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Speaker 1: Jonesy and Amanda's.

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Speaker 2: Everybody Loves Deborah Mailman. We know her from Sapphire's Marbo

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Speaker 2: The Secret Life of Us Offspring. It's unexpected to see

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Speaker 2: her name next to a sci fi thriller.

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Speaker 1: How intriguing.

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Speaker 2: Deborah, Hello, good morning guys.

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Speaker 1: If you only saw me, I was just dancing around room.

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Speaker 1: Just then to Richard.

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Speaker 3: Must oh wow, good Richard, appreciate that, you know, Amanda says,

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Speaker 3: it's surprising to see you in a sci fi but

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Speaker 3: I see you as sci fi.

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Speaker 1: Look, it's something that I probably never thought i'd had

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Speaker 1: the opportunity to do. But yeah, it was amazing fun

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Speaker 1: to do. This production of twenty sixty seven, had a

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Speaker 1: great time. It was probably the one reason why I

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Speaker 1: said yes to it, because I haven't had that opportunity

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Speaker 1: really to be part of a production like this.

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Speaker 3: And the premise of this we're in the year twenty

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Speaker 3: sixty seven. Earth has been ravaged by climate change, and

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Speaker 3: humanity is forced to live on artificial oxygen, and a

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Speaker 3: mysterious illness is slowly killing the world's population, you know,

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Speaker 3: just with coronavirus. Do you think it's too soon?

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Speaker 1: Maybe we've had a hard year doing it. Yeah. Look,

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Speaker 1: I think what's really interesting about particularly with the genre

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Speaker 1: of sci fi and some of the films that have

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Speaker 1: been coming out over the last little while, is that

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Speaker 1: it's not so fantastical in terms of the idea of

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Speaker 1: the of the world that we're presenting. You know, the

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Speaker 1: idea that you know, climate change is devastating the world.

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Speaker 1: You know, for the last year, we've sort of been

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Speaker 1: faced with something that was unheard of. So I don't

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Speaker 1: think anything's too impossible.

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Speaker 2: At the moment, we were told the film is blade

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Speaker 2: Runner meets walk About how intriguing. Is that an accurate description?

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Speaker 1: I'm not sure. I'm not sure. I mean, like it's

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Speaker 1: Seth Lanney. He's our director. This has been a passionate

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Speaker 1: project of his for a very long time, and I

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Speaker 1: think he really wanted to use the genre of sci

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Speaker 1: fi to really have a deeper conversation around the idea

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Speaker 1: of if we could get ourselves a second chance, what

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Speaker 1: would we do to to to change the situation and

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Speaker 1: actually get to a point where you know, we're at

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Speaker 1: a point where the damage is irreversible.

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Speaker 2: Is this the first time you've been a blonde in

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Speaker 2: any production?

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Speaker 1: Actually? I want a blonde wig in Secret Life of Us.

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Speaker 1: I think one time, just the one time, just the

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Speaker 1: one time.

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Speaker 3: So in twenty sixty seven, is Richard Wilgan still on TV?

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Speaker 3: Can you tell us that?

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Speaker 1: Of course he is, He's been.

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Speaker 2: What is he?

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Speaker 1: Richard Richard's just he's always going to be there, And.

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Speaker 2: Keith Richards is still alive. I'm assuming of course everyone.

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Speaker 1: Yes, I think. I think that's the thing about what's

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Speaker 1: going on. We don't know. Of course, hopefully we get

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Speaker 1: the opportunity that we just keep living.

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Speaker 2: Absolutely those people have formaldehyde in veins.

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Speaker 3: Well, I see you as miss sci Fi from now

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Speaker 3: on this blonde, Miss blonde sci.

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Speaker 1: Fi Blonde, that's you. I love it.

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Speaker 3: The Australian sci fi thriller twenty sixty seven is available

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Speaker 3: on Netflix tomorrow. Deb, it's great to talk to you.

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Speaker 1: Thank you for catching up, pleasure.

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Speaker 2: Thank you so much, Shanks, Deb Jonesy and Amanda's Samnation