1 00:00:01,520 --> 00:00:04,760 Speaker 1: Welcome to the Christian O'Connell Show podcast. 2 00:00:04,960 --> 00:00:07,080 Speaker 2: So the last couple of weeks, often when we do 3 00:00:07,160 --> 00:00:09,280 Speaker 2: the eighties of the nineties, Jack and I will rewatch 4 00:00:09,280 --> 00:00:11,160 Speaker 2: a great movie to do with that letter. 5 00:00:17,720 --> 00:00:21,560 Speaker 3: How you doing, Welcome to the nineties. I'd like to say, 6 00:00:21,720 --> 00:00:25,640 Speaker 3: I make this look good. Missus Chiffield, this nineteen ninety 7 00:00:25,720 --> 00:00:28,000 Speaker 3: who can't handle the true co op. 8 00:00:30,040 --> 00:00:30,639 Speaker 4: S her. 9 00:00:34,440 --> 00:00:37,120 Speaker 3: Christian O'Connell's eight z of the nineties. 10 00:00:37,320 --> 00:00:42,000 Speaker 2: Yeah, baby, So before we get anywhere near slap bracelets, 11 00:00:42,240 --> 00:00:43,360 Speaker 2: let's talk about the movie. 12 00:00:43,720 --> 00:00:44,199 Speaker 3: Yesterday. 13 00:00:44,360 --> 00:00:47,280 Speaker 2: Jack and I both rewatched a great action movie that 14 00:00:47,440 --> 00:00:49,559 Speaker 2: still stands up from the nineties. 15 00:00:49,600 --> 00:00:52,479 Speaker 3: Do you remember this when someone put the city of 16 00:00:52,520 --> 00:00:56,600 Speaker 3: Los Angeles to the ultimate test of Chris I shot. 17 00:00:57,000 --> 00:00:58,320 Speaker 3: There's a bomb on the bus. 18 00:00:58,640 --> 00:01:01,760 Speaker 4: Once the bus goes fifty more an hour, the bombs armed. 19 00:01:02,240 --> 00:01:06,480 Speaker 3: If it drops below fifty it blows up. What she is? 20 00:01:07,440 --> 00:01:09,679 Speaker 5: What do you do? Are you in? 21 00:01:09,760 --> 00:01:10,080 Speaker 3: Short? 22 00:01:10,360 --> 00:01:10,679 Speaker 2: Yeah? 23 00:01:10,800 --> 00:01:20,760 Speaker 3: Why stay to get off? Get off? This is much better, 24 00:01:22,000 --> 00:01:26,600 Speaker 3: Yellow Reeves, Dennis Hopper, Sandra Bullock. 25 00:01:26,720 --> 00:01:29,959 Speaker 5: No exposure up, You have aired triggaramed at your head? 26 00:01:29,959 --> 00:01:30,600 Speaker 3: What do you do? 27 00:01:32,600 --> 00:01:33,360 Speaker 5: What do you do? 28 00:01:35,600 --> 00:01:36,000 Speaker 4: Speed? 29 00:01:36,520 --> 00:01:43,320 Speaker 3: I'll get ready for rush hours this stands up right. 30 00:01:43,360 --> 00:01:46,160 Speaker 2: I watched it yesterday and I went back last year 31 00:01:46,200 --> 00:01:48,320 Speaker 2: to see die Hard, right, which I thought, in my mind, 32 00:01:48,320 --> 00:01:50,080 Speaker 2: this is one of the best action movies ever. It 33 00:01:50,120 --> 00:01:52,880 Speaker 2: doesn't stand up very well. It's really really slow. Die 34 00:01:52,920 --> 00:01:54,800 Speaker 2: Hard is a lot slower than you remember this. 35 00:01:55,360 --> 00:01:57,400 Speaker 5: Watch your movies that we have great memories of can 36 00:01:57,440 --> 00:01:59,880 Speaker 5: go either way. It doesn't live up to it. And 37 00:02:00,280 --> 00:02:02,960 Speaker 5: when I saw the opening titles of Speed, and it's 38 00:02:03,000 --> 00:02:05,840 Speaker 5: got its nineteen ninety four three D lettering that looks 39 00:02:05,880 --> 00:02:08,520 Speaker 5: like something from word Art, I'll take you. Oh no, 40 00:02:09,000 --> 00:02:11,520 Speaker 5: don't tell me. Speed doesn't hold up, but he does. 41 00:02:11,960 --> 00:02:14,560 Speaker 5: I honestly think best action film with the Narnies. 42 00:02:14,600 --> 00:02:16,760 Speaker 3: It's a great action movie. It's relentless. 43 00:02:16,800 --> 00:02:19,400 Speaker 2: And that one line in there about the bomb of 44 00:02:19,440 --> 00:02:22,560 Speaker 2: the bus, it's set. The bus goes below fifty, it 45 00:02:22,639 --> 00:02:25,160 Speaker 2: blows up. That's one of the greatest plot devices from 46 00:02:25,280 --> 00:02:26,040 Speaker 2: movie ever. 47 00:02:26,360 --> 00:02:27,240 Speaker 5: So it's so good. 48 00:02:27,440 --> 00:02:29,000 Speaker 2: Now keep coming back to it. You all know where 49 00:02:29,000 --> 00:02:30,960 Speaker 2: you are in the movie. It's such a great movie. 50 00:02:31,000 --> 00:02:32,520 Speaker 2: This first of all, stop before we get to Keanu 51 00:02:32,560 --> 00:02:35,840 Speaker 2: and Sandra Bullet. I listened to an interview last year 52 00:02:35,919 --> 00:02:38,239 Speaker 2: Tarantino turned this down. He was offered this, and he 53 00:02:38,240 --> 00:02:41,120 Speaker 2: said it's his biggest regret in his directing careers that 54 00:02:41,120 --> 00:02:41,960 Speaker 2: he didn't direct. 55 00:02:41,960 --> 00:02:44,040 Speaker 3: This is one of his favorite movies. It's a great 56 00:02:44,080 --> 00:02:44,840 Speaker 3: action movie. 57 00:02:45,000 --> 00:02:47,840 Speaker 2: Jennis Hopper clearly all the drugs that he took in 58 00:02:47,880 --> 00:02:50,639 Speaker 2: the sixties and seventies are still in the system. Eight 59 00:02:51,040 --> 00:02:54,200 Speaker 2: so over the top baddie, but perfect for the nineties. 60 00:02:54,560 --> 00:02:57,720 Speaker 2: Quiers hotshot that opening scene as well, with the pencil 61 00:02:57,800 --> 00:03:00,000 Speaker 2: in the ear. It's just that he's an amazing bad 62 00:03:00,160 --> 00:03:04,040 Speaker 2: in this. Keanu Reeves literally walks. 63 00:03:03,680 --> 00:03:04,480 Speaker 3: Some of the lines in. 64 00:03:04,760 --> 00:03:07,720 Speaker 2: He looks beautiful, that that sort of nineties buzz cut, 65 00:03:07,880 --> 00:03:09,760 Speaker 2: that crew cut of the nineties. He looks beautiful. He's 66 00:03:09,760 --> 00:03:12,119 Speaker 2: got the he's really ripped, and he's got that beautiful 67 00:03:12,480 --> 00:03:15,520 Speaker 2: criss white T shirt. That gets a bit messier and 68 00:03:15,560 --> 00:03:16,840 Speaker 2: mess here as the movie goes on. 69 00:03:16,960 --> 00:03:18,680 Speaker 5: We watched Point Break a couple of weeks ago. We 70 00:03:18,760 --> 00:03:21,560 Speaker 5: called his performance Wooden't he gets a little bit better 71 00:03:21,600 --> 00:03:21,840 Speaker 5: in this. 72 00:03:22,000 --> 00:03:24,280 Speaker 2: I still say I don't think he's one degree jat. 73 00:03:24,280 --> 00:03:25,959 Speaker 2: I think it's half a degree looser. 74 00:03:26,080 --> 00:03:28,760 Speaker 5: I read that the director Yander Bunts saw him in 75 00:03:28,800 --> 00:03:31,520 Speaker 5: Point Break and thought I want him for speed. I 76 00:03:31,520 --> 00:03:33,799 Speaker 5: don't know how you see his performance in point Break 77 00:03:33,840 --> 00:03:37,480 Speaker 5: and go I want that Wooden acting that hard nosed 78 00:03:37,480 --> 00:03:40,680 Speaker 5: cop in my film. But despite Keianu's performance, it's still 79 00:03:40,680 --> 00:03:41,680 Speaker 5: a ten out of ten movie. 80 00:03:41,800 --> 00:03:44,040 Speaker 2: There are so many lines though, where you're like, they 81 00:03:44,040 --> 00:03:45,520 Speaker 2: really couldn't think of anything else. 82 00:03:45,800 --> 00:03:48,800 Speaker 3: But it's on the map. It's finished, tim the goddamn map. 83 00:03:50,080 --> 00:03:51,480 Speaker 5: I guess they fell behind. 84 00:03:51,920 --> 00:03:53,960 Speaker 3: I guess bloody tradees. 85 00:03:55,240 --> 00:03:58,360 Speaker 2: I guess they fell behind on the construction because obviously 86 00:03:58,560 --> 00:04:01,440 Speaker 2: one of the biggest movie moments in this is that 87 00:04:01,440 --> 00:04:02,000 Speaker 2: they make the. 88 00:04:01,960 --> 00:04:04,200 Speaker 3: Bus jump yep, and even that doesn't make any sense. 89 00:04:04,360 --> 00:04:06,480 Speaker 2: Could even they don't move the passengers to the back 90 00:04:06,520 --> 00:04:09,160 Speaker 2: by the way, they just keep them sat where they are. 91 00:04:09,400 --> 00:04:11,320 Speaker 5: And the fact as well that a construction crew is 92 00:04:11,320 --> 00:04:14,000 Speaker 5: building a freeway. They start from one end, obviously start 93 00:04:14,040 --> 00:04:15,480 Speaker 5: from the other end and meet in the middle, and 94 00:04:15,520 --> 00:04:17,960 Speaker 5: there's a perfectly fifty foot jump that they haven't finished 95 00:04:18,080 --> 00:04:18,599 Speaker 5: watering yet. 96 00:04:18,640 --> 00:04:21,040 Speaker 2: Plus the whole movie, right, they keep coming back to it, 97 00:04:21,040 --> 00:04:24,520 Speaker 2: it's gotta be fifty or above. Thus, based on obviously 98 00:04:24,640 --> 00:04:27,360 Speaker 2: the rotation of the tires when is going through air, 99 00:04:27,560 --> 00:04:28,279 Speaker 2: I cuddenly. 100 00:04:28,000 --> 00:04:29,880 Speaker 3: Realized watch yesterday. They didn't realize at the time when. 101 00:04:29,760 --> 00:04:31,240 Speaker 2: First sort of the cinema, how they know they we're 102 00:04:31,240 --> 00:04:35,120 Speaker 2: still doing fifty miles an hour. They've lost contact this line, but. 103 00:04:35,120 --> 00:04:38,000 Speaker 3: It's on the map. It's finished on a goddamn map. 104 00:04:39,200 --> 00:04:41,080 Speaker 5: They just they fell behind. 105 00:04:41,360 --> 00:04:43,920 Speaker 2: My favorite line, though, is when Kana goes, you know 106 00:04:43,960 --> 00:04:47,240 Speaker 2: it's an interchange. Maybe there's an incline, Like we all 107 00:04:47,240 --> 00:04:49,640 Speaker 2: get that reference that, oh, if there's an interchange, there 108 00:04:49,760 --> 00:04:53,839 Speaker 2: be an incline, for sure, La flori it's. 109 00:04:53,680 --> 00:04:54,360 Speaker 3: An inner change. 110 00:04:54,400 --> 00:04:58,200 Speaker 5: It might be an incline, Florid. The whole jump scene 111 00:04:58,279 --> 00:04:59,719 Speaker 5: made absolutely no sense. 112 00:05:00,279 --> 00:05:02,400 Speaker 2: But I remember seeing this when I first saw it, it 113 00:05:02,440 --> 00:05:04,640 Speaker 2: was in the cinema, and that's when everyone that's the 114 00:05:04,680 --> 00:05:06,640 Speaker 2: only way you saw movies was in the cinema, really 115 00:05:06,880 --> 00:05:08,960 Speaker 2: and where everyone used to cheer at the same time 116 00:05:09,040 --> 00:05:11,920 Speaker 2: during certain scenes of movies. I remember when they make 117 00:05:12,040 --> 00:05:15,839 Speaker 2: that they're all really happy and that everyone in the cinema. 118 00:05:15,440 --> 00:05:17,760 Speaker 3: Was cheering and clapping. It's a great movie. 119 00:05:17,520 --> 00:05:20,320 Speaker 5: And I love that the road runs out. They run 120 00:05:20,360 --> 00:05:22,400 Speaker 5: out of road for the bus, and then later they're 121 00:05:22,400 --> 00:05:24,080 Speaker 5: on the train and they run out of track for 122 00:05:24,120 --> 00:05:26,479 Speaker 5: the train. It's like that device works so well. Earlier 123 00:05:26,520 --> 00:05:27,720 Speaker 5: in the film let's just do. 124 00:05:27,680 --> 00:05:28,440 Speaker 3: It again now. 125 00:05:28,520 --> 00:05:31,039 Speaker 2: The big star of this, though, isn't Keanu Reeves. It's 126 00:05:31,040 --> 00:05:34,000 Speaker 2: Soda Bullet. She is so charming and likable on this 127 00:05:34,120 --> 00:05:36,520 Speaker 2: She's really great. I tell you who's a massive Sondri 128 00:05:36,560 --> 00:05:38,080 Speaker 2: Bullet fan. We just need to let us speak because 129 00:05:38,160 --> 00:05:40,839 Speaker 2: yesterday she went all wide eyed Caitlin. 130 00:05:40,560 --> 00:05:42,520 Speaker 3: Our producer, I didn't realize. Do you know this? 131 00:05:42,600 --> 00:05:46,479 Speaker 2: Patsy is a mega Sonra Bullet fan. 132 00:05:47,000 --> 00:05:47,720 Speaker 1: Massive fan. 133 00:05:47,880 --> 00:05:50,600 Speaker 4: There could be any other celebrity in the world that 134 00:05:50,640 --> 00:05:52,560 Speaker 4: I could meet. They'd walk out to me, say hi, 135 00:05:52,640 --> 00:05:56,160 Speaker 4: I'd be fine. Sandra Bullock I would die. 136 00:05:56,800 --> 00:05:58,160 Speaker 3: What is it about Sandy B? 137 00:05:58,680 --> 00:05:59,640 Speaker 1: I just love her. 138 00:05:59,680 --> 00:06:01,960 Speaker 4: I watched all her movies growing up, but I think 139 00:06:02,040 --> 00:06:04,440 Speaker 4: she was like the epitome of famous for me, and 140 00:06:04,520 --> 00:06:06,640 Speaker 4: I was just so obsessed with her, And because she's 141 00:06:06,640 --> 00:06:07,560 Speaker 4: so beautiful too. 142 00:06:08,160 --> 00:06:10,000 Speaker 3: I don't know Top three? What are your top three 143 00:06:10,080 --> 00:06:11,839 Speaker 3: Sandy b movies? Sonja Bullet movies. 144 00:06:12,240 --> 00:06:15,440 Speaker 4: Miss Congeniality, Sexual Awakening. 145 00:06:19,440 --> 00:06:21,039 Speaker 5: Sounds like the Tagline film. 146 00:06:21,080 --> 00:06:23,159 Speaker 3: I thought that was the second one? Was it Miss 147 00:06:23,200 --> 00:06:25,760 Speaker 3: Sexual Awaiting? I must check that out? Actually sink at 148 00:06:25,800 --> 00:06:27,240 Speaker 3: that later A more. 149 00:06:27,120 --> 00:06:29,400 Speaker 1: Recent won The Proposal Brilliant film. 150 00:06:31,520 --> 00:06:33,440 Speaker 3: These are all bland and. 151 00:06:33,400 --> 00:06:36,760 Speaker 1: Two weeks notice really was living. 152 00:06:36,600 --> 00:06:41,279 Speaker 3: In the top three film Gravity. She's amazing in Gravity. 153 00:06:41,040 --> 00:06:43,960 Speaker 4: That I didn't like that one while you were sleeping 154 00:06:44,040 --> 00:06:44,960 Speaker 4: that was gorgeous. 155 00:06:45,000 --> 00:06:45,960 Speaker 1: No, that one was good too. 156 00:06:46,040 --> 00:06:47,680 Speaker 3: I loved Tell what we're going to do? Tell her 157 00:06:47,720 --> 00:06:48,200 Speaker 3: what we're going to do. 158 00:06:48,279 --> 00:06:49,840 Speaker 2: Right, We're going to play a song now right, We're 159 00:06:49,839 --> 00:06:52,320 Speaker 2: going to play a song during that song, Jack, let's 160 00:06:52,360 --> 00:06:55,320 Speaker 2: come up with an instant five question Sandra Bullet quiz 161 00:06:55,680 --> 00:06:57,640 Speaker 2: to test you. I'm starting now, all right, because what 162 00:06:57,680 --> 00:06:59,360 Speaker 2: happens one day I suddenly get on a show. I'm 163 00:06:59,360 --> 00:07:00,800 Speaker 2: going to try now to book by the end of 164 00:07:00,800 --> 00:07:02,520 Speaker 2: the year, and I'm gonna let you interview. 165 00:07:02,560 --> 00:07:04,599 Speaker 3: I'm not gonna ask any questions. You need to be ready. 166 00:07:04,839 --> 00:07:05,920 Speaker 1: I'll be ready, all right. 167 00:07:05,920 --> 00:07:07,080 Speaker 2: I'm going to try and de live it by the 168 00:07:07,160 --> 00:07:09,000 Speaker 2: end of the year. Sandra Bulleck to you, Okay, I 169 00:07:09,000 --> 00:07:09,920 Speaker 2: will not interview her. 170 00:07:10,080 --> 00:07:11,000 Speaker 3: You will. Jack. 171 00:07:11,080 --> 00:07:14,679 Speaker 2: Let's go on Google, Caitlyn, step away from your computer terminal. 172 00:07:15,120 --> 00:07:19,640 Speaker 3: Sandy Bee quiz. Coming up next The Christian Connell Show Podcast. 173 00:07:19,600 --> 00:07:21,440 Speaker 2: Eight in the ninety so or do with the letter 174 00:07:21,600 --> 00:07:27,240 Speaker 2: s like smash Mouth and Sandra Bullock, producer Caitlin's a fan, 175 00:07:27,360 --> 00:07:29,880 Speaker 2: a megafan of Sondra Bulock so much so we've decided 176 00:07:29,880 --> 00:07:33,080 Speaker 2: to try and create a on the spot quiz me. 177 00:07:33,240 --> 00:07:36,280 Speaker 2: Jack and Rio feevishly just googling everything to do with 178 00:07:36,320 --> 00:07:38,400 Speaker 2: Sandra Bullock. I feel that we know her. Now just 179 00:07:38,440 --> 00:07:41,240 Speaker 2: in three minutes, we have five questions. Jack, you've got 180 00:07:41,240 --> 00:07:42,880 Speaker 2: the questions. I've got them all right. 181 00:07:43,200 --> 00:07:45,240 Speaker 3: Producer Kelly, now are you ready? You say you're a 182 00:07:45,280 --> 00:07:46,520 Speaker 3: fan of Sandra Bullock. 183 00:07:46,640 --> 00:07:48,720 Speaker 5: Let's find out all right now these Remember this has 184 00:07:48,720 --> 00:07:51,240 Speaker 5: been cobbled together in three minutes, so they're not worded. Great. 185 00:07:51,280 --> 00:07:53,640 Speaker 5: The first one is just worded how old? Question mark? 186 00:07:53,920 --> 00:07:54,400 Speaker 3: How old? 187 00:07:54,880 --> 00:07:55,120 Speaker 1: Eight? 188 00:07:55,680 --> 00:07:56,200 Speaker 5: Correct? 189 00:07:57,760 --> 00:08:02,400 Speaker 2: That is impressive. Early fifties. I think she's heading towards sixty. 190 00:08:02,800 --> 00:08:03,480 Speaker 1: She's stunning. 191 00:08:03,520 --> 00:08:05,840 Speaker 4: Doesn't look fifty eight, so you would be you know, 192 00:08:06,880 --> 00:08:08,640 Speaker 4: it's not shocking that you would think she was younger. 193 00:08:09,520 --> 00:08:11,880 Speaker 5: We should point out also that Cavan's got a picture 194 00:08:11,880 --> 00:08:16,119 Speaker 5: of Sandra Bullock taped to her computer screen. What movie 195 00:08:16,120 --> 00:08:19,240 Speaker 5: did you win Best Actress for Blindside? Correct? 196 00:08:19,360 --> 00:08:22,080 Speaker 1: And it was in twenty ten, twenty two thousand and 197 00:08:22,160 --> 00:08:22,560 Speaker 1: nine night. 198 00:08:22,640 --> 00:08:24,760 Speaker 2: We'll give you all that. We'll give you all that. Actually, 199 00:08:24,800 --> 00:08:28,080 Speaker 2: this is stunning. Blainside's a great movie. I forgot about. 200 00:08:27,800 --> 00:08:29,280 Speaker 1: That brilliant question. 201 00:08:29,320 --> 00:08:31,280 Speaker 5: Three, what is the movie where she plays a computer 202 00:08:31,360 --> 00:08:33,439 Speaker 5: programmer who stumbles upon a conspirait? 203 00:08:36,679 --> 00:08:40,000 Speaker 3: This is three from three, aren't you? Yeah? She's going 204 00:08:40,040 --> 00:08:42,040 Speaker 3: to get all five. You clearly are mega fan. 205 00:08:42,360 --> 00:08:45,640 Speaker 5: What was her character's name in Miss Congeniality Grazyhart? 206 00:08:47,080 --> 00:08:48,839 Speaker 2: We were like, we need a mega hard Well, let's 207 00:08:48,840 --> 00:08:50,920 Speaker 2: get a character name. She never know that. 208 00:08:51,800 --> 00:08:54,360 Speaker 5: Final question and we were running out of time by 209 00:08:54,360 --> 00:08:57,480 Speaker 5: this stage. As a smash mouth ended was struggling on 210 00:08:57,480 --> 00:09:01,280 Speaker 5: this one height question by. 211 00:09:00,679 --> 00:09:05,880 Speaker 1: One one six no, no one seven one. 212 00:09:06,000 --> 00:09:14,920 Speaker 2: Yeah one, Kaylin. We have to do all we can 213 00:09:15,040 --> 00:09:17,360 Speaker 2: to get Sandra Bullock on the show so that you 214 00:09:17,480 --> 00:09:20,640 Speaker 2: can interview. Oh shd, that is amazing. I mean, I 215 00:09:20,679 --> 00:09:22,600 Speaker 2: love Springsteen. I don't think I'm getting five for. 216 00:09:22,640 --> 00:09:23,120 Speaker 3: Five of those. 217 00:09:23,120 --> 00:09:25,440 Speaker 2: I don't know how it's all he is. That is amazing. 218 00:09:25,480 --> 00:09:27,680 Speaker 2: You really are a massive, such bullet fan. 219 00:09:28,320 --> 00:09:30,479 Speaker 3: Christian Connell's Show podcast