WEBVTT - UNPACKED REALITY - MASTERCHEF AUSTRALIA - STEPH

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload.

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<v Speaker 2>The podcast last week Their Life.

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<v Speaker 1>Hey guys, welcome back to TV Reload. I want to

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<v Speaker 1>thank you for clicking and downloading on today's episode with

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<v Speaker 1>Steph the second elimin at a contestant from Master Chef

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<v Speaker 1>Australia for twenty twenty four, which is on Network ten

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<v Speaker 1>from Sunday through to Thursday nights at seven point thirty.

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<v Speaker 1>After making it into the Master Chef Australia Class of

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<v Speaker 1>twenty twenty four, Steph had proven to Australia that she

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<v Speaker 1>was a breath of fresh air, giving this competition her all.

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<v Speaker 1>She identifies as a savory girl through and through Steph

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<v Speaker 1>Cook's meat to perfection and loves creating high end dishes

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<v Speaker 1>inspired by favorite chefs like Jamie Oliver, Nigella Lawson, Ruth

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<v Speaker 1>Rogers and Mike Reid. Steph is on a mission in

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<v Speaker 1>the kitchen and in her future and hopes to host

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<v Speaker 1>exclusive pop up dining experiences. Steph reveals with me today

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<v Speaker 1>what was really going on inside her head and why

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<v Speaker 1>she struggles to listen at times. We will also find out,

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<v Speaker 1>of course, what her mum did think of that comment.

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<v Speaker 1>That she made about her on the show, and why

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<v Speaker 1>she thinks that staff went home last night. We will

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<v Speaker 1>discuss Jamie Oliver and what he's really like during filming,

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<v Speaker 1>and if Steph thinks that Jamie Oliver is stopping viewers

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<v Speaker 1>from getting to know some of the other new judges.

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<v Speaker 1>I will get Steph's insights into how they collect the

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<v Speaker 1>stories during filming and how they do actually have producers

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<v Speaker 1>on set that eventually get edited out. There is also

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<v Speaker 1>a fun analogy of one of the judges being a

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<v Speaker 1>little bit like mister Bean. I'm pretty sure you can

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<v Speaker 1>probably guess, and I'm sure you'll have a bit of

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<v Speaker 1>a giggle with that. There is so much to unpack

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<v Speaker 1>with Steph, so sit back and relax as we unpack

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<v Speaker 1>her time in the Master Chef Australia kitchen. Hi bad Hi,

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<v Speaker 1>how are you?

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<v Speaker 3>I'm good considering circumstances.

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<v Speaker 1>How were you feeling after last night? I mean, it's

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<v Speaker 1>such a long time to wait. I mean this was

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<v Speaker 1>all started filming, was it last year? And then yeah? Yeahsia.

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<v Speaker 1>The pressure test of waiting.

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<v Speaker 2>The pressure test of waiting.

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<v Speaker 3>Look it's a little bit traumatic, but look that's also

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<v Speaker 3>I am really proud of myself.

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<v Speaker 2>What an experience.

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<v Speaker 3>So although it was very short, but sweet, and I

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<v Speaker 3>didn't expect it to be this short.

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<v Speaker 2>My moment on Master Chef, what a journey.

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<v Speaker 1>Well, that's a good point to make. I think when

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<v Speaker 1>you sign up to these shows, you don't necessarily know you.

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<v Speaker 1>I mean, I guess you hope that you're going to

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<v Speaker 1>make it to the end. Did you talk about that

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<v Speaker 1>with your friends and family and say I think I'm

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<v Speaker 1>going to make it midway? What was that sort of conversation.

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<v Speaker 3>With friends, family, fellow contestants. We all said, which probably

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<v Speaker 3>everybody who comes into this competition says, is as long

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<v Speaker 3>as I make it to the top ten, I'm happy.

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<v Speaker 3>And I know that I had you know what it's

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<v Speaker 3>worth to get there. I knew that I had it

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<v Speaker 3>in me so and I had so much more to give.

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<v Speaker 3>As everybody says as well, I knew I wouldn't.

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<v Speaker 2>Make it to the very end, maybe not like you know.

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<v Speaker 3>I knew I wouldn't win, But it feels like you

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<v Speaker 3>are a winner even just being selected to go on

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<v Speaker 3>the show.

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<v Speaker 1>I really warm to you straight away in the part

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<v Speaker 1>that I saw you in this show, I just thought

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<v Speaker 1>there was something quite special about you, and you could

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<v Speaker 1>see why they've sort of matted you into the mix

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<v Speaker 1>of something like this show. Do you know what's interesting

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<v Speaker 1>about Master Chef is there's no real conflict. That's not

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<v Speaker 1>how the show is set up, I mean.

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<v Speaker 2>How it's classes.

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<v Speaker 1>Would you have done a show? I mean, would this

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<v Speaker 1>show work if there was some tension in the kitchen?

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<v Speaker 2>Oh?

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<v Speaker 3>Look, what makes this show is just the connection that

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<v Speaker 3>everybody has to each other, from the producers, everybody working

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<v Speaker 3>the coal crew, the contestants of course, and the contestants

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<v Speaker 3>relationship with the judges.

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<v Speaker 2>Like it's just that's what makes it so incredible.

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<v Speaker 3>You walk into that kitchen and you just feel this

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<v Speaker 3>positive energy and it's amazing, amazing to be part of.

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<v Speaker 2>So no, it totally wouldn't be.

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<v Speaker 3>The same, It wouldn't be Master Chef if it had

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<v Speaker 3>a slight bit of bitchiness involved.

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<v Speaker 1>Do you get to keep your Master Chef aprons? Because

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<v Speaker 1>I do do. Oh my god, that's amazing.

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<v Speaker 2>I'm so happy.

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<v Speaker 1>You know that they released I think it was Cole's

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<v Speaker 1>last year released versions of the Master Chef aprons.

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<v Speaker 3>I know, I'm like, ex use me, I worked very

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<v Speaker 3>hard to get that.

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<v Speaker 1>I know did you feel a little bit robbed because

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<v Speaker 1>my partner's got one of home. He bought it as

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<v Speaker 1>soon as he saw a pair, and you should see

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<v Speaker 1>he walks around our kitchen when he's got.

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<v Speaker 2>That apron on.

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<v Speaker 1>Think they any of all that in a bag of chippies? No,

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<v Speaker 1>I love it.

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<v Speaker 3>I actually went to the Fence Square activation and they

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<v Speaker 3>were pumping about. You know, there were people everywhere wearing

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<v Speaker 3>these aprons, and I was like, oh, my goodness, didn't

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<v Speaker 3>go through what I went through.

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<v Speaker 1>Earn your stripes, own your stripes? What's the banter like

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<v Speaker 1>with everyone? Are you?

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<v Speaker 2>Oh that's funny?

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<v Speaker 1>Do they help you organize like a WhatsApp to like

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<v Speaker 1>do the master chef God say, guys? You know, do

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<v Speaker 1>you swap numbers? Is there something facilitating? Or do you

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<v Speaker 1>just gravitate towards all being on WhatsApp? Like how does

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<v Speaker 1>that work?

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<v Speaker 3>Yeah? So, look, they were originally going to set it

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<v Speaker 3>all up, but we just loved each other so much

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<v Speaker 3>straight away we kind of took that to our own

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<v Speaker 3>hands and started the group up straight away. Of course,

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<v Speaker 3>you know, me being eliminated, you get off that group

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<v Speaker 3>to make sure that.

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<v Speaker 2>You know, you don't know any inside a secrets of whatsapped.

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<v Speaker 3>Well, it's airing, but then we have an eliminated group

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<v Speaker 3>chat and it's all fun and games there.

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<v Speaker 1>Oh wow, so hanging a sex So like, just to

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<v Speaker 1>get this right, you've got two chats. So there's a

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<v Speaker 1>certain sort of unspoken rule that once you leave the show,

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<v Speaker 1>you have to leave the chat or do you get booted?

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<v Speaker 3>For me, I took myself off right away, just because

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<v Speaker 3>what's going on behind the scenes, it's you.

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<v Speaker 2>Want it to be a secret uself at the end

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<v Speaker 2>of the day as well when it's airing, so you know,

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<v Speaker 2>a little bit of a surprise. So yeah, we created

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<v Speaker 2>our own for the eliminated people in the afterlife.

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<v Speaker 1>It's definitely version of reality series I think happening. You know,

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<v Speaker 1>it's time to go, you know, No matter how many

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<v Speaker 1>times that I was told as a child and I

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<v Speaker 1>think as an adult, I just never did it. And

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<v Speaker 1>I just don't know if my brain is whired that way.

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<v Speaker 1>But did that haunt you watching that sort of moment,

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<v Speaker 1>even you bringing it up a camera?

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<v Speaker 2>Wow? I know.

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<v Speaker 3>And then because I'm living in Melbourne now in Queensland

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<v Speaker 3>and we were messaging in the family group.

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<v Speaker 2>Chat and we were having. She was like, I don't

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<v Speaker 2>know whether to laugh or cry.

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<v Speaker 1>Well yeah, literally both.

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<v Speaker 3>But no matter how many times she can tell me,

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<v Speaker 3>you got to learn the hard way.

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<v Speaker 1>It's like your brains. I don't know. I mean, I

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<v Speaker 1>can't speak for you, and I don't want to put

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<v Speaker 1>words into your mouth. But like when I was in

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<v Speaker 1>a classroom, or if I'm in a classroom format, there's

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<v Speaker 1>something about this feeling or a sense of being kind

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<v Speaker 1>of underwater, and also the pressure that I put on

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<v Speaker 1>myself because I'm so aware of it. You know, come

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<v Speaker 1>on listen, really, come on listen. And then because my

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<v Speaker 1>brain is doing that in some way, it's blocking it out,

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<v Speaker 1>does that.

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<v Speaker 2>I resonate with that immensely.

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<v Speaker 3>Like I was on the phone to Mum this morning

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<v Speaker 3>and she said, you know, I think it wasn't about

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<v Speaker 3>you not listening. It was completely the environment that you

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<v Speaker 3>were in. I was struggling to be able to see

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<v Speaker 3>what was going on to start with because of where

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<v Speaker 3>I was placed, and.

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<v Speaker 2>You're just trying to get it all right, So your

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<v Speaker 2>brain's in overdrive. It's hard.

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<v Speaker 3>So it's not really a matter of not listening at times,

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<v Speaker 3>it's just trying to keep up with that. You know

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<v Speaker 3>that episode's about keeping up with Jamie, not catching up

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<v Speaker 3>with Jamie's.

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<v Speaker 1>So I'm pretty shit at those sort of look and

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<v Speaker 1>learn cooking tutorials. I just the YouTube.

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<v Speaker 3>Try hate following instructions.

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<v Speaker 2>I hate it. I get Ikere. I'm like, I'd rather

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<v Speaker 2>struggle for hours than read the instructions.

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<v Speaker 1>Jill screw the desk outs upside down, you know what

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<v Speaker 1>I mean. Like that's just.

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<v Speaker 3>A friend to come over and help with the wine

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<v Speaker 3>or something for me, and they can read the instructions.

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<v Speaker 1>But you know, I look those tutorials on YouTube in

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<v Speaker 1>my kitchen, I top up on the counter and it's

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<v Speaker 1>certainly like I make. It doesn't matter how many times

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<v Speaker 1>I've made my besh mal sauce. I've still got that

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<v Speaker 1>lady in the background, some weird Canadian lady telling me

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<v Speaker 1>to make New Orleans besh male sauce. And it takes

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<v Speaker 1>She's on loop, Like you know, I could never you know.

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<v Speaker 2>It's not going to be good anyway. A French one

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<v Speaker 2>reading the subtitles or something.

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<v Speaker 1>Okay, Souff, you're gonna have to google that because there's

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<v Speaker 1>a difference between the French and the New Orleans besh

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<v Speaker 1>mal souce.

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<v Speaker 2>Oh stop, but you're teaching me something.

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<v Speaker 1>Well, this is only because I've been on loop this

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<v Speaker 1>YouTube tutorial for about ten years. My friend, Oh my goodness,

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<v Speaker 1>I love it.

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<v Speaker 2>I'm going to be googling this right after.

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<v Speaker 1>Yeah, I think it's the nutmeg. But anyway is that's

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<v Speaker 1>a different podcast. So cooking with Jamie Oliver would have

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<v Speaker 1>been a real life.

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<v Speaker 2>It was. Look, it was incredible, and to be able

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<v Speaker 2>to taste his food.

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<v Speaker 3>As well, I was like, oh, he made this, so

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<v Speaker 3>it's going to be like ten times more delicious.

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<v Speaker 1>I mean, I hadn't heard of it, like a chicken

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<v Speaker 1>Wellington or you know, the chicken that he cooks in

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<v Speaker 1>his family's part, but I'd never sit of seen that before.

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<v Speaker 1>I had made a beef Wellington before, so I kind

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<v Speaker 1>of had some idea. What was your relationship to that

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<v Speaker 1>kind of food? And when he was presenting that, did

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<v Speaker 1>you start to have a sinking feeling or did you think, oh, no,

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<v Speaker 1>I could do this.

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<v Speaker 2>When they first kind of when it was unfolding and

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<v Speaker 2>I knew what it was.

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<v Speaker 3>It's not the type of dish that I would be like, oh,

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<v Speaker 3>I'm going to make that at home. So it was

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<v Speaker 3>relatively new to me. But also, you know, how hard

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<v Speaker 3>could it have been that puff pastry that was already made,

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<v Speaker 3>bloody chicken, breast, mushroom, duck cell and a beautiful sauce

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<v Speaker 3>and some sides.

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<v Speaker 2>So part of me was like, you know, this is

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<v Speaker 2>really easy.

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<v Speaker 3>But thinking back, my headspace wasn't good from the very start,

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<v Speaker 3>So I think that that was actually the undoing of me.

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<v Speaker 3>If I was in a better headspace, I would have

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<v Speaker 3>been fine. And you can really see that on screen

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<v Speaker 3>as well.

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<v Speaker 1>From the very start, you know, being on a show

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<v Speaker 1>like this and getting to see Jamieliva up close and

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<v Speaker 1>then having to have you know, that first hand experience,

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<v Speaker 1>did you get to learn anything about him that maybe

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<v Speaker 1>most people wouldn't know about Jamie, he.

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<v Speaker 3>Is the most beautiful person. He's exactly how you would

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<v Speaker 3>how you think of him to be. And there's not

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<v Speaker 3>many times that you meet your hero and they are actually.

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<v Speaker 2>As amazing as what you thought they would be.

0:09:49.280 --> 0:09:52.640
<v Speaker 3>So he's super passionate about what he does, of course,

0:09:52.760 --> 0:09:54.680
<v Speaker 3>and he's so just calm.

0:09:54.760 --> 0:09:55.960
<v Speaker 2>His energy is beautiful.

0:09:56.000 --> 0:09:58.080
<v Speaker 3>Like he walked into the green room and he was

0:09:58.120 --> 0:10:00.800
<v Speaker 3>talking to us, and I was just so capped baby looking.

0:10:00.600 --> 0:10:00.960
<v Speaker 2>Up at him.

0:10:01.000 --> 0:10:04.319
<v Speaker 3>It was really engaged with us and trying to motivate us.

0:10:04.360 --> 0:10:07.560
<v Speaker 2>And he's just incredible. He's an amazing person.

0:10:08.000 --> 0:10:10.200
<v Speaker 1>In the last couple of episodes, you know the judges

0:10:10.480 --> 0:10:11.959
<v Speaker 1>who are knew some of them are you and we've

0:10:11.960 --> 0:10:15.160
<v Speaker 1>got Andy back again. But we asked sort of seeing

0:10:15.160 --> 0:10:17.920
<v Speaker 1>them taking a back seat. And I was looking online

0:10:17.920 --> 0:10:21.320
<v Speaker 1>this morning and there's a few publications taking the show

0:10:21.400 --> 0:10:24.360
<v Speaker 1>to task to say, by having Jamie Oliver in the kitchen,

0:10:24.679 --> 0:10:28.319
<v Speaker 1>we're not really getting to know Sophia. Maybe an o

0:10:29.400 --> 0:10:32.840
<v Speaker 1>christoph as much. Interesting? Was that a feeling that you

0:10:32.880 --> 0:10:34.640
<v Speaker 1>guys had though in the kitchen was.

0:10:34.679 --> 0:10:35.640
<v Speaker 2>It definitely not?

0:10:35.760 --> 0:10:38.280
<v Speaker 3>Look, they were also present and my very first cook

0:10:38.280 --> 0:10:40.840
<v Speaker 3>in the kitchen, John Kustaf came up to me and

0:10:40.880 --> 0:10:45.120
<v Speaker 3>he was already teaching me techniques and they they're really.

0:10:45.080 --> 0:10:46.240
<v Speaker 2>Genuine gorgeous people.

0:10:46.320 --> 0:10:48.400
<v Speaker 3>So I think that Australia they're going to learn to

0:10:48.480 --> 0:10:50.360
<v Speaker 3>resonate with them and grow.

0:10:50.200 --> 0:10:52.640
<v Speaker 2>To love them if they don't already. So we definitely

0:10:52.920 --> 0:10:53.439
<v Speaker 2>I've read.

0:10:53.240 --> 0:10:57.040
<v Speaker 1>This from the morning and I was like, okay, I

0:10:57.080 --> 0:10:59.080
<v Speaker 1>was like, I guess them bang up on the gantry

0:10:59.480 --> 0:11:03.840
<v Speaker 1>and being amongst the contestants. You know, maybe isn't positioning

0:11:03.880 --> 0:11:06.400
<v Speaker 1>them for some audience or for some people watching the

0:11:06.440 --> 0:11:08.360
<v Speaker 1>show in the way that they want. Like you know,

0:11:08.400 --> 0:11:10.640
<v Speaker 1>when a new kid comes to school and you want

0:11:10.679 --> 0:11:12.360
<v Speaker 1>to get to know that new kid, you kind of

0:11:12.400 --> 0:11:15.360
<v Speaker 1>like everyone turn. So I think that's what's happening for them.

0:11:15.600 --> 0:11:18.520
<v Speaker 3>Yeah, I feel like, you know, you're starting to see

0:11:18.880 --> 0:11:20.760
<v Speaker 3>their personality, their humor coming out.

0:11:20.800 --> 0:11:22.840
<v Speaker 2>Oh my god, John Kostoff, he's so funny.

0:11:22.880 --> 0:11:25.480
<v Speaker 3>He would have us just in absolute hysterics, but then

0:11:25.520 --> 0:11:27.480
<v Speaker 3>he's so genuine and caring as well, Like he just

0:11:27.520 --> 0:11:29.440
<v Speaker 3>comes up to him goes, how are you today?

0:11:29.520 --> 0:11:33.520
<v Speaker 2>And that's so nice. So they're all really really good people.

0:11:33.559 --> 0:11:35.560
<v Speaker 3>And I was always had to beat Poe and she's

0:11:35.640 --> 0:11:36.880
<v Speaker 3>just amazing as well.

0:11:37.000 --> 0:11:39.319
<v Speaker 2>So we're surrounded by the best, we really are.

0:11:39.559 --> 0:11:41.920
<v Speaker 1>Jean Christoph kind of reminds me of a couple of

0:11:41.960 --> 0:11:45.760
<v Speaker 1>people and I'm probably who laughing, Like he's like a

0:11:45.840 --> 0:11:49.240
<v Speaker 1>really smart mister bean with a bit of oh my god.

0:11:49.120 --> 0:11:53.520
<v Speaker 3>I've said that and he acts like it too, and

0:11:53.559 --> 0:11:54.440
<v Speaker 3>it's so goofy.

0:11:54.640 --> 0:11:56.520
<v Speaker 1>You know, let's just put a pinch of you know,

0:11:56.600 --> 0:12:00.320
<v Speaker 1>the chef from the Muppets, and oh my god Time

0:12:00.679 --> 0:12:04.640
<v Speaker 1>from Sesame Street. You know there's he's Erica Caricaturi, you

0:12:04.640 --> 0:12:05.120
<v Speaker 1>know what I mean?

0:12:05.400 --> 0:12:08.600
<v Speaker 3>Gosh that Honestly, I've said so many times he's like

0:12:08.720 --> 0:12:11.960
<v Speaker 3>mister Bean because he pulls these spaces and he just

0:12:12.000 --> 0:12:14.040
<v Speaker 3>doesn't care what people think, like he just what he

0:12:14.080 --> 0:12:15.040
<v Speaker 3>wants to make people laugh.

0:12:15.080 --> 0:12:16.120
<v Speaker 2>He could be a comedian.

0:12:16.400 --> 0:12:19.280
<v Speaker 1>Are the producers collecting the stories or is it those

0:12:19.480 --> 0:12:21.880
<v Speaker 1>judges the whole time? Like, well, I've never been in

0:12:21.880 --> 0:12:24.680
<v Speaker 1>that kitchen, so I don't really necessarily. Is there like

0:12:24.760 --> 0:12:27.120
<v Speaker 1>story producers around watching you the whole time to make

0:12:27.160 --> 0:12:30.000
<v Speaker 1>sure that there's a cohesive story or is that being

0:12:30.080 --> 0:12:32.520
<v Speaker 1>left to a lot of the judges to collect story

0:12:32.559 --> 0:12:33.920
<v Speaker 1>like that the whole floor.

0:12:34.440 --> 0:12:37.320
<v Speaker 3>What's so amazing about watching Mastership is you could be

0:12:37.360 --> 0:12:40.439
<v Speaker 3>watching it and you only see the contestants and the judges.

0:12:40.760 --> 0:12:44.280
<v Speaker 3>There is so many incredible talented people all around, from

0:12:44.360 --> 0:12:47.440
<v Speaker 3>yes story producers to the cameramen, and they're.

0:12:47.320 --> 0:12:50.160
<v Speaker 2>All dressed in black so you don't see them in everything.

0:12:50.280 --> 0:12:51.480
<v Speaker 2>They're all hidden away.

0:12:51.559 --> 0:12:53.720
<v Speaker 3>But you know they're asking us questions along the way,

0:12:54.080 --> 0:12:57.560
<v Speaker 3>basically like a bank of information as well, so they.

0:12:57.440 --> 0:12:59.000
<v Speaker 2>Remind me of things. I'm like, oh, my gosh, did

0:12:59.000 --> 0:13:00.960
<v Speaker 2>that actually happen? Did I do that? They know me

0:13:01.320 --> 0:13:02.320
<v Speaker 2>better than I know me.

0:13:02.520 --> 0:13:05.600
<v Speaker 1>So the way in which I think that this show

0:13:05.720 --> 0:13:08.240
<v Speaker 1>is produced, I think it is really hard to always

0:13:08.240 --> 0:13:10.439
<v Speaker 1>know as a viewer who's going home, because they're quite

0:13:10.480 --> 0:13:13.840
<v Speaker 1>often switch us, you know, with the drama. Now that

0:13:13.880 --> 0:13:16.760
<v Speaker 1>you've been in the Magic, you've seen how the strings

0:13:16.760 --> 0:13:19.000
<v Speaker 1>are being pulled at the Puppet Show, do you think

0:13:19.040 --> 0:13:22.200
<v Speaker 1>that you now will never be faked out by the

0:13:22.240 --> 0:13:24.360
<v Speaker 1>bait and switch? Because in some ways we could have

0:13:24.400 --> 0:13:27.400
<v Speaker 1>thought that Stephen or Lily could have gone home the

0:13:27.440 --> 0:13:31.280
<v Speaker 1>way in which that that episode unfolded. But like you've

0:13:31.400 --> 0:13:33.280
<v Speaker 1>been in there, do you reckon you'd never be double

0:13:33.320 --> 0:13:35.280
<v Speaker 1>faked out by that kind of stuff again, because you

0:13:35.840 --> 0:13:37.760
<v Speaker 1>understand they.

0:13:37.160 --> 0:13:37.880
<v Speaker 2>Do it so well.

0:13:37.920 --> 0:13:40.320
<v Speaker 3>But it's interesting that you say that, because when Lil

0:13:40.360 --> 0:13:42.839
<v Speaker 3>and I were standing up there waiting to see who's

0:13:42.880 --> 0:13:43.920
<v Speaker 3>going home, I.

0:13:43.920 --> 0:13:46.760
<v Speaker 2>Could I was watching Poe as she was speaking, and.

0:13:46.720 --> 0:13:49.400
<v Speaker 3>She was really looking at Lil, and I'm like, previously,

0:13:49.480 --> 0:13:53.000
<v Speaker 3>when I have watched Master Chef, you know that they

0:13:53.080 --> 0:13:55.040
<v Speaker 3>try and like, you know, the person that they're looking

0:13:55.040 --> 0:13:57.160
<v Speaker 3>at the most is not the one going home.

0:13:57.200 --> 0:13:58.320
<v Speaker 2>So that's when I knew are screwed.

0:13:58.520 --> 0:14:00.360
<v Speaker 3>So I knew that what they were trying to do,

0:14:00.520 --> 0:14:03.680
<v Speaker 3>like head scool almost to keep people like, oh my god.

0:14:04.040 --> 0:14:06.120
<v Speaker 1>You know I've spoken to I've got few friends that

0:14:06.200 --> 0:14:08.640
<v Speaker 1>host TV shows and they have to do this moment

0:14:08.720 --> 0:14:11.760
<v Speaker 1>with elimination. And I remember Sandel Krueger was telling me

0:14:11.880 --> 0:14:15.200
<v Speaker 1>that she would look above the people, so she would

0:14:15.280 --> 0:14:17.240
<v Speaker 1>look them at anyone, No one would be looked in

0:14:17.280 --> 0:14:17.720
<v Speaker 1>the eye.

0:14:17.960 --> 0:14:19.360
<v Speaker 2>Interesting, that's good.

0:14:19.680 --> 0:14:23.120
<v Speaker 1>And yeah, so Andrew g who as we know, is

0:14:23.160 --> 0:14:27.400
<v Speaker 1>now Osha Ginsburg, but he was referring to Andrew g days.

0:14:27.960 --> 0:14:30.040
<v Speaker 1>He was saying that he used to look at the

0:14:30.080 --> 0:14:34.200
<v Speaker 1>person who was safe because he felt more comfortable being like, well,

0:14:34.240 --> 0:14:36.160
<v Speaker 1>well I feel guilty I'm looking the other one in

0:14:36.160 --> 0:14:36.720
<v Speaker 1>the face, you know.

0:14:37.360 --> 0:14:40.280
<v Speaker 3>Yes, Okay, So it's like their own like kind of

0:14:40.440 --> 0:14:42.160
<v Speaker 3>personal way about it.

0:14:42.200 --> 0:14:44.960
<v Speaker 2>Maybe, however, they Cote.

0:14:44.720 --> 0:14:47.760
<v Speaker 1>Beth, looking back at the show, is there any kind

0:14:47.800 --> 0:14:50.800
<v Speaker 1>of intricate detail that you think might have worked better

0:14:50.880 --> 0:14:52.160
<v Speaker 1>or you could have done something different?

0:14:52.480 --> 0:14:52.800
<v Speaker 2>Yeah?

0:14:52.840 --> 0:14:56.560
<v Speaker 3>Look, I look back on what I've done, and you know,

0:14:56.640 --> 0:15:00.120
<v Speaker 3>although I nearly caught the kitchen on fire, could have changed.

0:14:59.880 --> 0:15:03.480
<v Speaker 2>It for the world. Like I really pushed myself. I

0:15:03.600 --> 0:15:04.440
<v Speaker 2>challenged myself.

0:15:04.560 --> 0:15:09.000
<v Speaker 3>I did the very best I could do in each challenge.

0:15:09.080 --> 0:15:10.480
<v Speaker 3>I knew that I did the best, and I couldn't

0:15:10.480 --> 0:15:12.680
<v Speaker 3>have done anymore. The only thing that I would say

0:15:13.000 --> 0:15:17.080
<v Speaker 3>is in last night's you know, elimination, I could see

0:15:17.080 --> 0:15:21.360
<v Speaker 3>from the very start, I wasn't there. I was you know,

0:15:21.480 --> 0:15:24.920
<v Speaker 3>I wasn't feeling it. I was nervous. My brain space

0:15:24.960 --> 0:15:26.800
<v Speaker 3>wasn't right from the start. So I guess that's taught

0:15:26.840 --> 0:15:28.200
<v Speaker 3>me to get out of my own head.

0:15:28.880 --> 0:15:31.760
<v Speaker 1>Say that on reality shows, they pulled them aside and say,

0:15:32.080 --> 0:15:34.000
<v Speaker 1>by the way we can see you're in your head,

0:15:34.000 --> 0:15:35.480
<v Speaker 1>You've got to get out of your own head. But

0:15:35.520 --> 0:15:37.760
<v Speaker 1>if anyone said that to me, what I'd be further

0:15:37.800 --> 0:15:39.520
<v Speaker 1>back in my head, Like if there's a space in

0:15:39.560 --> 0:15:41.640
<v Speaker 1>my head I've never been before, that's where I've gone to,

0:15:41.760 --> 0:15:42.320
<v Speaker 1>you know what I mean?

0:15:42.520 --> 0:15:44.840
<v Speaker 3>Yeah, yes, And that's exactly right. That's the way that

0:15:44.880 --> 0:15:47.520
<v Speaker 3>i'd work as well. So I think you're either you

0:15:47.600 --> 0:15:49.760
<v Speaker 3>got the mojo or you don't. And last night I

0:15:49.760 --> 0:15:51.880
<v Speaker 3>did not have my mojo, and that was the undoing.

0:15:52.080 --> 0:15:53.560
<v Speaker 1>So book's the plan.

0:15:53.680 --> 0:15:56.480
<v Speaker 3>Now, Oh gosh, I have so much which I'll be

0:15:56.520 --> 0:15:57.280
<v Speaker 3>launching today.

0:15:57.960 --> 0:15:59.920
<v Speaker 2>But I've been, you know, having fun at all. The

0:16:00.480 --> 0:16:02.480
<v Speaker 2>beautiful restaurant in Soakiera called Denoi.

0:16:02.640 --> 0:16:07.800
<v Speaker 3>It's just gorgeous, Yeah, gorgeous Sardinian restaurant Pietro best.

0:16:07.600 --> 0:16:12.080
<v Speaker 2>With Yeah you come, I make pastor in the window.

0:16:12.240 --> 0:16:13.360
<v Speaker 2>It's so gorgeous.

0:16:13.560 --> 0:16:17.120
<v Speaker 1>Okay, well waving at you. Actually that's going to be

0:16:17.160 --> 0:16:18.520
<v Speaker 1>hard because I think there's going to be a lot

0:16:18.560 --> 0:16:20.960
<v Speaker 1>of people who watch Mastership through the window.

0:16:21.200 --> 0:16:22.560
<v Speaker 2>Oh, we would love to have you.

0:16:22.600 --> 0:16:24.600
<v Speaker 3>So yeah, I'm doing that, and they're my first client

0:16:24.640 --> 0:16:27.240
<v Speaker 3>because I'm launching my own business called Kalinae Black Books,

0:16:27.240 --> 0:16:31.120
<v Speaker 3>who are basically headquarters for the hospitality industry almost say

0:16:31.200 --> 0:16:34.040
<v Speaker 3>a restaurant consultant, but that sounds super boring. So a

0:16:34.040 --> 0:16:37.000
<v Speaker 3>black Book of the best industry contacts helping from you know,

0:16:37.280 --> 0:16:42.120
<v Speaker 3>website development, menu design, interior, exterior, everything to make your

0:16:42.160 --> 0:16:46.040
<v Speaker 3>space incredible because I've found that chefs just don't have

0:16:46.080 --> 0:16:46.560
<v Speaker 3>the time for that.

0:16:46.640 --> 0:16:47.800
<v Speaker 2>And also the expertise.

0:16:47.880 --> 0:16:51.120
<v Speaker 3>So yeah, I'm quite well versed in the hospital industry already,

0:16:51.200 --> 0:16:53.680
<v Speaker 3>so can to get my hands on it.

0:16:53.880 --> 0:16:56.840
<v Speaker 1>Find your niche I think that's where you know, and

0:16:56.880 --> 0:16:59.240
<v Speaker 1>I could say are you doing all of that? Before

0:16:59.360 --> 0:17:03.080
<v Speaker 1>letting I've been asking people for their favorite judge and

0:17:03.200 --> 0:17:06.560
<v Speaker 1>their favorite contestant, which is really hard. Please don't give

0:17:06.600 --> 0:17:08.440
<v Speaker 1>me the list of your top three.

0:17:08.200 --> 0:17:11.760
<v Speaker 3>All right, JC, John Christoph he is just I really

0:17:11.840 --> 0:17:15.280
<v Speaker 3>personally resonate with him, mister Bean, he's doing funny, makes

0:17:15.280 --> 0:17:15.600
<v Speaker 3>me laugh.

0:17:15.640 --> 0:17:16.760
<v Speaker 2>Love a man that makes me laugh.

0:17:17.040 --> 0:17:23.679
<v Speaker 4>And favorite contest cooking wise, favorite can not say, you know,

0:17:23.760 --> 0:17:26.920
<v Speaker 4>for the expertise and everything she Nisana she is now

0:17:27.000 --> 0:17:29.399
<v Speaker 4>one of my best friends, and I you know, she

0:17:29.520 --> 0:17:33.080
<v Speaker 4>has years of experience and I can't wait to see

0:17:33.080 --> 0:17:34.000
<v Speaker 4>what she does on the show.

0:17:34.160 --> 0:17:37.560
<v Speaker 2>So she's to the talented chalk. They should watch out

0:17:37.560 --> 0:17:40.240
<v Speaker 2>for her. So yeah, she's my fav girl. Yeah.

0:17:40.680 --> 0:17:43.080
<v Speaker 1>The last question I ask everyone who joins the pod

0:17:43.560 --> 0:17:46.359
<v Speaker 1>is what is something from behind the scenes, something that maybe,

0:17:46.400 --> 0:17:48.840
<v Speaker 1>you know, the viewer at home wouldn't know about what

0:17:48.840 --> 0:17:50.880
<v Speaker 1>it's like to be a contestant on a show like this,

0:17:51.040 --> 0:17:53.439
<v Speaker 1>or maybe a moment that he thought could have happened

0:17:53.480 --> 0:17:54.320
<v Speaker 1>on television.

0:17:54.800 --> 0:17:55.879
<v Speaker 2>They feed you really well.

0:17:58.080 --> 0:18:00.159
<v Speaker 1>You know, there was one cook back in the day

0:18:00.200 --> 0:18:05.600
<v Speaker 1>with the Craft services were really discussing Yeah, look I

0:18:05.640 --> 0:18:06.000
<v Speaker 1>guess that.

0:18:06.240 --> 0:18:08.840
<v Speaker 3>Yeah. They almost like I'm like, gee, are you trying

0:18:08.840 --> 0:18:11.359
<v Speaker 3>to make us fat? Because you know, we have a

0:18:11.560 --> 0:18:14.840
<v Speaker 3>face every day, would get to place like a grocery order,

0:18:14.920 --> 0:18:17.160
<v Speaker 3>and they just I think they just looked after us

0:18:17.240 --> 0:18:19.679
<v Speaker 3>really bloody well, and I don't think that a lot

0:18:19.680 --> 0:18:22.320
<v Speaker 3>of reality TV shows would do that, so they don't.

0:18:22.359 --> 0:18:23.600
<v Speaker 2>It might be bloring, but that's.

0:18:23.440 --> 0:18:27.639
<v Speaker 3>My ets kind of goth, not really gos.

0:18:27.280 --> 0:18:30.719
<v Speaker 1>But yeah, I think, you know, it's I think it

0:18:30.800 --> 0:18:34.639
<v Speaker 1>does allow us to understand how they create that warmth

0:18:34.720 --> 0:18:35.320
<v Speaker 1>to this show.

0:18:35.640 --> 0:18:36.840
<v Speaker 2>I know so much warmth.

0:18:37.160 --> 0:18:40.000
<v Speaker 1>You know, taking away food and giving people food on

0:18:40.040 --> 0:18:43.240
<v Speaker 1>these shows changes the dynamic quite considerably.

0:18:43.600 --> 0:18:45.840
<v Speaker 2>It's more than food, definitely, I.

0:18:45.760 --> 0:18:48.040
<v Speaker 1>Really do think. So. You know, Steph, I'm so happy

0:18:48.040 --> 0:18:50.920
<v Speaker 1>with this whole Dennoy thing and where you're taking your work.

0:18:51.800 --> 0:18:54.439
<v Speaker 1>I have loved talking to you. I loved you on

0:18:54.480 --> 0:18:57.760
<v Speaker 1>the show. So congratulations and yeah, He'll be in your

0:18:57.800 --> 0:18:59.119
<v Speaker 1>audience to see what you're doing it.

0:18:59.240 --> 0:19:01.199
<v Speaker 2>Thank you. So it was so nice speaking with you.

0:19:01.440 --> 0:19:03.640
<v Speaker 1>Lovely to chat to you. Oh my god, I'm ossed.

0:19:03.720 --> 0:19:06.760
<v Speaker 1>I'm obsessed. Go and enjoy chatting to the media with

0:19:06.800 --> 0:19:09.000
<v Speaker 1>everyone today. I'm sure you'll have a great time and

0:19:09.280 --> 0:19:12.040
<v Speaker 1>look after yourself. I'll be in the window you too.

0:19:12.240 --> 0:19:12.919
<v Speaker 2>Thank you, so much for

0:19:13.000 --> 0:19:17.320
<v Speaker 3>Me too, all right, cheers, bye bye,