1 00:00:01,440 --> 00:00:06,880 Speaker 1: And Amanda jam N c Les Barber is multitasking all 2 00:00:06,920 --> 00:00:11,160 Speaker 1: over the shop comedian, author, actor, Instagram queen. She's bought 3 00:00:11,200 --> 00:00:12,959 Speaker 1: me a gift that I'm going to open in a moment. 4 00:00:13,320 --> 00:00:15,600 Speaker 1: But she's also got a new stand up show called 5 00:00:15,600 --> 00:00:18,319 Speaker 1: Backup Dance, and she's joining us now. Hello, good morning. 6 00:00:18,360 --> 00:00:21,480 Speaker 1: Can I open my presence please? This is from your 7 00:00:21,520 --> 00:00:22,400 Speaker 1: new makeup range. 8 00:00:22,400 --> 00:00:23,720 Speaker 2: Is really beauty. 9 00:00:24,120 --> 00:00:24,360 Speaker 3: Wow. 10 00:00:24,480 --> 00:00:27,600 Speaker 2: Look at all the things, Look at all the pretty things. 11 00:00:28,040 --> 00:00:29,440 Speaker 1: How did this come about? 12 00:00:29,720 --> 00:00:32,040 Speaker 3: I've had this in my mind for a few years 13 00:00:32,040 --> 00:00:35,879 Speaker 3: now about making my own makeup brand that kind of 14 00:00:36,640 --> 00:00:39,200 Speaker 3: targets there's a real gap in the market for women 15 00:00:39,280 --> 00:00:43,440 Speaker 3: over the age of I don't know seven. Everything that's 16 00:00:43,479 --> 00:00:46,040 Speaker 3: marketing to people over that age is like anti aging 17 00:00:46,080 --> 00:00:49,280 Speaker 3: serum or anti aging cream or conceal it a cover 18 00:00:49,360 --> 00:00:52,879 Speaker 3: up your horrible you know faces. And I'm kind of like, 19 00:00:53,040 --> 00:00:55,040 Speaker 3: I think we're all pretty excellent. And I wanted to 20 00:00:55,040 --> 00:00:59,480 Speaker 3: bring my audience, my demographic of women back into the makeup, 21 00:00:59,640 --> 00:01:02,800 Speaker 3: into the make up conversations. I love makeup, but I 22 00:01:02,840 --> 00:01:04,880 Speaker 3: don't have time to sit and watch seventy five minute 23 00:01:04,959 --> 00:01:08,720 Speaker 3: makeup sory and and I've just found that it got 24 00:01:08,760 --> 00:01:12,160 Speaker 3: really complicated and really overwhelming. So I wanted to make 25 00:01:12,200 --> 00:01:16,400 Speaker 3: a brand and make a company that is just simple. 26 00:01:16,440 --> 00:01:18,960 Speaker 3: It's five products that get you out the door. It's 27 00:01:19,080 --> 00:01:21,240 Speaker 3: it's like your base face, and it just to bring 28 00:01:21,280 --> 00:01:23,520 Speaker 3: out the best version of you. Really, so instead of 29 00:01:23,560 --> 00:01:25,400 Speaker 3: thinking you have to always change things, it's just to 30 00:01:25,400 --> 00:01:27,720 Speaker 3: be like, you have an excellent face as it is, 31 00:01:27,959 --> 00:01:29,280 Speaker 3: so let's just celebrate it. 32 00:01:29,280 --> 00:01:32,440 Speaker 4: It's booey. 33 00:01:32,520 --> 00:01:33,520 Speaker 2: How did you come up with booeie? 34 00:01:33,520 --> 00:01:36,039 Speaker 3: What I call my boys. It's my little cute name 35 00:01:36,080 --> 00:01:38,160 Speaker 3: I call my kids. It's a nickname. 36 00:01:38,280 --> 00:01:40,319 Speaker 2: So it's weird. Now when I'm talking, like on meetings 37 00:01:40,319 --> 00:01:41,440 Speaker 2: for this, I'd be like. 38 00:01:41,400 --> 00:01:43,080 Speaker 3: Yeah, because we need to do with booy this or 39 00:01:43,120 --> 00:01:46,040 Speaker 3: booy that, and my kids are like, yeah, oh no, 40 00:01:46,120 --> 00:01:46,960 Speaker 3: it's not you anymore. 41 00:01:47,000 --> 00:01:50,000 Speaker 2: Sorry, boys, you by I've moved on. 42 00:01:50,440 --> 00:01:52,640 Speaker 4: But haven't you gone from strength to strength? You know? 43 00:01:52,760 --> 00:01:55,520 Speaker 4: You were the bushfire thing that that's all gone now, 44 00:01:55,560 --> 00:01:57,760 Speaker 4: hasn't it. That's yeah, yeah, it's doe. 45 00:01:58,080 --> 00:02:01,120 Speaker 2: Yeah, we'll never yes, it will never be a fire 46 00:02:01,240 --> 00:02:01,760 Speaker 2: ever again. 47 00:02:02,760 --> 00:02:05,520 Speaker 4: And at the time we said no, good d goes unpunished. Punished. 48 00:02:05,600 --> 00:02:07,640 Speaker 4: You go and do a thing and then it goes. 49 00:02:07,920 --> 00:02:10,720 Speaker 2: Yes, I know that was that whole that whole time 50 00:02:10,840 --> 00:02:14,160 Speaker 2: was just so fucking, so very devastating. Oh gosh, I've 51 00:02:14,160 --> 00:02:18,320 Speaker 2: already just swot it's quite all right. That's what it's about. 52 00:02:18,320 --> 00:02:21,240 Speaker 1: It to me that made me swear backup dancers? Did 53 00:02:21,280 --> 00:02:23,040 Speaker 1: you are you a backup dancer? Did you want to 54 00:02:23,040 --> 00:02:24,000 Speaker 1: be a backup dancer? 55 00:02:24,120 --> 00:02:24,280 Speaker 2: Yes? 56 00:02:24,400 --> 00:02:26,040 Speaker 3: All I've ever wanted in my life is to be 57 00:02:26,080 --> 00:02:32,320 Speaker 3: a backup dancer for Jeanet Jackson. Yeah, I just I mean, 58 00:02:32,400 --> 00:02:35,920 Speaker 3: it's like my dream in life. There are things that 59 00:02:35,960 --> 00:02:37,480 Speaker 3: I want in my life that I haven't done. I've 60 00:02:37,480 --> 00:02:40,359 Speaker 3: done a lot of great things, and one of them 61 00:02:40,520 --> 00:02:42,040 Speaker 3: is to be a Jeet Jackson backup dad. 62 00:02:42,120 --> 00:02:42,720 Speaker 1: Can you dance? 63 00:02:43,160 --> 00:02:43,359 Speaker 3: Yes? 64 00:02:43,400 --> 00:02:45,120 Speaker 4: I used to dance dancer. 65 00:02:45,400 --> 00:02:47,880 Speaker 3: Yes, sure, yeah, sure, let's have a good dancer. But 66 00:02:47,880 --> 00:02:49,760 Speaker 3: I danced a lot when I was younger, and like 67 00:02:49,919 --> 00:02:52,760 Speaker 3: and and I've always danced. And then I went and 68 00:02:52,800 --> 00:02:55,480 Speaker 3: saw Janet Jackson nineteen ninety eight Velvet Rope Tour and 69 00:02:55,840 --> 00:02:57,720 Speaker 3: completely changed my life and I was like, well, that's 70 00:02:57,919 --> 00:03:00,000 Speaker 3: that's what I want to do, and so that's why 71 00:03:00,000 --> 00:03:01,440 Speaker 3: I've named my show backup Dancer. 72 00:03:01,440 --> 00:03:03,600 Speaker 4: You didn't want to be the main game, though, No, I'm. 73 00:03:03,440 --> 00:03:05,919 Speaker 3: Okay, because Janet, I want to just had like dance 74 00:03:06,000 --> 00:03:09,160 Speaker 3: for Janet. I wanted to, you know, I didn't want 75 00:03:09,160 --> 00:03:11,560 Speaker 3: to be the start. I mean, times have clearly changed 76 00:03:11,680 --> 00:03:15,120 Speaker 3: because now I'm doing my own soul out tours. But no, 77 00:03:15,200 --> 00:03:17,359 Speaker 3: I just to be her backup dancer. And then I 78 00:03:17,400 --> 00:03:21,560 Speaker 3: was lucky enough. I saw her live when I was 79 00:03:21,600 --> 00:03:24,440 Speaker 3: doing my tour in America a few weeks ago, and 80 00:03:24,600 --> 00:03:26,480 Speaker 3: I've I cried my eyelashes off. 81 00:03:26,520 --> 00:03:29,640 Speaker 2: It was the most incredible concert ever, saying touring. She's 82 00:03:29,760 --> 00:03:32,160 Speaker 2: fifty eight, she's still touring. 83 00:03:32,400 --> 00:03:36,360 Speaker 3: She's unbelievable, dancing hard, She's unbelievable. 84 00:03:36,400 --> 00:03:38,760 Speaker 2: So that's why I've kind of dedicated the tour. 85 00:03:39,040 --> 00:03:41,480 Speaker 4: There wasn't a nipple escape or anything like that. 86 00:03:41,840 --> 00:03:43,560 Speaker 2: No, no, it was all shut up shop, No, No, 87 00:03:43,720 --> 00:03:44,280 Speaker 2: she was good. 88 00:03:44,480 --> 00:03:46,920 Speaker 1: I loved you In Colin from Accounts, one of my 89 00:03:46,960 --> 00:03:49,880 Speaker 1: favorite series ever that Australia has ever made. 90 00:03:50,120 --> 00:03:54,320 Speaker 2: You played such a mole. She was horrible. She was horrible. 91 00:03:54,520 --> 00:03:57,640 Speaker 3: She was horrible, and she was so fun to play. 92 00:03:58,440 --> 00:04:01,160 Speaker 3: I mean, being on set with that. I've known Patty 93 00:04:01,200 --> 00:04:02,960 Speaker 3: and Harry for years. Harry and I used to work 94 00:04:03,000 --> 00:04:05,480 Speaker 3: in a box office together at the Seymour Center back 95 00:04:05,480 --> 00:04:09,720 Speaker 3: in the day, and I mean, my character was so horrible, 96 00:04:09,960 --> 00:04:13,680 Speaker 3: and sitting opposite Harriet and her little face and me 97 00:04:13,840 --> 00:04:17,680 Speaker 3: just having to just rip her apart was delicious. 98 00:04:19,960 --> 00:04:22,240 Speaker 5: And it's brilliant with you coming up with all the 99 00:04:22,480 --> 00:04:24,040 Speaker 5: like you're always taking the piss. 100 00:04:24,160 --> 00:04:25,600 Speaker 4: If you've already. 101 00:04:25,360 --> 00:04:28,120 Speaker 2: Swore welcome to my show, you can say what you want. 102 00:04:28,800 --> 00:04:30,000 Speaker 4: This is the world we live in now. 103 00:04:30,200 --> 00:04:33,000 Speaker 5: But all the influences and stuff like that has got 104 00:04:33,000 --> 00:04:35,360 Speaker 5: to a point where you're thinking, I just can't do 105 00:04:35,400 --> 00:04:38,360 Speaker 5: this anymore because a lot of them are really advanced. 106 00:04:38,360 --> 00:04:40,640 Speaker 4: They're more and more work, and it's hard work to do, 107 00:04:40,720 --> 00:04:41,360 Speaker 4: I'd imagine. 108 00:04:41,480 --> 00:04:45,599 Speaker 3: Yeah, it is the funnest ones to do when they're 109 00:04:45,760 --> 00:04:49,440 Speaker 3: the most scantily clad. So when someone, I mean I 110 00:04:49,480 --> 00:04:51,920 Speaker 3: get in undated. People send me them all the time now, 111 00:04:52,520 --> 00:04:55,200 Speaker 3: and when I see ones, it's like just someone and 112 00:04:55,200 --> 00:04:57,200 Speaker 3: there's a white wall behind them and they're hardly in 113 00:04:57,240 --> 00:04:59,720 Speaker 3: a bikini and they're dancing. I'm like, oh, yep, this 114 00:04:59,800 --> 00:05:02,240 Speaker 3: is my calling. I'm really ready for this. No, I 115 00:05:02,279 --> 00:05:03,719 Speaker 3: love it makes me laugh. 116 00:05:03,600 --> 00:05:07,720 Speaker 1: Still sitting around, you know, legs apart with a pizza slice. Yeah, 117 00:05:07,800 --> 00:05:08,800 Speaker 1: that's how you want to like. 118 00:05:10,960 --> 00:05:13,600 Speaker 3: The caption's like, you know, it's been a long day 119 00:05:13,600 --> 00:05:15,360 Speaker 3: in the office, Go get the kids from school. 120 00:05:15,520 --> 00:05:19,680 Speaker 2: Like, that's not what's happening. That's not what's happening. 121 00:05:19,960 --> 00:05:22,240 Speaker 4: Because that's the whole first trap thing, isn't it. 122 00:05:22,320 --> 00:05:24,480 Speaker 3: Yeah, which, look, I've got time for that's the thing. 123 00:05:24,520 --> 00:05:26,560 Speaker 3: I don't ever want it to stop, because then I 124 00:05:26,720 --> 00:05:27,800 Speaker 3: don't have a I'd like. 125 00:05:27,720 --> 00:05:29,400 Speaker 1: You to get onto the what I eat in a 126 00:05:29,480 --> 00:05:32,920 Speaker 1: day mental Yeah. Yeah, there's a lot of weird ones eat. 127 00:05:32,960 --> 00:05:35,840 Speaker 1: People eat raw meat at breakfast and just slabs of 128 00:05:35,880 --> 00:05:39,080 Speaker 1: butter at lunch, and they're these rake thin supermodels. 129 00:05:39,240 --> 00:05:40,599 Speaker 2: Yeah I've seen that as well. 130 00:05:40,680 --> 00:05:42,800 Speaker 3: But yeah, I've seen one that's like this is what 131 00:05:42,880 --> 00:05:45,920 Speaker 3: Kendall Jenna eats in a day or something, and they 132 00:05:45,960 --> 00:05:48,080 Speaker 3: put the time up and by eight o'clock she's had 133 00:05:48,440 --> 00:05:51,159 Speaker 3: full rack of ribs. 134 00:05:51,320 --> 00:05:55,240 Speaker 1: I don't know if that's as Yeah, well, anything you 135 00:05:55,240 --> 00:05:57,240 Speaker 1: turn your hand to, we want to see, I think. 136 00:05:57,240 --> 00:06:00,839 Speaker 4: Anything maybe the aftermath. Maybe that's the next thing. The influencers, 137 00:06:00,920 --> 00:06:03,800 Speaker 4: So it's toilet the. 138 00:06:03,760 --> 00:06:05,040 Speaker 2: Other end, measuring the storm. 139 00:06:05,120 --> 00:06:06,960 Speaker 3: That'd be the name of my next stand up, Siles 140 00:06:07,040 --> 00:06:10,000 Speaker 3: Barber the other end, Well. 141 00:06:10,240 --> 00:06:12,360 Speaker 5: Get your tickets to back up dance and now it's 142 00:06:12,360 --> 00:06:14,080 Speaker 5: a less Barber dot com. 143 00:06:13,680 --> 00:06:16,159 Speaker 4: I'm not too jazz. Amanda got a present. 144 00:06:16,200 --> 00:06:17,839 Speaker 1: I'm going to play with all this stuff. 145 00:06:18,240 --> 00:06:19,200 Speaker 2: You're welcome to try it. 146 00:06:19,360 --> 00:06:22,080 Speaker 5: Sure, absolutely, I need to get back to my bass face. 147 00:06:22,160 --> 00:06:24,839 Speaker 5: But I'm already fighting ten of these seven possible signs 148 00:06:24,839 --> 00:06:25,320 Speaker 5: of aging. 149 00:06:25,600 --> 00:06:27,480 Speaker 2: Oh yeah, don't fight them. You just got to lean 150 00:06:27,480 --> 00:06:30,679 Speaker 2: into that. Lean into them. You have to some lipstick 151 00:06:30,720 --> 00:06:31,200 Speaker 2: as we talk. 152 00:06:31,760 --> 00:06:33,160 Speaker 4: So thank you for joining us. 153 00:06:33,160 --> 00:06:34,640 Speaker 2: Thanks so much for having me. Nice to see you