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Speaker 1: I don't think you'd even know what Aristos looked like. No,

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Speaker 1: I would.

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Speaker 2: I definitely would, because he was in the living room.

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Speaker 1: Was he yes, the surprise chef Huey Hewitson. No, I'm

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Speaker 1: not thinking of it in Huey Hewitts killed in Huey

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Speaker 1: Hewitson True story. We actually did true story, not deliberately

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Speaker 1: poop bants. No, no, no, I'm just interested.

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Speaker 2: We wanted him to try sushi. We created a sushi

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Speaker 2: for sushi sushi called the wock and Wall.

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Speaker 3: It was good and anyway, we got hue into try

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Speaker 3: creation and then like he picked it up, and then

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Speaker 3: our producer at the time, Zoe Zoe, ran in and

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Speaker 3: was like put it and put it down and put

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Speaker 3: it down because.

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Speaker 2: She was like she figured that he was allergic to shellfish.

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Speaker 1: Well yeah, she'd been talking to his manager, the manager

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Speaker 1: at the time, and she was like, just to double

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Speaker 1: check Ian can hughie. I don't think she calls me,

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Speaker 1: and I don't think gosh man from his wife. When

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Speaker 1: he's been a naughty boy, he would be would be Hueye.

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Speaker 1: That's why he's the outdoor chef. So she so she

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Speaker 1: is he the outdoor shift He said he started it.

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Speaker 3: Member, he came on this show and he was like,

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Speaker 3: I was the first shift to cook out doors that

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Speaker 3: now they.

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Speaker 1: All got me, they all do it. That's right. It

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Speaker 1: was awesome. So so Zoe comes running in fine tasting.

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Speaker 2: He couldn't see what he was about to put in

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Speaker 2: his mouth.

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Speaker 1: She's like, she's like an a and stop. Oh here

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Speaker 1: he stopped. I've just been on the phone, new manager.

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Speaker 1: Apparently you got your allergic to crustaceans or cruster Shawan's

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Speaker 1: woods used to call them anyway, So she that's true,

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Speaker 1: that's true story. So anyway, so.

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Speaker 2: Wasn't it just oysters? A crust Shawn will That's what

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Speaker 2: I used to say. You didn't correct me for ten years.

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Speaker 1: Anyway, So he drops it because he thinks it's a

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Speaker 1: cruster Shawn in there, and he's like, oh my god,

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Speaker 1: what are you doing? Boys? And we were like he goes.

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Speaker 1: I was like, what would happen? He's like, you could have?

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Speaker 2: Yeah.

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Speaker 1: It was like he was actually so taking a vag

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Speaker 1: He was like, why how would.

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Speaker 2: You not have?

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Speaker 4: Yeah?

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Speaker 1: Yeah, it was furious. It was a bit raf and

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Speaker 1: then and then I think we ended up. I actually

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Speaker 1: ended up asking him because I was like, right, well

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Speaker 1: you you know, because he was he was like really acrimonious,

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Speaker 1: like he was up in arms.

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Speaker 3: Well fair enough, we always killed him like I'd be

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Speaker 3: a bit angry poison me.

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Speaker 1: Yeah, so I didn't try it was it was incident.

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Speaker 1: So anyway, I was like, mate, I'm sorry. I was like,

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Speaker 1: makee cool your jets like you yeah, I know and

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Speaker 1: you and you knew he's got a YouTube channel. I

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Speaker 1: was like, on your new YouTube channel, you make a

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Speaker 1: bloody poke like you make it pocket, so shove it

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Speaker 1: in my face. I was like, what do you make

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Speaker 1: your pock? You're making with fish? That was that was?

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Speaker 2: That was a bit, wasn't it.

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Speaker 4: It was?

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Speaker 5: It was so it was soked fish just so condescending

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Speaker 5: as well. It was just furious you were insulting the man. No, mate,

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Speaker 5: you can't make a poke, but if your all to shellfish, I'm.

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Speaker 1: Making with fish. He was livid. Yeah he was. He

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Speaker 1: was blodody.

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Speaker 2: Hell yeah that that that sushi roll?

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Speaker 1: Can I just say got us in a lot of trouble.

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Speaker 2: This was very early.

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Speaker 3: It was our first year doing this shift. We almost

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Speaker 3: killed in Huey hewitson. We put it in front of

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Speaker 3: jewel leaper.

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Speaker 1: Yep.

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Speaker 2: Can you like just put that sentence together, JUELI.

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Speaker 3: It was one of the biggest singers in the world,

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Speaker 3: and we thought it was a good opportunity to shove

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Speaker 3: a sushi roll. Yet she was, she was getting there

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Speaker 3: though she was rising.

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Speaker 1: What was in the role in the end? I can't remember. Oh,

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Speaker 1: I know what it was, I know what it was.

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Speaker 2: Was there some duck in there?

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Speaker 1: No, it was a spring roll in a sushi role.

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Speaker 2: That's right, that's that's a bloody good idea.

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Speaker 1: Tasted like, how did the cruster sean get in that?

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Speaker 2: It was one of the shellfish in the spring roll?

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Speaker 1: Wasn't, no, no, no, no, it's because in front of him

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Speaker 1: was That's when we were because he had a blind

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Speaker 1: taste test and one of them had like a California

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Speaker 1: roll or something in there. We were choosing, so he

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Speaker 1: so he yeah, so he and he picked up the

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Speaker 1: crust Shawn first and yeah, nearly he nearly ended him.

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Speaker 1: She would have been fucking wild if we killedson. Can

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Speaker 1: you imagine it was that close like in his hand

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Speaker 1: like he obviously can't couldn't obviously put it anywhere near

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Speaker 1: his mouth in that just to go outside and wash

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Speaker 1: his hands and stuff. It was wild that made the news.

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Speaker 1: I'm pretty sure that we nearly killed in Huey Hewartson

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Speaker 1: did it really?

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Speaker 2: Yeah, it didn't do well.

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Speaker 1: Not many clicks, No, look at the combined might have

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Speaker 1: on air for three months and and Huey hewitson. Anyway,

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Speaker 1: we hope Hugh's going. He's actually a lovely guy, Hue

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Speaker 1: really nice guy. After that incident, I think we haven't

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Speaker 1: spoken to him since. But lovely guy.

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Speaker 2: Yeah, oh yeah, yeah, great guy.

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Speaker 1: But Aristos the surprise chef? Why is he the surprise chef?

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Speaker 2: I assume early in his career he was a surprise chef.

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Speaker 1: I assumed. What does that mean?

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Speaker 3: Oh, like, I imagine people would be eating at home,

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Speaker 3: probably a fat TV show Channel thirty one, I'm thinking,

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Speaker 3: and you'd be eating at home and you go and

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Speaker 3: then you know classic you can't cook for shiit, honey,

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Speaker 3: It's like no, no, no, I'm sick.

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Speaker 2: I'm going to make a good milk hid hidden cameras

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Speaker 2: and then and then sounds extravagant.

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Speaker 1: Now go pros high production, go pros alright.

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Speaker 2: And then then the whole bit is then you probably

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Speaker 2: see your credit.

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Speaker 3: Surprise chef for Aristos the surprise chef, and then the

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Speaker 3: husband would go to the kitchen like, fuck you, honey,

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Speaker 3: I can cook.

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Speaker 2: Go to the kitchen and there's a Ristos in there.

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Speaker 2: He's Hiden in the bin. Pull him out, and then

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Speaker 2: a Ristos makes.

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Speaker 6: An epic meal and then right mate, you fuck off

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Speaker 6: gets kicked out the bag, and then the husband comes

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Speaker 6: in with his epic meal and then you know, winks

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Speaker 6: at the camera and that's.

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Speaker 1: The that's the TV show.

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Speaker 2: You'd watch it.

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Speaker 1: That's actually pretty good.

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Speaker 2: I don't want to do that, is what stumbling, and

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Speaker 2: now I've given it away.

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Speaker 3: I hate it when I do that now because think

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Speaker 3: about you have a different chef Hiden in your kitchen

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Speaker 3: for every episode, so you'd go back into your kitchen

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Speaker 3: and go, oh fuck who, like excuse me strong. Yeah,

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Speaker 3: I'm very relaxed to try it. I'm really nervous about

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Speaker 3: the d So we got to keep pretty quick.

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Speaker 1: You're going to it's pretty quick because moved to the

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Speaker 1: basis stage of this. So you're going to program development.

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Speaker 3: You're go into your kitchen and then you go like, oh,

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Speaker 3: where's the where's the chef? And then there's you know

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Speaker 3: George Colin Barris and your dishwasher. Yeah, and then you

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Speaker 3: get the shock of okay, you're cooking for me, Great.

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Speaker 1: What do you do? But like, it's in your house,

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Speaker 1: what's everyone else doing?

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Speaker 4: What?

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Speaker 1: I mean everyone else? Well, if you're cooking for your family,

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Speaker 1: where are they at the table?

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Speaker 5: Well?

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Speaker 2: If anyone gets up to help, no, this is my night.

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Speaker 1: But what if you're in an open plan living holes

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Speaker 1: there most people's kitchen is next to their dining is

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Speaker 1: next to the kitchen table.

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Speaker 3: It might be a dead giveaway. Yeah, okay, new idea.

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Speaker 3: They're at the back in a van.

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Speaker 1: With a kitchen.

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Speaker 2: It's a mobile. Or maybe we're enough of a hole

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Speaker 2: in the idea.

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Speaker 1: I'll rework it. Don't now, I'm going to please please don't.

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Speaker 2: I like the idea of surprise Chef.

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Speaker 1: That's what he's done his names as the Surprise Chef.

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Speaker 1: He obviously did it and a lot better. He obviously

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Speaker 1: did it in a way that was really successful for

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Speaker 1: a long time, known as arist get ready. We really

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Speaker 1: should get him on. Don't just shaft him to the

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Speaker 1: fucking podcast. Let's have him on for the show. It real.

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Speaker 1: I would love him on the real life body real life.

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Speaker 2: I say we try him out on the podcast top

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Speaker 2: and if it's.

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Speaker 1: His dress rehearsal, Oh mate, I mean you know what

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Speaker 1: I think we should do. And I think this is

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Speaker 1: more exciting. I mean, he's Aristos, the Surprise Chef. He's

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Speaker 1: you'ld just surprise us in the show at some stage.

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Speaker 1: I love that that's his forte.

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Speaker 2: Can you get into cahoots with Aristos? And I reckon

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Speaker 2: if if.

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Speaker 1: He doesn't got his number? No, you don't poop pants out.

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Speaker 1: You're lying through your teeth. I say, if he's if

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Speaker 1: you mean to get onto, he's got a restaurant on

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Speaker 1: restaurant and rotteness. Aren't Aristos.

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Speaker 2: We've been there a few times. We got kicked out

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Speaker 2: being too drunk.

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Speaker 1: Yeah, you got kicked out together.

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Speaker 2: Don't you dare the Bondo boys?

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Speaker 1: Remember, yeah, you were humping the floor. I was not

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Speaker 1: humping the floor.

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Speaker 4: You were.

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Speaker 1: You were humping the floor. There was a rug on

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Speaker 1: the floor, vividly remember.

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Speaker 2: I blame Hippo. What's it called Pippo? No hobo?

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Speaker 1: That guy is an animal.

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Speaker 3: I had a good idea here, much better than the

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Speaker 3: Surprise Chef TV show.

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Speaker 2: You and Aristos work together if you.

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Speaker 1: Already there, you go on. That's your homework for the weekend.

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Speaker 1: You if you were, you're just like, it's like getting

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Speaker 1: a group of Simon at Uni. You've been us? I get?

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Speaker 1: Will I get? Will we get to go and have

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Speaker 1: a weekend?

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Speaker 4: You?

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Speaker 1: You shut you're with Aristas.

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Speaker 2: If the dynamic jews on Monday, if the.

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Speaker 3: Dynamic duo of you and Aristos can genuinely surprise us,

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Speaker 3: you guys win.

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Speaker 1: What do we win?

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Speaker 2: Don't know yet? And then we need to just stay

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Speaker 2: on our toes, stay alert. We can't be shocked.

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Speaker 1: Oh by the surprise chef, and we win.

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Speaker 3: If you don't do an adequate surprise, you win. If

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Speaker 3: you can surprise. What do you want to put on it?

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Speaker 3: I love that money.

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Speaker 1: Does it need to be within the within the radio.

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Speaker 2: Show content of the show. But I think we need

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Speaker 2: to be doing a show and that Aristos jumps out

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Speaker 2: of the event and he genuinely scares us.

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Speaker 1: Within the two hours of Monday show. At some stage,

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Speaker 1: arist Us, the surprise chef has to surprise us. Yeah great,

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Speaker 1: because I actually don't think I actually don't think he'll

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Speaker 1: be able to.

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Speaker 3: I agree, we're too alert, especially during showtime. We are

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Speaker 3: on showtime.

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Speaker 1: I love this.

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Speaker 2: Yeah, all right, good luck you have seven days finding.

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Speaker 1: Him as well. I don't know where he's going to be,

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Speaker 1: like one of those you know x SA S guys

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Speaker 1: who's buried in the ju the jungle of gam somewhere,

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Speaker 1: and you've got to go and extract him for one

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Speaker 1: final jobs and he's going to be there smoking your cigar,

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Speaker 1: going I don't do surprises anymore.

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Speaker 2: He's wikip to his pages five lines.

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Speaker 1: He's got the wrong thinking of living room. Who is that?

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Speaker 1: Are you thinking of? Gabrielle? Gabrielle. Miguel is apparently Miguel

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Speaker 1: Aristos Aristous, the Surprise Chef, Aristos Pop and Droulakus and.

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Speaker 2: Have no idea who that got?

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Speaker 1: Best known for being the Surprise Chef Show Surprise Chef,

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Speaker 1: which is exactly my He also hosted b Yo Chef,

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Speaker 1: amongst other things. I said, he's born in Yeah, good

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Speaker 1: luck finding him, but yeah, Monday show guys, tune in

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Speaker 1: at some stage surprise.

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Speaker 2: Give him a week, Give him a week. It's it's

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Speaker 2: not fair to give him one day because it'll be

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Speaker 2: so alert on my day.

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Speaker 1: No, I think I think one shows enough. I'm not.

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Speaker 1: I'm not opening every show throughout next week going at

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Speaker 1: any stage. That's too much admins for me, though, what

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Speaker 1: do you mean? You know that he's coming within a

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Speaker 1: two hour period, But then how do I continue to

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Speaker 1: alert the audience all the way through Monday show, all

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Speaker 1: the way through the week that Aristos could surprises at

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Speaker 1: any day just say after.

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Speaker 3: Just when it'll be a moment where like no one

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Speaker 3: gets it and they be like, sorry, everyone, we're going

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Speaker 3: to have to explain. We gave executive producer poop Pants

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Speaker 3: a week to surprise us with the surprise chef of

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Speaker 3: rist Us, and he's bloody done it.

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Speaker 2: You know what I mean.

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Speaker 1: I'm happy with that. If you're happy with that, mean's

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Speaker 1: let's work for me. It means I don't have to

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Speaker 1: back announce it the whole time, because I think when

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Speaker 1: Aristos shocks us, I'll explain to everyone what's going on.

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Speaker 2: Our podcast audience will get it.

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Speaker 1: Yeah, okay, it's a bit of an exclusive for the

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Speaker 1: podcast after good luck, Yeah, good luck? All right, guys,

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Speaker 1: we'll enjoy listening. Obviously, huge great weekend for Pants on

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Speaker 1: the Cards. This job seven days, seven days, seven days?

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Speaker 1: What's that from? Seven days? You just got ringed. That

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Speaker 1: should be a thing. All right, perfect, perfect, perfect everyone ever,

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Speaker 1: wonderful weekend. Enjoy your weekend. Whatever you're doing, George, were

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Speaker 1: you doing this weekend? I don't actually care.

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Speaker 2: The Will and Woody podcast.

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Speaker 1: Yesterday we had a wonderful call from a guy called

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Speaker 1: Adam was who had a real penchant for exotic names.

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Speaker 4: I'm a bit of a name guy. If it's more

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Speaker 4: of a basic name, it just doesn't really.

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Speaker 1: Do it for me.

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Speaker 4: I prefer a more unique name.

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Speaker 3: Can you give me an example of a girl that

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Speaker 3: you met who you don't think had an unusual enough.

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Speaker 2: Name and you ended it because the name was too normal.

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Speaker 4: I'd say, Emma, you know, I feel like I just

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Speaker 4: want something a bit more unique.

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Speaker 1: Wow. Did you tell her that?

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Speaker 4: I didn't tell that. I would have said something along

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Speaker 4: the lines of I've just got to work on myself

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Speaker 4: or something.

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Speaker 1: Adam joins us. Now, Adam, welcome to the show, Having Friday,

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Speaker 1: throw my boy.

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Speaker 3: We love you, Adam, We bloody love you. Let me

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Speaker 3: ask you a question, Adam, is there a girl at

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Speaker 3: all on the scene at the moment with a particularly

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Speaker 3: unique name.

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Speaker 4: No, there's not a There's not a girl on the scene.

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Speaker 7: But there's some unique names that are you know, do

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Speaker 7: fancy the eye?

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Speaker 4: Do fancy the eye?

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Speaker 7: Around local?

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Speaker 1: What what are they? Adam? What what names have they?

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Speaker 4: I do love a bit of a Dakota. That's a

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Speaker 4: great name. Da That's great.

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Speaker 1: What if I throw you like a Lolita Lolita?

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Speaker 4: I could get amongst the Lalita. I'd like to know

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Speaker 4: their last name because I feel like I needs to

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Speaker 4: flow from start to end.

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Speaker 1: I really like Lolita Lopez.

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Speaker 4: Oh, yeah, that's the one double l brother double. That

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Speaker 4: would be great.

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Speaker 1: Nice a love language. Tatiana. How do you feel about that?

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Speaker 4: Oh, Tatia, Yeah, I could get amongst it.

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Speaker 2: Hopefully shouldn't dance if you like the alliteration though? What

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Speaker 2: if it was Tatiana Turner?

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Speaker 8: Oh?

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Speaker 4: I love the Doubles to be honest.

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Speaker 7: It's that's working for me, all right, Adam.

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Speaker 1: Last time we were seing with the Doubles down for

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Speaker 1: now for again. Last time we were speaking to you ads,

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Speaker 1: you were saying that the name effectively becomes a deal

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Speaker 1: breaker for you though, like you can be you can

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Speaker 1: be hitting it off with someone and then you find

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Speaker 1: out that they've got a plane Jane name and then

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Speaker 1: all of a sudden, vanilla and then that undoes all

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Speaker 1: the magic.

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Speaker 4: Yeah, it does to me. It does it if you know,

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Speaker 4: flick that floor off your shoulder and you're like, oh yeah,

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Speaker 4: I'm sorry, my dad.

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Speaker 1: We'll have to we'll have to dump you. Yeah, that's

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Speaker 1: all right, Adam swore, Adam, you're back with us. You've

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Speaker 1: got a warning, Adam, you can't swear. Okay, that's all right, mate,

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Speaker 1: that's all right. It feels like it's like breathing for you.

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Speaker 1: So I just just let's just be careful Friday, and

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Speaker 1: we're going to do because we need to. We need to.

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Speaker 1: We're going to go to a song so that we

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Speaker 1: can actually dump you again in case you swhere. Everyone

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Speaker 1: in the radio industry knows what's going on there. If

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Speaker 1: you don't trust me, we need to go to a

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Speaker 1: song so that we can dump him again. But Adam,

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Speaker 1: what we're going to do is we're going to get

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Speaker 1: some women on the line. Okay, So third one, six five,

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Speaker 1: give us a call. If you're a woman and you've

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Speaker 1: either got a very exotic name or you've got it,

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Speaker 1: you know, it's a.

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Speaker 3: Very don't have to be Jane specifically, but that would

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Speaker 3: work perfectly.

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Speaker 1: Yes, absolutely. And then what we're going to do, Adam,

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Speaker 1: is we're going to do like a blind name test. Okay,

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Speaker 1: so you're going to speak to these women. We're going

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Speaker 1: to see which one you're vibing, because I'm going to

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Speaker 1: be honest, mate, I think you've all of it. I

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Speaker 1: reckon Regon, You're going to reckon. We're going to set

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Speaker 1: you up on a blind date, and I don't think

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Speaker 1: you'll be able to pick the one that is the

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Speaker 1: plane Jane in and amongst.

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Speaker 4: I love a bit of a competition, brother.

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Speaker 1: Well, I love you, Adam. I love you. I just

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Speaker 1: I just I love you more when you're not swearing though. Okay,

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Speaker 1: so we're going to go to a tune. We're going

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Speaker 1: to set this up. We're going to set up your

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Speaker 1: blind exotic panel up next, and you're going to have

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Speaker 1: to pick the diamond in the rough. I had a

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Speaker 1: call from a guy named Adam yesterday with the most

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Speaker 1: outrageous proposition. He seems to think that a plane name

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Speaker 1: is a turn off for him, to the point where

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Speaker 1: he has ended relationships because he wasn't satisfied with how

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Speaker 1: exotic the name was. This is Adam on the show yesterday.

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Speaker 1: Have a listen.

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Speaker 4: I'm a bit of a name guy. If it's more

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Speaker 4: of a basic name, it just doesn't really do it

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Speaker 4: for me. I prefer a more unique name.

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Speaker 3: Can you give me an example of a girl that

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Speaker 3: you met who you don't think had an unusual enough

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Speaker 3: name and you ended it because the name was too normal.

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Speaker 4: I'd say, Emma, you know, I feel like I just

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Speaker 4: want something a bit more unique.

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Speaker 1: Wow. Did you tell her that?

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Speaker 4: No, No, I didn't tell that. I would have said

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Speaker 4: something along the lines of, oh, I've just got to

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Speaker 4: work on myself or something.

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Speaker 1: Now. So Adam, you're back live with this mate, Welcome

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Speaker 1: back to the show. Welcome back, lad Yeah, well, thank you.

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Speaker 2: Thank you for welcoming us back, Adam.

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Speaker 1: I'm much appreciated. Just on that excuse, I'm going to

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Speaker 1: go and work on myself before we get to the

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Speaker 1: exotic name off that you've got to try and pull off,

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Speaker 1: and that we were all talking about it in the

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Speaker 1: meeting room before. That's something that we've all said before.

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Speaker 1: I've got to go to work on. Yeah, yeah, is it?

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Speaker 1: Do you think it's a cop out these days, Adam

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Speaker 1: to say.

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Speaker 4: I've going to go and work all this definitely. Yeah.

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Speaker 4: If I got told that, I would one hundred percent

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Speaker 4: think Yep, she doesn't like me, she doesn't want me. Yeah,

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Speaker 4: it's time to go. Like it's there's no other word

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Speaker 4: to it. If you're saying that you're out, it's just

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Speaker 4: not it.

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Speaker 3: It's just a universal code of I don't want to

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Speaker 3: offend you here, like I don't want to hurt your feelings.

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Speaker 2: There's obviously another reason here. Why is this ending?

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Speaker 1: But I'm gonna go and work at myself. You blame yourself? Yeah, okay,

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00:18:04,000 --> 00:18:07,639
Speaker 1: works chaotic blah blah.

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00:18:08,720 --> 00:18:09,040
Speaker 4: Works.

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Speaker 1: Got to work myself works chaotic blah blah. So you're

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Speaker 1: all right, Adam. At least it's better than ghosting someone.

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Speaker 1: Let me tell you that much, Adam.

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Speaker 3: To the ghostings where I agree with you. What do

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Speaker 3: you do for work, Adams? When you say works chaotic?

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Speaker 3: Would it makes sense?

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Speaker 4: I delivered a brand new cars around Sydney, so I

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Speaker 4: guess I could say can't be on my phone often.

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Speaker 4: I think that's probably my best excuse.

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Speaker 3: Because you're in a car hands free.

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Speaker 4: Yeah, there's just cameras everywhere.

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Speaker 1: Sorry, Yeah, yeah, fair enough, Adam? All right, ads Now,

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Speaker 1: the way this is going to work. Let's get back

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Speaker 1: to your your penchon for the exotic name. The big

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Speaker 1: question of Adam is are you going to be able

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Speaker 1: to tell an exotic name on a woman? Because I

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Speaker 1: actually think, mate, like one of the great one of

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Speaker 1: the great pitfalls of your model is that you you

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Speaker 1: could meet someone that you really like and then you

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Speaker 1: miss out on them because they've got what you would

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Speaker 1: consider to be a plain name.

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Speaker 7: Yeah, and I.

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Speaker 1: Reckon, you're shooting yourself in a foot in the foot

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Speaker 1: of bit there, bro. So what we're gonna do is,

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Speaker 1: we've got three women on the phone right now. Yep, Okay,

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Speaker 1: one of them has an exotic name. Okay, okay, I

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Speaker 1: want you to speak to each of them without swearing

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Speaker 1: and see if you can pick which one has the

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Speaker 1: exotic name. Because I'm gonna be honest, I think that

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Speaker 1: this this mode of yours, of filtering women, I just

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Speaker 1: I don't think it's a good way to go about it.

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Speaker 1: I think you're judging a book on its cover, and

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Speaker 1: I think you'll find that you're gonna pair with something.

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Speaker 1: I think you're gonna pair with someone who's got a

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Speaker 1: plain name. That's what I think. But prove me wrong, Adam.

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Speaker 3: So maybe Adam'm.

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Speaker 4: Asking them all a questions together or separately.

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00:19:54,640 --> 00:19:57,240
Speaker 3: Now separately, so you've got call a one here or

441
00:19:57,359 --> 00:19:59,280
Speaker 3: lady one ask her a question.

442
00:19:59,400 --> 00:20:01,679
Speaker 1: Adam, fine, away, Adam, all right?

443
00:20:02,280 --> 00:20:04,960
Speaker 4: So no, Hello, how's it going?

444
00:20:05,800 --> 00:20:06,240
Speaker 9: Good year?

445
00:20:07,240 --> 00:20:07,400
Speaker 1: Oh?

446
00:20:07,480 --> 00:20:07,640
Speaker 7: Yeah?

447
00:20:07,680 --> 00:20:07,840
Speaker 1: Good?

448
00:20:08,720 --> 00:20:14,560
Speaker 7: My question is what would your favorite artists or music be.

449
00:20:14,600 --> 00:20:15,320
Speaker 4: That you listen to.

450
00:20:16,520 --> 00:20:23,400
Speaker 9: Oh, it would have to be probably uh top fifty

451
00:20:23,920 --> 00:20:24,680
Speaker 9: just recently.

452
00:20:25,160 --> 00:20:27,240
Speaker 8: Just has to be casual because you've got to be

453
00:20:27,280 --> 00:20:29,359
Speaker 8: able to pop off to it at any point.

454
00:20:29,800 --> 00:20:31,000
Speaker 4: Okay, yeah, well.

455
00:20:32,440 --> 00:20:33,840
Speaker 7: Is there any artist specifically, no.

456
00:20:34,000 --> 00:20:35,800
Speaker 1: Adam, that's called that's your first question. To call it.

457
00:20:36,280 --> 00:20:37,840
Speaker 1: I'm going to call it turn now? Sorry mate?

458
00:20:37,880 --> 00:20:39,560
Speaker 4: We are you know?

459
00:20:38,840 --> 00:20:43,040
Speaker 1: Yeah? You gotta call it on Date Night View made

460
00:20:43,040 --> 00:20:46,120
Speaker 1: we live on it, call it to call it too?

461
00:20:46,240 --> 00:20:46,800
Speaker 9: Here you go?

462
00:20:47,960 --> 00:20:50,560
Speaker 4: All right, Hello, how's it going? Hello?

463
00:20:50,600 --> 00:20:51,000
Speaker 1: I'm good?

464
00:20:51,000 --> 00:20:51,399
Speaker 8: How are you?

465
00:20:52,359 --> 00:20:52,560
Speaker 4: Yeah?

466
00:20:52,600 --> 00:20:52,760
Speaker 1: Good?

467
00:20:52,840 --> 00:20:53,320
Speaker 4: Thank you?

468
00:20:54,119 --> 00:20:55,160
Speaker 7: I was just wondering.

469
00:20:55,320 --> 00:20:58,359
Speaker 4: My question for you is how many Instagram followers do

470
00:20:58,400 --> 00:20:58,600
Speaker 4: you have?

471
00:21:00,119 --> 00:21:01,399
Speaker 9: Instagram followers?

472
00:21:01,960 --> 00:21:07,040
Speaker 4: Yeah, two thousands, perfect.

473
00:21:06,840 --> 00:21:08,399
Speaker 2: Okay, let's go to call it three.

474
00:21:09,080 --> 00:21:13,680
Speaker 1: Great question, Adam, So what does Instagram followers give you

475
00:21:13,720 --> 00:21:14,640
Speaker 1: in terms of the name.

476
00:21:14,800 --> 00:21:18,280
Speaker 7: Yes, I tend to think if you're looking up on Instagram,

477
00:21:18,480 --> 00:21:20,800
Speaker 7: the more unique names will be harvest to spell, so

478
00:21:20,880 --> 00:21:28,160
Speaker 7: probably the less followers.

479
00:21:24,560 --> 00:21:25,000
Speaker 8: It's me.

480
00:21:28,200 --> 00:21:31,920
Speaker 1: That's methods you've got.

481
00:21:33,720 --> 00:21:34,640
Speaker 2: Ask your questions.

482
00:21:36,280 --> 00:21:37,160
Speaker 4: How how's it going?

483
00:21:38,760 --> 00:21:38,960
Speaker 1: Hi?

484
00:21:39,359 --> 00:21:44,000
Speaker 9: Hello, gorgeous. I'm good.

485
00:21:44,040 --> 00:21:45,240
Speaker 8: I'm good, having the best day.

486
00:21:47,480 --> 00:21:49,560
Speaker 4: It's about to get even better, I think. To be honest,

487
00:21:51,400 --> 00:21:52,680
Speaker 4: my question to you.

488
00:21:52,840 --> 00:21:56,160
Speaker 7: Is on your vehicle that you drive.

489
00:21:56,480 --> 00:22:00,960
Speaker 4: Considering your drives, do you have personalized number plates?

490
00:22:01,000 --> 00:22:02,600
Speaker 1: Never? Never?

491
00:22:02,800 --> 00:22:03,040
Speaker 4: Never?

492
00:22:03,520 --> 00:22:03,760
Speaker 3: Never?

493
00:22:04,040 --> 00:22:04,440
Speaker 1: Okay?

494
00:22:04,520 --> 00:22:06,160
Speaker 2: And what was the method behind that question?

495
00:22:06,200 --> 00:22:10,040
Speaker 4: Adam? I'm thinking, if you've got a long and complicated name,

496
00:22:10,080 --> 00:22:11,679
Speaker 4: there's a good chance it's not going to flow on

497
00:22:11,720 --> 00:22:12,320
Speaker 4: a number plate.

498
00:22:13,400 --> 00:22:16,639
Speaker 1: Okay. I love it. On the surface, I'm going to

499
00:22:16,680 --> 00:22:19,240
Speaker 1: be honest, it looks chaotic. There's so much more to

500
00:22:19,280 --> 00:22:24,320
Speaker 1: this bike, all right, Adam, Adam, there you're three. Caller one,

501
00:22:24,640 --> 00:22:28,760
Speaker 1: Caller one the top fifty casual music. Caller two is

502
00:22:28,800 --> 00:22:32,000
Speaker 1: the two thousand Instagram followers. Caller three, she hasn't got

503
00:22:32,000 --> 00:22:35,199
Speaker 1: a personalized number plate. Give me your drone, George, Adam,

504
00:22:36,240 --> 00:22:39,520
Speaker 1: over to you. Caller one, Caller two or Caller three.

505
00:22:39,640 --> 00:22:44,159
Speaker 1: Which one of them has the exotic name? Prove your worth.

506
00:22:45,560 --> 00:22:49,320
Speaker 4: I am going to take caller number three.

507
00:22:50,920 --> 00:22:52,840
Speaker 1: Call it number three, Call he number three.

508
00:22:52,920 --> 00:22:55,399
Speaker 2: Do you want to reveal to Adam what your name is?

509
00:22:56,560 --> 00:22:57,440
Speaker 1: Adam?

510
00:22:57,840 --> 00:23:01,159
Speaker 9: I'm so sorry by that. My name is Emma Smith.

511
00:23:02,840 --> 00:23:12,359
Speaker 8: Oh I think you liked them, Adam.

512
00:23:14,200 --> 00:23:14,960
Speaker 4: Maybe it is.

513
00:23:14,920 --> 00:23:18,520
Speaker 1: The Adam Adam. Do you want to know caller one?

514
00:23:18,880 --> 00:23:20,960
Speaker 1: Caller one. Do you want to tell Adam what your

515
00:23:21,040 --> 00:23:21,479
Speaker 1: name is?

516
00:23:21,880 --> 00:23:23,280
Speaker 7: Call Onelilah?

517
00:23:24,600 --> 00:23:24,800
Speaker 8: Oh?

518
00:23:24,920 --> 00:23:26,399
Speaker 4: Yeah, that works.

519
00:23:28,080 --> 00:23:30,960
Speaker 1: This Will and Woody podcast.

520
00:23:31,359 --> 00:23:35,119
Speaker 3: Okay, so I had this encounter with a big Australian

521
00:23:35,160 --> 00:23:41,320
Speaker 3: celebrity on a plane recently. Based on the details of

522
00:23:41,359 --> 00:23:44,560
Speaker 3: this interaction, you think I absolutely cooked it. I disagree

523
00:23:44,560 --> 00:23:46,439
Speaker 3: with you. So I'm going to give the audience an

524
00:23:46,440 --> 00:23:49,240
Speaker 3: opportunity right now just to hear the specs and hear

525
00:23:49,280 --> 00:23:52,199
Speaker 3: the perspective of the story from my angle.

526
00:23:52,520 --> 00:23:53,399
Speaker 1: I don't have an angle.

527
00:23:53,960 --> 00:23:56,560
Speaker 2: You don't have an angle your story. Now, Your angle

528
00:23:56,600 --> 00:23:58,680
Speaker 2: is that I cooked it. You think it was a shocking.

529
00:23:58,520 --> 00:24:00,879
Speaker 1: An angle that's just that's that's that's evident.

530
00:24:01,080 --> 00:24:04,040
Speaker 2: No, no, it's not. And you'll hear in a second. AUSTRALO.

531
00:24:04,760 --> 00:24:07,879
Speaker 1: If I feel like you're skirting on any detail, not

532
00:24:07,920 --> 00:24:08,560
Speaker 1: a problem.

533
00:24:08,720 --> 00:24:13,920
Speaker 3: Now I get onto a plane, I sit down, normally

534
00:24:13,960 --> 00:24:15,320
Speaker 3: I don't recognize anyone.

535
00:24:15,520 --> 00:24:17,080
Speaker 2: I just sit down. I think I'm sitting next to

536
00:24:17,080 --> 00:24:20,200
Speaker 2: two strangers. I just out listening to music whatever. Reading

537
00:24:20,200 --> 00:24:22,000
Speaker 2: the book, classic classic woody.

538
00:24:21,800 --> 00:24:24,000
Speaker 1: Stuff, all right, been much detail at this stage.

539
00:24:24,040 --> 00:24:26,280
Speaker 2: At one stage of the flight, I.

540
00:24:26,359 --> 00:24:27,119
Speaker 1: Walk on a plane.

541
00:24:27,960 --> 00:24:28,879
Speaker 2: Okay, I'll speed it up.

542
00:24:30,800 --> 00:24:34,480
Speaker 1: I get myself and orange treat myselves into don't be nuts.

543
00:24:35,160 --> 00:24:41,040
Speaker 3: So I at one moment, the stewardess has asked if

544
00:24:41,080 --> 00:24:42,760
Speaker 3: I wanted a water, and I was like, yeah, I

545
00:24:42,800 --> 00:24:44,879
Speaker 3: want a water. And then he indicates to the person

546
00:24:44,920 --> 00:24:47,240
Speaker 3: next to me, and I was like, oh, there there

547
00:24:47,320 --> 00:24:48,080
Speaker 3: must be a sleep.

548
00:24:48,480 --> 00:24:50,240
Speaker 2: So I look over at the person.

549
00:24:50,440 --> 00:24:52,240
Speaker 1: You haven't seen the person next to you at this.

550
00:24:52,240 --> 00:24:54,399
Speaker 2: Stage, I haven't recognized you haven't looked at them. I

551
00:24:54,440 --> 00:24:55,360
Speaker 2: haven't looked at them.

552
00:24:55,480 --> 00:24:57,320
Speaker 1: You've looked at them, but you haven't recognized them. I

553
00:24:57,320 --> 00:24:59,560
Speaker 1: haven't recognized Okay, so you have seen them though, yes,

554
00:24:59,600 --> 00:25:00,320
Speaker 1: have they you?

555
00:25:00,680 --> 00:25:03,040
Speaker 2: Well, I'm not sure, Okay, I can't know.

556
00:25:03,560 --> 00:25:06,080
Speaker 3: I then look to my right and the person isn't asleep,

557
00:25:06,119 --> 00:25:09,160
Speaker 3: but they're in this like zombie like state, like their

558
00:25:09,160 --> 00:25:12,760
Speaker 3: eyes are open, but they're just staring forward at a chair.

559
00:25:12,640 --> 00:25:14,600
Speaker 1: Effectively on the way back from the logies, isn't it

560
00:25:14,640 --> 00:25:14,919
Speaker 1: sort of?

561
00:25:15,280 --> 00:25:15,680
Speaker 4: No, it was.

562
00:25:15,800 --> 00:25:17,639
Speaker 3: There was a Sydney trip. It was like a Sydney

563
00:25:17,680 --> 00:25:20,879
Speaker 3: into Melbourne flight. He sort of looked like I've seen

564
00:25:21,000 --> 00:25:25,240
Speaker 3: ho Chi mint before, he's embalmed. He just looked like

565
00:25:25,280 --> 00:25:27,920
Speaker 3: an embalmed man, like he wasn't moving and not really

566
00:25:27,920 --> 00:25:30,840
Speaker 3: responding to any sort of stimulus. And then I sort

567
00:25:30,840 --> 00:25:34,040
Speaker 3: of I touch him or like sort of shake him

568
00:25:34,040 --> 00:25:36,159
Speaker 3: a bit to let him know, like, you know, Johnson

569
00:25:36,280 --> 00:25:38,520
Speaker 3: water mate, like I think you might have died. And

570
00:25:38,560 --> 00:25:41,080
Speaker 3: then at that point he turns and then I recognize him.

571
00:25:41,720 --> 00:25:43,280
Speaker 1: Ah, Now should I reveal who.

572
00:25:43,160 --> 00:25:45,520
Speaker 2: The person is now at this point of the story.

573
00:25:45,359 --> 00:25:46,880
Speaker 1: Hey, I'm not just going to ask a couple. There's

574
00:25:46,880 --> 00:25:47,879
Speaker 1: a couple more questions.

575
00:25:47,680 --> 00:25:51,080
Speaker 3: Here, Okay, Okay, going there, Okay, So I recognize him

576
00:25:51,080 --> 00:25:53,920
Speaker 3: as this Australian celebrity and I've actually I've met him

577
00:25:53,920 --> 00:25:54,760
Speaker 3: a few times before.

578
00:25:55,320 --> 00:25:58,960
Speaker 2: And then I chew his ear off for the remainder

579
00:25:59,000 --> 00:25:59,440
Speaker 2: of the fly.

580
00:25:59,560 --> 00:26:01,680
Speaker 1: Right, So yeah, this is for me where it gets interesting.

581
00:26:01,760 --> 00:26:03,040
Speaker 1: So it's an hour and a half.

582
00:26:04,080 --> 00:26:06,359
Speaker 3: Yeah and a half, yeah, yeah, left, and for the

583
00:26:06,359 --> 00:26:09,160
Speaker 3: rest of the fly Chewy's ear off.

584
00:26:09,400 --> 00:26:12,120
Speaker 2: I really go to town, but he seemed to be.

585
00:26:13,840 --> 00:26:16,440
Speaker 1: Like quite receptive. Yeah, he was to the ear chewing.

586
00:26:16,640 --> 00:26:19,119
Speaker 3: He was adding to the conversation. We were conversing. I

587
00:26:19,119 --> 00:26:21,159
Speaker 3: thought it was really nice. We've both got babies coming up.

588
00:26:21,160 --> 00:26:23,080
Speaker 3: We spoke a lot about that. So at the end

589
00:26:23,119 --> 00:26:24,879
Speaker 3: of it, I was like, I think he loved that

590
00:26:25,600 --> 00:26:27,639
Speaker 3: I noticed him and shook him out of his zombie

591
00:26:27,760 --> 00:26:29,440
Speaker 3: like state, Yeah, and spoke to him.

592
00:26:29,560 --> 00:26:30,640
Speaker 1: So where's your concern.

593
00:26:31,280 --> 00:26:33,200
Speaker 2: My concern is that did he hate that?

594
00:26:33,920 --> 00:26:36,720
Speaker 3: Did My concern is was he not wanting to chat

595
00:26:36,720 --> 00:26:38,520
Speaker 3: because he's on a plane, he was tired or whatever,

596
00:26:38,880 --> 00:26:42,520
Speaker 3: And I've ruined his flight by firstly prodding him and

597
00:26:42,560 --> 00:26:46,080
Speaker 3: then secondly talking at him for an hour. That's my

598
00:26:46,880 --> 00:26:49,320
Speaker 3: You know, I'm a socially anxious guy. I now have

599
00:26:49,440 --> 00:26:51,640
Speaker 3: this feeling like I've just annoyed him for an hour.

600
00:26:52,440 --> 00:26:55,840
Speaker 1: Yes, So your fear is that he recognized you saw

601
00:26:55,960 --> 00:26:59,119
Speaker 1: you quite deliberately looking out the window.

602
00:26:59,240 --> 00:27:00,080
Speaker 2: Yeah, like blanked me.

603
00:27:00,200 --> 00:27:02,959
Speaker 1: And then when you tapped him, what you thought was

604
00:27:03,040 --> 00:27:06,399
Speaker 1: sleepiness was actually just sheer horror as he was like,

605
00:27:07,320 --> 00:27:10,760
Speaker 1: damn it, now I've got an hour. Okay that person

606
00:27:10,840 --> 00:27:13,000
Speaker 1: joins us up next? Bloody, are we saying who he is,

607
00:27:13,040 --> 00:27:16,320
Speaker 1: didn't tell everyone If you're just joining us, I think

608
00:27:16,320 --> 00:27:19,600
Speaker 1: you butchered it with an Australian celebrity on a flight.

609
00:27:19,600 --> 00:27:22,280
Speaker 2: Real quick, I came. I went on to a plane.

610
00:27:22,600 --> 00:27:25,720
Speaker 3: The Australian celebrity clearly blanked me, or I think may

611
00:27:25,720 --> 00:27:26,679
Speaker 3: have been ignoring me.

612
00:27:26,720 --> 00:27:28,120
Speaker 2: We're not one hundred percent sure, though.

613
00:27:28,440 --> 00:27:30,600
Speaker 3: Halfway through the flight I had to poke him to

614
00:27:30,600 --> 00:27:31,560
Speaker 3: see if he wanted a water.

615
00:27:31,880 --> 00:27:33,240
Speaker 2: He was in a zombie like state.

616
00:27:33,560 --> 00:27:36,760
Speaker 3: I nudged him, recognized who he was, and then I

617
00:27:36,800 --> 00:27:39,560
Speaker 3: proceeded to chew his ear off for the remainder of

618
00:27:39,600 --> 00:27:40,040
Speaker 3: the flight.

619
00:27:40,040 --> 00:27:44,160
Speaker 1: And the concern here, and I think most savvy people

620
00:27:46,160 --> 00:27:51,320
Speaker 1: would wonder that they deliberately ignored you, hence why you

621
00:27:51,359 --> 00:27:54,080
Speaker 1: didn't recognize them, because they had their back turned. You

622
00:27:54,200 --> 00:27:55,959
Speaker 1: obviously saw you coming down the plane and they're like,

623
00:27:55,960 --> 00:27:59,040
Speaker 1: oh my god, please don't please don't be forty three

624
00:27:59,040 --> 00:28:02,920
Speaker 1: b please don't pay Before it was just a translation, yeah,

625
00:28:03,119 --> 00:28:05,520
Speaker 1: I said, it was just pure fear. As he was like,

626
00:28:05,560 --> 00:28:07,119
Speaker 1: he looked at his watch and realize, yeah, now I

627
00:28:07,200 --> 00:28:09,560
Speaker 1: lived with you. And that person joins us on the

628
00:28:09,600 --> 00:28:12,440
Speaker 1: phone right now, the one and only Sam Mack.

629
00:28:14,080 --> 00:28:15,199
Speaker 4: Hello, guys.

630
00:28:15,320 --> 00:28:19,160
Speaker 8: I mean, first of all, thank you for my personalized

631
00:28:19,160 --> 00:28:24,040
Speaker 8: theme song. Much appreciate it. That was a long setup.

632
00:28:24,040 --> 00:28:28,160
Speaker 8: I was having flashbacks to the flight took that took

633
00:28:28,200 --> 00:28:30,919
Speaker 8: a long time to get there, and PTSD is kicking in.

634
00:28:30,920 --> 00:28:31,840
Speaker 8: I'm not gonna lie.

635
00:28:32,520 --> 00:28:35,600
Speaker 2: Yeah, I can talk. I can talk now, Mac. Let's

636
00:28:35,600 --> 00:28:37,240
Speaker 2: get down to business mate.

637
00:28:40,680 --> 00:28:45,560
Speaker 1: What He's actually a relatively like withdrawn person in everyday life,

638
00:28:45,560 --> 00:28:47,160
Speaker 1: and there's a lot of people around him. But if

639
00:28:47,160 --> 00:28:50,280
Speaker 1: he gets you one on one in the shark cage. Okay,

640
00:28:50,360 --> 00:28:53,320
Speaker 1: a flight, you know, every flight that Woody and I

641
00:28:53,400 --> 00:28:56,040
Speaker 1: take Sam like we always I always check in well

642
00:28:56,040 --> 00:29:00,000
Speaker 1: before he does, and then sometimes if he gets the email.

643
00:29:00,120 --> 00:29:02,120
Speaker 1: You guys, mate, were sitting next to each other, and

644
00:29:02,160 --> 00:29:06,080
Speaker 1: I'm like, I always get there as quickly and make

645
00:29:06,120 --> 00:29:08,960
Speaker 1: sure so far away from him.

646
00:29:08,960 --> 00:29:11,280
Speaker 8: Well that's wise, that's very wise. I mean, you've learned

647
00:29:11,280 --> 00:29:14,040
Speaker 8: that three years of experience. See, I was blindsided, and

648
00:29:14,080 --> 00:29:16,920
Speaker 8: I think a crucial, a crucial part of this story

649
00:29:17,000 --> 00:29:19,760
Speaker 8: to really give everyone, to bring everyone in. I was

650
00:29:19,880 --> 00:29:23,480
Speaker 8: window seat, he was middle seat. So essentially there was

651
00:29:23,480 --> 00:29:27,160
Speaker 8: a locking situation like it was, it was a hostage situation.

652
00:29:27,680 --> 00:29:30,400
Speaker 8: There was nothing unless I was willing to climb over him,

653
00:29:30,480 --> 00:29:31,840
Speaker 8: and I'm pretty sure he would have grabbed me and

654
00:29:31,840 --> 00:29:35,400
Speaker 8: put me back because he had more to say. I mean,

655
00:29:35,440 --> 00:29:37,480
Speaker 8: I'm trying to I'm trying to describe what it was like,

656
00:29:37,560 --> 00:29:39,960
Speaker 8: you know, when you know it's hard to describe the

657
00:29:40,080 --> 00:29:43,040
Speaker 8: trauma of that day and it's bringing it all back now.

658
00:29:43,080 --> 00:29:45,000
Speaker 8: I haven't had any counseling for it, I promise it,

659
00:29:45,080 --> 00:29:48,160
Speaker 8: But it was like it was like I was front

660
00:29:48,240 --> 00:29:51,040
Speaker 8: row at a TED talk that I hadn't pought tickets.

661
00:29:54,000 --> 00:29:56,280
Speaker 3: How about the moment I found common ground with you

662
00:29:56,360 --> 00:29:57,920
Speaker 3: and me both expecting babies.

663
00:30:01,200 --> 00:30:05,280
Speaker 8: That was nice And we're not exaggerating here, like I

664
00:30:05,440 --> 00:30:08,200
Speaker 8: feel like I know you so well? Now would he like?

665
00:30:08,320 --> 00:30:10,680
Speaker 8: I mean, it wasn't by choice, but I feel like

666
00:30:11,080 --> 00:30:13,280
Speaker 8: I know. I mean, let me, I'm not making this up.

667
00:30:13,320 --> 00:30:15,280
Speaker 8: I can tell you three things that have stuck in

668
00:30:15,320 --> 00:30:18,040
Speaker 8: my brain since that flight that I didn't ask to

669
00:30:18,120 --> 00:30:20,360
Speaker 8: learn any of this, but I learned that he has

670
00:30:20,400 --> 00:30:24,680
Speaker 8: an indoor household plant called Dorian. The detail we went

671
00:30:24,720 --> 00:30:27,880
Speaker 8: to this this has imagine me sitting there just hearing

672
00:30:27,880 --> 00:30:31,760
Speaker 8: all of this. That he's self conscious about the size

673
00:30:31,760 --> 00:30:38,160
Speaker 8: of his legs. He's had some gains and some improvements

674
00:30:38,160 --> 00:30:38,560
Speaker 8: in that era.

675
00:30:38,640 --> 00:30:40,520
Speaker 2: I learned that, yeah, I was talking about that my

676
00:30:40,560 --> 00:30:41,920
Speaker 2: new routine, of course.

677
00:30:42,760 --> 00:30:44,920
Speaker 8: And I learned that, I mean, look, we talked about

678
00:30:45,200 --> 00:30:48,000
Speaker 8: men obviously. Actually that was probably a highlight because it

679
00:30:48,040 --> 00:30:53,800
Speaker 8: wasn't about him. But I learned that to do this

680
00:30:53,840 --> 00:30:56,120
Speaker 8: is how detailed the chat was going. Picture me on

681
00:30:56,160 --> 00:30:57,760
Speaker 8: a fly, and I was a bit known out, I've

682
00:30:57,760 --> 00:30:59,040
Speaker 8: got to admit. So what I like to do on

683
00:30:59,080 --> 00:31:00,920
Speaker 8: flights is I just do stare at the chair in

684
00:31:00,920 --> 00:31:02,560
Speaker 8: front of me, and I just think about weather patterns,

685
00:31:04,960 --> 00:31:08,920
Speaker 8: cloud formations southwesterly. But this is a detail we went to.

686
00:31:09,360 --> 00:31:12,560
Speaker 8: I learned that to improve her bowel movements. She shouts out,

687
00:31:12,640 --> 00:31:13,640
Speaker 8: yaba dabad.

688
00:31:18,920 --> 00:31:23,360
Speaker 1: Whoa, Well, are you really really so sad? So sad?

689
00:31:23,560 --> 00:31:26,760
Speaker 1: Just to wrap this up, because I mean, I'm glad

690
00:31:26,760 --> 00:31:28,760
Speaker 1: that you're able to talk about it. I mean, that's

691
00:31:28,800 --> 00:31:30,960
Speaker 1: that's that's your first step in all of this. I mean,

692
00:31:31,240 --> 00:31:32,800
Speaker 1: I'm sure if i'd have asked you a couple of

693
00:31:32,800 --> 00:31:34,560
Speaker 1: weeks ago, you you still would have been a bit

694
00:31:34,600 --> 00:31:35,480
Speaker 1: of a closed book too.

695
00:31:35,680 --> 00:31:36,360
Speaker 8: I wasn't ready.

696
00:31:36,400 --> 00:31:37,000
Speaker 4: I was ready.

697
00:31:37,080 --> 00:31:39,040
Speaker 1: A lot of people are stuck in denial. A lot

698
00:31:39,080 --> 00:31:42,200
Speaker 1: of people is there is there we need to get

699
00:31:42,200 --> 00:31:44,600
Speaker 1: down to really the bit that I think is most

700
00:31:44,640 --> 00:31:51,560
Speaker 1: important here. Did you see him coming down down the aisle?

701
00:31:51,640 --> 00:31:53,960
Speaker 2: And I tend to bound onto a plane as he's.

702
00:31:53,800 --> 00:31:56,240
Speaker 1: Got a lot of energy, comes in very hot, doesn't

703
00:31:56,280 --> 00:31:59,280
Speaker 1: matter how hungover he is. Did you see him coming down?

704
00:31:59,680 --> 00:32:03,240
Speaker 1: And did you turn and face the window and hope

705
00:32:03,920 --> 00:32:06,760
Speaker 1: and hope that he did not recognize you?

706
00:32:08,320 --> 00:32:09,080
Speaker 4: What do they call it?

707
00:32:09,120 --> 00:32:10,080
Speaker 8: Like fight or flight?

708
00:32:10,320 --> 00:32:11,440
Speaker 1: Yes?

709
00:32:12,120 --> 00:32:15,640
Speaker 8: No, I no, I'm not evil like I genuinely didn't.

710
00:32:16,120 --> 00:32:19,520
Speaker 8: I did not see him coming, okay, and he prayed

711
00:32:19,520 --> 00:32:25,720
Speaker 8: on that this might be an exaggeration, this might be

712
00:32:25,760 --> 00:32:28,360
Speaker 8: an overreaction from me, but I will just to be

713
00:32:28,400 --> 00:32:30,880
Speaker 8: sure that this doesn't happen again. I will never fly quondous.

714
00:32:30,880 --> 00:32:31,960
Speaker 8: I might even fly jet stuff.

715
00:32:32,000 --> 00:32:37,240
Speaker 1: Now, Sam Matte, you're a legend. Thanks so much for

716
00:32:37,320 --> 00:32:40,520
Speaker 1: joining us. Mate. You can always catch Sam on at

717
00:32:40,640 --> 00:32:44,080
Speaker 1: sunrise anytime during the week. Thanks so much for joining us, mate,

718
00:32:44,080 --> 00:32:45,360
Speaker 1: You're a legend. Have a great weekend.

719
00:32:45,880 --> 00:32:47,080
Speaker 8: Really good to chat will.

720
00:32:50,760 --> 00:32:52,360
Speaker 1: Right now thirty one or six five? Do you give

721
00:32:52,400 --> 00:32:54,560
Speaker 1: yourself a more impressive job title.

722
00:32:54,400 --> 00:32:57,160
Speaker 2: Asking the question? Because I mean everyone's having a good laugh.

723
00:32:57,160 --> 00:33:00,600
Speaker 3: Ats Gomo this week, I mean struth or just when

724
00:33:00,600 --> 00:33:02,200
Speaker 3: you thought the jokes would run out because he's not

725
00:33:02,240 --> 00:33:05,400
Speaker 3: the PMN for anymore, we find out that he gave

726
00:33:05,480 --> 00:33:07,560
Speaker 3: himself a whole bunch of jobs and didn't really tell

727
00:33:07,560 --> 00:33:10,400
Speaker 3: anyone about it. So his job title went from Prime

728
00:33:10,400 --> 00:33:14,320
Speaker 3: Minister to Prime Minister who is the Minister of Health,

729
00:33:14,800 --> 00:33:17,760
Speaker 3: Minister of Finance, Resources, Home Affairs and.

730
00:33:17,680 --> 00:33:18,880
Speaker 2: He was also the Treasurer.

731
00:33:20,760 --> 00:33:24,120
Speaker 3: How's that for an email sign off from sco MA

732
00:33:25,200 --> 00:33:26,360
Speaker 3: real flex from the Big Tar.

733
00:33:27,760 --> 00:33:30,120
Speaker 2: I just find it hilarious. I find the whole thing

734
00:33:30,240 --> 00:33:30,800
Speaker 2: so funny.

735
00:33:30,800 --> 00:33:33,760
Speaker 3: Well, now let's got a Mitchell on thirteen one oh

736
00:33:33,880 --> 00:33:38,080
Speaker 3: six five. Mitchell, you've been like scom You've given yourself

737
00:33:38,080 --> 00:33:40,280
Speaker 3: a more impressive job title. So let's start off with

738
00:33:40,360 --> 00:33:42,400
Speaker 3: the impressive job title and then tell us what your

739
00:33:42,440 --> 00:33:43,280
Speaker 3: job actually was.

740
00:33:44,080 --> 00:33:45,240
Speaker 4: Yeah, good afternoon boys.

741
00:33:45,280 --> 00:33:47,520
Speaker 8: I was an underwater theremic technician.

742
00:33:47,480 --> 00:33:49,880
Speaker 1: Underwater ceramic technician.

743
00:33:50,320 --> 00:33:51,600
Speaker 2: And then what did you actually do?

744
00:33:52,600 --> 00:33:56,400
Speaker 1: I was a dishwasher in a restaurant. Not bad, not bad.

745
00:33:56,480 --> 00:34:00,480
Speaker 1: Matchech music not bad, amazing, Mitch, let's go Sam.

746
00:34:00,600 --> 00:34:04,920
Speaker 3: All right, Pam, let's start off with the job title

747
00:34:04,960 --> 00:34:05,840
Speaker 3: you gave yourself.

748
00:34:06,680 --> 00:34:09,839
Speaker 4: I am I'm an illumination advisor.

749
00:34:10,360 --> 00:34:14,319
Speaker 2: Illumination advisors. Hang on, you didn't have a job where

750
00:34:14,360 --> 00:34:15,719
Speaker 2: it has turned the lights on it off?

751
00:34:15,760 --> 00:34:18,680
Speaker 4: Did you pan you're getting up at warm?

752
00:34:19,320 --> 00:34:19,920
Speaker 2: What did you do?

753
00:34:21,280 --> 00:34:23,040
Speaker 9: I actually work at Beacon Lighting.

754
00:34:26,800 --> 00:34:29,600
Speaker 1: No, that's a tough that's I'd almost say you are

755
00:34:30,160 --> 00:34:31,920
Speaker 1: an illumination advisor.

756
00:34:32,080 --> 00:34:33,279
Speaker 2: You're not really lying, are you know?

757
00:34:33,400 --> 00:34:35,960
Speaker 1: Because that's really Yeah. I don't want to get into

758
00:34:35,960 --> 00:34:37,759
Speaker 1: it too much, but everyone's been to a light shop.

759
00:34:37,800 --> 00:34:40,520
Speaker 1: It's bloody tough going in there. There's a lot going on.

760
00:34:40,840 --> 00:34:43,320
Speaker 2: I've never been, so they just sell lights.

761
00:34:43,680 --> 00:34:49,080
Speaker 1: Yes, it's very overwhelming. You get in there, it's it's tough.

762
00:34:49,160 --> 00:34:50,719
Speaker 3: Can you ask me that you know when you're drive

763
00:34:50,840 --> 00:34:52,680
Speaker 3: past like a beacon light and I don't mean to

764
00:34:52,719 --> 00:34:54,840
Speaker 3: be having a crack at Beacon Eggs all lighting stores do.

765
00:34:54,920 --> 00:34:57,160
Speaker 1: I've got the fans going and the lights in.

766
00:34:57,120 --> 00:34:59,280
Speaker 3: The middle of the night, you know, when you're walking

767
00:34:59,320 --> 00:35:03,000
Speaker 3: home bit pit drunk responsibly of course, and the lights

768
00:35:03,000 --> 00:35:04,000
Speaker 3: are all just bloody on.

769
00:35:04,480 --> 00:35:07,040
Speaker 2: Yeah, do they pam, do you just leave the lights

770
00:35:07,040 --> 00:35:07,919
Speaker 2: on twenty four to seven?

771
00:35:08,640 --> 00:35:09,200
Speaker 7: No?

772
00:35:09,200 --> 00:35:11,520
Speaker 4: No, And we don't have all the lights on Helles,

773
00:35:13,480 --> 00:35:15,279
Speaker 4: we have probably fifty percent of them.

774
00:35:15,320 --> 00:35:15,600
Speaker 8: Moron.

775
00:35:16,680 --> 00:35:17,839
Speaker 9: What we do is night time.

776
00:35:17,920 --> 00:35:19,680
Speaker 4: Here we turn everything off, of course.

777
00:35:19,600 --> 00:35:21,440
Speaker 2: Right, Okay, look at you coming to the defense of

778
00:35:21,520 --> 00:35:28,160
Speaker 2: beacon lighting. Let's go now, Nicole.

779
00:35:28,239 --> 00:35:31,080
Speaker 3: Let's click off with the impressive job title and then

780
00:35:31,120 --> 00:35:32,560
Speaker 3: tell us what you actually did.

781
00:35:33,160 --> 00:35:34,399
Speaker 9: Okay, so here it is.

782
00:35:34,560 --> 00:35:36,719
Speaker 8: I'm an equine health assistant.

783
00:35:37,360 --> 00:35:41,680
Speaker 2: Equine health assistant, yep. And what do you actually do?

784
00:35:42,520 --> 00:35:44,440
Speaker 9: I'm a stable ham. I just shovel horse cut for

785
00:35:44,480 --> 00:35:44,799
Speaker 9: a livery.

786
00:35:48,400 --> 00:35:54,680
Speaker 2: They were bloody good. But but I think it'd be

787
00:35:54,680 --> 00:35:55,480
Speaker 2: remissive us.

788
00:35:55,360 --> 00:35:57,160
Speaker 3: Not to play a phone call we received on this

789
00:35:57,200 --> 00:36:00,640
Speaker 3: show recently from a bloke who gave himself a rather

790
00:36:00,719 --> 00:36:03,919
Speaker 3: extraordinary title for really a nothing job.

791
00:36:04,760 --> 00:36:06,840
Speaker 4: So it's a plumbing commissioner engineer.

792
00:36:07,320 --> 00:36:09,440
Speaker 1: And basically what I do is once the plumber, the

793
00:36:09,480 --> 00:36:12,360
Speaker 1: real plumber's finished doing the work, I basically just walks

794
00:36:12,440 --> 00:36:14,200
Speaker 1: through to an iPad and look at it.

795
00:36:14,280 --> 00:36:18,160
Speaker 4: Yep, she's right. The engineer picks this one off.

796
00:36:20,719 --> 00:36:23,439
Speaker 8: Will and Woody, that's the more in just a bit

797
00:36:24,600 --> 00:36:26,000
Speaker 8: the Will and Woody podcast.

798
00:36:26,120 --> 00:36:29,840
Speaker 1: Right now, Woods, it's your baby shower tomorrow. Very exciting

799
00:36:29,880 --> 00:36:35,560
Speaker 1: times huge, huge, Now is quite a lovely sentiment behind this.

800
00:36:35,920 --> 00:36:38,960
Speaker 1: Your partner mim wants to do it because ordinarily baby

801
00:36:38,960 --> 00:36:42,360
Speaker 1: showers are just a female's caper, a woman's caper.

802
00:36:42,480 --> 00:36:43,480
Speaker 2: Yes, this was her idea.

803
00:36:43,560 --> 00:36:45,520
Speaker 3: She said she just found it weird that guys weren't

804
00:36:45,520 --> 00:36:47,640
Speaker 3: involved in the baby shower. And she said there's already

805
00:36:47,680 --> 00:36:50,759
Speaker 3: going to be a slight disconnect between the guy and

806
00:36:50,840 --> 00:36:54,440
Speaker 3: the baby because it's not inside them. So she was like,

807
00:36:54,520 --> 00:36:56,040
Speaker 3: I want all the guys to come and want you

808
00:36:56,080 --> 00:36:58,320
Speaker 3: to be there, so it's it's our baby shower.

809
00:36:58,400 --> 00:36:58,640
Speaker 1: Nice.

810
00:36:58,840 --> 00:36:59,960
Speaker 2: Yeah, which is a really nice touch.

811
00:37:00,040 --> 00:37:02,360
Speaker 1: It is. It's a nice idea. But but do you

812
00:37:02,360 --> 00:37:04,240
Speaker 1: think she regrets getting you involved?

813
00:37:04,640 --> 00:37:04,879
Speaker 4: Why?

814
00:37:04,960 --> 00:37:05,640
Speaker 2: Why would you say that?

815
00:37:05,760 --> 00:37:06,400
Speaker 1: Number of things?

816
00:37:07,080 --> 00:37:07,520
Speaker 2: No, I don't.

817
00:37:07,560 --> 00:37:10,640
Speaker 3: I think I've been a pretty valuable player in organizing

818
00:37:10,680 --> 00:37:13,040
Speaker 3: what is going to be a bloody, outstanding affair.

819
00:37:13,320 --> 00:37:15,799
Speaker 1: Great, because the chats I've had with you so far

820
00:37:15,960 --> 00:37:22,000
Speaker 1: have been private chats, private chats. A few things have

821
00:37:22,080 --> 00:37:24,520
Speaker 1: come up have been private chat. First of all, they

822
00:37:24,560 --> 00:37:27,600
Speaker 1: asked you to organize the beer. I'm not you don't

823
00:37:27,680 --> 00:37:33,200
Speaker 1: drink beer. Lobbed it to me in the car. What

824
00:37:33,239 --> 00:37:39,000
Speaker 1: beers a boy? The boys drinking? I was like, you know,

825
00:37:39,120 --> 00:37:41,520
Speaker 1: just beer, and you were like, yeah, but what should

826
00:37:41,520 --> 00:37:44,120
Speaker 1: we go for and then you said I think I

827
00:37:44,160 --> 00:37:46,279
Speaker 1: was going to go for a bolter, yeah, boulder and

828
00:37:46,320 --> 00:37:50,480
Speaker 1: a stony wood and a stone and wood. Yes. And

829
00:37:50,520 --> 00:37:52,360
Speaker 1: then I said which bolter and you said.

830
00:37:54,239 --> 00:37:55,279
Speaker 2: I was going to get the bloody bolter.

831
00:37:55,440 --> 00:37:58,280
Speaker 1: Yeah. So you have no idea. So the drinks you've cooked,

832
00:37:58,280 --> 00:38:01,439
Speaker 1: the beers, yeah, sheeted that today. Mim got the beers.

833
00:38:01,440 --> 00:38:03,280
Speaker 2: In the end, she added that one to her huge

834
00:38:03,280 --> 00:38:04,279
Speaker 2: list of jog On.

835
00:38:05,880 --> 00:38:08,120
Speaker 1: Guests. You only invited me yesterday.

836
00:38:08,440 --> 00:38:11,399
Speaker 2: So the thing is, So the thing is, she sent

837
00:38:11,480 --> 00:38:11,680
Speaker 2: me a.

838
00:38:11,680 --> 00:38:15,320
Speaker 1: Message saying, please tell me, Please tell me that I

839
00:38:15,400 --> 00:38:20,520
Speaker 1: invited you to Mimmy's baby shower. No, definitely not. You said,

840
00:38:20,960 --> 00:38:26,040
Speaker 1: please just come. Don't tell me that you're only finding out.

841
00:38:25,880 --> 00:38:28,480
Speaker 3: Today, she said to me, she said to me on Tuesday,

842
00:38:28,560 --> 00:38:32,719
Speaker 3: She goes, I want you to because I've invited the

843
00:38:32,760 --> 00:38:34,680
Speaker 3: people that I'm closer with, and she invited all people

844
00:38:34,680 --> 00:38:36,600
Speaker 3: she's close with. And she sent me this map of

845
00:38:36,640 --> 00:38:38,440
Speaker 3: where people should park, and she goes, can you just

846
00:38:38,480 --> 00:38:40,920
Speaker 3: pass it under the people you've invited? And I was like,

847
00:38:41,280 --> 00:38:43,920
Speaker 3: I don't know what I've invited. I didn't make a list,

848
00:38:44,200 --> 00:38:46,160
Speaker 3: and she was like, what do you mean? Then She's like, so,

849
00:38:46,160 --> 00:38:47,839
Speaker 3: how many people are going to be at this baby shower?

850
00:38:47,880 --> 00:38:52,120
Speaker 1: And don't know, mate, because you don't know how many people.

851
00:38:52,719 --> 00:38:54,400
Speaker 3: I have no idea because I think I've done it

852
00:38:54,480 --> 00:38:58,080
Speaker 3: in person with a few people I can't remember who.

853
00:38:58,719 --> 00:39:02,640
Speaker 2: Well, I don't know. I'm like when I'm out. I

854
00:39:02,719 --> 00:39:05,640
Speaker 2: got to my gun Saturday morning and say to Mim, I.

855
00:39:05,560 --> 00:39:07,799
Speaker 3: Think a few other people are coming to the baby shower,

856
00:39:07,840 --> 00:39:10,919
Speaker 3: but I can't be sure, right, I can't be sure.

857
00:39:11,080 --> 00:39:12,239
Speaker 1: And it's at her family home.

858
00:39:12,600 --> 00:39:14,600
Speaker 3: Yeah, so there was a strict you know, no more

859
00:39:14,600 --> 00:39:16,440
Speaker 3: than sixty people. I mean, I could have invited two

860
00:39:16,520 --> 00:39:17,120
Speaker 3: hundred people.

861
00:39:17,200 --> 00:39:19,480
Speaker 2: Jesus, sure, I don't know. I wouldn't have. I wouldn't

862
00:39:19,480 --> 00:39:20,840
Speaker 2: have more mature than that.

863
00:39:20,880 --> 00:39:23,120
Speaker 1: All right, so you don't. So you cook the drinks,

864
00:39:23,160 --> 00:39:25,680
Speaker 1: you cook the guests. Yeah, but I think when it

865
00:39:25,719 --> 00:39:27,200
Speaker 1: came down to what you were wearing, she took it

866
00:39:27,200 --> 00:39:31,120
Speaker 1: off your hands. Well, your baby shower not true, but

867
00:39:31,160 --> 00:39:33,000
Speaker 1: you all know you dressed like a twelve year old.

868
00:39:33,200 --> 00:39:33,719
Speaker 2: That is true.

869
00:39:33,800 --> 00:39:35,440
Speaker 1: Times you don't wear jocks, that is.

870
00:39:35,400 --> 00:39:37,920
Speaker 2: True, Mim said to me really gently.

871
00:39:38,320 --> 00:39:40,160
Speaker 3: She said, I'm wearing this color and it would be

872
00:39:40,160 --> 00:39:42,919
Speaker 3: really nice if you like could wear a color which

873
00:39:43,000 --> 00:39:46,040
Speaker 3: sort of compliments that, And I was like, I don't

874
00:39:46,040 --> 00:39:49,040
Speaker 3: know what that means. So I said to her, I'm

875
00:39:49,040 --> 00:39:51,120
Speaker 3: not sure if I if I can manage that task.

876
00:39:51,520 --> 00:39:54,560
Speaker 3: So I said, you just you decide what I wear like.

877
00:39:54,640 --> 00:39:56,279
Speaker 3: I'm so happy for you to do that because this

878
00:39:56,360 --> 00:39:57,960
Speaker 3: is your really special day. I know how much you're

879
00:39:57,960 --> 00:39:59,880
Speaker 3: looking forward to it. I want you to choose what

880
00:40:00,360 --> 00:40:02,400
Speaker 3: so we look good in the photos, et cetera. Now,

881
00:40:02,480 --> 00:40:05,359
Speaker 3: when I said that offer, what I meant was, you've

882
00:40:05,400 --> 00:40:08,920
Speaker 3: got free rain of my cupboards. Go pick what you like.

883
00:40:09,719 --> 00:40:11,879
Speaker 3: I've bought them I like. Then she took it as

884
00:40:12,320 --> 00:40:16,439
Speaker 3: shopping spree for Woody. So she has five outfits which

885
00:40:16,520 --> 00:40:17,520
Speaker 3: we have a fitting tonight.

886
00:40:18,360 --> 00:40:19,239
Speaker 1: Wow, so at a bit of.

887
00:40:19,239 --> 00:40:20,799
Speaker 2: A catwalk tonight at home.

888
00:40:20,840 --> 00:40:22,919
Speaker 1: As to what you can wear at your baby shower.

889
00:40:22,960 --> 00:40:25,320
Speaker 2: Yeah, so look one, look two, look three.

890
00:40:25,160 --> 00:40:26,759
Speaker 1: And you've sent some of them to me because we

891
00:40:26,800 --> 00:40:29,080
Speaker 1: had a bit of a laugh about this yesterday. Where

892
00:40:29,080 --> 00:40:30,120
Speaker 1: did she go shopping?

893
00:40:31,239 --> 00:40:33,840
Speaker 2: Like a shopping center, like a mall right, she was

894
00:40:33,840 --> 00:40:34,479
Speaker 2: all over the place.

895
00:40:34,480 --> 00:40:36,400
Speaker 3: She's pregnant too, so she was like, my grinds are

896
00:40:36,440 --> 00:40:38,359
Speaker 3: on five and I'm going to find you the perfect.

897
00:40:38,239 --> 00:40:41,080
Speaker 1: Fit, because I mean some of these like, yeah, I

898
00:40:41,080 --> 00:40:43,879
Speaker 1: mean it looks like you should be probably selling real

899
00:40:44,000 --> 00:40:44,920
Speaker 1: estate in Malibu.

900
00:40:46,080 --> 00:40:47,600
Speaker 3: But maybe that's the look we're going for. I'm not

901
00:40:47,640 --> 00:40:50,920
Speaker 3: sure that would be the esthetic that are.

902
00:40:50,760 --> 00:40:53,880
Speaker 1: We having a baby or we're buying a house in California.

903
00:40:54,560 --> 00:40:56,160
Speaker 2: There might be a thing. I wouldn't know what the theme.

904
00:40:56,280 --> 00:40:59,400
Speaker 1: But there's also like this kind of like haggard hobo one.

905
00:40:59,440 --> 00:41:01,200
Speaker 3: So I think Mim tries to do is she knows

906
00:41:01,239 --> 00:41:02,640
Speaker 3: I like the dilapidated look.

907
00:41:02,760 --> 00:41:05,759
Speaker 1: Yeah, right, So you don't like that, that's just that's

908
00:41:05,760 --> 00:41:08,959
Speaker 1: just what happens to your clothes for ten years change.

909
00:41:09,000 --> 00:41:11,319
Speaker 1: But I managed to like that line.

910
00:41:11,320 --> 00:41:13,319
Speaker 3: I've managed to convince it that my style, so I

911
00:41:13,320 --> 00:41:15,719
Speaker 3: don't have to buy new clothes. So what she tries

912
00:41:15,760 --> 00:41:17,759
Speaker 3: to do is get like what she thinks is fashionable

913
00:41:17,800 --> 00:41:20,600
Speaker 3: but also looks a bit haggard, yes, because if it's

914
00:41:20,600 --> 00:41:21,160
Speaker 3: too clean.

915
00:41:21,760 --> 00:41:24,840
Speaker 1: And she also for this shocking Danny Zuko at the

916
00:41:24,920 --> 00:41:27,200
Speaker 1: end of Grease number looks it looks like matter of.

917
00:41:27,239 --> 00:41:32,880
Speaker 3: Carpet though it's like a carpet bomber jacket.

918
00:41:32,880 --> 00:41:33,240
Speaker 4: Jacket?

919
00:41:34,480 --> 00:41:34,839
Speaker 2: Is it hard?

920
00:41:34,960 --> 00:41:38,560
Speaker 3: Note to that one stood up for myself there I'm sorry, Mim,

921
00:41:38,560 --> 00:41:40,080
Speaker 3: I can't win one.

922
00:41:41,280 --> 00:41:44,480
Speaker 1: What is that? Can you describe that? It's a jacket,

923
00:41:44,520 --> 00:41:47,719
Speaker 1: It's a cream It's a cream sports jacket with a.

924
00:41:47,760 --> 00:41:51,160
Speaker 3: Darker cream collar. It's a shocking look. I think she

925
00:41:51,320 --> 00:41:53,400
Speaker 3: got that one. So that'll be in the catwalk.

926
00:41:53,520 --> 00:41:55,280
Speaker 1: She got that whe and that'll be in the fitting.

927
00:41:55,320 --> 00:41:57,839
Speaker 2: I think can you wear that? No, well, i'll see

928
00:41:57,840 --> 00:41:59,239
Speaker 2: it looks in the fitting. To be honest with I

929
00:41:59,280 --> 00:41:59,839
Speaker 2: don't know what's going.

930
00:41:59,840 --> 00:42:00,399
Speaker 1: To be gone.

931
00:42:00,800 --> 00:42:03,680
Speaker 2: It might look great on Maybe I'm a look good in.

932
00:42:03,719 --> 00:42:10,120
Speaker 1: The cream, right, Okay, so tomorrow when I get there, Yeah,

933
00:42:10,920 --> 00:42:12,680
Speaker 1: assuming I can age at a car park.

934
00:42:12,920 --> 00:42:13,600
Speaker 2: Oh, that'll be hard.

935
00:42:13,600 --> 00:42:15,799
Speaker 1: I don't think you've said with the address. I don't

936
00:42:15,800 --> 00:42:17,319
Speaker 1: think there's going to be a beer for me to drink.

937
00:42:17,520 --> 00:42:19,799
Speaker 1: Probably not, And I need to make sure that i'm

938
00:42:19,840 --> 00:42:21,319
Speaker 1: rocking up. I'm buying the place.

939
00:42:21,960 --> 00:42:23,600
Speaker 2: Yeah, that'd be good because that might be the theme.

940
00:42:23,640 --> 00:42:24,479
Speaker 2: I'm actually not sure.

941
00:42:24,840 --> 00:42:26,880
Speaker 3: Well, given that she's chosen those clothes for me, I

942
00:42:26,920 --> 00:42:31,320
Speaker 3: think the theme is Malibu real estate or babies.

943
00:42:31,680 --> 00:42:35,080
Speaker 1: Maybe. All right, we're looking forward to Yeah, great awesome crager.

944
00:42:35,120 --> 00:42:38,280
Speaker 2: Yeh, it's gonna be an awesome Will and Woody.

945
00:42:38,400 --> 00:42:40,520
Speaker 1: We get to repitch the ideas which didn't make the

946
00:42:40,560 --> 00:42:45,759
Speaker 1: show this week. It's our rejected ideas. It's Will and

947
00:42:45,840 --> 00:42:49,520
Speaker 1: Woody's rejected ideas we pitch.

948
00:42:49,840 --> 00:42:53,040
Speaker 3: If we pitch far too many ideas, so many of them,

949
00:42:53,080 --> 00:42:56,360
Speaker 3: eighty percent of them, Seriously, eighty percent of the ideas.

950
00:42:56,000 --> 00:42:58,720
Speaker 2: We pitch would end up on the cutting room floor,

951
00:42:58,760 --> 00:43:01,000
Speaker 2: which is a shame. I feel sorry for you, guys.

952
00:43:01,080 --> 00:43:02,040
Speaker 2: I feel sorry for you, guys.

953
00:43:02,040 --> 00:43:03,319
Speaker 1: Confetti on the floor.

954
00:43:03,800 --> 00:43:05,640
Speaker 2: But golden confetti were many of them.

955
00:43:05,719 --> 00:43:07,720
Speaker 3: So we get to repitch a few ideas that didn't

956
00:43:07,719 --> 00:43:10,120
Speaker 3: make the show for about ten minutes on a Friday,

957
00:43:10,160 --> 00:43:12,160
Speaker 3: and then you choose the idea that you would like

958
00:43:12,239 --> 00:43:13,120
Speaker 3: to see happen.

959
00:43:13,640 --> 00:43:15,120
Speaker 2: Will do you want to kick things off? Or would

960
00:43:15,120 --> 00:43:15,719
Speaker 2: you like me to?

961
00:43:16,719 --> 00:43:19,799
Speaker 1: Oh, kick it off today? Thank you, jaky, I'll kick

962
00:43:19,840 --> 00:43:23,279
Speaker 1: it off today. Sorry. There was a scientist during the week,

963
00:43:23,520 --> 00:43:25,359
Speaker 1: not sure what his name was, not sure where it

964
00:43:25,440 --> 00:43:29,960
Speaker 1: was good start poop pants letting you pitch the story mate.

965
00:43:30,200 --> 00:43:33,560
Speaker 1: I think it was a scientist who developed legs for snakes.

966
00:43:33,560 --> 00:43:35,200
Speaker 1: Oh no, I know that bit mate's the prestige. I

967
00:43:35,239 --> 00:43:38,080
Speaker 1: haven't delivered that yet. I actually read the stories you

968
00:43:38,120 --> 00:43:39,719
Speaker 1: take the words out of my mouth. I read the story.

969
00:43:39,719 --> 00:43:40,680
Speaker 1: I don't asked where it was.

970
00:43:40,760 --> 00:43:43,320
Speaker 2: It's an engineer in America who did it in his garage.

971
00:43:43,400 --> 00:43:46,800
Speaker 1: Yeah. Great, So he effectively is trying to rebuild legs

972
00:43:46,840 --> 00:43:49,560
Speaker 1: for snakes because he feels sorry for snakes.

973
00:43:49,840 --> 00:43:51,240
Speaker 2: So apparently they used to have legs.

974
00:43:52,440 --> 00:43:59,279
Speaker 1: No, that's the biblical story. The story I don't know,

975
00:43:59,440 --> 00:44:03,040
Speaker 1: but the story in the Bible is that God punished snakes,

976
00:44:03,800 --> 00:44:06,279
Speaker 1: but he said to them, he took He took their

977
00:44:06,360 --> 00:44:08,759
Speaker 1: legs off them for the deal that the snake does

978
00:44:08,800 --> 00:44:11,640
Speaker 1: with even he goes right, shouldn't have done that? Give

979
00:44:11,640 --> 00:44:13,840
Speaker 1: me your legs now you'll slither on your belly for

980
00:44:13,840 --> 00:44:16,080
Speaker 1: the rest of your life. Of course, so this guy

981
00:44:16,120 --> 00:44:20,399
Speaker 1: feels sorry for snakes. Yes, My question on thirty six

982
00:44:20,520 --> 00:44:25,759
Speaker 1: five is which animal do you feel most sorry for? Oh,

983
00:44:25,880 --> 00:44:30,839
Speaker 1: that's good and and why? Because I instantly.

984
00:44:30,320 --> 00:44:32,480
Speaker 2: Have one, don't go into it.

985
00:44:34,440 --> 00:44:37,719
Speaker 3: Choosing because I have got a it's a it's a

986
00:44:37,719 --> 00:44:39,480
Speaker 3: shame to do it to you. I've got a pretty

987
00:44:39,480 --> 00:44:41,560
Speaker 3: hot one this week as well. And my question is

988
00:44:41,600 --> 00:44:45,520
Speaker 3: this just a simple question, no news story, no news

989
00:44:45,600 --> 00:44:46,800
Speaker 3: is just a personal.

990
00:44:48,880 --> 00:44:52,640
Speaker 2: Question. Have you ever buried your jocks? There it is.

991
00:44:54,200 --> 00:44:56,360
Speaker 1: I mean, the fun for me comes the personal.

992
00:44:56,800 --> 00:44:59,800
Speaker 3: The personal angle is MIM's mum used to bury your jocksman,

993
00:45:00,080 --> 00:45:02,719
Speaker 3: it was a kid's wine because she didn't like wearing them.

994
00:45:03,160 --> 00:45:06,640
Speaker 3: She hated wearing jocks so much that she'd go and

995
00:45:06,680 --> 00:45:08,600
Speaker 3: bury them. And her dad would be at the back

996
00:45:08,680 --> 00:45:12,480
Speaker 3: doing the garden and be like, my show, you're buried, jos.

997
00:45:13,760 --> 00:45:17,600
Speaker 1: Okay, let's go to the course, Brooklyn, which what do

998
00:45:17,640 --> 00:45:19,920
Speaker 1: you want to hear? Have you ever buried your jocks?

999
00:45:20,719 --> 00:45:23,520
Speaker 1: Or which animal do you feel most sorry for?

1000
00:45:26,000 --> 00:45:27,520
Speaker 4: You've left me with a hard choice.

1001
00:45:27,520 --> 00:45:31,719
Speaker 9: To be honest, i'd probably I'll probably go with with

1002
00:45:31,880 --> 00:45:33,239
Speaker 9: the animal one.

1003
00:45:33,440 --> 00:45:35,319
Speaker 1: Oh god, I think you'd be.

1004
00:45:35,239 --> 00:45:37,560
Speaker 9: Pretty hard pressed to find someone who would be in

1005
00:45:38,080 --> 00:45:38,840
Speaker 9: that situation.

1006
00:45:39,239 --> 00:45:42,480
Speaker 2: Yeah, fair enough, Brooklyn. You're a pessimist. I get it.

1007
00:45:42,600 --> 00:45:44,240
Speaker 1: No, I know that she's I think she's a realist.

1008
00:45:45,560 --> 00:45:46,400
Speaker 1: I think she's a realist.

1009
00:45:46,400 --> 00:45:47,560
Speaker 2: There's a lot of jock barriers.

1010
00:45:48,000 --> 00:45:52,359
Speaker 1: Let's go to Sarah. Could I Sarah, would you rather

1011
00:45:52,400 --> 00:45:53,880
Speaker 1: hear which animally feel most sorry for?

1012
00:45:54,000 --> 00:45:54,120
Speaker 8: Or?

1013
00:45:54,120 --> 00:45:56,880
Speaker 1: Have you buried your jocks? Probably?

1014
00:45:57,280 --> 00:45:58,560
Speaker 4: Have you buried your job? Yes?

1015
00:46:00,400 --> 00:46:01,279
Speaker 2: Yes, good call.

1016
00:46:01,480 --> 00:46:03,239
Speaker 1: Delinquent's still among them?

1017
00:46:03,480 --> 00:46:03,680
Speaker 4: Cool?

1018
00:46:03,719 --> 00:46:04,839
Speaker 2: Okay, let's go to Kate.

1019
00:46:04,920 --> 00:46:08,200
Speaker 3: Now, Kate, the question is simple, would you like to

1020
00:46:08,239 --> 00:46:10,160
Speaker 3: hear which animal do you feel most sorry for?

1021
00:46:10,640 --> 00:46:13,799
Speaker 2: Or have you ever buried your jocks? And reasonable? Kate

1022
00:46:13,840 --> 00:46:16,160
Speaker 2: and I apologize reasonable, very good ideas.

1023
00:46:16,360 --> 00:46:17,040
Speaker 1: Be reasonable.

1024
00:46:17,760 --> 00:46:20,960
Speaker 9: The inner widow in the is super torn because I

1025
00:46:20,960 --> 00:46:24,040
Speaker 9: think both come up some really funky conversations.

1026
00:46:24,040 --> 00:46:25,400
Speaker 4: But I've got to go with the jocks.

1027
00:46:25,640 --> 00:46:31,239
Speaker 1: Oh my god, Kate, what are you thinking? Kate? We've

1028
00:46:31,239 --> 00:46:34,160
Speaker 1: got to do't we have your whole talk? Break about

1029
00:46:34,160 --> 00:46:36,360
Speaker 1: this now, which relies on calls.

1030
00:46:36,400 --> 00:46:37,440
Speaker 2: I better start setting up.

1031
00:46:37,480 --> 00:46:39,319
Speaker 1: What do you need to set up?

1032
00:46:39,640 --> 00:46:44,880
Speaker 2: Thirteen one oh sixty five? Have you ever buried your jocks?

1033
00:46:45,239 --> 00:46:48,120
Speaker 2: And why? Why the hell did you marry?

1034
00:46:48,200 --> 00:46:48,920
Speaker 1: It's a great question.

1035
00:46:49,040 --> 00:46:49,960
Speaker 2: MIM's Ma'm Michelle.

1036
00:46:50,000 --> 00:46:51,319
Speaker 3: If you're listening, give us a p.

1037
00:46:53,840 --> 00:46:55,720
Speaker 1: It's our rejected ideas.

1038
00:46:58,120 --> 00:47:02,719
Speaker 2: It's will and Woody's rejected. I love you, Australia.

1039
00:47:03,160 --> 00:47:04,000
Speaker 1: I love you.

1040
00:47:04,000 --> 00:47:05,080
Speaker 2: You've gone for mine.

1041
00:47:04,840 --> 00:47:06,360
Speaker 1: This week, totally unreasonable.

1042
00:47:06,360 --> 00:47:07,160
Speaker 2: You voted for mine.

1043
00:47:07,200 --> 00:47:08,879
Speaker 1: I actually had a very good discussion there.

1044
00:47:08,880 --> 00:47:10,799
Speaker 2: You should read pict yours on Monday. It's good.

1045
00:47:10,960 --> 00:47:12,600
Speaker 1: Don't tell me to read pitch.

1046
00:47:13,040 --> 00:47:14,959
Speaker 2: So now that I've won your already was way better.

1047
00:47:15,000 --> 00:47:16,640
Speaker 3: But I love you Australia. It's a Friday, let's go

1048
00:47:16,680 --> 00:47:19,880
Speaker 3: for the weird. One thirty one, six or five. Have

1049
00:47:20,000 --> 00:47:23,839
Speaker 3: you ever buried your jocks? And I've been inspired will

1050
00:47:24,480 --> 00:47:27,200
Speaker 3: buy my fiance's mother who.

1051
00:47:27,080 --> 00:47:30,680
Speaker 2: Knows in law soon to be mother in law. No surprise, she's.

1052
00:47:30,680 --> 00:47:31,319
Speaker 1: Tried to get her on.

1053
00:47:31,400 --> 00:47:33,040
Speaker 2: Yeah, we were trying to get Michelle on because she

1054
00:47:33,080 --> 00:47:34,600
Speaker 2: is the inspiration behind the story.

1055
00:47:34,640 --> 00:47:37,239
Speaker 3: But when she was a young girl just didn't like

1056
00:47:37,280 --> 00:47:40,360
Speaker 3: the feel of jocks, didn't like wearing them, so to get.

1057
00:47:40,239 --> 00:47:43,759
Speaker 2: Around and she would bury her jocks in the backyard.

1058
00:47:44,120 --> 00:47:47,560
Speaker 2: Apparently her dad would do the gun and just be like.

1059
00:47:47,880 --> 00:47:58,359
Speaker 1: Oh, Tiffany's god, if you buried your jocks, Yes, I have.

1060
00:47:59,080 --> 00:48:01,040
Speaker 2: Amazing tiff Why.

1061
00:48:02,400 --> 00:48:05,680
Speaker 9: So I had a boy staying over for the first time,

1062
00:48:06,680 --> 00:48:08,600
Speaker 9: and I was very embarrassed that he was going to

1063
00:48:08,680 --> 00:48:09,760
Speaker 9: hear me go to the toilet.

1064
00:48:09,800 --> 00:48:11,160
Speaker 7: I'm not sure why.

1065
00:48:11,200 --> 00:48:15,239
Speaker 9: So I ran to my backyard to through my business.

1066
00:48:15,600 --> 00:48:18,480
Speaker 9: Didn't quite make it because I was busting, So I

1067
00:48:18,600 --> 00:48:20,759
Speaker 9: left my underweight in the garden because I didn't want

1068
00:48:20,800 --> 00:48:25,000
Speaker 9: to take them inside let out.

1069
00:48:27,120 --> 00:48:30,520
Speaker 1: So he walked back in totally jockless.

1070
00:48:31,320 --> 00:48:33,320
Speaker 9: I did, Yes, how old.

1071
00:48:33,160 --> 00:48:33,560
Speaker 1: Were you too?

1072
00:48:35,640 --> 00:48:38,880
Speaker 4: This was like last year, So last year.

1073
00:48:41,120 --> 00:48:42,919
Speaker 1: Jocks in the garden last year.

1074
00:48:44,400 --> 00:48:46,640
Speaker 8: Yeah, I did extraordinary.

1075
00:48:46,880 --> 00:48:47,640
Speaker 2: The only thing you can do.

1076
00:48:48,080 --> 00:48:52,480
Speaker 1: Tim, I've got this guy, so he's he's sleeping over right,

1077
00:48:52,600 --> 00:48:55,920
Speaker 1: So he does he suspect anything when you go outside.

1078
00:48:57,280 --> 00:48:59,239
Speaker 9: No, he was asleep, but I was scared I was

1079
00:48:59,239 --> 00:48:59,960
Speaker 9: going to wake him up.

1080
00:49:00,280 --> 00:49:02,239
Speaker 3: Yeah, I used to if I used to go and

1081
00:49:02,280 --> 00:49:05,640
Speaker 3: way outdoors when I would stay at ladies houses.

1082
00:49:05,680 --> 00:49:08,160
Speaker 2: But mine wasn't a bury my jocks. Mine was just

1083
00:49:08,360 --> 00:49:10,000
Speaker 2: because I always fought when I went in.

1084
00:49:09,960 --> 00:49:12,399
Speaker 3: The morning, and I was like, you'll hear it from

1085
00:49:12,440 --> 00:49:21,440
Speaker 3: the better get out in nature, these wild totally.

1086
00:49:21,440 --> 00:49:24,880
Speaker 2: Well, there's got a may now, May you've buried your jocks.

1087
00:49:25,719 --> 00:49:28,120
Speaker 7: I have guys, by the way, I.

1088
00:49:28,080 --> 00:49:32,400
Speaker 1: Love this a pretty lady, but it's just trust me.

1089
00:49:32,520 --> 00:49:35,200
Speaker 5: A lot of blogs have cold but the producers have

1090
00:49:35,239 --> 00:49:37,360
Speaker 5: decided they don't want to put those calls to it.

1091
00:49:37,960 --> 00:49:40,239
Speaker 2: May, why did you bury your jocks?

1092
00:49:40,960 --> 00:49:43,520
Speaker 9: Look, I was I was about seven, and I was

1093
00:49:43,520 --> 00:49:46,000
Speaker 9: in the middle of a pretty solid dance routine in

1094
00:49:46,000 --> 00:49:49,440
Speaker 9: my room, and yeah, I just really needed to go.

1095
00:49:49,840 --> 00:49:53,839
Speaker 9: So yeah, I took took the jocks off and took

1096
00:49:53,880 --> 00:49:56,720
Speaker 9: a squad over deducted heating and buried.

1097
00:50:00,880 --> 00:50:05,200
Speaker 1: Sorry, made two seconds, made a few questions, why what do.

1098
00:50:05,160 --> 00:50:06,839
Speaker 2: You when you went to go and take away over

1099
00:50:06,880 --> 00:50:07,680
Speaker 2: the ducted heating.

1100
00:50:08,080 --> 00:50:10,640
Speaker 3: I get that I've done that, but mate, why why

1101
00:50:10,920 --> 00:50:11,959
Speaker 3: lay your jocks down?

1102
00:50:13,160 --> 00:50:15,759
Speaker 9: Well, there was a bit of leakage, so like I

1103
00:50:15,840 --> 00:50:17,839
Speaker 9: just had to hide the evidence as well.

1104
00:50:18,120 --> 00:50:25,480
Speaker 1: So jocks in the duct yeah yeah o