1 00:00:05,960 --> 00:00:10,559 Speaker 1: Woodrow. Yesterday we spoke to someone. We actually we gave 2 00:00:10,600 --> 00:00:13,400 Speaker 1: away the trip to la which we're doing every single 3 00:00:13,480 --> 00:00:14,960 Speaker 1: day this week just for getting on the air third 4 00:00:14,960 --> 00:00:17,040 Speaker 1: one six five give us call thanks to United Airlines. 5 00:00:17,760 --> 00:00:19,880 Speaker 1: Yesterday we gave away our first trip and we called 6 00:00:20,000 --> 00:00:22,560 Speaker 1: this woman called Regina, and I think she said the 7 00:00:22,640 --> 00:00:25,279 Speaker 1: nicest thing to us that you and I have ever 8 00:00:26,079 --> 00:00:27,040 Speaker 1: really ever received. 9 00:00:27,600 --> 00:00:29,480 Speaker 2: Do you know who this is, Regina? 10 00:00:29,760 --> 00:00:31,520 Speaker 3: I'm hoping it's the boy. 11 00:00:32,040 --> 00:00:33,200 Speaker 2: I love that you calls the boys. 12 00:00:33,240 --> 00:00:34,800 Speaker 1: I love that you cause the boys as well. I 13 00:00:34,920 --> 00:00:35,279 Speaker 1: love that. 14 00:00:36,320 --> 00:00:37,960 Speaker 2: I love that it makes me feel. 15 00:00:37,920 --> 00:00:40,199 Speaker 1: Love that it either means you know it's intimately or 16 00:00:40,200 --> 00:00:41,480 Speaker 1: you've totally forgotten our names. 17 00:00:42,280 --> 00:00:44,120 Speaker 2: Now we've decided to take it as she knows it. 18 00:00:44,920 --> 00:00:45,960 Speaker 1: Yah, yeah, yeah, yeah yeah. 19 00:00:45,960 --> 00:00:46,680 Speaker 2: It would just be. 20 00:00:46,800 --> 00:00:50,400 Speaker 4: Huge for you and me to have it in Australian 21 00:00:50,479 --> 00:00:54,400 Speaker 4: vernacular that when someone says, oh, I was just listening 22 00:00:54,400 --> 00:00:57,880 Speaker 4: to the boys, or I love the boys, they're referring 23 00:00:57,880 --> 00:00:58,440 Speaker 4: to you and me. 24 00:01:02,080 --> 00:01:05,119 Speaker 1: It's a dream. It's honestly, it's a dream. And we 25 00:01:05,120 --> 00:01:08,000 Speaker 1: we know that there are obviously a number of other 26 00:01:08,040 --> 00:01:11,840 Speaker 1: front runners. We're not idiots here, guys. We know Martin 27 00:01:11,880 --> 00:01:13,160 Speaker 1: molloy are up there. 28 00:01:13,480 --> 00:01:15,080 Speaker 2: Sure, that's an old reference. 29 00:01:16,520 --> 00:01:21,200 Speaker 1: I mentioned Hamy Shandy Obviously it has to be. It's 30 00:01:21,200 --> 00:01:22,039 Speaker 1: got to be the front runner. 31 00:01:22,080 --> 00:01:23,959 Speaker 4: And the other one, which people think about a lot 32 00:01:24,040 --> 00:01:27,240 Speaker 4: and definitely recently, would be Will Smith and Martin Lawrence, 33 00:01:27,280 --> 00:01:28,600 Speaker 4: the o G Bad Boys. 34 00:01:28,760 --> 00:01:31,160 Speaker 1: Yes, of course, if you're yeah, and we were going 35 00:01:31,200 --> 00:01:35,120 Speaker 1: to play bad Boys then and I said, working on it. 36 00:01:35,120 --> 00:01:35,760 Speaker 1: They're working on it. 37 00:01:36,080 --> 00:01:36,600 Speaker 2: It'll come. 38 00:01:37,000 --> 00:01:39,039 Speaker 1: I think if you're a rowing fan, if you're into 39 00:01:39,040 --> 00:01:43,880 Speaker 1: your rowing time, could be them. I think if you're 40 00:01:43,880 --> 00:01:46,160 Speaker 1: into your rowing in and around the time of the Olympics, 41 00:01:46,160 --> 00:01:49,320 Speaker 1: the Awesome Foursome were probably the boys. I think so 42 00:01:50,320 --> 00:01:51,480 Speaker 1: would the four. 43 00:01:51,360 --> 00:01:55,080 Speaker 2: By one hundred freestyle team of Michael klem Ian Thorpe 44 00:01:55,600 --> 00:01:56,400 Speaker 2: and the two others. 45 00:01:56,640 --> 00:02:00,800 Speaker 1: They were definitely the boys for a while there. That 46 00:02:00,880 --> 00:02:02,600 Speaker 1: was definitely the boys for a while. The boys have 47 00:02:02,640 --> 00:02:04,680 Speaker 1: done it, the Baby Bombers of nineteen ninety three. We 48 00:02:04,680 --> 00:02:08,600 Speaker 1: could go on, but look, we want to know because 49 00:02:09,320 --> 00:02:12,320 Speaker 1: we felt Regina was genuinely referring to us as the boys. Massive. 50 00:02:12,639 --> 00:02:15,000 Speaker 1: I mean, there aren't many people that refer to us 51 00:02:15,040 --> 00:02:18,160 Speaker 1: as that, like our boss here. Is there anyone else 52 00:02:18,160 --> 00:02:20,080 Speaker 1: out there who thinks that we could be in the 53 00:02:20,120 --> 00:02:24,600 Speaker 1: boys status and if not, who are the boys for you? 54 00:02:24,800 --> 00:02:25,040 Speaker 2: Yeah? 55 00:02:25,120 --> 00:02:29,359 Speaker 4: Awesome, Hayley, And we really we're demanding your honesty here. 56 00:02:29,360 --> 00:02:31,160 Speaker 4: Don't just be nice to By the way, you're in 57 00:02:31,200 --> 00:02:33,080 Speaker 4: the drawer for the trip to La So whatever you 58 00:02:33,120 --> 00:02:35,720 Speaker 4: answer here does not change that at all. But when 59 00:02:35,960 --> 00:02:38,919 Speaker 4: someone says the boys, who do you think they're referring to? 60 00:02:40,040 --> 00:02:43,120 Speaker 5: Well, honestly, from the top of my head, maybe like 61 00:02:43,160 --> 00:02:44,639 Speaker 5: the Hemsworth brothers. 62 00:02:45,800 --> 00:02:48,720 Speaker 1: Think about that they are the boys? Aren't of course 63 00:02:48,760 --> 00:02:49,400 Speaker 1: they're the boys? 64 00:02:49,840 --> 00:02:51,840 Speaker 3: Yeah, like the Australian boys. 65 00:02:52,080 --> 00:02:55,040 Speaker 2: Yeah, including Luke in there by the way, I think. 66 00:02:54,840 --> 00:02:57,520 Speaker 6: She has to of course, Yeah, I guess I have to. 67 00:02:59,000 --> 00:02:59,160 Speaker 1: Come. 68 00:03:00,080 --> 00:03:05,519 Speaker 4: He was very good, brilliant in West Wilds called compens. 69 00:03:07,000 --> 00:03:11,440 Speaker 1: Ass called on thirty one and six five Asia. In Australia, 70 00:03:12,320 --> 00:03:14,480 Speaker 1: who are the boys? Oh? 71 00:03:14,560 --> 00:03:15,440 Speaker 3: In Australia? 72 00:03:16,120 --> 00:03:17,080 Speaker 1: No you going tontional? 73 00:03:17,720 --> 00:03:21,560 Speaker 5: Yeah, yeah, I'll sing of the back Straight boys. 74 00:03:22,840 --> 00:03:24,880 Speaker 1: Definitely are the boys, aren't they? 75 00:03:25,200 --> 00:03:26,919 Speaker 2: I refer to the backstreet boys as the boys. 76 00:03:27,040 --> 00:03:30,680 Speaker 1: Obviously, as if someone said to you, I've just been 77 00:03:30,720 --> 00:03:32,440 Speaker 1: listening to the boys, you'd assume it was the back 78 00:03:32,480 --> 00:03:32,959 Speaker 1: strap boys. 79 00:03:34,880 --> 00:03:36,640 Speaker 6: Well you you guys. 80 00:03:36,800 --> 00:03:40,560 Speaker 2: But you don't need to. 81 00:03:40,800 --> 00:03:42,360 Speaker 1: I know you being nice, You're lovely. You're in the 82 00:03:42,480 --> 00:03:43,760 Speaker 1: orid to go to where a congratulations. 83 00:03:43,840 --> 00:03:46,000 Speaker 2: Morgan's called we go internationally as well? 84 00:03:46,040 --> 00:03:48,839 Speaker 1: Will I mean and dex I don't Yeah, I don't 85 00:03:48,840 --> 00:03:51,280 Speaker 1: open it up twenty West life have got to be 86 00:03:51,320 --> 00:03:54,360 Speaker 1: in the conversation. They just have to be in sync. 87 00:03:55,360 --> 00:03:56,200 Speaker 2: Let's go to Morgan. 88 00:03:56,360 --> 00:03:58,720 Speaker 1: When Anthony Hopkins did Two Popes with that other guy, 89 00:03:58,760 --> 00:04:01,080 Speaker 1: they were probably the boys for a little while on Netflix. 90 00:04:01,320 --> 00:04:08,400 Speaker 7: That was a good movie for the older community, no doubt, Morgan, Morgan, Morgan, 91 00:04:09,200 --> 00:04:12,080 Speaker 7: you're going international, someone says. 92 00:04:12,240 --> 00:04:16,839 Speaker 1: Someone says, you've been watching the boys Wren and oh 93 00:04:18,960 --> 00:04:21,360 Speaker 1: on a ilk beavers and butt head, pinky in the brain, 94 00:04:23,160 --> 00:04:25,479 Speaker 1: pinky in the brain. That is a lot of boys. 95 00:04:25,600 --> 00:04:29,479 Speaker 1: The boys are out there there. It's it. Honestly, we're 96 00:04:30,640 --> 00:04:33,000 Speaker 1: if we're going international, we're bottom ten. 97 00:04:32,880 --> 00:04:38,000 Speaker 2: Thousand, oh comfortably bottom ten thousand, like bottom, yeah, right. 98 00:04:37,960 --> 00:04:40,280 Speaker 1: Down, They're out. It's amazing, isn't that. Let's go Jes 99 00:04:40,440 --> 00:04:43,200 Speaker 1: Does anyone think we're the boys? Apart from Regina. 100 00:04:43,000 --> 00:04:46,120 Speaker 2: Quite clearly, no one yet. Jess has got up. 101 00:04:46,200 --> 00:04:48,440 Speaker 4: Jess, you could be in a trip to la in 102 00:04:48,480 --> 00:04:50,440 Speaker 4: about half an hour's time. But who do you think 103 00:04:50,480 --> 00:04:51,080 Speaker 4: the boys are? 104 00:04:52,120 --> 00:04:56,479 Speaker 8: Well, Hamish Nandy, you guys, whatever you want. 105 00:04:56,360 --> 00:04:57,800 Speaker 9: To get me on that trip to La. 106 00:05:00,080 --> 00:05:01,600 Speaker 2: Ah, that's not all the answer we want. 107 00:05:01,720 --> 00:05:03,000 Speaker 1: Yes, you're in the joy to go to a trip 108 00:05:03,080 --> 00:05:05,280 Speaker 1: to la I think we need to find out definitively 109 00:05:05,320 --> 00:05:07,440 Speaker 1: who are the boys in Australia. That's where I'm at, 110 00:05:07,640 --> 00:05:10,360 Speaker 1: But so who's internationally? We've agreed that we're in the 111 00:05:10,360 --> 00:05:13,680 Speaker 1: bottom ten thousand. There's obviously some great comedic male duos 112 00:05:13,800 --> 00:05:16,560 Speaker 1: or just boys in general. Absolutely over the course of time. 113 00:05:16,960 --> 00:05:18,480 Speaker 2: Yeah, who can we call? 114 00:05:18,560 --> 00:05:21,080 Speaker 4: Though? Who can give like a more conclusive answer as 115 00:05:21,160 --> 00:05:24,279 Speaker 4: to like in the media landscape of today. 116 00:05:24,160 --> 00:05:27,400 Speaker 1: The head of entertainment reporting at news dot com dot Au. 117 00:05:27,600 --> 00:05:29,760 Speaker 2: He's on the pulse of all media, guy called Bucky. 118 00:05:30,080 --> 00:05:31,200 Speaker 1: Lovely Guys in. 119 00:05:31,240 --> 00:05:32,440 Speaker 2: The offices of news dot com. 120 00:05:32,520 --> 00:05:32,800 Speaker 1: Do are you? 121 00:05:32,880 --> 00:05:34,719 Speaker 2: They throw around terms like the boys. 122 00:05:35,080 --> 00:05:36,960 Speaker 1: Yeah, they go, I'm just publishing this piece on the 123 00:05:37,000 --> 00:05:39,920 Speaker 1: boys so that we think this is the smart call 124 00:05:40,000 --> 00:05:41,440 Speaker 1: to make to get the answer as to whether or 125 00:05:41,480 --> 00:05:43,599 Speaker 1: not we enter the conversation of the. 126 00:05:43,720 --> 00:05:45,240 Speaker 2: Boys, Like if there was a headline the boys have 127 00:05:45,320 --> 00:05:47,359 Speaker 2: done it again? Are they referring to. 128 00:05:49,040 --> 00:05:54,080 Speaker 1: I really think not. We'll try it. Hello, Hey, Bucky, 129 00:05:54,279 --> 00:05:55,960 Speaker 1: how you going, man? It's Will and Woody. 130 00:05:56,400 --> 00:05:56,800 Speaker 3: I'm good. 131 00:05:56,839 --> 00:05:57,200 Speaker 8: How do you go? 132 00:05:57,560 --> 00:06:02,440 Speaker 1: So good? So good mate, You're on the show, so 133 00:06:02,760 --> 00:06:05,320 Speaker 1: I'm gonna I'm We've got lots to catch up on. 134 00:06:05,440 --> 00:06:08,919 Speaker 4: But good question, Bucky, Actually, what is the general feel 135 00:06:09,040 --> 00:06:11,320 Speaker 4: when you get a phone call from Will and Woody? 136 00:06:11,400 --> 00:06:11,440 Speaker 1: Like? 137 00:06:11,480 --> 00:06:12,719 Speaker 2: What do you think this is about? 138 00:06:14,960 --> 00:06:15,279 Speaker 1: Panic? 139 00:06:15,480 --> 00:06:19,240 Speaker 6: Is what their feeling is usually going to be. But 140 00:06:19,520 --> 00:06:21,080 Speaker 6: you know, very intrigued as well. 141 00:06:21,279 --> 00:06:23,320 Speaker 1: Okay, okay, great, Well we actually need to pick your 142 00:06:23,320 --> 00:06:26,240 Speaker 1: brains because yesterday on the show, a woman called up. 143 00:06:26,400 --> 00:06:27,400 Speaker 1: She called us the boys. 144 00:06:28,200 --> 00:06:29,320 Speaker 2: Do you know who this is, Regina? 145 00:06:30,360 --> 00:06:31,839 Speaker 1: I'm hoping it's the boys. 146 00:06:32,680 --> 00:06:33,800 Speaker 2: I love that you calls the boys. 147 00:06:33,839 --> 00:06:35,240 Speaker 1: I love that you calls the boys as well. 148 00:06:36,920 --> 00:06:38,919 Speaker 2: I love that it makes me feel love. 149 00:06:38,839 --> 00:06:41,000 Speaker 1: That it either means you know it's intimately or you've 150 00:06:41,000 --> 00:06:46,040 Speaker 1: totally forgotten our names. So obviously we assumed that she 151 00:06:46,200 --> 00:06:49,720 Speaker 1: knew us intimately and was just using the words the 152 00:06:49,880 --> 00:06:54,920 Speaker 1: boys to describe us as a show colloquially, which Bucky 153 00:06:55,640 --> 00:06:57,400 Speaker 1: felt like getting into a warm bath. 154 00:06:57,760 --> 00:07:01,680 Speaker 4: It was amazing, So you felt like we've made it 155 00:07:02,080 --> 00:07:05,960 Speaker 4: just like hundreds, maybe my mum will finally be proud because. 156 00:07:07,279 --> 00:07:10,160 Speaker 1: As the boys so given, because I think, like you know, 157 00:07:10,160 --> 00:07:12,200 Speaker 1: if you think about radio duos these days as well, 158 00:07:12,240 --> 00:07:14,240 Speaker 1: there's pretty much always a woman involved. Don't want to 159 00:07:14,280 --> 00:07:16,480 Speaker 1: get too far into that because you know, we're looking 160 00:07:16,680 --> 00:07:22,239 Speaker 1: very white and very masculine right now. But there aren't 161 00:07:22,280 --> 00:07:25,200 Speaker 1: too many things or people that can be referred to 162 00:07:25,360 --> 00:07:28,800 Speaker 1: as the boys anymore. The Backstreet Boys obviously with the 163 00:07:28,840 --> 00:07:32,200 Speaker 1: Boys the Awesome Force and when they were enrowing the 164 00:07:32,240 --> 00:07:35,160 Speaker 1: Beach Boys. Probably the Boys the Beach Boys. There's a 165 00:07:35,240 --> 00:07:40,720 Speaker 1: few currently in Australian media. 166 00:07:42,800 --> 00:07:45,800 Speaker 4: If and we've come to you because you're the man 167 00:07:46,160 --> 00:07:48,760 Speaker 4: covering Australian media bucket, you're the absolute best. You got 168 00:07:48,800 --> 00:07:50,920 Speaker 4: your finger on the pulse of all things entertainment with 169 00:07:51,040 --> 00:07:54,680 Speaker 4: news dot com dot are you? And I'm not buttering 170 00:07:54,720 --> 00:07:56,480 Speaker 4: your up by the way, it. 171 00:07:56,600 --> 00:07:57,200 Speaker 6: Sound like. 172 00:08:00,080 --> 00:08:03,400 Speaker 10: That credit out and he's don't comment you, Yeah, appreciate it. 173 00:08:05,560 --> 00:08:07,560 Speaker 1: If someone came to you and they were like, hey, 174 00:08:09,040 --> 00:08:11,720 Speaker 1: I've just been I've just had the boys on mhm, 175 00:08:13,360 --> 00:08:16,040 Speaker 1: Like just first thing that comes to your head, like 176 00:08:16,120 --> 00:08:18,120 Speaker 1: if you if you don't you don't know, you don't 177 00:08:18,160 --> 00:08:20,000 Speaker 1: clarify with them. You don't go, oh, sorry, who are 178 00:08:20,000 --> 00:08:22,240 Speaker 1: you talking about? The boys there? You don't clarify with them. 179 00:08:22,280 --> 00:08:24,680 Speaker 1: Are we talking TV or we're talking radio? You just 180 00:08:25,080 --> 00:08:27,600 Speaker 1: first thing it comes to your head, someone says, the boys, 181 00:08:28,200 --> 00:08:29,120 Speaker 1: who are you thinking of? 182 00:08:30,200 --> 00:08:30,960 Speaker 3: Hey, miss Andy? 183 00:08:34,160 --> 00:08:37,880 Speaker 2: And I was buttering you up, bucking read the room, 184 00:08:38,040 --> 00:08:40,440 Speaker 2: bucking read the room. 185 00:08:41,400 --> 00:08:42,280 Speaker 3: You know, I'm a journalist. 186 00:08:42,280 --> 00:08:44,600 Speaker 6: I've got to be honest, fair enough. 187 00:08:44,679 --> 00:08:47,760 Speaker 1: You've got your integrity, you know what I feel like 188 00:08:48,040 --> 00:08:50,800 Speaker 1: for the rest of our lives. That will be the case, 189 00:08:51,280 --> 00:08:54,800 Speaker 1: Like even when they die. Wait, when we're eighty and 190 00:08:54,880 --> 00:08:59,160 Speaker 1: they're ninety and they've died, they will still have been 191 00:08:59,280 --> 00:09:03,599 Speaker 1: the boys. Boys, we were eight years too late. But 192 00:09:03,640 --> 00:09:05,920 Speaker 1: anyone wants their entertainment news and make sure we head 193 00:09:05,960 --> 00:09:10,920 Speaker 1: along to the Daily Mail see Bucky Well. Yesterday I 194 00:09:10,920 --> 00:09:11,959 Speaker 1: was talking about the fact that I was I was 195 00:09:12,040 --> 00:09:15,360 Speaker 1: holidaying for a week a couple of weeks ago in 196 00:09:15,520 --> 00:09:20,199 Speaker 1: Spain and a Hollywood aay lister walked in to the 197 00:09:20,280 --> 00:09:22,600 Speaker 1: hotel I was staying at. Her name is Rebecca Ferguson. 198 00:09:22,679 --> 00:09:24,959 Speaker 1: She's a Swedish British actress. You do it from the 199 00:09:25,080 --> 00:09:28,280 Speaker 1: last three mission Impossible Movies she's starred next to Tom Cruise, 200 00:09:28,960 --> 00:09:34,320 Speaker 1: ilsa Ilsa ilta Ilsa Fast, and she's obviously plays Timothy 201 00:09:34,360 --> 00:09:37,520 Speaker 1: Challa May's mum in the two June movies. I mean 202 00:09:37,600 --> 00:09:38,839 Speaker 1: she was the star of the biggest movie of the 203 00:09:39,080 --> 00:09:39,439 Speaker 1: June two. 204 00:09:40,160 --> 00:09:41,679 Speaker 4: Well there was two of the biggest years in the 205 00:09:41,760 --> 00:09:43,800 Speaker 4: last two of the biggest movies in the last twelve 206 00:09:43,840 --> 00:09:44,800 Speaker 4: months she has been in. 207 00:09:45,400 --> 00:09:50,920 Speaker 1: She's massive. So she walked into this hotel and look, 208 00:09:51,000 --> 00:09:55,400 Speaker 1: everyone's a bit star struck, of course except my toddler, Max. 209 00:09:57,240 --> 00:09:59,319 Speaker 1: Rebecca Ferguson walks in at this point. I've got no 210 00:09:59,480 --> 00:10:01,160 Speaker 1: inn with her, obviously, but all I want to do 211 00:10:01,280 --> 00:10:03,920 Speaker 1: is go and talk to her. Of course Max, my daughter, 212 00:10:04,040 --> 00:10:06,199 Speaker 1: who's two years old, knows no boundaries. 213 00:10:06,320 --> 00:10:08,440 Speaker 2: Well done, Max, unbelievable, well done. 214 00:10:08,600 --> 00:10:11,360 Speaker 1: It was like she was a lure. Rebecca Ferguson or Rex. 215 00:10:11,400 --> 00:10:13,720 Speaker 1: As I know, Helsa has a daughter, so they started 216 00:10:13,760 --> 00:10:15,680 Speaker 1: playing together. All of a sudden, I walk over there 217 00:10:15,720 --> 00:10:17,559 Speaker 1: and I'm like, oh God, take my eyes, but not 218 00:10:17,640 --> 00:10:20,520 Speaker 1: my two year old thirty one or six fives if 219 00:10:20,559 --> 00:10:24,240 Speaker 1: ie not me here at Willenwoody. When have you used 220 00:10:25,200 --> 00:10:30,640 Speaker 1: your child as a lure? Now that's not really I 221 00:10:30,800 --> 00:10:33,679 Speaker 1: know that language might be a bit aggressive there. It's not. 222 00:10:33,920 --> 00:10:36,280 Speaker 1: It's not though, It's just it's exactly what if you 223 00:10:36,360 --> 00:10:38,959 Speaker 1: were mechanics of it. Are you see someone you want 224 00:10:38,960 --> 00:10:42,280 Speaker 1: to have a conversation with, you know that you, as 225 00:10:42,320 --> 00:10:46,319 Speaker 1: an adult, cannot cross that boundary without looking like a fan, 226 00:10:46,480 --> 00:10:51,000 Speaker 1: desperate fans, a fan invasive, whatever it is. I want 227 00:10:51,040 --> 00:10:54,600 Speaker 1: to know which fish you caught with your child lure 228 00:10:54,679 --> 00:10:56,840 Speaker 1: as well, because currently I'm in the lead with Rebecca 229 00:10:56,920 --> 00:10:57,880 Speaker 1: ferguson Hollywood. 230 00:10:58,440 --> 00:10:59,840 Speaker 2: Well, I'm going to top your right now. I caught 231 00:10:59,840 --> 00:11:00,880 Speaker 2: a very big fish. 232 00:11:01,480 --> 00:11:04,600 Speaker 4: We were over in Fiji actually for the radio show, 233 00:11:04,880 --> 00:11:07,800 Speaker 4: and i'd say one of the more famous people in 234 00:11:07,920 --> 00:11:10,920 Speaker 4: Australia happened to be in the pool. 235 00:11:11,520 --> 00:11:13,920 Speaker 2: I can't walk over to him. I mean, you guys 236 00:11:13,920 --> 00:11:14,719 Speaker 2: are probably guess who it is. 237 00:11:14,840 --> 00:11:16,960 Speaker 4: Yes, it's the captain of the Melbourne Football Club, Max Corn, 238 00:11:17,400 --> 00:11:19,200 Speaker 4: who I would say is one of my favorite people 239 00:11:19,240 --> 00:11:21,400 Speaker 4: on this planet. I see him from a mile off 240 00:11:21,400 --> 00:11:23,559 Speaker 4: because he's seven feet tall. I can't go and talk 241 00:11:23,559 --> 00:11:26,319 Speaker 4: to him because I'm a weirdo loser fan. 242 00:11:27,320 --> 00:11:29,280 Speaker 2: I agree, which is which is? Actually it's what I am? 243 00:11:29,400 --> 00:11:30,959 Speaker 2: I am a weido loser fan. 244 00:11:31,160 --> 00:11:34,160 Speaker 4: But if my daughter crawls over, because you could only 245 00:11:34,200 --> 00:11:37,920 Speaker 4: crawl at this point to his son. Now, I'd love 246 00:11:37,920 --> 00:11:40,040 Speaker 4: to say we're best friends now, but we just exchanged 247 00:11:40,040 --> 00:11:41,880 Speaker 4: a ten minute conversation which was one of the greatest 248 00:11:41,920 --> 00:11:42,920 Speaker 4: conversations of my life. 249 00:11:43,320 --> 00:11:46,280 Speaker 1: Okay, lure perfect child's order. 250 00:11:46,360 --> 00:11:48,439 Speaker 4: That's I mean, that's not the only that's not the 251 00:11:48,520 --> 00:11:50,599 Speaker 4: sole reason you have a child. You definitely see it 252 00:11:50,640 --> 00:11:54,199 Speaker 4: as a benefit of child. Right, you can open any 253 00:11:54,240 --> 00:11:56,960 Speaker 4: conversations anyway. If Barack Obama was at my local park, 254 00:11:57,720 --> 00:11:58,600 Speaker 4: now I know I've gone. 255 00:11:58,400 --> 00:12:00,840 Speaker 2: To does he have kids? 256 00:12:01,240 --> 00:12:02,800 Speaker 1: Yeah? Does he? 257 00:12:03,000 --> 00:12:03,200 Speaker 11: Yeah? 258 00:12:03,679 --> 00:12:03,880 Speaker 1: Yeah? 259 00:12:05,200 --> 00:12:06,000 Speaker 2: Little? What's he. 260 00:12:09,200 --> 00:12:09,320 Speaker 1: All? 261 00:12:09,440 --> 00:12:09,560 Speaker 11: Right? 262 00:12:09,720 --> 00:12:11,920 Speaker 1: Well, look, Barack Obama can be the yard steep Rebecca 263 00:12:11,960 --> 00:12:14,240 Speaker 1: Ferguson can or Max Corn. The question for you is 264 00:12:15,559 --> 00:12:19,360 Speaker 1: who did you lure in with your child? And I 265 00:12:19,440 --> 00:12:21,679 Speaker 1: mean the extension there is what's the biggest fish you 266 00:12:21,800 --> 00:12:25,760 Speaker 1: dragged in? And by fish, I mean celebrity because I 267 00:12:25,880 --> 00:12:29,720 Speaker 1: was on holiday. If you actually used your child as 268 00:12:29,760 --> 00:12:32,080 Speaker 1: a human lure and dragged in a fish, by the way, 269 00:12:32,400 --> 00:12:33,680 Speaker 1: we will take that call. 270 00:12:33,679 --> 00:12:35,599 Speaker 2: And then call child services, but you will hear the 271 00:12:35,679 --> 00:12:36,320 Speaker 2: story first. 272 00:12:36,600 --> 00:12:41,280 Speaker 1: Yes, So the biggest fish I think in this game 273 00:12:41,360 --> 00:12:44,720 Speaker 1: so far is Rebecca ferguson Hollywood List. I was on holiday, 274 00:12:45,240 --> 00:12:46,880 Speaker 1: didn't have a way to talk to her. Obviously, she's 275 00:12:46,880 --> 00:12:48,920 Speaker 1: the star of June June two, the last three Mission 276 00:12:48,920 --> 00:12:51,679 Speaker 1: Impossible movies. She's massive, she had a child. I sent 277 00:12:51,720 --> 00:12:54,760 Speaker 1: my two year old Max in Max Bonds with her kid. Bang, 278 00:12:54,880 --> 00:12:57,079 Speaker 1: all of a sudden, we're having breakfast every day for 279 00:12:57,160 --> 00:12:58,719 Speaker 1: the whole week. But I could never have got to 280 00:12:58,800 --> 00:13:01,800 Speaker 1: that point, absolutely unless I used my child as a 281 00:13:01,880 --> 00:13:02,440 Speaker 1: human lure. 282 00:13:02,800 --> 00:13:03,920 Speaker 2: A small step down from that. 283 00:13:04,600 --> 00:13:09,600 Speaker 1: I heard this story. Let's go to Sonya on one 284 00:13:09,679 --> 00:13:12,920 Speaker 1: oh six five, because it's not a small step down, guy, 285 00:13:13,000 --> 00:13:15,120 Speaker 1: that's a huge step Sonya. And you know I want 286 00:13:15,120 --> 00:13:18,280 Speaker 1: to play for Pink Slips here. Let's we're talking. Yes, Sonya, 287 00:13:19,520 --> 00:13:21,840 Speaker 1: you used your child as a human luer. Who did 288 00:13:21,840 --> 00:13:22,280 Speaker 1: you secure? 289 00:13:22,360 --> 00:13:24,199 Speaker 6: Yes, I use both of my children. 290 00:13:24,320 --> 00:13:27,040 Speaker 3: And we got to meet Keith Urban bye. 291 00:13:27,840 --> 00:13:31,040 Speaker 4: Well, and how was Keith so you send the kids? 292 00:13:31,240 --> 00:13:33,280 Speaker 4: Did you actively kind of send the kids in the 293 00:13:33,320 --> 00:13:34,360 Speaker 4: direction of his children? 294 00:13:35,000 --> 00:13:38,400 Speaker 5: Yes, Well, we were waiting outside the local radio station 295 00:13:38,880 --> 00:13:42,600 Speaker 5: here because he was doing an interview and we wanted 296 00:13:42,640 --> 00:13:45,480 Speaker 5: to get the memorabilia signed for a charity auction for 297 00:13:45,559 --> 00:13:49,600 Speaker 5: their kidney. So he actually what the questions. He got 298 00:13:50,080 --> 00:13:52,559 Speaker 5: signed a photo for us even kiss peak and he 299 00:13:52,600 --> 00:13:55,120 Speaker 5: took pictures from my kids first for exciting. 300 00:13:55,559 --> 00:14:00,680 Speaker 1: Wow, way sonya well done, mate, went on the cheek. 301 00:14:00,880 --> 00:14:03,000 Speaker 1: I love that from of course he did that. He's Keith, 302 00:14:03,120 --> 00:14:04,800 Speaker 1: hey son, you're going in the jord to winter trip 303 00:14:04,840 --> 00:14:06,760 Speaker 1: to la giving one of them away every day this 304 00:14:06,840 --> 00:14:11,240 Speaker 1: week just for getting on the airwaves. Carli, guys, you 305 00:14:11,440 --> 00:14:13,560 Speaker 1: used your child as a human lure. Who's the fish? 306 00:14:14,240 --> 00:14:17,320 Speaker 9: One hundred percent? Michael Burble at Tullmarine Airport. 307 00:14:17,600 --> 00:14:18,320 Speaker 4: Boom. 308 00:14:19,960 --> 00:14:22,240 Speaker 2: Boom. So the Boobs kids were they were they were 309 00:14:22,320 --> 00:14:23,240 Speaker 2: lurking at the airport. 310 00:14:24,120 --> 00:14:27,800 Speaker 9: No, he was there at the airport. He was just 311 00:14:27,920 --> 00:14:31,040 Speaker 9: the Booms and his wife. But my son had a 312 00:14:31,040 --> 00:14:33,000 Speaker 9: little carry on with wheels and I kind of like 313 00:14:33,160 --> 00:14:36,760 Speaker 9: just pushed it and then my son instantly ran after 314 00:14:36,840 --> 00:14:38,640 Speaker 9: it and it bumped him and he was like and 315 00:14:38,760 --> 00:14:44,040 Speaker 9: I went on and it was like a good fifteen 316 00:14:44,080 --> 00:14:49,080 Speaker 9: minute conversation about his kids, and it was like a 317 00:14:49,200 --> 00:14:51,720 Speaker 9: dream to contain myself. 318 00:14:51,920 --> 00:14:53,760 Speaker 4: It's a great way to send your child in as 319 00:14:53,760 --> 00:14:56,480 Speaker 4: a lure if they are on wheels, because they're you're 320 00:14:56,600 --> 00:14:58,040 Speaker 4: in control of where you send. 321 00:14:58,080 --> 00:15:00,280 Speaker 1: You can just kind of like shoot them in. Can't 322 00:15:00,280 --> 00:15:03,480 Speaker 1: you think this has come up? With Sonya and with Carli? 323 00:15:03,560 --> 00:15:04,840 Speaker 1: By the way, Carli, You're and the jor to go 324 00:15:05,080 --> 00:15:08,400 Speaker 1: to Los Angeles by the end of the show is 325 00:15:08,720 --> 00:15:10,520 Speaker 1: how do you send your child in as a lure? 326 00:15:10,920 --> 00:15:12,000 Speaker 2: I think wheels is the key. 327 00:15:12,120 --> 00:15:15,280 Speaker 1: Well, wheels is good if you can get them, if 328 00:15:15,320 --> 00:15:18,160 Speaker 1: you can mount them and roll them perfect. But for 329 00:15:18,280 --> 00:15:22,520 Speaker 1: most people, when you know you're bereft of wheels and mounts, 330 00:15:22,960 --> 00:15:26,000 Speaker 1: you kind of just usher them like that's I mean, 331 00:15:26,000 --> 00:15:27,640 Speaker 1: that's what I had to do with with Rex or 332 00:15:27,720 --> 00:15:30,280 Speaker 1: rex Is I now know Rebecca Ferguson. I had to 333 00:15:30,360 --> 00:15:32,960 Speaker 1: say to her. I'd say to Max and again, you're 334 00:15:32,960 --> 00:15:34,480 Speaker 1: talking to a two year old. They don't know what 335 00:15:34,560 --> 00:15:36,640 Speaker 1: they're going into it. They have no idea the star 336 00:15:36,760 --> 00:15:38,760 Speaker 1: power of the fish they're trying to land. You kind 337 00:15:38,760 --> 00:15:40,560 Speaker 1: of just point in the general direction and suggest they 338 00:15:40,640 --> 00:15:41,200 Speaker 1: play over there. 339 00:15:41,400 --> 00:15:42,960 Speaker 4: Well you kind of go, you pick up saying don't 340 00:15:42,960 --> 00:15:44,440 Speaker 4: pick out the child, but go like, oh, what's that 341 00:15:45,200 --> 00:15:46,520 Speaker 4: amazing looking chair over there? 342 00:15:46,880 --> 00:15:47,880 Speaker 2: Go and investigate that. 343 00:15:48,400 --> 00:15:51,240 Speaker 1: Yeah, you have a house successful that would be into chairs. 344 00:15:53,880 --> 00:15:55,720 Speaker 1: The other thing to do, although this does get a 345 00:15:55,760 --> 00:15:57,680 Speaker 1: bit obvious is if you throw a ball or a 346 00:15:57,800 --> 00:16:02,080 Speaker 1: stick in the Yeah, I've thrown a stick before. Actually 347 00:16:02,200 --> 00:16:04,120 Speaker 1: I threw a stick out the front of the Porto 348 00:16:04,200 --> 00:16:08,080 Speaker 1: Westcondido airport. Yes, when I saw Matt Smith. You know 349 00:16:08,160 --> 00:16:10,920 Speaker 1: Matts me's the star of He's the star of the 350 00:16:11,240 --> 00:16:14,640 Speaker 1: House of Dragon. He's also the star of what's that one? 351 00:16:14,680 --> 00:16:16,640 Speaker 1: The Netflix show about the Crown? He's in the Crown 352 00:16:16,680 --> 00:16:18,600 Speaker 1: as well. Who does he play in the Crown? He 353 00:16:18,680 --> 00:16:21,000 Speaker 1: plays young Prince Philip. I'm pretty sure. 354 00:16:20,920 --> 00:16:22,800 Speaker 2: I'm still not familiar. But who Matt's with this? You 355 00:16:22,880 --> 00:16:23,560 Speaker 2: threw a stick at here? 356 00:16:23,600 --> 00:16:26,720 Speaker 1: Doctor? Who still get He's like the Internet's boyfriend. He's 357 00:16:26,720 --> 00:16:27,920 Speaker 1: a big deal. I'll show you. I'll show you what 358 00:16:27,960 --> 00:16:29,400 Speaker 1: he looks like. Matt Smith. 359 00:16:29,480 --> 00:16:30,520 Speaker 2: You're reaching that guy. 360 00:16:32,600 --> 00:16:33,800 Speaker 1: So he was out in front of an airport and 361 00:16:33,840 --> 00:16:35,040 Speaker 1: I just threw a stick next to him. 362 00:16:35,120 --> 00:16:38,080 Speaker 2: Brilliant and MaTx well. So I always have a stick 363 00:16:38,120 --> 00:16:40,360 Speaker 2: on you, a ball on you, or get them on wheels. 364 00:16:40,520 --> 00:16:43,640 Speaker 1: I agree. Lenny has called Lenny you used your child 365 00:16:43,680 --> 00:16:44,960 Speaker 1: as a lure stick ball? 366 00:16:45,680 --> 00:16:46,560 Speaker 2: How did you go about it? 367 00:16:47,280 --> 00:16:50,000 Speaker 3: We used but we didn't the boys were using the ball. 368 00:16:50,080 --> 00:16:52,240 Speaker 8: We were down at the beach a couple of you 369 00:16:52,320 --> 00:16:55,520 Speaker 8: know girls down there when we were young, had my young. 370 00:16:55,360 --> 00:16:57,840 Speaker 3: Fellow with us, and there was his Oh hotties. 371 00:16:57,880 --> 00:16:59,560 Speaker 8: They weren't famous, but oh my god, they may as 372 00:16:59,600 --> 00:17:02,960 Speaker 8: wellow but because there was hot help, so we decided, yeah, 373 00:17:03,280 --> 00:17:05,960 Speaker 8: we were sending him over there to play. They went over, 374 00:17:06,240 --> 00:17:08,800 Speaker 8: played cricket with us and it's like, mom, Mom, come here, 375 00:17:09,040 --> 00:17:11,120 Speaker 8: like he called us over and it's like, yeah, that's yes, 376 00:17:11,160 --> 00:17:15,040 Speaker 8: scored good h Yeah. You ended up finding a babysitter 377 00:17:15,160 --> 00:17:16,280 Speaker 8: and had a good night. 378 00:17:19,440 --> 00:17:20,359 Speaker 2: Pranking dad again. 379 00:17:21,080 --> 00:17:23,280 Speaker 4: I mean, I know our show is starting to become 380 00:17:23,400 --> 00:17:26,159 Speaker 4: to sound like a broken record, but it is just 381 00:17:26,280 --> 00:17:27,880 Speaker 4: the best thing in the world to prank my father. 382 00:17:28,280 --> 00:17:32,040 Speaker 4: But very very special edition today because we're actually getting 383 00:17:32,080 --> 00:17:36,240 Speaker 4: my mum involved to help with the prank of my dad. Mum, 384 00:17:36,280 --> 00:17:40,480 Speaker 4: who historically wants nothing to do with this radio show, 385 00:17:41,200 --> 00:17:43,280 Speaker 4: but she's recently retired. 386 00:17:43,800 --> 00:17:47,119 Speaker 1: Yes, available, she's available, and. 387 00:17:47,160 --> 00:17:50,359 Speaker 4: I think this excuse with this freedom, She's like, oh, actually, 388 00:17:50,359 --> 00:17:52,200 Speaker 4: you know what, I don't have any work to do, 389 00:17:52,320 --> 00:17:54,760 Speaker 4: so I'm very happy to have some fun and support 390 00:17:55,080 --> 00:17:59,080 Speaker 4: my son's radio show. Slash Craft love that so wishful thinking. 391 00:17:59,520 --> 00:18:03,200 Speaker 4: He's here's what's happening over the last twenty four hours. 392 00:18:03,320 --> 00:18:06,040 Speaker 4: Full disclosure. I was actually going to try and prank 393 00:18:06,119 --> 00:18:08,879 Speaker 4: mum yesterday, and I was calling Dad and speaking to 394 00:18:08,960 --> 00:18:11,080 Speaker 4: Dad to get intel about what my mum was up 395 00:18:11,119 --> 00:18:14,000 Speaker 4: to and her movements, etc. And Dad was very happy 396 00:18:14,040 --> 00:18:16,120 Speaker 4: to give me a lot of information about mum. 397 00:18:16,480 --> 00:18:18,800 Speaker 1: Right. Yeah, he played the role of a rat. He 398 00:18:19,000 --> 00:18:21,280 Speaker 1: was the rat. If you're watching a crime movie, he'd 399 00:18:21,320 --> 00:18:22,840 Speaker 1: be the rat, the man on the inside. 400 00:18:23,119 --> 00:18:26,640 Speaker 4: Yes, But whenever Dad gives me intel about Mum, he's 401 00:18:26,640 --> 00:18:29,480 Speaker 4: always very scared, and he's always a bit like, please 402 00:18:29,520 --> 00:18:31,680 Speaker 4: don't tell your mum that I with the prank. 403 00:18:31,920 --> 00:18:32,200 Speaker 2: Okay. 404 00:18:32,720 --> 00:18:34,760 Speaker 4: So we're gonna flip it on Dad, and I'm going 405 00:18:34,840 --> 00:18:37,359 Speaker 4: to call my mum right now, yeap, Okay, basically say 406 00:18:37,400 --> 00:18:39,440 Speaker 4: to her, Hey, I was planning on pranking you yesterday. 407 00:18:39,720 --> 00:18:40,920 Speaker 2: But here's what you need to know. 408 00:18:41,520 --> 00:18:43,400 Speaker 1: Dad was helping us. There's a rat in the midst 409 00:18:43,480 --> 00:18:44,040 Speaker 1: as a rat. 410 00:18:44,119 --> 00:18:46,680 Speaker 4: Okay, So I want you, mum to call Dad and 411 00:18:46,840 --> 00:18:49,840 Speaker 4: question him about weather he was feeding this information. 412 00:18:50,000 --> 00:18:52,399 Speaker 1: Yes, So we're gonna make the rat squeal exactly right. 413 00:18:52,600 --> 00:18:54,720 Speaker 4: Nice, Okay, So again, Mum's going to be free, so 414 00:18:54,920 --> 00:19:00,280 Speaker 4: let's give her a call. Let's make the rat squeal. Hello, 415 00:19:00,760 --> 00:19:01,520 Speaker 4: Hey mum, it's twooty. 416 00:19:02,520 --> 00:19:05,320 Speaker 6: Yeah, here you going. 417 00:19:06,680 --> 00:19:07,280 Speaker 3: Half a float? 418 00:19:07,359 --> 00:19:14,720 Speaker 4: But yeah, okay, great, where's Dad? I'm just visualizing your house. 419 00:19:15,119 --> 00:19:16,480 Speaker 4: Oh he's in his little man cave. 420 00:19:17,119 --> 00:19:17,520 Speaker 3: Mm hmm. 421 00:19:17,920 --> 00:19:21,440 Speaker 2: Okay that is close. Okay, I think this can still work. 422 00:19:21,520 --> 00:19:21,680 Speaker 5: Mum. 423 00:19:21,840 --> 00:19:27,399 Speaker 4: Look before we get Dad involved, I need to be 424 00:19:27,520 --> 00:19:33,760 Speaker 4: honest about something. M I was planning on pranking you yesterday, 425 00:19:33,880 --> 00:19:36,560 Speaker 4: but you were busy, you were at work, so that's fine. 426 00:19:37,080 --> 00:19:39,119 Speaker 4: The prank didn't go through. But what you need to 427 00:19:39,200 --> 00:19:43,240 Speaker 4: know is this, your husband was a little bit of 428 00:19:43,280 --> 00:19:46,600 Speaker 4: a mole and he was feeding the intel as to 429 00:19:46,720 --> 00:19:48,480 Speaker 4: when you were going to be free and when was 430 00:19:48,520 --> 00:19:49,440 Speaker 4: a good time to prank you. 431 00:19:50,040 --> 00:19:50,440 Speaker 1: Mm hmm. 432 00:19:51,040 --> 00:19:52,719 Speaker 4: How does that make you feel that he was kind 433 00:19:52,760 --> 00:19:57,639 Speaker 4: of on our side pranking your shows? 434 00:19:57,720 --> 00:19:58,080 Speaker 3: Everything? 435 00:19:58,920 --> 00:19:59,680 Speaker 2: Okay great. 436 00:20:00,359 --> 00:20:02,280 Speaker 4: What you also know, though, Mum, is that Dad is 437 00:20:02,280 --> 00:20:04,960 Speaker 4: a little bit like he would be scared to cross you. 438 00:20:05,520 --> 00:20:06,000 Speaker 3: Mm hmmm. 439 00:20:06,359 --> 00:20:08,800 Speaker 2: So I just thought it would be funny. Now all 440 00:20:09,240 --> 00:20:10,080 Speaker 2: I thought it would be funny. 441 00:20:10,119 --> 00:20:13,240 Speaker 4: Now if you and I fully appreciate that Dad's only 442 00:20:13,320 --> 00:20:16,560 Speaker 4: in the adjoining room, but if you call dad mm 443 00:20:16,600 --> 00:20:21,880 Speaker 4: hmm and just interrogated him about whether he gave me intel? 444 00:20:22,640 --> 00:20:25,960 Speaker 4: Oh yeah, okay, great, okay, we're calling dad, so we're 445 00:20:26,000 --> 00:20:26,399 Speaker 4: not We're. 446 00:20:26,280 --> 00:20:28,120 Speaker 2: Not here, Will and I are not here. 447 00:20:30,760 --> 00:20:37,639 Speaker 3: Hello Hello, yuh did you did you give Woody and 448 00:20:37,720 --> 00:20:41,800 Speaker 3: Will something about intel about me to prank me? To 449 00:20:41,960 --> 00:20:42,320 Speaker 3: prank you? 450 00:20:43,080 --> 00:20:43,399 Speaker 8: M m. 451 00:20:45,119 --> 00:20:46,560 Speaker 3: Yep up? 452 00:20:47,480 --> 00:20:47,520 Speaker 1: What? 453 00:20:48,560 --> 00:20:48,760 Speaker 3: Yes? 454 00:20:54,800 --> 00:20:54,960 Speaker 11: Why? 455 00:20:55,040 --> 00:20:56,920 Speaker 6: He's getting far too complicated? 456 00:20:57,440 --> 00:20:59,920 Speaker 3: Did you give Will and Woodie information to thank me? 457 00:21:01,680 --> 00:21:06,600 Speaker 6: No comments, no commage? But what happened? 458 00:21:07,560 --> 00:21:07,960 Speaker 8: I know? 459 00:21:08,200 --> 00:21:10,680 Speaker 6: I'm half asleep, you're half asleep? 460 00:21:11,160 --> 00:21:11,960 Speaker 3: What are we? 461 00:21:14,520 --> 00:21:16,040 Speaker 2: Welcome back to Retirement Radio. 462 00:21:18,240 --> 00:21:22,639 Speaker 4: We dissect the lives of two newly retired people and 463 00:21:22,800 --> 00:21:24,399 Speaker 4: this is when they get up to. 464 00:21:26,280 --> 00:21:29,960 Speaker 6: I think we've unearthed a completely new market for your show. 465 00:21:30,400 --> 00:21:32,280 Speaker 2: Yet retired life is what we're going to call it. 466 00:21:34,480 --> 00:21:38,080 Speaker 6: And you have these major blanks and silent. 467 00:21:40,520 --> 00:21:40,960 Speaker 2: Perfect? 468 00:21:42,280 --> 00:21:43,440 Speaker 3: Do we get good material? 469 00:21:43,600 --> 00:21:49,320 Speaker 2: Are you perfect? I couldn't have gone better. You go 470 00:21:49,440 --> 00:21:51,240 Speaker 2: back to the dad and do whatever? 471 00:21:51,400 --> 00:21:52,080 Speaker 1: What were you doing? 472 00:21:52,200 --> 00:21:52,400 Speaker 2: Dad? 473 00:21:53,600 --> 00:21:57,520 Speaker 6: I was dealing with sponsorship for the Colocial Cricket Club. 474 00:22:06,320 --> 00:22:06,760 Speaker 9: Alone. 475 00:22:07,240 --> 00:22:10,720 Speaker 1: It's Will and Woodies. Can you put some echo on 476 00:22:10,800 --> 00:22:18,720 Speaker 1: this analyst? The stiffler in the roof which she's back, 477 00:22:19,560 --> 00:22:20,280 Speaker 1: got to see. 478 00:22:20,119 --> 00:22:22,720 Speaker 2: You, go to see you guys, I've now done some research. 479 00:22:23,119 --> 00:22:25,160 Speaker 1: Great, so we're finding out which generation is most out 480 00:22:25,160 --> 00:22:27,520 Speaker 1: of touch Herewoods and I jen Wire's Analyse. You're from 481 00:22:27,600 --> 00:22:30,440 Speaker 1: jen Z and we're going to see who knows more 482 00:22:31,040 --> 00:22:34,119 Speaker 1: really about what's relevant, because I mean that's the bigger 483 00:22:34,200 --> 00:22:37,040 Speaker 1: question here, isn't it? Woods? What is relevant? 484 00:22:37,240 --> 00:22:39,679 Speaker 2: And I think it's us. I think our parents are 485 00:22:40,000 --> 00:22:43,080 Speaker 2: totally the boomers are out, but we're beautifully in the middle. 486 00:22:43,160 --> 00:22:44,639 Speaker 2: We still get what the youngies are up to. 487 00:22:45,000 --> 00:22:47,280 Speaker 1: I think I think we're in the right generation. 488 00:22:48,119 --> 00:22:48,520 Speaker 2: In the middle. 489 00:22:49,400 --> 00:22:51,120 Speaker 4: Now, Analyst, when you said you were doing research, sorry, 490 00:22:51,119 --> 00:22:53,960 Speaker 4: you're doing research on what American pie? 491 00:22:54,640 --> 00:22:58,159 Speaker 1: So ah, you know who Sean William Scott is the 492 00:22:58,160 --> 00:22:58,960 Speaker 1: stiff on the roof. 493 00:22:59,240 --> 00:23:03,040 Speaker 2: On the roof, let's kick things off this week. 494 00:23:03,840 --> 00:23:06,760 Speaker 4: I'm just gonna I'm just going to say a word 495 00:23:06,800 --> 00:23:09,840 Speaker 4: to you. Just do you tell me what comes to mind? Okay, Fraser? 496 00:23:11,160 --> 00:23:15,119 Speaker 12: Oh so my instant thought goes to Fraser Fraser or 497 00:23:15,160 --> 00:23:18,640 Speaker 12: Fraser Fraser. I was going to say, Fraser from below deck, 498 00:23:18,680 --> 00:23:22,440 Speaker 12: who's the chief stew on this currency last season? 499 00:23:22,560 --> 00:23:26,720 Speaker 2: But I'm not going to there's the generational game and 500 00:23:26,760 --> 00:23:30,720 Speaker 2: I don't listen because it's Fraser, not Fraser. Fraser. Is 501 00:23:30,760 --> 00:23:35,320 Speaker 2: that from the Whale, the Big Whale? 502 00:23:35,359 --> 00:23:43,720 Speaker 4: You're thinking of Brendan Fraser? Incorrect sitcom Fraser. 503 00:23:44,119 --> 00:23:50,280 Speaker 1: It's the show, yes, Ground you never saw. This is 504 00:23:50,320 --> 00:23:52,800 Speaker 1: not on Channel ten Like after the Simpsons. 505 00:23:53,040 --> 00:23:56,520 Speaker 2: I didn't watch the Simpsons. I wasn't allowed. 506 00:23:58,119 --> 00:24:00,119 Speaker 1: I wasn't allowed to do you know any Simpsons his 507 00:24:00,240 --> 00:24:01,320 Speaker 1: characters like, yeah. 508 00:24:01,240 --> 00:24:03,600 Speaker 12: But Marge, what's the main? 509 00:24:03,800 --> 00:24:06,520 Speaker 2: But no, what's his name? I can't remember what's the dad? 510 00:24:06,720 --> 00:24:08,000 Speaker 1: Who's the dad in the Simpsons? 511 00:24:08,119 --> 00:24:08,159 Speaker 10: No? 512 00:24:08,560 --> 00:24:09,399 Speaker 2: I know it, I know it. 513 00:24:09,520 --> 00:24:10,320 Speaker 12: I just can't remember it. 514 00:24:10,640 --> 00:24:20,720 Speaker 2: It's not Bob, it's Homer. What's the next I don't 515 00:24:20,760 --> 00:24:21,360 Speaker 2: know his name? 516 00:24:21,560 --> 00:24:28,640 Speaker 12: No way, he has that mo the dirty moo dirty. Okay, Okay, 517 00:24:30,600 --> 00:24:33,840 Speaker 12: it's a research Okay, guys, who's Chapel Roane? 518 00:24:34,480 --> 00:24:37,560 Speaker 1: Chapel Roan sounds like it sounds like a fake person. 519 00:24:37,920 --> 00:24:39,560 Speaker 4: Well that's not She wouldn't do that to us. Now, 520 00:24:39,680 --> 00:24:42,720 Speaker 4: let's break this down. Chapel now, man or woman? There 521 00:24:42,840 --> 00:24:43,399 Speaker 4: where are you at? 522 00:24:43,440 --> 00:24:45,119 Speaker 1: I don't know what is gender at the end of 523 00:24:45,160 --> 00:24:45,399 Speaker 1: the day. 524 00:24:45,400 --> 00:24:47,240 Speaker 2: Would Okay, now you've said that to me twice today. 525 00:24:48,280 --> 00:24:55,760 Speaker 4: Rome sounds r O A N Chapel Roan. 526 00:24:57,800 --> 00:25:01,160 Speaker 11: Yes, like like tough, like like, yes, I'm chapel Roan, 527 00:25:02,400 --> 00:25:11,120 Speaker 11: I'm Chapel I'm. 528 00:25:08,480 --> 00:25:11,600 Speaker 2: I'm going to say action Yep. 529 00:25:12,760 --> 00:25:15,199 Speaker 4: No, I'm going to say they're they're an instagrammer who 530 00:25:15,280 --> 00:25:17,520 Speaker 4: goes out into the wild and does crazy stuff like 531 00:25:18,160 --> 00:25:19,560 Speaker 4: chapel Roan wrestled the crocodile. 532 00:25:19,760 --> 00:25:24,399 Speaker 2: Well, that's not bribe. Chapel Roan is a singer. 533 00:25:24,920 --> 00:25:25,560 Speaker 1: Sing this song. 534 00:25:29,080 --> 00:25:30,359 Speaker 2: It's getting a spin At the moment. 535 00:25:32,200 --> 00:25:32,879 Speaker 1: She's been compared to. 536 00:25:32,840 --> 00:25:34,679 Speaker 12: The likes of Sabrina Carpenter Charlie. 537 00:25:35,200 --> 00:25:39,000 Speaker 1: She's in that wrong likes Charlie. Yes, big found Charlie 538 00:25:39,000 --> 00:25:45,600 Speaker 1: except big uh a b one all all uh pretty 539 00:25:45,640 --> 00:25:55,800 Speaker 1: big one here. Dave Grohl, oh comedian. I actually flew 540 00:25:55,880 --> 00:26:02,320 Speaker 1: United Airlines back from Europe. Believe it, of course, unbelievable. Anyway, 541 00:26:02,320 --> 00:26:04,200 Speaker 1: I was on the plane and my daughter and my 542 00:26:04,320 --> 00:26:08,280 Speaker 1: partner were both asleep, and so I couldn't get to sleep, 543 00:26:08,680 --> 00:26:09,800 Speaker 1: and so I was like, you know what, I'm just 544 00:26:09,800 --> 00:26:12,399 Speaker 1: gonna flick to the movies. I couldn't find anything. Couldn't 545 00:26:12,400 --> 00:26:12,840 Speaker 1: find anything. 546 00:26:13,440 --> 00:26:15,840 Speaker 4: They have a great range though United Airlines of their movies. 547 00:26:15,960 --> 00:26:18,679 Speaker 4: But you watch a lot of films I've seen a lot. Yeah, exactly, 548 00:26:18,680 --> 00:26:19,000 Speaker 4: I've seen. 549 00:26:19,000 --> 00:26:20,440 Speaker 1: I've learned of all the new releases. So I was like, 550 00:26:20,480 --> 00:26:22,119 Speaker 1: you know, I felt watching an action flick, so I 551 00:26:22,160 --> 00:26:25,000 Speaker 1: went into the action folder. Oh yeah, and I noted 552 00:26:25,000 --> 00:26:27,080 Speaker 1: this phenomenon. And I don't know whether this is just 553 00:26:27,320 --> 00:26:31,920 Speaker 1: people getting lazy in terms of making movies, but this 554 00:26:32,119 --> 00:26:34,760 Speaker 1: epitomized lazy for me, because I want to play a 555 00:26:34,840 --> 00:26:37,639 Speaker 1: game with you right now that I think will describe 556 00:26:38,160 --> 00:26:41,680 Speaker 1: what I thought was genuinely perplexing. Okay, the game is 557 00:26:41,760 --> 00:26:45,879 Speaker 1: called is it an Assassin movie or just a job title? 558 00:26:46,160 --> 00:26:46,920 Speaker 6: Oh nice? 559 00:26:47,200 --> 00:26:50,160 Speaker 1: Love me because they're all. 560 00:26:50,160 --> 00:26:53,440 Speaker 13: Doing it now to the point where I didn't know 561 00:26:53,640 --> 00:26:57,680 Speaker 13: whether I was watching a documentary on being a physician 562 00:26:58,080 --> 00:27:01,560 Speaker 13: or whether the Assassin movie was called The Physician. 563 00:27:01,720 --> 00:27:03,400 Speaker 2: The one that comes to mind for me is Ben Afflecks, 564 00:27:03,480 --> 00:27:04,080 Speaker 2: The Accountant. 565 00:27:04,200 --> 00:27:05,919 Speaker 1: Okay, great, that was the first one I had off 566 00:27:05,960 --> 00:27:08,320 Speaker 1: the bite. No, No, that's good. I wanted to love 567 00:27:08,400 --> 00:27:10,280 Speaker 1: that one too. If you didn't know that, that's the 568 00:27:10,320 --> 00:27:14,320 Speaker 1: first one. Ben Affleck is an accountant Christian Wolf who 569 00:27:14,400 --> 00:27:18,600 Speaker 1: works for various illegal companies and manipulates their financial records, 570 00:27:18,920 --> 00:27:21,320 Speaker 1: and then the FBI learns about this. He takes up 571 00:27:21,400 --> 00:27:24,080 Speaker 1: a legitimate client to get rid of the officers. So 572 00:27:24,440 --> 00:27:29,200 Speaker 1: that shocking, shocking, shocking, fifty percent rotten tomatoes. Yeah, awful, genuine, 573 00:27:29,240 --> 00:27:30,480 Speaker 1: regardless of great cast, just. 574 00:27:30,560 --> 00:27:32,720 Speaker 2: Ben Affleck trying to pull off financial forra all effectively. 575 00:27:32,800 --> 00:27:34,720 Speaker 1: I think if he gets a gun at some stage, 576 00:27:36,040 --> 00:27:38,600 Speaker 1: I think so. But that the thing about the Accountant, 577 00:27:38,640 --> 00:27:40,920 Speaker 1: which is the original is it a profession or is 578 00:27:40,960 --> 00:27:43,800 Speaker 1: it an action film? Is it's actually based in the 579 00:27:43,880 --> 00:27:46,280 Speaker 1: fact that he is an accountant. Sure, so it starts 580 00:27:46,320 --> 00:27:48,359 Speaker 1: like he is manipulating financial records. 581 00:27:48,440 --> 00:27:50,920 Speaker 2: Okay, sure, you know there is a degree of truth. 582 00:27:51,040 --> 00:27:52,640 Speaker 2: It makes sense that it's called The Accountant. 583 00:27:52,680 --> 00:27:56,800 Speaker 1: I'm going to give you another one here. Okay. Is 584 00:27:58,200 --> 00:28:00,359 Speaker 1: is it an assassin movie or just a job title? 585 00:28:01,160 --> 00:28:01,919 Speaker 1: The Beekeeper? 586 00:28:03,280 --> 00:28:05,840 Speaker 2: Unfortunately? I love action movies. That's Jason Statham. It's an 587 00:28:05,880 --> 00:28:08,439 Speaker 2: action movie. I don't. 588 00:28:08,840 --> 00:28:12,080 Speaker 1: It's an action movie called The Beekeeper. Trailer. 589 00:28:12,200 --> 00:28:15,480 Speaker 4: There's a line in the trailer where someone says, oh, no, 590 00:28:16,119 --> 00:28:17,119 Speaker 4: he's not a beekeeper? 591 00:28:17,240 --> 00:28:19,200 Speaker 1: Is he? And I'm like, what this film? 592 00:28:20,320 --> 00:28:24,439 Speaker 10: Because because I obviously had to watch it at this stage, 593 00:28:24,640 --> 00:28:31,040 Speaker 10: what's so he so he plays a metaphorical beekeeper or 594 00:28:31,119 --> 00:28:35,359 Speaker 10: a proverbial beekeeper who protects the hive, which is another 595 00:28:35,400 --> 00:28:38,400 Speaker 10: word for society, and he has to kill the queen, 596 00:28:38,960 --> 00:28:42,560 Speaker 10: which is another word for this bad guy effectively, so 597 00:28:42,640 --> 00:28:43,800 Speaker 10: there are no part of it. 598 00:28:43,960 --> 00:28:46,720 Speaker 1: He's part of a secret society called the Beekeepers. 599 00:28:46,200 --> 00:28:47,400 Speaker 2: And there are no actual bees. 600 00:28:47,640 --> 00:28:49,960 Speaker 1: There were no bees harmed in the making of that movie. 601 00:28:50,080 --> 00:28:52,680 Speaker 2: That's confusing, that's really cool. 602 00:28:52,880 --> 00:28:55,960 Speaker 1: I've still got one more. Here's an assassins or just 603 00:28:56,080 --> 00:28:57,719 Speaker 1: a job title? Right? 604 00:28:57,800 --> 00:28:58,000 Speaker 2: Great? 605 00:28:58,040 --> 00:29:06,600 Speaker 1: Great, this is my favorite. Awesome, the Bricklayer. Now is 606 00:29:06,680 --> 00:29:09,160 Speaker 1: that is that an assassin film? Or is I can't 607 00:29:09,200 --> 00:29:12,840 Speaker 1: be a film, just a job title, the bricklayer. 608 00:29:14,000 --> 00:29:18,120 Speaker 2: The bricklayer can't be a film. It's not a film. 609 00:29:19,440 --> 00:29:21,440 Speaker 1: If it was a movie. Though, if it was a movie, 610 00:29:21,480 --> 00:29:23,360 Speaker 1: he's an assassin. You can imagine that he's kind of 611 00:29:23,440 --> 00:29:26,320 Speaker 1: like killing lots of enemies and stacking them up like 612 00:29:26,440 --> 00:29:28,320 Speaker 1: bricks or no, I would. 613 00:29:28,160 --> 00:29:32,240 Speaker 2: Say that he covers as like someone who lays brick. 614 00:29:32,400 --> 00:29:34,040 Speaker 1: Oh, yeah, that's his that's right. 615 00:29:34,120 --> 00:29:36,000 Speaker 2: And I would say that he's hiding bodies in the walls. 616 00:29:36,240 --> 00:29:38,040 Speaker 1: So if it was a film, if it was a film, 617 00:29:38,080 --> 00:29:40,080 Speaker 1: that's this is the way that there's no way that 618 00:29:40,160 --> 00:29:43,120 Speaker 1: they could make. Why would they make a movie about 619 00:29:43,120 --> 00:29:46,000 Speaker 1: an assassin and call it The Bricklayer. It's totally misdirection, 620 00:29:46,240 --> 00:29:49,080 Speaker 1: makes no sense, confusing. Caught, the bodies are in the wall, 621 00:29:49,200 --> 00:29:51,840 Speaker 1: call it anything, don't call the Bricklayer. Well, that's not 622 00:29:51,920 --> 00:29:53,960 Speaker 1: what they did. Starring Aaron Eckhart. 623 00:29:54,160 --> 00:29:54,720 Speaker 2: Oh, Aaron. 624 00:29:55,120 --> 00:30:01,320 Speaker 1: The Bricklayer about a broke insurgent assassin who basically takes 625 00:30:01,320 --> 00:30:05,440 Speaker 1: on the CIA and by the way, he is a 626 00:30:05,640 --> 00:30:07,920 Speaker 1: brick layer actually, actually