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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Kevin.

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Speaker 3: Alrighty, so prepare for the most disgusting man in Australia

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Speaker 3: to take the airways. He giv I actually think he'd

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Speaker 3: be a pretty good bloke, big kid. Only would be

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Speaker 3: you would be with.

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Speaker 1: Him, absolutely, not absolutely, he'd have a beer with He's

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Speaker 1: a disgusting person and he'd be pitching an idea, you

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Speaker 1: like a Ponzi scheme or something.

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Speaker 3: He's a bit sick as well.

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Speaker 4: He's definitely sick, and he's always trying to make a dog.

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Speaker 3: If you had too many beers, Kevid, you know, you

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Speaker 3: wake up in Kev's apartment, Oh, stepped to his bed, disgusting.

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Speaker 3: He's doing shots out of your belly button.

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Speaker 4: Yeah, most likely.

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Speaker 1: But anyway we get we get this disgusting human being

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Speaker 1: to make some phone calls on this radio show. And

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Speaker 1: the structure of it is, well, effectively, you're playing Kevin

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Speaker 1: and we have a format where I've written down a

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Speaker 1: whole bunch of names here, so you're seeing these names

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Speaker 1: live real time.

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Speaker 4: Okay, and then you just need to read them out there.

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Speaker 4: There's no walking through that. You have to read the

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Speaker 4: names that I've written down.

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Speaker 3: Premise here is it's all about horse racing obviously at

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Speaker 3: the moment. So I'm going to try and convince a

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Speaker 3: listener to choose three horses for a sweep.

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Speaker 4: Or something that we're going to do. And I've written

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Speaker 4: the horse you got six or seven? Seven? I don't

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Speaker 4: think you'll read numbers seven.

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Speaker 3: Hello, definitely speaking, Hi, actly going keV Walt, just coming

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Speaker 3: here from KIS Promotions and Activation. Yes, you were a

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Speaker 3: finalist in the comp for the races, is yet right? Yes?

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Speaker 2: That was right?

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Speaker 5: Yeah, I was actually the Swedish muppet chef.

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Speaker 2: As I was running along.

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Speaker 3: Yeah, we've got a consolation prize for you, which is

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Speaker 3: Fantasic six. So we're what we're doing. We're down at

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Speaker 3: the races and we're actually doing a sweep. So if

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Speaker 3: you want to be involved, I've got seven horses left

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Speaker 3: and you just get to pick three of them. Okay, okay,

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Speaker 3: all right, So have you got a pen and paper handy?

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Speaker 3: I sure do, so just let me know which ones

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Speaker 3: you want to go for. Okay, first one, so race

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Speaker 3: one you've drawn hoof and then your second word is hearted. Okay,

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Speaker 3: hoof hearted. Race two you've got Norfolk, you know, like

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Speaker 3: the you know the place in England, Norfolk, O Folk.

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Speaker 5: I do know that that's where my mom's from.

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Speaker 6: Yep.

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Speaker 3: Perfect, And then in chance sound like a sorcerer, yep,

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Speaker 3: no chance. It's two three Willie. And then there's a

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Speaker 3: there's a B so just a letter by itself, fair

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Speaker 3: really B. And then like hardigan is the he's a

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Speaker 3: final word like cardigan, but I think it's with an

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Speaker 3: H yep. Next one Hugh like Hugh Grant. And then

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Speaker 3: and the letter G just by itself, and then erection

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Speaker 3: is the final word. Not not erection, No that they're

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Speaker 3: not necessarily okay. G spot is the next one. Two

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Speaker 3: words first word G second word spot.

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Speaker 2: You got it?

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Speaker 3: Yeah? And then this one is This one's another one

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Speaker 3: with the other letters in the middle side major yep

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Speaker 3: and then B second words owner, O, W, N, E,

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Speaker 3: R M. All right, So you've got to choose three

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Speaker 3: of them, choose which everyone, choose, which everyone you'd like?

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Speaker 7: Of the six?

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Speaker 2: Which ones would I be after? Well, I definitely need

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Speaker 2: a huge direction.

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Speaker 4: You're going to go for a huge direction, ye? Race four?

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Speaker 2: Yeah, race and then I'd like in race five definitely

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Speaker 2: the G spot because those two you know, hand in hand.

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Speaker 3: All right, Well, that's slighting inappropriate for me, but I

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Speaker 3: understand what you're getting at, and yeah, one there for you.

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Speaker 2: And then i'd probably after all that, I would wonder

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Speaker 2: about race three?

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Speaker 5: Will we be hard again?

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Speaker 3: How did I? Do? You think you very well? Step?

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Speaker 4: You're fantastic? Did you actually write them down there? Step?

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Speaker 8: You wanted me to send you a photo my fiance

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Speaker 8: Mimi's boobs called some drama at a recent shopping spree.

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Speaker 1: And I could tell the story, but I feel like

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Speaker 1: going to be far more appropriate, especially given the subject matter,

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Speaker 1: to get my fiance Mimi on the phone right now

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Speaker 1: to recount the boob drama.

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Speaker 4: Hi.

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Speaker 2: Man, I don't know if it was drama. It was unintentional,

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Speaker 2: so I don't know if you could say it was drama.

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Speaker 1: Yeah, no, no, no, it absolutely was not your fault.

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Speaker 1: And I think there'll be a lot of ladies listening

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Speaker 1: that can totally relate.

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Speaker 4: But there was definitely drama there, Mim.

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Speaker 2: So you don't control these milky silkys, that's for sure.

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Speaker 4: Ohkyjokie.

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Speaker 1: A little bit of sleep deprivation there With that comment,

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Speaker 1: what happened to your as you said, milky silkies?

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Speaker 2: Well, obviously when you've just had a baby, baby's not

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Speaker 2: what it was. So I was definitely trying to find

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Speaker 2: a dress for a wedding, and so I resorted to

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Speaker 2: an expensive store, what I would not usually do. And

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Speaker 2: then as I was in the store, my hope remy crying,

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Speaker 2: and so naturally the the taps just go off. As

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Speaker 2: we were called mere, they'd turn on and then they

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Speaker 2: are ready to go. So I was dripping everywhere, and

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Speaker 2: then I realized, because I'm not wearing a bra and

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Speaker 2: I'm trying, it's all on that the boobs are just

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Speaker 2: leaking all over these expensive and I don't know why,

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Speaker 2: Like naturally you use your own clothes to like mop

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Speaker 2: up what was like on the floor. But then I

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Speaker 2: used the dress because I didn't want to come out

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Speaker 2: looking like all wet, so I used the dress to

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Speaker 2: mop it up. And then I was like, oh my gosh.

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Speaker 2: So yeah, so I just thought, okay, well, if I

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Speaker 2: have to say to something, I just feel like there's

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Speaker 2: a tap going off in there with milk. I'm not

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Speaker 2: sure what's going on.

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Speaker 1: Okay, so can you remind me, man, how much was

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Speaker 1: the dress worth that you effectively milk?

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Speaker 2: It was an eight hundred dollars dress.

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Speaker 3: So I feel like I've really stitched used it like

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Speaker 3: a wet ex.

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Speaker 2: Yeah, well, I didn't know what else to do. I

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Speaker 2: guess it was better than this morning when I my

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Speaker 2: taps started going off again and I was hovering over

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Speaker 2: Remy's face trying to get it in their mouth to

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Speaker 2: occupy while she was crying. I'm not doing too well.

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Speaker 1: So you're doing it so well. You are doing so well,

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Speaker 1: but that was super weird. I came out of the

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Speaker 1: share and Mim was hovering over our beautiful little girl

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Speaker 1: effectively squirting into her face. And yeah, we've heard it's

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Speaker 1: good for the skin. Anyway, Thank you, Mim. That's enough

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Speaker 1: from you. But I thought we're going to open the

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Speaker 1: phone lines now. Thirteen one o six five, Please try

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Speaker 1: and make Mimi feel better about herself, because she actually

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Speaker 1: did feel bad after she did get milk all over

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Speaker 1: this dress.

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Speaker 4: I would love to hear from other women worst time

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Speaker 4: for a boubliic.

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Speaker 1: It can obviously happen at any time, but I want

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Speaker 1: to hear on thirteen one oh six five, when was

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Speaker 1: the worst timing for it to happen.

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Speaker 3: I thought like, it's pretty acceptable, yeah, definitely. I feel

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Speaker 3: what I mean, like I'm obviously embarrassed, Like Mimi took

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Speaker 3: a two out of ten situation and made it a

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Speaker 3: nine out of ten situation pretty quickly by using an

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Speaker 3: unbought dress and wiping it up.

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Speaker 4: But I feel most people.

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Speaker 3: It's like, you know, it's not that no one else

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Speaker 3: looks at somebody who's lactating.

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Speaker 4: Geez, you're awful.

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Speaker 3: No, it's almost like the most acceptable form of involuntary

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Speaker 3: bodily explosions, Like it's better than puoring your pants, pissing

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Speaker 3: your pants, definite, vomiting, drooling.

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Speaker 4: Yea percent.

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Speaker 1: Lactating is like, oh, one hundred percent. But I think

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Speaker 1: there's still times when.

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Speaker 4: It's like, oh no, really, this couldn't be it.

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Speaker 1: It's happening now, And those are the strows I want

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Speaker 1: to hear on thirteen one o six fives, When was

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Speaker 1: a bad time for the boobs to leak?

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Speaker 4: Thirty one h six five.

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Speaker 3: He calls it next for limit, when was the worst

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Speaker 3: time your boobs leaked?

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Speaker 7: On?

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Speaker 4: Thirty one O six five.

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Speaker 1: So for the new mother's out there that are still breastfeeding, obviously,

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Speaker 1: one of the side effects of lactating is that there

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Speaker 1: are times when your your breasts will just start leaking.

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Speaker 4: And Mim found this out the other day when she

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Speaker 4: was shopping.

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Speaker 1: She's at quite an expensive store, which is usually not

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Speaker 1: at but she really needed to find a dress for

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Speaker 1: a wedding. And she's this whole new body shape and

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Speaker 1: it's it's all been a bit of a drama. But

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Speaker 1: she's trying on this dress and Remy started crying, a

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Speaker 1: beautiful little girl, and when crying happens, that's when the

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Speaker 1: boobs really get gone.

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Speaker 4: It was an absolute sprinkler in the Sirens Call, and

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Speaker 4: she's just a sprinkler in there. She just dowsed.

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Speaker 1: She just doused this really expensive dress and then sprinkler.

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Speaker 4: And then rather than trying to save the dress, she

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Speaker 4: then took the dress.

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Speaker 3: So I don't think that it's not a sprinkler by

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Speaker 3: the way, Oh no, it's no, No, it's not a sprinkler.

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Speaker 1: Mim has power. I've made I said it in my

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Speaker 1: own eyes. Sometimes it takes my eyes out.

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Speaker 4: What because there's not there's.

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Speaker 3: Not one year squeezing it out. It's a sprinklass.

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Speaker 1: Or if Remy starts crying, what it just like she sprinkles.

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Speaker 3: It's like a like a like a gardening sprinkling system.

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Speaker 3: Seven o'clock comes around. It's like, I don't know what

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Speaker 3: you made it sound. It's an absolute sprinkler.

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Speaker 1: And that exaggerated slightly, but like it, it gets going anyway,

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Speaker 1: She's doused this expensive dress. So we thought we'd ask

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Speaker 1: when was a bad time for the boobs to leak

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Speaker 1: for you? Let's go to Joe here. Joe, you had

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Speaker 1: some unfortunate timing with a boob leak.

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Speaker 7: Yeah, I just leaked twenty four to seven.

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Speaker 5: Shower head.

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Speaker 1: I was just a full on shower head all the time.

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Speaker 4: Shower head. Hang on.

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Speaker 3: Just take an exception with the term sprinkler, like, well,

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Speaker 3: my partner's lactating as well, are you saying that? Like

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Speaker 3: you're saying, without any pressure on the on the glands,

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Speaker 3: you're just sprinkling.

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Speaker 5: Even when I was in hospital, they just poured it

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Speaker 5: out into a bottle.

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Speaker 2: Because back then, Mabe, three years ago, they could and

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Speaker 2: they even up the babies with it without even a pump.

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Speaker 3: You're joking about it.

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Speaker 4: Pump. You were just like a super soker pump. That's extraordinary.

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Speaker 1: I used to get the super pads that you used

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Speaker 1: to be a period.

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Speaker 2: I would say two like two pads.

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Speaker 5: Cutting harsh shut up, and I was still leaking.

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Speaker 2: The guy and he said to me, though, I think

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Speaker 2: it's about time you dry.

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Speaker 7: It up and go to bottle.

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Speaker 3: Cry bloody hell, milky bars are on Joe. He's unbelievable.

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Speaker 4: How about it?

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Speaker 3: I can't believe that.

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Speaker 4: Yeah, well, I told you mimes like a sprinklot. Let's

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Speaker 4: go to save you here.

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Speaker 3: Still breastfeeding because it too much of it hasard.

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Speaker 4: That sounds like the next step.

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Speaker 3: That's like, you know, like two will have their They

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Speaker 3: turned their sprinkles system onto a timer.

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Speaker 4: It's often when it's dark.

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Speaker 3: So was see what her husband would be dealing with

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Speaker 3: in bed? Did it?

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Speaker 1: Yeah, let's go to Sophie here bath in bed, Sophie wild.

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Speaker 4: You had some an unfortunate timed boob leak.

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Speaker 2: Yes, I did. Absolutely.

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Speaker 7: It was at my father in law's funeral.

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Speaker 1: Oh wow, how did you play it?

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Speaker 4: So, father in law? How far into the service are you?

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Speaker 3: When?

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Speaker 4: How did you play it?

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Speaker 7: Look, we weren't far into the service.

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Speaker 2: It happened pretty quickly, just before I was going to

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Speaker 2: give up and get up and give a little speech.

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Speaker 7: Oh and then my mother pointed it out to me.

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Speaker 2: Oh yeah, so I went with a big jacket over

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Speaker 2: the front of the face, the wrong way jacket.

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Speaker 4: Well played, Sophie, you've.

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Speaker 3: Been handy at the baptism arguably them not bad, not

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Speaker 3: bad at all.

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Speaker 4: McMahon.

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Speaker 1: Let's go to.

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Speaker 4: Let's go to Laura.

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Speaker 1: Laura, Laura talking about bad time for a boob leg.

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Speaker 4: What happened with you?

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Speaker 5: So I had my two kids over at Westfield with me,

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Speaker 5: and my younger started getting a bit cranky, so I

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Speaker 5: went and found a spot that I could sit down.

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Speaker 5: The only spot that was there was between these two

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Speaker 5: elderly gentlemen.

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Speaker 4: So already I.

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Speaker 5: Was like, right, I'm gonna be breasteeding in front of them.

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Speaker 5: That's going to be awkward enough. But then my two

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Speaker 5: year old decided to go and start climbing on something

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Speaker 5: just as my younger started feeding, and so I've had

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Speaker 5: to he fell down, and so I've had to jump off,

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Speaker 5: and as I've jumped up, she decided, oh what's going

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Speaker 5: on and pulled off my boob and so suddenly the

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Speaker 5: milk has just gone like it was, just as it

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Speaker 5: like to let down happen. So the poor guy next

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Speaker 5: to me ended up copying half of Bloody Spray and oh,

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Speaker 5: I've then had to make a mad dash across the

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Speaker 5: Westfield too much, my son spraying everywhere. My nude boob

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Speaker 5: is just like bouncing.

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Speaker 3: Well and Woodie, we're going to go through the greatest

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Speaker 3: regrets of your career perfect And another reason we're doing

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Speaker 3: this is because Jennifer Lawrence admitted today that she should

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Speaker 3: have listened to her very good friend Adele when it

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Speaker 3: came to choosing her movies.

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Speaker 9: Jennifer Lawrence reveals the career advice she wishes she took

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Speaker 9: from her bestie Adele and I sit down with The

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Speaker 9: New York Times. The actress says her BFF advised her

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Speaker 9: to pass on the twenty sixteen film Passengers, which Lawrence

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Speaker 9: started with Chris Pratts.

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Speaker 4: That is a stanky, really stanky. I haven't seen it.

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Speaker 3: Oh, it's a space romance, isn't really.

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Speaker 1: And the ending it just feels like they got halfway

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Speaker 1: through the movie, ran out of budget and then just

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Speaker 1: ran her credits.

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Speaker 4: Really, it makes no sense.

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Speaker 3: It's awful. Yeah, well, she deeply regrets that.

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Speaker 4: Yeah, and I'm sure a lot of other.

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Speaker 3: Things that you regret in your career. Would since we're

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Speaker 3: going through all the things that you shouldn't have done,

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Speaker 3: class got none all things what we shouldn't have done. Alright,

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Speaker 3: I'm pretty excited about this.

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Speaker 4: I don't reckon there's that many.

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Speaker 3: First and foremot I said, as I said, I think

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Speaker 3: you're just very lucky that we're not recording all the time.

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Speaker 3: So the first one for me and the things that

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Speaker 3: what he shouldn't have done. We did a wedding at

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Speaker 3: Marti Gras Melon Stacy.

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Speaker 4: Beautiful wedding.

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Speaker 3: It was a beautiful time and you're a celebrate and

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Speaker 3: you've got to use your skills.

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Speaker 4: You actually married.

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Speaker 3: Them on a float in the middle of Marti Gras.

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Speaker 3: I think what you shouldn't have done, though, is make

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Speaker 3: sure that the feed in your ears was so high

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Speaker 3: that it deafened you, so that when we listened back

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Speaker 3: to the mic feed afterwards, you sounded like.

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Speaker 4: A very gay, deaf person.

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Speaker 1: It's now time for you guys to exchange your vows.

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Speaker 1: So Stacey, turning your vout now. And I'm not joking

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Speaker 1: there by the way, I was seriously trying to talk

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Speaker 1: you turn your belt now.

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Speaker 4: I couldn't hear anything because the crowd it was so loud,

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Speaker 4: you're doing your beuth now unbelievable.

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Speaker 3: And keep in mind, by the way, everyone he's wearing

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Speaker 3: a woody outfit from Toy Story with Arsler's chaps in

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Speaker 3: all of that.

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Speaker 1: And I can't remember which one mel or Stacy, but

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Speaker 1: I was thrown because she was spanking me the whole

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Speaker 1: time during the sermony.

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Speaker 4: It's incredibly unprofessional.

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Speaker 3: It's a lot going on. Next one here.

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Speaker 4: This is an oldie but a goody.

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Speaker 3: You got to ask to do a cross on the

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Speaker 3: project when we're living in Perth together. This was so

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Speaker 3: long ago, very big gig because the first time you're

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Speaker 3: on TV anyway, you're doing this cross in front of

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Speaker 3: this live African band and again audio issues.

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Speaker 4: Then you sort out your audio issues.

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Speaker 1: I said to the guy, I said, don't play the

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Speaker 1: bongos until I start.

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Speaker 4: Talking, but I can't hear them throw to me.

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Speaker 1: And then you're standing there before and numb nud started hitting.

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Speaker 4: The bongo drum and when they threw to me.

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Speaker 3: About twenty seconds on the show, would he.

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Speaker 2: Go for it?

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Speaker 3: Her?

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Speaker 4: Rudy pray on yo.

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Speaker 3: That was just twenty seconds of you staring at the camera.

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Speaker 1: In front the guy in the boon Goes in front

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Speaker 1: of Biggers. They may have got me abusing the bloke

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Speaker 1: on the Boon Goes as well.

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Speaker 4: I didn't know we were on. Yeah, that was show.

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Speaker 3: Next one is just to quick on from me.

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Speaker 4: We played the Delta one before.

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Speaker 3: That's a favorite that we had Cody Simpson in the

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Speaker 3: studio and he was dating Miley Cyrus at the time.

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Speaker 4: He did a video.

349
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Speaker 3: It's like, oh, I'll send this cool video to Miley.

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Speaker 3: He puts the camera on you all of a sudden panic,

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Speaker 3: you enter Gangster's paradise and like hold up a hand

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Speaker 3: signal and go with this.

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Speaker 4: Yeah, what's that, Miley? He's so horrific, so harriy.

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Speaker 3: The only footage Miley Cyrus has of you, she ever

355
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Speaker 3: had of you, is is that.

356
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Speaker 4: She saw that was that Marley. She has definitely seen that.

357
00:17:02,840 --> 00:17:03,680
Speaker 4: He's definitely saying that.

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Speaker 3: I always think of Marley starrs watching that final one here.

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Speaker 4: This is an absolute favorite of mine.

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00:17:09,760 --> 00:17:12,560
Speaker 3: This is when you were single, obviously, but we interviewed

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Speaker 3: Ellie from the Bachelorette. She was the Bachelorette at the

362
00:17:15,320 --> 00:17:18,320
Speaker 3: time she came on. She messaged just privately she was evil,

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00:17:18,320 --> 00:17:20,159
Speaker 3: which I love about her, and she said, I've got

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Speaker 3: all these dms that wood he sent me on Hinge.

365
00:17:23,040 --> 00:17:25,199
Speaker 1: This is before no I was on Instagram. This is

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Speaker 1: before she went on Bachelorette.

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Speaker 4: So we were both your single mate.

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00:17:28,560 --> 00:17:32,240
Speaker 3: But I've cleared it. Yeah, clear, this is before the

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00:17:32,280 --> 00:17:33,520
Speaker 3: lock changed. It's all right.

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00:17:33,640 --> 00:17:34,719
Speaker 4: So you're messaging her.

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00:17:34,760 --> 00:17:36,959
Speaker 3: You say, well maybe it wasn't who knows, who knows

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Speaker 3: when those locks were changed?

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Speaker 4: Anyway, so it's happened a few times.

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Speaker 3: Changed a few times.

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Speaker 4: This is you messaging her.

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00:17:43,520 --> 00:17:45,320
Speaker 3: She she messaged me privately and she said, would it

377
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Speaker 3: be okay if I read out Woody's dms to me?

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00:17:47,800 --> 00:17:49,920
Speaker 4: And there was no out of respect to me. It

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Speaker 4: was not that's too much, Ellie, that'd be very embarrassing.

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Speaker 3: No world that I could have imagined that it would

381
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Speaker 3: be this good, nor that I could have imagined how

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Speaker 3: much she enjoyed laughing at you have a list.

383
00:18:00,440 --> 00:18:08,000
Speaker 6: I'm also getting to know my new pot players. His

384
00:18:08,160 --> 00:18:16,520
Speaker 6: name is Dorian, and while he's relatively shy, he has

385
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Speaker 6: a wealth of knowledge and is an astute listener.

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00:18:21,160 --> 00:18:23,919
Speaker 4: And then he ends he ends it with do you

387
00:18:24,000 --> 00:18:29,560
Speaker 4: live alone? I'm very surprising that didn't work out between

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00:18:31,640 --> 00:18:34,320
Speaker 4: Will and Woody. That's the more in just a bit

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Speaker 4: the Will and Woody podcast alone.

390
00:18:40,720 --> 00:18:42,880
Speaker 1: The game is you have to convince us you are

391
00:18:42,920 --> 00:18:46,560
Speaker 1: in the car with someone else. We have to ascertain

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00:18:46,960 --> 00:18:49,359
Speaker 1: is someone else actually there or you're just putting on

393
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Speaker 1: a voice.

394
00:18:49,840 --> 00:18:53,880
Speaker 4: We've got Rose here? Who is kicking us off this afternoon? Rose?

395
00:18:53,920 --> 00:18:58,320
Speaker 4: Who are you in the car with? Ruby and Rose?

396
00:18:58,480 --> 00:19:01,359
Speaker 4: Sound like a who's a Ruby?

397
00:19:01,400 --> 00:19:02,119
Speaker 3: Famous person?

398
00:19:02,359 --> 00:19:03,000
Speaker 4: Ruby? Rose?

399
00:19:03,720 --> 00:19:09,879
Speaker 3: It is very interesting your first and final mistake, Rose.

400
00:19:10,040 --> 00:19:12,280
Speaker 4: What's your connection to Ruby? How do you know.

401
00:19:13,760 --> 00:19:14,399
Speaker 7: My daughter?

402
00:19:14,800 --> 00:19:15,639
Speaker 4: Your daughter?

403
00:19:16,000 --> 00:19:17,760
Speaker 3: How old is she? How old is she? How old?

404
00:19:17,880 --> 00:19:19,520
Speaker 7: Rubes fourteen?

405
00:19:20,200 --> 00:19:23,359
Speaker 3: Oh wow, all right, here we go. Let's let's check around.

406
00:19:23,359 --> 00:19:25,320
Speaker 3: She's a nube, like she's new to the world. You said,

407
00:19:25,400 --> 00:19:26,200
Speaker 3: rubes nude.

408
00:19:26,440 --> 00:19:29,600
Speaker 4: I was like, may that is right off? Rose, throw

409
00:19:29,640 --> 00:19:32,160
Speaker 4: your beautiful clothed daughter, no doubt on the phone. Please

410
00:19:35,680 --> 00:19:39,520
Speaker 4: Hello good Ruby, Bye?

411
00:19:39,960 --> 00:19:43,520
Speaker 1: Hey Ruby, what's on this weekend?

412
00:19:44,560 --> 00:19:45,240
Speaker 5: Not much?

413
00:19:47,800 --> 00:19:48,080
Speaker 2: Ruby?

414
00:19:48,160 --> 00:19:50,359
Speaker 4: We think you're real? Ruby?

415
00:19:52,600 --> 00:20:01,680
Speaker 1: Yes, yeah, that's for us.

416
00:19:58,520 --> 00:20:01,560
Speaker 4: Not even really an temp there, So sorry.

417
00:20:01,640 --> 00:20:04,040
Speaker 1: What's hilarious there is that they're real and their name

418
00:20:04,119 --> 00:20:06,840
Speaker 1: is Ruby and Rose. Yeah that's I mean, that's brilliant.

419
00:20:07,000 --> 00:20:09,200
Speaker 1: Let's go to zen here.

420
00:20:10,080 --> 00:20:12,760
Speaker 4: How did they not? You know? Stop that anyway? Zen?

421
00:20:13,040 --> 00:20:15,240
Speaker 4: Who are you in the cow with? Hi?

422
00:20:15,280 --> 00:20:15,440
Speaker 2: There?

423
00:20:15,760 --> 00:20:17,760
Speaker 4: I'm in the car with my wife at the moment.

424
00:20:18,640 --> 00:20:24,160
Speaker 4: What's your wife called, Zan? Her name is Shahadhad? Okay,

425
00:20:24,640 --> 00:20:26,800
Speaker 4: can you throw Shahad on the phone? Please?

426
00:20:28,720 --> 00:20:29,040
Speaker 6: Hello?

427
00:20:29,840 --> 00:20:33,840
Speaker 4: Hello, sha Had? Tell me the most beautiful thing about Zen.

428
00:20:35,920 --> 00:20:36,880
Speaker 7: His personality?

429
00:20:37,640 --> 00:20:41,560
Speaker 1: His personality, that's that's quite offensive to his looks. But

430
00:20:41,640 --> 00:20:44,520
Speaker 1: let's dig into physically, Like physically, what's what's the what's

431
00:20:44,520 --> 00:20:45,200
Speaker 1: his best feature?

432
00:20:46,600 --> 00:20:48,000
Speaker 5: I think I really like his eyes?

433
00:20:48,560 --> 00:20:50,280
Speaker 3: Oh no, she had?

434
00:20:50,280 --> 00:20:50,680
Speaker 4: Where did you?

435
00:20:50,720 --> 00:20:51,840
Speaker 3: Where did you first kiss?

436
00:20:51,920 --> 00:20:52,680
Speaker 4: Where did that happen?

437
00:20:52,680 --> 00:20:57,000
Speaker 3: How did how did he? How did he woo you? Oh?

438
00:20:57,080 --> 00:20:58,640
Speaker 5: It was back when we were fifteen.

439
00:20:59,520 --> 00:21:03,119
Speaker 4: I think you're real, Xan, And you don't think you

440
00:21:03,160 --> 00:21:05,359
Speaker 4: think whoa? Whoa? Sorry that wasn't again? I thought that

441
00:21:05,400 --> 00:21:07,120
Speaker 4: was a fad of complete You think she's real?

442
00:21:08,359 --> 00:21:09,400
Speaker 3: Can I hear Zan again?

443
00:21:09,840 --> 00:21:12,200
Speaker 4: I've got doubts, Zan. What's the most beautiful thing about

444
00:21:12,200 --> 00:21:15,960
Speaker 4: she had? I'd probably say her hair.

445
00:21:17,160 --> 00:21:20,320
Speaker 3: I think she had a fake voice telling you what

446
00:21:20,359 --> 00:21:21,120
Speaker 3: are you serious?

447
00:21:22,160 --> 00:21:23,800
Speaker 4: I don't know, you know what? I'm usually wrong in this?

448
00:21:23,840 --> 00:21:24,119
Speaker 3: Okay?

449
00:21:25,400 --> 00:21:28,919
Speaker 4: Whoa from the hire baby? Now I'm going with you,

450
00:21:28,960 --> 00:21:33,639
Speaker 4: will Zan. We think you're alone. No, I'm actually with

451
00:21:33,640 --> 00:21:34,000
Speaker 4: my wife.

452
00:21:35,760 --> 00:21:39,800
Speaker 3: Sorry, sorry, I don't know what I got rattled.

453
00:21:40,240 --> 00:21:43,480
Speaker 4: That was so clear for yes, ma'am. Let's go to

454
00:21:43,520 --> 00:21:46,000
Speaker 4: Becky off Beck. Who are you in the car with

455
00:21:48,640 --> 00:21:49,200
Speaker 4: little sister?

456
00:21:49,359 --> 00:21:53,480
Speaker 3: What's her name? Beck? Lily? Lily? All right, let's chuck

457
00:21:53,520 --> 00:21:57,480
Speaker 3: out how old Lily? All right?

458
00:21:57,520 --> 00:21:59,080
Speaker 4: We gee wiz if you can pull this off?

459
00:21:59,080 --> 00:21:59,280
Speaker 3: Beck?

460
00:21:59,640 --> 00:22:00,680
Speaker 4: Yeah, let's Lily.

461
00:22:00,760 --> 00:22:03,920
Speaker 3: Let's let's Lily's voice is notoriously hard and final line,

462
00:22:03,960 --> 00:22:05,000
Speaker 3: let's check her on. Beck?

463
00:22:06,160 --> 00:22:14,240
Speaker 4: All right, Hi Lily, Hi, Lily. Who's your favorite cartoon character?

464
00:22:16,880 --> 00:22:17,600
Speaker 7: Coco melon?

465
00:22:18,240 --> 00:22:22,280
Speaker 3: Cocoa melon cheese, of course, a flavor of bevery very

466
00:22:22,280 --> 00:22:24,320
Speaker 3: well known, very same.

467
00:22:24,520 --> 00:22:27,840
Speaker 4: Okay, what's your favorite thing to do on the weekend? Lily?

468
00:22:29,600 --> 00:22:31,359
Speaker 5: Uh so the beach?

469
00:22:32,000 --> 00:22:33,440
Speaker 4: Oh yeah, nice one, very good.

470
00:22:33,960 --> 00:22:36,760
Speaker 3: Hi Lily. What's the worst thing your sister Beck's ever

471
00:22:36,800 --> 00:22:37,560
Speaker 3: done to you?

472
00:22:39,000 --> 00:22:39,480
Speaker 1: Umm?

473
00:22:42,600 --> 00:22:45,920
Speaker 5: Probably yell at me, Lily.

474
00:22:46,040 --> 00:22:47,800
Speaker 3: Chuck back back on, chuck back back.

475
00:22:47,640 --> 00:22:52,399
Speaker 1: On, Hey, Beck, what are your thoughts on Coco melon?

476
00:22:52,480 --> 00:22:52,680
Speaker 4: Beck?

477
00:22:54,160 --> 00:22:55,520
Speaker 7: Ah, it's annoying.

478
00:22:56,520 --> 00:22:59,280
Speaker 3: I I mean I've been I've been off so I

479
00:22:59,320 --> 00:23:02,480
Speaker 3: feel like there's two people that gives it no way

480
00:23:02,560 --> 00:23:05,520
Speaker 3: on the opposite. Really you think besing.

481
00:23:05,920 --> 00:23:06,840
Speaker 4: Beck is putting on a void?

482
00:23:06,880 --> 00:23:07,160
Speaker 3: Really?

483
00:23:07,280 --> 00:23:09,520
Speaker 4: Yes? Okay, look i've been off, you have been off.

484
00:23:09,520 --> 00:23:10,320
Speaker 4: We're going to shoot with me.

485
00:23:10,400 --> 00:23:13,120
Speaker 1: Beg you're doing a very good voice, but Lily does

486
00:23:13,160 --> 00:23:14,280
Speaker 1: not exist.

487
00:23:15,040 --> 00:23:16,040
Speaker 7: Yeah she's fake.

488
00:23:16,440 --> 00:23:23,520
Speaker 3: Yeah, wow, guys, well done. Mate. It's Will and Woody

489
00:23:23,760 --> 00:23:27,600
Speaker 3: right now. We puch. We pitch, I should say, lots

490
00:23:27,680 --> 00:23:30,040
Speaker 3: of lots of ideas every week week. Not all of

491
00:23:30,119 --> 00:23:32,879
Speaker 3: them can make the show, but the producers graciously gracefully

492
00:23:32,960 --> 00:23:35,880
Speaker 3: give us ten minutes where we can repitch those ideas.

493
00:23:35,920 --> 00:23:38,520
Speaker 3: On a Friday, it's time for our rejected ideas.

494
00:23:39,960 --> 00:23:45,159
Speaker 4: Okay, it's Will and Woodi's rejected ideas. Mine's are fresher here.

495
00:23:45,240 --> 00:23:48,200
Speaker 4: Will I pitched this this morning because it's topical.

496
00:23:48,359 --> 00:23:52,760
Speaker 1: It was dismissed very quickly, and I think I think

497
00:23:52,880 --> 00:23:56,440
Speaker 1: wrongly huge news today.

498
00:23:57,000 --> 00:23:57,840
Speaker 4: Sorry, do you mind if.

499
00:23:57,760 --> 00:24:00,000
Speaker 3: I yeah, just crack on, mate, don't worry about it.

500
00:24:00,040 --> 00:24:01,720
Speaker 4: No, I appreciate we both pitch an idea.

501
00:24:01,760 --> 00:24:03,680
Speaker 3: By the way, you guys get to vote which one

502
00:24:04,160 --> 00:24:06,280
Speaker 3: you'd like to go for? Absolutely, which would you like

503
00:24:06,320 --> 00:24:06,919
Speaker 3: to go first?

504
00:24:07,080 --> 00:24:08,720
Speaker 4: Love to appreciate the offer.

505
00:24:09,359 --> 00:24:12,879
Speaker 1: Okay, So Roxy Jasenko has stepped down as sea of

506
00:24:12,960 --> 00:24:18,000
Speaker 1: a company. Sweaty Betty, dark day for very dark day

507
00:24:18,000 --> 00:24:20,520
Speaker 1: for pr and just humans.

508
00:24:20,800 --> 00:24:21,480
Speaker 4: Humans.

509
00:24:21,880 --> 00:24:24,199
Speaker 1: Now the idea I have off that story though, is

510
00:24:24,240 --> 00:24:26,120
Speaker 1: this thirteen one six five?

511
00:24:26,760 --> 00:24:31,640
Speaker 4: Are you called Betty? And are you particularly sweaty? Perfect?

512
00:24:32,040 --> 00:24:32,720
Speaker 4: Are you a Betty?

513
00:24:32,840 --> 00:24:33,000
Speaker 8: Yeah?

514
00:24:33,040 --> 00:24:35,080
Speaker 3: No, we heard it the first. That is very I

515
00:24:35,119 --> 00:24:37,200
Speaker 3: think you need to very pitch that one.

516
00:24:37,240 --> 00:24:40,399
Speaker 4: Sweaty Great, that's a hot idea. Get a lot of

517
00:24:40,400 --> 00:24:41,119
Speaker 4: sweaty betties on.

518
00:24:42,240 --> 00:24:43,240
Speaker 3: What's the payoff there?

519
00:24:43,280 --> 00:24:43,800
Speaker 4: Can I ask?

520
00:24:43,840 --> 00:24:46,520
Speaker 3: I mean, every idea is a good idea in a brainstorm,

521
00:24:46,520 --> 00:24:48,000
Speaker 3: and it is a rejected idea for a reason.

522
00:24:48,600 --> 00:24:50,960
Speaker 4: I think I know why the producers rejected that one.

523
00:24:51,000 --> 00:24:52,879
Speaker 1: And this is why you guys are so narrow minded.

524
00:24:52,960 --> 00:24:54,720
Speaker 1: I think that you don't think about the big picture.

525
00:24:54,760 --> 00:24:56,760
Speaker 1: Here we get Betty's on, they're all very sweaty house

526
00:24:56,760 --> 00:24:58,600
Speaker 1: sweaty are you Betty? When's the sweat being the worst?

527
00:24:58,640 --> 00:25:00,000
Speaker 1: And then all of a sudden we've got this huge

528
00:25:00,160 --> 00:25:02,280
Speaker 1: idea where we get all these betties in Australia, all

529
00:25:02,280 --> 00:25:05,639
Speaker 1: these sweaty betties in Australia, who's the sweatiest Betty? And

530
00:25:05,680 --> 00:25:07,560
Speaker 1: we get him in a sauna or we put them

531
00:25:07,600 --> 00:25:11,359
Speaker 1: in a glass case in this town square, very hot day.

532
00:25:11,520 --> 00:25:13,959
Speaker 1: They all sweat for forty minutes straight, and then we

533
00:25:14,040 --> 00:25:15,240
Speaker 1: measure the sweat off.

534
00:25:16,520 --> 00:25:21,600
Speaker 4: Okay, so you know that's a good idea. Your eyes

535
00:25:21,640 --> 00:25:23,800
Speaker 4: lit up a little bit. I can hear that, and I.

536
00:25:23,800 --> 00:25:27,320
Speaker 3: Can see I don't I don't want to incarcerate a

537
00:25:27,359 --> 00:25:30,000
Speaker 3: bunch of women who sweat a lot and then measure

538
00:25:30,000 --> 00:25:30,679
Speaker 3: their sweat.

539
00:25:30,840 --> 00:25:32,960
Speaker 4: Not incarcerating them, I'm celebrating them, all right.

540
00:25:35,280 --> 00:25:38,240
Speaker 3: So it's exam season at the moment. Yep, it's exam

541
00:25:38,280 --> 00:25:40,480
Speaker 3: season at the moment. And I always remember an exam

542
00:25:40,560 --> 00:25:44,200
Speaker 3: season in vigilators. They're the guys that run the exams.

543
00:25:44,240 --> 00:25:46,879
Speaker 3: They're really really boring people that run the exams.

544
00:25:46,880 --> 00:25:49,080
Speaker 4: Well that's a bit harsh, but well exactly right.

545
00:25:49,240 --> 00:25:50,879
Speaker 3: Yeah, Like I always remember them just to be the

546
00:25:50,880 --> 00:25:53,760
Speaker 3: most boring people on the planet. So my idea is,

547
00:25:55,040 --> 00:25:58,720
Speaker 3: let's give the invigilators a chance to prove that they're

548
00:25:58,800 --> 00:26:00,919
Speaker 3: not boringing fuddy duddies.

549
00:26:00,960 --> 00:26:02,680
Speaker 4: So you just wanted vigilators to call the guy.

550
00:26:02,760 --> 00:26:04,680
Speaker 3: We opened the phone lines thirty one and six five.

551
00:26:04,720 --> 00:26:05,800
Speaker 4: Are you an invigilator?

552
00:26:06,520 --> 00:26:08,520
Speaker 3: And then they have to try and make us laugh.

553
00:26:08,640 --> 00:26:11,000
Speaker 4: Do you think many of them listen to our show

554
00:26:12,760 --> 00:26:14,240
Speaker 4: on a Friday. I think I listened to the boys.

555
00:26:14,400 --> 00:26:17,720
Speaker 4: Why not just finished an English exam straight into the cup? Alright,

556
00:26:19,040 --> 00:26:21,800
Speaker 4: to Cavy, Cavy, you go to sturday one six y five?

557
00:26:21,840 --> 00:26:23,040
Speaker 4: What what I did you want to hear?

558
00:26:23,119 --> 00:26:23,359
Speaker 3: Are you?

559
00:26:23,640 --> 00:26:26,280
Speaker 4: Are you a betty that's quite sweaty or in vigilators?

560
00:26:26,680 --> 00:26:27,320
Speaker 4: Can you prove it?

561
00:26:27,960 --> 00:26:29,680
Speaker 6: Or vigilators all the way?

562
00:26:29,800 --> 00:26:30,000
Speaker 9: Mate?

563
00:26:30,040 --> 00:26:31,919
Speaker 5: When you see when you say sweet, you've lost me.

564
00:26:32,000 --> 00:26:33,040
Speaker 2: I hate sweat.

565
00:26:32,800 --> 00:26:35,960
Speaker 4: Yeah, brutal.

566
00:26:36,080 --> 00:26:38,800
Speaker 1: Let's go to at least Johnny hear from the vigilators,

567
00:26:38,880 --> 00:26:41,119
Speaker 1: or Johnny hear betties that are particularly sweaty.

568
00:26:41,720 --> 00:26:43,119
Speaker 2: I want to hear the vigilator.

569
00:26:45,520 --> 00:26:48,880
Speaker 4: I just want to make sure. I want to see Crystal. Crystal,

570
00:26:48,880 --> 00:26:50,320
Speaker 4: did you also want to vigilators?

571
00:26:51,359 --> 00:26:57,919
Speaker 3: I'm going to get the sweaty betty. You're very betty,

572
00:26:58,400 --> 00:27:02,600
Speaker 3: all right? So th one O six five. If you

573
00:27:02,640 --> 00:27:06,680
Speaker 3: are an invigilator, an exam invigilator, please call the show.

574
00:27:06,760 --> 00:27:08,520
Speaker 4: Do you have to be a current invigilator? Can you

575
00:27:08,560 --> 00:27:14,000
Speaker 4: have also been an invigilator in the past? Current invigilator?

576
00:27:14,119 --> 00:27:16,960
Speaker 3: Okay, wow, yeah, I know, I know, I know, And

577
00:27:17,000 --> 00:27:18,880
Speaker 3: there's a very good chance that we might not get

578
00:27:18,880 --> 00:27:22,280
Speaker 3: one here. So like, even if you're thinking of calling,

579
00:27:22,480 --> 00:27:24,520
Speaker 3: please pick up the phone, even if you've never called

580
00:27:24,520 --> 00:27:28,000
Speaker 3: a radio show before. Maybe maybe you're in the car,

581
00:27:28,200 --> 00:27:30,119
Speaker 3: or maybe you know your grandma or your grandpa and

582
00:27:30,119 --> 00:27:32,800
Speaker 3: in vigilat Not to say that they're all grandmothers and grandpas,

583
00:27:32,840 --> 00:27:35,840
Speaker 3: but maybe you know that they're an invigilator. Please call

584
00:27:35,880 --> 00:27:37,720
Speaker 3: them and get them to call us, because what is

585
00:27:37,800 --> 00:27:40,720
Speaker 3: right These people aren't in our demographic. They're off listening

586
00:27:40,800 --> 00:27:44,199
Speaker 3: to you know how someone grafted a next door at

587
00:27:44,200 --> 00:27:45,000
Speaker 3: nectar Ene.

588
00:27:44,840 --> 00:27:47,440
Speaker 4: Back in thirty four or something. Of course that's their jam,

589
00:27:47,480 --> 00:27:48,240
Speaker 4: that's their hobby horse.

590
00:27:48,920 --> 00:27:51,159
Speaker 3: Six five. If you're an invigilator, I would love for

591
00:27:51,200 --> 00:27:53,840
Speaker 3: you to call the show. Please stand up for yourselves

592
00:27:53,680 --> 00:27:54,879
Speaker 3: a bit of pride.

593
00:27:54,920 --> 00:27:55,959
Speaker 4: Yeah, I'd love to meet some of them.

594
00:27:56,240 --> 00:27:58,000
Speaker 3: We'll take them up next. We are in the middle

595
00:27:58,040 --> 00:28:01,399
Speaker 3: of our rejected idea.

596
00:28:01,840 --> 00:28:04,240
Speaker 4: It's Will and Woody's rejected ideas.

597
00:28:04,680 --> 00:28:08,600
Speaker 3: Ah right, guys, I'm being serious here. I said before

598
00:28:08,600 --> 00:28:11,360
Speaker 3: the song, these people are hard to find. This may

599
00:28:11,400 --> 00:28:15,040
Speaker 3: be proving my theory that all invigilators are aliens and

600
00:28:15,080 --> 00:28:17,080
Speaker 3: they only descend on the earth for exam period.

601
00:28:17,160 --> 00:28:18,560
Speaker 4: Is that what you think of them.

602
00:28:18,720 --> 00:28:21,000
Speaker 3: No, I just think. I just I've never seen one

603
00:28:21,040 --> 00:28:22,000
Speaker 3: in real life.

604
00:28:22,080 --> 00:28:24,879
Speaker 4: True earlier.

605
00:28:24,880 --> 00:28:27,480
Speaker 3: Hard people to find, Like, who wants to do that

606
00:28:27,640 --> 00:28:31,280
Speaker 3: job you're did? You're literally a party Pooper's.

607
00:28:30,840 --> 00:28:34,160
Speaker 4: Very important though, I'm sure it is very important for society.

608
00:28:34,359 --> 00:28:39,680
Speaker 3: Yeah, but you know, the parking inspector not important, not

609
00:28:39,680 --> 00:28:40,280
Speaker 3: important at all?

610
00:28:40,320 --> 00:28:42,160
Speaker 4: Are you kidding me? Well, they know they make a

611
00:28:42,200 --> 00:28:42,600
Speaker 4: bit of money.

612
00:28:42,640 --> 00:28:46,160
Speaker 3: But look, my point is the point is very hard

613
00:28:46,200 --> 00:28:48,600
Speaker 3: people to find. I'm trying to get them to prove

614
00:28:48,640 --> 00:28:52,320
Speaker 3: their worth here. So if you are an invigilator, please

615
00:28:52,360 --> 00:28:54,040
Speaker 3: call the show on thirty one and six five Like

616
00:28:54,120 --> 00:28:56,560
Speaker 3: cards on the table, we had about three of them.

617
00:28:56,920 --> 00:29:00,320
Speaker 3: The producers answered the call. Many of them were sure

618
00:29:00,360 --> 00:29:02,520
Speaker 3: how to work a phone, They got scared, they got rattled,

619
00:29:02,520 --> 00:29:03,200
Speaker 3: and they hung up.

620
00:29:04,920 --> 00:29:06,160
Speaker 4: They're really hard to find.

621
00:29:06,400 --> 00:29:08,480
Speaker 3: So look, we've got a couple of little called The

622
00:29:08,480 --> 00:29:11,400
Speaker 3: Trouble if you'd like to come on. Oh huge, we've

623
00:29:11,400 --> 00:29:17,440
Speaker 3: got April April April. Hi, welcome to firstly, are you

624
00:29:17,480 --> 00:29:18,280
Speaker 3: guys aliens?

625
00:29:19,400 --> 00:29:23,120
Speaker 5: Ah haha, very funny. We've only just become invigilators. Before that,

626
00:29:23,320 --> 00:29:25,280
Speaker 5: hardly even knew what the word was, right.

627
00:29:25,400 --> 00:29:28,080
Speaker 4: Ah, so you're a freshy, April.

628
00:29:28,440 --> 00:29:29,680
Speaker 3: Very new fresh born.

629
00:29:29,760 --> 00:29:31,320
Speaker 4: Okay, all right, okay.

630
00:29:31,440 --> 00:29:35,360
Speaker 3: Okay, April. So invigilators are considered to be the most

631
00:29:35,400 --> 00:29:37,160
Speaker 3: boring people on the planet.

632
00:29:36,760 --> 00:29:38,520
Speaker 4: Not what we would think, April.

633
00:29:38,520 --> 00:29:40,200
Speaker 1: Can I just say that, I want to stress that

634
00:29:40,560 --> 00:29:43,480
Speaker 1: not our views, but some people would say, yeah.

635
00:29:43,320 --> 00:29:45,520
Speaker 4: Some people think that there's no doubt about it.

636
00:29:46,280 --> 00:29:52,520
Speaker 3: April. You've got the entire invigilated community resting on your shoulders.

637
00:29:54,080 --> 00:29:57,160
Speaker 3: You need to know there are no other invigilators that

638
00:29:57,160 --> 00:30:00,520
Speaker 3: have called the show. I assume they've had a meeting

639
00:30:00,640 --> 00:30:04,240
Speaker 3: or something is sects or cults tend to do, and

640
00:30:04,280 --> 00:30:08,080
Speaker 3: they've nominated you as the sacrificial lamb. I'm sorry, goodness,

641
00:30:08,120 --> 00:30:11,320
Speaker 3: I'm sorry for your lot, but they're the people that

642
00:30:11,360 --> 00:30:12,280
Speaker 3: they're the people that they are.

643
00:30:13,000 --> 00:30:15,520
Speaker 4: Now, George, can you give me a drone?

644
00:30:17,320 --> 00:30:18,320
Speaker 2: Can I give you a joke?

645
00:30:18,760 --> 00:30:22,080
Speaker 1: No? No, not you, April, that's a button, George. You

646
00:30:22,200 --> 00:30:25,080
Speaker 1: just focus on invigilating. And also this next question that

647
00:30:25,080 --> 00:30:26,080
Speaker 1: I was about to ask.

648
00:30:25,920 --> 00:30:29,720
Speaker 3: You, April, You've got to try and prove that in

649
00:30:29,800 --> 00:30:32,000
Speaker 3: vigilators have got a sense of humor. Now you can

650
00:30:32,000 --> 00:30:35,200
Speaker 3: do this one of two ways. Have you got a

651
00:30:35,280 --> 00:30:36,000
Speaker 3: joke for us?

652
00:30:38,520 --> 00:30:41,520
Speaker 2: I do and I've already forgotten it. I only remembered

653
00:30:41,720 --> 00:30:44,520
Speaker 2: and so which is no good? Okay, so good.

654
00:30:44,520 --> 00:30:45,480
Speaker 6: I can't give you a joke.

655
00:30:46,120 --> 00:30:48,080
Speaker 3: Just wait, just did a second to rethink it?

656
00:30:49,000 --> 00:30:49,240
Speaker 4: Yep?

657
00:30:49,480 --> 00:30:53,360
Speaker 3: Oh no, I'm gonna give you two seconds to rethink it. April,

658
00:30:53,400 --> 00:30:55,560
Speaker 3: to take your time, geeh, you panicked.

659
00:30:56,440 --> 00:30:59,520
Speaker 1: I've got another invigilator here, Maria, Maria. Wow, you're a

660
00:30:59,520 --> 00:31:00,720
Speaker 1: Mexican in vigilator.

661
00:31:00,760 --> 00:31:01,120
Speaker 4: Maria.

662
00:31:01,920 --> 00:31:03,120
Speaker 7: That's right, Yes.

663
00:31:03,280 --> 00:31:04,800
Speaker 4: That's standing. So sorry.

664
00:31:04,800 --> 00:31:08,040
Speaker 1: Were you so good in Mexico that they like recruited

665
00:31:08,080 --> 00:31:08,960
Speaker 1: you to Australia.

666
00:31:09,920 --> 00:31:19,760
Speaker 7: Yes, basically, I just need to make sure students aren doing.

667
00:31:17,600 --> 00:31:20,120
Speaker 3: Maria's down when I say it. Maria, Maria, can you

668
00:31:20,160 --> 00:31:24,200
Speaker 3: say pens down for me? Sorry, just say pens down

669
00:31:24,280 --> 00:31:24,560
Speaker 3: for me?

670
00:31:26,920 --> 00:31:27,760
Speaker 7: Hey, what for you?

671
00:31:28,080 --> 00:31:29,000
Speaker 4: Yeah?

672
00:31:29,120 --> 00:31:32,680
Speaker 3: Okay, sure she was hot in Mexico. Maria, can you

673
00:31:32,720 --> 00:31:35,840
Speaker 3: tell us a joke? April's April's thinking of her joke.

674
00:31:35,880 --> 00:31:37,840
Speaker 3: I think she's gone back to the gone back to

675
00:31:37,840 --> 00:31:39,880
Speaker 3: the cult. This was a bad idea, getting in vigilators

676
00:31:39,880 --> 00:31:42,240
Speaker 3: in the line. I can see where you guys rejected this. Maria,

677
00:31:42,320 --> 00:31:43,040
Speaker 3: Have you got a joke?

678
00:31:43,960 --> 00:31:45,920
Speaker 7: Look, I tell you a joke, but I'm actually quite

679
00:31:46,000 --> 00:31:53,440
Speaker 7: upset to face upset Maria because I I flew from

680
00:31:53,520 --> 00:31:58,400
Speaker 7: Mexico to Australia on the airline, lost my luggage, so

681
00:31:58,520 --> 00:32:01,360
Speaker 7: I tried to stew them, but I lost my key.

682
00:32:02,880 --> 00:32:05,480
Speaker 3: It's pretty good. Oh my god.

683
00:32:06,240 --> 00:32:13,280
Speaker 4: The joke was like, Maria's gone right, Oh my god.

684
00:32:13,160 --> 00:32:19,080
Speaker 3: May you can have yourself HOI it's extreme screen double pass. Congratulations.

685
00:32:19,120 --> 00:32:22,160
Speaker 3: I'll tell you what. The Mexican invigilators off the hook,

686
00:32:22,440 --> 00:32:25,200
Speaker 3: I reckon. They've proved themselves. That was so good that

687
00:32:25,280 --> 00:32:27,000
Speaker 3: she didn't even like let us know that she was

688
00:32:27,040 --> 00:32:27,640
Speaker 3: going into it.

689
00:32:27,720 --> 00:32:29,160
Speaker 4: The delivery was absolutely Jane.

690
00:32:29,200 --> 00:32:31,880
Speaker 3: Two tickets to the movies for Maria. Congratulations. But let's

691
00:32:31,880 --> 00:32:34,120
Speaker 3: get down to April, who carries the weight of all

692
00:32:34,160 --> 00:32:37,080
Speaker 3: Australian invigilators on her shoulders. Right now, we all think

693
00:32:37,080 --> 00:32:43,840
Speaker 3: they're boring as batshit. April's out to prove that they're not. April. Yes, okay,

694
00:32:45,640 --> 00:32:46,720
Speaker 3: have you got your joke?

695
00:32:47,640 --> 00:32:49,160
Speaker 4: I do?

696
00:32:49,160 --> 00:32:52,680
Speaker 3: Don't care, April, don't. Don't. Don't sound so concerned, you do, April,

697
00:32:52,720 --> 00:32:53,760
Speaker 3: Just be cheerful for me.

698
00:32:53,920 --> 00:32:54,480
Speaker 4: Just say I do.

699
00:32:55,680 --> 00:32:56,480
Speaker 3: Boys, I've got a joke.

700
00:32:56,600 --> 00:32:57,040
Speaker 5: Do I do?

701
00:32:57,400 --> 00:32:58,800
Speaker 2: I have a joke. You'll love it.

702
00:32:58,960 --> 00:33:01,640
Speaker 4: Great, excellent a April, that's the attitude.

703
00:33:02,080 --> 00:33:06,400
Speaker 2: Where do you find a bra, bra Bra.

704
00:33:07,400 --> 00:33:09,000
Speaker 4: It's a little bit hav on God for an individual.

705
00:33:09,160 --> 00:33:13,920
Speaker 4: Not sure. April in a booby trap. There she is.

706
00:33:14,000 --> 00:33:15,920
Speaker 4: There she buddy is by something.

707
00:33:19,280 --> 00:33:22,160
Speaker 3: We can hear you, you.

708
00:33:21,720 --> 00:33:25,600
Speaker 4: Hear me, got it?

709
00:33:26,160 --> 00:33:30,840
Speaker 3: We definitely edit. That's good, nice, April, lovely.

710
00:33:31,880 --> 00:33:33,400
Speaker 4: What do you up to this weekend? April?

711
00:33:34,120 --> 00:33:38,160
Speaker 5: Oh, not a lot. Probably clearing up.

712
00:33:38,880 --> 00:33:45,120
Speaker 3: Clearing okay, sounds like absolute