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Speaker 1: The Will and Woody podcast Life. We pitched so many

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Speaker 1: great ideas well. But the way this show works, the

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Speaker 1: producers choose the ideas that make the radio show, and

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Speaker 1: it just it gets to Friday and it's like, you, guys,

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Speaker 1: you missed some goals.

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Speaker 2: You missed the good gear you missed out and the good.

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Speaker 1: Gear you didn't have the vision that Will and Forest.

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Speaker 2: From the trees? Would they try? They try? You and

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Speaker 2: I were visionaries. We are visionaries.

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Speaker 1: We see things that other people don't. Absolutely, so we

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Speaker 1: both repitch an idea that didn't make the show. Would

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Speaker 1: you like me to go first? Or would you like

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Speaker 1: to go?

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Speaker 2: No, you can in the mate.

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Speaker 1: Look. I think we received a fantastic phone call earlier

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Speaker 1: in the week. I think we're asking have you ever

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Speaker 1: had to quit your job because you did something so embarrassing?

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Speaker 1: And a woman told a story about a collie who

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Speaker 1: did this.

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Speaker 3: When I was about to set and I was working

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Speaker 3: in the UK and a sales office and there's a

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Speaker 3: guy who was on my team, and there's about forty

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Speaker 3: so like fully grown man. We had a big gal's

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Speaker 3: presentation of all the top dogs, about fifteen of us

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Speaker 3: in there around the table everyone's presented his turn to

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Speaker 3: stand up.

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Speaker 4: I don't know if he just didn't do his figures.

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Speaker 3: Or what, but he stands up, opens his laptop, chucks

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Speaker 3: his hand in the air, goes ooh AALL's on the floor,

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Speaker 3: but tends to pass out laser For about five minutes,

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Speaker 3: Everyone's just looking around like what's going on? He gets up,

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Speaker 3: walks out and never returned.

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Speaker 1: What what okay? Firstly, great story. Secondly, we discussed off

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Speaker 1: here that I think the hardest thing to do in

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Speaker 1: the world is to fake facts. Yes, so my idea

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Speaker 1: is people call up on thirteen one oh sixty five,

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Speaker 1: we just engage in a conversation with them, and at

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Speaker 1: some point in the chat they have to try and

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Speaker 1: pull off a fake faint.

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Speaker 2: That it's hard to do the ball I feel like

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Speaker 2: on the phone on the phone, hm, I mean you

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Speaker 2: just go silent, wouldn't you.

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Speaker 1: Well, I'd hope they give a little bit more feather

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Speaker 1: than that. That's why the idea didn't make the show.

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Speaker 1: But that's the bit. That's just a whole lot of

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Speaker 1: people getting themselves off.

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Speaker 4: Now.

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Speaker 2: Look, you know, you know I'm on your teammate, brother.

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Speaker 2: This is you and man against the world. But you know,

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Speaker 2: I do feel like there's a penny for the producers there.

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Speaker 1: That's not a bad Oh you fell into a chest

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Speaker 1: of drawers and you hear the cutleries mash.

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Speaker 2: Okay, so yeah, okay, no, great, it's going to be

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Speaker 2: an audible faint ye audible. It's got to be an

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Speaker 2: audible faint. Yeah. I do like this sound of that.

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Speaker 1: Okay, thank you.

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Speaker 2: Oh mine's pretty. So so I went when I was

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Speaker 2: in I mean I'm in MCM at the moment, visiting

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Speaker 2: Semi's family, and I went to London with my brother

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Speaker 2: over the over the weekend last weekend, had a great time.

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Speaker 2: Went to a radio station over there called NTS, which

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Speaker 2: is like a public online radio station to go and

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Speaker 2: check it out. And the guy over there the show

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Speaker 2: I listened to, he doesn't have producers that produce the show, right,

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Speaker 2: so he just takes calls live on the show, right,

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Speaker 2: so he just answers them and goes, good, how you going,

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Speaker 2: and they just go straight to air right So here

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Speaker 2: on William Woody, the calls go through the producers. You know,

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Speaker 2: they basically check if you've got a ship story on that,

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Speaker 2: and they can if you're crap. But if you're good,

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Speaker 2: you get on the show. Right, That's how it works.

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Speaker 2: I mean, anyone called the show would know that. So

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Speaker 2: he just answers them right now. I I love the

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Speaker 2: sound of that, Woods, I love the sound of the

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Speaker 2: rawness of that. You know, you get someone on there,

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Speaker 2: you never know what they're going to say, you never

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Speaker 2: know what they're going to do. It's live, it's real anyway.

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Speaker 2: So I just thought you and I could just take

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Speaker 2: a few live calls on the show.

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Speaker 1: We'll get get the dumb button. Ready. It's a Friday,

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Speaker 1: you know, it's Friday morning there, so I thinks it's

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Speaker 1: still civilized. It's a Friday afternoon here.

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Speaker 2: Redd worried, the producers worried. Dump the can you hear me?

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Speaker 1: Jade does no vetting ot soide. I mean, I mean,

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Speaker 1: I'm keen, I'm keen. What do you want from it?

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Speaker 1: What do you want from it? What are they going

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Speaker 1: to be calling about?

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Speaker 2: Yeah, so basically you and I would pick something for

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Speaker 2: them to call about. Oh yeah, and then we just

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Speaker 2: we just choose them based on their name.

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Speaker 1: Okay, so just pick it. Just taking life.

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Speaker 2: So it's just like let's just just just you and

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Speaker 2: me taking live calls on a topic.

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Speaker 1: Well, I'm down for it. I'm down for it.

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Speaker 2: Yeah, I think that'd be fun. I also think that

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Speaker 2: the audible fainting.

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Speaker 1: What do we get it? Why do we get a

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Speaker 1: bit of both? Why do we get a bit of both?

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Speaker 1: So iregon call us now thirteen one oh six five.

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Speaker 1: This is the first time in our show's history. You

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Speaker 1: will not be vetted by the producers. So you call

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Speaker 1: right now, and we would just be picking names at random, okay,

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Speaker 1: and engaging with you okay, and you can talk about

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Speaker 1: whatever you want and sugar on the cake if you

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Speaker 1: fake a faint halfway through.

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Speaker 2: Yes, I love that. Are you guys know Pooie or

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Speaker 2: Analyse and Joe they all sit outside and they basically

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Speaker 2: just don't put you on if they think you're can

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Speaker 2: I swear, or if they don't like you. Yeah, we

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Speaker 2: want to hear from you, guys. We want to speak

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Speaker 2: to you. So we're giving you effectively a green pass

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Speaker 2: to skip the queue. Just comes straight on air with us.

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Speaker 2: And this is where this is the genius of the

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Speaker 2: Freedom Friday bit. So we'll take whatever call we want here, guys,

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Speaker 2: just based on the name or the number that's popped

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Speaker 2: up in the phone box, and then we'll have a

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Speaker 2: chat with you about whatever you like, Yeah, Friday gear

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Speaker 2: and then if you can throw a fake faint in there,

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Speaker 2: I mean, that is absolute sult day magic on the top.

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Speaker 1: That's perfect radio for mine, that's perfect radio. So we've

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Speaker 1: got a No, we don't even know the names of

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Speaker 1: these people because usually that's what the producers do when

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Speaker 1: they're vetting. So we've just well, you're you're live on air.

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Speaker 1: Whoever you are?

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Speaker 2: What's your name?

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Speaker 1: Hi?

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Speaker 5: Hi?

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Speaker 2: What's your name?

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Speaker 4: My name is Mula.

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Speaker 1: How are you my next door neighbor, Bula?

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Speaker 6: No, well, where.

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Speaker 4: Do you live?

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Speaker 6: Well, I've been trying to get tickets to Adsaran.

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Speaker 1: Oh damn, I'm going to stop you right there, volume

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Speaker 1: stumping you.

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Speaker 2: Right there now.

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Speaker 1: Obviously, I'm just realizing a big betting process is the

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Speaker 1: prize pigs that are just going the giveaways. So there

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Speaker 1: is there is a reason why they Well, thanks for

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Speaker 1: the call for I don't think that Lisa will be

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Speaker 1: calling about that, will a Lisa Alyssa, What you're live

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Speaker 1: on air? What would you like to chatter to us about?

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Speaker 7: Hi?

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Speaker 8: Well, I don't know, just driving home, so I can't

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Speaker 8: really fake a faint, but I did have an idea,

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Speaker 8: but I thought it might be dangerous to do it

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Speaker 8: in the car.

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Speaker 1: Oh yeah first, but yeah, no, I just wanted to say,

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Speaker 1: maybe you guys change yeah, changing.

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Speaker 8: Your intro song because Will has hair now, so that.

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Speaker 1: Is what do you think we should change the intro

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Speaker 1: song too, Like, what would you say about Will now

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Speaker 1: that he's got hair? What's what's the feature we could

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Speaker 1: focus on? Maybe, Melissa?

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Speaker 8: Oh, I mean, I guess maybe you could still make

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Speaker 8: it about hair, but.

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Speaker 1: It could be what he's got long hair and Will

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Speaker 1: also has hair?

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Speaker 9: Thanks a listener, listen, how often you listen to the show?

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Speaker 9: But this is nice, Well, tell us.

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Speaker 2: A bit about yourself. What do you do with yourself?

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Speaker 8: I just wake in Queensland health, so yeah, I'm driving

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Speaker 8: into the city pretty much every day. I live in Brisbane,

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Speaker 8: so yeah.

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Speaker 1: Beautiful unless call any time, call the show anytime. It's

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Speaker 1: a love way to meet you.

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Speaker 2: And that's the magic. Thanks a listen, that's the magic.

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Speaker 2: She hasn't got on their beforewards because the producers health.

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Speaker 1: Why do you keep projecting? Why do you say no

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Speaker 1: to a listen?

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Speaker 2: Usually?

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Speaker 1: Was this the first time she's got on air, has

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Speaker 1: never called us before. I don't know what she's talking about.

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Speaker 1: For a second, why does it say next to work,

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Speaker 1: don't pick up? What's going on there?

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Speaker 2: Next to her name?

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Speaker 1: You're reading legends all we've got another random number here.

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Speaker 1: We don't know who is random person? You're live on air?

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Speaker 8: Whatever?

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Speaker 2: Hello?

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Speaker 10: Hello?

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Speaker 1: Hello? What's your name?

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Speaker 4: Angels?

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Speaker 6: Hi?

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Speaker 1: Angel?

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Speaker 2: Angel?

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Speaker 11: Hi?

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Speaker 1: What are you doing?

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Speaker 8: I'm going good, not gonna lie.

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Speaker 4: I was just asking my mom what I should talk about.

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Speaker 1: Say what did mum suggest?

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Speaker 4: She was like, tell them about how you're going into

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Speaker 4: defence and.

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Speaker 1: Stuff about how you're going into the fence.

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Speaker 3: Yeah, defense, Wow, Angel, Yes, that's awesome.

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Speaker 2: What are you going to do? You choose in the

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Speaker 2: air the Navy.

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Speaker 8: As well that we're going to make a whole family thing.

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Speaker 1: Do you like top gun?

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Speaker 3: Yeah?

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Speaker 11: For sure.

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Speaker 1: You watch you watch your code name. If you have

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Speaker 1: to pick a code name right now, for like your

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Speaker 1: pilot name, what would it be?

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Speaker 4: Probably Angel, because like my name's true. No, man, I'm

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Speaker 4: so bad though.

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Speaker 5: It's not sick though.

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Speaker 2: I thought she was going for a fake faint there. Off.

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Speaker 2: I really thought that was all right.

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Speaker 1: Well, thanks for calling Andrew. Good luck becoming a pilot.

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Speaker 1: I feel I feel safe already knowing that you are

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Speaker 1: going to be joining the Air Force. Let's get another

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Speaker 1: caller here. Well, this is fun, this should just be

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Speaker 1: the radio show.

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Speaker 2: I told you. I told you. It's just nice to

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Speaker 2: speak to the people.

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Speaker 1: I'm excited to hear their voice. The random person you're

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Speaker 1: live on air. What's your name?

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Speaker 6: I'm Sarah.

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Speaker 1: Excuse me, Sarah. Hi. You don't have to give me

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Speaker 1: your full name, just just your first name is fine.

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Speaker 1: What are you up to, Sarah?

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Speaker 11: Oh?

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Speaker 1: Actually I was judging my phone and then I find

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Speaker 1: out it's not on.

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Speaker 9: Oh, and I'm lucky.

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Speaker 4: I have five you know, stirre a battery on my

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Speaker 4: phone and our.

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Speaker 2: Oh you great to hear from you. What do you

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Speaker 2: do with yourself, sarahkena.

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Speaker 4: Ah, yes, cooking?

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Speaker 1: What what's your go to dish? Sarah? Like, if you

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Speaker 1: had to, like, if you had to impress Gordon Ramsey,

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Speaker 1: make one dish? What would you make?

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Speaker 9: Oh?

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Speaker 4: I would like to cook a butter chicken.

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Speaker 1: Oh, I love chicken. What's the secret to your buttered chicken? Sarah?

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Speaker 4: Oh, the sauce of the chicken, coo, butter, the chicken

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Speaker 4: and the butter. Of course, I'm always goodstening.

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Speaker 2: Maybe we'll sing it. Will send you a can you

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Speaker 2: hear it? Stubby holder? That's for you to have with

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Speaker 2: your buttered chicken enjoy?

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Speaker 5: Yes, thank you?

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Speaker 2: Good on?

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Speaker 1: Your woods is so great.

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Speaker 2: That's called six five. You don't stop, Let's just do

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Speaker 2: it the rest of the hours, Brendan, you live on

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Speaker 2: any hey, boys, I got a proposal, okay for a

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Speaker 2: segment Yeao Will's in Europe.

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Speaker 1: Why don't you get the crazy the cat lady back on?

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Speaker 5: Try spot him.

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Speaker 1: I don't mind it, Brendan, I don't, no, Ducy no.

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Speaker 2: Alrighty, So can you tell that between beerou soft drink?

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Speaker 2: Just by the sound of the can opening? Wouldrow a

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Speaker 2: very special edition of Can you Hear It? Over here?

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Speaker 2: I'm in Amsterdam at the moment. My partner Sam is Dutch,

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Speaker 2: so I'm visiting her family with our little girl Max.

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Speaker 2: So we're going to do a Dutch edition of Amsterdam

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Speaker 2: and Amster Can you hear It? I think feeling it before,

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Speaker 2: which I like love that. I don't know how we

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Speaker 2: didn't get Heineken to sponsor it. And because we haven't

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Speaker 2: got Heineken to sponsor it, we're not opening heinekens. Screwm,

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Speaker 2: we're opening amstalls. And now look, Captain poops. We'll discuss this.

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Speaker 2: We've discussed this. We'll just just this, just how he

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Speaker 2: is about as useless as a chocolate a teapot made

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Speaker 2: of chocolate. He's over here, He's over here doing nothing.

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Speaker 2: He sits here, he comes in the studio, tends to

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Speaker 2: studio on his own. He's one job today was get

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Speaker 2: beers and soft drinks. Now he's clearly hasn't got a

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Speaker 2: company credit card over here, or he tried to use

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Speaker 2: the company visa and it got rejected because he has

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Speaker 2: got these shittest beers and soft drinks. You could possibly

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Speaker 2: imagine if you're in Amsterdam, you go, I'll go and

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Speaker 2: get some heinekens, and then I'll go and get you know,

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Speaker 2: a typical European Coca Cola would have loved to have

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Speaker 2: seen that, but no. So I'll kick it off today

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Speaker 2: with ken you hear it for the Amsterdam edition. I've

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Speaker 2: got Amstall Amstall Beer, which is a famous which is

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Speaker 2: a famous Dutch beer. The Amsterdam is actually named after

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Speaker 2: the damning of the Amstell river.

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Speaker 1: And just need the history of mate let's crack some cans,

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Speaker 1: shall we. Let's go, and he's.

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Speaker 2: Got a lemon He's got a lemon flavored beer, Amstell

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Speaker 2: Beer Lemon.

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Speaker 1: So it's a lemon beer. What's the soft drink?

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Speaker 2: I'm going to turn his mic and he can explain

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Speaker 2: himself a little bit here. I couldn't read. I was panicked.

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Speaker 1: That does sound like you a.

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Speaker 2: Lemon favored amstall or a raddler? Is that? And then

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Speaker 2: for the soft drink, I've got a doctor footz.

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Speaker 1: Doctor is that a dr pepper tweak? Oh? Completely different, doctor.

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Speaker 2: I've got no idea where that is. But Ash, I'm

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Speaker 2: so sorry. I don't know what these are going to

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Speaker 2: sound like. It's one hundred bucks acan, I do apologize.

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Speaker 2: Are you ready to go? Okay?

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Speaker 5: All right?

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Speaker 2: Here we go. So beer or soft prig based on

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Speaker 2: the sounding can opening, I don't think we can call

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Speaker 2: out of these beer or soft drink, to be honest.

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Speaker 2: So the game feels nowhere.

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Speaker 6: But here we go.

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Speaker 4: Oh God, that is awful. I'm going soft drink.

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Speaker 2: That is incorrect.

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Speaker 1: To my ear, that sounded a lot like a soft drink.

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Speaker 1: I mean, obviously, the lemon centered factor of the beer.

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Speaker 1: Maybe it's half lemonade half beer. Because that certainly sounded

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Speaker 1: like a soft drink. Will.

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Speaker 4: They might never be lemon in a beer, but anyway,

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Speaker 4: that's all right.

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Speaker 2: Guys, have yourself. Can you hear it'sby holder Ash love

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Speaker 2: it here? I'm sorry about that. You've You've come under

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Speaker 2: the worst game of fact. Can you possible?

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Speaker 1: Let's go to Michael here it is one hundred bucks

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Speaker 1: of can Michael, here we go to make the first

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Speaker 1: ever edition of International Can you hear it? Opening amster cans?

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Speaker 1: Usually you're pretty bad at this, Michael, Yeah, pretty much. Okay,

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Speaker 1: well maybe you'll be I love your honesty, but maybe

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Speaker 1: you'll be good at this, because let's be honest. These

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Speaker 1: aren't saying like beers or soft drinks to me.

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Speaker 11: Will, first one didn't sound all right?

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Speaker 2: Crack in Will, Okay, here we go, Mate, it's Michael.

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Speaker 5: I didn't even hear it.

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Speaker 1: Hang on, you spoke over at Michael, you spoke go

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Speaker 1: over it, Will was Will was leaving suspense. Well you're

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Speaker 1: gonna have to redraw, Will, You're gonna have to go

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Speaker 1: draw draw Sorry, Michael, he was leaving a pause for

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Speaker 1: dramatic effect.

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Speaker 2: He draw Michael.

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Speaker 5: Silence Yeah, that's a soft drink for sure.

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Speaker 2: That's Michael.

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Speaker 1: Yes, yes, Michael.

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Speaker 2: A patented doctor foots. Now. I know before we get

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Speaker 2: to can two, we probably all want to know what

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Speaker 2: a doctor Foots actually is, so I'll give you a quip.

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Speaker 2: It's Dr Pepper. Yeah, there you go.

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Speaker 1: I thought with the doctor, and there couldn't be another

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Speaker 1: doctor out there making softering surely. All right, Michael, you're

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Speaker 1: on a hundred bucks. Great can too? For two hundred bucks, Michael,

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Speaker 1: that's a bee.

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Speaker 2: Bang Michael's mind. Wow, he's not normally good to this

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Speaker 2: amster can here.

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Speaker 5: I'm starting to shake guys.

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Speaker 2: Two hundred parks Michael, Gee whiz. All right, let's go

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Speaker 2: to camp three. Mickey, here we go.

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Speaker 5: Oh soft drink?

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Speaker 1: You're sorry, man? That bloody lemon scented am still be.

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Speaker 6: Quick?

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Speaker 2: Trigg of that as Well's disgusting, disgusting. I'm so sorry, Michael.

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Speaker 2: You can have yourself a Can you hear holder? That's

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Speaker 2: for you? Mate? International? Can you hear what an edition?

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Speaker 1: It was?

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Speaker 2: My God of the male.

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00:16:56,280 --> 00:16:59,040
Speaker 12: Today, Frontier Touring and MG Live are proud to be

354
00:16:59,080 --> 00:17:02,520
Speaker 12: bringing back global superstar ed Sharan for stadium shows around

355
00:17:02,560 --> 00:17:05,400
Speaker 12: Australia starting in January with the Loop Tour. Frontier Free

356
00:17:05,440 --> 00:17:08,040
Speaker 12: sale starts Monday, with all tickets on sale next Tuesday.

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00:17:08,080 --> 00:17:09,920
Speaker 12: For details here to Frontier Touring dot com.

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Speaker 2: Oh beautiful stuff this double pass to go and see

359
00:17:14,640 --> 00:17:19,320
Speaker 2: Ed doing his Loop national to Would Trow and look

360
00:17:19,359 --> 00:17:20,960
Speaker 2: this is all to do with Old Phone one of

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Speaker 2: the new songs of his brand new record play. Yes.

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Speaker 1: We are playing a game called old Phone Messages. So

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00:17:26,760 --> 00:17:29,560
Speaker 1: I'm going to read a message right now, and it

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00:17:29,640 --> 00:17:32,760
Speaker 1: is either a message that I have sent you or

365
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Speaker 1: that you Will have sent me. So Casey, it is

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Speaker 1: your job right now to tell me did I write

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Speaker 1: this message or did Will write this message?

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Speaker 3: Okay?

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00:17:43,280 --> 00:17:44,560
Speaker 1: Do you think you know us? Well?

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Speaker 2: Oh?

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Speaker 4: I hope, so, I really hope.

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Speaker 1: So okay. Well, waiting on the other line is Vicky. Vicky.

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Speaker 1: If Casey gets this wrong, you are the one going

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Speaker 1: to see Ed. Okay, Vicky does not want you to

375
00:17:59,440 --> 00:18:01,800
Speaker 1: get this right, Casey. But here is the text message.

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Speaker 1: If you're early and want to get a petty let

377
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Speaker 1: me know. Okay, do you think I wrote that to Will?

378
00:18:11,880 --> 00:18:13,800
Speaker 1: Ordered Will write that to me?

379
00:18:15,840 --> 00:18:20,160
Speaker 4: Oh? I think you wrote it to Will?

380
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Speaker 2: Which one of us would would would put a load

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Speaker 2: of time into their manicuring their nails.

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Speaker 1: Petty's feet, mate, Petty's feet.

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Speaker 2: Well, you've just given it away. Woods. I think, given

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Speaker 2: that I didn't know what it.

385
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Speaker 1: Was, Casey, you're going to say it so much. You're

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Speaker 1: welcome how you're taking case.

387
00:18:42,280 --> 00:18:44,480
Speaker 4: I think my son, Oh, I think there's going to

388
00:18:44,520 --> 00:18:46,399
Speaker 4: have to be a favorite child thing happening here and

389
00:18:46,520 --> 00:18:47,600
Speaker 4: here does the most work.

390
00:18:47,440 --> 00:18:58,680
Speaker 1: For men just hanging over their heads, Casey.

391
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Speaker 2: Casey Woods, where taking one of you guys to logis?

392
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Speaker 1: Who's the foul Great?

393
00:19:02,600 --> 00:19:05,600
Speaker 13: Voting is open for the sixty years tvwek Ladio was

394
00:19:05,800 --> 00:19:07,879
Speaker 13: to vote for your favorite stars of shows. Head to

395
00:19:07,920 --> 00:19:11,440
Speaker 13: tvweklogis dot com dot au and watch the tvweek Logis

396
00:19:11,480 --> 00:19:14,640
Speaker 13: live from Sydney Sunday, August three on seven to see

397
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Speaker 13: who wins.

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Speaker 1: Like you didn't call me a hoy. So we want

399
00:19:19,880 --> 00:19:24,639
Speaker 1: one of you guys to help us effectively prank every

400
00:19:24,720 --> 00:19:27,520
Speaker 1: single news outlet that's going to be at the logis

401
00:19:27,920 --> 00:19:31,240
Speaker 1: in two Sundays times. So we kind of want to

402
00:19:31,320 --> 00:19:37,280
Speaker 1: find a doppelganger of an Australian TV celebrity. So if

403
00:19:37,320 --> 00:19:40,360
Speaker 1: you do think you you do look like an Australian

404
00:19:40,680 --> 00:19:43,960
Speaker 1: TV celebrity. Go to Willelmooy dot com, go to the

405
00:19:43,960 --> 00:19:48,640
Speaker 1: wind page there register because if you actually do look

406
00:19:48,800 --> 00:19:51,720
Speaker 1: like a TV star, we're gonna take you to the

407
00:19:51,720 --> 00:19:54,520
Speaker 1: logis and then the plan is that we will chuck

408
00:19:54,560 --> 00:19:56,639
Speaker 1: you on the Red Carpet. You're one hundred percent have

409
00:19:56,840 --> 00:20:00,320
Speaker 1: access to the Red carpet, and then we're gonna walk

410
00:20:00,359 --> 00:20:03,720
Speaker 1: you down the Red carpet. And the hope is that

411
00:20:03,760 --> 00:20:06,800
Speaker 1: everyone believes who you are pretending to be and you

412
00:20:06,880 --> 00:20:09,240
Speaker 1: do a whole bunch of interviews and we can all

413
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Speaker 1: have a good laugh at the people who fell for it.

414
00:20:12,440 --> 00:20:13,960
Speaker 2: So I don't think anyone's going to fall for it.

415
00:20:13,960 --> 00:20:18,640
Speaker 2: For the record, I think a lot of the journals

416
00:20:18,680 --> 00:20:23,119
Speaker 2: on the Red Carpet do cover Australian media as their profession.

417
00:20:23,600 --> 00:20:24,880
Speaker 2: So I just don't know if they're going.

418
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Speaker 1: To buy mate. Well, do we're going to do the

419
00:20:26,400 --> 00:20:28,320
Speaker 1: hair and the makeup. We might chuck some big sonnies

420
00:20:28,320 --> 00:20:33,520
Speaker 1: on them or something maybe fascinating, fascinating, fascinator.

421
00:20:33,560 --> 00:20:34,720
Speaker 2: It's not the horse racing.

422
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Speaker 1: Yeah, but whatever, they do what they want. So a

423
00:20:37,960 --> 00:20:39,679
Speaker 1: number of people are registering. We've got a couple of

424
00:20:39,680 --> 00:20:43,600
Speaker 1: son your Kruger's that have been sent through. So Stacey's

425
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Speaker 1: a finalist. She looks a bit like a bit like

426
00:20:45,960 --> 00:20:47,000
Speaker 1: son Your Kruegery.

427
00:20:47,200 --> 00:20:48,399
Speaker 2: Have they got to send a photo in.

428
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Speaker 1: Yes, I'm looking at the photos now, so very funny.

429
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Speaker 1: Stacey's a finalist. Arianne is also a finalist. I'm gonna

430
00:20:56,920 --> 00:20:59,280
Speaker 1: be honest. Arian doesn't look anything like Sonya Krueger. But

431
00:20:59,359 --> 00:21:01,960
Speaker 1: maybe it's a it's a bad photo. But she's a finalist.

432
00:21:02,200 --> 00:21:04,919
Speaker 1: And the other finalist will that we have got is

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Speaker 1: a woman called Carrie.

434
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Speaker 2: I'm going to me.

435
00:21:07,320 --> 00:21:08,920
Speaker 1: I was looking at a photo. She is a dead

436
00:21:09,000 --> 00:21:16,720
Speaker 1: ringer for Australian singer Kate so Brano. Carrie joins us

437
00:21:16,760 --> 00:21:24,159
Speaker 1: on the phone right now, Hello, Kerry, Kerry, what do

438
00:21:24,200 --> 00:21:25,160
Speaker 1: I need to call you? Kate?

439
00:21:25,280 --> 00:21:25,520
Speaker 3: Are you?

440
00:21:25,680 --> 00:21:30,679
Speaker 1: Are you currently in character? Kate? Kerry?

441
00:21:30,960 --> 00:21:31,200
Speaker 3: Kate?

442
00:21:33,240 --> 00:21:35,000
Speaker 2: Is she not? She's not there and we'll give it.

443
00:21:35,000 --> 00:21:36,800
Speaker 2: We'll give the produced the chance to get her back there.

444
00:21:36,840 --> 00:21:37,960
Speaker 2: I'm not sure what's going on.

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00:21:38,400 --> 00:21:38,960
Speaker 1: She will come back.

446
00:21:39,160 --> 00:21:41,360
Speaker 2: I've just pulled up the sheet. Yes I can get

447
00:21:41,359 --> 00:21:41,960
Speaker 2: a look at these.

448
00:21:42,280 --> 00:21:45,800
Speaker 1: Yes, look alikes, you're happy with this on your krugel

449
00:21:45,840 --> 00:21:46,359
Speaker 1: lookal legs?

450
00:21:49,359 --> 00:21:54,480
Speaker 2: Wow, Okay, okay, Wow, well that's amazing.

451
00:21:54,840 --> 00:21:55,080
Speaker 5: Wow.

452
00:21:55,320 --> 00:21:56,960
Speaker 2: Okay, I think the.

453
00:21:56,960 --> 00:21:59,560
Speaker 1: Kruegers are not bad, but again, my favorite is the Kates.

454
00:21:59,720 --> 00:21:59,920
Speaker 5: Brian.

455
00:22:00,240 --> 00:22:02,680
Speaker 1: I think we've got Kerrie Kerry. Are you there?

456
00:22:02,800 --> 00:22:03,000
Speaker 10: Hi?

457
00:22:03,119 --> 00:22:04,560
Speaker 4: How are you going for Friday?

458
00:22:05,240 --> 00:22:10,960
Speaker 1: I'm outstanding? Now, Kerry, you always get recognized as Kate

459
00:22:11,040 --> 00:22:15,359
Speaker 1: Sobrano when you're on the streets. Yes, so almost every

460
00:22:15,440 --> 00:22:18,560
Speaker 1: day people are going, oh bloody, hell a'ts Sobrano again?

461
00:22:21,440 --> 00:22:22,880
Speaker 4: So funny, yeah, brilliant.

462
00:22:23,400 --> 00:22:29,600
Speaker 1: So I think I think I think the question I'm

463
00:22:29,640 --> 00:22:33,240
Speaker 1: asking though, Kerry, is you know there might be some interviewers.

464
00:22:33,240 --> 00:22:35,119
Speaker 1: I mean it looks like, look, we're a tick for

465
00:22:35,160 --> 00:22:37,720
Speaker 1: the in the looks department. You look like Kate Sobrano,

466
00:22:37,800 --> 00:22:39,199
Speaker 1: and like I was saying before, we can put some

467
00:22:39,200 --> 00:22:40,960
Speaker 1: somethings on you or something to just conceal a.

468
00:22:40,960 --> 00:22:41,199
Speaker 5: Lot of.

469
00:22:43,440 --> 00:22:45,240
Speaker 2: Chicken. Raw dog it right down the capit.

470
00:22:45,480 --> 00:22:48,080
Speaker 1: Yeah, a raw doggings meaning nothing on the face. I

471
00:22:48,119 --> 00:22:50,880
Speaker 1: think that's the definition of a raw dog. But so, Kerry,

472
00:22:50,960 --> 00:22:55,520
Speaker 1: the question is, can do you sound like Kate Sobrano

473
00:22:55,520 --> 00:22:59,400
Speaker 1: Because obviously once you start talking, people might be able

474
00:22:59,440 --> 00:23:01,679
Speaker 1: to figure out. So I was just wondering, Kerry, if

475
00:23:01,680 --> 00:23:03,240
Speaker 1: you could do us a favorite. Can you just crack

476
00:23:03,280 --> 00:23:05,600
Speaker 1: into any song your favorite song? I want to hear

477
00:23:05,640 --> 00:23:07,400
Speaker 1: your singing voice, because Sobrano is.

478
00:23:09,080 --> 00:23:11,000
Speaker 4: The greatest thing. I'll be honest with you.

479
00:23:11,040 --> 00:23:12,560
Speaker 1: Give us a guy, Kerry, give us a guy.

480
00:23:13,720 --> 00:23:15,200
Speaker 4: I can sing one of her songs.

481
00:23:15,280 --> 00:23:17,679
Speaker 1: Go on, yeah, your bedroom.

482
00:23:19,680 --> 00:23:23,600
Speaker 4: I can't resist upon you, no matter you try. After

483
00:23:23,640 --> 00:23:30,280
Speaker 4: all this time, so So's.

484
00:23:28,359 --> 00:23:31,439
Speaker 2: Sobrano for me. I can hear it about you, Wolds.

485
00:23:31,880 --> 00:23:34,320
Speaker 2: It's like she's here in the room. Have you got

486
00:23:34,320 --> 00:23:35,680
Speaker 2: the actual song there? I mean, can.

487
00:23:35,680 --> 00:23:45,680
Speaker 1: We carry or Sobrano? I can't tell o't Kerry, Kerry,

488
00:23:45,720 --> 00:23:49,960
Speaker 1: you're a finalist. You're a finalist for it. Message to everyone.

489
00:23:50,119 --> 00:23:52,520
Speaker 1: If you think you are a double ganger of an

490
00:23:52,520 --> 00:23:56,320
Speaker 1: Australian celebrity, then please head along to Willinwoody dot com

491
00:23:56,680 --> 00:23:58,840
Speaker 1: register for the competition and look, at the end of

492
00:23:58,880 --> 00:24:00,560
Speaker 1: the day we are going to be giving you a

493
00:24:00,600 --> 00:24:01,919
Speaker 1: ticket to the Logis as well.

494
00:24:01,760 --> 00:24:05,520
Speaker 2: You over there as well. Each in Australia brings wonderful

495
00:24:05,560 --> 00:24:09,120
Speaker 2: to flying with its award winning service an extensive network.

496
00:24:09,200 --> 00:24:11,440
Speaker 2: Taking someone of the Logis. If you think it's you,

497
00:24:11,680 --> 00:24:13,880
Speaker 2: as would said Williamwey dot com, head along to your

498
00:24:13,880 --> 00:24:15,480
Speaker 2: win page and we could be taking you if you

499
00:24:15,480 --> 00:24:24,399
Speaker 2: look like a celeb has it got a very special

500
00:24:24,440 --> 00:24:26,639
Speaker 2: guest in the studio. We're both enormous fans of this

501
00:24:26,720 --> 00:24:29,560
Speaker 2: TV show Heartbreak High on Netflix when it rebooted, it

502
00:24:29,600 --> 00:24:32,399
Speaker 2: really did change the game for Ossie TV, for viewing

503
00:24:32,560 --> 00:24:35,719
Speaker 2: of Ossie TV, streaming of Ossie TV, and the host

504
00:24:35,760 --> 00:24:39,600
Speaker 2: of young actors are sort of coming through was was

505
00:24:39,680 --> 00:24:43,639
Speaker 2: truly staggering. I think everyone in particular was blown away

506
00:24:44,040 --> 00:24:48,520
Speaker 2: by the character of Quinnie from Heartbreak High, who played

507
00:24:48,560 --> 00:24:53,040
Speaker 2: this autistic young woman trying to find her way in

508
00:24:53,160 --> 00:24:57,399
Speaker 2: Heartbreak High. And that young woman was played by Chloe Hayden,

509
00:24:57,440 --> 00:24:59,720
Speaker 2: who joins us right now on Willem. Would you welcome

510
00:24:59,760 --> 00:24:59,879
Speaker 2: to the.

511
00:24:59,840 --> 00:25:02,679
Speaker 11: Show, Clay, Thank you so much for having me.

512
00:25:03,640 --> 00:25:06,600
Speaker 2: So great to have you here, mate. First question, we

513
00:25:06,640 --> 00:25:07,640
Speaker 2: love you, We love joy.

514
00:25:08,320 --> 00:25:10,760
Speaker 1: Thank you so much. Do you miss the character of

515
00:25:11,160 --> 00:25:13,840
Speaker 1: Quinny because you so you wrapped up filming season three,

516
00:25:13,840 --> 00:25:16,760
Speaker 1: which is the final season. When when did you wrap

517
00:25:16,840 --> 00:25:19,679
Speaker 1: up filming that? In February? In feb Yeah, are you

518
00:25:19,760 --> 00:25:20,760
Speaker 1: missing Quinnie?

519
00:25:21,160 --> 00:25:23,959
Speaker 11: I think so. But I also think when you are

520
00:25:24,000 --> 00:25:26,359
Speaker 11: with a character for that long, and when you put

521
00:25:26,440 --> 00:25:28,720
Speaker 11: so much of yourself into a character that kind of

522
00:25:28,720 --> 00:25:31,680
Speaker 11: stay with you forever. I don't think. I think Quinny

523
00:25:31,760 --> 00:25:34,199
Speaker 11: stays with me and will do so forever.

524
00:25:34,320 --> 00:25:37,520
Speaker 2: Now, because you are you actually you actually are autistic,

525
00:25:37,600 --> 00:25:38,200
Speaker 2: right I am?

526
00:25:38,320 --> 00:25:38,560
Speaker 3: Yes.

527
00:25:38,840 --> 00:25:41,800
Speaker 2: So I was listening to a great podcast on the

528
00:25:41,960 --> 00:25:45,439
Speaker 2: movie rain Man with Dustin Hoffman where he goes on

529
00:25:45,440 --> 00:25:47,760
Speaker 2: to win the Academy Award for playing an autistic guy.

530
00:25:47,960 --> 00:25:50,200
Speaker 2: I'm I have you seen the movie? Have you heard

531
00:25:50,200 --> 00:25:50,680
Speaker 2: of the movie?

532
00:25:50,880 --> 00:25:53,639
Speaker 11: I know of the movie because when I was first

533
00:25:53,680 --> 00:25:57,040
Speaker 11: diagnosed as autistic, people would tell me, but you can't

534
00:25:57,040 --> 00:25:59,280
Speaker 11: be autistic because you're nothing like rain Man.

535
00:25:59,640 --> 00:26:01,720
Speaker 2: You're hidding wall.

536
00:26:03,680 --> 00:26:05,560
Speaker 1: You'd actually have people saying that to you.

537
00:26:05,960 --> 00:26:08,400
Speaker 11: To me now where people will say to me, oh,

538
00:26:08,440 --> 00:26:10,400
Speaker 11: but you can't be autistic because I've seen The Good

539
00:26:10,480 --> 00:26:13,280
Speaker 11: Doctor or I've seen Sheldon Cooper. And this is the

540
00:26:13,359 --> 00:26:17,679
Speaker 11: issue of non autistic people playing autistic characters and artistic

541
00:26:17,760 --> 00:26:22,560
Speaker 11: writers making autistic stories. Your perception of autism is pretty wrong.

542
00:26:23,520 --> 00:26:26,160
Speaker 1: That's what I was, this Hollywood version of autism, which

543
00:26:26,200 --> 00:26:27,480
Speaker 1: is not actually correct.

544
00:26:28,000 --> 00:26:31,879
Speaker 2: So he kicked off a spate of movies where actors

545
00:26:32,040 --> 00:26:35,159
Speaker 2: who didn't have autism or didn't have some sort of

546
00:26:35,560 --> 00:26:39,960
Speaker 2: cognitive disability, started playing people who did, and it was

547
00:26:40,119 --> 00:26:43,240
Speaker 2: kind of the formula for them to win awards, which

548
00:26:43,320 --> 00:26:45,280
Speaker 2: I think kind of all fell in a heap. It

549
00:26:45,440 --> 00:26:48,800
Speaker 2: kind of got progressively worse until Sean Penn was doing

550
00:26:49,000 --> 00:26:51,560
Speaker 2: I Am Sam, which I think everyone was just like,

551
00:26:51,600 --> 00:26:55,679
Speaker 2: this is ridiculous. I don't know, you've just sketched out

552
00:26:55,720 --> 00:26:57,199
Speaker 2: a little bit of it there, But what do you

553
00:26:57,240 --> 00:27:00,960
Speaker 2: think about that in general, about people who don't actually

554
00:27:01,280 --> 00:27:04,199
Speaker 2: have autism or whatever it is, add whatever it is,

555
00:27:04,359 --> 00:27:05,639
Speaker 2: playing people that do.

556
00:27:06,160 --> 00:27:09,520
Speaker 11: I don't think people are aware even still of just

557
00:27:09,680 --> 00:27:15,200
Speaker 11: how much of a hold media and films and these

558
00:27:15,359 --> 00:27:19,159
Speaker 11: characters have on the way that we perceive, particularly people

559
00:27:19,160 --> 00:27:23,120
Speaker 11: in minority groups, because for a lot of people, their

560
00:27:23,200 --> 00:27:27,680
Speaker 11: only understanding of, for example, autism comes from these films.

561
00:27:27,840 --> 00:27:31,120
Speaker 11: And when you are a young girl who is nothing

562
00:27:31,240 --> 00:27:34,119
Speaker 11: like these characters, because these characters aren't real and for

563
00:27:34,240 --> 00:27:37,119
Speaker 11: most of these characters, particularly in these older movies, aren't

564
00:27:37,119 --> 00:27:42,240
Speaker 11: even rooted in realism, you end up with this feeling

565
00:27:42,280 --> 00:27:44,840
Speaker 11: like you're not supposed to be here because you get

566
00:27:44,880 --> 00:27:47,679
Speaker 11: a diagnosis, Like I felt my entire life like I

567
00:27:47,760 --> 00:27:50,360
Speaker 11: wasn't supposed to be here because I never saw myself anywhere,

568
00:27:50,640 --> 00:27:53,200
Speaker 11: and then I get a diagnosis and I know that

569
00:27:54,040 --> 00:27:58,399
Speaker 11: I'm autistic and the only understanding of autism is either

570
00:27:58,480 --> 00:28:02,200
Speaker 11: these film characters that being played by people that probably

571
00:28:02,200 --> 00:28:05,199
Speaker 11: didn't even learn about autism through an actually autistic person,

572
00:28:05,760 --> 00:28:10,119
Speaker 11: are people that are non autistic quote unquote professionals who

573
00:28:10,160 --> 00:28:12,600
Speaker 11: are telling me what my brain is in an incorrect

574
00:28:12,600 --> 00:28:16,280
Speaker 11: sense and from a medicalized viewpoint. You haven't even deeper

575
00:28:16,359 --> 00:28:18,119
Speaker 11: understanding that you're not supposed.

576
00:28:17,760 --> 00:28:18,160
Speaker 2: To be here.

577
00:28:18,520 --> 00:28:19,080
Speaker 11: Wow.

578
00:28:19,480 --> 00:28:21,960
Speaker 1: So Cloe, does that mean that when you were making

579
00:28:22,080 --> 00:28:25,800
Speaker 1: Heartbreak High, were you in direct communication with the writers

580
00:28:25,840 --> 00:28:28,840
Speaker 1: and directors and whatnot just around like Well, actually, I

581
00:28:28,920 --> 00:28:31,879
Speaker 1: don't think Quinnie the character would respond like that or

582
00:28:31,920 --> 00:28:34,320
Speaker 1: act like that because you do have the experience of

583
00:28:34,400 --> 00:28:35,120
Speaker 1: having autism.

584
00:28:35,320 --> 00:28:35,560
Speaker 7: Yeah.

585
00:28:35,600 --> 00:28:38,760
Speaker 11: I was really lucky with Heartbreak High that Quinny was

586
00:28:39,080 --> 00:28:43,240
Speaker 11: written by an inspired by an autistic person themselves. Okay, Yeah,

587
00:28:43,280 --> 00:28:47,000
Speaker 11: we then also had autistic consults on the team as well,

588
00:28:47,080 --> 00:28:49,480
Speaker 11: and I also was able to put in my own

589
00:28:49,520 --> 00:28:52,840
Speaker 11: experience as well, so and we can see the difference

590
00:28:52,880 --> 00:28:55,520
Speaker 11: between someone like Quinny where people see themselves in her

591
00:28:55,600 --> 00:28:58,760
Speaker 11: and she's used as an example of what real autism is.

592
00:28:58,920 --> 00:29:01,560
Speaker 11: I received dozens of meges every single day from people

593
00:29:01,560 --> 00:29:04,440
Speaker 11: who have gotten diagnosed because of her, or from parents

594
00:29:04,440 --> 00:29:07,479
Speaker 11: and teachers and siblings and friends who see Quinny and

595
00:29:07,560 --> 00:29:10,720
Speaker 11: send me a message saying I understand my child, friend, etc.

596
00:29:11,000 --> 00:29:13,280
Speaker 11: A little bit better now because of her. That doesn't

597
00:29:13,280 --> 00:29:15,720
Speaker 11: happen when rain Men is playing.

598
00:29:15,920 --> 00:29:18,480
Speaker 2: Yeah, right, that is. It really does frame it a

599
00:29:18,520 --> 00:29:20,680
Speaker 2: whole nother lot, and it actually kind of makes it

600
00:29:20,760 --> 00:29:22,920
Speaker 2: a bit disgusting now I think about it, because it's

601
00:29:22,960 --> 00:29:26,720
Speaker 2: clearly just a way for them to beef up a story,

602
00:29:27,040 --> 00:29:29,200
Speaker 2: and really it became almost like a notch on the

603
00:29:29,200 --> 00:29:30,640
Speaker 2: belt for those actors.

604
00:29:31,000 --> 00:29:33,720
Speaker 11: One hundred percent, and it's very much used as that

605
00:29:33,800 --> 00:29:37,840
Speaker 11: diversity tick, and we still kind of are to a

606
00:29:37,960 --> 00:29:40,920
Speaker 11: point using disabled people as a little bit of a

607
00:29:40,960 --> 00:29:43,200
Speaker 11: tick in the box for diversity. I had to get

608
00:29:43,200 --> 00:29:46,160
Speaker 11: that done, absolutely, and I think we can get to

609
00:29:46,200 --> 00:29:48,200
Speaker 11: a point where and we need to get to a

610
00:29:48,200 --> 00:29:51,680
Speaker 11: point where it isn't even considered diversity because it just is.

611
00:29:51,680 --> 00:29:53,880
Speaker 11: If you see someone walking down the street and they're an amputee,

612
00:29:53,920 --> 00:29:57,160
Speaker 11: you don't go brilliant diversity, You go, that's just a

613
00:29:57,160 --> 00:29:58,240
Speaker 11: bloat walking down the street.

614
00:30:00,160 --> 00:30:01,720
Speaker 1: You notice the hat, not the wheelchair.

615
00:30:02,000 --> 00:30:04,920
Speaker 11: Exactly exactly, like we need to start seeing the same

616
00:30:04,960 --> 00:30:06,960
Speaker 11: amount of people that we are seeing on the street

617
00:30:07,040 --> 00:30:10,200
Speaker 11: that are disabled, we need to see that same amount

618
00:30:10,240 --> 00:30:12,120
Speaker 11: of people on the telly as well.

619
00:30:12,360 --> 00:30:14,959
Speaker 2: Yeah, that's so cool quitting from Heartbreak high on Netflix.

620
00:30:15,000 --> 00:30:16,560
Speaker 2: If you managed to catch her there, then you would

621
00:30:16,560 --> 00:30:19,280
Speaker 2: have enjoyed that. She's in here though. For Lego Astrai's Brandy.

622
00:30:19,400 --> 00:30:22,440
Speaker 2: She built that campaign, So head to www. Lego dot

623
00:30:22,480 --> 00:30:24,560
Speaker 2: Comford to get around that. Chloe, Welcome back to Willawoody.

624
00:30:24,920 --> 00:30:27,680
Speaker 2: Let's talk a little bit about this. She built that campaign.

625
00:30:27,680 --> 00:30:28,320
Speaker 2: What's it all about?

626
00:30:28,600 --> 00:30:32,680
Speaker 11: So she built that is a Lego brand campaign where

627
00:30:32,880 --> 00:30:39,280
Speaker 11: we are showcasing how incredible and intelligent and imaginative and

628
00:30:39,520 --> 00:30:43,640
Speaker 11: ingenuitive young girls are and highlighting them in a way

629
00:30:43,680 --> 00:30:46,680
Speaker 11: that we just kind of socially haven't been. When we

630
00:30:46,760 --> 00:30:50,280
Speaker 11: think of ingenuity or creativity, we tend to see that

631
00:30:50,360 --> 00:30:53,120
Speaker 11: from a male scope and from a male lens. So

632
00:30:53,160 --> 00:30:55,800
Speaker 11: putting it onto these young girls, showcasing these young girls.

633
00:30:55,800 --> 00:30:58,280
Speaker 11: We've got three girls in this campaign. One of them

634
00:30:58,360 --> 00:31:01,760
Speaker 11: is an Emmy winning actor, one of them is on

635
00:31:01,800 --> 00:31:04,920
Speaker 11: the road to the World Surf Champs. One of them

636
00:31:04,960 --> 00:31:07,680
Speaker 11: is an entrepreneur, like, I want to be these girls

637
00:31:07,680 --> 00:31:09,960
Speaker 11: when I grow up and they're like fourteen years old.

638
00:31:09,960 --> 00:31:13,560
Speaker 11: They are the most incredible girls that are doing incredible

639
00:31:13,600 --> 00:31:16,240
Speaker 11: things right now and are living their own life and

640
00:31:16,240 --> 00:31:19,320
Speaker 11: their own legacy and showcasing to other young girls that

641
00:31:19,560 --> 00:31:21,520
Speaker 11: they can do so as well. Like I said, media

642
00:31:21,560 --> 00:31:24,640
Speaker 11: tells us how we can and should be, and we

643
00:31:24,680 --> 00:31:26,840
Speaker 11: now have young girls that other young girls can go.

644
00:31:27,280 --> 00:31:29,760
Speaker 1: Oh, I didn't know when I could do that. It's

645
00:31:29,800 --> 00:31:32,000
Speaker 1: such a great initiative because there's an old saying of

646
00:31:32,720 --> 00:31:34,719
Speaker 1: if you don't see it, you can't be it, hm,

647
00:31:35,560 --> 00:31:37,600
Speaker 1: which is just I imagine for you growing up as

648
00:31:37,640 --> 00:31:40,959
Speaker 1: a young girl when you just don't see women in

649
00:31:41,000 --> 00:31:44,040
Speaker 1: these roles or these occupations or whatever. It's like, oh,

650
00:31:44,120 --> 00:31:46,120
Speaker 1: so I'm not I can't do that.

651
00:31:46,360 --> 00:31:48,520
Speaker 2: It's been wonderful having you in here, mate, Speaking of

652
00:31:49,400 --> 00:31:52,160
Speaker 2: Heartbreak High and television. Last year at the logos, I

653
00:31:52,160 --> 00:31:54,840
Speaker 2: know you guys wrapped up at two am the finale

654
00:31:55,240 --> 00:31:59,280
Speaker 2: of Heartbreak High, then you went straight in to the logis.

655
00:31:59,440 --> 00:32:02,560
Speaker 2: We're actually one of the logis this year, we're going

656
00:32:02,640 --> 00:32:05,880
Speaker 2: to take someone with us as well. Actually, Chloe, so

657
00:32:06,160 --> 00:32:07,440
Speaker 2: because I think you've been on the other side of

658
00:32:07,440 --> 00:32:08,720
Speaker 2: the red carpet the logies.

659
00:32:08,440 --> 00:32:09,360
Speaker 1: Haven't you I have?

660
00:32:09,720 --> 00:32:13,320
Speaker 11: I was that girl who would camp out at the

661
00:32:13,360 --> 00:32:17,400
Speaker 11: front of red carpets for logis and the arias so

662
00:32:17,480 --> 00:32:21,200
Speaker 11: I could have the opportunity to maybe make eye contact.

663
00:32:21,240 --> 00:32:23,480
Speaker 11: And like, I've actually got photos in my phone from

664
00:32:23,600 --> 00:32:26,640
Speaker 11: like like six years ago, like not very long ago,

665
00:32:26,880 --> 00:32:29,240
Speaker 11: people that I now consider some of my closest friends.

666
00:32:30,280 --> 00:32:31,800
Speaker 1: And I think that's really cool.

667
00:32:31,960 --> 00:32:34,640
Speaker 11: Like I like, I'm never going to take this industry

668
00:32:34,640 --> 00:32:37,880
Speaker 11: for granted, man, because I had these people on my

669
00:32:38,000 --> 00:32:39,960
Speaker 11: wall up until I went, well, that's a bit weird

670
00:32:39,960 --> 00:32:41,400
Speaker 11: now because you've been in my house.

671
00:32:42,880 --> 00:32:44,720
Speaker 1: Give us a name who was like the number one

672
00:32:44,760 --> 00:32:47,080
Speaker 1: person that you were just obsessed with sixty years ago?

673
00:32:48,840 --> 00:32:51,800
Speaker 11: Okay, So I would say, like from a non Australian landscape,

674
00:32:51,800 --> 00:32:53,760
Speaker 11: I am the biggest one Direction fan that has literally

675
00:32:53,800 --> 00:32:56,920
Speaker 11: ever walked the earth, like ever ever ever walked the earth.

676
00:32:57,320 --> 00:32:59,200
Speaker 11: Camped out the front for like three days to see

677
00:32:59,200 --> 00:33:01,600
Speaker 11: Harry Styles and Nile Horran. I flew to the other

678
00:33:01,600 --> 00:33:03,200
Speaker 11: side of the web seeing Louis Thomas and singing one

679
00:33:03,280 --> 00:33:06,520
Speaker 11: song at a festival once like like it's embarrassing.

680
00:33:06,680 --> 00:33:09,440
Speaker 1: It's embarrassing at some of these.

681
00:33:10,160 --> 00:33:12,760
Speaker 11: I have met Nile Horn a few times, and I'm

682
00:33:12,800 --> 00:33:14,400
Speaker 11: actually really good friends with his.

683
00:33:14,360 --> 00:33:19,640
Speaker 1: Dad, girl friends with Nile's dad.

684
00:33:20,360 --> 00:33:23,680
Speaker 11: He actually knew my granddad weirdly enough, so he sent

685
00:33:23,720 --> 00:33:26,200
Speaker 11: me a message on Facebook when I was like twenty

686
00:33:26,440 --> 00:33:28,480
Speaker 11: because I used to do YouTube first, and he watched

687
00:33:28,520 --> 00:33:30,840
Speaker 11: one of my Nile Horran videos and he went love

688
00:33:30,920 --> 00:33:33,360
Speaker 11: the video like I'm Nile Horn's dad, and I was like, cop,

689
00:33:33,640 --> 00:33:37,479
Speaker 11: like that's not I have learned about stranger danger.

690
00:33:37,680 --> 00:33:41,000
Speaker 7: I know you're lying, and I like literally and then

691
00:33:41,000 --> 00:33:43,160
Speaker 7: he's like no, no, no, like real, real, real, And then

692
00:33:43,160 --> 00:33:45,760
Speaker 7: he sends me a video and this was before chat

693
00:33:45,800 --> 00:33:49,080
Speaker 7: GPT or like AI was the thing, and he goes, hey,

694
00:33:49,400 --> 00:33:51,040
Speaker 7: pretend I have an Irish accent right now.

695
00:33:51,080 --> 00:33:55,080
Speaker 11: He's like, hey, it's Bobby Horran. I'm Nile's dad. He's proof.

696
00:33:55,160 --> 00:33:57,040
Speaker 11: And then he just starts showing like all of like

697
00:33:57,080 --> 00:33:59,840
Speaker 11: the platinum albums and stuff, and we've been to his

698
00:34:00,120 --> 00:34:03,440
Speaker 11: house before. And then he found out that my granddad

699
00:34:03,800 --> 00:34:06,160
Speaker 11: where Irish and my granddad was a truck driver in Island,

700
00:34:06,200 --> 00:34:07,920
Speaker 11: and he's like, I knew your granddad.

701
00:34:07,960 --> 00:34:09,799
Speaker 7: We would like we were mates.

702
00:34:10,040 --> 00:34:18,719
Speaker 10: So more well, well, nobody saw that going you d

703
00:34:18,920 --> 00:34:20,440
Speaker 10: M from Nile Horn's dad.

704
00:34:20,719 --> 00:34:28,680
Speaker 11: Yes, celebrity dms, you message backs, that's great for cybersecurity.

705
00:34:28,719 --> 00:34:30,160
Speaker 1: It's real reasons.

706
00:34:30,160 --> 00:34:33,960
Speaker 2: Don't do that next time the Nigerian prince reaches out

707
00:34:34,120 --> 00:34:37,440
Speaker 2: he does need money ready does could be real? Get

708
00:34:37,520 --> 00:34:40,160
Speaker 2: him out of there. So we're going to the logis.

709
00:34:40,320 --> 00:34:42,319
Speaker 2: We're going to take a lookalike with us as well,

710
00:34:42,400 --> 00:34:45,120
Speaker 2: voting over the sixty fifth TV week a Logi Awards AISO.

711
00:34:45,239 --> 00:34:46,960
Speaker 2: To vote your favorite stars shows, head to the TV

712
00:34:46,960 --> 00:34:50,200
Speaker 2: week Logoies dot com dot a U and watch the

713
00:34:50,239 --> 00:34:52,560
Speaker 2: TV week Logis live from Sydney Sunday, August three on

714
00:34:52,680 --> 00:34:54,440
Speaker 2: seven to see who wins. We're going to fly in

715
00:34:54,480 --> 00:34:58,160
Speaker 2: a doppelganger so a phony. Go to willamoo dot com.

716
00:34:58,360 --> 00:35:01,120
Speaker 2: You can nominate yourself on the wind page to be

717
00:35:01,239 --> 00:35:04,680
Speaker 2: the double ganger. Have you ever seen, like, do you

718
00:35:04,800 --> 00:35:08,000
Speaker 2: know of any celebrity doppel ganger? It's like at all,

719
00:35:08,080 --> 00:35:10,520
Speaker 2: Chloe that you think we would be able to sneak

720
00:35:10,560 --> 00:35:12,680
Speaker 2: into the logis looking like another celebrity.

721
00:35:12,800 --> 00:35:15,440
Speaker 11: I've been on red carpets before and have had people go.

722
00:35:15,600 --> 00:35:17,280
Speaker 1: On your Taylor Joy, on your Taylor.

723
00:35:17,120 --> 00:35:21,160
Speaker 11: Joy, come and get a photo with me so I mean,

724
00:35:21,160 --> 00:35:23,000
Speaker 11: I'm ready going to the logos this year because I'm nominated.

725
00:35:23,000 --> 00:35:27,600
Speaker 11: If you'll want to vote for me, bring me is

726
00:35:27,640 --> 00:35:28,479
Speaker 11: on your Taylor Joy.

727
00:35:28,600 --> 00:35:28,799
Speaker 10: I am.

728
00:35:29,080 --> 00:35:35,280
Speaker 11: I could be available. There's TikTok ones where like people

729
00:35:35,320 --> 00:35:37,920
Speaker 11: that like there's like thousands of people go to the

730
00:35:38,000 --> 00:35:41,920
Speaker 11: New York Park and have like Timothy Shalloony look do

731
00:35:42,120 --> 00:35:44,960
Speaker 11: that window street station idea.

732
00:35:48,200 --> 00:35:50,480
Speaker 1: We could not do any work and let's just use

733
00:35:50,560 --> 00:35:51,799
Speaker 1: Chloe to be and your Taylor d.

734
00:35:55,200 --> 00:35:58,359
Speaker 2: It's a double win. Chloe, It's been such a treat

735
00:35:58,440 --> 00:36:00,000
Speaker 2: having you in the studio, mate, thank you so much

736
00:36:00,080 --> 00:36:02,480
Speaker 2: for coming in. Congratulations on all your success and all

737
00:36:02,520 --> 00:36:05,080
Speaker 2: the future success. We've loved watching you, loved having you

738
00:36:05,160 --> 00:36:07,600
Speaker 2: in and we reckon you're brilliant. So thanks coming on willingddy,

739
00:36:07,880 --> 00:36:12,239
Speaker 2: thank you pleasure.

740
00:36:12,880 --> 00:36:16,279
Speaker 1: I would love to go escape the every day for

741
00:36:17,800 --> 00:36:20,400
Speaker 1: easiest competition in the world. Will you just have to

742
00:36:20,480 --> 00:36:23,560
Speaker 1: listen to us and then all through your work day

743
00:36:23,640 --> 00:36:27,040
Speaker 1: and you are just listening out for the special holiday

744
00:36:27,280 --> 00:36:30,520
Speaker 1: hits when you hear those specific songs you call on

745
00:36:30,680 --> 00:36:33,360
Speaker 1: thirteen one oh six five and then as you said, Wilber,

746
00:36:34,320 --> 00:36:35,759
Speaker 1: it could be for the rest of the year. We

747
00:36:35,840 --> 00:36:39,640
Speaker 1: are giving away a trip to La a day.

748
00:36:39,920 --> 00:36:43,879
Speaker 2: Extraordinary new numbers, absolutely extraor it really is amazing. Oh mate,

749
00:36:44,080 --> 00:36:46,400
Speaker 2: you just listen to the radio and then go to

750
00:36:46,440 --> 00:36:48,200
Speaker 2: Los Angeles and we're doing it every day. It's not

751
00:36:48,280 --> 00:36:50,160
Speaker 2: like we're going like someone's going to win in a

752
00:36:50,160 --> 00:36:51,960
Speaker 2: few weeks and you know, look over here and then

753
00:36:51,960 --> 00:36:53,720
Speaker 2: we'll give you that. It's like no, no, no, you're going.

754
00:36:53,640 --> 00:36:55,600
Speaker 1: Other stations do the whole. You're in the drawer, you're

755
00:36:55,640 --> 00:36:57,560
Speaker 1: in the draw you know you're in the running. None

756
00:36:57,600 --> 00:36:59,680
Speaker 1: of that with us. It's just like you go on,

757
00:37:00,080 --> 00:37:02,879
Speaker 1: keep bloody bags, get a mate, anyway, let's go. Let's

758
00:37:02,920 --> 00:37:05,760
Speaker 1: call Armed, I mean the mystery person.

759
00:37:10,400 --> 00:37:10,840
Speaker 2: Hello.

760
00:37:11,600 --> 00:37:13,240
Speaker 1: Hi is that Armed speaking?

761
00:37:13,800 --> 00:37:14,040
Speaker 5: Yes?

762
00:37:14,920 --> 00:37:15,440
Speaker 1: Hi Ahmed?

763
00:37:16,160 --> 00:37:16,600
Speaker 2: Hello?

764
00:37:17,000 --> 00:37:18,680
Speaker 1: How are you going this beautiful?

765
00:37:19,440 --> 00:37:19,640
Speaker 3: Yeah?

766
00:37:19,960 --> 00:37:22,200
Speaker 1: I'm really good. Thank you, I'm really good. You don't

767
00:37:22,200 --> 00:37:25,000
Speaker 1: know who this is? Do you.

768
00:37:25,760 --> 00:37:28,680
Speaker 2: Did win one?

769
00:37:29,280 --> 00:37:29,960
Speaker 1: Why would you say?

770
00:37:30,000 --> 00:37:32,600
Speaker 5: That's right.

771
00:37:35,280 --> 00:37:35,400
Speaker 11: Now?

772
00:37:35,440 --> 00:37:38,279
Speaker 6: That's that's fair enough. You're going to l A Arma.

773
00:37:47,400 --> 00:37:48,759
Speaker 6: I love that arm just.

774
00:37:51,520 --> 00:37:53,160
Speaker 1: Made of my right and saying you never got to

775
00:37:53,160 --> 00:37:56,680
Speaker 1: go on a honeymoon with your wife. Yeah, that's so

776
00:37:57,680 --> 00:38:00,520
Speaker 1: this will be a delayed honeymoon in l A. My friend.

777
00:38:01,080 --> 00:38:01,799
Speaker 5: That feels good.

778
00:38:01,840 --> 00:38:07,520
Speaker 2: Man, What are you doing right now? I'm mad?

779
00:38:08,239 --> 00:38:08,799
Speaker 5: Yeah?

780
00:38:09,040 --> 00:38:11,000
Speaker 2: Just what are you doing? Nice?

781
00:38:11,000 --> 00:38:11,160
Speaker 5: Man?

782
00:38:11,360 --> 00:38:13,680
Speaker 2: You're at home? Is your wife there? Yeah, I'll just

783
00:38:13,680 --> 00:38:14,279
Speaker 2: go home nice.

784
00:38:14,280 --> 00:38:15,160
Speaker 5: She's still I work too.

785
00:38:15,719 --> 00:38:17,000
Speaker 2: I was gonna say, should we give her a call?

786
00:38:17,840 --> 00:38:18,160
Speaker 5: A call?

787
00:38:18,400 --> 00:38:19,120
Speaker 1: Yeah, I'd love to.

788
00:38:19,440 --> 00:38:20,440
Speaker 2: Let's give her a call.

789
00:38:24,800 --> 00:38:25,040
Speaker 4: Hello?

790
00:38:27,000 --> 00:38:37,520
Speaker 5: So yeah, guess what we want is why on private

791
00:38:38,480 --> 00:38:39,040
Speaker 5: to their life?

792
00:38:39,800 --> 00:38:41,360
Speaker 8: I'm I'm.

793
00:38:43,920 --> 00:38:45,759
Speaker 1: I don't think she believes you, man. I think she

794
00:38:45,880 --> 00:38:46,800
Speaker 1: thinks you're pranking.

795
00:38:47,680 --> 00:38:48,560
Speaker 5: You don't believe me.

796
00:38:49,480 --> 00:38:50,799
Speaker 2: I think we'll have to what do you I think

797
00:38:50,800 --> 00:38:53,279
Speaker 2: we're gonna have to talk, mate. I think we're gonna

798
00:38:53,280 --> 00:38:55,239
Speaker 2: have to provide some of the How often do you

799
00:38:55,280 --> 00:38:56,040
Speaker 2: prank your wife?

800
00:38:56,080 --> 00:38:58,160
Speaker 5: I d you know what a lot? A bit of

801
00:38:58,160 --> 00:38:58,920
Speaker 5: a joker.

802
00:39:01,800 --> 00:39:01,920
Speaker 6: Is that?

803
00:39:02,040 --> 00:39:02,360
Speaker 3: Lael?

804
00:39:02,840 --> 00:39:05,720
Speaker 4: Yeah, this is Command the radio.

805
00:39:05,880 --> 00:39:07,160
Speaker 1: This is Will and Woody speaking.

806
00:39:09,760 --> 00:39:18,280
Speaker 2: You want can I take my boss? No? No? No, no,

807
00:39:18,040 --> 00:39:19,520
Speaker 2: no answer the call?

808
00:39:20,080 --> 00:39:20,759
Speaker 8: Answer the call?

809
00:39:21,800 --> 00:39:22,480
Speaker 2: Okay?

810
00:39:22,600 --> 00:39:25,880
Speaker 1: Sorry boss, Ahmed? And you tickets?

811
00:39:26,200 --> 00:39:26,840
Speaker 2: You're the plus.

812
00:39:32,320 --> 00:39:34,360
Speaker 1: You should believe your husband more, Lael?

813
00:39:35,360 --> 00:39:35,799
Speaker 7: The joke?

814
00:39:36,680 --> 00:39:42,120
Speaker 5: Oh good, what I'm going to let you take? You

815
00:39:42,120 --> 00:39:42,719
Speaker 5: even have le?

816
00:39:44,120 --> 00:39:44,879
Speaker 1: Do you even have.

817
00:39:47,520 --> 00:39:47,800
Speaker 5: Turning?

818
00:39:47,880 --> 00:39:48,040
Speaker 9: There?

819
00:39:48,640 --> 00:39:51,040
Speaker 1: I will have a great weekend, you too, all right,

820
00:39:51,120 --> 00:39:55,000
Speaker 1: and get packing? You're going to l I want.

821
00:39:55,520 --> 00:39:59,359
Speaker 2: All of this, guys, all right, have you have any

822
00:39:59,360 --> 00:40:05,280
Speaker 2: great drive? I it is Blacklister, it is Will and Woody.

823
00:40:05,480 --> 00:40:08,400
Speaker 2: From theme parks to sports, there is many ways to

824
00:40:08,440 --> 00:40:11,560
Speaker 2: play in LA and beyond in California, flying you over

825
00:40:11,560 --> 00:40:14,960
Speaker 2: there with the United Airlines every single day again all

826
00:40:14,960 --> 00:40:15,399
Speaker 2: next week