1 00:00:00,440 --> 00:00:03,880 Speaker 1: Yeah, the Will and Woody podcast that bite sized. 2 00:00:04,040 --> 00:00:06,760 Speaker 2: We're not the one and only Bill Bailey in the 3 00:00:06,800 --> 00:00:08,360 Speaker 2: studio with us right now. 4 00:00:08,400 --> 00:00:08,920 Speaker 1: Hello. 5 00:00:09,480 --> 00:00:10,640 Speaker 2: Our next guest is. 6 00:00:10,720 --> 00:00:13,960 Speaker 1: Just Fawn in all the way from England. Some people 7 00:00:14,000 --> 00:00:17,600 Speaker 1: describe him as a comedian to an Orthan and I 8 00:00:17,680 --> 00:00:19,959 Speaker 1: know him as the guy who played the organ. 9 00:00:20,000 --> 00:00:21,200 Speaker 2: Let me nonce Funeral. 10 00:00:21,880 --> 00:00:24,400 Speaker 1: He needs to talk about his new comedy talk en 11 00:00:24,480 --> 00:00:27,800 Speaker 1: Route to Normal. Please, welcome to the show The World's 12 00:00:27,800 --> 00:00:31,880 Speaker 1: based upon to Remember of the Society of Milatory Organism. 13 00:00:32,200 --> 00:00:36,360 Speaker 1: It's Bill Bailey Froco Bell. Hello. Wow, that was a 14 00:00:36,360 --> 00:00:39,400 Speaker 1: great intro. Thanks for that absolutely playure. You covered a 15 00:00:39,400 --> 00:00:40,320 Speaker 1: lot of bases there. 16 00:00:40,720 --> 00:00:43,040 Speaker 2: Well, he was largely just one base, which is that 17 00:00:43,080 --> 00:00:44,440 Speaker 2: he used to play the organ. 18 00:00:44,640 --> 00:00:48,680 Speaker 1: Yes, it was the fact that I'm part of this, 19 00:00:48,680 --> 00:00:51,960 Speaker 1: this organization of crematorium organists. 20 00:00:52,200 --> 00:00:57,640 Speaker 2: How many in the organization, Jimmy, it's quite a it's 21 00:00:57,680 --> 00:00:59,400 Speaker 2: one of a shadowy organization. 22 00:01:00,320 --> 00:01:02,400 Speaker 1: I don't really know. I've never met another one. And 23 00:01:02,440 --> 00:01:04,920 Speaker 1: the members it's like, you know, the whole sort of 24 00:01:05,959 --> 00:01:10,280 Speaker 1: you know, the Blackbriar projects in the Born films. Yeah, 25 00:01:10,680 --> 00:01:15,960 Speaker 1: we don't know who I mean one and they go, yeah, 26 00:01:16,560 --> 00:01:18,520 Speaker 1: look look at what they make you do you know, 27 00:01:18,600 --> 00:01:20,800 Speaker 1: and you we sort of you know, have a moment, 28 00:01:20,920 --> 00:01:21,479 Speaker 1: have a moment. 29 00:01:22,880 --> 00:01:24,959 Speaker 2: But is there is there a signal you can give 30 00:01:25,000 --> 00:01:26,960 Speaker 2: them all something when you see when you pass them 31 00:01:27,000 --> 00:01:28,720 Speaker 2: in the street. I don't know. 32 00:01:28,720 --> 00:01:32,199 Speaker 1: I wouldn't know that we've all been kept apart. 33 00:01:32,360 --> 00:01:34,399 Speaker 2: Do you get an email or something like? How do you? 34 00:01:34,840 --> 00:01:37,520 Speaker 1: Nothing like that? No? No, no, they stay off grid. 35 00:01:37,720 --> 00:01:41,800 Speaker 2: But one so once you've become a member of this organization, 36 00:01:42,000 --> 00:01:43,480 Speaker 2: I mean, that's it just continue. 37 00:01:44,240 --> 00:01:48,480 Speaker 1: Yes, it's like you knowstra you know, it's like, don't 38 00:01:48,520 --> 00:01:50,440 Speaker 1: get that. We don't know who's who. We don't know 39 00:01:50,480 --> 00:01:52,640 Speaker 1: who's in it. Sounds you could be in it. I 40 00:01:52,640 --> 00:01:55,600 Speaker 1: don't know anyone. You know. The thing is if you 41 00:01:55,680 --> 00:01:58,920 Speaker 1: start playing the right chords, that's where you know. 42 00:01:59,320 --> 00:02:02,280 Speaker 2: Ah, so you're sitting down in organ Yeah, someone their 43 00:02:02,360 --> 00:02:06,360 Speaker 2: head like if somebody, if somebody's carcked it, what would 44 00:02:06,360 --> 00:02:06,760 Speaker 2: you play? 45 00:02:06,800 --> 00:02:08,880 Speaker 1: And you go, I've got we've got to keyboard here. 46 00:02:08,880 --> 00:02:11,400 Speaker 2: I see, Oh what would you what would you what 47 00:02:11,440 --> 00:02:12,520 Speaker 2: do you play? Someone's carcked? 48 00:02:13,360 --> 00:02:16,560 Speaker 1: I think Victorium sitting No, No, that's too bright. 49 00:02:22,360 --> 00:02:28,840 Speaker 2: Someone's died. You're part of the society. 50 00:02:26,880 --> 00:02:33,840 Speaker 1: And then you don't know. Don't do that otherwise that 51 00:02:33,919 --> 00:02:36,280 Speaker 1: all you know that'll give you up unseemly? 52 00:02:37,000 --> 00:02:37,519 Speaker 2: Did you? Is that? 53 00:02:37,639 --> 00:02:39,520 Speaker 1: How you did you get fired from your job? As 54 00:02:39,960 --> 00:02:40,480 Speaker 1: was what happened? 55 00:02:40,560 --> 00:02:42,760 Speaker 2: Yeah, just breaking it some fun. 56 00:02:43,080 --> 00:02:45,239 Speaker 1: What happened was I going to the end and now 57 00:02:45,360 --> 00:02:48,119 Speaker 1: we commit Edith's body to the flames, and I went 58 00:02:52,680 --> 00:02:57,240 Speaker 1: sort of that kind of family complained. You know, it's 59 00:02:57,320 --> 00:02:59,799 Speaker 1: quite final, it is. I was trying to make it light. 60 00:02:59,840 --> 00:03:04,360 Speaker 1: You come on, it's a bad day, let's have some fun. 61 00:03:05,240 --> 00:03:07,160 Speaker 1: How did you get from by? So your first job 62 00:03:07,360 --> 00:03:09,280 Speaker 1: was this funeral pianist. 63 00:03:09,600 --> 00:03:12,359 Speaker 2: How do you get from funeral pianist to what you're 64 00:03:12,360 --> 00:03:12,920 Speaker 2: doing now? 65 00:03:13,080 --> 00:03:16,120 Speaker 1: Well, I guess I got into comedy when I was 66 00:03:16,680 --> 00:03:20,320 Speaker 1: I left school and I love comedy. I loved love 67 00:03:20,440 --> 00:03:24,240 Speaker 1: listening to it. Albums are comedy albums, listen to you know, 68 00:03:24,400 --> 00:03:26,920 Speaker 1: the Python albums and all that kind of stuff. So 69 00:03:27,040 --> 00:03:29,120 Speaker 1: me and a mate we set up a little comedy club. 70 00:03:29,320 --> 00:03:31,320 Speaker 1: We did do every gig that was going. 71 00:03:31,680 --> 00:03:34,520 Speaker 2: Yeah, when you say you took every gig that was going, yeah, 72 00:03:34,680 --> 00:03:36,680 Speaker 2: what what gig comes to mind as the one where 73 00:03:36,680 --> 00:03:38,200 Speaker 2: you were like, probably shouldn't have taken that one. 74 00:03:39,920 --> 00:03:42,280 Speaker 1: There was a gig once we did up in a 75 00:03:42,400 --> 00:03:45,520 Speaker 1: sort of it was like a working men's club up 76 00:03:45,560 --> 00:03:49,960 Speaker 1: in Blackpool, and the microphone was rather like the microphone 77 00:03:50,000 --> 00:03:53,600 Speaker 1: I'm using that was on a bendy stalk attached to 78 00:03:53,640 --> 00:03:57,040 Speaker 1: a sort of DJ console and we were in a 79 00:03:57,080 --> 00:04:01,960 Speaker 1: double act. We had to lean into this j bendy 80 00:04:02,080 --> 00:04:05,360 Speaker 1: Mike and h And at the time there was a 81 00:04:05,360 --> 00:04:11,240 Speaker 1: lot of North South like, you know, beef like because 82 00:04:11,320 --> 00:04:14,560 Speaker 1: because the Northerners and Southerners there's always a little bit 83 00:04:14,560 --> 00:04:16,560 Speaker 1: of beef, you know. And then so our introduction was 84 00:04:16,600 --> 00:04:21,440 Speaker 1: the it was it was the least sympathetic introduction this right, 85 00:04:21,520 --> 00:04:23,719 Speaker 1: he goes, we got a couple of lads here up 86 00:04:23,800 --> 00:04:30,479 Speaker 1: from London, and then the whole crowd went it's not 87 00:04:30,600 --> 00:04:32,640 Speaker 1: a great start, you know. So we had to kind 88 00:04:32,640 --> 00:04:35,240 Speaker 1: of win the round and regionally win them round. But 89 00:04:35,320 --> 00:04:36,120 Speaker 1: at the end they were. 90 00:04:35,960 --> 00:04:36,719 Speaker 2: Like, he was like that. 91 00:04:38,400 --> 00:04:41,520 Speaker 1: Great. I wasn't expecting that was great. 92 00:04:42,400 --> 00:04:44,680 Speaker 2: And we've got Bill Bailey live in the studio. He's 93 00:04:44,720 --> 00:04:47,359 Speaker 2: on his Australian tour en route to normals. What the 94 00:04:47,360 --> 00:04:49,320 Speaker 2: show is called b o HM Presents dot Com for 95 00:04:49,400 --> 00:04:51,600 Speaker 2: all info and tickets is all over the country. He's 96 00:04:51,640 --> 00:04:53,680 Speaker 2: performed and all sorts of shows from q I or 97 00:04:53,960 --> 00:04:57,000 Speaker 2: Black Books or never mind the Buzzcocks. You get such 98 00:04:57,000 --> 00:04:59,719 Speaker 2: an amazing array of performances. Man, I know him performed 99 00:04:59,720 --> 00:05:03,200 Speaker 2: for pre Charles sixtieth with Robin Williams. Now Billy is here. 100 00:05:03,200 --> 00:05:05,320 Speaker 2: I should stress in aust having him published sho yet 101 00:05:05,440 --> 00:05:07,840 Speaker 2: en route to Normal during his show all over the 102 00:05:07,880 --> 00:05:09,000 Speaker 2: country here in Australia. 103 00:05:09,200 --> 00:05:10,000 Speaker 1: Yes, I got, I got. 104 00:05:10,080 --> 00:05:13,000 Speaker 2: I found out before that you wrote the show, because 105 00:05:13,000 --> 00:05:15,280 Speaker 2: it obviously sounds like a post COVID show. 106 00:05:16,480 --> 00:05:20,039 Speaker 1: But I found what he wrote the show before COVID. Yeah, 107 00:05:20,240 --> 00:05:25,400 Speaker 1: I think I kind of caused COVID. I'm sorry everyone, 108 00:05:26,200 --> 00:05:31,159 Speaker 1: my dad. I predicted it on the floor or on 109 00:05:31,200 --> 00:05:33,640 Speaker 1: the way out, guys, Yeah we're en route. There's all 110 00:05:33,680 --> 00:05:36,120 Speaker 1: going to go wrong. Oh no, and it did. But yeah, 111 00:05:36,160 --> 00:05:38,480 Speaker 1: since then, it's been a you know, the show obviously 112 00:05:38,640 --> 00:05:44,840 Speaker 1: changed quite a bit. I was going to say, yeah, exactly, Yeah, Hey, 113 00:05:44,880 --> 00:05:46,920 Speaker 1: you know when you're out. No, yeah, no one's gone anywhere? 114 00:05:46,920 --> 00:05:47,159 Speaker 2: Have they? 115 00:05:47,279 --> 00:05:50,719 Speaker 1: Anyone been anywhere? No, no one's done anything. So that's 116 00:05:50,760 --> 00:05:51,120 Speaker 1: that thing. 117 00:05:51,160 --> 00:05:54,480 Speaker 2: I don't even remember what that was like life before COVID, 118 00:05:54,760 --> 00:05:58,800 Speaker 2: like something in twenty nineteen I go that that is 119 00:05:58,800 --> 00:06:00,960 Speaker 2: a memory that I really struggling to take up. 120 00:06:01,000 --> 00:06:03,280 Speaker 1: And there was nothing. No, there was like there was 121 00:06:03,320 --> 00:06:07,000 Speaker 1: a I have a very vivid memory of standing in 122 00:06:07,040 --> 00:06:11,000 Speaker 1: the garden in my house in London, just like wearing 123 00:06:11,000 --> 00:06:16,320 Speaker 1: a towel holding a bottle of sherry. Right nineteen Yeah, 124 00:06:18,320 --> 00:06:21,240 Speaker 1: post sounds like a lockdown. 125 00:06:21,320 --> 00:06:23,039 Speaker 2: Sorry, yeah, yeah yeah. 126 00:06:23,160 --> 00:06:27,719 Speaker 1: Just staring at the sky. Yeah. And I remember looking 127 00:06:27,800 --> 00:06:33,680 Speaker 1: up at the swifts that migrate from Africa, and they 128 00:06:33,720 --> 00:06:37,160 Speaker 1: had just returned from Africa, and I just remember looking 129 00:06:37,240 --> 00:06:39,800 Speaker 1: up at them and I remember thinking, I wonder what 130 00:06:39,880 --> 00:06:42,040 Speaker 1: they're thinking, these swifts. And then these swifts are like 131 00:06:42,279 --> 00:06:44,040 Speaker 1: they come all the way from Africa and they're finding 132 00:06:44,040 --> 00:06:46,880 Speaker 1: out my garden. They're like, jeez, look at that guy. 133 00:06:47,720 --> 00:06:51,400 Speaker 1: He's lost it. And then just turning around flying back 134 00:06:51,440 --> 00:06:57,640 Speaker 1: to Africa. This place has had it. How many migrations, 135 00:06:58,480 --> 00:07:04,200 Speaker 1: like oh my god, this was not this country. Turn around, 136 00:07:04,320 --> 00:07:07,040 Speaker 1: go back then. It's a good way to get housing 137 00:07:07,080 --> 00:07:11,760 Speaker 1: prices down. Just activate bill in your local suburb. There's 138 00:07:11,760 --> 00:07:13,080 Speaker 1: a nutter in the garden. 139 00:07:13,120 --> 00:07:13,360 Speaker 2: Again. 140 00:07:14,560 --> 00:07:15,320 Speaker 1: It's a hard time. 141 00:07:15,520 --> 00:07:18,320 Speaker 2: One final thing we heard that you've got. We heard 142 00:07:18,360 --> 00:07:20,960 Speaker 2: on the grape mine and you have perfect pitch. Yeah, 143 00:07:21,280 --> 00:07:23,520 Speaker 2: so I was wondering if we could test this. Okay, 144 00:07:23,760 --> 00:07:27,360 Speaker 2: Woody who can't sing for ship? Whoa just not a 145 00:07:28,080 --> 00:07:30,119 Speaker 2: of course, not a trained singer. 146 00:07:31,080 --> 00:07:32,440 Speaker 1: That's pretty fair enough. 147 00:07:32,440 --> 00:07:34,960 Speaker 2: Okay, So what he's going to have a crack at 148 00:07:34,960 --> 00:07:37,440 Speaker 2: a note? All right, We've got a keyboard in here, 149 00:07:37,520 --> 00:07:40,760 Speaker 2: as you know, and then you hit the corresponding note 150 00:07:40,800 --> 00:07:41,760 Speaker 2: to what he's right? 151 00:07:41,840 --> 00:07:51,120 Speaker 1: Okay, okay, are you ready hit this? Bill? That's not 152 00:07:51,200 --> 00:07:58,960 Speaker 1: a note on the human register. There's like a humpback whales. 153 00:07:59,040 --> 00:08:05,000 Speaker 1: Just turn around and the chasm straight. That's my cousin, Frank. 154 00:08:11,360 --> 00:08:13,960 Speaker 1: Oh no, it's more like, here we go. 155 00:08:14,200 --> 00:08:16,320 Speaker 2: I don't have let's let's whatnot? 156 00:08:16,360 --> 00:08:19,520 Speaker 1: Do you think it is? Getting a knee flat? 157 00:08:20,640 --> 00:08:21,559 Speaker 2: Here we go flat? 158 00:08:21,680 --> 00:08:22,080 Speaker 1: Here we go? 159 00:08:22,200 --> 00:08:22,720 Speaker 2: Is it the same? 160 00:08:24,920 --> 00:08:25,120 Speaker 1: Yeah? 161 00:08:25,400 --> 00:08:26,040 Speaker 2: That's pretty much. 162 00:08:28,640 --> 00:08:31,960 Speaker 1: Wow, Actually amazing, Let's go again. I would have Let's 163 00:08:31,960 --> 00:08:38,880 Speaker 1: go again again? Oh I try again? 164 00:08:39,400 --> 00:08:46,160 Speaker 2: Ah no, hang on, that's not trial and Error's perfect 165 00:08:47,600 --> 00:08:48,600 Speaker 2: a minute, it's one of these. 166 00:08:54,920 --> 00:08:56,200 Speaker 1: I want into space mode. 167 00:08:57,040 --> 00:09:00,160 Speaker 2: Sorry, we sit in your brain and the space for 168 00:09:00,360 --> 00:09:00,920 Speaker 2: the second. 169 00:09:01,640 --> 00:09:09,000 Speaker 1: You did not expect that? Where am I? The Hell's happenings? 170 00:09:12,520 --> 00:09:19,600 Speaker 1: Just mentioned the Bloody Bill touring Bill Bailey en route 171 00:09:19,600 --> 00:09:21,839 Speaker 1: to normal. Just kind of tickets. 172 00:09:25,280 --> 00:09:30,640 Speaker 2: Around somewhere uh B O h M Presents dot com 173 00:09:30,679 --> 00:09:32,760 Speaker 2: for all info and tickets to go and see Bill 174 00:09:32,760 --> 00:09:34,679 Speaker 2: Bailey live. Bill, thanks so much for joining us as 175 00:09:34,679 --> 00:09:36,439 Speaker 2: a well. Pleasure to have you, so nice to finally 176 00:09:36,480 --> 00:09:36,880 Speaker 2: meet you. 177 00:09:36,920 --> 00:09:38,200 Speaker 1: Thank you, Thank you very much. 178 00:09:38,240 --> 00:09:40,760 Speaker 2: Guys, Bill Bailey Live all across Australia. Go and get 179 00:09:40,800 --> 00:09:53,959 Speaker 2: tickets bo A Champrisions dot com. Are you done with that? 180 00:09:54,600 --> 00:09:57,280 Speaker 1: Why not check out more from Willen Woody on The 181 00:09:57,320 --> 00:09:58,760 Speaker 1: Full Show podcast