1 00:00:01,600 --> 00:00:02,880 Speaker 1: Has gotten room for. 2 00:00:07,480 --> 00:00:07,760 Speaker 2: Room. 3 00:00:13,320 --> 00:00:16,279 Speaker 3: Well, in case people don't know, we mention it every 4 00:00:16,280 --> 00:00:19,440 Speaker 3: five minutes. But you and I have a Guinness World record, 5 00:00:19,440 --> 00:00:21,759 Speaker 3: Well we did, Actually we should get a Guinness World 6 00:00:21,760 --> 00:00:24,560 Speaker 3: Record for the shortest lived Guinness World Record. 7 00:00:24,760 --> 00:00:28,560 Speaker 2: Yeah. That was our underwater diving broadcasting record. Yeah. 8 00:00:28,600 --> 00:00:31,320 Speaker 3: And then about a week laterst someone else beat us 9 00:00:31,760 --> 00:00:35,000 Speaker 3: to a renewed record. We did our radio show underwater 10 00:00:35,280 --> 00:00:37,520 Speaker 3: in a shark tank at the aquarium. 11 00:00:37,840 --> 00:00:41,240 Speaker 2: Were surrounded by sharks for three and a half hours. 12 00:00:41,280 --> 00:00:43,960 Speaker 3: Yes, I had to urinate inside the tank because we 13 00:00:43,960 --> 00:00:46,159 Speaker 3: didn't have a chance to get out, and they said, just. 14 00:00:46,120 --> 00:00:48,360 Speaker 2: Go Why did you urinate outside the tank? 15 00:00:48,479 --> 00:00:49,360 Speaker 1: I got used to it. 16 00:00:50,640 --> 00:00:54,400 Speaker 3: So as world record holders, I thought, we are people 17 00:00:54,400 --> 00:00:56,520 Speaker 3: who can bring you some information about the latest one. 18 00:00:56,560 --> 00:00:57,120 Speaker 2: Well we got too. 19 00:00:57,160 --> 00:01:00,280 Speaker 4: We got the biggest young chart in the world, most 20 00:01:00,280 --> 00:01:02,200 Speaker 4: people eating yum chat at one time. 21 00:01:02,240 --> 00:01:02,480 Speaker 1: You know. 22 00:01:02,720 --> 00:01:05,399 Speaker 3: You know what was so weirdly exhausting about that is 23 00:01:05,640 --> 00:01:08,119 Speaker 3: all that was required was that you had to turn 24 00:01:08,200 --> 00:01:11,040 Speaker 3: up and eat two out of three dumplings. 25 00:01:11,120 --> 00:01:11,600 Speaker 2: That was it. 26 00:01:12,000 --> 00:01:14,720 Speaker 3: And people had to sit down and eat two out 27 00:01:14,720 --> 00:01:15,560 Speaker 3: of three dumplings. 28 00:01:15,600 --> 00:01:16,160 Speaker 2: All he had to do. 29 00:01:16,240 --> 00:01:17,679 Speaker 1: We almost didn't make the world record. 30 00:01:17,760 --> 00:01:20,800 Speaker 3: Thousands and thousands of people were there, but people didn't 31 00:01:20,840 --> 00:01:24,040 Speaker 3: sit down, and people only ate one dumpling and come on, 32 00:01:25,200 --> 00:01:25,800 Speaker 3: hard is this? 33 00:01:25,959 --> 00:01:27,560 Speaker 2: And they were very yummy dump. 34 00:01:28,680 --> 00:01:30,440 Speaker 1: Well, I've got a list here of the five weirdest 35 00:01:30,440 --> 00:01:33,600 Speaker 1: and wildest. Here we go, crowned by Guinness so far 36 00:01:33,720 --> 00:01:34,199 Speaker 1: this year. 37 00:01:34,400 --> 00:01:34,680 Speaker 2: Radio. 38 00:01:36,280 --> 00:01:36,880 Speaker 1: What about this? 39 00:01:37,160 --> 00:01:41,280 Speaker 3: The heaviest single repetition weighted pull up in a wheelchair. 40 00:01:41,720 --> 00:01:44,560 Speaker 3: It's a narrow genre, but this guy, ad Nan al 41 00:01:44,640 --> 00:01:49,640 Speaker 3: muse Alpha Mili, is twenty five from Syria. He has 42 00:01:49,800 --> 00:01:54,080 Speaker 3: He lifted seventy one point eight pounds, which is thirty 43 00:01:54,120 --> 00:01:57,440 Speaker 3: two kilos while seated in his wheelchair. 44 00:01:57,640 --> 00:02:00,560 Speaker 4: WHOA, So that was his weight and the wheelchair or 45 00:02:00,600 --> 00:02:01,760 Speaker 4: did he have extra weights? 46 00:02:02,760 --> 00:02:03,600 Speaker 1: He pushed that. 47 00:02:04,080 --> 00:02:06,200 Speaker 3: The picture makes it look like he's doing it hanging up, 48 00:02:06,320 --> 00:02:09,440 Speaker 3: but he's lying down, I imagine and pushing up a 49 00:02:10,600 --> 00:02:11,120 Speaker 3: dumb bell. 50 00:02:11,600 --> 00:02:13,600 Speaker 1: YEP, I think that's what's happening. 51 00:02:13,680 --> 00:02:15,880 Speaker 2: Don't you don't get emotional about it. It's a big deal. 52 00:02:16,360 --> 00:02:18,080 Speaker 1: What's he put from to thirty two kilos? Is that 53 00:02:18,120 --> 00:02:18,720 Speaker 1: a fridge? 54 00:02:19,240 --> 00:02:21,880 Speaker 2: Thirty two kilos would be a small fridge. 55 00:02:22,040 --> 00:02:25,680 Speaker 3: Well, he's lifting a small fridge. That's pretty impressive. That's extraordinary, 56 00:02:25,720 --> 00:02:27,919 Speaker 3: the largest collection of squish mellows. 57 00:02:28,120 --> 00:02:29,120 Speaker 2: What's a squish mellow. 58 00:02:29,200 --> 00:02:32,600 Speaker 3: It's like a small stuffed toy. Like they look like 59 00:02:32,639 --> 00:02:37,000 Speaker 3: little pokemon shapes. Yeah, probably the size of a bread basket. Okay, 60 00:02:37,280 --> 00:02:43,080 Speaker 3: like really small fridge, like a small bread box. And 61 00:02:43,080 --> 00:02:46,600 Speaker 3: they're squishy and they've got little squishy different colors and 62 00:02:46,639 --> 00:02:50,120 Speaker 3: shapes and things. They're called squish mellows. This woman from Illinois, 63 00:02:50,160 --> 00:02:54,440 Speaker 3: she's twenty seven. As a collection of one five hundred 64 00:02:54,440 --> 00:02:57,079 Speaker 3: and twenty eight, she's earned the title of the largest 65 00:02:57,280 --> 00:03:00,799 Speaker 3: collection owner of squish mellows in the world. Her infatuation 66 00:03:00,880 --> 00:03:03,200 Speaker 3: with the plush toy started in twenty eighteen when she 67 00:03:03,240 --> 00:03:08,280 Speaker 3: spotted Fern the Valentine's Fox at Walmart. 68 00:03:08,520 --> 00:03:10,440 Speaker 2: Okay, and how does her boyfriend feel about this? 69 00:03:11,320 --> 00:03:13,679 Speaker 3: Have a look at the picture. She's surrounded by well, 70 00:03:15,000 --> 00:03:16,720 Speaker 3: squish mellows and her head's in there. 71 00:03:17,600 --> 00:03:19,040 Speaker 2: That's a dust mites paradise. 72 00:03:19,080 --> 00:03:19,720 Speaker 1: Oh, isn't it just? 73 00:03:19,760 --> 00:03:21,360 Speaker 2: You have to get a clarentine on tap. 74 00:03:21,480 --> 00:03:23,720 Speaker 3: If you were a guy and you went back to 75 00:03:23,760 --> 00:03:27,280 Speaker 3: her house, would you rather see six cats. 76 00:03:26,960 --> 00:03:28,200 Speaker 1: On a bed all this? 77 00:03:28,520 --> 00:03:29,120 Speaker 2: Oh? 78 00:03:29,200 --> 00:03:31,480 Speaker 1: Can I what's your level of you're a fruitcake? 79 00:03:32,560 --> 00:03:35,840 Speaker 2: That's pretty fruit cakey. That is pretty fruitcakey. What else 80 00:03:35,880 --> 00:03:36,440 Speaker 2: are you got there? 81 00:03:37,440 --> 00:03:40,160 Speaker 3: Well, how about the largest electric toothbrush in the world. 82 00:03:41,800 --> 00:03:46,320 Speaker 1: It's made for the Osmond. I'll tell you how long 83 00:03:46,320 --> 00:03:46,640 Speaker 1: it is. 84 00:03:47,400 --> 00:03:49,680 Speaker 3: It's six foot seven inches long, which is over two 85 00:03:49,720 --> 00:03:54,000 Speaker 3: meters long. It's how in terms of the fridge, how 86 00:03:54,040 --> 00:03:55,880 Speaker 3: long is a fridge if I laid it down. 87 00:03:55,680 --> 00:03:57,559 Speaker 2: It's pretty much six foot seven. 88 00:03:57,400 --> 00:04:01,360 Speaker 3: So someone has made an electric toothbrush. It took five 89 00:04:01,440 --> 00:04:04,440 Speaker 3: days to create. Gee, that's lesson the Lord took to 90 00:04:04,480 --> 00:04:06,760 Speaker 3: make the world. And it'll take its place in the 91 00:04:06,760 --> 00:04:09,480 Speaker 3: twenty twenty five edition of the book. How about this one? 92 00:04:09,960 --> 00:04:12,880 Speaker 3: The most okay, the most dog tricks were formed under 93 00:04:12,880 --> 00:04:13,720 Speaker 3: a time restraint. 94 00:04:13,800 --> 00:04:15,120 Speaker 2: Oh okay, this is cute. 95 00:04:15,200 --> 00:04:16,560 Speaker 3: Let me tell you what they get the dogs to do. 96 00:04:17,080 --> 00:04:21,000 Speaker 3: The dogs had to hold They hold the record for 97 00:04:21,040 --> 00:04:23,600 Speaker 3: the number of bottles deposited into a recycling bin by 98 00:04:23,640 --> 00:04:26,280 Speaker 3: a dog in one minute getting dogs to do work. 99 00:04:27,120 --> 00:04:28,320 Speaker 1: Yeah, sixteen. 100 00:04:28,440 --> 00:04:30,160 Speaker 3: So it's this Bonnie and Simber of these two dogs 101 00:04:30,160 --> 00:04:33,719 Speaker 3: from the United Kingdom. Sixteen bottles they put into a 102 00:04:33,760 --> 00:04:37,760 Speaker 3: recycling bin. And also they also hold the record for 103 00:04:37,800 --> 00:04:42,560 Speaker 3: depositing thirteen coins into a bottle by. They hold the 104 00:04:42,600 --> 00:04:43,960 Speaker 3: record for a dog being able to do that in 105 00:04:44,000 --> 00:04:44,680 Speaker 3: one minute. 106 00:04:44,839 --> 00:04:46,760 Speaker 2: They should just go to the return and earn and 107 00:04:46,800 --> 00:04:47,839 Speaker 2: get some money out of it. 108 00:04:47,880 --> 00:04:49,920 Speaker 3: And last, but not least, these two dogs also hold 109 00:04:49,960 --> 00:04:52,560 Speaker 3: the record for the most clothes hung on a washing 110 00:04:52,600 --> 00:04:54,080 Speaker 3: line by a dog in a minute. 111 00:04:54,320 --> 00:04:58,440 Speaker 1: They were how many seventeen items? Saves more than your 112 00:04:58,520 --> 00:05:00,279 Speaker 1: twenty two year old And Hi, I. 113 00:05:00,279 --> 00:05:02,159 Speaker 4: Don't think he's ever hung anything in a washing line 114 00:05:02,200 --> 00:05:02,840 Speaker 4: in his life. 115 00:05:03,080 --> 00:05:05,880 Speaker 3: This dog was able to do it seventeen items in 116 00:05:05,920 --> 00:05:06,320 Speaker 3: a minute. 117 00:05:06,360 --> 00:05:08,000 Speaker 4: I don't think he even knows what a washing line is. 118 00:05:08,000 --> 00:05:09,960 Speaker 4: What's this strange device in the backyard? 119 00:05:10,560 --> 00:05:15,080 Speaker 3: And here's one more, the largest hands on a teenager. 120 00:05:16,560 --> 00:05:17,680 Speaker 3: He did he allegedly. 121 00:05:20,279 --> 00:05:20,560 Speaker 5: I know. 122 00:05:20,640 --> 00:05:23,600 Speaker 1: He's a guy from Michigan. He's sixteen years old. He 123 00:05:23,640 --> 00:05:27,200 Speaker 1: wears shoes. He's also got the largest feet. He wears 124 00:05:27,440 --> 00:05:29,760 Speaker 1: shoes in terms of a fridge, but. 125 00:05:29,800 --> 00:05:33,680 Speaker 3: Sizes between nine and twelve the unlike no, I've misread this, 126 00:05:33,760 --> 00:05:35,919 Speaker 3: Unlike the average man who has sizes between nine and 127 00:05:35,920 --> 00:05:39,320 Speaker 3: twelve nine and a half, he has its size twenty three. 128 00:05:41,000 --> 00:05:43,520 Speaker 2: Wow, that's two of menutes more than it's two and 129 00:05:43,560 --> 00:05:45,799 Speaker 2: a bit of me. It feet. So if I hold 130 00:05:45,880 --> 00:05:49,040 Speaker 2: my foot next to this fridge, as you can see. 131 00:05:48,839 --> 00:05:50,560 Speaker 3: And it says here because of his large hands, he 132 00:05:50,560 --> 00:05:52,280 Speaker 3: struggles to find gloves that fit. 133 00:05:54,320 --> 00:06:01,039 Speaker 4: You won't see him in court like ojay, Well, thank you, 134 00:06:01,120 --> 00:06:02,680 Speaker 4: guinners Mulga Records. 135 00:06:02,960 --> 00:06:11,160 Speaker 2: Hey, everybody, it's time for Josiana Amanda's cotton room floor. 136 00:06:12,240 --> 00:06:14,479 Speaker 2: What do we got today on the cutting room floor, Amanda. 137 00:06:14,760 --> 00:06:19,039 Speaker 3: Well, let's talk about an interesting sculptor. Her name is 138 00:06:19,040 --> 00:06:24,200 Speaker 3: Margaret Sheridan. She's an eighty five year old psychiatrist. Surprised 139 00:06:24,200 --> 00:06:25,640 Speaker 3: you haven't seen her, Brendan. 140 00:06:26,080 --> 00:06:27,760 Speaker 2: Anyway, what do you say? 141 00:06:27,880 --> 00:06:30,440 Speaker 1: Nothing? Nothing, but what happened. 142 00:06:30,440 --> 00:06:34,000 Speaker 3: She's a sculptor, and she had made a life sized 143 00:06:34,040 --> 00:06:38,080 Speaker 3: sandstone sculpture of a woman and then it blew over 144 00:06:38,120 --> 00:06:39,520 Speaker 3: in the wind a couple of years ago. So it 145 00:06:39,520 --> 00:06:41,240 Speaker 3: was made for it was commissioned for a couple. It 146 00:06:41,279 --> 00:06:43,479 Speaker 3: blew over in the wind. She tried to fix it 147 00:06:43,520 --> 00:06:46,760 Speaker 3: for the couple and then she tripped over it and 148 00:06:46,800 --> 00:06:47,760 Speaker 3: it broke into even more. 149 00:06:49,200 --> 00:06:50,040 Speaker 2: It's like a clown. 150 00:06:50,160 --> 00:06:51,839 Speaker 3: She does sound a little bit like a clown show. 151 00:06:52,200 --> 00:06:55,680 Speaker 3: And the couple didn't want it back, so she used 152 00:06:55,680 --> 00:06:59,920 Speaker 3: special glue for the sandstone put all the pieces back together, 153 00:07:00,080 --> 00:07:03,800 Speaker 3: called it Fallen Woman, and it's now being exhibited at 154 00:07:03,839 --> 00:07:06,400 Speaker 3: the B and Aali in Venice, which is a huge 155 00:07:06,440 --> 00:07:08,160 Speaker 3: pinnacle of artistic achievement. 156 00:07:08,240 --> 00:07:08,480 Speaker 2: Yeah. 157 00:07:08,640 --> 00:07:12,000 Speaker 3: Yeah, So what I find interesting about this have you 158 00:07:12,080 --> 00:07:13,560 Speaker 3: heard of kinsugi? 159 00:07:14,280 --> 00:07:14,360 Speaker 2: No? 160 00:07:14,960 --> 00:07:19,600 Speaker 3: Kinsugi is the Japanese art of putting broken pottery back together. 161 00:07:19,960 --> 00:07:22,360 Speaker 3: So if something breaks, So you've got pottery that's broken, 162 00:07:23,280 --> 00:07:25,640 Speaker 3: you reglue it. 163 00:07:25,520 --> 00:07:29,800 Speaker 1: With gold thread with gold glue and it's beautiful. 164 00:07:30,120 --> 00:07:32,560 Speaker 3: But not only does it look beautiful, it's the concept 165 00:07:32,560 --> 00:07:36,120 Speaker 3: behind it that's so lovely because it's a metaphor for 166 00:07:36,200 --> 00:07:40,000 Speaker 3: embracing your flaws and your imperfections, and rather than discarding 167 00:07:40,040 --> 00:07:43,520 Speaker 3: something that's not perfect, it's leaning into its imperfections and 168 00:07:43,560 --> 00:07:45,320 Speaker 3: creating something incredible with it. 169 00:07:45,640 --> 00:07:45,920 Speaker 2: Right. 170 00:07:46,800 --> 00:07:49,640 Speaker 4: That might be the case for my mum's ladro that 171 00:07:49,680 --> 00:07:50,920 Speaker 4: I broke when I was twelve. 172 00:07:50,960 --> 00:07:53,200 Speaker 3: When you're in that pink when you're in that yellow 173 00:07:53,200 --> 00:07:54,080 Speaker 3: page's commercial. 174 00:07:54,200 --> 00:07:57,200 Speaker 2: Ye, no, there's a yeah, and she still got it? 175 00:07:57,320 --> 00:07:58,320 Speaker 1: Oh you seriously did? 176 00:07:58,440 --> 00:08:01,400 Speaker 4: Yeah broke a ladro the angel wing You can see 177 00:08:01,400 --> 00:08:03,800 Speaker 4: whether the glue or a glue still gays. 178 00:08:03,800 --> 00:08:04,960 Speaker 2: She knows about it, though. 179 00:08:04,880 --> 00:08:08,040 Speaker 3: You see, And that now is a charming story. And 180 00:08:08,120 --> 00:08:09,760 Speaker 3: so when it comes time for you to have that 181 00:08:09,840 --> 00:08:12,040 Speaker 3: in your house, that's the story. 182 00:08:12,280 --> 00:08:13,960 Speaker 4: I don't know if it's charming, Mum always when you 183 00:08:14,000 --> 00:08:17,680 Speaker 4: idiots broke my ladro because we're fighting. Interesting, remember Arthur 184 00:08:17,760 --> 00:08:19,800 Speaker 4: Street and the artist the painter up there. 185 00:08:20,000 --> 00:08:23,600 Speaker 2: There's a painting I think it's called Fire in the Hole. 186 00:08:23,920 --> 00:08:26,680 Speaker 4: It was painted in the eighteen fifties thereabouts, and it's 187 00:08:26,840 --> 00:08:31,200 Speaker 4: out broken Hillway and it's a painting of a they 188 00:08:31,280 --> 00:08:34,720 Speaker 4: were blowing up a gold mine and Arthur streeton was 189 00:08:34,840 --> 00:08:37,800 Speaker 4: at the time painting what was going on there and 190 00:08:38,000 --> 00:08:40,360 Speaker 4: a bit of rubble that blew that when in the 191 00:08:40,440 --> 00:08:42,120 Speaker 4: explosion went through the. 192 00:08:42,120 --> 00:08:44,000 Speaker 2: Canvas as he was painted a hole in it. 193 00:08:44,080 --> 00:08:46,160 Speaker 4: Yeah, and so in the canvas you get there's a 194 00:08:46,160 --> 00:08:47,559 Speaker 4: patch you can see with the patch where. 195 00:08:47,360 --> 00:08:51,160 Speaker 2: Street and put it over that, over that particular. 196 00:08:50,720 --> 00:08:52,760 Speaker 1: Paine And has that increased its value of course? 197 00:08:52,800 --> 00:08:55,319 Speaker 2: Whether that's that's what art is I guess. 198 00:08:55,640 --> 00:08:58,040 Speaker 3: So when your mum goes to sell the laddro, she 199 00:08:58,120 --> 00:09:00,960 Speaker 3: puts a note saying, Brendan jonesy Burns broke this as 200 00:09:01,000 --> 00:09:03,959 Speaker 3: a child. Will you take your mum's ladro? Because that's 201 00:09:04,000 --> 00:09:07,080 Speaker 3: another discussion. We are the first generation who don't want 202 00:09:07,120 --> 00:09:09,640 Speaker 3: to take our parents' stuff. Yeah, we're the generation that 203 00:09:09,679 --> 00:09:12,520 Speaker 3: are downsizing that don't have Our houses aren't as big 204 00:09:12,520 --> 00:09:14,360 Speaker 3: as usually as the houses we grew up in. We 205 00:09:14,360 --> 00:09:16,960 Speaker 3: don't want mum's dining table that actually came from Grandma 206 00:09:17,080 --> 00:09:19,760 Speaker 3: or Missius k foops down the road. We are buying 207 00:09:19,800 --> 00:09:23,200 Speaker 3: the younger people are buying Ikea, stuff that's small and 208 00:09:23,240 --> 00:09:26,680 Speaker 3: easily transportable when you're renting. So will you take your 209 00:09:26,760 --> 00:09:28,720 Speaker 3: mum's ladro Yeah. 210 00:09:28,480 --> 00:09:29,080 Speaker 2: It's curious. 211 00:09:29,120 --> 00:09:31,240 Speaker 4: My mum's got a great dining room table and it 212 00:09:31,280 --> 00:09:33,719 Speaker 4: looks like something straight out of the Jetsons. Remember the 213 00:09:33,800 --> 00:09:36,520 Speaker 4: Jetsons purported to be in the future. Yeah, but they 214 00:09:36,760 --> 00:09:38,960 Speaker 4: came out in the sixties. But this dining room table, 215 00:09:39,160 --> 00:09:42,120 Speaker 4: is it for Micah? No, no, no, it's a it's wood, 216 00:09:42,320 --> 00:09:44,320 Speaker 4: polished wood, but really skinny. 217 00:09:44,960 --> 00:09:45,240 Speaker 2: Wow. 218 00:09:45,320 --> 00:09:47,560 Speaker 3: That is fantastic, it is. And it's not that big, 219 00:09:47,600 --> 00:09:48,720 Speaker 3: old school chunky stuff. 220 00:09:48,800 --> 00:09:52,000 Speaker 4: No, no, it's like what they thought the future would be 221 00:09:52,080 --> 00:09:52,960 Speaker 4: back in the seventies. 222 00:09:53,040 --> 00:09:56,880 Speaker 2: Yeah, and it's so well made. All dovetail would join. 223 00:09:56,920 --> 00:09:58,800 Speaker 1: Your siblings will probably fight you for that. 224 00:09:59,600 --> 00:10:03,080 Speaker 2: Well, they have it thin. I don't necessarily want. 225 00:10:03,120 --> 00:10:05,640 Speaker 3: When Harley came back from New Zealand once, he said, oh, 226 00:10:05,720 --> 00:10:08,400 Speaker 3: I've arranged to bring mum and dad's furniture back. And 227 00:10:08,440 --> 00:10:11,200 Speaker 3: I went, great, because we don't have space. I didn't 228 00:10:11,200 --> 00:10:13,280 Speaker 3: take my mum and dad's stuff. I just don't have space. 229 00:10:13,960 --> 00:10:18,840 Speaker 3: And he said, it's chairs, its stools, and a big 230 00:10:18,920 --> 00:10:24,240 Speaker 3: table just cut roughly from old trees, like a forest setting. 231 00:10:25,640 --> 00:10:28,319 Speaker 3: He was making up the whole thing because. 232 00:10:27,960 --> 00:10:30,960 Speaker 4: He knew that I would have that stuff, that I 233 00:10:31,040 --> 00:10:33,840 Speaker 4: would hate that the clubhouse. 234 00:10:33,960 --> 00:10:34,320 Speaker 6: Yeah. 235 00:10:34,679 --> 00:10:38,280 Speaker 1: Oh do they brendan heavy hewn woods. Yeah, but all. 236 00:10:38,280 --> 00:10:40,000 Speaker 3: It's as if you've just taken a tree and saun 237 00:10:40,080 --> 00:10:42,240 Speaker 3: it in alf and you have to sit on that chainsaw. 238 00:10:42,760 --> 00:10:43,080 Speaker 2: Yeah. 239 00:10:43,080 --> 00:10:46,120 Speaker 1: So he was making all that up. Got me a beauty. 240 00:10:47,480 --> 00:10:49,320 Speaker 2: What about his bi centennial table? 241 00:10:49,600 --> 00:10:51,640 Speaker 1: Oh God, who knows where that is now? 242 00:10:51,960 --> 00:10:54,680 Speaker 3: Well, I call it the by centennial table because we 243 00:10:54,679 --> 00:10:57,480 Speaker 3: were married in nineteen ninety and that table was in 244 00:10:57,520 --> 00:10:59,040 Speaker 3: the garage because he was going to fix it up 245 00:10:59,040 --> 00:11:02,120 Speaker 3: any minute. Never looked at it again. But it came 246 00:11:02,160 --> 00:11:04,120 Speaker 3: from house, moved to house, moved to house, move and 247 00:11:04,120 --> 00:11:05,200 Speaker 3: you just dragged around. 248 00:11:05,200 --> 00:11:05,880 Speaker 1: Dragged around. 249 00:11:05,960 --> 00:11:10,440 Speaker 3: It's the spirit of optimism and potential. Yeah, that's what 250 00:11:10,480 --> 00:11:11,640 Speaker 3: I should have called that table. 251 00:11:11,800 --> 00:11:15,280 Speaker 4: That's your art piece and all the cracks that go 252 00:11:15,360 --> 00:11:30,320 Speaker 4: with it, and I've shown a few. Are you ready 253 00:11:30,360 --> 00:11:33,520 Speaker 4: for law what's found its way on the cutting room 254 00:11:33,559 --> 00:11:34,200 Speaker 4: floor today? 255 00:11:34,240 --> 00:11:34,720 Speaker 2: Amanda? 256 00:11:35,440 --> 00:11:36,760 Speaker 1: Do you remember the tamagotchi? 257 00:11:37,040 --> 00:11:38,520 Speaker 2: Do I remember the tamagotchi? 258 00:11:39,200 --> 00:11:39,520 Speaker 1: Into it? 259 00:11:39,600 --> 00:11:40,000 Speaker 2: Yeah? 260 00:11:40,040 --> 00:11:43,120 Speaker 4: My daughter was into it and we had to because 261 00:11:43,120 --> 00:11:45,120 Speaker 4: she couldn't look after it. So I ended up cleaning 262 00:11:45,160 --> 00:11:47,800 Speaker 4: up It's poop, it's digital poop, and you had to 263 00:11:47,840 --> 00:11:50,080 Speaker 4: feed it. There's a pain in the neck, and then 264 00:11:50,120 --> 00:11:51,640 Speaker 4: it died and you have to go and buy another 265 00:11:51,679 --> 00:11:53,560 Speaker 4: one that was similar and get it, and you couldn't 266 00:11:53,559 --> 00:11:53,760 Speaker 4: get it. 267 00:11:53,760 --> 00:11:56,520 Speaker 3: Along the journey, a lot of girls were into it 268 00:11:56,559 --> 00:11:59,360 Speaker 3: because they tapped into that idea of kind of nurturing. 269 00:11:59,400 --> 00:12:02,120 Speaker 3: It was seen as like a precursor looking after a 270 00:12:02,160 --> 00:12:05,439 Speaker 3: pet or God forbid, a baby. But I had a 271 00:12:05,440 --> 00:12:06,959 Speaker 3: friend who got into a lot of trouble with her 272 00:12:07,240 --> 00:12:11,000 Speaker 3: child over this because there's some drama going on in 273 00:12:11,040 --> 00:12:14,679 Speaker 3: the family and the dad passed away and the daughter 274 00:12:14,800 --> 00:12:17,959 Speaker 3: just took off and played these The tamagotchi led to 275 00:12:18,000 --> 00:12:20,520 Speaker 3: a whole lot of similar kind of games. Where you 276 00:12:20,600 --> 00:12:23,559 Speaker 3: had to be hyper vigilant, and suddenly they found that 277 00:12:23,840 --> 00:12:26,719 Speaker 3: she'd become obsessed with this computer, was spending a lot 278 00:12:26,720 --> 00:12:29,679 Speaker 3: of money on it, and they had taken her their 279 00:12:29,679 --> 00:12:31,120 Speaker 3: eye off the ball while they were dealing with the 280 00:12:31,200 --> 00:12:35,320 Speaker 3: drama of the horror weeks that were taking place. So 281 00:12:35,400 --> 00:12:37,839 Speaker 3: these Tamagotchi's, I know that they're all about, oh, come 282 00:12:37,880 --> 00:12:41,800 Speaker 3: and look after the little pretend pet. But I see 283 00:12:41,840 --> 00:12:45,960 Speaker 3: a darker side to this is that it creates that 284 00:12:46,080 --> 00:12:48,880 Speaker 3: hyper vigilance. If I don't look after it, it will die. 285 00:12:49,240 --> 00:12:52,160 Speaker 3: And that leads to this leaning in of kids into 286 00:12:52,280 --> 00:12:56,000 Speaker 3: computer games, into whatever that need to have to see it, 287 00:12:56,080 --> 00:12:58,319 Speaker 3: to be there to see it all every day. Anyway, 288 00:12:58,320 --> 00:13:00,440 Speaker 3: Tamagotchi's fell away, didn't They They. 289 00:13:00,280 --> 00:13:02,280 Speaker 4: Went away, Thank the Lord. Although I think I've got 290 00:13:02,280 --> 00:13:03,679 Speaker 4: some under the house somewhere. Well. 291 00:13:03,800 --> 00:13:06,000 Speaker 3: They're probably worth a lot of money because Tamagotchi's a 292 00:13:06,080 --> 00:13:09,960 Speaker 3: back to the point where they've even opened their first 293 00:13:10,040 --> 00:13:13,560 Speaker 3: brick and mortar store in the UK this year, so 294 00:13:13,679 --> 00:13:16,360 Speaker 3: you can buy Tamagotchi's again. They've given them an upgrade. 295 00:13:16,679 --> 00:13:19,120 Speaker 3: You can now connect with and play on Wi Fi, 296 00:13:19,800 --> 00:13:23,800 Speaker 3: download different items, spend money spend money, spend money. 297 00:13:24,520 --> 00:13:25,560 Speaker 1: So there you go. 298 00:13:25,600 --> 00:13:29,520 Speaker 3: They've updated the tamagotchi and the Tamagotchi is back. It's 299 00:13:29,520 --> 00:13:30,839 Speaker 3: a new hot commodity. 300 00:13:31,200 --> 00:13:33,599 Speaker 2: Man, like, why can't they just have a goldfish or 301 00:13:33,640 --> 00:13:34,559 Speaker 2: a plant. 302 00:13:34,480 --> 00:13:37,760 Speaker 3: And that has a natural end, as we know, the 303 00:13:37,800 --> 00:13:40,640 Speaker 3: life cycle of a goldfish will teach your child life 304 00:13:40,640 --> 00:13:42,160 Speaker 3: and death in the space of a few weeks. 305 00:13:42,200 --> 00:13:44,600 Speaker 1: What about sea monkeys, Yeah, that's what we had to 306 00:13:44,600 --> 00:13:44,960 Speaker 1: put up with. 307 00:13:45,080 --> 00:13:46,360 Speaker 2: You look at those sea monkeys. 308 00:13:46,480 --> 00:13:48,959 Speaker 1: That dad's job didn't last. He head off every day 309 00:13:49,000 --> 00:13:51,120 Speaker 1: with his briefcase. He got the sack. 310 00:13:51,760 --> 00:13:53,800 Speaker 2: You know, those sea monkeys. It pretty much just lies 311 00:13:53,840 --> 00:13:54,400 Speaker 2: out there. 312 00:13:54,240 --> 00:13:56,280 Speaker 3: Pretty much lies, and you had to pretend that you 313 00:13:56,320 --> 00:13:57,440 Speaker 3: had microscopic eyes. 314 00:13:57,559 --> 00:14:00,240 Speaker 4: Yeah, but according to the back of the comic book 315 00:14:00,280 --> 00:14:01,520 Speaker 4: that they were advertising, oh. 316 00:14:01,440 --> 00:14:04,000 Speaker 3: There's a little baby in a high chair to work, 317 00:14:04,120 --> 00:14:04,679 Speaker 3: so utopia. 318 00:14:04,720 --> 00:14:06,000 Speaker 2: They lived in a castle. 319 00:14:05,720 --> 00:14:08,559 Speaker 3: And none of us had no homes, had the technology 320 00:14:08,600 --> 00:14:11,240 Speaker 3: where were consuming to see that they were actually prawn lives. 321 00:14:11,040 --> 00:14:11,719 Speaker 1: Or whatever they were. 322 00:14:11,880 --> 00:14:13,280 Speaker 2: That's what they were. Prawn. Yeah. 323 00:14:13,520 --> 00:14:15,960 Speaker 3: Yeah, they don't look exactly like they did on the packet, 324 00:14:15,960 --> 00:14:17,680 Speaker 3: but none of us had the technology to see it 325 00:14:17,760 --> 00:14:18,240 Speaker 3: and know it. 326 00:14:19,000 --> 00:14:21,160 Speaker 4: I wonder what happened to those sea monkeys. Did they 327 00:14:21,280 --> 00:14:23,200 Speaker 4: indeed grow up into giant things? 328 00:14:23,240 --> 00:14:26,320 Speaker 1: They're ruling the sewers, giant prawns. 329 00:14:26,800 --> 00:14:28,840 Speaker 2: And there's dad with his briefcase. 330 00:14:28,320 --> 00:14:31,080 Speaker 1: And mum with a kid in a high chair, roaring 331 00:14:31,120 --> 00:14:31,840 Speaker 1: over the sewers. 332 00:14:31,920 --> 00:14:34,520 Speaker 4: Dad's going he's got to tend to other larvae because 333 00:14:34,560 --> 00:14:36,640 Speaker 4: he hasn't been keeping it in his pants at work. 334 00:14:39,360 --> 00:14:41,840 Speaker 1: I'm not emptying your poochube, do it yourself. 335 00:14:44,160 --> 00:14:54,840 Speaker 2: There's some more sweeping up our categroom floor. Today. We 336 00:14:54,880 --> 00:14:57,120 Speaker 2: didn't get around to the subject of G streaks. 337 00:14:58,400 --> 00:15:00,960 Speaker 1: What's what is the subject of G strings? 338 00:15:01,480 --> 00:15:04,520 Speaker 2: How would you feel if I had news about G strings? 339 00:15:04,640 --> 00:15:06,040 Speaker 2: If they were either out or. 340 00:15:06,080 --> 00:15:09,000 Speaker 1: In as opposed to ride up right up? 341 00:15:09,240 --> 00:15:10,640 Speaker 2: How do you feel about G strings? 342 00:15:10,760 --> 00:15:14,800 Speaker 3: I go through phases I've got now I'm resting comfortably 343 00:15:14,920 --> 00:15:16,800 Speaker 3: at the high cut underwear That isn't. 344 00:15:16,640 --> 00:15:17,200 Speaker 1: A G string. 345 00:15:17,240 --> 00:15:18,400 Speaker 2: Oh yeah, like that sexy. 346 00:15:18,560 --> 00:15:21,240 Speaker 3: It's not sexy, it's comfortable, it's not I have owned 347 00:15:21,280 --> 00:15:23,560 Speaker 3: G strings, and now if I ever wear one, I 348 00:15:23,600 --> 00:15:25,480 Speaker 3: spent a whole time trying to pull it out of 349 00:15:25,520 --> 00:15:25,840 Speaker 3: my bum. 350 00:15:26,000 --> 00:15:27,880 Speaker 2: How high cut? When you say high cut. 351 00:15:27,760 --> 00:15:30,240 Speaker 3: Now just meaning it's not cottontail which I used to wear. 352 00:15:30,400 --> 00:15:32,360 Speaker 3: It's not right around the top of the leg, It's 353 00:15:32,400 --> 00:15:33,440 Speaker 3: just slightly higher. 354 00:15:33,800 --> 00:15:36,440 Speaker 1: Who cares? Would you like? Would you wear a G string? 355 00:15:36,880 --> 00:15:39,360 Speaker 2: I have won a G string. I wore a stage 356 00:15:39,440 --> 00:15:41,360 Speaker 2: I wore it in the real full Monty, but. 357 00:15:41,480 --> 00:15:43,400 Speaker 1: That only lasted a second for you to pull it off. 358 00:15:43,440 --> 00:15:43,680 Speaker 2: I know. 359 00:15:43,720 --> 00:15:46,000 Speaker 4: I had to wear it throughout rehearsal. I had to 360 00:15:46,120 --> 00:15:48,920 Speaker 4: dance in it fully clothed. And you know what I found? 361 00:15:49,120 --> 00:15:51,200 Speaker 4: It was more comfortable than I would have imagined. 362 00:15:51,520 --> 00:15:53,160 Speaker 2: It was a tailor with it. It was a tailor 363 00:15:53,200 --> 00:15:54,040 Speaker 2: made T string. 364 00:15:54,320 --> 00:15:56,560 Speaker 1: Yeah, tailor made. What does that mean? That measure you 365 00:15:56,600 --> 00:15:58,120 Speaker 1: have thick your bottom cracking? 366 00:15:58,360 --> 00:16:03,800 Speaker 2: Yeah, they measure the whole luggy John wasn't there? Why 367 00:16:04,120 --> 00:16:07,000 Speaker 2: women that picture that's been doctor where. 368 00:16:06,800 --> 00:16:08,520 Speaker 3: He's got a very long bum crack and she's got 369 00:16:08,520 --> 00:16:10,640 Speaker 3: a real short one, And I was fascinated. 370 00:16:10,920 --> 00:16:12,000 Speaker 1: But apparently it was. 371 00:16:12,240 --> 00:16:15,160 Speaker 2: It was doctored to do that. I looked at the original. 372 00:16:15,240 --> 00:16:18,360 Speaker 4: I will say this, John Lennon has a longer than 373 00:16:18,480 --> 00:16:19,440 Speaker 4: average bomb. 374 00:16:21,440 --> 00:16:23,000 Speaker 1: Now does you'll sit on the on the sky? 375 00:16:23,320 --> 00:16:25,240 Speaker 2: Minds an average sized length body. 376 00:16:25,240 --> 00:16:27,400 Speaker 1: But they still they still had to custom make. 377 00:16:27,280 --> 00:16:30,360 Speaker 2: You well, they made custom g strings for all of us, 378 00:16:30,400 --> 00:16:31,800 Speaker 2: all of the crew that were. 379 00:16:31,240 --> 00:16:35,760 Speaker 1: The custom Let's drilled down on what measures which bits. 380 00:16:35,800 --> 00:16:39,160 Speaker 4: The whole, you know, the bits that she put the waist, 381 00:16:39,680 --> 00:16:42,880 Speaker 4: waist and down that the crutch area and everything. 382 00:16:43,160 --> 00:16:45,720 Speaker 3: But she did she measure from the top of the 383 00:16:46,480 --> 00:16:49,280 Speaker 3: from the cheek meets the leg to the end of 384 00:16:49,320 --> 00:16:50,240 Speaker 3: the create crack. 385 00:16:51,280 --> 00:16:53,160 Speaker 2: I can't remember. It was a few years ago. 386 00:16:55,520 --> 00:16:56,760 Speaker 1: Do you have a longer crack? 387 00:16:57,760 --> 00:16:59,720 Speaker 3: Does that mean that you wear the G string higher 388 00:16:59,880 --> 00:17:03,160 Speaker 3: or you're inside doesn't match the crease on the outside. 389 00:17:03,240 --> 00:17:03,680 Speaker 1: I don't know. 390 00:17:03,760 --> 00:17:05,600 Speaker 2: It's possibly why they got measured. 391 00:17:05,800 --> 00:17:09,400 Speaker 4: I will say this, firstly, very comfortable, not very comfortable, 392 00:17:09,400 --> 00:17:10,600 Speaker 4: but surprisingly comfortable. 393 00:17:10,600 --> 00:17:11,399 Speaker 1: I don't agree. 394 00:17:12,040 --> 00:17:14,680 Speaker 2: Secondly, that whole long bum crack thing. 395 00:17:15,119 --> 00:17:18,399 Speaker 4: Because the ladies, the trend now is and this is 396 00:17:18,440 --> 00:17:21,080 Speaker 4: the news, the g banger trend is back to stay 397 00:17:21,359 --> 00:17:24,280 Speaker 4: because on the catwalks of around the world, models are 398 00:17:24,320 --> 00:17:28,280 Speaker 4: now wearing high cut G strings and you can actually see. 399 00:17:28,240 --> 00:17:28,920 Speaker 2: The whole action. 400 00:17:30,000 --> 00:17:32,720 Speaker 3: So the G string, it's like Kath and Kim, the 401 00:17:32,760 --> 00:17:34,480 Speaker 3: G string sits higher than your pants. 402 00:17:34,600 --> 00:17:36,160 Speaker 2: Yep, Kim was ahead of a time. 403 00:17:36,280 --> 00:17:38,840 Speaker 3: Well, there's only two percent of the population not even two. 404 00:17:39,280 --> 00:17:42,600 Speaker 3: I'd say point two of the population that looks good on. 405 00:17:43,040 --> 00:17:43,760 Speaker 1: Have you got a picture? 406 00:17:44,640 --> 00:17:46,200 Speaker 2: I don't have any handouts. I'm sorry. 407 00:17:46,280 --> 00:17:49,160 Speaker 3: I could google it, but if you're looking, but if 408 00:17:49,160 --> 00:17:51,320 Speaker 3: you're someone on a catwalk, is going to look good 409 00:17:51,320 --> 00:17:51,520 Speaker 3: in that? 410 00:17:51,960 --> 00:17:52,160 Speaker 2: Yeah? 411 00:17:52,200 --> 00:17:53,760 Speaker 1: For sure? I would look dreadful in that. 412 00:17:54,160 --> 00:17:54,480 Speaker 2: I think you. 413 00:17:55,840 --> 00:17:58,560 Speaker 3: Because as you not even as you get older, most 414 00:17:58,560 --> 00:18:01,880 Speaker 3: women aren't at right from the front to the top 415 00:18:01,880 --> 00:18:06,440 Speaker 3: of the legs. There's rollie bits and you can't have 416 00:18:06,560 --> 00:18:09,879 Speaker 3: rolling bits at the front. Well you can, you can 417 00:18:09,920 --> 00:18:12,240 Speaker 3: wear whatever you like, but I don't think you look 418 00:18:12,320 --> 00:18:14,919 Speaker 3: good if you've got your roller bits at the front 419 00:18:15,280 --> 00:18:17,800 Speaker 3: with the g string over, you know, cutting them in half. 420 00:18:17,840 --> 00:18:18,480 Speaker 1: Do you know what I mean? 421 00:18:18,760 --> 00:18:21,480 Speaker 2: I do. I think it's kind of hot, do you Yeah? 422 00:18:21,480 --> 00:18:26,200 Speaker 4: I think sometimes when I see that. 423 00:18:25,119 --> 00:18:27,679 Speaker 3: Even on a real body, not just on a not 424 00:18:27,760 --> 00:18:32,000 Speaker 3: on a tight flat body, on a body that has rolls. 425 00:18:32,000 --> 00:18:35,399 Speaker 4: And sometimes you'll be looking at someone and you know 426 00:18:35,400 --> 00:18:39,959 Speaker 4: they might scooch down to pick up some groceries or something. Right, 427 00:18:40,480 --> 00:18:43,600 Speaker 4: could be an average someone that you wouldn't imagine who 428 00:18:43,680 --> 00:18:43,919 Speaker 4: was there. 429 00:18:43,960 --> 00:18:46,120 Speaker 2: There was a Minister of Transport minister many years ago. 430 00:18:46,160 --> 00:18:48,360 Speaker 4: I was doing a gig with her I've forgotten a name, 431 00:18:49,400 --> 00:18:54,120 Speaker 4: rib Ma, and she I was at the leg turn, 432 00:18:54,320 --> 00:18:57,040 Speaker 4: just doing what I usually do. She came up, she 433 00:18:57,080 --> 00:19:00,359 Speaker 4: dropped up some groceries, dropped her notes down, and she 434 00:19:00,440 --> 00:19:02,160 Speaker 4: was wearing sensible pants. 435 00:19:02,840 --> 00:19:04,080 Speaker 2: But then out of us. 436 00:19:04,160 --> 00:19:05,320 Speaker 1: You saw the t bar at the top. 437 00:19:05,440 --> 00:19:07,960 Speaker 2: Yeah, and I suddenly went hang on, Yeah, but no, but. 438 00:19:08,040 --> 00:19:10,720 Speaker 3: This is not what we're talking about. Seeing that at 439 00:19:10,720 --> 00:19:13,679 Speaker 3: the back is one thing. But at the way the 440 00:19:13,760 --> 00:19:16,320 Speaker 3: catwalk is, it's the pants are low at front and back, 441 00:19:16,760 --> 00:19:20,520 Speaker 3: so you have to have flat, flanky bits for that 442 00:19:20,600 --> 00:19:22,480 Speaker 3: g string to sit well at the front. 443 00:19:22,480 --> 00:19:23,159 Speaker 1: Would you agree? 444 00:19:23,560 --> 00:19:24,399 Speaker 2: Yeah, Yeah, that's. 445 00:19:24,240 --> 00:19:24,720 Speaker 1: What I mean. 446 00:19:24,800 --> 00:19:27,880 Speaker 3: If you saw a normal person in massively low cut 447 00:19:27,920 --> 00:19:31,600 Speaker 3: jeans that just cut line and there's rolls and not 448 00:19:31,680 --> 00:19:35,159 Speaker 3: just rolls, just regular female roundness. 449 00:19:35,920 --> 00:19:36,959 Speaker 1: You're rubbing your face. 450 00:19:37,920 --> 00:19:40,800 Speaker 2: Just what's a normal person? You know what? That'd be 451 00:19:40,880 --> 00:19:41,760 Speaker 2: hanging down thing. 452 00:19:42,200 --> 00:19:45,199 Speaker 3: Well, you don't get to chew, That's my point. It 453 00:19:45,280 --> 00:19:47,040 Speaker 3: only looks good on certain people that don't have the 454 00:19:47,080 --> 00:19:48,720 Speaker 3: big dew lap. Is that what you're is that the 455 00:19:48,720 --> 00:19:51,480 Speaker 3: word you're looking for, the apron of skin at the front, 456 00:19:52,200 --> 00:19:52,960 Speaker 3: aprin of fat. 457 00:19:53,119 --> 00:19:55,680 Speaker 4: Yeah, we're just getting into sexy town, trying to bring 458 00:19:55,680 --> 00:19:58,080 Speaker 4: you around, trying to get a cold spoon out. It's 459 00:19:58,119 --> 00:20:01,520 Speaker 4: like when I went to Sexpo and I walked into 460 00:20:01,560 --> 00:20:05,119 Speaker 4: sex Bow around for work purposes, just to see what 461 00:20:05,240 --> 00:20:10,000 Speaker 4: goes on there, walked around the whole displays moderately aroused, 462 00:20:10,560 --> 00:20:13,399 Speaker 4: and just when I'm leaving, they funnel you through the 463 00:20:13,480 --> 00:20:14,359 Speaker 4: visectomy team. 464 00:20:14,640 --> 00:20:16,880 Speaker 2: Wait, you're watching on video people getting visa. 465 00:20:17,080 --> 00:20:18,520 Speaker 1: You were the only one that was funneled that way. 466 00:20:18,600 --> 00:20:20,360 Speaker 1: I was the only person who was inappropriate. 467 00:20:20,960 --> 00:20:25,760 Speaker 2: And Dave Grohl he wishes anyway, the trend is back good. 468 00:20:26,720 --> 00:20:33,840 Speaker 6: Yeah, everybody, Amanda's cutting room full floor, everybody, it's time 469 00:20:33,920 --> 00:20:37,920 Speaker 6: for Jonesy and Amanda's cutting room for It's the cutting 470 00:20:37,960 --> 00:20:44,440 Speaker 6: room floor. Gay, it's Jonesy and Amanda's cutting room floor. 471 00:20:44,760 --> 00:20:49,960 Speaker 4: Yeay, Yes, something that's fallen on the cutting room floor. 472 00:20:50,000 --> 00:20:52,840 Speaker 4: And I must say it's remiss of us not even 473 00:20:52,880 --> 00:20:55,040 Speaker 4: to mention it, because quite frankly, I was just in 474 00:20:55,080 --> 00:20:57,000 Speaker 4: it for the Telegraphs headlines alone. 475 00:20:57,200 --> 00:20:59,120 Speaker 2: On the Gareth Ward situation. 476 00:20:58,800 --> 00:21:00,680 Speaker 3: Let's bring up to speed with who Eareth Ward is. 477 00:21:00,720 --> 00:21:04,719 Speaker 3: He's a New South Wales politician yep, and he was 478 00:21:05,160 --> 00:21:09,080 Speaker 3: found wandering around in his socks and his undies and 479 00:21:09,119 --> 00:21:14,639 Speaker 3: his shirt trying to get in to Parliament House because 480 00:21:14,640 --> 00:21:17,000 Speaker 3: he said he'd been locked out from his home. This 481 00:21:17,040 --> 00:21:19,800 Speaker 3: isn't the first time things have happened to him. Here's 482 00:21:19,840 --> 00:21:21,399 Speaker 3: how it was set on the news today. 483 00:21:21,560 --> 00:21:26,280 Speaker 5: Fully clothed MP Gareth Ward sought extra privacy under his umbrella. 484 00:21:26,600 --> 00:21:28,240 Speaker 1: Can you explain what happened that morning? 485 00:21:28,680 --> 00:21:31,160 Speaker 5: In a text message, he says he locked himself out 486 00:21:31,200 --> 00:21:33,879 Speaker 5: of his apartment in the early hours of Sunday, July 487 00:21:34,000 --> 00:21:37,960 Speaker 5: twenty one, and jogged eight minutes to his workplace for 488 00:21:38,040 --> 00:21:39,680 Speaker 5: his spare key. 489 00:21:39,400 --> 00:21:42,840 Speaker 2: Along walk from Potts Point. I believe it's not quite 490 00:21:42,880 --> 00:21:43,320 Speaker 2: next door. 491 00:21:45,400 --> 00:21:47,080 Speaker 1: It would never have happened in my day. 492 00:21:47,359 --> 00:21:50,120 Speaker 5: This is not the first time he's been caught under dressed. 493 00:21:50,240 --> 00:21:53,880 Speaker 5: Four years ago, the then Families Minister was found sleepwalking 494 00:21:54,119 --> 00:21:58,400 Speaker 5: naked by police twice, claiming he'd had a general anesthetic 495 00:21:58,560 --> 00:22:02,119 Speaker 5: that day. Also the subject of a massage scandal in 496 00:22:02,200 --> 00:22:05,720 Speaker 5: New York in twenty seventeen, Ward denies that he ordered 497 00:22:05,760 --> 00:22:08,800 Speaker 5: a special massage and says he was the victim of 498 00:22:08,840 --> 00:22:12,800 Speaker 5: a blackmail scam. Suspended from Parliament in twenty twenty two 499 00:22:13,119 --> 00:22:15,959 Speaker 5: after being charged with historical sex offenses. 500 00:22:16,640 --> 00:22:20,040 Speaker 1: Are there any questions special massage? 501 00:22:20,080 --> 00:22:23,080 Speaker 3: Weirdly, he was voted back in last year as an independent. 502 00:22:23,640 --> 00:22:25,440 Speaker 2: These are the dopes that run our country, you know. 503 00:22:25,560 --> 00:22:29,600 Speaker 3: This is the thing he the premier has said, Gee, 504 00:22:29,280 --> 00:22:32,120 Speaker 3: blind Freddy can see that there's something else going on here. 505 00:22:32,359 --> 00:22:34,960 Speaker 3: And he said, how dare you talk about blind Freddie? 506 00:22:34,960 --> 00:22:37,920 Speaker 3: I'm legally blind and yet he jogged in the middle 507 00:22:37,920 --> 00:22:40,800 Speaker 3: of the night through a prisox and his undies. 508 00:22:40,920 --> 00:22:42,920 Speaker 2: Can we point out it through a pretty dodgy part 509 00:22:42,960 --> 00:22:43,840 Speaker 2: of city as well? 510 00:22:43,880 --> 00:22:48,600 Speaker 3: He lives near King's Cross. He jogged for nine minutes 511 00:22:48,640 --> 00:22:50,760 Speaker 3: to get to his place of work. But he's legally blind. 512 00:22:51,000 --> 00:22:55,240 Speaker 2: Look this guy, I don't really have much for him 513 00:22:55,480 --> 00:22:56,040 Speaker 2: other than. 514 00:22:55,920 --> 00:22:57,040 Speaker 1: A job, and he's a creep. 515 00:22:57,280 --> 00:23:00,960 Speaker 4: Allegedly the telegra I don't think the alleged about it canceled. 516 00:23:01,640 --> 00:23:04,160 Speaker 4: I'm just in it for the telegraphs headlines. I thought 517 00:23:04,160 --> 00:23:08,359 Speaker 4: it was a pista resistance at Undigate on the front page, 518 00:23:08,600 --> 00:23:11,480 Speaker 4: but then I flicked over to page four and in. 519 00:23:11,440 --> 00:23:14,960 Speaker 2: Big letters, I wasn't under the weather. 520 00:23:15,720 --> 00:23:18,240 Speaker 4: You know, people say a lot about Murdoch Press, but 521 00:23:18,359 --> 00:23:21,240 Speaker 4: really I salute you bravo that. 522 00:23:21,200 --> 00:23:23,040 Speaker 3: That's the only thing you can smile about in this 523 00:23:23,240 --> 00:23:25,560 Speaker 3: entire story, you know you who It reminds me of 524 00:23:26,040 --> 00:23:28,720 Speaker 3: when he says, oh boy, there's an excuse. There's always 525 00:23:28,720 --> 00:23:32,359 Speaker 3: an excuse, always an excuse. Have you seen what Sean 526 00:23:32,560 --> 00:23:36,760 Speaker 3: Comb's p Ditties lawyer has said recently? You may know 527 00:23:36,880 --> 00:23:41,639 Speaker 3: that he has been accused of sex trafficking, of manipulating 528 00:23:41,680 --> 00:23:44,320 Speaker 3: people into sex parties, of doing all kinds of underhand 529 00:23:44,359 --> 00:23:47,760 Speaker 3: sexual behavior. And he was found with a thousand bottles 530 00:23:47,800 --> 00:23:51,360 Speaker 3: of lube at his home, a copious collection of lubricant 531 00:23:51,640 --> 00:23:55,840 Speaker 3: and baby oil found by federal agents. He has said. 532 00:23:55,840 --> 00:24:01,639 Speaker 3: When these lawyer was confronted, I don't think it was 533 00:24:01,680 --> 00:24:02,640 Speaker 3: a thousand bottles. 534 00:24:02,640 --> 00:24:05,240 Speaker 1: I mean it was a lot. He said, there's a 535 00:24:05,280 --> 00:24:06,560 Speaker 1: cost go down the street. 536 00:24:06,680 --> 00:24:11,480 Speaker 3: I think Americans buying well, he said ironically. He hasn't 537 00:24:11,480 --> 00:24:16,439 Speaker 3: brought up giant tins of beetroot or toilet paper, just this. 538 00:24:16,720 --> 00:24:19,400 Speaker 1: He buys in bulk. One particular item. 539 00:24:20,520 --> 00:24:21,720 Speaker 2: Impeded his defense. 540 00:24:21,840 --> 00:24:25,639 Speaker 4: I've been into Costco and there's a whole range of 541 00:24:25,720 --> 00:24:26,960 Speaker 4: great stuff that you can buy. 542 00:24:27,320 --> 00:24:29,120 Speaker 1: Interesting though he only went for the loube, but. 543 00:24:29,080 --> 00:24:31,000 Speaker 2: It might have been on special. He's got a bit 544 00:24:31,040 --> 00:24:31,840 Speaker 2: of two for one deal. 545 00:24:31,960 --> 00:24:35,600 Speaker 3: His lawyer also said, and look, these are consensual adults 546 00:24:35,640 --> 00:24:39,080 Speaker 3: doing what consensual adults do. He said, we can't get 547 00:24:39,119 --> 00:24:42,080 Speaker 3: puritanical in this country to think that somehow sex is 548 00:24:42,119 --> 00:24:44,000 Speaker 3: a bad thing, because if it was, it'd be no 549 00:24:44,040 --> 00:24:47,200 Speaker 3: more people. He is completely disregarding the fact that he 550 00:24:47,280 --> 00:24:52,240 Speaker 3: has been charged with sex trafficking, forcing people to have 551 00:24:52,359 --> 00:24:57,640 Speaker 3: sex men and women against their wishes and after they've 552 00:24:57,680 --> 00:25:00,399 Speaker 3: been drugged, et cetera, et cetera. This isn't just normal, 553 00:25:00,640 --> 00:25:04,480 Speaker 3: con sexual, consensual sex parties. So maybe his lawyers should 554 00:25:04,480 --> 00:25:05,560 Speaker 3: show his piehole that. 555 00:25:05,680 --> 00:25:07,639 Speaker 2: Is something innocent. Maybe he was starting his own Lube 556 00:25:07,800 --> 00:25:08,600 Speaker 2: your franchise. 557 00:25:08,760 --> 00:25:10,280 Speaker 1: Maybe he was. 558 00:25:09,680 --> 00:25:11,480 Speaker 2: Maybe that's a thing. 559 00:25:11,600 --> 00:25:14,679 Speaker 3: Why can't he start his own sliced beet root franchise? 560 00:25:15,600 --> 00:25:17,800 Speaker 1: No, only Lube Tay kids. 561 00:25:17,880 --> 00:25:20,639 Speaker 2: That's it for today. Come back to mar Or Farmer 562 00:25:20,800 --> 00:25:23,680 Speaker 2: of Chelsey and the studying room for