1 00:00:00,480 --> 00:00:02,040 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:02,800 --> 00:00:04,800 Speaker 2: Sam, let me just. 3 00:00:04,800 --> 00:00:07,280 Speaker 3: Rattle off some names to give you a clue about 4 00:00:07,320 --> 00:00:12,400 Speaker 3: our mix guests Ned Flanders, Principal Skinner, Kent Brockman, Mister Burns, 5 00:00:12,920 --> 00:00:16,760 Speaker 3: Dirt Simpson's characters, but their voices belong to one man, 6 00:00:16,840 --> 00:00:20,240 Speaker 3: Spinal Tap star Harry Shearer. As an added bonus, he 7 00:00:20,320 --> 00:00:23,800 Speaker 3: has brought in his equally talented wife, singer Judith Owen. 8 00:00:24,400 --> 00:00:26,880 Speaker 3: They are both performing around Australia at the moment. 9 00:00:26,960 --> 00:00:30,680 Speaker 1: Talk about a power couple. Welcome to you both, Judith. 10 00:00:30,720 --> 00:00:32,519 Speaker 1: This is the brains of the operation. Well I am 11 00:00:32,600 --> 00:00:33,320 Speaker 1: you were just saying that. 12 00:00:33,320 --> 00:00:34,600 Speaker 3: That's what she said to me before. 13 00:00:34,760 --> 00:00:36,720 Speaker 2: She's the star of the app Absolutely. 14 00:00:38,040 --> 00:00:40,360 Speaker 3: Is this unusual that you can both do stuff at 15 00:00:40,360 --> 00:00:41,000 Speaker 3: the same time. 16 00:00:41,320 --> 00:00:43,760 Speaker 4: Well, because I am on tour so much and Harry 17 00:00:43,840 --> 00:00:46,440 Speaker 4: is always busy working doing some incredible projects, so we 18 00:00:46,800 --> 00:00:48,880 Speaker 4: look for opportunities where we can actually get together. 19 00:00:49,080 --> 00:00:51,879 Speaker 1: And your album Rediscovered, so it's got you doing covers 20 00:00:51,920 --> 00:00:53,559 Speaker 1: of everyone. Yeah. 21 00:00:54,000 --> 00:00:57,440 Speaker 4: I describe it as being deep Purple to Drake and 22 00:00:57,440 --> 00:01:01,360 Speaker 4: everybody in between. And ultimately it's about songs that are very, 23 00:01:01,440 --> 00:01:03,520 Speaker 4: very famous that you think you know, but I've actually 24 00:01:03,520 --> 00:01:06,920 Speaker 4: reimagined and made about my life. You know, the way 25 00:01:06,920 --> 00:01:08,360 Speaker 4: that we all do with songs. You hear a song 26 00:01:08,400 --> 00:01:10,160 Speaker 4: and you identify with it and you put your own 27 00:01:10,200 --> 00:01:12,160 Speaker 4: life on it. And I've just taken it to a 28 00:01:12,240 --> 00:01:14,800 Speaker 4: much more extreme level. So some of these songs are 29 00:01:14,840 --> 00:01:18,680 Speaker 4: actually unrecognizable until you hit the chorus. But it's had 30 00:01:19,280 --> 00:01:23,560 Speaker 4: a resounding success throughout Europe and all over America. It's 31 00:01:23,560 --> 00:01:26,720 Speaker 4: been an amazing ride. And finally, finally I get to 32 00:01:26,720 --> 00:01:29,000 Speaker 4: release it in Australia, and Harry, you're in the band 33 00:01:29,040 --> 00:01:29,319 Speaker 4: as well. 34 00:01:29,360 --> 00:01:33,639 Speaker 2: Sometimes out I am on this tour judas substitute based player. 35 00:01:33,760 --> 00:01:35,800 Speaker 4: Really see, the thing is that people think because spinal 36 00:01:35,880 --> 00:01:38,840 Speaker 4: Tat was a comedy, that they surely can't play properly, 37 00:01:38,880 --> 00:01:40,640 Speaker 4: but they do, or the three of them. And Harry 38 00:01:40,720 --> 00:01:42,559 Speaker 4: is a great bass player, and he's the first person 39 00:01:42,560 --> 00:01:45,800 Speaker 4: that ever actually plays on my songs when I write them. 40 00:01:46,040 --> 00:01:47,720 Speaker 4: So the fact that he's come over and done this 41 00:01:47,760 --> 00:01:49,000 Speaker 4: along with a percussionist. 42 00:01:49,160 --> 00:01:51,200 Speaker 3: There have been so many musicians who have been part 43 00:01:51,240 --> 00:01:53,800 Speaker 3: of the Simpsons, and I think classically the way you 44 00:01:53,840 --> 00:01:55,920 Speaker 3: do it, you all sit around, you record it in 45 00:01:55,960 --> 00:01:56,920 Speaker 3: one hit, don't you wi? 46 00:01:57,120 --> 00:02:00,000 Speaker 2: We used to we used to. Times have changed. 47 00:02:01,040 --> 00:02:03,080 Speaker 3: What were some of the personalities from bands like the 48 00:02:03,160 --> 00:02:06,560 Speaker 3: Rolling Stones exception that you'd see yourself them playing themselves 49 00:02:06,560 --> 00:02:07,200 Speaker 3: in The Simpsons. 50 00:02:07,240 --> 00:02:10,200 Speaker 2: The only one that I ever was in the same 51 00:02:10,680 --> 00:02:13,160 Speaker 2: room with at the same time, and it's not a 52 00:02:13,200 --> 00:02:18,720 Speaker 2: minor occasion. It was Michael Jackson. He attended to read 53 00:02:18,760 --> 00:02:22,480 Speaker 2: through and then it came to do the recording session, 54 00:02:23,000 --> 00:02:27,919 Speaker 2: and there was this moment because we don't get told 55 00:02:27,960 --> 00:02:31,760 Speaker 2: everything that's going on. So we're reading the script. Michael 56 00:02:31,840 --> 00:02:37,880 Speaker 2: is sitting one person to my left, and Yardley Smith, 57 00:02:37,880 --> 00:02:42,840 Speaker 2: who plays lises between us and he's reading this character which, 58 00:02:42,880 --> 00:02:45,640 Speaker 2: if you remember the episode four hundred Pound Metal Patients 59 00:02:45,960 --> 00:02:49,440 Speaker 2: thinks he's Michael Jackson and he's reading his lines. And 60 00:02:49,480 --> 00:02:52,480 Speaker 2: then when he starts to sing this special version of Ben, 61 00:02:52,840 --> 00:02:56,400 Speaker 2: which new lyrics, he sits back and nods, and there's 62 00:02:56,400 --> 00:02:59,359 Speaker 2: a white guy sitting across the table who starts singing, 63 00:02:59,560 --> 00:03:03,760 Speaker 2: sounding like Michael Jackson singing Ben, and I whispered to Yardly, 64 00:03:04,520 --> 00:03:07,080 Speaker 2: I think we paid enough for the talking Michael Jackson, 65 00:03:07,120 --> 00:03:08,239 Speaker 2: but not enough for the singing. 66 00:03:08,280 --> 00:03:09,799 Speaker 3: Well do you think that's what happened? I? 67 00:03:10,639 --> 00:03:16,800 Speaker 2: Yes, Yeah, that's amazing. 68 00:03:14,360 --> 00:03:16,720 Speaker 3: Because even after that episode, I thought, was he the 69 00:03:16,760 --> 00:03:18,680 Speaker 3: whole thing an impersonator. 70 00:03:18,080 --> 00:03:18,440 Speaker 2: Or was it? 71 00:03:18,520 --> 00:03:18,600 Speaker 4: No? 72 00:03:19,000 --> 00:03:21,160 Speaker 2: It was it was him talking, not for the singing. No, 73 00:03:22,120 --> 00:03:23,280 Speaker 2: because that's where the money is. 74 00:03:24,120 --> 00:03:27,880 Speaker 1: Judith, what's your favorite voice character that Harry is done 75 00:03:27,919 --> 00:03:30,639 Speaker 1: throughout the Simpsons? 76 00:03:30,880 --> 00:03:37,080 Speaker 3: Because you do him at home, I can't afford it. 77 00:03:37,120 --> 00:03:40,680 Speaker 4: Mister Burns is such a delicious character that we can 78 00:03:40,720 --> 00:03:42,880 Speaker 4: all relate to. And we all know these people, and 79 00:03:42,920 --> 00:03:44,760 Speaker 4: we know a few few of them who are living 80 00:03:44,840 --> 00:03:49,720 Speaker 4: and very famous. It just this, you know, horrible, slimy, 81 00:03:50,440 --> 00:03:53,160 Speaker 4: wealthy boss. 82 00:03:53,560 --> 00:03:55,520 Speaker 2: We don't know anybody, We don't know anything about that. 83 00:03:55,800 --> 00:03:58,760 Speaker 4: And I just find the voice to be magnificent. I 84 00:03:58,800 --> 00:04:00,720 Speaker 4: love the love affair of one can call it that, 85 00:04:00,920 --> 00:04:02,240 Speaker 4: the name that you're not, you know, the love that 86 00:04:02,480 --> 00:04:05,520 Speaker 4: they not be repeated or whatever. With Smithers, I love 87 00:04:05,720 --> 00:04:07,400 Speaker 4: seeing him and when I used to go early on 88 00:04:07,520 --> 00:04:10,480 Speaker 4: to see the read throughs, that's what I found magnificent, 89 00:04:10,640 --> 00:04:14,080 Speaker 4: especially with Harry and and Hank Hank, Yeah, the way 90 00:04:14,080 --> 00:04:16,720 Speaker 4: that they would go between the similar voices. Harry has 91 00:04:16,720 --> 00:04:20,160 Speaker 4: conversations with himself constantly between Smithers and Burns, and it's 92 00:04:20,200 --> 00:04:23,160 Speaker 4: a remarkable thing to see. It's a real gift to 93 00:04:23,720 --> 00:04:26,240 Speaker 4: be a voice act to in this way. It's an 94 00:04:26,279 --> 00:04:26,920 Speaker 4: incredible thing. 95 00:04:27,200 --> 00:04:29,400 Speaker 1: Where the Simpsons at it hasn't finished. 96 00:04:29,080 --> 00:04:31,800 Speaker 2: That season thirty one is just over and we're doing 97 00:04:31,880 --> 00:04:33,320 Speaker 2: season it's. 98 00:04:33,160 --> 00:04:36,120 Speaker 1: Not good because you read reports and that's finishing. 99 00:04:35,720 --> 00:04:37,839 Speaker 2: And well we're finishing this contract. 100 00:04:38,040 --> 00:04:38,280 Speaker 1: Yep. 101 00:04:38,360 --> 00:04:41,520 Speaker 2: This is the last contract that happened under the good 102 00:04:41,760 --> 00:04:45,040 Speaker 2: people of Fox. And the next contract, if there is one, 103 00:04:45,080 --> 00:04:47,240 Speaker 2: will be with the good people of Disney. And you 104 00:04:47,279 --> 00:04:48,600 Speaker 2: know what I mean, but good people. 105 00:04:48,680 --> 00:04:55,240 Speaker 1: Good, right, they're great people. Actually they just bought us then, yeah, 106 00:04:55,440 --> 00:04:57,320 Speaker 1: love love So. 107 00:04:59,040 --> 00:05:02,599 Speaker 2: Knowing the Disney come neither way I do. They like 108 00:05:02,680 --> 00:05:04,799 Speaker 2: to get the most out of every piece of intellectual 109 00:05:04,800 --> 00:05:07,520 Speaker 2: property they have, so I'm sure we're not going away. 110 00:05:07,720 --> 00:05:10,280 Speaker 1: I hate to Sydney Opera House dot com events for 111 00:05:10,400 --> 00:05:13,160 Speaker 1: tickets to see Judith Owen live or catch Harry Shera 112 00:05:13,240 --> 00:05:16,000 Speaker 1: at Comedy Steps Up for the Pushfire Relief. Thank you 113 00:05:16,040 --> 00:05:17,960 Speaker 1: for joining us in the studio to 114 00:05:17,960 --> 00:05:21,200 Speaker 4: See you join the and Amanda in the morning on 115 00:05:21,040 --> 00:05:22,320 Speaker 4: a one point seven Tell You