1 00:00:00,200 --> 00:00:05,040 Speaker 1: Jersey and Amanda gam Nation. I think most Sydney Siders 2 00:00:05,120 --> 00:00:07,680 Speaker 1: love the idea that a movie's being made in our city. 3 00:00:07,800 --> 00:00:10,000 Speaker 1: I think, do you think I would imagine we feel 4 00:00:10,000 --> 00:00:12,960 Speaker 1: a bit of pride. Well, how do you feel that 5 00:00:13,039 --> 00:00:16,120 Speaker 1: Ryan Gosling, playing the fore guy has closed down? Well 6 00:00:16,160 --> 00:00:19,239 Speaker 1: he did in himself. The production closed down the Harbor 7 00:00:19,280 --> 00:00:22,840 Speaker 1: Bridge on Sunday from three am to ten am. The 8 00:00:22,880 --> 00:00:25,160 Speaker 1: cycle way and footpath were closed at various times. At 9 00:00:25,200 --> 00:00:30,160 Speaker 1: Carl Expressway, walkway was closed at various times. Some people 10 00:00:30,240 --> 00:00:32,159 Speaker 1: are outrageding this and someone's saying, I wonder how much 11 00:00:32,200 --> 00:00:34,720 Speaker 1: they paid the government for this. The reality is that 12 00:00:34,760 --> 00:00:37,839 Speaker 1: the government paid them. Did we pay them? Apparently? This 13 00:00:37,920 --> 00:00:39,680 Speaker 1: is what one of the stories is here. I haven't 14 00:00:39,720 --> 00:00:42,280 Speaker 1: had it verified that the New Southwales government paid one 15 00:00:42,320 --> 00:00:47,560 Speaker 1: point five million towards the film because this will bring 16 00:00:47,600 --> 00:00:51,200 Speaker 1: in tourism dollars. It will put eyes on the city 17 00:00:51,240 --> 00:00:55,040 Speaker 1: when the film's released. But people are complaining that, well 18 00:00:55,120 --> 00:00:58,560 Speaker 1: it's closed down the bridge. People all around the Harbor 19 00:00:58,600 --> 00:01:02,160 Speaker 1: are saying there were choppers all nine. It was very unpleasant. 20 00:01:02,640 --> 00:01:04,800 Speaker 1: Someone was saying what happens to the homeless people that 21 00:01:04,840 --> 00:01:07,240 Speaker 1: live under the bridge was any consideration given to people 22 00:01:07,280 --> 00:01:11,240 Speaker 1: who live around. They're not in great conditions. The last 23 00:01:11,240 --> 00:01:14,279 Speaker 1: memorable time a Hollywood blockbuster took to Sydney was twenty 24 00:01:14,360 --> 00:01:20,360 Speaker 1: years ago when they were filming The Matrix and people 25 00:01:20,400 --> 00:01:23,959 Speaker 1: were thrilled. Now with such a city of winges, people 26 00:01:23,959 --> 00:01:24,839 Speaker 1: are complaining at. 27 00:01:24,720 --> 00:01:26,800 Speaker 2: A bit of a city of wines. I'm happy for it. 28 00:01:26,920 --> 00:01:29,399 Speaker 1: You love the film. Just anything about the Fall Guy. 29 00:01:29,600 --> 00:01:32,319 Speaker 1: You're obsessed with the Fall Guy is great? So the 30 00:01:32,360 --> 00:01:35,320 Speaker 1: Fall Guy? What's the story of the Fall Guy? Lee 31 00:01:35,640 --> 00:01:37,080 Speaker 1: Majors in the TV show? 32 00:01:37,200 --> 00:01:38,200 Speaker 2: He was in the TV. 33 00:01:38,120 --> 00:01:40,720 Speaker 1: Show and he was a stuntman, wasn't he? He was 34 00:01:40,760 --> 00:01:41,320 Speaker 1: a stuntman. 35 00:01:41,360 --> 00:01:42,760 Speaker 2: I'll let Lee explain it. 36 00:01:42,920 --> 00:01:45,759 Speaker 3: This is a story of one of America's great unsung 37 00:01:45,840 --> 00:01:48,640 Speaker 3: he wrote. I mean, you've seen him, but you never 38 00:01:48,720 --> 00:01:52,040 Speaker 3: knew who he was. You've cheered for him and cried 39 00:01:52,160 --> 00:01:55,520 Speaker 3: for him. Women have wanted to die for him. Did 40 00:01:55,520 --> 00:01:59,680 Speaker 3: he ever get any credit or the girl? No, he 41 00:01:59,800 --> 00:02:02,440 Speaker 3: was what we call a stuntman. And the reason I'm 42 00:02:02,440 --> 00:02:05,360 Speaker 3: talking so finely about him is well because it's me 43 00:02:05,840 --> 00:02:10,000 Speaker 3: cold Sievers. Anyway, picture work isn't wall to wall employment, 44 00:02:10,600 --> 00:02:14,560 Speaker 3: So maybe you wonder how a guy keeps his head together. Well. 45 00:02:14,560 --> 00:02:17,480 Speaker 3: One way is to wait by the phone and wait 46 00:02:18,000 --> 00:02:21,400 Speaker 3: and wait. The other is to take an occasional job. 47 00:02:21,440 --> 00:02:23,959 Speaker 3: For the court system of the United States of America, 48 00:02:24,440 --> 00:02:29,880 Speaker 3: a man is considered innocent until proven guilty. Unfortunately, sometimes 49 00:02:29,960 --> 00:02:31,800 Speaker 3: a lot of these people get out of jail on 50 00:02:31,880 --> 00:02:36,760 Speaker 3: what we call bail and they run like hell, that's 51 00:02:36,800 --> 00:02:37,480 Speaker 3: where I come in. 52 00:02:37,760 --> 00:02:40,400 Speaker 2: And then he goes into his song I'm kind. 53 00:02:40,360 --> 00:02:43,240 Speaker 3: To kiss and tell, but I've been seen with. 54 00:02:44,520 --> 00:02:49,320 Speaker 1: I've never been this? Was that the opening? Was that? 55 00:02:49,480 --> 00:02:52,600 Speaker 1: The opening title? Yeah, so every week. 56 00:02:52,480 --> 00:02:56,440 Speaker 2: You'd hear the the days when TV shows would explain 57 00:02:56,480 --> 00:02:59,440 Speaker 2: the whole premise in song, Killigan's Island, Jukes of Hazard, 58 00:03:00,040 --> 00:03:04,040 Speaker 2: all those shows with Beverly Hillbillies, the whole premise of 59 00:03:04,080 --> 00:03:05,600 Speaker 2: the show was explained in the song. 60 00:03:05,360 --> 00:03:09,480 Speaker 1: Imagine, the song for the TV show Lost, the song 61 00:03:09,560 --> 00:03:13,880 Speaker 1: saying I've got no idea, the blah blah married at 62 00:03:13,919 --> 00:03:18,560 Speaker 1: first sight, imagine beat me Well there, Yeah, so that's 63 00:03:18,600 --> 00:03:21,360 Speaker 1: the premise there, Yeah, Okay, that's the premise. 64 00:03:21,600 --> 00:03:22,919 Speaker 2: I like the idea of having a bit of a 65 00:03:23,000 --> 00:03:24,919 Speaker 2: side hustle. He just had a side hustle. I could 66 00:03:24,919 --> 00:03:27,160 Speaker 2: do this, I could I could go around and solve 67 00:03:27,200 --> 00:03:29,520 Speaker 2: crimes in the spare time. That could be something. 68 00:03:29,600 --> 00:03:31,000 Speaker 1: What would that be? You just want to go and 69 00:03:31,000 --> 00:03:33,560 Speaker 1: find chickens that have been left in trolleys? That what 70 00:03:33,680 --> 00:03:38,280 Speaker 1: a side hustle crimes to roast chicken? Yeah? Well, anyway, 71 00:03:38,320 --> 00:03:39,760 Speaker 1: so we might put this to the pub test a 72 00:03:39,800 --> 00:03:41,600 Speaker 1: little bit later on, because some people think that this 73 00:03:41,640 --> 00:03:44,400 Speaker 1: is great. Other people are outraged closing down the bridge 74 00:03:44,400 --> 00:03:44,920 Speaker 1: for the movie. 75 00:03:45,120 --> 00:03:46,600 Speaker 2: I think it's money well spent.