:16:26,200 --> 00:16:26,400 Speaker 2: Yeah? 337 00:16:26,400 --> 00:16:26,600 Speaker 4: Sure? 338 00:16:26,600 --> 00:16:28,800 Speaker 1: All right, I don't know a bit of censering that 339 00:16:28,840 --> 00:16:37,240 Speaker 1: Instagram with his interview naturally Colin Jackie O, don't share 340 00:16:37,280 --> 00:16:45,440 Speaker 1: my mood next week. They may take our life. 341 00:16:50,000 --> 00:16:52,160 Speaker 2: We pitch a lot of ideas, will but just to 342 00:16:52,160 --> 00:16:54,640 Speaker 2: pull the curtain down. The way this radio show works 343 00:16:54,880 --> 00:16:58,120 Speaker 2: is that we throw all these golden ideas to our 344 00:16:58,120 --> 00:17:01,160 Speaker 2: executive producer, poop Pants, and then he's the one who 345 00:17:01,200 --> 00:17:04,280 Speaker 2: has the power to decide what actually makes the radio show. 346 00:17:04,600 --> 00:17:08,160 Speaker 2: This can be at times a little bit frustrating when 347 00:17:08,200 --> 00:17:10,719 Speaker 2: you and I think we're sitting on a golden goose 348 00:17:10,760 --> 00:17:13,199 Speaker 2: of an idea. Poo pants is over there in his 349 00:17:13,280 --> 00:17:15,320 Speaker 2: ivory tower, choosing not to pick. 350 00:17:15,160 --> 00:17:16,800 Speaker 1: It doesn't pitch any ideas. 351 00:17:17,119 --> 00:17:18,879 Speaker 2: No it doesn't. Yeah, it doesn't. 352 00:17:19,000 --> 00:17:23,080 Speaker 1: Like all the animals attack, like, oh that's true. 353 00:17:25,160 --> 00:17:28,439 Speaker 2: Okay, now pooy. Question for you, because last week on 354 00:17:28,520 --> 00:17:33,200 Speaker 2: Freedom and Friday, I think we had an outrageously successful bit. 355 00:17:33,280 --> 00:17:35,520 Speaker 2: Would you agree reluctantly? 356 00:17:35,560 --> 00:17:36,360 Speaker 6: I would agree? 357 00:17:36,960 --> 00:17:39,280 Speaker 2: Hot bit, wasn't it? Basically it was just the au 358 00:17:39,320 --> 00:17:42,000 Speaker 2: on the toilet games and people called up claiming they 359 00:17:42,040 --> 00:17:43,920 Speaker 2: are on the toilet went togethers where they actually on 360 00:17:44,040 --> 00:17:44,800 Speaker 2: the Danny. 361 00:17:45,440 --> 00:17:49,280 Speaker 6: I'm actually at my mum's eightieth birthday weekend, and I'm 362 00:17:49,320 --> 00:17:51,400 Speaker 6: just I'm going to the toilet for ten minutes wait 363 00:17:51,440 --> 00:17:54,040 Speaker 6: for you guys to talk to and they're outside waiting 364 00:17:54,040 --> 00:17:58,680 Speaker 6: for me. I've done my job and I'm just waiting 365 00:17:58,680 --> 00:17:59,680 Speaker 6: to get outside. 366 00:18:00,000 --> 00:18:02,440 Speaker 1: Still you're you're saying that you're still in there. 367 00:18:02,720 --> 00:18:05,280 Speaker 6: Are your pants down? 368 00:18:05,359 --> 00:18:07,639 Speaker 1: How many? How many toilets have you got in the house? 369 00:18:07,720 --> 00:18:11,439 Speaker 6: Like if there's about three. But this is the main one, 370 00:18:11,600 --> 00:18:14,280 Speaker 6: and you're blocking it up by the bit believable. 371 00:18:14,320 --> 00:18:16,000 Speaker 2: All right, Steve, I reckon, you're on the toilet. 372 00:18:16,920 --> 00:18:18,360 Speaker 6: Well I'm not. I'm on the car on the way 373 00:18:18,400 --> 00:18:18,560 Speaker 6: to my. 374 00:18:23,320 --> 00:18:26,960 Speaker 1: Right. We call it thrown alone, name hot bit, brilliant. 375 00:18:27,080 --> 00:18:30,480 Speaker 2: Now I've developed it, and I've been pitching this all week, 376 00:18:30,600 --> 00:18:34,000 Speaker 2: developed it, developed the idea. Right, it's not just the 377 00:18:34,080 --> 00:18:37,679 Speaker 2: are you on the toilet game? It's the are you 378 00:18:37,840 --> 00:18:39,000 Speaker 2: where you say you are? 379 00:18:39,040 --> 00:18:39,400 Speaker 7: A game. 380 00:18:40,960 --> 00:18:42,439 Speaker 1: I just feel like you're stretching it. 381 00:18:42,600 --> 00:18:45,040 Speaker 2: No, I've just flipped. That's what poopants, reckons. That's what 382 00:18:45,080 --> 00:18:46,640 Speaker 2: you said to me. You said you're stretching it. 383 00:18:46,960 --> 00:18:47,840 Speaker 6: I agree with Will. 384 00:18:48,000 --> 00:18:53,560 Speaker 2: Yeah, I've grown it. I've grown it. So basically, this 385 00:18:53,640 --> 00:18:56,200 Speaker 2: is the game, guys, And yeah, we're doing it because 386 00:18:56,760 --> 00:18:58,119 Speaker 2: poo Pants has nothing to do with this. 387 00:18:58,160 --> 00:19:00,160 Speaker 1: But it does feel a bit like Avatar, just add 388 00:19:00,280 --> 00:19:00,760 Speaker 1: doesn't it. 389 00:19:01,080 --> 00:19:04,040 Speaker 2: Yeah, that's successful. That was successful in the box office. 390 00:19:04,119 --> 00:19:08,119 Speaker 2: I think they're doing three more. So here's the bit, guys. 391 00:19:08,440 --> 00:19:11,879 Speaker 2: You call on thirteen one oh six five and you 392 00:19:12,000 --> 00:19:15,040 Speaker 2: just claim to be somewhere anywhere. Just tell me where 393 00:19:15,080 --> 00:19:18,720 Speaker 2: you are. Okay. Now, obviously I'm after some more exciting locations. 394 00:19:19,080 --> 00:19:20,760 Speaker 2: You know, you could call up and go, I'm in 395 00:19:20,840 --> 00:19:24,640 Speaker 2: Chris Hemsworth's Jim, and then we ask you a whole 396 00:19:24,640 --> 00:19:26,159 Speaker 2: bunch of questions. We chat to you for a bit, 397 00:19:26,200 --> 00:19:28,200 Speaker 2: and then we go are you actually there? 398 00:19:28,600 --> 00:19:30,000 Speaker 1: Are you lying? I like it? 399 00:19:30,040 --> 00:19:31,680 Speaker 2: Woods, thank you. You could say you could cop and 400 00:19:31,800 --> 00:19:33,919 Speaker 2: I'm on a horse. Boys, I'm on a horse. 401 00:19:34,160 --> 00:19:34,400 Speaker 1: Yep. 402 00:19:34,520 --> 00:19:35,560 Speaker 2: Have you take that? 403 00:19:35,840 --> 00:19:41,760 Speaker 1: We get it? Six five? Where are you? 404 00:19:42,440 --> 00:19:42,880 Speaker 2: Yeah? 405 00:19:43,000 --> 00:19:44,240 Speaker 1: And are you actually there? 406 00:19:44,520 --> 00:19:45,639 Speaker 2: Yeah, it's a better way to say it. 407 00:19:46,040 --> 00:19:47,720 Speaker 1: I'm going to figure it out. On the other side. 408 00:19:47,760 --> 00:19:49,639 Speaker 2: It's been developed and I think this is brilliant. I 409 00:19:49,640 --> 00:19:51,919 Speaker 2: think you're warm into it. I feel like you're warming 410 00:19:52,000 --> 00:19:52,440 Speaker 2: this one. 411 00:19:53,359 --> 00:19:53,600 Speaker 4: Yeah. 412 00:19:54,160 --> 00:19:57,280 Speaker 1: No, I have to have a unified front, so I 413 00:19:57,320 --> 00:19:59,840 Speaker 1: don't really have a choice. Yeah, I'm not going to 414 00:20:00,000 --> 00:20:02,280 Speaker 1: that's the floor. This is our segment for the week. 415 00:20:02,680 --> 00:20:03,119 Speaker 4: I'm with you. 416 00:20:03,440 --> 00:20:06,760 Speaker 1: I'm with you. Thanks mate. Now Petro Georgia, it got 417 00:20:06,760 --> 00:20:10,040 Speaker 1: a bit deep. Deborah's called. We're asking where are you 418 00:20:10,160 --> 00:20:12,600 Speaker 1: right now? And are you actually there? Hot? 419 00:20:12,640 --> 00:20:15,880 Speaker 2: Bit so dead? Where are you? 420 00:20:15,960 --> 00:20:16,720 Speaker 6: Yeah? I'm here? 421 00:20:17,880 --> 00:20:19,080 Speaker 2: Where is where is here? 422 00:20:21,440 --> 00:20:24,720 Speaker 4: I'm I'm in the toilet. I've got a belly. 423 00:20:25,160 --> 00:20:28,000 Speaker 1: No, you're in the car. We can hear that you're 424 00:20:28,000 --> 00:20:30,439 Speaker 1: in the card. 425 00:20:30,680 --> 00:20:31,280 Speaker 8: Yes I am. 426 00:20:34,480 --> 00:20:39,840 Speaker 2: That's fine. Hang on now, poop fans, you can't be 427 00:20:39,880 --> 00:20:42,320 Speaker 2: putting crap calls across just to try and bring the 428 00:20:42,359 --> 00:20:45,040 Speaker 2: bit down. Now, no offense dead, but there's a lot 429 00:20:45,040 --> 00:20:47,440 Speaker 2: of people calling. You've put a stinker across. No offense 430 00:20:47,480 --> 00:20:50,159 Speaker 2: again dead, but come on, put the good ones on. 431 00:20:50,359 --> 00:20:50,840 Speaker 3: I liked. 432 00:20:53,400 --> 00:21:00,440 Speaker 1: Clearly her opening bit was, I'm here, Jessica's called. Yes, 433 00:21:00,480 --> 00:21:02,880 Speaker 1: I'm here, Jess, Jess where are you? 434 00:21:03,800 --> 00:21:06,640 Speaker 4: I'm currently driving over the harbor Bridge stuck in traffic. 435 00:21:07,160 --> 00:21:12,679 Speaker 1: Okay, you're driving over the harbour Bridge is stuck in traffic. 436 00:21:12,800 --> 00:21:15,320 Speaker 2: It's not that impressive, so I probably, like I probably. 437 00:21:14,880 --> 00:21:16,879 Speaker 1: That just might just be very very good. She might 438 00:21:16,920 --> 00:21:19,680 Speaker 1: be double Bluffingess because she could be in Chris Hemsworth Jim. 439 00:21:19,720 --> 00:21:21,400 Speaker 1: But she's see what I mean? 440 00:21:21,440 --> 00:21:25,480 Speaker 2: What can you say, Jess? What what's I can see 441 00:21:25,480 --> 00:21:26,040 Speaker 2: the stars? 442 00:21:26,119 --> 00:21:27,000 Speaker 6: You know, what's the moment? 443 00:21:27,960 --> 00:21:31,600 Speaker 1: Okay, yeah, fair enough, that's good. 444 00:21:31,800 --> 00:21:32,359 Speaker 4: Harbor Bridge. 445 00:21:32,400 --> 00:21:36,240 Speaker 2: Now you're just coming off an hour that seems too convenient, Jess. 446 00:21:36,280 --> 00:21:38,560 Speaker 2: I don't think you're on the harbor Bridge stuck in traffic. 447 00:21:39,960 --> 00:21:40,479 Speaker 6: No, I'm not. 448 00:21:42,080 --> 00:21:46,439 Speaker 2: Wow, call the double blove not great calls, though, I'm 449 00:21:46,480 --> 00:21:47,560 Speaker 2: kind of I'm after. 450 00:21:48,960 --> 00:21:51,440 Speaker 1: George, where are your George? Where are you right now? 451 00:21:52,080 --> 00:21:55,280 Speaker 8: I'm currently at my little sister's go car party. I'm 452 00:21:55,280 --> 00:21:56,240 Speaker 8: going to go car traff. 453 00:21:56,440 --> 00:21:57,919 Speaker 1: You're on a go car track? 454 00:21:58,040 --> 00:21:58,320 Speaker 2: Okay? 455 00:21:58,480 --> 00:22:00,440 Speaker 1: How you're listening to the radio and a go track? 456 00:22:01,760 --> 00:22:03,359 Speaker 2: They've got the radio on the speaker? 457 00:22:03,400 --> 00:22:05,680 Speaker 1: A test past the first? 458 00:22:05,720 --> 00:22:08,879 Speaker 2: What age? Birthday is it for your sister? 459 00:22:09,400 --> 00:22:10,840 Speaker 4: She's turning seven? 460 00:22:11,880 --> 00:22:15,400 Speaker 2: Sement a go karting party? Yeah, it's up the track 461 00:22:15,480 --> 00:22:19,600 Speaker 2: up at Wilberforce Hawks Free Area specific Nice. 462 00:22:19,640 --> 00:22:20,159 Speaker 1: I like it. 463 00:22:20,440 --> 00:22:22,359 Speaker 2: So what's and what's the plan after the go karting? 464 00:22:23,800 --> 00:22:24,359 Speaker 4: We were going to. 465 00:22:24,359 --> 00:22:26,600 Speaker 6: Take her out for ice cream and wings are and 466 00:22:26,640 --> 00:22:29,879 Speaker 6: then she wanted to go the time zone after? 467 00:22:30,080 --> 00:22:31,840 Speaker 1: What does it smell like? What does it smell like 468 00:22:31,880 --> 00:22:33,320 Speaker 1: on the go kart track? George? 469 00:22:33,800 --> 00:22:35,040 Speaker 8: A bit like burnt rubber. 470 00:22:35,440 --> 00:22:37,320 Speaker 1: That's what I have said if I was trying to 471 00:22:37,320 --> 00:22:39,640 Speaker 1: think of a stereotypical line for a go kart track, 472 00:22:39,720 --> 00:22:42,000 Speaker 1: I don't think you're on a go kart track, George. 473 00:22:42,359 --> 00:22:43,320 Speaker 4: You don't know? 474 00:22:44,720 --> 00:22:47,040 Speaker 8: Oh yeah, you'd be right there. 475 00:22:47,400 --> 00:22:54,280 Speaker 1: Yeah cliches all right, Josh, Josh, where are you. 476 00:22:56,720 --> 00:22:58,840 Speaker 8: I'm on a horse right now, I'm galloping. 477 00:22:59,040 --> 00:23:03,880 Speaker 2: You're on a horse, Josh, and I'm actually on. 478 00:23:03,840 --> 00:23:12,360 Speaker 1: Angers and Julius Stone are in the studio on your 479 00:23:12,359 --> 00:23:16,399 Speaker 1: Friday afternoon, I say, Jill before your your voice is 480 00:23:16,400 --> 00:23:19,040 Speaker 1: agether just so iconic that, like, I don't think I 481 00:23:19,040 --> 00:23:21,560 Speaker 1: even needed to back announce that, Like everyone knows exactly 482 00:23:21,600 --> 00:23:23,760 Speaker 1: what you guys sound like. Does it feel like that? 483 00:23:23,800 --> 00:23:25,879 Speaker 1: Does it feel like you're you're You're in You're in 484 00:23:25,960 --> 00:23:30,360 Speaker 1: sort of like icon territory in that respect, in the. 485 00:23:30,320 --> 00:23:32,000 Speaker 9: Same category as asking. 486 00:23:32,720 --> 00:23:39,080 Speaker 2: Right, cool, you're in there to bring you down? 487 00:23:39,119 --> 00:23:40,440 Speaker 1: Angers? Come on? 488 00:23:41,080 --> 00:23:42,120 Speaker 7: Iconic? Do you think you are? 489 00:23:43,160 --> 00:23:46,280 Speaker 9: I mean sometimes it feels like you're playing a part 490 00:23:46,320 --> 00:23:49,560 Speaker 9: in the movie for sure, right, their own crazy version 491 00:23:49,640 --> 00:23:53,440 Speaker 9: of that, I guess. Good example of jumping up. 492 00:23:53,359 --> 00:23:55,080 Speaker 1: In front of that's right. 493 00:23:55,200 --> 00:23:57,560 Speaker 9: Yeah, yeah, yeah, it's those moments. 494 00:23:57,640 --> 00:23:59,760 Speaker 1: So you're up there, you see again? Yeah you with 495 00:23:59,840 --> 00:24:04,080 Speaker 1: no yeah, us walking out on the biggest stadium in 496 00:24:04,119 --> 00:24:05,400 Speaker 1: Sydney acting cool. 497 00:24:05,840 --> 00:24:08,600 Speaker 9: Yeah. He was so sweet what he said before we 498 00:24:08,720 --> 00:24:11,400 Speaker 9: walked out, talking about how the first time you heard 499 00:24:11,440 --> 00:24:13,800 Speaker 9: it it was an inspiration and he's saying it to 500 00:24:13,840 --> 00:24:16,520 Speaker 9: all these people. Wow, wow, and you're just sort of like, 501 00:24:16,680 --> 00:24:17,359 Speaker 9: what's going on? 502 00:24:17,440 --> 00:24:18,119 Speaker 1: Yeah, that's wild? 503 00:24:18,359 --> 00:24:19,359 Speaker 9: Where are we? 504 00:24:19,720 --> 00:24:19,920 Speaker 1: Yeah? 505 00:24:19,920 --> 00:24:22,320 Speaker 7: It's funny. Sometimes we can just get we get into 506 00:24:22,680 --> 00:24:24,840 Speaker 7: work mode and we're kind of going around and we're 507 00:24:24,840 --> 00:24:26,879 Speaker 7: doing press. It's all good fun, but you kind of 508 00:24:26,920 --> 00:24:29,800 Speaker 7: like sometimes forget this music has been a part of 509 00:24:29,800 --> 00:24:33,960 Speaker 7: people's lives. And I was doing this really beautiful introduction 510 00:24:34,240 --> 00:24:36,639 Speaker 7: and we kind of like just stopped and looked at 511 00:24:36,680 --> 00:24:39,800 Speaker 7: each other just you know, he's incredible, and here he 512 00:24:39,960 --> 00:24:42,760 Speaker 7: is talking about how it's inspired him to write music. 513 00:24:43,080 --> 00:24:44,439 Speaker 7: Was really a special night. 514 00:24:44,680 --> 00:24:47,040 Speaker 2: You're also doing this as brother and sister as well, 515 00:24:47,160 --> 00:24:50,359 Speaker 2: Like that must be so special but interesting. You said 516 00:24:50,359 --> 00:24:52,520 Speaker 2: work mode there, which is obviously spending a lot of 517 00:24:52,560 --> 00:24:57,359 Speaker 2: time together collaborating, creating together. Does that mean that outside 518 00:24:57,359 --> 00:24:59,920 Speaker 2: of work mode you need to keep distant from me 519 00:25:00,000 --> 00:25:00,400 Speaker 2: each other? 520 00:25:00,800 --> 00:25:04,600 Speaker 7: Yes and no. It depends how long work mode goes for. 521 00:25:04,720 --> 00:25:06,879 Speaker 9: It's a bit of a balance, right, and a healthy 522 00:25:07,200 --> 00:25:11,640 Speaker 9: relationship in any regard business or otherwise. Is it's good 523 00:25:11,640 --> 00:25:14,840 Speaker 9: to have other avenues. So Julie and I have I've 524 00:25:14,840 --> 00:25:16,680 Speaker 9: got dip Lemon to split off. 525 00:25:16,600 --> 00:25:19,320 Speaker 1: Too, but they've got solo projects on their own. You're 526 00:25:19,320 --> 00:25:20,639 Speaker 1: going to need some more music from you guys in 527 00:25:20,640 --> 00:25:22,640 Speaker 1: a second. But obviously we just heard big Jet Plane. 528 00:25:22,640 --> 00:25:24,639 Speaker 1: And every time you go to play, you have to 529 00:25:24,680 --> 00:25:27,119 Speaker 1: connect really strongly with what you're playing. So how do 530 00:25:27,200 --> 00:25:29,119 Speaker 1: you go flicking that switch? 531 00:25:30,119 --> 00:25:33,560 Speaker 7: I feel like the switch sort of automatically flick as 532 00:25:33,600 --> 00:25:37,080 Speaker 7: soon as we start to play music. Everything else sort 533 00:25:37,119 --> 00:25:41,520 Speaker 7: of falls away. And I don't know why that happens 534 00:25:41,560 --> 00:25:43,320 Speaker 7: for us. Maybe because of the way we grew up. 535 00:25:43,800 --> 00:25:46,800 Speaker 7: Music was the thing that felt the most honest. You know, 536 00:25:47,040 --> 00:25:50,040 Speaker 7: our parents weren't great communicators, and they'd be okay with 537 00:25:50,080 --> 00:25:52,919 Speaker 7: me saying that because they were so young when they 538 00:25:52,960 --> 00:25:54,639 Speaker 7: had us, and felt like there was a lot of 539 00:25:54,680 --> 00:25:58,320 Speaker 7: things that went unseid or we couldn't really talk about, 540 00:25:58,440 --> 00:26:01,040 Speaker 7: and then music would have and there was some real 541 00:26:01,240 --> 00:26:04,200 Speaker 7: honesty to that, and I think that just embedded in us. 542 00:26:04,240 --> 00:26:07,800 Speaker 7: And so there is something sometimes dehumanizing and sometimes you 543 00:26:07,800 --> 00:26:10,639 Speaker 7: feel like a politician and meeting people and shaking hands 544 00:26:10,640 --> 00:26:13,600 Speaker 7: and it's still a great job when you say work, 545 00:26:13,960 --> 00:26:16,280 Speaker 7: like we're like, we're so lucky to do this and 546 00:26:16,320 --> 00:26:18,920 Speaker 7: we meet so many great people. But yeah, the music 547 00:26:18,960 --> 00:26:20,280 Speaker 7: always feels like us. 548 00:26:21,040 --> 00:26:23,840 Speaker 9: Centers the whole thing. I think the story changes each 549 00:26:23,960 --> 00:26:27,080 Speaker 9: day for me, like just then playing the song, I 550 00:26:27,160 --> 00:26:30,240 Speaker 9: wake up with a certain mood and the things you're 551 00:26:30,280 --> 00:26:33,560 Speaker 9: going through when you're playing the song, it's not always 552 00:26:33,600 --> 00:26:34,200 Speaker 9: the same. 553 00:26:34,119 --> 00:26:37,639 Speaker 1: Yeah, Torturis it must be for musicians to resurrect the 554 00:26:37,680 --> 00:26:40,240 Speaker 1: same emotion that came up when they wrote the song. 555 00:26:40,320 --> 00:26:43,000 Speaker 1: But it's funny you're saying that it's not exactly the 556 00:26:43,040 --> 00:26:44,960 Speaker 1: same for you. You kind of there's whatever's going on in 557 00:26:45,000 --> 00:26:47,760 Speaker 1: your world is expressed through whatever something you're playing. 558 00:26:47,920 --> 00:26:50,280 Speaker 9: I think that's the beauty of it is if you're 559 00:26:50,320 --> 00:26:55,320 Speaker 9: open to allowing those emotions to come through with how 560 00:26:55,320 --> 00:26:58,080 Speaker 9: are you actually feeling? You're not honest with yourself all 561 00:26:58,119 --> 00:27:02,160 Speaker 9: the time. I feel like as us human beings in general, 562 00:27:02,760 --> 00:27:05,280 Speaker 9: the beauty of music is it allows you to tell 563 00:27:05,320 --> 00:27:07,720 Speaker 9: things you wouldn't necessarily say yourself. 564 00:27:07,359 --> 00:27:09,639 Speaker 1: And express things in a way that you can't do 565 00:27:09,720 --> 00:27:10,280 Speaker 1: with your words. 566 00:27:10,400 --> 00:27:13,280 Speaker 9: That's right, And the music the cool thing about it 567 00:27:13,320 --> 00:27:15,960 Speaker 9: is it's always interchanging with what you're going. 568 00:27:15,760 --> 00:27:18,800 Speaker 7: Through and lyrics as well. Sometimes it takes you back 569 00:27:18,800 --> 00:27:21,639 Speaker 7: to that moment, like what you describe, but also sometimes 570 00:27:21,640 --> 00:27:25,159 Speaker 7: those lyrics really do transform into a completely. 571 00:27:25,520 --> 00:27:26,119 Speaker 1: Isn't that interesting? 572 00:27:26,200 --> 00:27:26,360 Speaker 8: Yeah? 573 00:27:26,359 --> 00:27:27,680 Speaker 1: And a different part in your life as well. 574 00:27:27,840 --> 00:27:29,600 Speaker 2: Do you pick up on each other's mood based on 575 00:27:29,640 --> 00:27:31,080 Speaker 2: how you've just played a song? So if you go 576 00:27:31,119 --> 00:27:33,479 Speaker 2: and do a gig, you're able to go, ooh, Angus 577 00:27:33,480 --> 00:27:35,720 Speaker 2: played that in that way, I better check in or 578 00:27:35,920 --> 00:27:37,480 Speaker 2: g Angus is up and about Yeah. 579 00:27:37,720 --> 00:27:40,320 Speaker 7: I think we're pretty in tune in that in that way. 580 00:27:40,600 --> 00:27:44,400 Speaker 7: And sometimes, like there's been gigs where there's a real 581 00:27:44,800 --> 00:27:47,720 Speaker 7: moment where it's like, oh, Angus will look at me, 582 00:27:47,800 --> 00:27:49,800 Speaker 7: like I think Julia is about to have a nervous breakdown. 583 00:27:49,800 --> 00:27:52,680 Speaker 7: I'll probably I'll probably take the next song, you know, 584 00:27:54,440 --> 00:27:55,800 Speaker 7: thee go. 585 00:27:55,680 --> 00:27:57,520 Speaker 2: And take far Julia. 586 00:27:57,720 --> 00:27:59,840 Speaker 7: Yeah, I mean you can, I think sometimes because it 587 00:27:59,880 --> 00:28:03,040 Speaker 7: can take you quite deep. I think you, like I 588 00:28:03,200 --> 00:28:06,080 Speaker 7: just said, sometimes you you're not even being honest with 589 00:28:06,160 --> 00:28:08,960 Speaker 7: what's going on, and all of a sudden, this wave 590 00:28:09,080 --> 00:28:11,680 Speaker 7: of emotion hits you and you're like, I don't think 591 00:28:11,760 --> 00:28:14,280 Speaker 7: I'm ready to like go there in front of thousands 592 00:28:14,320 --> 00:28:16,359 Speaker 7: of people, so I should probably. 593 00:28:17,680 --> 00:28:19,480 Speaker 1: I think people can relate to that, even if they 594 00:28:19,520 --> 00:28:22,120 Speaker 1: don't play music. You can have a day and then 595 00:28:22,200 --> 00:28:26,000 Speaker 1: you can get in the car and you're like, oh, wow, 596 00:28:26,080 --> 00:28:28,200 Speaker 1: that one really got me today. I don't know where 597 00:28:28,240 --> 00:28:30,080 Speaker 1: that came from. And all of a sudden you're crying 598 00:28:30,080 --> 00:28:33,680 Speaker 1: to Tina Arena at two o'clock. Guys, I want to 599 00:28:33,680 --> 00:28:36,159 Speaker 1: I want to pick up on another song on the 600 00:28:36,200 --> 00:28:38,360 Speaker 1: record that was beautiful. There's another song on the record 601 00:28:38,440 --> 00:28:41,880 Speaker 1: called wedding Song. Just hearing from you before Julia that 602 00:28:41,920 --> 00:28:43,960 Speaker 1: your your dad is a wedding singer. 603 00:28:44,040 --> 00:28:49,440 Speaker 7: Still yeah, yeah, we're trying to follow in the family business. 604 00:28:50,120 --> 00:28:51,280 Speaker 9: Wedding singer. 605 00:28:51,520 --> 00:28:57,520 Speaker 7: Yeah, we're available for weddings, funerals. 606 00:28:57,840 --> 00:29:01,160 Speaker 2: Stadium it's a stadium to a to promote the wedding. 607 00:29:03,720 --> 00:29:04,040 Speaker 1: Nice. 608 00:29:04,320 --> 00:29:06,680 Speaker 2: But so the wedding song. I read that you actually 609 00:29:06,680 --> 00:29:09,200 Speaker 2: wrote that song for a friend's wedding. 610 00:29:09,440 --> 00:29:09,720 Speaker 1: Yeah. 611 00:29:09,880 --> 00:29:12,640 Speaker 7: Yeah, We've written a few songs for weddings. It's always 612 00:29:12,880 --> 00:29:16,200 Speaker 7: a nice cheap gift, you know, just quickly jot down 613 00:29:16,200 --> 00:29:19,320 Speaker 7: the song the day before. No, this was for some 614 00:29:19,400 --> 00:29:20,000 Speaker 7: dear friends. 615 00:29:20,040 --> 00:29:21,160 Speaker 1: And I've got a bit of it. 616 00:29:21,200 --> 00:29:32,880 Speaker 10: If people want to hear and listens and lots of 617 00:29:33,080 --> 00:29:35,400 Speaker 10: babies on the beach and. 618 00:29:38,160 --> 00:29:40,520 Speaker 1: It's just a song that everybody wants to hear at 619 00:29:40,560 --> 00:29:45,120 Speaker 1: their wedding. So you decided to make some money out 620 00:29:45,160 --> 00:29:45,360 Speaker 1: of it. 621 00:29:45,400 --> 00:29:49,560 Speaker 7: In the air, it was like I think what happened 622 00:29:49,680 --> 00:29:53,840 Speaker 7: was we wrote it and then when our friends came 623 00:29:53,880 --> 00:29:56,400 Speaker 7: to one of our gigs, it was just for their wedding, 624 00:29:56,480 --> 00:29:58,200 Speaker 7: and then they came to one of our shows and 625 00:29:58,200 --> 00:30:01,400 Speaker 7: so we performed it for them at the show, and 626 00:30:01,440 --> 00:30:04,480 Speaker 7: so some fans had like filmed it and we we 627 00:30:04,560 --> 00:30:07,760 Speaker 7: then got people started sharing this kind of like bad 628 00:30:07,840 --> 00:30:12,640 Speaker 7: recorded version. Oh yeah. And so then like we started 629 00:30:12,640 --> 00:30:16,160 Speaker 7: getting sent footage of people's weddings with this, like like 630 00:30:16,200 --> 00:30:18,120 Speaker 7: you could hear the crowd noise and stuff and they 631 00:30:18,160 --> 00:30:21,160 Speaker 7: were playing and oh wow. Yeah, and so I guess 632 00:30:21,200 --> 00:30:22,120 Speaker 7: and I talked. 633 00:30:21,880 --> 00:30:25,640 Speaker 1: About as audio files that just got right under your skin. 634 00:30:28,600 --> 00:30:29,560 Speaker 1: Yeah wow, give. 635 00:30:29,440 --> 00:30:32,640 Speaker 2: Them a good quality one then that's right. So we 636 00:30:32,680 --> 00:30:33,840 Speaker 2: sort of thought it. 637 00:30:33,840 --> 00:30:35,920 Speaker 7: Would also be a nice way to re engage without 638 00:30:35,960 --> 00:30:38,560 Speaker 7: because it's been about six years since we put out 639 00:30:38,560 --> 00:30:42,240 Speaker 7: a we did a soundtrack record, but we thought this 640 00:30:42,280 --> 00:30:44,200 Speaker 7: would be a nice way to re engage with the community. 641 00:30:44,240 --> 00:30:46,760 Speaker 7: And like everyone who'd sent in videos, we reached out 642 00:30:46,800 --> 00:30:49,000 Speaker 7: to them and then other people started sending videos. 643 00:30:49,080 --> 00:30:52,440 Speaker 9: About eight hundred videos come back, Oh wow, from all 644 00:30:52,440 --> 00:30:59,800 Speaker 9: around the world. It was crazy background of Australia. 645 00:30:59,800 --> 00:31:06,320 Speaker 2: It was amazing sending back invoices like yeah, great, did 646 00:31:06,360 --> 00:31:12,480 Speaker 2: you guys pay royalties? Do you feel like a little 647 00:31:12,480 --> 00:31:14,640 Speaker 2: when you do go to a wedding and so it's 648 00:31:14,680 --> 00:31:16,600 Speaker 2: like you know you're both there and then you know 649 00:31:16,680 --> 00:31:19,360 Speaker 2: the groom and bride mug go, Oh okay, guys, open mic, 650 00:31:20,200 --> 00:31:22,400 Speaker 2: Does anyone want to come up here and sing a song? 651 00:31:22,480 --> 00:31:22,560 Speaker 1: Like? 652 00:31:22,600 --> 00:31:25,200 Speaker 2: Did you feel is there any pressure there to get 653 00:31:25,240 --> 00:31:27,080 Speaker 2: up and perform when you're at a wedding? 654 00:31:27,440 --> 00:31:30,080 Speaker 9: I mean we feel pretty relaxed at weddings in that way. 655 00:31:30,080 --> 00:31:32,880 Speaker 9: I mean we felt so when were kids were falling 656 00:31:32,880 --> 00:31:35,480 Speaker 9: asleep under wedding tables and champagne. 657 00:31:36,160 --> 00:31:40,000 Speaker 1: Oh no shit, because you know the wedding and you 658 00:31:40,040 --> 00:31:41,600 Speaker 1: say your parents were young, it just would have been 659 00:31:41,600 --> 00:31:42,960 Speaker 1: like guys, this Saturday night. 660 00:31:43,040 --> 00:31:44,440 Speaker 7: Yeah, yeah, you guys are coming along. 661 00:31:44,520 --> 00:31:47,840 Speaker 9: Wow, jumping out and playing a song is is a 662 00:31:47,840 --> 00:31:51,040 Speaker 9: good time? But yeah, I don't know. 663 00:31:51,240 --> 00:31:54,640 Speaker 7: Yeah, So it just depends as well, Like sometimes there's 664 00:31:54,680 --> 00:31:57,200 Speaker 7: an atmosphere where it's like a real jam band sort 665 00:31:57,200 --> 00:32:00,480 Speaker 7: of thing and people will be like jump up and 666 00:32:00,480 --> 00:32:02,200 Speaker 7: sing a song and you just know it's not the 667 00:32:02,280 --> 00:32:06,080 Speaker 7: right thing. Like there's a kind of like definitely a 668 00:32:06,200 --> 00:32:09,160 Speaker 7: mood for us of whether it's the right time to 669 00:32:09,160 --> 00:32:09,800 Speaker 7: get up and singer. 670 00:32:09,840 --> 00:32:12,520 Speaker 1: So yeah, yeah. 671 00:32:12,280 --> 00:32:16,920 Speaker 7: We're not. We're not like jammers. 672 00:32:20,120 --> 00:32:22,280 Speaker 1: God, I don't know why I find that so funny, 673 00:32:22,280 --> 00:32:26,520 Speaker 1: but you're not. It would be very funny. But in 674 00:32:26,520 --> 00:32:31,120 Speaker 1: the middle of the DJ said, guys, it runs twenty 675 00:32:31,160 --> 00:32:34,760 Speaker 1: beers deep. Guys. Thanks coming in brand new Angus and 676 00:32:34,800 --> 00:32:37,080 Speaker 1: Julius own album. It is called Cape Forest. Here it 677 00:32:37,160 --> 00:32:38,720 Speaker 1: is out to date. If you want to see the 678 00:32:38,720 --> 00:32:41,600 Speaker 1: guys that are touring Angus and juliustone dot com, they'll 679 00:32:41,600 --> 00:32:43,800 Speaker 1: be aught dot com. They will be all over the country. 680 00:32:44,760 --> 00:32:46,520 Speaker 1: Thanks so much for coming you guys. It's been so 681 00:32:46,600 --> 00:32:47,479 Speaker 1: nice to meet you.