1 00:00:01,240 --> 00:00:04,440 Speaker 1: Powered by the I have Radio WAB from ninety six 2 00:00:04,519 --> 00:00:08,039 Speaker 1: Air AM to where Garby you're listening today, This is 3 00:00:08,119 --> 00:00:10,639 Speaker 1: Crazy and Lisa's podcast. 4 00:00:10,160 --> 00:00:12,560 Speaker 2: Coming up on the podcast today. Dave Gleeson from The 5 00:00:12,560 --> 00:00:13,800 Speaker 2: Screaming Jets is with us. 6 00:00:14,000 --> 00:00:15,239 Speaker 3: We asked you if there's been a bit of a 7 00:00:15,280 --> 00:00:17,280 Speaker 3: cut off with a family member or the entire family 8 00:00:17,320 --> 00:00:19,240 Speaker 3: with no contact, which is what I said. 9 00:00:19,239 --> 00:00:20,400 Speaker 4: Details or not? 10 00:00:20,560 --> 00:00:24,640 Speaker 2: Details on Christopher Nolan's next Top secret feature film, and. 11 00:00:24,600 --> 00:00:26,640 Speaker 3: On the story behind the album. We celebrated one of 12 00:00:26,640 --> 00:00:28,479 Speaker 3: the best, John Farnham whispering Jack. 13 00:00:29,120 --> 00:00:32,000 Speaker 4: Dave Gleason's with us. Now, good morning day. 14 00:00:31,480 --> 00:00:34,720 Speaker 1: Don't good morning here? He's going, Yeah, Ben. 15 00:00:34,560 --> 00:00:36,959 Speaker 3: Are you the premieer Western Australia, aren't you hear a lot? 16 00:00:38,760 --> 00:00:43,120 Speaker 1: Yeah? I had a fantastic weekend over here, just gone 17 00:00:43,159 --> 00:00:46,040 Speaker 1: so yeah, we had a great time playing with fabulous cored. 18 00:00:45,920 --> 00:00:48,559 Speaker 4: Brilliant, Yes, fabulous as always. 19 00:00:49,640 --> 00:00:52,800 Speaker 3: Y Johnny in too, Joey came Leary. 20 00:00:52,840 --> 00:00:55,760 Speaker 1: I mean to be up on stage with all those guys. 21 00:00:55,800 --> 00:01:00,160 Speaker 1: It's just at One of the bass players wouldrive and 22 00:01:00,200 --> 00:01:03,240 Speaker 1: along and Russell Morris urged him to go through a 23 00:01:03,320 --> 00:01:07,520 Speaker 1: yellow light and he goes, I'm not going through a 24 00:01:07,600 --> 00:01:09,360 Speaker 1: yellow light and it sends to me he said, I've 25 00:01:09,360 --> 00:01:10,840 Speaker 1: got the cast of Bloody count. 26 00:01:10,640 --> 00:01:14,880 Speaker 3: Inns of Responsibility. 27 00:01:14,840 --> 00:01:19,400 Speaker 1: Yeah, yeah, yeah, David and Russell and Jack Jacks and yeah, 28 00:01:19,720 --> 00:01:20,560 Speaker 1: it's a great thing to do. 29 00:01:20,760 --> 00:01:24,640 Speaker 2: Everyone but Molly well back at the end of the 30 00:01:24,640 --> 00:01:27,280 Speaker 2: month November twenty two. Anyway, with the Jets. The tour 31 00:01:27,400 --> 00:01:31,360 Speaker 2: is called life Blood. Rock and roll is your life blood, 32 00:01:31,400 --> 00:01:32,000 Speaker 2: I expect. 33 00:01:32,360 --> 00:01:35,760 Speaker 1: Yeah, that's exactly right. And you know, we're out there 34 00:01:35,800 --> 00:01:40,440 Speaker 1: and these these shows have started to do all ages shows. 35 00:01:40,800 --> 00:01:40,959 Speaker 5: Yees. 36 00:01:42,720 --> 00:01:45,760 Speaker 1: Parents are able to bring their kids along and subject 37 00:01:45,760 --> 00:01:48,960 Speaker 1: them to the screaming Jets, and you know, I just 38 00:01:49,400 --> 00:01:51,520 Speaker 1: I just think it's a great step forward because my 39 00:01:51,600 --> 00:01:54,720 Speaker 1: son's sixteen now and all these mates listen to all 40 00:01:54,720 --> 00:01:57,960 Speaker 1: that olds rock from the from the eighties and nineties nineties. 41 00:01:57,960 --> 00:02:02,240 Speaker 1: That's that's their favorite music. So it's great to get 42 00:02:02,280 --> 00:02:04,040 Speaker 1: to the new generation coming along. 43 00:02:04,120 --> 00:02:06,400 Speaker 4: We're almost entering third generation. 44 00:02:09,240 --> 00:02:15,040 Speaker 1: Kids, kids and kids. Yeah, definitely, but it's great. I mean, 45 00:02:15,080 --> 00:02:17,600 Speaker 1: it's a testament to the fact that you know, not 46 00:02:17,760 --> 00:02:19,760 Speaker 1: just us, but you know those bands like Ice House 47 00:02:19,800 --> 00:02:22,760 Speaker 1: and James Ryan's out there, Richie Clapton still going around. 48 00:02:23,919 --> 00:02:26,760 Speaker 1: Baby Animals are still playing, So it's just a testament 49 00:02:26,800 --> 00:02:29,840 Speaker 1: to the fact that Australia's making such great music at 50 00:02:29,840 --> 00:02:30,240 Speaker 1: that time. 51 00:02:30,360 --> 00:02:31,840 Speaker 3: That's pretty cool mate. For a while there we were 52 00:02:31,840 --> 00:02:33,760 Speaker 3: calling you three bands leasing when you're doing the angel 53 00:02:33,800 --> 00:02:36,560 Speaker 3: stuff now, but you had to just cut it a 54 00:02:36,600 --> 00:02:38,480 Speaker 3: little bit. Has the schedule now you're a bit more 55 00:02:38,560 --> 00:02:39,399 Speaker 3: under control. 56 00:02:39,919 --> 00:02:42,840 Speaker 1: Yeah, much better mate. It's you know, obviously was an 57 00:02:42,960 --> 00:02:45,680 Speaker 1: run honor to play with those Goals for twelve years 58 00:02:46,560 --> 00:02:50,280 Speaker 1: and they're celebrating their fiftieth years as well as along 59 00:02:50,320 --> 00:02:55,320 Speaker 1: with Countdown and Cold Chisel. Yeah, but it was great 60 00:02:55,320 --> 00:02:58,160 Speaker 1: to do that. But it's betten also great to you know, 61 00:02:58,280 --> 00:03:01,919 Speaker 1: focus manergies back on on doing we doing the Jets 62 00:03:01,919 --> 00:03:04,720 Speaker 1: and getting some new music together and getting as much 63 00:03:04,800 --> 00:03:07,000 Speaker 1: touring in as we possibly can, making hay you all 64 00:03:07,120 --> 00:03:08,040 Speaker 1: or some Yeah. 65 00:03:08,200 --> 00:03:10,520 Speaker 2: Well it was a big weekend here because as well 66 00:03:10,520 --> 00:03:12,760 Speaker 2: as the Corpredos and Colts Will were in town for 67 00:03:12,800 --> 00:03:16,160 Speaker 2: their five Oh can. 68 00:03:16,040 --> 00:03:19,799 Speaker 1: We a few out of our numbers? 69 00:03:20,680 --> 00:03:24,200 Speaker 2: Can we talk about this trip you're going on tomorrow? 70 00:03:24,639 --> 00:03:27,520 Speaker 2: I think tomorrow kicks off. We need to get one 71 00:03:27,560 --> 00:03:31,920 Speaker 2: of these down the West coast here. It's a boat 72 00:03:32,000 --> 00:03:35,200 Speaker 2: that what is it? The boat that Rocks Rocks, Cruise, 73 00:03:35,680 --> 00:03:37,760 Speaker 2: Rocked the Boat, the movie. 74 00:03:37,800 --> 00:03:38,920 Speaker 4: Yeah, I'm thinking of the movie. 75 00:03:39,040 --> 00:03:42,920 Speaker 1: Yeah, it's fantastic. All Evans will be on there together, 76 00:03:43,000 --> 00:03:45,720 Speaker 1: we all, I think, you know, we play one or 77 00:03:45,720 --> 00:03:49,680 Speaker 1: two nights over the seven days. Yeah, I can take 78 00:03:49,720 --> 00:03:52,960 Speaker 1: my family, so I've got the wife and two kids 79 00:03:53,000 --> 00:03:56,760 Speaker 1: coming along to enjoy these festivities. But yeah, we all 80 00:03:56,800 --> 00:03:59,440 Speaker 1: hang out together, and I've done a couple of them 81 00:04:00,080 --> 00:04:03,119 Speaker 1: will go oh, but all you know, the general publics 82 00:04:03,200 --> 00:04:06,040 Speaker 1: come up to you, and they mostly do come up 83 00:04:06,040 --> 00:04:07,560 Speaker 1: to you and they say, do you want to be here? 84 00:04:10,240 --> 00:04:10,520 Speaker 2: Worse? 85 00:04:13,680 --> 00:04:17,320 Speaker 3: On the whole trip? A lot worse people. People have 86 00:04:17,440 --> 00:04:18,479 Speaker 3: generally pretty friendly, are they. 87 00:04:19,040 --> 00:04:24,599 Speaker 1: Yeah, yeah, yeah, there's yeah, that's what. There's thousands on 88 00:04:24,680 --> 00:04:26,400 Speaker 1: there and they just all I want to do is 89 00:04:26,400 --> 00:04:28,760 Speaker 1: get up because of the music's on all day in 90 00:04:28,880 --> 00:04:32,280 Speaker 1: little bars. There's duos and karaoke and everything going on. 91 00:04:32,480 --> 00:04:35,799 Speaker 1: This is awesome, It's nuts, it's unreal. 92 00:04:37,720 --> 00:04:41,200 Speaker 2: Yeah, we definitely need to do one of these over here. 93 00:04:41,320 --> 00:04:43,120 Speaker 2: I mean because and it's you know, it's the living 94 00:04:43,160 --> 00:04:45,680 Speaker 2: in Mark Seymour, John Stevens. 95 00:04:45,680 --> 00:04:48,400 Speaker 4: It's a hell of a lineup. That's just a name 96 00:04:48,400 --> 00:04:49,240 Speaker 4: of fantastic. 97 00:04:50,080 --> 00:04:51,200 Speaker 1: Yeah, yeah, you've. 98 00:04:51,040 --> 00:04:52,520 Speaker 4: Been touring for many, many years now. 99 00:04:52,960 --> 00:04:56,000 Speaker 2: I imagine the your ship birth will be quite nice. But 100 00:04:56,279 --> 00:04:58,400 Speaker 2: can you think of what the worst accommodation you've ever 101 00:04:58,400 --> 00:04:59,479 Speaker 2: stated more touring is. 102 00:05:00,640 --> 00:05:05,000 Speaker 1: Yes, it was called there was a place in Chare 103 00:05:05,040 --> 00:05:08,440 Speaker 1: for Australia the name Escapes and I was just here 104 00:05:08,480 --> 00:05:14,400 Speaker 1: the other day for Raka. Anyway, as I turned the 105 00:05:14,480 --> 00:05:24,440 Speaker 1: lights out, I heard scuttling, scuttling. Yeah, so quickly flicked 106 00:05:24,440 --> 00:05:30,839 Speaker 1: the lights on. Cockroaches everywhere. So then I slept with 107 00:05:30,880 --> 00:05:33,719 Speaker 1: the lights on. I killed all the cockroaches I could see. 108 00:05:33,880 --> 00:05:38,400 Speaker 1: Tuck me, you know, jeans into me soft as you do. 109 00:05:39,480 --> 00:05:41,880 Speaker 1: And then in the morning I left about twenty dead 110 00:05:41,920 --> 00:05:44,160 Speaker 1: cockroaches in the middle of the bed just to say, 111 00:05:44,200 --> 00:05:45,039 Speaker 1: oh thanks for that. 112 00:05:45,279 --> 00:05:50,560 Speaker 3: Yeah, screw you go cleaner. Well, I was thinking about 113 00:05:50,560 --> 00:05:53,160 Speaker 3: it and that's gross, and you thought of it straight away, 114 00:05:53,240 --> 00:05:56,000 Speaker 3: so obviously. But you know, the ship, the ship is 115 00:05:56,000 --> 00:05:57,720 Speaker 3: going to be incredible compared to some of the cars 116 00:05:57,720 --> 00:06:00,000 Speaker 3: you would have traveled around as a band, because that's 117 00:06:00,080 --> 00:06:01,840 Speaker 3: hard dragging. 118 00:06:04,240 --> 00:06:08,080 Speaker 1: Yeah, we've been we had some transportation over the years. 119 00:06:08,120 --> 00:06:12,599 Speaker 1: It probably wouldn't pass muster. Nowadays you tape on the 120 00:06:12,640 --> 00:06:16,719 Speaker 1: muffle and all that stuff. But you know, lucky enough, 121 00:06:16,960 --> 00:06:20,680 Speaker 1: we came around just when a new tarago started. If 122 00:06:20,680 --> 00:06:24,920 Speaker 1: you're looking henceforth, for the next five ten years we 123 00:06:25,040 --> 00:06:28,039 Speaker 1: traveled with nose. And even when we're in a clear 124 00:06:28,160 --> 00:06:32,200 Speaker 1: carnival or Stari or whatever they've got, they're all called 125 00:06:32,200 --> 00:06:36,440 Speaker 1: to Rago. Yeah, yeah, I'll see. 126 00:06:36,839 --> 00:06:40,880 Speaker 2: Yeah, well listen, Dave, enjoy rocking the boat for the 127 00:06:40,920 --> 00:06:41,680 Speaker 2: next seven days. 128 00:06:41,800 --> 00:06:43,560 Speaker 4: That just sounds like a hoot. 129 00:06:43,920 --> 00:06:47,720 Speaker 2: And we will see you November twenty second at the ASTA. 130 00:06:49,040 --> 00:06:49,480 Speaker 1: Excellent. 131 00:06:50,520 --> 00:06:53,919 Speaker 4: Yeah, tickets are three. 132 00:06:53,800 --> 00:06:58,720 Speaker 3: Ticket tax thanks tank you listen. That's twenty second to day, 133 00:06:58,760 --> 00:07:00,920 Speaker 3: so a month away for that gig we need to get. 134 00:07:01,000 --> 00:07:03,160 Speaker 3: If you're part of the punt on board, can we 135 00:07:03,200 --> 00:07:07,480 Speaker 3: with making one of these rock the boats happen over 136 00:07:07,520 --> 00:07:11,000 Speaker 3: here and imagine doing the wa coast. Yeah, very very cool. 137 00:07:11,280 --> 00:07:12,480 Speaker 4: They're going up to Cairns. 138 00:07:13,040 --> 00:07:15,080 Speaker 3: Really yeah, I like missing out. 139 00:07:15,640 --> 00:07:18,920 Speaker 4: We do. We are missing out. 140 00:07:17,960 --> 00:07:20,000 Speaker 3: All right? You call your people or a cornmart. Okay, 141 00:07:20,200 --> 00:07:26,000 Speaker 3: more crazy, more Lisa, more podcasts soon. I thought i'd 142 00:07:26,000 --> 00:07:28,640 Speaker 3: bring up the fact that quite often families are held 143 00:07:28,680 --> 00:07:32,440 Speaker 3: together by parents, and yes, very much so. They're the 144 00:07:32,440 --> 00:07:34,240 Speaker 3: glue in particular mothers, but fathers do what. 145 00:07:35,960 --> 00:07:37,320 Speaker 4: Yes, particularly mothers. 146 00:07:37,440 --> 00:07:39,880 Speaker 3: Mothers keep the bonds, whether it's siblings or you know, 147 00:07:40,360 --> 00:07:42,520 Speaker 3: contact with family, friends and aunties and uncles and all 148 00:07:42,560 --> 00:07:44,480 Speaker 3: the rest of it. So my mom passed away in 149 00:07:44,920 --> 00:07:47,520 Speaker 3: twenty eighteen. Yeah, so you know, we're getting over six 150 00:07:47,680 --> 00:07:50,320 Speaker 3: six and half years there. But the reason why I 151 00:07:50,360 --> 00:07:52,239 Speaker 3: wanted to talk about this is because for some reason, 152 00:07:52,240 --> 00:07:54,360 Speaker 3: my brother has decided to not be in touch with 153 00:07:54,360 --> 00:07:55,240 Speaker 3: me at all anymore. 154 00:07:55,640 --> 00:07:56,760 Speaker 4: He lives on the East Coast, he. 155 00:07:56,720 --> 00:07:59,760 Speaker 3: Lives in Brazzy. Yeah, yeah, we don't. We never haven't 156 00:07:59,760 --> 00:08:01,760 Speaker 3: had a real lot of contact, but there's been text 157 00:08:01,760 --> 00:08:04,440 Speaker 3: messages or birthday messages and stuff like that. The odd 158 00:08:04,440 --> 00:08:05,120 Speaker 3: thing he loves music. 159 00:08:05,160 --> 00:08:06,520 Speaker 4: So there's been no falling out. 160 00:08:06,840 --> 00:08:08,480 Speaker 3: No, well not that I know of, But all of 161 00:08:08,480 --> 00:08:11,640 Speaker 3: a sudden I tried last Chrissy and then his birthday 162 00:08:11,640 --> 00:08:13,360 Speaker 3: in April, and then my birth They got no contact. 163 00:08:13,400 --> 00:08:15,360 Speaker 3: So I take that three strikes. I'm out, and I 164 00:08:15,520 --> 00:08:20,440 Speaker 3: just found it weird. It is very odd. There's probably 165 00:08:20,480 --> 00:08:22,120 Speaker 3: a bit more to it. Doesn't really have contact with 166 00:08:22,120 --> 00:08:24,119 Speaker 3: that or whatever, But it's not about me just bagging 167 00:08:24,120 --> 00:08:26,440 Speaker 3: out my brother, because he's obviously got his reasons. Yeah, 168 00:08:26,520 --> 00:08:28,440 Speaker 3: but it made me think that we could open up 169 00:08:28,440 --> 00:08:30,840 Speaker 3: the lines today and the text messages as well, because 170 00:08:30,840 --> 00:08:33,120 Speaker 3: there are so many people I know who've got at 171 00:08:33,200 --> 00:08:35,640 Speaker 3: least one family member and some a bunch of family 172 00:08:35,640 --> 00:08:39,200 Speaker 3: members who they have no contact with, So no family Christmas. 173 00:08:39,240 --> 00:08:41,319 Speaker 3: That's a long way from family Christmas. I'm talking about 174 00:08:41,320 --> 00:08:43,800 Speaker 3: no contact at all. And people just go on with 175 00:08:43,840 --> 00:08:47,520 Speaker 3: their lives with these people who just ostracized or don't 176 00:08:47,559 --> 00:08:49,599 Speaker 3: contact them. And I thought we'd open it up and 177 00:08:49,600 --> 00:08:51,280 Speaker 3: see if people have got a few stories for us, 178 00:08:51,320 --> 00:08:52,640 Speaker 3: because I would imagine they would be there. 179 00:08:52,679 --> 00:08:54,080 Speaker 4: Are they are out there. 180 00:08:54,240 --> 00:08:56,320 Speaker 2: Thirteen ten sixty five is the number, or you can 181 00:08:56,360 --> 00:08:59,080 Speaker 2: text us on zero four seven six ninety six ninety 182 00:08:59,080 --> 00:09:01,120 Speaker 2: six ninety six. There are tickets to see yourself sell 183 00:09:01,679 --> 00:09:03,679 Speaker 2: in the offering of this morning. 184 00:09:04,200 --> 00:09:07,000 Speaker 3: And sometimes it can be there can be multiple reasons. 185 00:09:07,040 --> 00:09:09,040 Speaker 3: It can be one little thing that can trigger it 186 00:09:09,160 --> 00:09:11,960 Speaker 3: for falling out, and sometimes it can be a great, 187 00:09:12,000 --> 00:09:14,679 Speaker 3: big family disaster. But feel free to give us a 188 00:09:14,720 --> 00:09:16,679 Speaker 3: call and get involved. There might also be other partners 189 00:09:16,720 --> 00:09:18,840 Speaker 3: that have come into the fray. Other players come into 190 00:09:18,840 --> 00:09:21,160 Speaker 3: the fray that cause friction in families. 191 00:09:22,080 --> 00:09:26,400 Speaker 2: Mitch and Marrow, good morning, good morning, what's your story? 192 00:09:27,520 --> 00:09:33,319 Speaker 6: When I was nineteen, my mother died. The family sort of, 193 00:09:33,360 --> 00:09:36,640 Speaker 6: my two brothers a nice sort of yeah, stop speaking 194 00:09:36,720 --> 00:09:41,000 Speaker 6: in the funeral, and I didn't see them again. A 195 00:09:41,000 --> 00:09:43,360 Speaker 6: couple of years ago, I found my brother's business card. 196 00:09:43,400 --> 00:09:44,280 Speaker 7: And I'll phone him up. 197 00:09:44,760 --> 00:09:47,360 Speaker 1: Spoke to a nephew, and my brother called me back. 198 00:09:47,640 --> 00:09:48,640 Speaker 1: He said, yeah, I was trying to. 199 00:09:48,559 --> 00:09:50,760 Speaker 4: Get hold of you two years ago. 200 00:09:51,000 --> 00:09:51,200 Speaker 3: Yeah. 201 00:09:51,240 --> 00:09:53,000 Speaker 4: Yeah, our other brother had died. 202 00:09:52,800 --> 00:09:53,400 Speaker 6: The year before. 203 00:09:53,960 --> 00:09:55,720 Speaker 8: She's trying to get hold of me together the funeral. 204 00:09:56,640 --> 00:10:01,079 Speaker 1: OA, so all the ideas we we're slowly starting to 205 00:10:01,080 --> 00:10:03,480 Speaker 1: build a relationship begin yep. 206 00:10:03,880 --> 00:10:04,400 Speaker 4: Wow. 207 00:10:05,440 --> 00:10:07,880 Speaker 3: Yeah, that's one good thing to come from a horrible thing. 208 00:10:08,480 --> 00:10:09,880 Speaker 1: I just walked away for forty years. 209 00:10:10,360 --> 00:10:10,600 Speaker 5: Yeah. 210 00:10:10,679 --> 00:10:12,920 Speaker 3: It's a hell of a long time, isn't it. 211 00:10:12,920 --> 00:10:13,240 Speaker 9: It is? 212 00:10:13,280 --> 00:10:15,000 Speaker 6: And there's a lot of caching up to the yes. 213 00:10:15,280 --> 00:10:16,360 Speaker 4: Yeah, well I'm glad you are. 214 00:10:16,480 --> 00:10:22,520 Speaker 3: Yeah, build it slowly, Yeah, thanks, Mitt, appreciate you. Thanks bad. 215 00:10:22,840 --> 00:10:23,480 Speaker 4: That's amazing. 216 00:10:23,559 --> 00:10:25,520 Speaker 3: Yeah, and you can tell you know, it's very emotional 217 00:10:25,559 --> 00:10:27,319 Speaker 3: too for people. You know, I'm not happy my. 218 00:10:27,240 --> 00:10:29,800 Speaker 2: Brother well, I mean, and to find out, you know, 219 00:10:30,160 --> 00:10:32,839 Speaker 2: your other brother had died two years ago, that's got 220 00:10:32,840 --> 00:10:33,800 Speaker 2: to be such a jolt. 221 00:10:33,920 --> 00:10:37,120 Speaker 4: Absolutely, what have we been doing what you know? 222 00:10:38,360 --> 00:10:38,560 Speaker 7: Well? 223 00:10:39,120 --> 00:10:42,000 Speaker 2: Robin in Eastwick Park says her older brother has been 224 00:10:42,040 --> 00:10:44,320 Speaker 2: a strange for over thirty years and she just does 225 00:10:44,400 --> 00:10:47,320 Speaker 2: not know why. And he doesn't know that several family 226 00:10:47,360 --> 00:10:51,840 Speaker 2: members have died. She tried contacting him when their father 227 00:10:51,920 --> 00:10:54,199 Speaker 2: died through public trustees, but nothing so gathered. 228 00:10:54,240 --> 00:10:55,520 Speaker 4: He wants nothing to do with her. 229 00:10:55,679 --> 00:11:00,360 Speaker 2: She knows he's around Fremantle somewhere, so you know, so place, 230 00:11:00,440 --> 00:11:03,760 Speaker 2: but so far, and it's tough because she does not 231 00:11:03,960 --> 00:11:04,440 Speaker 2: know why. 232 00:11:04,679 --> 00:11:07,920 Speaker 3: Yeah, that's that happens a lot. Yeah, or sometimes it's 233 00:11:07,920 --> 00:11:11,400 Speaker 3: a tiny little thing that happens, family get together or 234 00:11:11,400 --> 00:11:13,439 Speaker 3: a Christmas Day or something. Then that just becomes a 235 00:11:13,480 --> 00:11:15,840 Speaker 3: grudge that becomes too big for people to mend. The 236 00:11:15,840 --> 00:11:17,520 Speaker 3: bridges very very sad. 237 00:11:17,679 --> 00:11:19,559 Speaker 4: Richard and Coobler, Hello, welcome. 238 00:11:19,360 --> 00:11:20,120 Speaker 8: Richard, good morning. 239 00:11:20,160 --> 00:11:21,120 Speaker 7: Are you guys going good? 240 00:11:21,280 --> 00:11:21,480 Speaker 4: Jay? 241 00:11:21,480 --> 00:11:23,280 Speaker 3: Goodbye? We thought we'd open the phones on this one today. 242 00:11:23,320 --> 00:11:24,000 Speaker 3: What's your story? 243 00:11:24,320 --> 00:11:28,360 Speaker 7: So that passed away in twenty ten and ever since then, 244 00:11:28,440 --> 00:11:33,560 Speaker 7: it's almost like the family never reconnected after that, you know, 245 00:11:33,679 --> 00:11:38,200 Speaker 7: with family Christmas, birthdays, and I kind of put it 246 00:11:38,280 --> 00:11:42,560 Speaker 7: down to just before he's passing to social media and 247 00:11:42,760 --> 00:11:47,400 Speaker 7: joining social media, these family members or just more inclined to, 248 00:11:48,280 --> 00:11:51,240 Speaker 7: you know, just track you on social media these days 249 00:11:52,120 --> 00:11:54,560 Speaker 7: then rather reaching out and you know. 250 00:11:55,280 --> 00:11:58,319 Speaker 3: Trying to get having physical catchups. 251 00:11:59,400 --> 00:11:59,679 Speaker 1: Yeah. 252 00:12:00,120 --> 00:12:03,600 Speaker 7: It so I've brought it down to that. And you know, 253 00:12:03,760 --> 00:12:09,440 Speaker 7: after he's passing, I've only got one sibling. Yeah, we 254 00:12:09,679 --> 00:12:11,720 Speaker 7: kind of just reach out to each other as social 255 00:12:11,800 --> 00:12:16,720 Speaker 7: media these days. Yeah, life has it that technology has 256 00:12:16,760 --> 00:12:22,320 Speaker 7: also kind of pushed those regular catch ups to just 257 00:12:22,440 --> 00:12:24,880 Speaker 7: you know, logging into your social media and seeing what 258 00:12:24,960 --> 00:12:27,280 Speaker 7: your siblings and family members are doing. 259 00:12:27,320 --> 00:12:29,240 Speaker 3: I think it's a bit sad, is it. 260 00:12:30,559 --> 00:12:31,119 Speaker 1: Yeah. 261 00:12:31,440 --> 00:12:34,160 Speaker 2: I mean it's great obviously if you're not living in 262 00:12:34,200 --> 00:12:35,240 Speaker 2: the same town of course. 263 00:12:35,320 --> 00:12:37,439 Speaker 3: Yeah. Yeah, for different countries or whatever. 264 00:12:37,520 --> 00:12:38,200 Speaker 4: Thanks Richard. 265 00:12:38,520 --> 00:12:39,319 Speaker 3: Thanks, I appreciate that. 266 00:12:39,679 --> 00:12:40,520 Speaker 4: Worries's good. 267 00:12:41,040 --> 00:12:41,480 Speaker 7: Good day there. 268 00:12:41,600 --> 00:12:44,560 Speaker 2: Yeah, Richard just touched on it then about you know, 269 00:12:44,600 --> 00:12:47,720 Speaker 2: when dad died. That's when it sort of started. I 270 00:12:47,760 --> 00:12:49,560 Speaker 2: think we have to be so aware of this fact 271 00:12:49,600 --> 00:12:52,520 Speaker 2: that it does seem to be the parents there that 272 00:12:52,679 --> 00:12:55,400 Speaker 2: keep it together. And you know, if you're not aware 273 00:12:55,400 --> 00:12:57,920 Speaker 2: of it, maybe then it'll get away from you. 274 00:12:58,000 --> 00:12:59,920 Speaker 4: But if we stay away aware of it. 275 00:13:00,080 --> 00:13:01,920 Speaker 3: Yeah, it is bizarre. I mean I had an inkling 276 00:13:01,920 --> 00:13:04,240 Speaker 3: when Mum was sick, I thought, well, that doesn't happen then. 277 00:13:04,280 --> 00:13:06,200 Speaker 3: It's so I was still seeing my sister's every now 278 00:13:06,200 --> 00:13:08,199 Speaker 3: and then. But it is quite bizarre that the bros 279 00:13:08,200 --> 00:13:09,920 Speaker 3: decided not to be in touch at all. It's like 280 00:13:09,960 --> 00:13:12,400 Speaker 3: this radio silence, which is really quite odd. 281 00:13:12,840 --> 00:13:14,800 Speaker 4: It is sad. This isn't the cheeriest of. 282 00:13:14,760 --> 00:13:17,920 Speaker 3: Topics, you know, it's not. I was just showing a 283 00:13:17,920 --> 00:13:18,640 Speaker 3: bit of shade. 284 00:13:18,360 --> 00:13:19,920 Speaker 4: With their lights, but it is. 285 00:13:20,040 --> 00:13:23,880 Speaker 2: You know, it is interesting how many people are dealing 286 00:13:23,920 --> 00:13:24,240 Speaker 2: with it. 287 00:13:24,320 --> 00:13:26,520 Speaker 4: Paul In Ball Davis says. 288 00:13:26,800 --> 00:13:28,839 Speaker 2: Dad does in two thousand and five, Mum in twenty 289 00:13:28,840 --> 00:13:32,200 Speaker 2: twenty one, and my sister doctored mum's will to cut 290 00:13:32,240 --> 00:13:32,840 Speaker 2: my brother. 291 00:13:32,640 --> 00:13:33,360 Speaker 4: And me out. 292 00:13:33,640 --> 00:13:35,120 Speaker 3: Your money gets in the way, so there's. 293 00:13:34,960 --> 00:13:38,320 Speaker 2: We won eventually, but haven't had contact with it since 294 00:13:38,400 --> 00:13:41,440 Speaker 2: and not going to There's no money does awful things. 295 00:13:41,480 --> 00:13:44,439 Speaker 3: You hear about it so much too, that it changes 296 00:13:44,480 --> 00:13:48,160 Speaker 3: people and yeah, awful, let's go to Bundury good IDAs. 297 00:13:48,720 --> 00:13:50,080 Speaker 8: Hey ho change hi? 298 00:13:52,400 --> 00:13:53,199 Speaker 1: Yeah that. 299 00:13:53,280 --> 00:13:56,240 Speaker 8: When I first came there about twenty five actually about 300 00:13:56,440 --> 00:14:02,040 Speaker 8: thirty years ago, it was no internet, no mobile phones 301 00:14:02,280 --> 00:14:04,400 Speaker 8: or anything like that, and I was sitting at Worsley 302 00:14:04,440 --> 00:14:06,400 Speaker 8: a place I worked and I'm sitting with a guy 303 00:14:06,720 --> 00:14:09,200 Speaker 8: and he came out with I haven't spoke to my 304 00:14:09,240 --> 00:14:12,640 Speaker 8: brother in three years, and I never I grew up 305 00:14:12,679 --> 00:14:16,880 Speaker 8: in Ireland and families really stick there, like, yeah, the 306 00:14:16,960 --> 00:14:19,920 Speaker 8: bond is real strong. And I literally turned around to him. 307 00:14:19,960 --> 00:14:23,320 Speaker 8: My first comment was why is he on a mission 308 00:14:23,440 --> 00:14:26,600 Speaker 8: in Africa? That was the only thing that jumps into 309 00:14:26,680 --> 00:14:30,920 Speaker 8: my head because I couldn't understand any reason whatsoever for 310 00:14:31,040 --> 00:14:34,960 Speaker 8: not chalking to your brother or sister. And I how 311 00:14:35,080 --> 00:14:37,320 Speaker 8: to say this because I love Australia and I love 312 00:14:37,360 --> 00:14:40,760 Speaker 8: Australian people, but I think there is a family breakdown 313 00:14:40,840 --> 00:14:43,480 Speaker 8: here because every second person he speaks to, he says 314 00:14:43,520 --> 00:14:45,840 Speaker 8: and on speak to my mom, my dad, or my 315 00:14:45,880 --> 00:14:48,320 Speaker 8: brother or my sister. There seems to me and I've 316 00:14:48,400 --> 00:14:51,440 Speaker 8: never heard that ever growing up. I've got a brother 317 00:14:51,600 --> 00:14:53,880 Speaker 8: I do not get on with, but I still love 318 00:14:54,000 --> 00:14:57,560 Speaker 8: him unconditionally. And when we know this, I we're best 319 00:14:57,600 --> 00:15:02,000 Speaker 8: friends because I love him. We don't really see I too. 320 00:15:02,040 --> 00:15:05,560 Speaker 8: Why but I've got other brothers who I'm super close with. Yeah, 321 00:15:05,560 --> 00:15:06,720 Speaker 8: I just don't understand that. 322 00:15:06,640 --> 00:15:07,840 Speaker 3: That's what I wanted to bring it up today is 323 00:15:07,880 --> 00:15:09,160 Speaker 3: because all of a sudden, I found myself in that 324 00:15:09,200 --> 00:15:10,640 Speaker 3: bog where someone had sort of cut me off, and 325 00:15:10,640 --> 00:15:13,080 Speaker 3: I went, oh, I know so many people in this predicament, 326 00:15:13,080 --> 00:15:14,960 Speaker 3: and sometimes it's entire families just don't talk. 327 00:15:15,480 --> 00:15:19,000 Speaker 9: There's very It just blows my mind. And I'm not 328 00:15:19,120 --> 00:15:22,160 Speaker 9: like like being negative to us that I'm not like, 329 00:15:22,320 --> 00:15:26,040 Speaker 9: it's a beautiful, beautiful people, but there seems to be 330 00:15:26,160 --> 00:15:28,200 Speaker 9: a family breakdown for some reason. 331 00:15:28,280 --> 00:15:31,520 Speaker 8: And I have no idea what, but I literally thought 332 00:15:31,760 --> 00:15:33,440 Speaker 8: when he said that I don't talk to my brother, 333 00:15:33,760 --> 00:15:36,360 Speaker 8: that he must be somewhere where there's no inter the web, 334 00:15:36,400 --> 00:15:37,480 Speaker 8: there's no it's. 335 00:15:37,160 --> 00:15:38,560 Speaker 3: Gone on a space mission or something. 336 00:15:38,880 --> 00:15:41,480 Speaker 2: I guess, I mean, yeah, that would be my first 337 00:15:41,520 --> 00:15:43,760 Speaker 2: thought too, because I am the same. But I I 338 00:15:43,800 --> 00:15:46,600 Speaker 2: guess we're lucky, you and I, And I mean, I'm Australian, 339 00:15:46,640 --> 00:15:49,000 Speaker 2: so I don't think it's a naughty thing. But I'm 340 00:15:49,000 --> 00:15:51,520 Speaker 2: sure it happens in other countries as well. But it's 341 00:15:51,920 --> 00:15:54,680 Speaker 2: I guess we are lucky you and I. 342 00:15:54,920 --> 00:15:58,400 Speaker 8: Yeah, well yeah, I'm sure it does happen in other countries. 343 00:15:58,400 --> 00:16:01,840 Speaker 8: But you know, I moved here those twenty six and 344 00:16:01,880 --> 00:16:05,200 Speaker 8: I've never ever ever heard anybody saying that I do 345 00:16:05,280 --> 00:16:07,600 Speaker 8: not talk to my brother, my sister, or my mom 346 00:16:07,640 --> 00:16:12,600 Speaker 8: and dad. And I'm sorry, Yeah, it is already, don't shed. 347 00:16:12,840 --> 00:16:14,400 Speaker 3: Yeah, they really appreciate you. 348 00:16:14,480 --> 00:16:16,760 Speaker 4: Cool Debbie and Huntingdale, Good morning. 349 00:16:17,360 --> 00:16:19,600 Speaker 3: Good Morning's your story, deb. 350 00:16:20,960 --> 00:16:27,000 Speaker 5: So, nine years ago my dad passed away and ever 351 00:16:27,040 --> 00:16:29,640 Speaker 5: since then, my mid because I'm one of three girls, 352 00:16:29,680 --> 00:16:36,720 Speaker 5: I'm the eldest, my middle sister, she has always been 353 00:16:37,680 --> 00:16:42,680 Speaker 5: different from me and my younger sister, and when we 354 00:16:43,000 --> 00:16:47,800 Speaker 5: have had family advents or anything, she never attends, you know, 355 00:16:47,920 --> 00:16:50,520 Speaker 5: she just her in a family, they just I don't 356 00:16:50,560 --> 00:16:54,040 Speaker 5: know she from I was thinking, she she's a little 357 00:16:54,080 --> 00:16:54,680 Speaker 5: bit better. 358 00:16:54,440 --> 00:16:55,520 Speaker 1: Than the rest of us. 359 00:16:56,160 --> 00:16:58,160 Speaker 5: I don't know why. We were brought up exactly the 360 00:16:58,200 --> 00:17:05,680 Speaker 5: same way, you know. And when we had some eightyeth 361 00:17:05,800 --> 00:17:10,679 Speaker 5: birthday party last year, we you know, included Natalie, my 362 00:17:10,800 --> 00:17:15,520 Speaker 5: young my middle sister, and when we were all my 363 00:17:15,560 --> 00:17:18,919 Speaker 5: younger sister and I were organizing it, we contacted her 364 00:17:18,920 --> 00:17:23,119 Speaker 5: and she said, I will celebrate my mother's birthday with 365 00:17:23,280 --> 00:17:28,680 Speaker 5: my family. And when we heard that, I said, well, 366 00:17:28,720 --> 00:17:32,000 Speaker 5: we are your family. No, you are dead to me. 367 00:17:33,640 --> 00:17:35,919 Speaker 3: Heavy language, Yes, it was. 368 00:17:35,960 --> 00:17:40,480 Speaker 5: It was pretty big flap in the face actually, And 369 00:17:41,000 --> 00:17:44,520 Speaker 5: consequently we my younger sister and I. We have absolutely 370 00:17:44,560 --> 00:17:46,119 Speaker 5: nothing to do with her. She has nothing to do 371 00:17:46,200 --> 00:17:49,560 Speaker 5: with us or family or anything like that. And it's 372 00:17:49,560 --> 00:17:50,440 Speaker 5: breaks mom's. 373 00:17:50,160 --> 00:17:55,919 Speaker 3: Heart because that's the thing. Yeah, when you see your parents. 374 00:17:56,280 --> 00:18:00,280 Speaker 5: M Yeah, well they passed away nine years ago, so 375 00:18:00,040 --> 00:18:03,400 Speaker 5: it kind of all started from around there and it's. 376 00:18:03,240 --> 00:18:04,240 Speaker 3: Just happens a lot. 377 00:18:05,160 --> 00:18:07,560 Speaker 4: Obviously she's offered Mum no explanation either. 378 00:18:08,520 --> 00:18:14,919 Speaker 5: No, no, it is. It's very sad and it's you know, 379 00:18:15,080 --> 00:18:18,000 Speaker 5: Mum's got three girls and she's got six grand daughters 380 00:18:18,160 --> 00:18:24,480 Speaker 5: and that great grandchildren. So yeah, but you know she 381 00:18:24,520 --> 00:18:29,560 Speaker 5: doesn't have She only sees my middle sister. When there's 382 00:18:29,560 --> 00:18:32,560 Speaker 5: nobody else around. She will come down from where she lives. 383 00:18:32,760 --> 00:18:37,399 Speaker 3: Okay, yeah, but you'll. 384 00:18:37,280 --> 00:18:39,480 Speaker 5: Have nothing to do with me or my younger sister. 385 00:18:39,760 --> 00:18:41,919 Speaker 3: It's always weird, isn't it the common thing there with 386 00:18:42,040 --> 00:18:43,440 Speaker 3: people you have no idea why. 387 00:18:43,560 --> 00:18:45,560 Speaker 2: Well, that's the I mean, that's the hard that, that's 388 00:18:45,560 --> 00:18:47,080 Speaker 2: the bit that's so hard to reconcile. 389 00:18:47,400 --> 00:18:49,159 Speaker 4: You need to know why. 390 00:18:49,680 --> 00:18:51,000 Speaker 3: Very odden it. 391 00:18:51,800 --> 00:18:54,720 Speaker 5: You know, it hurts me, but I think it helps. 392 00:18:54,480 --> 00:18:57,440 Speaker 4: My mum way way more and that hurts you as well. 393 00:18:58,040 --> 00:19:02,600 Speaker 2: So you know, don't go anywhere, dep because I have 394 00:19:02,640 --> 00:19:04,080 Speaker 2: to tell you where all the names have gone in 395 00:19:04,119 --> 00:19:07,760 Speaker 2: a hat today and yours indeed is the one to 396 00:19:07,960 --> 00:19:09,480 Speaker 2: win the tickets. 397 00:19:11,200 --> 00:19:13,800 Speaker 3: Yees, So yeah you are, yeah, you are a little. 398 00:19:13,520 --> 00:19:16,440 Speaker 2: Bit of a you know, nicer bit of news off 399 00:19:16,480 --> 00:19:19,280 Speaker 2: the back of a sad story. You won the two 400 00:19:19,320 --> 00:19:21,560 Speaker 2: tickets to see Soft Cell perform in Australia for the 401 00:19:21,640 --> 00:19:25,960 Speaker 2: very first time Riverside Theater April tenth, twenty twenty five. 402 00:19:26,040 --> 00:19:30,120 Speaker 2: Tickets are on sound now at destroyallines dot com. 403 00:19:30,200 --> 00:19:33,159 Speaker 5: Oh thank you. 404 00:19:31,240 --> 00:19:35,479 Speaker 3: Oh yeah, pleasure dab and enjoy the gig and all 405 00:19:35,480 --> 00:19:36,920 Speaker 3: the very best to you and thanks for your story 406 00:19:36,920 --> 00:19:37,320 Speaker 3: this morning. 407 00:19:37,640 --> 00:19:38,680 Speaker 4: Yeah, next step. 408 00:19:38,800 --> 00:19:41,159 Speaker 3: Not always easy to tell her that, yeah yeah, and 409 00:19:41,200 --> 00:19:42,000 Speaker 3: thanks for everyone. 410 00:19:41,800 --> 00:19:46,200 Speaker 4: Who's thanks yes, thanks for everyone for your stories. It's 411 00:19:46,240 --> 00:19:50,600 Speaker 4: hard and very tough. You know, never know, maybe something might. 412 00:19:50,760 --> 00:19:51,920 Speaker 3: Come of it, might come of it. We were a 413 00:19:51,920 --> 00:19:53,840 Speaker 3: couple of months from Chrissy seeing yeah you never know 414 00:19:54,400 --> 00:19:55,560 Speaker 3: more Clezy. 415 00:19:55,440 --> 00:20:02,639 Speaker 2: More Lisa, more podcasts soon, there's sure report on ninety 416 00:20:02,680 --> 00:20:07,080 Speaker 2: six averm Tom Holland is going to start in Christopher 417 00:20:07,080 --> 00:20:09,439 Speaker 2: Nolan's next feature, joining Matt Damon. 418 00:20:09,680 --> 00:20:10,760 Speaker 4: And that is about all we. 419 00:20:10,800 --> 00:20:14,560 Speaker 2: Know because it is all very top secret other than 420 00:20:14,640 --> 00:20:18,040 Speaker 2: Nolan is directing and he's written the script. Plot details 421 00:20:18,080 --> 00:20:20,679 Speaker 2: have been kept under wrap. Sources have confirmed just that 422 00:20:20,760 --> 00:20:23,800 Speaker 2: the setting is not present day, but I don't know 423 00:20:23,840 --> 00:20:27,320 Speaker 2: if it's past day or future day. And one thing 424 00:20:27,320 --> 00:20:29,280 Speaker 2: we do know is it has a release date of 425 00:20:29,359 --> 00:20:31,000 Speaker 2: July twenty twenty six. 426 00:20:31,320 --> 00:20:32,320 Speaker 3: Why so much secrecy? 427 00:20:32,480 --> 00:20:37,040 Speaker 2: July the seventeenth to me, So that's pretty precise. Tom Holland, 428 00:20:37,040 --> 00:20:39,639 Speaker 2: did you see him in the crowded room that was 429 00:20:39,680 --> 00:20:40,359 Speaker 2: on Apple? 430 00:20:40,640 --> 00:20:40,800 Speaker 1: No? 431 00:20:40,880 --> 00:20:42,320 Speaker 3: I haven't seen that Apple. 432 00:20:42,560 --> 00:20:43,360 Speaker 4: He is fantastic. 433 00:20:43,400 --> 00:20:44,280 Speaker 3: He's wonderful, isn't he. 434 00:20:44,280 --> 00:20:46,200 Speaker 2: He's so much more than just what is his Spider 435 00:20:46,280 --> 00:20:49,720 Speaker 2: Man or something? Yeah, he's a really good actor. Carrie 436 00:20:49,880 --> 00:20:52,919 Speaker 2: is becoming a TV series. An eight episode series is 437 00:20:52,920 --> 00:20:55,879 Speaker 2: in the works. Carrie's first She first skeeted the Pat's 438 00:20:55,880 --> 00:20:58,720 Speaker 2: office in nineteen seventy six, with Sissy Spacek in the 439 00:20:58,800 --> 00:21:00,399 Speaker 2: lead role. I think that might have read made it, 440 00:21:00,440 --> 00:21:01,080 Speaker 2: but I didn't. 441 00:21:01,320 --> 00:21:02,840 Speaker 3: Yeah, I believe so do it. 442 00:21:03,280 --> 00:21:06,679 Speaker 2: I think Sissy would be hard to beat the pigs Blood. 443 00:21:07,200 --> 00:21:10,400 Speaker 2: Netflix will need to make a decision regarding an upcoming 444 00:21:10,440 --> 00:21:12,719 Speaker 2: show that had Liam Payne at the helm. The series 445 00:21:12,760 --> 00:21:15,000 Speaker 2: building the band is thought to be the one Direction 446 00:21:15,480 --> 00:21:18,560 Speaker 2: Star's last major TV project before he died last week, 447 00:21:18,600 --> 00:21:22,120 Speaker 2: falling from a hotel balcony in Argentina. Netflix green lit 448 00:21:22,160 --> 00:21:24,600 Speaker 2: the music competition series back in May, and I believe. 449 00:21:24,359 --> 00:21:25,600 Speaker 4: Filming on it has wrapped. 450 00:21:26,359 --> 00:21:29,399 Speaker 2: So he serves as one of the mentors alongside Nicole 451 00:21:29,480 --> 00:21:36,680 Speaker 2: sherving Shervington, a couple of other people that's not Matt Sister, 452 00:21:38,000 --> 00:21:41,520 Speaker 2: the girl from the pussy Cat Dolls. Yeah, they're mentors 453 00:21:41,520 --> 00:21:45,199 Speaker 2: to contestants trying to put bands together. So that was 454 00:21:45,240 --> 00:21:47,560 Speaker 2: about to go into pre production. I'll have to make 455 00:21:47,560 --> 00:21:50,520 Speaker 2: a decision on what they're going to do with it. Well, men, 456 00:21:50,880 --> 00:21:52,280 Speaker 2: they aired Master Chef. 457 00:21:52,520 --> 00:21:55,040 Speaker 3: I was going to say that you died, and there's 458 00:21:55,040 --> 00:21:58,840 Speaker 3: a Bakop show on now with one of the comedians 459 00:21:58,880 --> 00:22:01,920 Speaker 3: passed away. Is it Cat? Yeah. 460 00:22:02,000 --> 00:22:05,960 Speaker 2: Michael Harry O Harris, co founder of Death Row Records, 461 00:22:06,000 --> 00:22:08,960 Speaker 2: is in talks with Denzel Washington to bring his story 462 00:22:09,000 --> 00:22:11,199 Speaker 2: to life. Harry Oh says his journey from the streets 463 00:22:11,240 --> 00:22:13,399 Speaker 2: to the cell and back again he was pardoned by 464 00:22:13,440 --> 00:22:15,760 Speaker 2: Donald Trump a couple of years ago, will be told 465 00:22:15,760 --> 00:22:18,600 Speaker 2: by his friend Denzel and that, along with Snoop Dogg 466 00:22:18,720 --> 00:22:21,159 Speaker 2: and Death Row Films. He's working. He's been working on 467 00:22:21,200 --> 00:22:24,959 Speaker 2: the most comprehensive documentary ever created about Death Row records. 468 00:22:25,000 --> 00:22:27,639 Speaker 2: It is an interesting story. It gave ras to that 469 00:22:27,720 --> 00:22:31,920 Speaker 2: whole East coast, West coast. Hoo ha ah. I'm sure 470 00:22:31,960 --> 00:22:36,640 Speaker 2: I'd love be calling it a Harrio says he's been 471 00:22:36,680 --> 00:22:39,680 Speaker 2: working on his story for a long time and he's stressed. 472 00:22:39,720 --> 00:22:44,000 Speaker 2: He wants it to be a cautionary tale. I love 473 00:22:44,160 --> 00:22:48,639 Speaker 2: Denzel Washington. I think he will actually make this very interesting. 474 00:23:00,400 --> 00:23:02,879 Speaker 4: Leases the story behind the album. 475 00:23:03,320 --> 00:23:05,840 Speaker 2: So it's hard to believe that was nineteen eighty six 476 00:23:06,119 --> 00:23:09,280 Speaker 2: that Whispering Jack came out. The twelfth studio album by 477 00:23:09,359 --> 00:23:12,960 Speaker 2: John Farnham, released on the twenty ninth of September nineteen 478 00:23:13,040 --> 00:23:15,400 Speaker 2: eighty six, peaking at number one on the Australian Kent 479 00:23:15,520 --> 00:23:19,520 Speaker 2: Music Reports Report Albums chart. It became the second biggest 480 00:23:19,520 --> 00:23:23,200 Speaker 2: selling album in Australia, behind only Meatloafs album Bat Out 481 00:23:23,200 --> 00:23:25,879 Speaker 2: of Hell, and the highest selling album in Australia by 482 00:23:25,920 --> 00:23:28,680 Speaker 2: an Australian artist. It remains the third best selling album 483 00:23:28,720 --> 00:23:31,359 Speaker 2: of all time in Australia because Shana Twain came along 484 00:23:31,400 --> 00:23:33,600 Speaker 2: with her Oh Really Tight Pants. 485 00:23:33,400 --> 00:23:37,359 Speaker 3: On Brad Pitt brad. 486 00:23:37,520 --> 00:23:39,879 Speaker 4: Well that carry on, wasn't it. 487 00:23:40,200 --> 00:23:43,040 Speaker 2: But anyway, that's another album for another day. 488 00:23:43,119 --> 00:23:45,919 Speaker 3: What a phenomenon it was. It's just incredible, wasn't it. 489 00:23:46,320 --> 00:23:49,359 Speaker 2: Well, as we said prior to this, because Glenn Wheatley 490 00:23:49,359 --> 00:23:51,520 Speaker 2: mortgaged the home to raise the funds for recording of 491 00:23:51,560 --> 00:23:51,880 Speaker 2: the album. 492 00:23:52,040 --> 00:23:56,040 Speaker 10: Such was his belief because fans he was broke, so broke. Yeah, 493 00:23:56,119 --> 00:23:58,440 Speaker 10: it was incredible. I may you think about it. After 494 00:23:58,520 --> 00:24:00,720 Speaker 10: he was the king of pop and say Cleaning eighty 495 00:24:00,760 --> 00:24:03,040 Speaker 10: all that stuff. By the mid eighties John was playing 496 00:24:03,040 --> 00:24:05,360 Speaker 10: pub gigs, doing Bob c Could covers and stuff like that. 497 00:24:05,400 --> 00:24:08,040 Speaker 2: What happened there was so bad. There was some bad 498 00:24:08,280 --> 00:24:09,800 Speaker 2: sort of decisions. 499 00:24:10,040 --> 00:24:10,280 Speaker 1: Yeah. 500 00:24:10,480 --> 00:24:14,160 Speaker 2: Financially yeah, yeah, not the best advice, not the best advice. 501 00:24:14,520 --> 00:24:16,639 Speaker 3: He wasn't playing big gigs, he was playing small gigs. 502 00:24:16,640 --> 00:24:18,480 Speaker 3: And even have a listen to this, this is how 503 00:24:18,520 --> 00:24:19,399 Speaker 3: broke John Farne was. 504 00:24:19,520 --> 00:24:20,320 Speaker 4: I had to sell everything. 505 00:24:20,320 --> 00:24:23,520 Speaker 9: I had to sell my house and my car. 506 00:24:25,560 --> 00:24:27,399 Speaker 4: And we didn't have durribly lunch to begin with. 507 00:24:27,760 --> 00:24:30,320 Speaker 3: Yeah, hard to believe, it really hard to believe. Indeed, 508 00:24:30,440 --> 00:24:33,040 Speaker 3: And you talk about that relationship with Glenn Weekley, those 509 00:24:33,080 --> 00:24:35,480 Speaker 3: two were so tight and how many times have you 510 00:24:35,560 --> 00:24:36,680 Speaker 3: saved one another's But. 511 00:24:38,600 --> 00:24:41,960 Speaker 6: I mean he got me when I knew Whispering Jack 512 00:24:42,560 --> 00:24:44,119 Speaker 6: here Jas. 513 00:24:44,200 --> 00:24:46,040 Speaker 4: You lived to that album and you're pretty solid. 514 00:24:46,080 --> 00:24:49,480 Speaker 8: Actually gone, that was a big one. 515 00:24:49,760 --> 00:24:50,960 Speaker 3: Why did you keep backing him? 516 00:24:51,880 --> 00:24:54,840 Speaker 6: I mean probably, well, mainly because I believed in him, 517 00:24:56,400 --> 00:24:59,560 Speaker 6: and mostly because his boyfriend and Gwen. 518 00:24:59,640 --> 00:25:01,680 Speaker 3: When John couldn't get a record deal. 519 00:25:02,080 --> 00:25:03,120 Speaker 1: What made you. 520 00:25:03,040 --> 00:25:04,560 Speaker 6: Believe that he had. 521 00:25:04,400 --> 00:25:06,680 Speaker 1: The talent when a lot of other people didn't think 522 00:25:06,680 --> 00:25:07,000 Speaker 1: he had it. 523 00:25:07,480 --> 00:25:10,920 Speaker 11: I just think that John threw not a good advice, 524 00:25:11,240 --> 00:25:12,720 Speaker 11: just lost a little bit of direction. 525 00:25:12,880 --> 00:25:15,119 Speaker 3: He never lost his talent, He's so true. 526 00:25:15,240 --> 00:25:18,240 Speaker 2: It all happened fairly quickly, really, because it was nineteen 527 00:25:18,280 --> 00:25:22,120 Speaker 2: eighty five. Farnham was still in the Little Riverband. When 528 00:25:22,119 --> 00:25:24,520 Speaker 2: he started collecting a song list for a future album. 529 00:25:24,520 --> 00:25:26,680 Speaker 2: He just had this germ of an idea of I'm 530 00:25:26,840 --> 00:25:28,639 Speaker 2: going to, you know, make this album that's going to 531 00:25:28,640 --> 00:25:32,280 Speaker 2: go on to be just a huge piece of Australian 532 00:25:32,320 --> 00:25:36,119 Speaker 2: album history. It was an early nineteen eighty six that 533 00:25:36,240 --> 00:25:39,199 Speaker 2: sound engineer Ross Fraser suggested to Glenn Wheatley it was 534 00:25:39,200 --> 00:25:42,440 Speaker 2: time to start working on said solo album, and that's 535 00:25:42,680 --> 00:25:44,800 Speaker 2: when they searched in vain for a producer and record 536 00:25:44,880 --> 00:25:48,320 Speaker 2: label willing to work with Farnham. They couldn't, so Fraser 537 00:25:48,320 --> 00:25:51,160 Speaker 2: took on the producer role, and that's why Wheatley provided 538 00:25:51,160 --> 00:25:52,200 Speaker 2: that financial support. 539 00:25:52,320 --> 00:25:54,160 Speaker 3: Isn't hard to believe too. We look at the success 540 00:25:54,160 --> 00:25:55,879 Speaker 3: of it now, the sales and the history and all 541 00:25:55,880 --> 00:25:57,719 Speaker 3: the rest of it, and how it's such an iconic album. 542 00:25:57,760 --> 00:26:00,480 Speaker 3: But even John wasn't sure whether he could believe in 543 00:26:00,560 --> 00:26:01,399 Speaker 3: himself at that stage. 544 00:26:01,440 --> 00:26:03,440 Speaker 10: Well, he didn't a nervous wreck going to a lot, 545 00:26:03,640 --> 00:26:05,360 Speaker 10: as we saw in that amazing Doctor. 546 00:26:06,280 --> 00:26:08,480 Speaker 3: Show up and you mentioned LRB there. One of his 547 00:26:08,520 --> 00:26:12,240 Speaker 3: bandmates was David Hirschfelder, that musical genius who was for 548 00:26:12,359 --> 00:26:14,720 Speaker 3: many years part of his band and the musical director. 549 00:26:14,760 --> 00:26:17,439 Speaker 3: Really he is David talking about putting together you the voice. 550 00:26:17,440 --> 00:26:19,439 Speaker 12: We decided to go for the machine gun sort of 551 00:26:19,480 --> 00:26:25,960 Speaker 12: handclap effect as a sort of militaristic it's also celebratory tribalism. 552 00:26:26,320 --> 00:26:27,720 Speaker 12: I don't know what we were doing, but it just 553 00:26:28,880 --> 00:26:30,919 Speaker 12: all that sort of stuff seemed to feel right for 554 00:26:31,000 --> 00:26:31,960 Speaker 12: the lyric of the song. 555 00:26:33,560 --> 00:26:35,160 Speaker 3: But in the solo section. 556 00:26:35,240 --> 00:26:39,200 Speaker 12: My idea was pan pipes, all these pan pipes of 557 00:26:39,280 --> 00:26:42,639 Speaker 12: the Andes and I simulated them all on synthesizers and 558 00:26:42,760 --> 00:26:46,480 Speaker 12: samples of actual pan pipes as well, but John said, 559 00:26:46,800 --> 00:26:49,639 Speaker 12: it's something this think is just not quite lifting enough. 560 00:26:51,040 --> 00:26:52,400 Speaker 12: I know, bagpipes. 561 00:26:53,200 --> 00:26:58,760 Speaker 3: Wow, what a moment. Absolutely bagpipes. But it's just increating. 562 00:26:58,880 --> 00:26:59,560 Speaker 4: Yeah, they did. 563 00:27:00,200 --> 00:27:03,639 Speaker 2: And also because at that time John was still trying 564 00:27:03,640 --> 00:27:08,359 Speaker 2: to shed that Sadie the cleaning Lady Johnny Johnny Farnham's 565 00:27:08,440 --> 00:27:12,119 Speaker 2: sort of persona, and initially the public interest in the 566 00:27:12,160 --> 00:27:15,600 Speaker 2: rebranded former teen Ardor was difficult to cultivate and radio 567 00:27:15,600 --> 00:27:18,600 Speaker 2: stations refused to play him. So there was that great 568 00:27:18,640 --> 00:27:23,119 Speaker 2: story about them taking your voice into the Sydney radio 569 00:27:23,200 --> 00:27:24,440 Speaker 2: station two DAYFM. 570 00:27:24,600 --> 00:27:26,160 Speaker 4: And this is back in the days where you could 571 00:27:26,160 --> 00:27:26,639 Speaker 4: actually just. 572 00:27:26,720 --> 00:27:30,639 Speaker 2: Run into the studio with the song they play this now, 573 00:27:31,000 --> 00:27:34,080 Speaker 2: and they did, and mean the rest is history, and 574 00:27:34,119 --> 00:27:35,280 Speaker 2: that's that weird story. 575 00:27:35,320 --> 00:27:37,360 Speaker 3: It happens a few times where they go, we may 576 00:27:37,359 --> 00:27:39,560 Speaker 3: not even put the name of the artist on here, 577 00:27:39,800 --> 00:27:43,080 Speaker 3: so there's no bias. But the Wheatleys, even though they're 578 00:27:43,080 --> 00:27:45,280 Speaker 3: back John, they didn't really like the recording of your 579 00:27:45,320 --> 00:27:47,960 Speaker 3: the voice at the start. This is such an amazing story. 580 00:27:47,680 --> 00:27:50,080 Speaker 11: And we had a bottle of champagne we're going to 581 00:27:50,119 --> 00:27:52,840 Speaker 11: the studio and get ready to hear them. Okay, hit me, 582 00:27:53,240 --> 00:27:56,200 Speaker 11: plan to me and it left me flat. 583 00:27:57,000 --> 00:27:58,760 Speaker 10: Glen and I looked at each other and it was like, 584 00:27:59,440 --> 00:28:03,760 Speaker 10: that's not It wasn't quite and John looked at us, So. 585 00:28:03,880 --> 00:28:04,679 Speaker 3: You don't like it, do you? 586 00:28:05,080 --> 00:28:07,480 Speaker 4: I suppose it wasn't like the demo. He said, no, 587 00:28:07,600 --> 00:28:09,000 Speaker 4: but we've recorded it properly. 588 00:28:09,480 --> 00:28:11,359 Speaker 11: My problem is I thought that your vocal on the 589 00:28:11,400 --> 00:28:13,720 Speaker 11: demo was better than the vocals you've done on this. 590 00:28:13,920 --> 00:28:15,119 Speaker 4: And he was angry. 591 00:28:15,800 --> 00:28:19,000 Speaker 11: So he got very angry with me. Ross phrase that 592 00:28:19,160 --> 00:28:20,960 Speaker 11: I'm going out there and I'll sing it again. So 593 00:28:21,320 --> 00:28:24,800 Speaker 11: turn the lights out, turn the cans up well and 594 00:28:24,800 --> 00:28:26,480 Speaker 11: down people in the studio when I'm trying to sing, 595 00:28:26,520 --> 00:28:28,439 Speaker 11: because I get paranoid if you're probably laughing at me 596 00:28:28,440 --> 00:28:30,679 Speaker 11: to be talking about me, do you ought. 597 00:28:30,560 --> 00:28:34,960 Speaker 4: To bring understand? Make a knife of making cheap? 598 00:28:37,400 --> 00:28:40,560 Speaker 11: And he sang the living hell out of that. 599 00:28:40,600 --> 00:28:44,120 Speaker 10: Song, and the hiss on our arms in the back 600 00:28:44,160 --> 00:28:46,640 Speaker 10: of our necks came up and it was like, that's 601 00:28:46,680 --> 00:28:47,720 Speaker 10: the song I. 602 00:28:47,760 --> 00:28:52,840 Speaker 3: Got him, Now I got the lazy Isn't it worse story. 603 00:28:52,880 --> 00:28:56,120 Speaker 2: When when your album becomes your alter ego WHI scream Jack. 604 00:28:56,240 --> 00:28:58,200 Speaker 4: Yeah, that that says it all. 605 00:28:58,280 --> 00:28:59,720 Speaker 3: Really doesn't get much better, does it. 606 00:29:00,280 --> 00:29:03,280 Speaker 4: Crazzie and Lisa ninety six, AVEM