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Speaker 1: We gather late and we ban a shade.

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Speaker 2: Do you want this to be in it? Have we started?

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Speaker 1: What a show? What a shade?

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Speaker 2: It was a slightly crazed show today.

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Speaker 3: Well it was he you know, it was a bit

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Speaker 3: of a mess. We're trying to get Sam Pang.

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Speaker 2: We had a technical glitch.

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Speaker 1: It wasn't Sam's fault, No, it.

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Speaker 2: Was technology's fault. Yeah, but he made his way back

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Speaker 2: to us by the end of the show.

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Speaker 1: The end of the show, which is great.

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Speaker 2: We put something interesting to the pub test. We had

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Speaker 2: a ghoulie about people standing up at concerts, so people

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Speaker 2: are passionate about this. To you stand up, put his

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Speaker 2: sit down? And speaking of whether you stand will sit

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Speaker 2: Have you ever wondered how much p it takes to

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Speaker 2: fill the Grand Canyon? I know I have, and I've

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Speaker 2: got an answer for you.

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Speaker 3: Ask me at three o'clock in the morning, I reckond

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Speaker 3: I could just about fill that thing.

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Speaker 2: Okay, what a charming thing.

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Speaker 1: Fight for your flashback.

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Speaker 3: Because of the terrorists that we're currently going through Visa

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Speaker 3: the America, we've got Australian artists singing American songs.

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Speaker 2: All of that and Tom's jibber jabber it's coming your way.

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Speaker 4: Enjoy the podcast about.

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Speaker 1: A miracle of recording. We have so many requests for

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Speaker 1: them to do it again. Mistress Amanda and ms Keller.

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Speaker 1: Amanda doesn't work alone. Friend is in a backroom making

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Speaker 1: the tools of the train.

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Speaker 3: I've heard them describe him as a drunken idiot.

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Speaker 5: I've been a legendary part Jonesy and Amanda the actress.

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Speaker 2: Congratulations, man, we're the reading right now.

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Speaker 1: I need to Josey and Amanda. You're doing a great job.

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Speaker 1: Anyone now go good radio.

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Speaker 3: Sorry, but it's a twist set an idiot.

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Speaker 4: And Amanda's shoot Timy, we're on the are top of

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Speaker 4: the morning to you, Amanda.

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Speaker 2: We're in for a scorcher of the weekend. So hot

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Speaker 2: it's going to be. We just heard Helen thirty one

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Speaker 2: in the city, thirty five in our west. Today, Tomorrow

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Speaker 2: thirty two in the city, thirty seven in our west.

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Speaker 2: On Sunday thirty six in the city, thirty seven hour.

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Speaker 1: It is Australia.

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Speaker 2: We're mid March, you know. But you imagine all the

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Speaker 2: news teams, Oh yes, teams right now they're sying. Okay,

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Speaker 2: let's allocate the stories. Who's going to film the girls

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Speaker 2: at the beach. Okay, Jeff, you're on that. Who's going

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Speaker 2: to film the animals sucking on big ice blocks at

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Speaker 2: the zoo? Yep okate, Simon, you're on that.

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Speaker 3: Who's going to go out to Cabramatta and talk to

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Speaker 3: people and ask them.

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Speaker 1: How they're going with the heat? Who's going to go

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Speaker 1: to anybody?

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Speaker 2: Who to go to when people flock to water holes? Okay? Great?

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Speaker 3: Someone saying why does Jeff always get to go to

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Speaker 3: Bondo to see the girls.

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Speaker 2: And don't make a mistake by throwing an old blood

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Speaker 2: ice block a youre elderly relative, that's for the zoo. Yeah,

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Speaker 2: get that right, don't do it.

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Speaker 1: You make that mistake once.

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Speaker 3: It's like our footy tippy, I should say, I should

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Speaker 3: say mystery footy tippy.

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Speaker 1: What happened was we used to do mystery.

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Speaker 3: Footy tipping last year and it became so problematic, so hard.

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Speaker 3: We couldn't get footy players for love or money. Golf

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Speaker 3: and the footy players, they can only do one thing,

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Speaker 3: and that's play footy or play golf.

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Speaker 2: Were allowed. We were allowed to use current players because

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Speaker 2: they're not allowed to tipping.

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Speaker 3: Case in point, Freddie Fidler, who's a friend of the show,

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Speaker 3: but one day we're going to have him on for

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Speaker 3: the footy tips and he said.

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Speaker 1: I'm in at the airport.

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Speaker 2: Can you call me backbe don't want to be embarrassed.

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Speaker 1: So Freddy, you just go to do it now, mate,

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Speaker 1: it's radio, do it live. Just make it what we

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Speaker 1: thought we'd do this year.

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Speaker 2: So we wipe that, and I thought, why don't we

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Speaker 2: do an experiment where we look at what the experts

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Speaker 2: i e. Bookies are predicting for the game, and then

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Speaker 2: a random set of choicesn't at the end of the season, see.

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Speaker 1: Who scores better.

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Speaker 2: I like the way I randomly selected which team would win.

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Speaker 2: Was you cover yourself in protective clothing and waive a

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Speaker 2: couple of ping pong bats around with the various teams

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Speaker 2: on them, and I throw darts at you and you

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Speaker 2: try and shield yourself with the bats. You you were wearing

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Speaker 2: a throat cover yesterday because one got your fair in

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Speaker 2: the Adam's Apple. Yeah, it would have got to ruin it.

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Speaker 1: I've got a big day today every day. Yeah, I'm

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Speaker 1: on the TV today. What I got on there? Sounding

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Speaker 1: like a footy player that been copped in the throat.

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Speaker 3: Yeah, So I just feel that next week we're going

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Speaker 3: to have to I don't.

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Speaker 2: Know what went wrong, what went wrong?

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Speaker 1: What went wrong? It didn't pierce your skin, it was no.

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Speaker 3: I'm talking about the car crash of a radio segment yesterday.

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Speaker 2: We're going to do it again. I'm not giving up

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Speaker 2: on it.

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Speaker 3: Okay, Well we'll see how that goes. Anyway, we're going

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Speaker 3: to focus on today. Today is a big day.

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Speaker 2: We got to wreck one day at a time, Brenda.

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Speaker 3: Because Sam Pang is going to be joining us on

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Speaker 3: our show.

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Speaker 1: I love Sam.

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Speaker 2: He's got a new tonight show starting on Monday night.

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Speaker 2: Fight for your Flashbab because it's Friday. To kick off

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Speaker 2: the mag seven.

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Speaker 1: If we would like to do that, of course.

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Speaker 2: Question number one lawn Bowls is typically played on which surface?

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Speaker 1: Not today? It's too hot. Have to throw a blood

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Speaker 1: ice block at the oldies gam Nation Footloose.

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Speaker 3: I was watching that story that's re emerged Kevin Bacon,

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Speaker 3: and I didn't really think much about it. But whenever

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Speaker 3: he gets to waiting or anything like that and they.

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Speaker 1: Put Footloose on, everyone looks at him.

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Speaker 3: There's an expectation, and that would drive me crazy. He

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Speaker 3: said this about eleven or twelve years ago on kind

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Speaker 3: of Not Brian Show.

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Speaker 2: This day, I.

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Speaker 6: Can't go to a wedding or a bar mitzvah or

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Speaker 6: you know, anything without the DJ putting on the record.

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Speaker 6: And then people, you know, form a circle around me

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Speaker 6: and start start clapping like this, and they sort of

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Speaker 6: expecting to start, you know, doing flips like a trained dog.

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Speaker 1: You know, it's amazing. I go to the DJ. I

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Speaker 1: literally go to the DJ.

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Speaker 6: With twenty dollars. Whenever I walk into a club anywhere

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Speaker 6: and I say get footlosen and I say, yeah, I

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Speaker 6: got it right here. You know that's a great record,

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Speaker 6: isn't it.

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Speaker 7: Don't play it?

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Speaker 2: I say that too. I go to waiting, I say,

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Speaker 2: he's fifty bucks.

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Speaker 3: It's fun because we'll play rock Lobster and stuff like

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Speaker 3: that or love Shack and you go okay.

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Speaker 2: And then if you're out and those songs come on,

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Speaker 2: you gooo, what's.

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Speaker 3: The one that always gets you on the dance floor?

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Speaker 3: You're on the DF, something's happening. I know, what about

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Speaker 3: Uptown Funk?

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Speaker 2: Yeah, that's your one, that's your dann Funk.

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Speaker 3: I'm not a dancer by any stretch of the imagination.

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Speaker 2: There's no imagination involved. I'm always on the dance floor,

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Speaker 2: you know, And then I say I'll leave the dance

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Speaker 2: woe when a song comes on I don't like, And

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Speaker 2: then I just keep staying there in stead.

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Speaker 1: What gets you off? What gets me off?

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Speaker 2: The dancer gets the clinking of a shardeny glass.

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Speaker 3: We have for you the Magnificent Seven. There are seven questions?

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Speaker 3: Can you go all the way and answer all seven

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Speaker 3: questions correctly? If you do that, Amanda will say it's.

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Speaker 2: Going to be hot as a bot this weekend, So

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Speaker 2: spend your.

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Speaker 1: Day with us. Emma is in dune.

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Speaker 2: Si hello, Emma.

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Speaker 8: Hell it kind of makes no sense, makes absolutely no sense.

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Speaker 1: We're going to provide around with.

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Speaker 2: An ice block. I'll drop one at the zoo and

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Speaker 2: then I'll drop one at Emma's house.

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Speaker 1: Amana to drop your house.

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Speaker 2: Question number one. Lawn bowls is typically played on which surface?

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Speaker 9: Yeah?

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Speaker 1: In what unit is wind speed measured?

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Speaker 10: Oh?

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Speaker 11: Wing?

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Speaker 1: It's not, you're not that's right?

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Speaker 3: Not.

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Speaker 2: Hey, let's play monster.

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Speaker 1: Mat Let's kick off this monster mad.

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Speaker 2: Right, Emma, we've mashed two songs together? What are they?

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Speaker 10: Kind of works?

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Speaker 1: Emma?

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Speaker 11: An excess news tonight and I tiger there you go.

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Speaker 3: We should get furness in the fundamentals to do that

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Speaker 3: mash up, I regon they could do that. Where was

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Speaker 3: the actress Nicole Kidman bourn Emma?

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Speaker 1: Was it A in Sydney, be in Honolulu or C

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Speaker 1: in London?

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Speaker 11: Like clease, I'm just going to go.

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Speaker 1: It wasn't Sydney.

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Speaker 3: Sorry, soon say podcast gold. But at one point seven, hello,

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Speaker 3: there it's Jonesy demanded mass sunny hot mon today thirty

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Speaker 3: one degrees in the city, thirty five in our west.

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Speaker 3: Right now it is twenty one degrees. A big ship

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Speaker 3: has just come into circular kids.

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Speaker 2: Isn't it great? Isn't it great? It looks so magic

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Speaker 2: to see the ship I did. It's hard for me

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Speaker 2: because when we well, I know, when we first mooted

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Speaker 2: coming into this studio. You chose that seat. That's great.

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Speaker 2: You get the opera house for you, you get all

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Speaker 2: of that, and I get some industrial stuff. But I

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Speaker 2: did stand up while that song was on because it

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Speaker 2: hurts my neck to crane too much to try and

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Speaker 2: see it.

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Speaker 1: So what's going on your side?

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Speaker 2: Well, I can't any smokestacks this morning, and anyway, Yeah,

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Speaker 2: but you do. You tell me what's happening on the

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Speaker 2: pretty side of town.

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Speaker 1: You're right now?

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Speaker 2: You bags where you bags?

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Speaker 1: The goods?

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Speaker 4: See, because I got to sit technical stuff and you're

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Speaker 4: over there.

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Speaker 2: I'm over there. I'm over here. If anyone needs me,

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Speaker 2: I'm nearest smokestack.

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Speaker 1: We are into the magnificence. Yes, I'm sorry.

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Speaker 3: I asked where was the actress Nicole Kidman Bourne.

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Speaker 1: That is question number four.

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Speaker 2: Going to Jamie and Golden. Hello, Jamie.

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Speaker 3: Now I was downing on your neck of the woods

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Speaker 3: on the weekend, Jamie.

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Speaker 9: Whereabout?

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Speaker 1: I went to Tiralga.

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Speaker 3: I rode from Sussex Inlead to Tarraga with a bunch

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Speaker 3: of bunch of fellas and it was great, what a

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Speaker 3: great place like, just going on that ride and I

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Speaker 3: got a bit lost. I ended up on Rifle Range

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Speaker 3: Road coming back. Do you know Rifle Range Road?

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Speaker 2: Yeah, yeah, yeah.

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Speaker 1: Well that's right.

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Speaker 3: I'm on this giant Harley and the GPS on the

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Speaker 3: Harley it's one of those GPS's that would send you

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Speaker 3: down a boat ramp. It's not very good and I'm

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Speaker 3: running along trying to get to over to an hour away.

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Speaker 2: But on the way home, Rifle range isn't.

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Speaker 1: Yes, but the roads got skinnier and skinnier. And I'm going, okay,

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Speaker 1: what's happened here? Yeah? Is that what you ended up with?

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Speaker 2: A gingerbread house?

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Speaker 3: I did?

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Speaker 2: Anyway, Well, we've ruled out we've ruled out Sydney in

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Speaker 2: this equation here, Jamie, So where was actress Nicole Kidman born?

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Speaker 1: Was it Honolulu or London?

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Speaker 7: To be honolulus honolul?

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Speaker 1: Didn't know that? True or false?

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Speaker 3: People who win an oscar can sell it to anyone

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Speaker 3: they want.

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Speaker 1: Is this true or false? Jamie?

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Speaker 12: That would be false.

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Speaker 1: It is false.

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Speaker 2: You're not allowed to sell them. Apparently you could before

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Speaker 2: nineteen fifty one, which is why Michael Jackson paid one

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Speaker 2: and a half million dollars to purchase Gone with the

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Speaker 2: Wind Best Picture.

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Speaker 1: He bought everything that learned.

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Speaker 3: Remember he bought the elephant man John Merrick's skull or bones.

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Speaker 2: Yeah, weirdo. And that's not the only that made them

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Speaker 2: a little bit weird. That was when.

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Speaker 1: Only two Australian animals can produce milk and lay eggs.

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Speaker 1: Name one of these animals, Jamie, ah.

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Speaker 2: Chows, No, don't eat those eggs.

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Speaker 3: Imagine the cow produced eggs there's your breakfast door, there's.

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Speaker 2: Your chocolate taken care of?

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Speaker 1: Elizabeth? Is in matter? Elizabeth?

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Speaker 11: Oh Hi? How are you guys right?

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Speaker 2: I think Jamie misunderstood the question. Only two Australian animals

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Speaker 2: can both produce milk and lay eggs. Can you name

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Speaker 2: one of them? Platform and the other one is your kidnap?

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Speaker 3: Maybe we can get an American influence to separate them

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Speaker 3: from their mum.

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Speaker 2: There was another shot of that same woman holding an

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Speaker 2: a kidnap. People can't tell where she got it from.

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Speaker 1: Where she's one of those wildlife influences.

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Speaker 2: So if you I know, but if you're going to

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Speaker 2: be if you're going to do that, then she would

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Speaker 2: know the danger of separating a baby wombat from its mother.

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Speaker 3: What motorsport kicks off in Melbourne tomorrow?

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Speaker 11: Formula one?

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Speaker 2: Yeah one tomorrowstorious?

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Speaker 1: Is that right? I've got that right.

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Speaker 2: One of them is a murderer and one of them

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Speaker 2: is a race can't I'm scared to hazard?

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Speaker 1: I guess yeah. No, he was the killer Pstree Pistre.

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Speaker 3: Oscar is an Oscar Pstree, Thank you stories.

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Speaker 1: He's a blade runner.

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Speaker 2: He's now out of prison and maybe for all we

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Speaker 2: know running in the driving in the Formula one, but

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Speaker 2: I don't think so.

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Speaker 1: It's has been dreadful for him.

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Speaker 2: Didn't you want a murtoring show?

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Speaker 1: Yeah?

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Speaker 3: I was on RPM with Alan Jones more former racing

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Speaker 3: got all.

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Speaker 2: The mass murderers were driving.

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Speaker 1: You know, I'm not a sport guy. You've known that.

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Speaker 2: You know what you get with John Wayne Gacy.

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Speaker 3: Elizabeth back to you, Congratulations, you've won the Jampig. Tickets

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Speaker 3: for you and three friends to the Caravan and Camping

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Speaker 3: Show rose Hill Garden's Racing Horse from April twenty nine,

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Speaker 3: May four, A double pasta scenic World see the Blue

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Speaker 3: Mountains in a whole new way and Jones and Amanda

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Speaker 3: Coaracter joys few to color and substandard pencils.

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Speaker 1: I say, Elizabeth, anything you'd like to add to this?

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Speaker 11: That is excellent. What a great way to start the weekend.

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Speaker 11: I'm off to coff Tabor for a swimming competition, so

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Speaker 11: that's amazing.

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Speaker 1: Are you swimming in the ocean or in a pool?

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Speaker 11: In a pool?

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Speaker 1: Good? How many? How many laps are you doing?

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Speaker 11: It'll probably only got to be about five because I've

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Speaker 11: got frozen shoulders. Any racing, well, yes, it's racing. But yeah,

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Speaker 11: but I'm using a kickboard as a big competition. Yeah,

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Speaker 11: it would be cool.

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Speaker 2: Good luck, Elizabeth.

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Speaker 3: Okay, Elizabeth, I can listen back to ourselves the whole.

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Speaker 1: Time with that.

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Speaker 2: What do the things come up on the show today?

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Speaker 2: Sampang's going to be joining us. He's got a new

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Speaker 2: Tonight show starting on Monday tonight.

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Speaker 3: The road is littered with Tonight shows in Australia that

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Speaker 3: have failed.

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Speaker 2: How are you going to start the interview? You know,

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Speaker 2: first you're going to conquer your motor race information and.

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Speaker 1: Now this I'm sure though, Sam is the one.

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Speaker 2: Okay, let's hope to rise and heard any of this wrong.

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Speaker 2: But also we've had Tonight shows that have lasted for ages.

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Speaker 2: They all have to end at some point. Rove lasted

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Speaker 2: for ages, Vizard lasted for ages.

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Speaker 3: Remember Kerry Packer didn't realize there's an American version of Visor.

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Speaker 3: David Leediman was doing his show, so he just went, oh,

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Speaker 3: this is great, and then Steve Iza just ripped off

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Speaker 3: everything that Dave Letiman.

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Speaker 2: Did, including the beard. Well yet, no, if you can

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Speaker 2: make it work, why not?

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Speaker 1: Why not?

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Speaker 2: It doesn't have to be an original thing. The tenants

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Speaker 2: of a Tonight Show are there because they work. You know,

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Speaker 2: you're not going to do a Tonight Show and just

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Speaker 2: juggle for the whole time, because that would be ridiculous.

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Speaker 2: Maybe Sam's thinking of that.

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Speaker 3: That's for YouTube that's probably got five billion followers.

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Speaker 2: We've also got a fight few flashback coming up today,

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Speaker 2: Jonesy and Amanda Podcast, Amanda, I'm going to pick through

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Speaker 2: the germanac our people because musical facts.

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Speaker 1: Yes, on this day.

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Speaker 2: In two thousand and eight, Kings of Leon released they

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Speaker 2: hit Sex on Fire.

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Speaker 1: All great song.

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Speaker 2: When the song first came out, people wondered what sex

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Speaker 2: on Fire referred to, and they thought, could it be

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Speaker 2: burning venereal Disease? That's another song that Elvis sang.

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Speaker 1: Burning venereal Disease.

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Speaker 2: The lead vocalist, Caleb Followill was quick to clarify, saying,

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Speaker 2: there's always been an element of sex in our music.

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Speaker 2: He said, so I thought I'd wrap it all up

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Speaker 2: in one song for the record. He said, it's about

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Speaker 2: the best sex you've ever had.

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Speaker 1: When was the best sex you ever had?

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Speaker 2: What's the time now? American Idol contestant Christian Guilladio, I've

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Speaker 2: just made up that surname Guardinos.

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Speaker 1: That sounds like.

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Speaker 2: Well. He was singing Sex on Fire and he was

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Speaker 2: asked to describe what the song was about, and he

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Speaker 2: went all, shy.

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Speaker 10: Ah, well it's it's about it's about.

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Speaker 1: How do I explain in a proper manner it's about sex.

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Speaker 2: I think I think work that out. And Beyonce she

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Speaker 2: covered this in her Glastonbury set in twenty eleven.

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Speaker 3: I like it.

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Speaker 2: You're pulling a face.

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Speaker 1: I don't know. I always thinking that.

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Speaker 3: There's always those pictures of Beyonce with a big crutch

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Speaker 3: shot up her on stage.

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Speaker 1: Lately you've seen that. It's all these memes.

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Speaker 2: No, I haven't seen any of them. I don't know

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Speaker 2: what algorithm you've got. Well, let's play the song. Shall

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Speaker 2: we seem to be kidding it a lot?

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Speaker 1: This is a great song. Gem gold By at one

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Speaker 1: point seven.

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Speaker 3: Hello there, it's Jonesy demanded Friday, the fourteenth of March.

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Speaker 1: It's going to be a hot one today.

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Speaker 3: What a beautiful looking morning now, just looking out at

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Speaker 3: the harbor Bridge and the Opera House.

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Speaker 2: I know that you complain, don't complain, you're looking. I

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Speaker 2: don't want you to paint music complainer. But when we

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Speaker 2: were doing the job of that. Well, I've worked out

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Speaker 2: who would be. We're in this studio. You've got a

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Speaker 2: seat because you said you had to sit there.

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Speaker 1: Well, then the desk faces that way. Yeah, but you're

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Speaker 1: on the non importance in the window seat.

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Speaker 3: Not at all.

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Speaker 1: I never said that.

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Speaker 2: And so you see the harbor bridge in the city

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Speaker 2: and you see the ships coming in. Because I might

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Speaker 2: get beside us in my neck, I can't look around

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Speaker 2: that far.

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Speaker 1: So I see.

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Speaker 2: I mean, Sydney's beautiful in all its industrial glory. The

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Speaker 2: bits that I see.

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Speaker 1: You've got You've got Goat Island. Yeah, sure, I've got

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Speaker 1: that played there.

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Speaker 2: Yeah, I'm not complaining. Good complaining.

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Speaker 1: It's seven to seven. Let's get on down to the

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Speaker 1: Jonesy a matter of arms to test.

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Speaker 3: Speaking of complainings, we had this call on gets my

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Speaker 3: ghoulies the other day and it's set great debate amongst

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Speaker 3: the people here.

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Speaker 13: Do you know what gets my goolies is when you

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Speaker 13: buy concert tickets to sit in a class seating in

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Speaker 13: a closed stadium, but then the people in front of

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Speaker 13: you in the seating area that have paid the same

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Speaker 13: price are now standing up to dance with the people

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Speaker 13: that are standing on the ground. I think if you

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Speaker 13: want to stand up to dance at the concert, be

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Speaker 13: on the dance floor. Don't go where the seats are.

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Speaker 1: Don't you know where the seats are?

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Speaker 2: She's talking quite specifically there about if you've paid to

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Speaker 2: have a seat versus standing up in a different costed area.

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Speaker 2: But it does bring up an interesting question of standing

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Speaker 2: up at concerts. You and I went to see The

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Speaker 2: Rolling Stones. How lucky were we? It was an incredible

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Speaker 2: performance and the entire place was standing up except for

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Speaker 2: one person, Glena Baker, who was sitting behind me. So

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00:18:31,720 --> 00:18:34,880
Speaker 2: I was really conscious of blocking his view. And yet

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Speaker 2: who doesn't stand at the Rolling Stones? But you'll find

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Speaker 2: other concerts where some people want to stand and some don't.

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00:18:39,760 --> 00:18:42,800
Speaker 2: And if you're sitting down. Lots of people online have

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Speaker 2: commented about this. I've got a bad back, I have

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Speaker 2: to sit down. I want to sit and enjoy the concert.

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Speaker 2: But if someone stands in front of you, you have

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Speaker 2: to stand. Therefore everyone behinds you stand. But often you'll

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Speaker 2: see American performers out here. Because American audiences are always

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Speaker 2: up and dancing around, we're not allowed to. Often security

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Speaker 2: stops us. They must wonder why is no one up.

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Speaker 1: Of American artists do that. They said, what's going on?

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Speaker 2: Yeah, you're enjoying it or not.

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Speaker 1: In the case of Glenna, he's infirm, though, isn't he.

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Speaker 2: Oh yes, this is no judgment. It's how it makes

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Speaker 2: me fit.

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Speaker 1: He's a music official, Leonardo. So he's sitting down reviewing

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Speaker 1: the concert.

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Speaker 2: Yes, well he didn't see because I was standing.

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Speaker 1: In front of him and you were booging away.

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00:19:16,640 --> 00:19:20,680
Speaker 2: I was very conscious of blocking his view. This is

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00:19:20,920 --> 00:19:23,880
Speaker 2: a primal conversation about should you be allowed to stand

437
00:19:23,920 --> 00:19:26,080
Speaker 2: in a concert? Is it good etiquette or bad etiquette?

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00:19:26,320 --> 00:19:28,680
Speaker 2: So standing up at a concert does it pass the

439
00:19:28,720 --> 00:19:29,800
Speaker 2: pub TestU.

440
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Speaker 4: Ja Brendon and Elevanda and you're on the same show.

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Speaker 1: Let's start wearing lipstick.

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Speaker 3: Shout out to anyone using the TFO round about this morning.

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Speaker 1: That's that's good news.

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Speaker 3: They're going to sort that thing out, you know, the

445
00:19:45,960 --> 00:19:47,639
Speaker 3: one at home Bush that always caused trouble.

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Speaker 1: Yeah, yeah, I know people worried when they go into it.

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00:19:51,920 --> 00:19:52,320
Speaker 12: I like it.

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Speaker 1: I see it as a challenge.

449
00:19:53,440 --> 00:19:55,400
Speaker 2: But well, you just have to hope that everyone else

450
00:19:55,480 --> 00:19:58,880
Speaker 2: knows the rules. I'm all right, I'm the one who's

451
00:19:58,880 --> 00:19:59,400
Speaker 2: fine road.

452
00:20:00,640 --> 00:20:01,960
Speaker 3: You know, you just got to be careful when you

453
00:20:02,000 --> 00:20:03,480
Speaker 3: get a roundabout. You got to be careful when you

454
00:20:03,480 --> 00:20:05,399
Speaker 3: pick up small mouse. Supules.

455
00:20:05,480 --> 00:20:07,640
Speaker 2: Oh yes, this has been such big news in Australia,

456
00:20:07,680 --> 00:20:09,639
Speaker 2: hasn't it. We've all been outraged. The woman's name is

457
00:20:09,720 --> 00:20:13,160
Speaker 2: Sam Jones. She describes herself as an outdoor enthusiast and hunter.

458
00:20:13,960 --> 00:20:17,280
Speaker 2: She claims to be a wildlife biologist, environmental scientist. That's

459
00:20:17,320 --> 00:20:19,880
Speaker 2: a lot of things on her LinkedIn profile right there.

460
00:20:20,359 --> 00:20:23,960
Speaker 2: But we've all seen the footage by now. She's a

461
00:20:24,080 --> 00:20:27,840
Speaker 2: wildlife influencer and this is her picking up a baby

462
00:20:27,880 --> 00:20:31,159
Speaker 2: wombat and carrying it, separating it from its mum just

463
00:20:31,320 --> 00:20:32,400
Speaker 2: caught a baby wombat.

464
00:20:39,880 --> 00:20:42,200
Speaker 1: Look at the mother. It's like, oh I chased it

465
00:20:42,280 --> 00:20:42,639
Speaker 1: after he.

466
00:20:44,520 --> 00:20:44,920
Speaker 2: Thank god?

467
00:20:46,320 --> 00:20:50,800
Speaker 1: Yes, yes, too much oxygen?

468
00:20:52,119 --> 00:21:02,760
Speaker 2: Okay, mama's right there she is, yes, all right. Well

469
00:21:02,840 --> 00:21:05,320
Speaker 2: she then puts the baby back on the ground and

470
00:21:05,400 --> 00:21:07,399
Speaker 2: it reunites with its mother. The mother was chasing her

471
00:21:07,440 --> 00:21:10,520
Speaker 2: down the road. Who's this guy though, because she says, oh,

472
00:21:10,520 --> 00:21:11,720
Speaker 2: should I put it back? And he says no, no,

473
00:21:11,800 --> 00:21:14,399
Speaker 2: Well he's an Australian, you know he should know better.

474
00:21:14,600 --> 00:21:17,679
Speaker 1: Well, he's trying to tuna holding a tuna. No, he's

475
00:21:17,720 --> 00:21:18,080
Speaker 1: trying to.

476
00:21:19,880 --> 00:21:20,560
Speaker 2: Have it off with her.

477
00:21:20,800 --> 00:21:24,320
Speaker 1: Yeah. So, and in Australia we're very lacasse fair with

478
00:21:24,400 --> 00:21:25,000
Speaker 1: our wild life.

479
00:21:25,080 --> 00:21:27,000
Speaker 2: Now what I do I think most Australia then why

480
00:21:27,040 --> 00:21:29,480
Speaker 2: are we so outraged? Why are we so outsident?

481
00:21:29,480 --> 00:21:29,880
Speaker 1: Americans?

482
00:21:30,160 --> 00:21:31,919
Speaker 2: She's picking it up. That's the interesting thing.

483
00:21:32,000 --> 00:21:32,840
Speaker 1: And it's on the internet.

484
00:21:33,480 --> 00:21:36,040
Speaker 3: Whenever you post anything with animals or children, you put

485
00:21:36,040 --> 00:21:38,639
Speaker 3: it on the internet, there is someone is going to complain.

486
00:21:38,680 --> 00:21:40,840
Speaker 1: You look at poor old Hemsey. Hemsey takes his little

487
00:21:40,880 --> 00:21:43,080
Speaker 1: kids out and they're all fishing, catching fish.

488
00:21:43,160 --> 00:21:45,120
Speaker 3: I hope you thrown catch and release. I hope you're

489
00:21:45,119 --> 00:21:47,879
Speaker 3: putting that fish back. Australians have been fishing for a

490
00:21:47,960 --> 00:21:48,960
Speaker 3: thousand million years.

491
00:21:49,000 --> 00:21:51,240
Speaker 2: Yeah, But would you pick up a wombat and separate

492
00:21:51,320 --> 00:21:51,960
Speaker 2: it from its math?

493
00:21:52,080 --> 00:21:54,800
Speaker 1: So, and of course not. I've run one over by accident.

494
00:21:55,000 --> 00:21:57,080
Speaker 1: Well stuff, I felt terrible about it. I bought a

495
00:21:57,119 --> 00:22:00,840
Speaker 1: little grave for it. Stuff happens by accident. Like I

496
00:22:00,840 --> 00:22:01,639
Speaker 1: wouldn't have filmed it.

497
00:22:02,080 --> 00:22:04,159
Speaker 2: It's not just filming it. We would know not to

498
00:22:04,240 --> 00:22:07,200
Speaker 2: separate a baby wombat from its mother. That Australian guy

499
00:22:07,280 --> 00:22:08,040
Speaker 2: should have known better.

500
00:22:08,119 --> 00:22:10,200
Speaker 1: But once again, he's trying to tune.

501
00:22:10,600 --> 00:22:13,119
Speaker 2: So this has all been highly escalated by now as

502
00:22:13,119 --> 00:22:16,480
Speaker 2: you know, and Home Affairs Minister Tony Burker said, given

503
00:22:16,520 --> 00:22:18,560
Speaker 2: the level of scrutiny she's had, if she ever applies

504
00:22:18,560 --> 00:22:20,480
Speaker 2: for a visa again, I'd be surprised if she bothers,

505
00:22:20,560 --> 00:22:23,960
Speaker 2: but we will be reviewing her current visa etc. She

506
00:22:24,119 --> 00:22:26,560
Speaker 2: has issued a statement. She said the baby was carefully

507
00:22:26,640 --> 00:22:29,399
Speaker 2: held for one minute in total. The release back to mom,

508
00:22:29,920 --> 00:22:32,560
Speaker 2: they wandered back off into the bush together, completely unharmed.

509
00:22:32,800 --> 00:22:35,239
Speaker 2: I don't ever capture wildlife that will be harmed by

510
00:22:35,320 --> 00:22:37,919
Speaker 2: my doing so, She said. Social media is getting too

511
00:22:37,960 --> 00:22:40,920
Speaker 2: much right now, I might take a small break. Love

512
00:22:41,040 --> 00:22:44,040
Speaker 2: my fan. Oh good, that guy was trying.

513
00:22:43,800 --> 00:22:46,080
Speaker 1: To crack it's spade worker.

514
00:22:46,160 --> 00:22:47,960
Speaker 2: I mean, what she did was appalling, but I think

515
00:22:48,000 --> 00:22:50,119
Speaker 2: you know, we don't need to chase her out of

516
00:22:50,160 --> 00:22:53,399
Speaker 2: the country, do we's a separator from a mother. We

517
00:22:53,440 --> 00:22:55,800
Speaker 2: should actually get her to wrestle a nest of funnel

518
00:22:55,840 --> 00:22:58,320
Speaker 2: webs and say, here's some more beast life you might enjoy.

519
00:22:58,400 --> 00:23:00,480
Speaker 1: What about a blue Ringdosto octopus?

520
00:23:00,560 --> 00:23:02,640
Speaker 2: Don't just take the cute stuff with that in your bikini.

521
00:23:03,280 --> 00:23:08,639
Speaker 1: Jem jam Na said, right.

522
00:23:08,560 --> 00:23:14,480
Speaker 9: Now, crazy your windows, stick your head on a yell.

523
00:23:18,640 --> 00:23:20,920
Speaker 1: Down to the jonesy de matter of arms spending pub test.

524
00:23:21,280 --> 00:23:23,680
Speaker 3: And today we're all talking about standing up at a

525
00:23:23,760 --> 00:23:24,480
Speaker 3: constant which took a.

526
00:23:24,520 --> 00:23:26,040
Speaker 2: Call on our gooli line the other day.

527
00:23:26,840 --> 00:23:28,840
Speaker 13: Do you know what gets my gholies is when you

528
00:23:29,000 --> 00:23:32,159
Speaker 13: buy concert tickets to sit in a class seating in

529
00:23:32,440 --> 00:23:35,320
Speaker 13: a closed stadium, but then the people in front of

530
00:23:35,400 --> 00:23:38,160
Speaker 13: you in the seeded area that have paid the same

531
00:23:38,280 --> 00:23:40,520
Speaker 13: price are now standing up to dance with the people

532
00:23:40,560 --> 00:23:42,440
Speaker 13: that are standing on the ground. I think, if you

533
00:23:42,480 --> 00:23:44,520
Speaker 13: want to stand up to dance to constantly on the

534
00:23:44,600 --> 00:23:46,520
Speaker 13: dance floor, don't go where the seats are.

535
00:23:46,720 --> 00:23:48,399
Speaker 1: I have a bit of a win in Rome. Do

536
00:23:48,480 --> 00:23:49,520
Speaker 1: as the Romans do thing.

537
00:23:49,600 --> 00:23:51,520
Speaker 3: I get a concert, I get the vibe if someone's

538
00:23:51,560 --> 00:23:53,200
Speaker 3: behind me sitting down, I said, okay, that's.

539
00:23:53,119 --> 00:23:57,000
Speaker 2: What if it's your favorite song and you feel like

540
00:23:57,080 --> 00:23:57,720
Speaker 2: having a boogie.

541
00:23:57,960 --> 00:23:59,359
Speaker 1: Yeah, I know what you're saying.

542
00:23:59,680 --> 00:24:03,119
Speaker 3: It's say your coaches will do goodbye, astroid goodbye, and

543
00:24:03,119 --> 00:24:04,359
Speaker 3: anyone's having a breathe.

544
00:24:04,400 --> 00:24:06,560
Speaker 1: No one is going to be sitting down for there's.

545
00:24:06,440 --> 00:24:09,879
Speaker 2: Concerts where that happens. It's your favorite moment to stand up,

546
00:24:09,880 --> 00:24:13,720
Speaker 2: and others don't want to. It's quite a controversial discussion,

547
00:24:13,800 --> 00:24:16,280
Speaker 2: isn't it. How do you feel standing up at concerts

548
00:24:16,440 --> 00:24:17,560
Speaker 2: as it past the pub test?

549
00:24:18,320 --> 00:24:20,720
Speaker 11: So I believe if the over the concert is to

550
00:24:20,800 --> 00:24:23,520
Speaker 11: stand up and have a good boogie, then stand up

551
00:24:23,560 --> 00:24:24,399
Speaker 11: and have a good boogie.

552
00:24:24,760 --> 00:24:26,720
Speaker 1: If you happen to be that person behind, that person

553
00:24:26,760 --> 00:24:27,159
Speaker 1: in front of.

554
00:24:27,119 --> 00:24:29,400
Speaker 11: You, that's having a good time, You've got two choices.

555
00:24:29,640 --> 00:24:31,760
Speaker 11: Get up and join in or sit there and keep

556
00:24:31,840 --> 00:24:33,760
Speaker 11: having your w ambulance. But at the end of the day,

557
00:24:33,880 --> 00:24:35,680
Speaker 11: the concert's there to have a good time, have a

558
00:24:35,720 --> 00:24:36,080
Speaker 11: good time.

559
00:24:36,560 --> 00:24:38,720
Speaker 7: No, I wouldn't be able to stand for the duration

560
00:24:38,880 --> 00:24:39,560
Speaker 7: over the concert.

561
00:24:39,800 --> 00:24:43,640
Speaker 11: I would stand up, you know, whether it was one song.

562
00:24:43,840 --> 00:24:44,840
Speaker 10: Exciting or whatever.

563
00:24:45,520 --> 00:24:48,240
Speaker 14: My poor old Barry good fins in the league which

564
00:24:48,280 --> 00:24:48,960
Speaker 14: aches too much.

565
00:24:49,080 --> 00:24:52,600
Speaker 2: Absolutely it does. Sushi quadro will get you up on

566
00:24:52,800 --> 00:24:53,520
Speaker 2: the floor.

567
00:24:53,720 --> 00:24:57,000
Speaker 11: You want you up dancing and singing. A lot of

568
00:24:57,040 --> 00:24:58,280
Speaker 11: the artists will want you.

569
00:24:58,359 --> 00:24:58,720
Speaker 12: To do that.

570
00:24:59,080 --> 00:25:02,199
Speaker 7: Me personally, absolutely not, because I'm in a.

571
00:25:02,200 --> 00:25:05,119
Speaker 11: Wheelchair and if someone stands up in front of me,

572
00:25:05,760 --> 00:25:08,480
Speaker 11: I've waited the price of a ticket. I can't enjoy it.

573
00:25:08,760 --> 00:25:09,920
Speaker 9: I absolutely hate it.

574
00:25:10,080 --> 00:25:12,520
Speaker 7: So no, it does not pass the pub tist.

575
00:25:12,880 --> 00:25:14,920
Speaker 1: If you go to a rock concert, you've got to

576
00:25:14,960 --> 00:25:16,200
Speaker 1: stand up and dance.

577
00:25:16,119 --> 00:25:18,680
Speaker 11: Get into the march, stand up anywhere at a concerts,

578
00:25:18,680 --> 00:25:19,760
Speaker 11: a rock concert.

579
00:25:19,520 --> 00:25:22,120
Speaker 1: Go for it, wheelchair or not straight into the marsh.

580
00:25:22,200 --> 00:25:23,960
Speaker 3: But then if you've got a wheelchair person in a

581
00:25:23,960 --> 00:25:25,880
Speaker 3: wheelchair behind you, you're not gonna stand up in front.

582
00:25:25,960 --> 00:25:28,280
Speaker 1: But this is just common decency. It's all women calling

583
00:25:28,359 --> 00:25:30,000
Speaker 1: you slip not fest.

584
00:25:30,760 --> 00:25:35,639
Speaker 2: And you know I was a Barry Manilow and Melanie

585
00:25:35,640 --> 00:25:37,280
Speaker 2: and I are in the back of your as friend. Yeah,

586
00:25:37,359 --> 00:25:39,040
Speaker 2: and we thought how and we've loved him for a

587
00:25:39,119 --> 00:25:40,760
Speaker 2: million years. We thought great was going to stand up

588
00:25:40,760 --> 00:25:42,280
Speaker 2: and hug each other and cry for the whole thing.

589
00:25:42,560 --> 00:25:44,800
Speaker 2: And then some people arrived in a wheelchair behind us,

590
00:25:44,840 --> 00:25:46,920
Speaker 2: And so you think you have to be judicious. You

591
00:25:47,040 --> 00:25:49,359
Speaker 2: pick the song where you think I'm going to have

592
00:25:49,560 --> 00:25:50,359
Speaker 2: to I'm going.

593
00:25:50,320 --> 00:25:52,200
Speaker 1: To have to stand and you just sat down throughout

594
00:25:52,240 --> 00:25:52,679
Speaker 1: the whole thing.

595
00:25:52,840 --> 00:25:56,280
Speaker 2: No, No, there was occasional favorite songs, so you stand up,

596
00:25:56,560 --> 00:25:58,199
Speaker 2: stand up, might say them, sorry, do you mind if

597
00:25:58,200 --> 00:26:00,359
Speaker 2: I stand up? And if you're polite about it, if

598
00:26:00,400 --> 00:26:03,399
Speaker 2: you're polite about it, and say do you mind if

599
00:26:03,800 --> 00:26:05,520
Speaker 2: I if I block you you for this one?

600
00:26:05,640 --> 00:26:06,360
Speaker 1: And what did they say?

601
00:26:06,440 --> 00:26:09,040
Speaker 2: They said, sure, we've had a rapport with them, but

602
00:26:09,160 --> 00:26:10,600
Speaker 2: we knew not to stand up the whole time because

603
00:26:10,640 --> 00:26:12,800
Speaker 2: it's just they wouldn't see anything our bums.

604
00:26:13,280 --> 00:26:15,399
Speaker 1: That's quite a show as well, haven't you suffered?

605
00:26:15,520 --> 00:26:22,639
Speaker 15: Enne Sham Notion Podcast, Jonesy and Amanda in the Morning

606
00:26:22,800 --> 00:26:25,920
Speaker 15: on WSFM now Gold one on one point seven.

607
00:26:26,040 --> 00:26:28,320
Speaker 1: It's a beautiful day in the Harbor City. Look out there.

608
00:26:28,359 --> 00:26:29,280
Speaker 1: I'm in that view?

609
00:26:29,520 --> 00:26:29,720
Speaker 14: Are you?

610
00:26:29,840 --> 00:26:31,960
Speaker 1: On the other hand, you don't you make me.

611
00:26:32,000 --> 00:26:34,800
Speaker 2: Sound like a wind show. I'm not complaining. I'm not complaining.

612
00:26:34,880 --> 00:26:37,640
Speaker 2: You get the Harbor Bridge and all of that opera house.

613
00:26:37,680 --> 00:26:40,000
Speaker 2: I'm seeing some nice industrial city. I'm happy with it.

614
00:26:40,080 --> 00:26:43,480
Speaker 1: You've got infrastructure. Happy happy. This is the divorce.

615
00:26:44,080 --> 00:26:46,240
Speaker 3: It's twenty one past seven. We're trying to get Sam Pang.

616
00:26:46,280 --> 00:26:47,640
Speaker 3: We've had a bit of trouble. This is a problem

617
00:26:47,680 --> 00:26:50,919
Speaker 3: with these Tonight shows. They always have trouble. We'll get

618
00:26:50,960 --> 00:26:52,240
Speaker 3: Sam on, We'll put some Barnzy on.

619
00:26:52,800 --> 00:26:53,440
Speaker 1: Well, I was here?

620
00:26:53,600 --> 00:26:53,959
Speaker 9: Is he here?

621
00:26:54,160 --> 00:26:54,639
Speaker 1: What's going on?

622
00:26:54,760 --> 00:26:54,960
Speaker 2: Tom?

623
00:26:56,000 --> 00:26:58,440
Speaker 1: What's going on? I'm watching the bridge? Well, okay, I'm

624
00:26:58,480 --> 00:27:00,960
Speaker 1: ever playing Barnesy or I were going to buy it.

625
00:27:01,080 --> 00:27:01,880
Speaker 1: I know he's there.

626
00:27:01,960 --> 00:27:02,320
Speaker 12: Is he there?

627
00:27:02,680 --> 00:27:03,679
Speaker 2: No, they're shaking.

628
00:27:05,400 --> 00:27:07,960
Speaker 1: Crucis he's not there.

629
00:27:08,040 --> 00:27:08,480
Speaker 2: Play a song.

630
00:27:08,560 --> 00:27:12,360
Speaker 1: Put Barnes on. If in doubt, play Jimmy Barnes.

631
00:27:12,560 --> 00:27:17,080
Speaker 2: He's our emergency song. Well he was there and then

632
00:27:17,119 --> 00:27:18,959
Speaker 2: he wasn't. Line dropped out.

633
00:27:19,040 --> 00:27:21,000
Speaker 1: We'll get Sam peg Is.

634
00:27:21,080 --> 00:27:22,240
Speaker 2: Line dropped out. It happens.

635
00:27:22,440 --> 00:27:25,359
Speaker 1: It's easy, it's easy to do, and he'll come on

636
00:27:25,480 --> 00:27:25,800
Speaker 1: the show.

637
00:27:26,000 --> 00:27:31,159
Speaker 3: Because the TV Tonight show highways Lizard with shows that

638
00:27:31,240 --> 00:27:32,160
Speaker 3: have not worked, Oh.

639
00:27:32,119 --> 00:27:32,920
Speaker 1: God, what would he come on?

640
00:27:33,000 --> 00:27:36,119
Speaker 2: I'm saying it's not inducive to.

641
00:27:36,200 --> 00:27:40,480
Speaker 1: Getting him on, and we know that and we love it.

642
00:27:40,600 --> 00:27:42,919
Speaker 2: Sometimes they don't work, but look Advisor, look at they

643
00:27:42,960 --> 00:27:45,400
Speaker 2: went for years and years and years and Sam very

644
00:27:45,480 --> 00:27:48,320
Speaker 2: cleverly is just doing one night a week for eight

645
00:27:48,400 --> 00:27:51,600
Speaker 2: weeks something like that. It's not long form. Is getting in,

646
00:27:52,119 --> 00:27:54,040
Speaker 2: making a hit and then taking his time.

647
00:27:54,160 --> 00:27:59,280
Speaker 1: It's easy, psy and easy peasy. If anyone you'd have

648
00:27:59,320 --> 00:28:01,399
Speaker 1: a crack, anyone can do it.

649
00:28:01,960 --> 00:28:05,480
Speaker 2: Samang. It's Sampang. It's our quest for pain and the

650
00:28:05,560 --> 00:28:07,760
Speaker 2: answer a phone though. That's what we're discovering.

651
00:28:08,000 --> 00:28:10,800
Speaker 3: That's coming up next, and we'll track down Sam also

652
00:28:11,000 --> 00:28:12,960
Speaker 3: five for your flashback our category revealed.

653
00:28:17,200 --> 00:28:19,440
Speaker 10: I've heard them describe him as a drunken idiot.

654
00:28:19,480 --> 00:28:21,040
Speaker 2: I'm not sure a couple of dams.

655
00:28:21,720 --> 00:28:23,320
Speaker 1: Good news and bad news.

656
00:28:23,880 --> 00:28:27,680
Speaker 3: Sampang is returning to our screams on our first time

657
00:28:27,760 --> 00:28:28,640
Speaker 3: in a tonight show.

658
00:28:28,840 --> 00:28:29,520
Speaker 1: That's the good news.

659
00:28:29,560 --> 00:28:31,080
Speaker 2: I'm assuming bad news.

660
00:28:31,480 --> 00:28:34,440
Speaker 1: We can't get Sampang on the show. To you, I

661
00:28:34,800 --> 00:28:36,880
Speaker 1: think it's more of a back end thing.

662
00:28:37,080 --> 00:28:39,360
Speaker 2: It is, see what happens is and I've been on

663
00:28:39,400 --> 00:28:42,120
Speaker 2: the receipt. I'm not Sampang, obviously not his caliber. But

664
00:28:42,200 --> 00:28:42,800
Speaker 2: if I'm doing.

665
00:28:42,760 --> 00:28:44,360
Speaker 1: Public sure are of his cali.

666
00:28:44,520 --> 00:28:48,080
Speaker 2: If I'm doing his publicity interviews for a TV show,

667
00:28:49,240 --> 00:28:52,479
Speaker 2: you sit in a room and the publicists, we're promoting

668
00:28:52,520 --> 00:28:55,680
Speaker 2: your show line up the various shows. So they said, hey,

669
00:28:55,720 --> 00:28:58,000
Speaker 2: we've got Sam on the line the Channel ten publicsy

670
00:28:58,040 --> 00:29:00,240
Speaker 2: We've got Sam on the line, and so our producers go, great,

671
00:29:00,280 --> 00:29:02,760
Speaker 2: there's Sam, and then his line dropped out. That's It's

672
00:29:02,800 --> 00:29:07,520
Speaker 2: as basic as that. So you know, technology is your

673
00:29:07,520 --> 00:29:10,160
Speaker 2: friend until it's not your friend. But Sam's our friend.

674
00:29:10,200 --> 00:29:13,280
Speaker 2: This isn't about Sam Refuge. Sure he blows the whistle

675
00:29:13,320 --> 00:29:16,080
Speaker 2: down the line sometimes when you call it this isn't

676
00:29:16,080 --> 00:29:20,480
Speaker 2: about him. No, this was technology. You have to accept Brendan,

677
00:29:20,560 --> 00:29:23,560
Speaker 2: it's technology. Don't you take everything so personally.

678
00:29:24,000 --> 00:29:26,840
Speaker 3: I'm not taking anything personally. Just a promise made. Who's

679
00:29:26,840 --> 00:29:28,560
Speaker 3: a promise to live? And you get Sampang on the show.

680
00:29:28,920 --> 00:29:32,920
Speaker 3: It shouldn't be that hard. We're not asking for Megan Markle.

681
00:29:32,960 --> 00:29:34,560
Speaker 3: Actually I think we'd probably get Megan Markle.

682
00:29:34,600 --> 00:29:36,920
Speaker 2: No, it was technology, a technology glitch that it happens.

683
00:29:37,000 --> 00:29:39,040
Speaker 2: We sometimes go off air. People dream of it, as

684
00:29:39,080 --> 00:29:44,640
Speaker 2: you know, people pray for that. Anyway, anyway, flashback, it's Friday.

685
00:29:44,760 --> 00:29:47,240
Speaker 2: We've got lots of stuff still to come. Jonesy and

686
00:29:47,320 --> 00:29:53,560
Speaker 2: Amanda podcast. I like the way people do comparisons.

687
00:29:53,640 --> 00:29:55,520
Speaker 1: Listen to this. You would never have known.

688
00:29:55,600 --> 00:29:59,360
Speaker 2: This asteroid half the size of a giraffe strikes earth

689
00:29:59,440 --> 00:30:02,200
Speaker 2: off the coast of Iceland. And someone quite rightly has said,

690
00:30:03,200 --> 00:30:06,120
Speaker 2: which how do you split? Why half a giraffe? And

691
00:30:06,320 --> 00:30:08,120
Speaker 2: is it half long ways?

692
00:30:08,200 --> 00:30:11,080
Speaker 1: Or I'm with you, it makes no sense. Is it

693
00:30:11,480 --> 00:30:13,800
Speaker 1: the hind quarters of the giraffe? Or is it the

694
00:30:13,880 --> 00:30:16,000
Speaker 1: head and the neck? In what direction do you half?

695
00:30:16,280 --> 00:30:19,480
Speaker 2: And who would say the size of half a giraffe? Well,

696
00:30:19,560 --> 00:30:22,600
Speaker 2: this one it would take four hundred million m and

697
00:30:22,720 --> 00:30:26,120
Speaker 2: ms to make the length of the Mississippi River. Just

698
00:30:26,160 --> 00:30:28,200
Speaker 2: because you can do the maths, it doesn't mean you should.

699
00:30:28,400 --> 00:30:29,240
Speaker 1: That seems about right.

700
00:30:29,440 --> 00:30:32,200
Speaker 2: It would take seven point sixty nine billion chickens to

701
00:30:32,280 --> 00:30:36,080
Speaker 2: cover Australia's entire land mass. That's not that much, really,

702
00:30:36,200 --> 00:30:38,200
Speaker 2: is it. How many seven and a half billion chickens?

703
00:30:40,680 --> 00:30:44,360
Speaker 2: What do you think? Look at you as if you're

704
00:30:44,360 --> 00:30:45,760
Speaker 2: doing the maths on it. I was looking out the

705
00:30:45,800 --> 00:30:51,680
Speaker 2: window and going but this night night, well you need a.

706
00:30:51,680 --> 00:30:53,080
Speaker 1: Big deep rive you have to crack.

707
00:30:54,400 --> 00:30:57,480
Speaker 2: But this one I saw yesterday about the Grand Canyon

708
00:30:57,640 --> 00:30:58,440
Speaker 2: was fascinating.

709
00:30:58,760 --> 00:31:02,080
Speaker 14: If everyone on Earth into the Grand Canyon, you might

710
00:31:02,200 --> 00:31:04,320
Speaker 14: think it would fill up in less than a day.

711
00:31:04,560 --> 00:31:07,440
Speaker 14: But the Grand Canyon can hold about one point two

712
00:31:07,600 --> 00:31:11,520
Speaker 14: quadrillion gallons, and the average person peas about half a

713
00:31:11,600 --> 00:31:14,840
Speaker 14: gallon a day. So if all eight billion people peede

714
00:31:14,880 --> 00:31:17,680
Speaker 14: at the same time, they'd only add about four billion

715
00:31:17,760 --> 00:31:20,320
Speaker 14: gallons of pea. At that rate, it would take over

716
00:31:20,480 --> 00:31:23,600
Speaker 14: eight hundred thousand years of constant peeing to.

717
00:31:23,680 --> 00:31:24,200
Speaker 1: Fill it up.

718
00:31:25,200 --> 00:31:28,000
Speaker 2: Fascinating. Case you were wondering, you get me.

719
00:31:28,040 --> 00:31:29,600
Speaker 1: At three o'clock in the morning, I got head of

720
00:31:29,600 --> 00:31:29,960
Speaker 1: a crown.

721
00:31:31,680 --> 00:31:36,200
Speaker 2: You're just showing off about your steady stream. He's young

722
00:31:36,240 --> 00:31:37,560
Speaker 2: and old at the same time.

723
00:31:41,080 --> 00:31:47,080
Speaker 1: You should podcast. Oh someone's at the door, Amanda. Oh

724
00:31:47,640 --> 00:31:49,600
Speaker 1: it's Adrian the MAV's mambla.

725
00:31:49,800 --> 00:31:54,720
Speaker 2: I don't know the ad boundaries. Sorry, but I'm having

726
00:31:54,840 --> 00:31:55,800
Speaker 2: trouble following. Sorry.

727
00:31:55,880 --> 00:32:00,440
Speaker 1: Yeah, how are you guying with Athena? I mean I

728
00:32:00,480 --> 00:32:02,520
Speaker 1: think we've got some work to do.

729
00:32:03,000 --> 00:32:05,720
Speaker 2: Sorry, what I can't understand anything he said?

730
00:32:05,760 --> 00:32:07,600
Speaker 1: Would he be having to say the same amount? Yeah?

731
00:32:09,000 --> 00:32:13,800
Speaker 3: I see, Really I speak fluent Adrian. I see you

732
00:32:13,880 --> 00:32:15,080
Speaker 3: have something for us from management.

733
00:32:16,120 --> 00:32:18,720
Speaker 1: We stand right now. Thanks mate, are you moving forward?

734
00:32:18,760 --> 00:32:20,920
Speaker 4: I think you have some hope that we can get.

735
00:32:20,840 --> 00:32:24,640
Speaker 1: Back to how we were. Thank you what you said?

736
00:32:24,720 --> 00:32:31,400
Speaker 1: You're hot excited. You're still putting bums on seats with

737
00:32:31,480 --> 00:32:33,640
Speaker 1: the maths cast.

738
00:32:37,800 --> 00:32:38,800
Speaker 2: Call him the mumb.

739
00:32:41,040 --> 00:32:41,760
Speaker 1: Did I mumble?

740
00:32:42,440 --> 00:32:46,200
Speaker 3: Management rights countries around the world are refusing American goods

741
00:32:46,240 --> 00:32:48,880
Speaker 3: in light of the new tariffs laid down by the

742
00:32:48,960 --> 00:32:49,960
Speaker 3: Trump administration.

743
00:32:50,240 --> 00:32:52,560
Speaker 1: Yeah, today's five for your flashback.

744
00:32:52,400 --> 00:32:56,000
Speaker 3: American songs covered by Australian artists.

745
00:32:56,200 --> 00:32:56,880
Speaker 2: I love it.

746
00:32:57,000 --> 00:32:57,680
Speaker 1: Play well the.

747
00:32:57,720 --> 00:33:00,280
Speaker 2: Management songs we've taken from there, you.

748
00:33:00,320 --> 00:33:02,720
Speaker 3: Know, in the good old days, back in the fifties

749
00:33:02,800 --> 00:33:06,640
Speaker 3: and sixties, people like Johnny O'Keefe that what would happen

750
00:33:07,160 --> 00:33:10,600
Speaker 3: The American songwriters would send their songs to Australia and

751
00:33:10,640 --> 00:33:11,640
Speaker 3: we would perform them here.

752
00:33:11,720 --> 00:33:15,600
Speaker 2: But we didn't know that would be such separate markets.

753
00:33:15,440 --> 00:33:17,280
Speaker 1: The connectivity that we do now.

754
00:33:17,560 --> 00:33:20,000
Speaker 3: I'm not I'm not saying we're going to start playing

755
00:33:20,040 --> 00:33:21,800
Speaker 3: songs for the fifties and sixties, all.

756
00:33:21,760 --> 00:33:23,880
Speaker 2: Right, So we want songs that would normally fit the

757
00:33:24,280 --> 00:33:27,680
Speaker 2: for your flashback kind of you know, gist ye songs,

758
00:33:27,840 --> 00:33:31,120
Speaker 2: the American songs covered by Australian artists like it.

759
00:33:31,640 --> 00:33:32,440
Speaker 1: I like it too.

760
00:33:32,840 --> 00:33:34,280
Speaker 2: Jem lisis.

761
00:33:36,960 --> 00:33:43,920
Speaker 1: Free instance, and Amanda's that's gold.

762
00:33:44,160 --> 00:33:46,560
Speaker 3: Ten questions, sixty seconds on the clock. You can pass

763
00:33:46,600 --> 00:33:48,320
Speaker 3: if you don't know an answer. Will come back to

764
00:33:48,400 --> 00:33:50,240
Speaker 3: that question of time permits. If you get all the

765
00:33:50,320 --> 00:33:52,000
Speaker 3: questions right, you win one thousand dollars and.

766
00:33:52,040 --> 00:33:53,920
Speaker 2: You can make it two thousand dollars by answering a

767
00:33:53,960 --> 00:33:56,920
Speaker 2: bonus question, but it's double or nothing. Kenny's in Mount

768
00:33:56,920 --> 00:34:00,840
Speaker 2: trud Hi, Kenny, there you go, very well, you're feeling

769
00:34:00,920 --> 00:34:04,480
Speaker 2: lucky today. All right, Well, let's see how we go.

770
00:34:04,600 --> 00:34:06,600
Speaker 2: You know the rules, you know to say pass if

771
00:34:06,600 --> 00:34:09,040
Speaker 2: you're not sure, because we might have time to come

772
00:34:09,080 --> 00:34:10,879
Speaker 2: back back. But if you're wrong, it's all over. Okay,

773
00:34:10,920 --> 00:34:15,840
Speaker 2: you're ready, Kenny. Question number one, what's the opposite of east?

774
00:34:17,760 --> 00:34:23,880
Speaker 2: Question two? What color is kale? What color is kale?

775
00:34:27,800 --> 00:34:33,760
Speaker 2: Kale like klie, like a spinach. It's green. Oh, Kenny

776
00:34:33,960 --> 00:34:34,680
Speaker 2: didn't get fast?

777
00:34:34,800 --> 00:34:36,640
Speaker 1: You borrowing Sampang's phone line?

778
00:34:38,000 --> 00:34:41,600
Speaker 2: Oh, Kenny, I'm sorry, that's oh Man. At least we've

779
00:34:41,640 --> 00:34:43,319
Speaker 2: saved all these questions for another day.

780
00:34:43,520 --> 00:34:47,440
Speaker 3: So disappointed Friday, we're going to have Sampang on. Couldn't

781
00:34:47,440 --> 00:34:50,120
Speaker 3: get him because the phone was no good. Kenny didn't

782
00:34:50,160 --> 00:34:50,719
Speaker 3: win the money.

783
00:34:51,320 --> 00:34:52,920
Speaker 2: He's never going to eat kale again.

784
00:34:53,719 --> 00:34:56,160
Speaker 1: Did you know fun fact kale was just meant to

785
00:34:56,280 --> 00:34:57,920
Speaker 1: be as a decoration?

786
00:34:58,120 --> 00:34:59,680
Speaker 2: You don't know where you heard that fun fact on

787
00:34:59,760 --> 00:35:03,759
Speaker 2: this show? When I told you that, thank you Tom

788
00:35:03,800 --> 00:35:05,160
Speaker 2: for appreciating my life.

789
00:35:05,000 --> 00:35:06,719
Speaker 1: Will did you say that? Oh my god?

790
00:35:07,960 --> 00:35:09,399
Speaker 2: Three weeks ago?

791
00:35:09,600 --> 00:35:09,759
Speaker 16: Yeah?

792
00:35:09,800 --> 00:35:10,399
Speaker 1: What did you say?

793
00:35:10,640 --> 00:35:13,960
Speaker 2: I said exactly that that klee is not a real superfood.

794
00:35:14,040 --> 00:35:16,600
Speaker 2: It's been marketed to be such, and there was used

795
00:35:16,680 --> 00:35:19,920
Speaker 2: as a pizza hut decoration. You don't listen to a

796
00:35:19,960 --> 00:35:21,799
Speaker 2: word I say that time I told you my head

797
00:35:21,800 --> 00:35:26,480
Speaker 2: got chopped off. You said, what was I weary? Anyway?

798
00:35:26,880 --> 00:35:29,560
Speaker 2: Coming out next like I've hit a nerve? Do you think?

799
00:35:30,200 --> 00:35:30,959
Speaker 1: Do you think?

800
00:35:33,560 --> 00:35:34,040
Speaker 2: Podcast?

801
00:35:35,960 --> 00:35:36,239
Speaker 1: That's it?

802
00:35:40,880 --> 00:35:45,680
Speaker 3: Fight for Your Flashback, New Boy Tom two songs, Ender,

803
00:35:45,760 --> 00:35:49,239
Speaker 3: one song leaves Today it's all about.

804
00:35:51,120 --> 00:35:53,800
Speaker 1: Management rights. Countries across the world are refusing.

805
00:35:53,440 --> 00:35:56,560
Speaker 3: American goods in light of the new towerffs laid down

806
00:35:56,640 --> 00:35:57,719
Speaker 3: by the Trump administration.

807
00:35:58,000 --> 00:36:02,160
Speaker 1: Today's five for your Flashback Americans songs covered by Australian artists.

808
00:36:02,160 --> 00:36:02,560
Speaker 1: I love this.

809
00:36:02,640 --> 00:36:04,280
Speaker 2: I love this because we did this on the show yesterday.

810
00:36:04,400 --> 00:36:07,000
Speaker 2: Take that America. I'm not going to watch Bolden and beautiful.

811
00:36:07,160 --> 00:36:09,160
Speaker 2: Someone said, I'm going to take down my Farough Force

812
00:36:09,239 --> 00:36:12,919
Speaker 2: at Major's poster. That's how old school he was. We're

813
00:36:13,040 --> 00:36:15,640
Speaker 2: processing any way we can, and I love it. All right,

814
00:36:15,680 --> 00:36:17,239
Speaker 2: Well I go first, you know, you go first, you

815
00:36:17,320 --> 00:36:17,600
Speaker 2: go first?

816
00:36:17,640 --> 00:36:18,040
Speaker 10: What have you got?

817
00:36:18,160 --> 00:36:19,840
Speaker 1: Okay? Well, I was going to go with the angels.

818
00:36:19,920 --> 00:36:21,719
Speaker 1: We get out, we get out of this place.

819
00:36:22,560 --> 00:36:23,319
Speaker 2: We've got to get out of there.

820
00:36:23,320 --> 00:36:24,400
Speaker 1: We got to get out of it. She's saying that.

821
00:36:24,440 --> 00:36:26,920
Speaker 2: Originally the animals, Eric burd doing that.

822
00:36:27,040 --> 00:36:29,440
Speaker 3: I just thought we play that a lot and then

823
00:36:29,480 --> 00:36:33,839
Speaker 3: I thought about this song from Ram Jam Black Betty Black,

824
00:36:33,920 --> 00:36:37,040
Speaker 3: Betti Spam Damba Bettish Spam dam.

825
00:36:37,239 --> 00:36:39,160
Speaker 2: You know, I know, I'm exactly who covered it too.

826
00:36:40,360 --> 00:36:43,760
Speaker 3: You know your boyfriend Cram from Spider Baby, What a drummer?

827
00:36:44,239 --> 00:36:44,640
Speaker 1: Get it on?

828
00:36:46,560 --> 00:36:48,920
Speaker 2: I danced this on Dancing with a Start, So we

829
00:36:49,040 --> 00:36:50,360
Speaker 2: did a cartwheel of sorts.

830
00:36:52,239 --> 00:36:53,279
Speaker 1: You did a cartwheel.

831
00:36:53,880 --> 00:36:56,640
Speaker 2: The judges ropes it the hospital happy because they thought

832
00:36:56,760 --> 00:37:00,080
Speaker 2: it wasn't an appropriate song for a chacha.

833
00:37:00,040 --> 00:37:00,680
Speaker 8: That I was doing.

834
00:37:01,719 --> 00:37:04,200
Speaker 1: And you went straight to the hospital for a hip replacement, act.

835
00:37:05,560 --> 00:37:10,239
Speaker 2: A talent replacement. It's a great songs banger, but I've

836
00:37:10,280 --> 00:37:12,799
Speaker 2: gone good, old grunty, old school. Do you know this song?

837
00:37:12,920 --> 00:37:19,279
Speaker 2: Initially by Credence Fortunate haven't sounds Creden songs out here,

838
00:37:19,320 --> 00:37:23,160
Speaker 2: but sure, but you know what, who cares take that? America?

839
00:37:23,360 --> 00:37:25,319
Speaker 2: You give it to the best Australian you can find,

840
00:37:25,360 --> 00:37:26,040
Speaker 2: and it sounds like.

841
00:37:26,160 --> 00:37:27,680
Speaker 1: This by Nolesy.

842
00:37:29,000 --> 00:37:38,960
Speaker 2: Shannon nol No, Yes, no.

843
00:37:50,239 --> 00:37:53,359
Speaker 1: I got goose bumps. I didn't even know Nolesey did

844
00:37:53,480 --> 00:37:55,560
Speaker 1: this so good.

845
00:37:56,360 --> 00:37:59,440
Speaker 2: That's great, two good songs today.

846
00:38:00,000 --> 00:38:01,200
Speaker 1: What do you do in picking knoles?

847
00:38:01,360 --> 00:38:03,560
Speaker 2: Well, let's see what happens here. To give us to

848
00:38:03,680 --> 00:38:06,640
Speaker 2: vote call thirteen ninety seven thirty six, or you can

849
00:38:06,719 --> 00:38:09,000
Speaker 2: vote at Jones and Amanda on our Instagram story.

850
00:38:09,360 --> 00:38:14,800
Speaker 3: Gem five fear flashback American songs done by Australians.

851
00:38:14,920 --> 00:38:18,200
Speaker 2: That's right, This is how we protest no more American songs.

852
00:38:18,239 --> 00:38:19,839
Speaker 2: Well maybe the ones we like a lot, but how

853
00:38:19,840 --> 00:38:22,360
Speaker 2: about the ones that Australians have covered.

854
00:38:22,560 --> 00:38:25,239
Speaker 3: You remember in the good old days when we were

855
00:38:25,280 --> 00:38:27,799
Speaker 3: importing American cars and we said, you know what, we're

856
00:38:27,840 --> 00:38:28,919
Speaker 3: going to make our own cars.

857
00:38:29,120 --> 00:38:30,640
Speaker 2: And we did our own cars.

858
00:38:30,719 --> 00:38:33,120
Speaker 1: And I know we don't make our own cars anymore,

859
00:38:33,120 --> 00:38:33,719
Speaker 1: but we're going.

860
00:38:33,719 --> 00:38:36,439
Speaker 2: To one day again, maybe someday think about making our.

861
00:38:36,400 --> 00:38:37,920
Speaker 1: Own cars exactly.

862
00:38:38,160 --> 00:38:40,520
Speaker 2: Yeah, And that's the kind of thinking that makes us great.

863
00:38:41,160 --> 00:38:43,960
Speaker 3: Ram Jan originally did this song back in the seventies,

864
00:38:44,000 --> 00:38:46,759
Speaker 3: but in two thousand and four Spider Bait put a

865
00:38:46,840 --> 00:38:49,200
Speaker 3: bit of hair on it and came up with Blackberdie.

866
00:38:58,600 --> 00:39:00,400
Speaker 1: That's rock does.

867
00:39:00,760 --> 00:39:03,400
Speaker 2: I've gone with this song though. This song a very

868
00:39:03,480 --> 00:39:06,520
Speaker 2: famous song by Criten's clear Water Revival. But how about

869
00:39:06,560 --> 00:39:09,080
Speaker 2: this rendition. It'll make the hairs on your arms stand up?

870
00:39:09,360 --> 00:39:11,200
Speaker 2: Shannon Knol fortunate Son.

871
00:39:17,600 --> 00:39:21,080
Speaker 1: I don't like when you pick my boy. Shanno. You

872
00:39:21,160 --> 00:39:27,600
Speaker 1: know where brothers, well, one of you can sing? What

873
00:39:27,800 --> 00:39:28,200
Speaker 1: do you want to?

874
00:39:28,920 --> 00:39:30,960
Speaker 2: What would you like to hear today? Cheryl is in

875
00:39:31,040 --> 00:39:35,719
Speaker 2: sant Clair. Fight for your flashback? Cheryl, Hi, I gotta

876
00:39:35,760 --> 00:39:39,120
Speaker 2: go with you, Amanda, Shannonol, Shannon Nol tick for me.

877
00:39:40,000 --> 00:39:42,760
Speaker 2: Marcus in Sandy Point, Hello, Mark, fight for your flashback.

878
00:39:43,800 --> 00:39:46,239
Speaker 9: Hi, guys, it's got to be It's got to be

879
00:39:46,280 --> 00:39:50,600
Speaker 9: a spider bait Black Betty, thank you, mam As.

880
00:39:50,480 --> 00:39:51,560
Speaker 2: I said, I get a bit of a tick in

881
00:39:51,600 --> 00:39:52,920
Speaker 2: my eye. I want to hear that song because I

882
00:39:52,960 --> 00:39:54,960
Speaker 2: did dance to that. I'm dancing with anyone?

883
00:39:55,040 --> 00:39:57,160
Speaker 1: Did Mark? Did you see Amanda on Dancing with.

884
00:39:57,200 --> 00:39:58,560
Speaker 2: The Stars dancing to that song?

885
00:39:59,239 --> 00:40:01,440
Speaker 1: Mark's gon, He's sam pangdus.

886
00:40:03,040 --> 00:40:07,000
Speaker 2: The emotion of seeing me dance is available anywhere on YouTube.

887
00:40:07,120 --> 00:40:07,759
Speaker 1: Can we see you?

888
00:40:07,880 --> 00:40:10,680
Speaker 2: I never watched I never watched it back, and I'd

889
00:40:10,760 --> 00:40:11,080
Speaker 2: rather did.

890
00:40:11,280 --> 00:40:13,239
Speaker 1: I saw your cart will in the flesh. I remember it.

891
00:40:13,280 --> 00:40:16,759
Speaker 2: Founded like a chimp. I screamed all the way through it,

892
00:40:17,640 --> 00:40:20,480
Speaker 2: as did the crowd. Rhiannon is in Liverpool. Fight for

893
00:40:20,520 --> 00:40:22,200
Speaker 2: your flashback? Rihanna and what would you like to hear

894
00:40:22,280 --> 00:40:22,720
Speaker 2: this morning?

895
00:40:24,000 --> 00:40:27,800
Speaker 11: Rudos both songs actually really killer, but I have to

896
00:40:27,880 --> 00:40:29,839
Speaker 11: hear no that sounds sick.

897
00:40:30,120 --> 00:40:32,759
Speaker 2: It does sound sick. Okay, we don't take more of

898
00:40:32,800 --> 00:40:33,240
Speaker 2: your cause.

899
00:40:33,080 --> 00:40:34,640
Speaker 1: Over and speaks like a young person.

900
00:40:34,719 --> 00:40:36,960
Speaker 2: I wish this was the end, but we have to

901
00:40:37,000 --> 00:40:37,640
Speaker 2: take more calls.

902
00:40:37,719 --> 00:40:40,640
Speaker 1: Unfortunately, thirteen ninety seven thirty six is our number.

903
00:40:40,680 --> 00:40:42,520
Speaker 2: Well, you can go to our Instagram stories at Jonesy

904
00:40:42,560 --> 00:40:47,360
Speaker 2: and Amanda and cast your vote. Jonesy and Amanda podcast.

905
00:40:56,000 --> 00:40:58,960
Speaker 1: Fight for Your Flashback.

906
00:40:58,440 --> 00:41:01,760
Speaker 3: Two songs, Enter one song, Leeves Management Rights This morning,

907
00:41:01,880 --> 00:41:05,319
Speaker 3: countries around the world are refusing American goods in life

908
00:41:05,520 --> 00:41:08,319
Speaker 3: of the new tariffs laid down by the Trump administration.

909
00:41:08,600 --> 00:41:10,320
Speaker 1: Today's five few flashback.

910
00:41:10,040 --> 00:41:14,080
Speaker 3: American songs covered by Australian artists playworlder Management.

911
00:41:14,239 --> 00:41:15,400
Speaker 1: I'm a bit disappointed with you.

912
00:41:15,640 --> 00:41:17,400
Speaker 2: Well, I've gone with the song that I Know you like.

913
00:41:17,680 --> 00:41:21,960
Speaker 2: This was first released or originally released by Creden's Fortunate Son,

914
00:41:23,760 --> 00:41:26,160
Speaker 2: A banging song, but when you give it to one

915
00:41:26,200 --> 00:41:29,040
Speaker 2: of the greatest Australian singers of all time, Shannon Nol,

916
00:41:29,120 --> 00:41:30,000
Speaker 2: it sounds like this.

917
00:41:35,239 --> 00:41:36,760
Speaker 1: I don't like when you pick my people.

918
00:41:40,400 --> 00:41:43,839
Speaker 3: I went with Ram jams Black, Betty, you know Ram

919
00:41:43,920 --> 00:41:48,359
Speaker 3: jam Black Betty Black Betty bam lamb Black Betty, Bam

920
00:41:48,520 --> 00:41:49,360
Speaker 3: lamb Black Betty.

921
00:41:49,480 --> 00:41:56,080
Speaker 1: Originally fun fact this was done in the thirties. They

922
00:41:56,120 --> 00:42:00,600
Speaker 1: didn't that Belly wrote it. Bam all like me them

923
00:42:00,760 --> 00:42:05,560
Speaker 1: milam to them blam black. It was African American works

924
00:42:05,600 --> 00:42:07,719
Speaker 1: and blam black black Benny.

925
00:42:07,760 --> 00:42:10,160
Speaker 2: I should have understanding black.

926
00:42:10,640 --> 00:42:15,480
Speaker 1: Them malam jumps them milam. But then then you got

927
00:42:15,520 --> 00:42:16,359
Speaker 1: spider Lamb.

928
00:42:19,760 --> 00:42:21,520
Speaker 2: Sounds like a mosquito parison.

929
00:42:23,480 --> 00:42:24,600
Speaker 1: Anyway, who you voting for?

930
00:42:24,719 --> 00:42:27,200
Speaker 2: What would you like to hear? Daryl's in Warrington for

931
00:42:27,239 --> 00:42:32,160
Speaker 2: your flashback? Darryl Happy, Yes, darl.

932
00:42:34,000 --> 00:42:36,640
Speaker 16: What were you thinking that that spider By version is

933
00:42:36,719 --> 00:42:40,239
Speaker 16: Rubbie s I reckon byways normally.

934
00:42:40,040 --> 00:42:43,800
Speaker 2: Go for you, but I'm well, what a compliment for

935
00:42:43,920 --> 00:42:45,279
Speaker 2: us both and Darryl. Thank you.

936
00:42:47,640 --> 00:42:47,960
Speaker 1: Helen.

937
00:42:48,760 --> 00:42:52,360
Speaker 2: Helen's voting Daryl, I fear flashback, Helen.

938
00:42:53,080 --> 00:42:57,080
Speaker 7: Oh, good morning guys. Both of them are amazing, awesome songs.

939
00:42:57,640 --> 00:43:00,399
Speaker 7: And this time I usually go for Amanda, but I'm

940
00:43:00,480 --> 00:43:03,840
Speaker 7: actually going for Jonesy this morning. Black Dirty love it

941
00:43:04,160 --> 00:43:07,080
Speaker 7: so many great memories. And while I was waiting, I

942
00:43:07,200 --> 00:43:11,120
Speaker 7: actually googled Amanda trying to see your cartwill because I

943
00:43:11,200 --> 00:43:13,800
Speaker 7: do remember it, but the one that came up was

944
00:43:13,840 --> 00:43:16,960
Speaker 7: when Urein acted at the studio. So I have been

945
00:43:17,040 --> 00:43:20,400
Speaker 7: laughing my head off this whole time. It is brilliant.

946
00:43:21,800 --> 00:43:23,279
Speaker 2: God, I don't even know if I can better watch that.

947
00:43:23,560 --> 00:43:25,560
Speaker 1: It's sort of outfit were you wearing when you did that?

948
00:43:25,719 --> 00:43:27,640
Speaker 1: Cart Will? I'm just concerned about the gusset.

949
00:43:28,000 --> 00:43:30,239
Speaker 2: Did you've been on the TV? On the TV, of

950
00:43:30,280 --> 00:43:33,960
Speaker 2: course I had undies on. Yeah, I was dressed like

951
00:43:34,280 --> 00:43:38,040
Speaker 2: a western kind of brothel owner. I remember correctly. It

952
00:43:38,160 --> 00:43:40,080
Speaker 2: was that charb on my dance partner dressing like that.

953
00:43:40,440 --> 00:43:42,080
Speaker 2: I've wiped a lot of it from my memory.

954
00:43:42,239 --> 00:43:45,040
Speaker 1: Yeah, so you're dressed like an old time prostitute.

955
00:43:45,560 --> 00:43:48,200
Speaker 2: I don't know. It's like i'd come in through the

956
00:43:48,239 --> 00:43:49,840
Speaker 2: saloon doors and I'm wearing.

957
00:43:49,760 --> 00:43:51,680
Speaker 3: You know when those companies paid big, big money to

958
00:43:51,719 --> 00:43:53,360
Speaker 3: get stuff taken away from Google.

959
00:43:53,880 --> 00:43:56,080
Speaker 1: That's what you've done with your Dancing with the Star's history.

960
00:43:56,080 --> 00:43:59,080
Speaker 2: It's been eradicated. Robin's in Penths. Hello, Robin, fight for

961
00:43:59,120 --> 00:43:59,680
Speaker 2: your flash I.

962
00:43:59,680 --> 00:44:01,799
Speaker 1: Find that Penshurst? What did I say?

963
00:44:02,400 --> 00:44:02,759
Speaker 7: There you go?

964
00:44:03,239 --> 00:44:08,480
Speaker 1: Robin? Are you in Kenthurst or Penshurst? Okay, Rob.

965
00:44:10,440 --> 00:44:11,240
Speaker 2: Fight for your flashy?

966
00:44:11,400 --> 00:44:11,520
Speaker 3: Hi?

967
00:44:11,680 --> 00:44:11,919
Speaker 12: Guys.

968
00:44:12,840 --> 00:44:15,759
Speaker 9: Look, Amanda, normally you pick press every.

969
00:44:15,520 --> 00:44:18,840
Speaker 11: Week and I'm always just a voters Jones.

970
00:44:19,000 --> 00:44:21,759
Speaker 7: But I've got to say this week it's excelled.

971
00:44:22,560 --> 00:44:24,920
Speaker 9: In the words of Jones, just picked the finger.

972
00:44:25,000 --> 00:44:27,080
Speaker 11: It's got to be your Amanda, Robert, thank you.

973
00:44:27,160 --> 00:44:28,640
Speaker 2: This reminds me when I was at the airport the

974
00:44:28,680 --> 00:44:30,040
Speaker 2: other day and the woman come up to me and said,

975
00:44:30,080 --> 00:44:31,840
Speaker 2: you know what, you look a lot better than you

976
00:44:31,920 --> 00:44:34,200
Speaker 2: do on the telly, and so they think you're giving

977
00:44:34,239 --> 00:44:37,080
Speaker 2: you a compliment that it's a slight backhanded one, but

978
00:44:37,200 --> 00:44:38,879
Speaker 2: thank You'll take that vote. Thank you, Robin.

979
00:44:39,040 --> 00:44:40,760
Speaker 1: Jason's in Mount Kareingay.

980
00:44:40,480 --> 00:44:41,719
Speaker 2: Jason, fight for your flashback.

981
00:44:42,719 --> 00:44:43,280
Speaker 1: Good morning.

982
00:44:44,719 --> 00:44:47,200
Speaker 9: The best way to do it is this what about Me?

983
00:44:47,560 --> 00:44:49,520
Speaker 1: It's got to be Amanda, Thank you, Jason.

984
00:44:49,560 --> 00:44:53,040
Speaker 2: I'm not sure what you're doing in the background. Something

985
00:44:53,320 --> 00:44:54,360
Speaker 2: I get that what about me.

986
00:44:54,600 --> 00:45:01,520
Speaker 9: References furniture doing on the staples and the noise.

987
00:45:01,560 --> 00:45:05,839
Speaker 1: Are you're working and talking to us, Jason? That's great multitasking.

988
00:45:05,920 --> 00:45:08,000
Speaker 2: Let's see if we give man I see Jason, if

989
00:45:08,000 --> 00:45:09,440
Speaker 2: we can get my song across the line. But we

990
00:45:09,480 --> 00:45:10,440
Speaker 2: have one more call to take.

991
00:45:10,719 --> 00:45:12,480
Speaker 1: Peter's in Harris parkd It's.

992
00:45:12,360 --> 00:45:14,520
Speaker 2: Down to you to announce the winner. Who has won

993
00:45:14,600 --> 00:45:18,200
Speaker 2: fight for your flashback? Oh wow, good morning.

994
00:45:18,600 --> 00:45:22,360
Speaker 9: Yeah, look anything Cruden's cool will a revival. I'm going

995
00:45:22,440 --> 00:45:25,520
Speaker 9: to vote for. So you're the winner, Amanda. And I

996
00:45:25,680 --> 00:45:29,120
Speaker 9: saw something about that this morning on Facebook about John

997
00:45:29,200 --> 00:45:32,960
Speaker 9: Foggerty writing that song. Really he just came up with

998
00:45:33,080 --> 00:45:36,200
Speaker 9: the phrases and everything and put it all together, you know, like,

999
00:45:37,480 --> 00:45:39,360
Speaker 9: ain't no millionaire's son what it is?

1000
00:45:39,560 --> 00:45:40,839
Speaker 2: Or you know senator's son.

1001
00:45:41,000 --> 00:45:47,960
Speaker 9: Yeah it was, yeah, yeah, and me and yeah, wow, anyone.

1002
00:45:48,040 --> 00:45:50,480
Speaker 2: It was about class privilege and the senator's son's not

1003
00:45:50,560 --> 00:45:52,560
Speaker 2: having to go through the draft, and yeah, the conscription

1004
00:45:53,120 --> 00:45:55,040
Speaker 2: in America at the time, the Vietnam War.

1005
00:45:55,360 --> 00:45:58,680
Speaker 1: Curiously, Donald Trump used it as one of his songs, and.

1006
00:45:58,760 --> 00:46:02,040
Speaker 2: He was a draft dodger of his fallen arches.

1007
00:46:02,400 --> 00:46:04,200
Speaker 1: Are ready much bones spurs.

1008
00:46:04,239 --> 00:46:06,400
Speaker 2: I think he had well, I think how fabulous is this?

1009
00:46:06,560 --> 00:46:08,640
Speaker 2: I think I've been anointed the winner. I've got some

1010
00:46:08,719 --> 00:46:10,080
Speaker 2: criticism and insults along the way.

1011
00:46:10,160 --> 00:46:11,920
Speaker 1: There's still some votes. I tell you what, you look

1012
00:46:11,960 --> 00:46:12,840
Speaker 1: good in the flash.

1013
00:46:12,640 --> 00:46:17,480
Speaker 2: Stuck here It is Shannon nol unfortunate son, our boy Nolesy.

1014
00:46:25,200 --> 00:46:28,479
Speaker 2: They're very grateful to the cells, stocks and gravies. Because

1015
00:46:28,520 --> 00:46:31,000
Speaker 2: they have given us twenty thousand dollars to give away

1016
00:46:31,040 --> 00:46:32,680
Speaker 2: to our favorite goolie of the year.

1017
00:46:33,080 --> 00:46:34,040
Speaker 1: What have we got today?

1018
00:46:35,000 --> 00:46:37,880
Speaker 5: My gooly is although Jones he may get a bit

1019
00:46:38,080 --> 00:46:42,560
Speaker 5: chirty with this. There's bloody bike riders weaving and swirling

1020
00:46:42,640 --> 00:46:46,359
Speaker 5: in between traffic, in between carlines. I mean, as if

1021
00:46:46,440 --> 00:46:49,880
Speaker 5: that wasn't bad enough, Now we have the Gene bikers,

1022
00:46:50,239 --> 00:46:53,040
Speaker 5: Gene with the electrical bikes, and that the Ubers and

1023
00:46:53,160 --> 00:46:57,120
Speaker 5: the Boubers with their little racing helmets with dead what

1024
00:46:57,239 --> 00:46:58,279
Speaker 5: do you call those things?

1025
00:46:58,400 --> 00:47:05,000
Speaker 2: That's at the end he lost interest. Would you like

1026
00:47:05,080 --> 00:47:05,920
Speaker 2: to respond?

1027
00:47:07,560 --> 00:47:10,440
Speaker 3: Is he talking about pushbikes and e bikes? Because we

1028
00:47:10,480 --> 00:47:13,480
Speaker 3: all know that motorcycle lane fielding works. It's been well proven.

1029
00:47:13,640 --> 00:47:15,040
Speaker 2: Has it well proven?

1030
00:47:15,480 --> 00:47:18,480
Speaker 1: Well proven? They set up a thing in the city here,

1031
00:47:18,520 --> 00:47:21,440
Speaker 1: do you remember that? And I was at the forefront,

1032
00:47:21,480 --> 00:47:22,080
Speaker 1: in front of all.

1033
00:47:22,120 --> 00:47:25,480
Speaker 3: This problem is in Australia we're a bit discriminatory towards motorcycles.

1034
00:47:25,560 --> 00:47:26,480
Speaker 1: We don't understand them.

1035
00:47:26,640 --> 00:47:29,200
Speaker 2: But also sometimes I saw a bike the other day

1036
00:47:29,320 --> 00:47:34,479
Speaker 2: and guy had a helmet, had no coverage, no elbow pans, nothing,

1037
00:47:34,960 --> 00:47:37,000
Speaker 2: and I'm being punished.

1038
00:47:37,160 --> 00:47:38,920
Speaker 1: Yeah, okay, and he just was driving it.

1039
00:47:39,040 --> 00:47:40,080
Speaker 2: He was driving recklessly.

1040
00:47:41,400 --> 00:47:44,480
Speaker 1: They do look reckless. That's it for another kettle of fish.

1041
00:47:44,520 --> 00:47:47,799
Speaker 3: But I remember years ago when lane fielding was going

1042
00:47:47,880 --> 00:47:49,759
Speaker 3: to become a thing, the government.

1043
00:47:49,480 --> 00:47:50,920
Speaker 1: Actually set it up to fail.

1044
00:47:51,120 --> 00:47:53,680
Speaker 3: They set it up because at the time the cops

1045
00:47:53,719 --> 00:47:56,520
Speaker 3: couldn't find motorcyclists for it. There was this real gray

1046
00:47:56,680 --> 00:48:00,480
Speaker 3: area about motorcycle lane fielding. So the government decided to

1047
00:48:00,719 --> 00:48:02,600
Speaker 3: set up a trial in the middle of the city.

1048
00:48:03,120 --> 00:48:05,200
Speaker 3: And I went to a lot of motorcycle events and

1049
00:48:05,200 --> 00:48:07,760
Speaker 3: I said, guys, if you're in Sussex Street in the city,

1050
00:48:08,360 --> 00:48:10,640
Speaker 3: just make sure you don't hit mirrors, don't clip through things,

1051
00:48:11,120 --> 00:48:13,960
Speaker 3: just do what you over the clips. There was not

1052
00:48:14,120 --> 00:48:18,600
Speaker 3: one incident, not one incident. So probably six months after

1053
00:48:18,680 --> 00:48:21,200
Speaker 3: lane filtering was kicked in the highway patrol people got

1054
00:48:21,239 --> 00:48:23,640
Speaker 3: me to do a talk about lane filtering in front

1055
00:48:23,680 --> 00:48:26,200
Speaker 3: of all of the motorcycles or not motorcycle coppers, just

1056
00:48:26,320 --> 00:48:28,719
Speaker 3: highway patrol coppers. And there was his one copper and

1057
00:48:28,760 --> 00:48:30,399
Speaker 3: he just he wouldn't let it go. He goes, yeah,

1058
00:48:30,440 --> 00:48:33,200
Speaker 3: I just don't think it will work. It's terrible, and

1059
00:48:33,320 --> 00:48:35,759
Speaker 3: he said it just looks dangerous. I said, well, motorcycles

1060
00:48:35,800 --> 00:48:38,160
Speaker 3: by and large look kind of wrecked. But if you

1061
00:48:38,239 --> 00:48:40,640
Speaker 3: have and then he said, then at the end of

1062
00:48:40,719 --> 00:48:42,440
Speaker 3: I said, you just don't like motorbikes, it goes, yeah,

1063
00:48:42,480 --> 00:48:43,480
Speaker 3: I don't like motorbll what.

1064
00:48:43,520 --> 00:48:45,600
Speaker 2: If there's a car that's not doesn't have a great driver,

1065
00:48:45,719 --> 00:48:47,840
Speaker 2: and a bike that doesn't have a great driver, And.

1066
00:48:48,160 --> 00:48:53,080
Speaker 1: Well, that's motorcycles. There's a great deal of risk when

1067
00:48:53,080 --> 00:48:54,440
Speaker 1: you ride them, and you have.

1068
00:48:54,520 --> 00:48:57,840
Speaker 2: To take that on and you hope that they're being sensible.

1069
00:48:57,960 --> 00:49:00,480
Speaker 3: But having said that, a motorcycle is nothing like a car.

1070
00:49:01,280 --> 00:49:03,719
Speaker 3: It can't be treated like a car. Think of a

1071
00:49:03,800 --> 00:49:06,480
Speaker 3: fish swimming through a school of fish, but.

1072
00:49:07,320 --> 00:49:10,719
Speaker 2: Other school know what they're doing. Motorcycle is not necessarily

1073
00:49:10,760 --> 00:49:11,359
Speaker 2: a school of fish.

1074
00:49:12,160 --> 00:49:14,520
Speaker 3: When you're walking through a shopping center, so you're walking

1075
00:49:14,600 --> 00:49:17,640
Speaker 3: through Westfield and you notice how some people move more

1076
00:49:17,719 --> 00:49:20,360
Speaker 3: quickly through other people, well, seem to be able to

1077
00:49:20,440 --> 00:49:20,640
Speaker 3: do that.

1078
00:49:20,719 --> 00:49:22,160
Speaker 2: But there are some people who just stop dead in

1079
00:49:22,200 --> 00:49:22,560
Speaker 2: front of you.

1080
00:49:22,719 --> 00:49:24,239
Speaker 1: You'll like this copper, No, but I'm.

1081
00:49:24,160 --> 00:49:24,719
Speaker 2: Saying you can't.

1082
00:49:24,880 --> 00:49:25,359
Speaker 1: But you can't.

1083
00:49:26,200 --> 00:49:26,520
Speaker 2: Idiots.

1084
00:49:26,600 --> 00:49:29,680
Speaker 1: You have to think you can't ride a motorbike like

1085
00:49:29,800 --> 00:49:30,359
Speaker 1: you drive a car.

1086
00:49:30,400 --> 00:49:33,320
Speaker 2: That's right, But as a motorcyclist. Just be yesful, Just

1087
00:49:33,400 --> 00:49:35,279
Speaker 2: be careful. Don't wind people up.

1088
00:49:35,520 --> 00:49:35,680
Speaker 10: You know.

1089
00:49:37,719 --> 00:49:38,640
Speaker 1: Who's whinding up?

1090
00:49:38,760 --> 00:49:40,440
Speaker 2: Well, you know like this guy who was who I

1091
00:49:40,520 --> 00:49:42,480
Speaker 2: said was being reckless and darting in and out come on.

1092
00:49:42,760 --> 00:49:45,239
Speaker 2: Of course, you don't make people unhappy because they'll go you.

1093
00:49:45,440 --> 00:49:47,560
Speaker 1: Although I did see a guy pull a very impressive

1094
00:49:47,600 --> 00:49:48,040
Speaker 1: wheel stop.

1095
00:49:48,080 --> 00:49:48,799
Speaker 2: Okay, that's enough.

1096
00:49:49,280 --> 00:49:49,960
Speaker 1: What else have we got?

1097
00:49:50,760 --> 00:49:53,600
Speaker 17: I hate it when you're trying to leave work for

1098
00:49:53,680 --> 00:49:56,439
Speaker 17: the day and your colleagues want to have a big chat.

1099
00:49:56,640 --> 00:49:59,200
Speaker 17: You've had all day to speak to me, and now

1100
00:49:59,239 --> 00:50:01,120
Speaker 17: you want to chat. If I'm walking out the door.

1101
00:50:01,640 --> 00:50:04,040
Speaker 1: No, I've got to get home. I've got things to do.

1102
00:50:04,760 --> 00:50:06,680
Speaker 1: Yeah that's no, that's the worst.

1103
00:50:06,760 --> 00:50:08,680
Speaker 2: This is what you do. I say, I'll see you

1104
00:50:08,719 --> 00:50:09,120
Speaker 2: with the lift.

1105
00:50:09,160 --> 00:50:09,680
Speaker 1: I've got to go.

1106
00:50:09,719 --> 00:50:11,520
Speaker 2: I've got an appointment. You say, yeah, wait for me,

1107
00:50:11,920 --> 00:50:12,440
Speaker 2: and then you go.

1108
00:50:12,680 --> 00:50:17,399
Speaker 1: Boy boy, the boy, boy boy.

1109
00:50:18,080 --> 00:50:19,440
Speaker 2: It takes about an hour for you to get to

1110
00:50:19,480 --> 00:50:19,759
Speaker 2: the door.

1111
00:50:20,120 --> 00:50:21,600
Speaker 1: Help. If people love me around here, No.

1112
00:50:21,640 --> 00:50:22,560
Speaker 2: They're just doing their work.

1113
00:50:22,600 --> 00:50:25,600
Speaker 3: You're just talking about People are showing me pictures of

1114
00:50:25,640 --> 00:50:26,080
Speaker 3: their kids.

1115
00:50:26,320 --> 00:50:31,560
Speaker 2: Give me, babe, if you baked beans, bait's goods.

1116
00:50:32,000 --> 00:50:34,200
Speaker 1: Someone was giving me their lemon to slice the other

1117
00:50:34,320 --> 00:50:36,200
Speaker 1: day to take that. You know, I'm slimming down.

1118
00:50:37,160 --> 00:50:37,520
Speaker 8: You know it.

1119
00:50:39,520 --> 00:50:39,880
Speaker 12: All right?

1120
00:50:42,280 --> 00:50:44,520
Speaker 3: With a good you can win twenty thousand dollars cash

1121
00:50:44,560 --> 00:50:46,640
Speaker 3: than tossles, stocks and gravies.

1122
00:50:46,880 --> 00:50:49,279
Speaker 1: Download the iHeartRadio app and go to Gold one a

1123
00:50:49,360 --> 00:50:50,360
Speaker 1: one point seven.

1124
00:50:51,640 --> 00:50:57,320
Speaker 15: Sham Nation podcast Jonesy and Aman during the morning on WSFM.

1125
00:50:57,600 --> 00:50:59,560
Speaker 2: Now Gold one on one point seven.

1126
00:50:59,400 --> 00:51:01,840
Speaker 1: Coming up for you week. That was new boy Tom's

1127
00:51:01,880 --> 00:51:04,359
Speaker 1: gibber jabber Tom. You now you're waving your hands. What's

1128
00:51:04,400 --> 00:51:04,879
Speaker 1: the matter? Money?

1129
00:51:04,880 --> 00:51:05,960
Speaker 10: You got Sam Sampagne?

1130
00:51:06,200 --> 00:51:09,359
Speaker 1: Sam Page is here, Sam, but he's an intro on. Ok,

1131
00:51:09,680 --> 00:51:10,200
Speaker 1: We're got an intro.

1132
00:51:11,480 --> 00:51:13,439
Speaker 2: Uh, Sam Page, you've been trying to get him million

1133
00:51:13,520 --> 00:51:14,520
Speaker 2: this morning joined us.

1134
00:51:14,560 --> 00:51:17,040
Speaker 1: We couldn't get him before called glitch held us up.

1135
00:51:17,120 --> 00:51:19,080
Speaker 2: But the man himself is back on the line.

1136
00:51:19,160 --> 00:51:24,160
Speaker 12: Sam Pang Hello, Oh hello Amanda, Hello Jonesy, Sam, how

1137
00:51:24,239 --> 00:51:24,719
Speaker 12: are you mate?

1138
00:51:24,800 --> 00:51:25,360
Speaker 2: We're relled?

1139
00:51:25,560 --> 00:51:29,239
Speaker 12: Sorry, sorry about the Sorry about the technical early.

1140
00:51:29,520 --> 00:51:31,680
Speaker 1: Well I don't think it wasn't your problem, though, was it.

1141
00:51:33,239 --> 00:51:33,680
Speaker 1: That's good.

1142
00:51:34,080 --> 00:51:36,160
Speaker 12: That's a good point, Jonesy. Why am I apologizing to

1143
00:51:36,239 --> 00:51:37,719
Speaker 12: something I had nothing to do with it, but I

1144
00:51:37,800 --> 00:51:39,200
Speaker 12: loved to speak to you now, though, isn't it.

1145
00:51:39,320 --> 00:51:41,360
Speaker 2: It's great that you're here and I can't think of

1146
00:51:41,400 --> 00:51:44,160
Speaker 2: a better person to do a show like this. It's

1147
00:51:44,160 --> 00:51:47,120
Speaker 2: starting on Monday night. Am I right in thinking that

1148
00:51:47,160 --> 00:51:48,359
Speaker 2: it's a relatively short run.

1149
00:51:48,440 --> 00:51:48,680
Speaker 1: It's not.

1150
00:51:49,080 --> 00:51:51,080
Speaker 2: It's not going for years and years at this stage.

1151
00:51:51,120 --> 00:51:53,640
Speaker 2: It's like eight weeks. Get in, be amazing, and get.

1152
00:51:53,520 --> 00:51:55,680
Speaker 7: Out, okay, Amanda.

1153
00:51:55,840 --> 00:51:57,600
Speaker 12: If no one watches on Monday night, it might.

1154
00:51:57,520 --> 00:51:59,800
Speaker 1: Be a real short It could be like one of

1155
00:52:00,000 --> 00:52:01,640
Speaker 1: both shows we'll be watching.

1156
00:52:02,320 --> 00:52:03,120
Speaker 9: Yeah, well it's good.

1157
00:52:03,120 --> 00:52:05,560
Speaker 12: It's exciting because it's Monday night and it's live and

1158
00:52:05,640 --> 00:52:07,800
Speaker 12: there's a last studio audience, so yeah, who knows what?

1159
00:52:08,160 --> 00:52:09,759
Speaker 12: You know? People ask me about and I'm going, well,

1160
00:52:10,200 --> 00:52:12,239
Speaker 12: you know, we'll find out on Monday and night, haven't

1161
00:52:12,440 --> 00:52:13,840
Speaker 12: I think people think I've done eight of them and

1162
00:52:13,880 --> 00:52:16,239
Speaker 12: they're just there, but no, we're doing it on Monday night,

1163
00:52:16,320 --> 00:52:18,560
Speaker 12: and you know, we haven't you know, there hasn't been

1164
00:52:18,600 --> 00:52:21,240
Speaker 12: one in the you know, the format we're all pretty

1165
00:52:21,280 --> 00:52:23,160
Speaker 12: familiar with, but we just haven't had one in this

1166
00:52:23,280 --> 00:52:26,040
Speaker 12: country for I think Rove was finished in two thousand

1167
00:52:26,040 --> 00:52:27,480
Speaker 12: and nine, so that's a long time ago.

1168
00:52:27,600 --> 00:52:29,799
Speaker 3: And with all due respect to Rave when he did

1169
00:52:29,840 --> 00:52:34,279
Speaker 3: his that comedy show. That was one episode which and

1170
00:52:34,400 --> 00:52:36,239
Speaker 3: I loved the show. I thought it was great, but

1171
00:52:36,320 --> 00:52:38,280
Speaker 3: it just how do you win the audience?

1172
00:52:39,480 --> 00:52:39,600
Speaker 16: Well?

1173
00:52:39,640 --> 00:52:41,600
Speaker 12: That was that, the one on Saturday nights, Yeah, it

1174
00:52:41,680 --> 00:52:42,640
Speaker 12: was that, the one on Saturday night.

1175
00:52:42,840 --> 00:52:44,680
Speaker 2: Yeah, what Saturday, I don't know.

1176
00:52:44,800 --> 00:52:47,840
Speaker 12: Saturday night necessarily in the modern days were best the

1177
00:52:47,920 --> 00:52:49,960
Speaker 12: best spot for you know, like it's system the sports.

1178
00:52:50,040 --> 00:52:52,640
Speaker 12: So Monday night. It's a good thing about this this

1179
00:52:52,760 --> 00:52:55,960
Speaker 12: eight week run, like you mentioned, Amanda, is it's it's

1180
00:52:56,040 --> 00:52:58,000
Speaker 12: in Monday nights at eight and forty, you know, after

1181
00:52:58,080 --> 00:53:00,200
Speaker 12: Survival Order. But that show is it's in you been

1182
00:53:00,280 --> 00:53:03,040
Speaker 12: paying attention spot, you know what I mean. So it's

1183
00:53:03,160 --> 00:53:06,160
Speaker 12: like it's people are familiar with, you know, me in

1184
00:53:06,239 --> 00:53:08,960
Speaker 12: that spot or comedy hopefully and then hopefully we'll just

1185
00:53:09,040 --> 00:53:11,799
Speaker 12: do eight and then have you been paying intentionally back?

1186
00:53:11,840 --> 00:53:13,840
Speaker 12: And then we'll just see if anyone wants anymore.

1187
00:53:13,960 --> 00:53:16,520
Speaker 2: Are you doing the usual Tonight Show tenants that always

1188
00:53:16,560 --> 00:53:18,919
Speaker 2: work and there's a monologue, there's guests, there's a musical fact.

1189
00:53:18,920 --> 00:53:22,279
Speaker 2: Are you sticking with the classic Tonight Show bits as well?

1190
00:53:23,600 --> 00:53:26,080
Speaker 12: Yeah, the ones that I like, So, you know, monologue

1191
00:53:26,120 --> 00:53:28,920
Speaker 12: absolutely like I've enjoyed doing the monologue at the Logan

1192
00:53:29,000 --> 00:53:31,239
Speaker 12: the last couple of years. So the idea of doing

1193
00:53:31,320 --> 00:53:33,520
Speaker 12: one of them once a week about the news of

1194
00:53:33,560 --> 00:53:36,080
Speaker 12: the week, that's pretty I'm looking forward to that.

1195
00:53:36,160 --> 00:53:36,320
Speaker 3: You know.

1196
00:53:36,440 --> 00:53:39,120
Speaker 12: That's fun, you know, like jokes and news and jokes

1197
00:53:39,160 --> 00:53:41,759
Speaker 12: and so and then yet there'll be a guest. But

1198
00:53:42,280 --> 00:53:46,160
Speaker 12: it's a good reminder to you too. And the lists

1199
00:53:46,840 --> 00:53:49,239
Speaker 12: the guests. You know, the guest is one segment and

1200
00:53:49,320 --> 00:53:51,560
Speaker 12: there's five other segments which will be filled with you know,

1201
00:53:51,760 --> 00:53:55,719
Speaker 12: comedy and you know other things. Because like I don't

1202
00:53:55,719 --> 00:53:59,400
Speaker 12: know in Australia if it's a good model to you know,

1203
00:54:00,400 --> 00:54:02,919
Speaker 12: rely on big international guests, you know, I mean they're

1204
00:54:02,960 --> 00:54:04,680
Speaker 12: just sometimes we're in Australia a long way away and

1205
00:54:04,800 --> 00:54:07,239
Speaker 12: sometimes they're not here. So this is not you know,

1206
00:54:07,560 --> 00:54:09,839
Speaker 12: it's not Graham Norton with four of the biggest names

1207
00:54:09,880 --> 00:54:13,279
Speaker 12: in the world sitting on account drinking white. Sometimes they're

1208
00:54:13,320 --> 00:54:13,719
Speaker 12: just not here.

1209
00:54:13,880 --> 00:54:15,839
Speaker 2: No, And I also think those days have passed. If

1210
00:54:15,880 --> 00:54:18,920
Speaker 2: you're fascinated by somebody, you can see them on the internet.

1211
00:54:19,040 --> 00:54:20,200
Speaker 2: I think we can't rely on that.

1212
00:54:21,760 --> 00:54:23,960
Speaker 12: Yeah, so's it's just going to I'm just going to

1213
00:54:24,000 --> 00:54:27,560
Speaker 12: have fun with different you know, people and different segments

1214
00:54:27,640 --> 00:54:30,440
Speaker 12: and lots of comedy, and then the hour will be over.

1215
00:54:30,560 --> 00:54:32,040
Speaker 12: So yeah, that's that's the plan.

1216
00:54:32,360 --> 00:54:33,640
Speaker 2: Of course, It's quite the picture.

1217
00:54:35,080 --> 00:54:37,120
Speaker 1: Sampang sitting next to an hour glass.

1218
00:54:39,800 --> 00:54:41,920
Speaker 2: What if I what if I come out on Monday night?

1219
00:54:42,400 --> 00:54:43,520
Speaker 9: Good, good evening Australia.

1220
00:54:43,560 --> 00:54:44,680
Speaker 12: Don't worry, it'll all.

1221
00:54:44,640 --> 00:54:45,200
Speaker 14: Be over soon.

1222
00:54:46,280 --> 00:54:48,600
Speaker 2: Start alcal Camille at the beginning and it'll be ready

1223
00:54:48,600 --> 00:54:49,040
Speaker 2: at the end.

1224
00:54:51,080 --> 00:54:52,799
Speaker 1: Sampag cooks an OsO book.

1225
00:54:54,840 --> 00:54:57,400
Speaker 2: You can't do that now, can you go?

1226
00:54:57,560 --> 00:54:58,080
Speaker 1: Why is up?

1227
00:54:58,120 --> 00:54:58,480
Speaker 2: Brendan?

1228
00:54:59,000 --> 00:55:01,640
Speaker 1: Well, I only wish good things for you, Sam. We

1229
00:55:01,719 --> 00:55:03,000
Speaker 1: are huge fans of you.

1230
00:55:03,239 --> 00:55:06,719
Speaker 2: We are starting Monday night eight forty are on ten

1231
00:55:06,880 --> 00:55:08,160
Speaker 2: and ten play can't.

1232
00:55:07,960 --> 00:55:12,960
Speaker 3: Wait Sampagne tonight. I feel like Sampayne to well, like

1233
00:55:13,080 --> 00:55:15,680
Speaker 3: Sampagne tonight, Si.

1234
00:55:16,000 --> 00:55:19,359
Speaker 12: Sampagne tonight. By the way, Amanda, this is getting worse.

1235
00:55:19,400 --> 00:55:21,600
Speaker 12: You just don't have him paying attention. You're behind me

1236
00:55:21,680 --> 00:55:25,080
Speaker 12: looking at the back of my head. Now I can't

1237
00:55:25,080 --> 00:55:25,560
Speaker 12: even see you.

1238
00:55:25,680 --> 00:55:28,520
Speaker 2: I know I'm going to go on another planet next time.

1239
00:55:29,800 --> 00:55:32,000
Speaker 3: Probably a good thing you're not saying, a man, because

1240
00:55:32,000 --> 00:55:34,120
Speaker 3: you'll be in the gape nighty watching the show.

1241
00:55:35,880 --> 00:55:37,160
Speaker 12: Yeah, no, I know it's going to be late for

1242
00:55:37,200 --> 00:55:38,600
Speaker 12: you to but just do your best.

1243
00:55:38,680 --> 00:55:39,680
Speaker 2: Okay, thank you, Sam.

1244
00:55:39,760 --> 00:55:41,560
Speaker 1: Anyone else is going to watch it, Sam, Well, I'm

1245
00:55:41,600 --> 00:55:42,640
Speaker 1: glad we got you on night.

1246
00:55:43,920 --> 00:55:46,080
Speaker 12: I'm it's always wonderful to speak to you both. I

1247
00:55:46,160 --> 00:55:47,719
Speaker 12: can't wait to be in the studio next time.

1248
00:55:47,800 --> 00:55:49,040
Speaker 2: All right, we'd love that. Thank you.

1249
00:55:49,560 --> 00:55:53,200
Speaker 3: Sampaign Tonight Monday eight forty on ten and ten plus

1250
00:55:53,520 --> 00:55:54,319
Speaker 3: it is seven to night.

1251
00:55:54,480 --> 00:55:59,080
Speaker 1: Sorry, Tom, you were doing the yeah, okay, do it well,

1252
00:55:59,280 --> 00:55:59,480
Speaker 1: do it.

1253
00:55:59,520 --> 00:56:01,600
Speaker 3: New boy has been working harder than us trying to

1254
00:56:01,600 --> 00:56:03,640
Speaker 3: get Sampang on our show, and he's come up with this.

1255
00:56:08,520 --> 00:56:10,960
Speaker 10: This new boy bit is wearing a bit thin, isn't it.

1256
00:56:12,560 --> 00:56:14,520
Speaker 10: It sounds like the apple doesn't fall far from the

1257
00:56:14,560 --> 00:56:16,160
Speaker 10: tree when it comes to the kind of jokes that

1258
00:56:16,200 --> 00:56:17,319
Speaker 10: Amanda's kids are making.

1259
00:56:17,520 --> 00:56:19,759
Speaker 2: My son came up with a joke. It's a little

1260
00:56:19,800 --> 00:56:20,200
Speaker 2: bit brude.

1261
00:56:20,440 --> 00:56:22,440
Speaker 1: This is jackal Liam Jack Okay, and.

1262
00:56:22,480 --> 00:56:24,200
Speaker 2: I shouldn't have laughed at it because I'm his mother,

1263
00:56:24,280 --> 00:56:26,759
Speaker 2: but I'm impressed. The same time. Let's just do it,

1264
00:56:26,840 --> 00:56:28,239
Speaker 2: let's pull the bandad off and it's just to it.

1265
00:56:28,440 --> 00:56:31,279
Speaker 2: What does Queensland have in common with Batman? I don't

1266
00:56:31,320 --> 00:56:36,440
Speaker 2: know they both got blown by Alfred. I thought I

1267
00:56:36,600 --> 00:56:38,080
Speaker 2: didn't want to laugh, but I was proud.

1268
00:56:38,719 --> 00:56:41,480
Speaker 10: Although those joke laying hens came home to roost.

1269
00:56:41,600 --> 00:56:45,920
Speaker 8: My ten year old daughter decided that Jack's joke about

1270
00:56:46,239 --> 00:56:50,000
Speaker 8: Batman being blown by Alfred is the funniest joke she's

1271
00:56:50,080 --> 00:56:52,520
Speaker 8: ever heard, and she's been telling it at all the

1272
00:56:52,640 --> 00:56:53,520
Speaker 8: kids in school.

1273
00:56:54,080 --> 00:56:55,880
Speaker 1: No, I we're proud of ourself.

1274
00:56:55,920 --> 00:56:57,239
Speaker 2: Oh what an influencer he is.

1275
00:56:57,440 --> 00:57:00,279
Speaker 10: You know, Jonesy was once upgraded by a super in

1276
00:57:00,400 --> 00:57:01,800
Speaker 10: the U two thousand.

1277
00:57:02,200 --> 00:57:05,480
Speaker 1: U two released their hit Beautiful Day. When that album

1278
00:57:05,640 --> 00:57:08,480
Speaker 1: came out, I was flowing over to Dublin Diland.

1279
00:57:08,640 --> 00:57:11,120
Speaker 2: You have mentioned this for about three days interview.

1280
00:57:10,920 --> 00:57:13,400
Speaker 1: You two anyway, So it was great hanging out with them.

1281
00:57:13,440 --> 00:57:14,680
Speaker 1: Bono made me a cup of coffee.

1282
00:57:14,719 --> 00:57:17,240
Speaker 2: It wasn't Bono worried that you were flying home economy

1283
00:57:17,240 --> 00:57:18,240
Speaker 2: and arrange an upgrade for you.

1284
00:57:18,360 --> 00:57:21,520
Speaker 1: He put me into business. Yeah, well he's a humanitarian.

1285
00:57:23,880 --> 00:57:26,840
Speaker 2: Kids are starving, but Jonesy needs to be in business class.

1286
00:57:27,840 --> 00:57:31,560
Speaker 1: Every time I clapped my hands, some Poro gets an

1287
00:57:31,640 --> 00:57:32,920
Speaker 1: Upbraide gets an upgrade.

1288
00:57:32,920 --> 00:57:34,880
Speaker 10: Stephen Curry was on to talk about his new show

1289
00:57:35,000 --> 00:57:36,920
Speaker 10: Ten Pound Poms and a bit about the history of

1290
00:57:36,960 --> 00:57:37,400
Speaker 10: the concept.

1291
00:57:37,520 --> 00:57:40,640
Speaker 16: We basically sold them this idea that everywhere you look

1292
00:57:40,640 --> 00:57:43,080
Speaker 16: in Australia looks like Bondi Beach brought them over here.

1293
00:57:43,400 --> 00:57:45,360
Speaker 16: There were two million of them, which is about fifteen

1294
00:57:45,400 --> 00:57:48,720
Speaker 16: percent of the entire Australian population at the time, took

1295
00:57:48,760 --> 00:57:51,040
Speaker 16: fair passports away and made them work in canneries.

1296
00:57:52,800 --> 00:57:56,040
Speaker 2: Without this migration scheme, there really wouldn't have been a

1297
00:57:56,080 --> 00:57:59,280
Speaker 2: single episode of Countdown because the Beg's Jimmy Barnes, the

1298
00:57:59,360 --> 00:58:02,800
Speaker 2: young Brothers, Olimanogg's Mum or all ten pound poms. The

1299
00:58:02,920 --> 00:58:04,840
Speaker 2: song down Under was written by a Scott.

1300
00:58:05,120 --> 00:58:06,240
Speaker 1: We have done nothing.

1301
00:58:06,480 --> 00:58:09,960
Speaker 2: A Dutchman designed the opera house. Didn't we make the

1302
00:58:10,040 --> 00:58:13,240
Speaker 2: wine cask? I think in Australian designed the wine cup pizza.

1303
00:58:13,320 --> 00:58:18,160
Speaker 1: We make a good pizza. Pizza. You've heard it first place.

1304
00:58:18,280 --> 00:58:21,000
Speaker 1: Josie just pointed out there, Astray, you invented the pizza.

1305
00:58:21,240 --> 00:58:23,640
Speaker 10: And snow White has gone woke, and not because of

1306
00:58:23,680 --> 00:58:26,360
Speaker 10: a kiss from a handsome prince, but Disney's decision. Not

1307
00:58:26,480 --> 00:58:29,240
Speaker 10: the cast dwarves in the new adaptation of snow White.

1308
00:58:29,480 --> 00:58:33,200
Speaker 2: Interesting though, the CGI can transform people into anything. But

1309
00:58:33,320 --> 00:58:37,280
Speaker 2: you were supposed to use short stature actors for the Dwarf.

1310
00:58:37,760 --> 00:58:41,320
Speaker 2: When they made you Grand and Blumpo, well, there were protests.

1311
00:58:41,760 --> 00:58:45,040
Speaker 1: They were outrageous. You Grand is a rich movie star.

1312
00:58:45,640 --> 00:58:48,560
Speaker 2: And what about who played the guy had his leg

1313
00:58:48,640 --> 00:58:52,000
Speaker 2: off in Forest Gum? Oh yeah, he has to get

1314
00:58:52,040 --> 00:58:52,840
Speaker 2: one legged actors.

1315
00:58:52,960 --> 00:58:56,280
Speaker 1: No, he had two legs. Gone, well that Dan lost

1316
00:58:56,360 --> 00:58:59,280
Speaker 1: both his legs. The CGI was so good in Forest Gup.

1317
00:58:59,360 --> 00:59:02,520
Speaker 1: I believe they sneeze at the time was a double k.

1318
00:59:03,080 --> 00:59:05,200
Speaker 2: You are a double amputee. You say, why couldn't I

1319
00:59:05,840 --> 00:59:06,280
Speaker 2: not every.

1320
00:59:06,160 --> 00:59:07,280
Speaker 1: Double ampute can act?

1321
00:59:07,400 --> 00:59:12,800
Speaker 2: Well, please dwarves. You know all dwarves can act Brendon.

1322
00:59:13,160 --> 00:59:13,960
Speaker 1: That's dreadful.

1323
00:59:15,400 --> 00:59:16,800
Speaker 2: They're not just here to entertain you.

1324
00:59:17,160 --> 00:59:19,720
Speaker 10: Aren't we all radio? Then this has been new Boy

1325
00:59:19,840 --> 00:59:21,200
Speaker 10: Tom's Gibba jabber.

1326
00:59:23,040 --> 00:59:25,680
Speaker 2: My favorite quorum or Facebook friend? When's a double pass

1327
00:59:25,680 --> 00:59:28,040
Speaker 2: the Sea? Your Pe Crew, the world's number one yacht

1328
00:59:28,080 --> 00:59:30,080
Speaker 2: rock band. They're going to be here May seventeen at

1329
00:59:30,120 --> 00:59:32,120
Speaker 2: the Metro Theater thanks to Total Touring.

1330
00:59:32,240 --> 00:59:34,320
Speaker 1: You get that jonesy amount of te towel and keyring

1331
00:59:34,440 --> 00:59:34,840
Speaker 1: as well.

1332
00:59:34,960 --> 00:59:37,000
Speaker 2: We're playing Instagram today. We played out of the eight

1333
00:59:37,000 --> 00:59:39,720
Speaker 2: o'clock News ten Question sixty seconds one thousand bucks. If

1334
00:59:39,760 --> 00:59:41,240
Speaker 2: you get them more right, then you can play double

1335
00:59:41,320 --> 00:59:44,880
Speaker 2: or nothing for two thousand dollars. Kenny from Mount Druet.

1336
00:59:45,000 --> 00:59:47,880
Speaker 2: He gave it a good crack. He answered question one correctly.

1337
00:59:48,440 --> 00:59:52,280
Speaker 2: Question two brought him unstuck. Question two, What color is kale?

1338
00:59:53,960 --> 00:59:54,160
Speaker 7: Question?

1339
00:59:54,400 --> 01:00:01,000
Speaker 2: What color is kaled? Kale like ka early, like a spinach.

1340
01:00:01,080 --> 01:00:06,360
Speaker 1: It's green. I got a fun factor back Chales, right

1341
01:00:06,440 --> 01:00:06,680
Speaker 1: at you.

1342
01:00:06,840 --> 01:00:11,240
Speaker 2: Two, That's enough. One on one seven's Famous five continues

1343
01:00:11,280 --> 01:00:12,160
Speaker 2: with Rob Duckworth.

1344
01:00:13,720 --> 01:00:16,560
Speaker 3: Listen out for bon Javi Madonna, Robbie Williams, John Farnamon

1345
01:00:16,680 --> 01:00:19,880
Speaker 3: Pink when they play that's what happens.

1346
01:00:20,200 --> 01:00:22,600
Speaker 1: We'll be back for jam Nation at six to night.

1347
01:00:22,800 --> 01:00:25,280
Speaker 1: See you then, good day to you. Well, thank God,

1348
01:00:25,440 --> 01:00:29,360
Speaker 1: that's over. Good bite, good bite, wipe.

1349
01:00:31,320 --> 01:00:34,320
Speaker 15: You can catch Jonesy and Amanda's podcast on the iHeartRadio

1350
01:00:34,440 --> 01:00:36,440
Speaker 15: app or wherever you get your podcasts.

1351
01:00:47,840 --> 01:00:50,560
Speaker 2: Catch up on what you've missed on the free iHeartRadio

1352
01:00:50,680 --> 01:00:50,919
Speaker 2: app