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Speaker 1: Happy Friday. It's the jam Nation Podcast with Jonesy and Amanda, Richard.

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Speaker 2: Marx, our old mate Richard Marks. We love him.

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Speaker 1: He's great.

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Speaker 2: He's got new music and is announced an Australian tour.

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Speaker 2: He's going to be joining us.

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Speaker 1: It's always thought provoking when Todd Samson comes into the studio.

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Speaker 1: Gee today, didn't he bring the thought provoking material?

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Speaker 2: Didn't he? Just on his new show Mira Mirror, he's

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Speaker 2: looking at the impact that the Internet is having on kids.

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Speaker 2: He was speaking about a site called a migle. Just

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Speaker 2: sounds terrifying, speaking of terrifying.

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Speaker 1: Down at the Jonesy Demand of Arms, the pub test butterboards.

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Speaker 1: They passed the pub. You don't like the man I

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Speaker 1: like and I like him.

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Speaker 2: Fight for Your Flashback the living Room. We're announced it

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Speaker 2: on the show yesterday is taking a break for hiatus,

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Speaker 2: but we still have five fabulous shows this year. Join

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Speaker 2: us for the year.

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Speaker 1: Watch it seven thirty. It's appointment TV on a Friday night.

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Speaker 2: But it did give us an excuse for Fight for

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Speaker 2: Your Flashback. Bands that took a break and came back

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Speaker 2: better than ever.

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Speaker 1: And it's been quite the week. That's why we've got

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Speaker 1: the best in the business. And when he wasn't available,

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Speaker 1: we got Jim Yer. Hey, bro listening, Jemi Rise, Jimmy

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Speaker 1: Jabber is coming out on our podcast.

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Speaker 3: It was now that a miracle of recording. We have

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Speaker 3: so many requests for them to do it again. Mistress

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Speaker 3: Amanda and MS Killer. Amanda doesn't work alone. Friend is

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Speaker 3: in a broom making the tools of the train.

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Speaker 1: I've heard them describe him as a drunken idiot, the

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Speaker 1: legendary part.

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Speaker 4: Jonesy, Amanda the actress.

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Speaker 2: Congratulations, we're ready right now.

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Speaker 3: Josey and Amanda. You're doing a great job.

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Speaker 1: It could be for anyone because selfie giant. Now the

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Speaker 1: time here good radio. Sorry, but it's a tangled twist

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Speaker 1: set and Amanda, Shoot Timy, we're on the air. We're

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Speaker 1: happy Friday.

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Speaker 2: We've got to Friday.

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Speaker 1: Yeah.

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Speaker 2: We get mails sometimes here and sometimes the writing makes

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Speaker 2: us say should we open it? But this one's very

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Speaker 2: nice handwriting. Oh actually it's addressed to you.

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Speaker 1: Oh you know what it is. I'll take that.

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Speaker 2: What is it?

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Speaker 1: It'll be my Krniti's voucher.

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Speaker 2: You're getting Karniti's voucher.

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Speaker 1: Karniti's opened a new store in Bridland Sands and they're

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Speaker 1: going to send me a voucher to go and sample

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Speaker 1: the wares open. You want to come with you? Do

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Speaker 1: you want to go?

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Speaker 2: Yeah?

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Speaker 1: We'll got one of those big you know, those big

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Speaker 1: foot long pizzas that they have. No, it's a meter

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Speaker 1: long pizza. Yeah yeah, yeah, I need you get one

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Speaker 1: of those steaks with all the sauce on it.

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Speaker 2: Yeah, yeah, okay, I just opened it. It's not a voucher. No,

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Speaker 2: what is that? I don't know. I want me to read.

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Speaker 2: It's got nice writing. I like that it's from a woman.

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Speaker 1: Oh yeah?

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Speaker 2: Should I read it?

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Speaker 5: Well?

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Speaker 1: Obviously edited to what it might be.

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Speaker 2: I've just seen the first line. I'll read the first

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Speaker 2: line and then you tell me whether you want me

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Speaker 2: to continue reading it. Jonesy, Yes, why are you so needy?

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Speaker 1: Is this from you?

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Speaker 3: No?

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Speaker 1: It's not.

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Speaker 2: It could be, but it's not for me to keep reading.

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Speaker 2: Go on, Do I have your permission? Amanda says hello

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Speaker 2: to a person they apply to her, and you have

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Speaker 2: to say I'm here too, mate. You're good at what

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Speaker 2: you do, and being that you can't both say hello

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Speaker 2: at the same time, you just say hello too. If

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Speaker 2: you feel the need for validation. Should I keep going?

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Speaker 2: I don't know what else is on? Oh, I don't

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Speaker 2: know why you're regressing to pubescence. I wish that you

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Speaker 2: feel the need to make stupid take stupid jokes too far,

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Speaker 2: or feel the constant need for recognition. Oh, don't me

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Speaker 2: to keep going. It makes me uncomfortable. You're a few

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Speaker 2: months younger than me, but I feel like you're stuck

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Speaker 2: in our times, in times of our teens. Sorry for

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Speaker 2: the loss of Fizzle.

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Speaker 1: Oh that's nice. I know that was our cat.

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Speaker 2: Yeah, I know fur family is so value too all,

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Speaker 2: So she might be ending it nicely. Please be better, though.

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Speaker 1: Please be better? Okay, what else is she?

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Speaker 2: She says, you're part of the best brecky program around.

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Speaker 2: The love in friendship that you guys share is why

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Speaker 2: I've listened since moving here, since two thousand and three.

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Speaker 2: See it's nice, right, we all hate aging. I know that.

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Speaker 2: But you're better. But you're better than you seem lately.

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Speaker 1: I'm better than I sound. This is a good letter.

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Speaker 2: Prove me right that you are better. Hang on WSFM

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Speaker 2: rocks regards.

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Speaker 1: Melissa, what has it been better than I see him?

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Speaker 2: I think she thinks you're going through some kind of crisis.

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Speaker 1: No, there's no crisis.

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Speaker 2: Is there a crisis?

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Speaker 1: No, I don't know.

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Speaker 2: Should I have a crisis, don't, don't force a crisis.

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Speaker 2: All we need to know is there's no voucher for

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Speaker 2: and that's a bit of a pat stab letter and Melissa,

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Speaker 2: thank you for your thoughts, Thank you Melissa, But there's

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Speaker 2: no voucher. Maybe Melissa could make your foot long pizza.

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Speaker 1: I like that. Maybe that's what I need to do.

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Speaker 1: Take Melissa to Krenidi's.

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Speaker 2: Maybe maybe, and she can tell you to I'll grow up, Brendan,

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Speaker 2: you'd be better, be better and stop making rude jokes.

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Speaker 2: It's just taking my act.

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Speaker 4: She is.

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Speaker 1: It could be Jonesy and Melissa.

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Speaker 2: I like, she's got my feeling.

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Speaker 1: Well, maybe be Melissa and Jones your favorites time.

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Speaker 2: To oh to put her name first?

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Speaker 1: Maybe and maybe that would be the thing.

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Speaker 2: I'll give you a foot long Brandom.

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Speaker 1: Ten thousand dollars of the ten thousand dollars question coming up. Also,

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Speaker 1: our old mate Richard Marx will be joining USES and

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Speaker 1: the Magnificent Seven. We can't do anything till we do

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Speaker 1: the Magnificent seven.

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Speaker 2: Question one tickling the Ivories refers to playing Which Musical Instruments.

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Speaker 1: Podcast? We have the magnificence seven. There are seven questions.

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Speaker 1: Can you go all the way and answer all seven

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Speaker 1: questions correctly? If you do that, Amanda will say.

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Speaker 2: Would you want me to read that letter again?

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Speaker 1: Yeah? I got good. I like feedback and I feel

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Speaker 1: that that letter Melissa and I are like buds.

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Speaker 2: Okay, good.

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Speaker 1: She's saying saying that I'm better than ever.

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Speaker 2: That's wy I think what she said was at the moment,

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Speaker 2: are you okay because you don't seem your best? I'm

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Speaker 2: not saying that I'm going to dif from you to that.

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Speaker 2: Did we read the same sentence?

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Speaker 1: You read the letter?

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Speaker 2: There, you've got it.

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Speaker 1: No, I haven't got it. And where's the letter?

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Speaker 6: God?

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Speaker 1: Did the letter disappear?

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Speaker 3: I think I threw it in the bin?

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Speaker 1: Right, Well, we give your fish through the bin.

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Speaker 2: Well let's go here. No, here comes the letter. The letter,

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Speaker 2: the letter? The letter fell off my desk. He here?

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Speaker 2: So is this the sentence in dispute? We all hate aging.

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Speaker 2: I know that I don't mind aging. But you're better

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Speaker 2: than you seem lately. Prove me right that you are better?

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Speaker 2: So it's good to know. She's asking you that you

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Speaker 2: are great.

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Speaker 1: You're saying that I'm better than ever.

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Speaker 2: No, she's saying you're great, but it's time to step

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Speaker 2: up to your best self.

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Speaker 1: I don't want to do that. It sounds like a lot.

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Speaker 2: It sounds like stepping up.

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Speaker 1: You'll get your steps up.

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Speaker 2: You'll get your steps up, Brendan, and you'll be happy.

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Speaker 1: That's right, I've done.

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Speaker 2: We did all that. It's time to talk to debraah

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Speaker 2: in a Keisha guard Deborah.

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Speaker 7: Good morning, gosh, how are we very well?

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Speaker 2: Thank you? Tickling the ivories refers to playing which musical instrument,

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Speaker 2: the piano, The piano, that's right.

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Speaker 1: And just like that is the spin off TV show

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Speaker 1: of which see TV series A.

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Speaker 6: Section the sea.

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Speaker 2: Very good, that's the one you are now playing. Cover me.

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Speaker 2: Hildegard von Blingen is covering which song in a medieval style?

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Speaker 2: What's the song? Deborah cars to cats.

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Speaker 4: I just.

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Speaker 2: Sounds much like the originals, stranger. I like it medieval style.

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Speaker 2: What's the song?

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Speaker 3: Oh it's gouty.

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Speaker 2: A well, it's goitier. But do we give you the

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Speaker 2: we need the song title? Do you think we need

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Speaker 2: the song title?

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Speaker 1: Yeah?

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Speaker 2: Do you know.

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Speaker 8: It Oh, it's on the tip of my tongue, but

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Speaker 8: I can't think of it.

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Speaker 2: Sorry, but you need the song. That's a Diesel song,

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Speaker 2: tip of my tongue.

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Speaker 9: Jonesy and Amanda in the morning, one o one point

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Speaker 9: seven wus acand.

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Speaker 1: Showers increasing again today. Twenty two degrees in the city,

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Speaker 1: twenty four in our west. Rightoun's fifteen degrees. It's twenty

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Speaker 1: past six. Jenna, our digital content lady is here.

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Speaker 2: Oh, my digital content lady, digital content guru. I like

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Speaker 2: to call up.

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Speaker 1: Dc L anyway. Why are you here, Jenna? We have

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Speaker 1: to post your b reel.

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Speaker 3: Oh, this is what you've signed up for.

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Speaker 2: What happens on the weekends.

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Speaker 10: Well, we'll have to give it a miss, but every

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Speaker 10: day from now on we have to do it.

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Speaker 2: Oh, how do you get both of us in? Okay?

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Speaker 4: Here, Jonesy, We'll get you to do it again, try

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Speaker 4: it and do it better on than you be better.

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Speaker 2: That's the theme the.

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Speaker 1: Middle, Impress the middle.

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Speaker 2: Yes, because there's nothing more flattering than being photographed at

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Speaker 2: twenty past six in the morning with studio lights. Can

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Speaker 2: I have a look?

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Speaker 1: I've sanded you said, I get to have a look

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Speaker 1: a Mandel looks good, Jones, What am I doing?

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Speaker 8: Wow?

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Speaker 2: Are you're pulling?

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Speaker 6: It?

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Speaker 4: Is?

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Speaker 1: Actually it takes a picture of me. That's taking a

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Speaker 1: picture of face when you scoons your face up. Stupid.

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Speaker 2: Thank you, Jenna, go back to whatever you're doing around here.

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Speaker 1: It's twenty one plus six. We're under the Magnificent seven

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Speaker 1: and we're up to question number three.

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Speaker 2: Cover Me.

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Speaker 3: Kill the Guard?

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Speaker 2: Von Blingen is covering which song in a medieval style?

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Speaker 2: The cars to cats.

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Speaker 6: I just.

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Speaker 2: Stranger. They'll make Erston thy. That's how you know it's medieval.

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Speaker 1: I want to tune into Lute FM for more media.

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Speaker 2: And instead of winning money, you win loot.

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Speaker 1: Yeah, that'd be great and you get some bubos. Sure,

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Speaker 1: we're into the Magnificent seven. What a question number three?

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Speaker 2: It's going to be Sheelle in Richmond, Hello, Michelle, Hello,

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Speaker 2: how are you to Well? We're playing cover me, Cover me?

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Speaker 2: This is a medieval style version of what song to cast?

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Speaker 6: I just.

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Speaker 2: Do you know the song? Michelle?

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Speaker 11: But just before you go on, can I just say, Jones,

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Speaker 11: you're doing a fabulous job. Don't worry about that stupid letter.

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Speaker 1: Well, thank you, Michelle. That's a nice thing to see.

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Speaker 1: That is a very nice thing to Michelle's referring to

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Speaker 1: I got a letter from Melissa if you'd like to,

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Speaker 1: and I thought it was just constructive criticism. Well you

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Speaker 1: know I got from it that she was giving me

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Speaker 1: a bit of praise there.

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Speaker 2: Sure, And Melissa, if you want to call through and

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Speaker 2: chat about it, we're happy to take your call anytime.

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Speaker 2: But thank you, Michelle, Thank you, Michelle. Now do you

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Speaker 2: know who sings that song?

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Speaker 11: Yes, it's got here. It's somebody that I used to know.

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Speaker 2: That's that's the one.

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Speaker 1: You're my kind of people, Michelle. You know what's about smart, intelligent,

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Speaker 1: It's all there. Masterpiece or Arena from Roneus and sculpture

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Speaker 1: David by Michelangelo depicts which figure the biblical figure David

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Speaker 1: from David and Goliath, or David Day Giordano and Italian

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Speaker 1: prince who commissioned the work, or see a random unknown

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Speaker 1: person called Dave.

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Speaker 2: Oh my gosh, you think about this, which of you

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Speaker 2: know that famous sculpture David? Was it David from David

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Speaker 2: and Goliath? I think it's Dover Day, Giodano and Italian

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Speaker 2: prince who commissioned the work, or just a person called r.

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Speaker 1: Mind that the David is holding a sling? Is he

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Speaker 1: he's holding a sling?

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Speaker 2: Didn't know that?

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Speaker 1: And what did what brought Goliath down?

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Speaker 11: What brought Goliath down?

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Speaker 3: Was it?

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Speaker 2: No? I think we're going to have a sell Michelle.

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Speaker 2: We had hopes for you.

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Speaker 1: I just picked you up.

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Speaker 2: We're going to Jill to Jim and Camden. Hi, Jim,

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Speaker 2: good morning.

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Speaker 7: I mean the slaughter mate. You should just playing it

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Speaker 7: all in.

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Speaker 8: You're doing a perfect judge. Remember that one's perfect and

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Speaker 8: was always for improvement.

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Speaker 2: And question number four, David that very famous Michelangelo sculpture

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Speaker 2: is it? Is it the biblical figure David from David

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Speaker 2: and Golife? Is it Da Vida Giodano and Italian prince

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Speaker 2: who commissioned the work? Or is it a random person

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Speaker 2: called Dave? Who was David a David and Golife.

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Speaker 1: What does sitcom stand for, Jim, sitcom?

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Speaker 8: Something comedy?

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Speaker 1: Something?

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Speaker 2: Yeah, but what's the sit bit?

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Speaker 1: What's the said bit?

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Speaker 12: Sit down? Comedy?

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Speaker 1: No, Steve's in mascot, Hello Steve?

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Speaker 12: Hello?

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Speaker 1: How are you very well?

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Speaker 2: What does sitcom stand for?

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Speaker 8: Situational comedy?

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Speaker 2: Which brings us to question six. Simlish is the made

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Speaker 2: up language on which computer game it's fictitious language from

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Speaker 2: which game simlish Bosley Park, Margaret, Hello, how are you

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Speaker 2: very well? Simlish is the fictitious language from which computer

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Speaker 2: games simlish, which.

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Speaker 1: Means to step by gloved?

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Speaker 2: Can does stop? Just stop? A hat?

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Speaker 1: Christ I hate it? Which ex rugby and bachelor star

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Speaker 1: just had a baby this week? Margaret?

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Speaker 2: First, I've heard about it. But who was the bachelor?

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Speaker 2: Plus being a rugby star.

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Speaker 13: Not the honey?

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Speaker 1: What did he have?

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Speaker 2: Well, we don't know. He and his partner was spotted

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Speaker 2: with a newborn, but haven't announced the name of the gender.

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Speaker 2: We assume it's his.

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Speaker 1: Could be like the little baby in the clinice this

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Speaker 1: was directed movie? What was that the cniper Dolly? Maybe

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Speaker 1: the Badgers walking around with a little Dolly. Congratulations to

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Speaker 1: your Margaret, you won the jam packets all coming your

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Speaker 1: way one hundred and fifty dollars Red Ballooon Experience the

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00:14:14,600 --> 00:14:17,640
Speaker 1: perfect gift to make memorable life moments and amazing experiences

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Speaker 1: that last forever. A double pass to Cable's wake Park

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Speaker 1: Wakeboard National Championships at Cables wake Park, Penrith tenth to

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Speaker 1: the fifteenth of October. You could be our next national champion.

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Speaker 1: Get cracking. Margaret and Jones in About to Catch You

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Speaker 1: choose fitt color in some standard pencils. Anything you'd like

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Speaker 1: to add, thank you very much that you have a

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Speaker 1: good day. I'm not doing a great job or anything

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Speaker 1: like that.

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Speaker 14: Yes, you are doing a good job entertaining.

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Speaker 2: You know. This letter started with stop being needy and

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Speaker 2: look where we've ended.

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Speaker 1: I'm just I'm just I'm just just you know, getting

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Speaker 1: what the vibe is?

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Speaker 10: Okay, Jonesy and Amanda podcast.

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Speaker 4: Did you press the stuff on Boops.

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Speaker 2: Through the jermanac how Big Book of Musical Facts? On

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Speaker 2: this day In nineteen ninety five, Alanis Morrisset went to

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Speaker 2: number one on the US album chart with her third album,

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Speaker 2: Jagged Little Pill Heard of the biggest album in the

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Speaker 2: history of the universe. And it took eight years, but

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Speaker 2: she made the whole album into a musical. It won

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Speaker 2: two Tony's a Grammy for Best Musical Theater Album. But

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Speaker 2: despite its huge success, as we know here in Australia,

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Speaker 2: it had a rocky road. The musical had just launched

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Speaker 2: in the States when it was cut short by the pandemic. Yeah,

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Speaker 2: do you remember that pandemic? Do you remember all that

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Speaker 2: there was also an incident at one of the shows

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Speaker 2: where a patron pepper sprayed the theater, causing an evacuation.

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Speaker 1: Why is that?

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Speaker 2: Don't have any more information?

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Speaker 1: More information?

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Speaker 2: Some said it was ironic.

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Speaker 1: Shu, look for someone at the door.

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Speaker 2: Oh it is Tim, the slightly aggressive weather Manella.

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Speaker 1: You know a typs and drops on Sydney rooftops, crops

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Speaker 1: and chops.

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Speaker 2: Oh Tim, I'm so glad you're here. Now you can

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Speaker 2: tell us all about the weather.

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Speaker 1: I'll just get the local qualities in here. Hey guys,

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Speaker 1: come on, come on, come on, you guys, Come on,

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Speaker 1: Hi guys. We'll just get the bell galla rotarians in Hi, guys,

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Speaker 1: all this, hang on, hang on, I've got a little

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Speaker 1: mass supial here. I'm gonna feeder a kangaroo leg here

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Speaker 1: you go.

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Speaker 2: Oh jesus, what about hey guys?

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Speaker 1: To juveniles and just run into the studio and they're

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Speaker 1: trying to crash me right across. Get out of your

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Speaker 1: own brass.

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Speaker 2: I haven't mentioned anything about the.

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Speaker 4: Give me that.

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Speaker 9: Juveniz Wait, take this better pay.

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Speaker 3: It's the weather.

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Speaker 2: We need to know them are drugs, I'll say, he.

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Speaker 1: Very comprehensive.

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Speaker 2: I'm announcing about the weather.

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Speaker 1: The living room is taking a break for a year.

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Speaker 1: Rights managing, Yes, what was the wash up yesterday?

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Speaker 2: Well, lots of people have a lot of love for

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Speaker 2: the living room and saying oh it comes back, We

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Speaker 2: do too. We are planning to regenerate and come back

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Speaker 2: in twenty twenty five.

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Speaker 1: You're going to come back better than ever.

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Speaker 2: That is the plan.

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Speaker 1: And this is what management writes bands that have had

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Speaker 1: a break and have come back. Oh play, well, the

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Speaker 1: management had to break and come back. Make sure podcast.

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Speaker 4: There's a couple of questions that I have to ask you.

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Speaker 13: I don't answer questions, just answer a question.

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Speaker 1: Okay, what's in it for me? You're dollars a dollar

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Speaker 1: reward right here, right now, we have ten thousand dollars

377
00:17:29,720 --> 00:17:31,600
Speaker 1: up for grabs at the ten thousand dollars question. All

378
00:17:31,600 --> 00:17:34,080
Speaker 1: you have to do is answer ten questions in sixty seconds.

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00:17:34,080 --> 00:17:34,919
Speaker 1: It's dead easy.

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00:17:35,119 --> 00:17:37,040
Speaker 2: Well it's not dead easy, but you don't have to

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Speaker 2: know all of them, though you might question ten. If

382
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Speaker 2: that gets answered correctly, you win ten thousand dollars.

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Speaker 1: It's been done four times before. Perhaps today's the day

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Speaker 1: for Francis of d Why Hello.

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Speaker 2: Frances, good morning, Good morning, you know the rules by now,

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Speaker 2: we've got ten questions. We've got sixty seconds. The minute

387
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Speaker 2: you hesitate, the minute you're on, you're out and someone

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Speaker 2: takes your place. So let's see how you go. Dollars

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Speaker 2: on the line, are ready to start, christ Let's do it?

390
00:18:04,680 --> 00:18:07,320
Speaker 2: Question one? Which of the eight supercar event is happening

391
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Speaker 2: this week?

392
00:18:09,080 --> 00:18:09,880
Speaker 7: The battleors?

393
00:18:09,960 --> 00:18:12,439
Speaker 2: Question two? Who is currently third in line to the

394
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Speaker 2: British throne? Jeffson Glenwood, who is currently third in line

395
00:18:19,520 --> 00:18:23,560
Speaker 2: to the British throne?

396
00:18:24,160 --> 00:18:25,320
Speaker 1: And it's in currents here?

397
00:18:25,320 --> 00:18:27,560
Speaker 2: Who is currently third in line to the British throne?

398
00:18:31,280 --> 00:18:32,480
Speaker 1: Scott's in Black Park?

399
00:18:32,520 --> 00:18:33,960
Speaker 2: Who is currently third in line.

400
00:18:33,800 --> 00:18:34,640
Speaker 5: To the bridge?

401
00:18:35,760 --> 00:18:37,040
Speaker 1: Helen's and Connell's point.

402
00:18:36,880 --> 00:18:40,159
Speaker 2: Who is currently third in line to the British throne Charlotte?

403
00:18:40,280 --> 00:18:43,160
Speaker 2: Question three. A recent work culture trend has been known

404
00:18:43,200 --> 00:18:44,040
Speaker 2: as quite.

405
00:18:43,840 --> 00:18:48,600
Speaker 1: What time Trevor's in Campbelltech.

406
00:18:48,720 --> 00:18:51,320
Speaker 2: A recent work culture trend has been known as quite.

407
00:18:51,040 --> 00:18:55,000
Speaker 1: What Quiet Rooms Steve's in Burrella.

408
00:18:55,119 --> 00:18:57,440
Speaker 2: A recent work culture trend has been known as quiet what.

409
00:18:59,320 --> 00:19:00,720
Speaker 4: Oh go there?

410
00:19:02,560 --> 00:19:03,280
Speaker 1: In a case you got?

411
00:19:03,400 --> 00:19:05,399
Speaker 2: A recent work culture trend has been known as quite what,

412
00:19:08,680 --> 00:19:13,160
Speaker 2: quite rest, It's quite quite quitting where people within their

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00:19:13,160 --> 00:19:16,760
Speaker 2: own jobs, think they'll only do the minimum and actually

414
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Speaker 2: have a life. COVID's changed our people feel about it.

415
00:19:19,080 --> 00:19:21,840
Speaker 2: Princess Charlotte through a lot of people. So she's third

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Speaker 2: in line.

417
00:19:22,560 --> 00:19:25,399
Speaker 1: Where she was, but it used to be George was thirty.

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Speaker 2: That's right, and now with the passing away of the Queen,

419
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Speaker 2: Charlotte is now third in line.

420
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Speaker 1: Well, it'll be back again on Monday.

421
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Speaker 15: Jama.

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Speaker 1: Fight for your flashback. Two songs enter, one song leaves

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Speaker 1: the living room is taking a break for a year,

424
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Speaker 1: but that's not a bad thing.

425
00:19:48,400 --> 00:19:50,320
Speaker 2: Well, we're just taking a break. We're not going We're

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Speaker 2: not canceled, as the Daily Mail has written. And there's

427
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Speaker 2: some beautiful comments on our socials about that.

428
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Speaker 1: Are people say they're lovely.

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Speaker 2: There's some really lovely comments here, things like, well a

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Speaker 2: lot of people are saying that on Friday night, that's

431
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Speaker 2: their night. They sit at home with a glass of wine.

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Speaker 2: Watch to tell you now they'll have to go out

433
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Speaker 2: to dinner on a Friday night. Someone here said, once

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Speaker 2: again a show I enjoy on Channel ten is gone.

435
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Speaker 2: I'm sick of Channel ten catering trashy shows for young

436
00:20:14,800 --> 00:20:17,840
Speaker 2: people and neglecting the people who stay home longer. I'll

437
00:20:17,840 --> 00:20:19,879
Speaker 2: miss my Friday night chill out, our wine, down, a

438
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Speaker 2: laugh a Lot show. I'll be back Keena's Mustard for

439
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Speaker 2: twenty twenty four. Thank you everyone for your lovely thoughts.

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Speaker 2: I've read them all and we're Keena's Mustard to come

441
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Speaker 2: back to Wold.

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Speaker 1: Bands that have broken up and come back play well

443
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Speaker 1: the management. Who have you gone? Will I go first?

444
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Speaker 1: If you would like?

445
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Speaker 2: I've gone with a band that was so world famous,

446
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Speaker 2: one of the biggest bands in history.

447
00:20:42,600 --> 00:20:43,640
Speaker 1: Or is it the Eagles?

448
00:20:43,880 --> 00:20:47,359
Speaker 2: No, No, they famously broke up. Is the Rolling Stones,

449
00:20:48,160 --> 00:20:51,679
Speaker 2: Guns and Rose the band that then decided one of

450
00:20:51,680 --> 00:20:54,440
Speaker 2: the members said they were taking a break. They didn't

451
00:20:54,440 --> 00:20:56,080
Speaker 2: say they were going to break up. They said they

452
00:20:56,119 --> 00:20:59,960
Speaker 2: had a hiatus. They've come back and they're touring up

453
00:21:00,080 --> 00:21:03,360
Speaker 2: a moment during the world, but without one member. I'm

454
00:21:03,400 --> 00:21:06,440
Speaker 2: talking about the Spice Girls. I give you one a.

455
00:21:06,359 --> 00:21:14,040
Speaker 1: Bit that's really, really dark, so good.

456
00:21:14,320 --> 00:21:20,400
Speaker 2: You don't hear this on our show A lot. Friendship

457
00:21:20,440 --> 00:21:22,480
Speaker 2: never ends. But Victoria has not rejoined the bank.

458
00:21:22,680 --> 00:21:24,280
Speaker 1: Yeah, so she's got plenty of coin.

459
00:21:26,440 --> 00:21:29,119
Speaker 2: They've all got plenty of coin. Jerry holliwall is married

460
00:21:29,119 --> 00:21:30,440
Speaker 2: to guys got an F one team.

461
00:21:30,560 --> 00:21:32,879
Speaker 1: Yeah, I think Baby might be struggling a little bit.

462
00:21:33,240 --> 00:21:36,879
Speaker 2: Who's going to play the nursery fees? Baby Formula doesn't come.

463
00:21:36,840 --> 00:21:39,280
Speaker 1: Cheap and sporty. Boy, she's the most talented member of

464
00:21:39,359 --> 00:21:39,680
Speaker 1: the band.

465
00:21:39,720 --> 00:21:42,840
Speaker 2: But I think they all enjoy performing. But yes, Victoria

466
00:21:42,840 --> 00:21:46,359
Speaker 2: hasn't joined them. But they took a hiatus for a

467
00:21:46,480 --> 00:21:48,800
Speaker 2: number of years. But they've come back bigger than ever.

468
00:21:49,520 --> 00:21:51,760
Speaker 1: Okay, that's all well, and good have you done. I've

469
00:21:51,760 --> 00:21:53,919
Speaker 1: gone with you go with the Eagles. I didn't go

470
00:21:53,960 --> 00:21:55,480
Speaker 1: with the Eagles. I thought about it. I thought about

471
00:21:55,480 --> 00:21:57,680
Speaker 1: guns and race, but I wanted to go local. I'm

472
00:21:57,680 --> 00:21:59,080
Speaker 1: going with the band because I went and saw these

473
00:21:59,080 --> 00:22:02,919
Speaker 1: guys recently and they were telling they're quite funny on stage,

474
00:22:03,280 --> 00:22:07,320
Speaker 1: and the bass guitarist, Jeff Turner said this story that

475
00:22:07,440 --> 00:22:10,719
Speaker 1: they announced that they were going to split up in

476
00:22:10,800 --> 00:22:13,320
Speaker 1: the year two thousand and four or something like that.

477
00:22:13,320 --> 00:22:15,040
Speaker 1: That's it, we're going to split up. They called a

478
00:22:15,040 --> 00:22:19,439
Speaker 1: press conference and nobody showed. No one from the press

479
00:22:19,520 --> 00:22:20,040
Speaker 1: came along.

480
00:22:20,160 --> 00:22:22,040
Speaker 2: Did they split up? And I don't know who they are?

481
00:22:22,280 --> 00:22:24,399
Speaker 1: They were going to split up, but no, they didn't.

482
00:22:24,480 --> 00:22:29,439
Speaker 1: No one showed up. Let's keep going, and they are going.

483
00:22:29,600 --> 00:22:32,920
Speaker 1: The Radiators come on, ho, I love.

484
00:22:32,840 --> 00:22:34,800
Speaker 16: The dark and life the fire.

485
00:22:35,119 --> 00:22:40,040
Speaker 3: My head is still dis weeks worries. It's all right.

486
00:22:40,280 --> 00:22:42,680
Speaker 2: So they had like a half hour great night.

487
00:22:43,280 --> 00:22:46,800
Speaker 1: Yeah, they went to the press conference. No one showed it.

488
00:22:47,000 --> 00:22:48,560
Speaker 2: I ate a bag of cheesels and reforms.

489
00:22:48,600 --> 00:22:51,240
Speaker 1: It was like Peter Peter Dutton's latest press conference. To

490
00:22:51,240 --> 00:22:56,320
Speaker 1: see that. Nobody showed. And you know what, the Radiators

491
00:22:56,800 --> 00:22:58,800
Speaker 1: will be as sure as Death and Texas will be

492
00:22:58,800 --> 00:23:01,480
Speaker 1: playing somewhere this weekend. Iron can you look up the

493
00:23:01,600 --> 00:23:05,520
Speaker 1: Radiators for taxes? Where the Radiators are playing?

494
00:23:05,520 --> 00:23:06,000
Speaker 3: Which sport?

495
00:23:06,400 --> 00:23:06,480
Speaker 15: Now?

496
00:23:06,560 --> 00:23:17,160
Speaker 1: What's they're a band? Pay attention radiators.

497
00:23:13,560 --> 00:23:18,440
Speaker 3: Some some Mary's Diggers Club. See when eighth of October,

498
00:23:18,520 --> 00:23:19,399
Speaker 3: Saturday afternoon and.

499
00:23:19,440 --> 00:23:24,000
Speaker 2: It's tomorrow afternoons Saturday afternoon shows for the due to

500
00:23:24,000 --> 00:23:25,200
Speaker 2: the Durham tribute shows.

501
00:23:25,600 --> 00:23:27,159
Speaker 1: Do not be little the Rapids.

502
00:23:27,200 --> 00:23:30,080
Speaker 2: I'm not. I love the Rads as you know, I

503
00:23:30,160 --> 00:23:32,359
Speaker 2: like it. They almost broke up. No one turned up,

504
00:23:32,359 --> 00:23:33,320
Speaker 2: so they kept going.

505
00:23:33,119 --> 00:23:35,399
Speaker 1: And and that's that's and if you go and see them,

506
00:23:35,600 --> 00:23:37,520
Speaker 1: they they give it, putting bums on.

507
00:23:37,480 --> 00:23:41,800
Speaker 2: Stakes, spile girls as are the Spice Girls. What do

508
00:23:41,840 --> 00:23:44,160
Speaker 2: you want to hear today? Bands that had to break

509
00:23:44,160 --> 00:23:45,760
Speaker 2: and came back? Which of ours do you want?

510
00:23:47,720 --> 00:23:49,800
Speaker 1: We're into five for your flashback. The living Room is

511
00:23:49,840 --> 00:23:51,600
Speaker 1: taking a break for a year. That doesn't mean it's

512
00:23:51,640 --> 00:23:52,160
Speaker 1: over man.

513
00:23:52,240 --> 00:23:55,600
Speaker 2: And also, can I also say we have some fantastic

514
00:23:55,680 --> 00:23:58,560
Speaker 2: shows for the rest of this year. Yeah, including a

515
00:23:58,560 --> 00:24:01,600
Speaker 2: great Christmas s ept to nightsisode. It's hilarious, So please

516
00:24:01,720 --> 00:24:02,440
Speaker 2: join us this.

517
00:24:02,400 --> 00:24:04,879
Speaker 1: Year Today, bands that had a break and came back.

518
00:24:05,160 --> 00:24:08,960
Speaker 1: I've gone with the Radiators and coming home all right.

519
00:24:11,840 --> 00:24:13,960
Speaker 2: They didn't officially break, well, they did.

520
00:24:14,040 --> 00:24:17,040
Speaker 1: They called a press conference in two thousand and four

521
00:24:17,160 --> 00:24:20,480
Speaker 1: two thousand and five said that's it. Where had a

522
00:24:20,480 --> 00:24:23,240
Speaker 1: good run, thank you, and no one showed to the

523
00:24:23,280 --> 00:24:25,640
Speaker 1: press conference, so that they were like, that's a sign

524
00:24:25,720 --> 00:24:28,639
Speaker 1: we'll keep going. And they are keeping going. They're playing

525
00:24:28,640 --> 00:24:31,840
Speaker 1: Saint Mary's Band Club this Saturday afternoon.

526
00:24:33,040 --> 00:24:36,400
Speaker 2: I have gone with a band who were the biggest

527
00:24:36,440 --> 00:24:39,720
Speaker 2: pop band in history. They took a hiatus. They've come

528
00:24:39,800 --> 00:24:42,119
Speaker 2: back minus a member or so. But I give you

529
00:24:42,160 --> 00:24:46,480
Speaker 2: the Spice Girl, the two in the world.

530
00:24:46,800 --> 00:24:49,040
Speaker 1: Will they be playing Saint Mary's Band Club tomorrow?

531
00:24:49,680 --> 00:24:53,840
Speaker 2: No, they won't. Sandy's in Ngandean, Hi, Sandy five for

532
00:24:53,840 --> 00:24:54,520
Speaker 2: your flashback.

533
00:24:55,640 --> 00:24:56,679
Speaker 7: Good morning guys.

534
00:24:57,200 --> 00:25:01,200
Speaker 14: Finally Jonesy has discovered his good new musical taste buds.

535
00:25:01,560 --> 00:25:03,399
Speaker 7: It's Jonesy all the way today.

536
00:25:03,240 --> 00:25:08,080
Speaker 2: Your musical taste buds. Fair enough. Frans is in Sint Clair.

537
00:25:08,160 --> 00:25:11,720
Speaker 2: Fight for your flashback friends.

538
00:25:10,400 --> 00:25:13,080
Speaker 8: Money man, I'm mine, James. I'd have to go with

539
00:25:13,200 --> 00:25:15,919
Speaker 8: the last caller. I am an old grade out of

540
00:25:16,040 --> 00:25:19,199
Speaker 8: fans about forty years since I've seen them, so I

541
00:25:19,200 --> 00:25:20,800
Speaker 8: think it'd be great to be going out there on

542
00:25:20,840 --> 00:25:21,880
Speaker 8: Saturday and work them again.

543
00:25:21,960 --> 00:25:23,640
Speaker 1: Are you going to go there and go and say them?

544
00:25:23,720 --> 00:25:26,760
Speaker 1: I saw them at Tarran Point Hotel, the swamp as

545
00:25:26,800 --> 00:25:29,399
Speaker 1: we like to call it, and they kicked bomb. They

546
00:25:29,440 --> 00:25:32,399
Speaker 1: were so good. You will not be disappointed France.

547
00:25:32,720 --> 00:25:35,040
Speaker 8: No, I'm sure I won't. I was the last time

548
00:25:35,040 --> 00:25:37,280
Speaker 8: I've seen them, and I guess that was Torea, like

549
00:25:37,400 --> 00:25:39,600
Speaker 8: forty odd years ago as I could. Yeah, every leaved.

550
00:25:39,640 --> 00:25:41,439
Speaker 8: I guess it was all back at the Bexcell Inn

551
00:25:41,560 --> 00:25:44,159
Speaker 8: in the time, and they are really looking forward to it.

552
00:25:44,240 --> 00:25:46,640
Speaker 8: I will be there and I'm very close to living there,

553
00:25:46,720 --> 00:25:47,360
Speaker 8: so it's all good.

554
00:25:47,520 --> 00:25:49,639
Speaker 2: There you go, friends, We wouldn't really go out.

555
00:25:49,480 --> 00:25:55,440
Speaker 1: Of here any other way, other plans, But don't forget.

556
00:25:55,480 --> 00:25:57,760
Speaker 2: You could also vote for the Spice girls.

557
00:25:58,040 --> 00:25:59,840
Speaker 1: You could, but you don't have to, but you care.

558
00:26:00,400 --> 00:26:14,520
Speaker 10: Jonesy and Amanda Gamation podcast.

559
00:26:10,560 --> 00:26:14,840
Speaker 1: Fight for Your Flashback two songs into one song leaves

560
00:26:14,960 --> 00:26:17,440
Speaker 1: today's five for your Flashback. The living Room is taking

561
00:26:17,480 --> 00:26:19,399
Speaker 1: a break for a year. Bands that have had a

562
00:26:19,440 --> 00:26:22,280
Speaker 1: break and come back play well the management, what have

563
00:26:22,320 --> 00:26:24,320
Speaker 1: you gone with? I've gone with a band that announced

564
00:26:24,359 --> 00:26:26,960
Speaker 1: they were breaking up in two thousand and five thereabouts.

565
00:26:27,160 --> 00:26:28,960
Speaker 1: No one showed at the press conference, and they thought, well,

566
00:26:29,040 --> 00:26:32,120
Speaker 1: let's keep going, and they are the radiators coming home

567
00:26:33,040 --> 00:26:39,760
Speaker 1: all right. If you see these guys, you will be satisfied.

568
00:26:40,640 --> 00:26:40,880
Speaker 4: Girl.

569
00:26:41,000 --> 00:26:44,399
Speaker 2: I've gone with the band who took a hiatus around

570
00:26:44,400 --> 00:26:46,560
Speaker 2: two thousand. They had a two thousand and.

571
00:26:46,560 --> 00:26:48,920
Speaker 1: Six Okay, thank you, I'm fine.

572
00:26:48,960 --> 00:26:52,480
Speaker 2: I'm talking about my song now stop please, thank you.

573
00:26:52,480 --> 00:26:55,000
Speaker 2: You don't hog. We know what you've got.

574
00:26:56,200 --> 00:26:57,640
Speaker 1: I've got, you know what I've got.

575
00:26:57,720 --> 00:27:00,000
Speaker 2: I've gone with a band who took a break around

576
00:27:00,119 --> 00:27:02,719
Speaker 2: two thousand. They've had a two thousand and seven reunion

577
00:27:02,880 --> 00:27:04,240
Speaker 2: minus Posh.

578
00:27:03,920 --> 00:27:05,640
Speaker 1: Spice because she's got plenty of coin.

579
00:27:05,760 --> 00:27:07,960
Speaker 2: But how great are the Spice Girls?

580
00:27:08,080 --> 00:27:08,640
Speaker 4: You mean?

581
00:27:12,800 --> 00:27:15,119
Speaker 1: And there's the whole thing that you can't see?

582
00:27:16,080 --> 00:27:17,399
Speaker 2: Oh sorry you did you have the money?

583
00:27:18,880 --> 00:27:19,159
Speaker 4: You have?

584
00:27:24,119 --> 00:27:26,680
Speaker 2: There are the songs, there are the songs. What would

585
00:27:26,680 --> 00:27:27,280
Speaker 2: you like you?

586
00:27:27,520 --> 00:27:30,520
Speaker 1: What world would the radiators go up against the Spice Girl?

587
00:27:30,640 --> 00:27:32,040
Speaker 2: Only on Fight for your Flashback?

588
00:27:32,119 --> 00:27:34,480
Speaker 1: I know they're backstage riders are pretty much the same.

589
00:27:35,200 --> 00:27:36,679
Speaker 1: Justin's in old tune.

590
00:27:36,440 --> 00:27:38,480
Speaker 2: Gabby, Hello, Justin, fight for your flashback?

591
00:27:39,359 --> 00:27:42,320
Speaker 6: Wanting James as always love your show.

592
00:27:42,320 --> 00:27:46,840
Speaker 4: And it's please take it easy, Justin?

593
00:27:46,960 --> 00:27:47,280
Speaker 2: Thank you?

594
00:27:48,800 --> 00:27:51,400
Speaker 4: Yes, such a sweetie, Thank you Justin?

595
00:27:51,600 --> 00:27:51,879
Speaker 7: Justin?

596
00:27:53,080 --> 00:27:54,960
Speaker 2: Are you going to vote for my song? Now? Justin?

597
00:27:55,920 --> 00:28:00,280
Speaker 8: Na fortunately for the radios, But heading on, I've also

598
00:28:00,400 --> 00:28:01,440
Speaker 8: got something special.

599
00:28:01,160 --> 00:28:03,720
Speaker 14: For you, Hi, I've just got a bucket after that

600
00:28:03,840 --> 00:28:06,800
Speaker 14: spill from Justin. Anyway, my vote's going for JA and

601
00:28:06,880 --> 00:28:09,600
Speaker 14: Z because Justin dances around the house singing give me

602
00:28:09,600 --> 00:28:12,280
Speaker 14: a head Baby. He thinks he's hilarious, So my vote has.

603
00:28:12,200 --> 00:28:12,960
Speaker 13: To go with jon Z.

604
00:28:13,320 --> 00:28:14,040
Speaker 1: Is that a directive?

605
00:28:14,400 --> 00:28:15,440
Speaker 2: That's not Justin's mother?

606
00:28:19,880 --> 00:28:20,720
Speaker 1: Thank you missus.

607
00:28:20,880 --> 00:28:26,280
Speaker 2: Justin May counts as one vote Brendon two people, but

608
00:28:26,400 --> 00:28:29,959
Speaker 2: one vote. Marlene's in Penrith, Fight for your flashback, Marlene.

609
00:28:29,960 --> 00:28:30,880
Speaker 2: I need some help here.

610
00:28:31,960 --> 00:28:37,200
Speaker 6: That's fine because I'm here for it. Great, Yes, good

611
00:28:37,200 --> 00:28:44,200
Speaker 6: morning people. My problem is that Jonesy drives me insane

612
00:28:44,200 --> 00:28:49,520
Speaker 6: because he's so competitive. So I like the Spice Schools anyway,

613
00:28:49,600 --> 00:28:57,479
Speaker 6: but I'm automatically voting for Amanda because of Jones's competitive.

614
00:28:57,040 --> 00:28:59,320
Speaker 2: No, I'm happy for that. That should count as two votes.

615
00:28:59,480 --> 00:29:00,680
Speaker 2: She likes us and doesn't like you.

616
00:29:00,760 --> 00:29:03,760
Speaker 1: Some people say competitiveness is an attractive trait, Marlene, who

617
00:29:03,760 --> 00:29:05,640
Speaker 1: would say that by many, many, many people.

618
00:29:05,800 --> 00:29:09,320
Speaker 2: The fine line between competitiveness and hang on, go easy.

619
00:29:09,640 --> 00:29:11,720
Speaker 1: Thank you, Marlene. Warren is in maut.

620
00:29:11,600 --> 00:29:13,880
Speaker 2: Vernon, Hello, Warren, fight for your flashback.

621
00:29:14,640 --> 00:29:16,920
Speaker 8: Good morning. It's going to be competitive, Jones. But he

622
00:29:17,040 --> 00:29:19,120
Speaker 8: lost this fight and the vote for remainder and get

623
00:29:19,200 --> 00:29:21,320
Speaker 8: us bus girls and living room for.

624
00:29:21,280 --> 00:29:22,080
Speaker 6: Twenty twenty four.

625
00:29:22,360 --> 00:29:24,920
Speaker 2: Warren, you speak to my heart and I wish you

626
00:29:24,960 --> 00:29:26,480
Speaker 2: were our final call and we could wrap it up.

627
00:29:26,400 --> 00:29:28,120
Speaker 1: With that bridge more to girl in Liverpool.

628
00:29:28,200 --> 00:29:31,560
Speaker 2: All right, Trish, fight for your flashback, Jonesy.

629
00:29:32,120 --> 00:29:32,960
Speaker 7: Don't worry.

630
00:29:33,200 --> 00:29:33,920
Speaker 3: It's okay.

631
00:29:34,520 --> 00:29:35,280
Speaker 7: Jonesy for the win.

632
00:29:35,600 --> 00:29:38,520
Speaker 2: All right. Well, that's not the final call either, Lani's

633
00:29:38,640 --> 00:29:42,680
Speaker 2: in people. Laney, it comes down to you, Laney, fight

634
00:29:42,720 --> 00:29:44,479
Speaker 2: for your flashback. What are we playing today?

635
00:29:45,400 --> 00:29:45,760
Speaker 17: Okay?

636
00:29:45,800 --> 00:29:46,400
Speaker 2: What I want?

637
00:29:46,440 --> 00:29:49,440
Speaker 14: What I really, really, really really wants the.

638
00:29:49,520 --> 00:29:52,000
Speaker 7: Radio kick in the tail.

639
00:29:52,240 --> 00:29:57,240
Speaker 1: So Mary's Band Club tomorrow afternoon, go and see the rads.

640
00:29:57,320 --> 00:29:59,480
Speaker 1: Have a pint of Rush's or a schooner.

641
00:30:00,880 --> 00:30:03,640
Speaker 2: Congratulations, Brendan Bully.

642
00:30:03,680 --> 00:30:11,160
Speaker 1: How's that Bully? Get it on? Yeah, Shumation WSFM. Hello there,

643
00:30:11,160 --> 00:30:11,920
Speaker 1: it's Jonesy to man.

644
00:30:12,120 --> 00:30:12,920
Speaker 2: Congratulations.

645
00:30:12,920 --> 00:30:16,520
Speaker 1: Can you believe in a world that the Radiatus would

646
00:30:16,520 --> 00:30:19,840
Speaker 1: beat the Spice girls? We are living in that world?

647
00:30:21,000 --> 00:30:22,080
Speaker 1: Simple congratulations?

648
00:30:22,440 --> 00:30:24,520
Speaker 2: Did you hear me? You see, mister clthy Is, I

649
00:30:24,520 --> 00:30:34,360
Speaker 2: did say congratulations.

650
00:30:30,360 --> 00:30:32,240
Speaker 1: Just to you know, but say with it open. Oh

651
00:30:32,280 --> 00:30:36,400
Speaker 1: come on, I'm not coming on anything. Oh just home.

652
00:30:36,920 --> 00:30:39,600
Speaker 2: Do you remember the letter we got we read at

653
00:30:39,640 --> 00:30:41,520
Speaker 2: the beginning of the show, but the woman saying you're

654
00:30:41,560 --> 00:30:43,360
Speaker 2: seeking into your pre pubescence.

655
00:30:44,440 --> 00:30:45,600
Speaker 1: What I'm happy for it.

656
00:30:46,280 --> 00:30:47,680
Speaker 2: You'll have to get some clearer silk.

657
00:30:47,800 --> 00:30:50,560
Speaker 1: I wish said I was seventeen again, it's sixteen away.

658
00:30:50,600 --> 00:30:52,920
Speaker 1: Let's get down to the Jonesy no matter up to

659
00:30:52,960 --> 00:30:55,240
Speaker 1: the pub test. And this is something that you brought

660
00:30:55,240 --> 00:30:58,800
Speaker 1: to the table. Yesterday. Literally, butter boards. Do they pass

661
00:30:58,880 --> 00:30:59,400
Speaker 1: the pub test?

662
00:30:59,440 --> 00:31:01,320
Speaker 2: You know, the butter being does and buttered chicken, But

663
00:31:01,320 --> 00:31:04,400
Speaker 2: what about butter boards? This is the new trend. It's

664
00:31:04,440 --> 00:31:07,880
Speaker 2: the TikTok tucker trend that I see everywhere. It is

665
00:31:07,920 --> 00:31:09,960
Speaker 2: where there's a board. It's not a cheese board. This

666
00:31:10,040 --> 00:31:14,560
Speaker 2: replaces that you put smears of butter straight onto a board,

667
00:31:14,840 --> 00:31:17,400
Speaker 2: put it with various toppings and munch it all together

668
00:31:17,440 --> 00:31:20,320
Speaker 2: with a piece of bread. Here's how you responded when

669
00:31:20,320 --> 00:31:21,520
Speaker 2: I made you one yesterday.

670
00:31:21,800 --> 00:31:22,760
Speaker 1: I don't feel.

671
00:31:22,480 --> 00:31:24,040
Speaker 2: Well, what's happening?

672
00:31:24,800 --> 00:31:26,240
Speaker 1: That's okay? How almost threw up?

673
00:31:26,840 --> 00:31:27,520
Speaker 2: You loved it.

674
00:31:27,640 --> 00:31:31,440
Speaker 1: I'm just go and grab something. I don't be and

675
00:31:31,760 --> 00:31:33,440
Speaker 1: don't do this.

676
00:31:33,440 --> 00:31:39,360
Speaker 2: This one we have it's a fairy bread butter board.

677
00:31:39,720 --> 00:31:42,479
Speaker 2: Just just to illustrate what we're doing here.

678
00:31:42,520 --> 00:31:43,320
Speaker 1: Bread too much?

679
00:31:43,480 --> 00:31:44,840
Speaker 2: Take it. Put it on your side of the desk.

680
00:31:48,040 --> 00:31:49,400
Speaker 1: Butter every week you just put it?

681
00:31:49,640 --> 00:31:52,160
Speaker 2: Oh, I can't rest there, just put it next to you. There.

682
00:31:52,720 --> 00:31:55,320
Speaker 2: It's a lot of butter with fairy bread and bread. Now,

683
00:31:55,360 --> 00:31:58,000
Speaker 2: this apparently on a list of things not everyone likes

684
00:31:58,040 --> 00:32:01,440
Speaker 2: the butter board, which which is the worst TikTok food

685
00:32:01,480 --> 00:32:03,840
Speaker 2: trend out of all of them. Butter Boards were at

686
00:32:03,840 --> 00:32:07,120
Speaker 2: sixty three percent, and that's after pastor boards. Have you

687
00:32:07,160 --> 00:32:09,160
Speaker 2: seen ones that people just make pastor on a table

688
00:32:09,520 --> 00:32:10,920
Speaker 2: like they put the sauce in everything.

689
00:32:11,000 --> 00:32:13,160
Speaker 1: Yeah, they've got the big Domia grin on the table,

690
00:32:13,440 --> 00:32:13,920
Speaker 1: all of it.

691
00:32:14,680 --> 00:32:18,160
Speaker 2: So this one is the worst TikTok trend, but lots

692
00:32:18,200 --> 00:32:21,000
Speaker 2: of people love them. I'm seeing it everywhere. How do

693
00:32:21,040 --> 00:32:23,760
Speaker 2: you feel? Look at your face, Brendan.

694
00:32:23,480 --> 00:32:25,480
Speaker 1: But I don't like it. I think it's dreadful.

695
00:32:25,720 --> 00:32:28,160
Speaker 2: Butter boards do they pass the pub test?

696
00:32:30,760 --> 00:32:31,480
Speaker 1: Podcasts?

697
00:32:31,600 --> 00:32:33,680
Speaker 2: Well, we may be going into our third lie Ninia,

698
00:32:33,760 --> 00:32:36,120
Speaker 2: but our next guest has given us nothing but endless

699
00:32:36,200 --> 00:32:39,640
Speaker 2: summer nights like what I've done then. Richard Marks has

700
00:32:39,640 --> 00:32:43,360
Speaker 2: sold more than thirty million albums worldwide. He was last

701
00:32:43,360 --> 00:32:46,920
Speaker 2: in Australia in twenty eighteen. We spoke to him when

702
00:32:47,120 --> 00:32:50,959
Speaker 2: he was releasing his book, and now he's announcing a

703
00:32:51,000 --> 00:32:53,880
Speaker 2: new album and an Australian tour. We could not be

704
00:32:53,960 --> 00:32:54,440
Speaker 2: more thrilled.

705
00:32:54,480 --> 00:32:59,920
Speaker 13: Hello Richard, my friends, I want you. I see behind

706
00:33:00,080 --> 00:33:03,080
Speaker 13: you because we're on zoom, I see the sort of

707
00:33:04,240 --> 00:33:07,959
Speaker 13: muppet like caricatures of you, and I want one of

708
00:33:07,960 --> 00:33:10,720
Speaker 13: my own. I want I want somebody to create that

709
00:33:10,760 --> 00:33:11,040
Speaker 13: for me.

710
00:33:11,280 --> 00:33:14,840
Speaker 2: Well, great, we have an ad campaign that these so

711
00:33:14,880 --> 00:33:16,440
Speaker 2: we didn't have to turn up for the filming, which

712
00:33:16,480 --> 00:33:17,920
Speaker 2: was just a way of giving us a day off

713
00:33:18,280 --> 00:33:21,800
Speaker 2: and ours sat lounging around a fireplace, which was lucky

714
00:33:21,800 --> 00:33:22,920
Speaker 2: because I could have melted.

715
00:33:23,040 --> 00:33:25,320
Speaker 1: You can know, there are little dollies. I wanted to

716
00:33:25,360 --> 00:33:28,520
Speaker 1: call them action figures, but Amanda said they're dollies. But

717
00:33:28,760 --> 00:33:30,800
Speaker 1: they were on a TV. So if you've ever if

718
00:33:30,800 --> 00:33:34,040
Speaker 1: you're ever board in your YouTube Jonesy Demander, Dolly Ad,

719
00:33:34,720 --> 00:33:37,680
Speaker 1: you'll see what they're about. They're kind of cure.

720
00:33:38,160 --> 00:33:41,720
Speaker 13: I'll check it out, but I'm a little jelly.

721
00:33:40,320 --> 00:33:44,320
Speaker 2: We're getting measured for them is interesting, you know. I

722
00:33:44,320 --> 00:33:46,320
Speaker 2: don't know how. I couldn't hold my stomach in for

723
00:33:46,440 --> 00:33:48,440
Speaker 2: very long, so I had to say, quick, quick, do

724
00:33:48,520 --> 00:33:51,520
Speaker 2: it now. They use one of those electronic tape measure things.

725
00:33:51,840 --> 00:33:52,360
Speaker 13: Gotcha.

726
00:33:52,760 --> 00:33:54,280
Speaker 1: And we've both got mounds?

727
00:33:54,520 --> 00:33:58,360
Speaker 2: Yeah we do. Yes, it was just a mound. Look,

728
00:33:58,440 --> 00:34:02,760
Speaker 2: what's real that you're coming here? When's the last time

729
00:34:02,760 --> 00:34:04,960
Speaker 2: that you toured here? Was that twenty eighteen?

730
00:34:05,040 --> 00:34:05,920
Speaker 1: Yeah? Before everything?

731
00:34:06,840 --> 00:34:09,520
Speaker 13: Yeah, the end of twenty eighteen, I came and did

732
00:34:10,000 --> 00:34:13,120
Speaker 13: a tour of my own. But also I did some

733
00:34:13,160 --> 00:34:17,800
Speaker 13: shows on the Green on the Green, right ye with

734
00:34:19,040 --> 00:34:23,040
Speaker 13: mister Farnham And yeah, and I you know, I've been

735
00:34:23,040 --> 00:34:26,000
Speaker 13: reaching out to I hear good things. I hear he's

736
00:34:26,200 --> 00:34:29,880
Speaker 13: recovering and we're all thinking of him, and you know,

737
00:34:30,080 --> 00:34:31,800
Speaker 13: just so you guys know, he's not just a treasure

738
00:34:31,840 --> 00:34:33,640
Speaker 13: to you, He's a treasure to me as well course.

739
00:34:33,760 --> 00:34:36,640
Speaker 13: And so yeah, that's that's the last time I was there.

740
00:34:36,719 --> 00:34:39,840
Speaker 13: And I think it was during the Arias. I showed

741
00:34:39,880 --> 00:34:41,920
Speaker 13: up at the Arias and presented on a word and

742
00:34:41,960 --> 00:34:44,960
Speaker 13: got to see our buddy Keith and it was a

743
00:34:45,000 --> 00:34:47,120
Speaker 13: great couple of weeks there. But yeah, that's the last

744
00:34:47,120 --> 00:34:47,640
Speaker 13: time I'm there.

745
00:34:47,719 --> 00:34:51,799
Speaker 1: So it's time always time we've missed you. And I

746
00:34:51,880 --> 00:34:54,640
Speaker 1: just love this the two new songs that were just

747
00:34:54,680 --> 00:34:57,719
Speaker 1: listening to them before, but same heart break, different day.

748
00:34:57,760 --> 00:35:01,840
Speaker 1: You've written that with Katy Perry, which sounds fantastic, but

749
00:35:01,880 --> 00:35:04,680
Speaker 1: also I love shame on you and this is with

750
00:35:04,719 --> 00:35:07,240
Speaker 1: your son Cali written with Jesse.

751
00:35:09,160 --> 00:35:14,400
Speaker 13: Well, you're gonna have to either fire or severely penalize

752
00:35:14,440 --> 00:35:18,760
Speaker 13: whoever gave you your your information, because you're right about the latter.

753
00:35:19,280 --> 00:35:19,919
Speaker 1: Shame on you.

754
00:35:20,080 --> 00:35:23,920
Speaker 13: I wrote with my youngest son, Jesse, same heartbreak, Different day.

755
00:35:23,960 --> 00:35:27,240
Speaker 13: I wrote with my middle son Lucas, wrote a song

756
00:35:27,480 --> 00:35:31,080
Speaker 13: for Katie par last year. So it wasn't it's not

757
00:35:31,160 --> 00:35:34,040
Speaker 13: like a complete like what are you talking about? But

758
00:35:34,120 --> 00:35:38,359
Speaker 13: it was definitely lost. But it was the first song

759
00:35:38,400 --> 00:35:41,480
Speaker 13: that I collaborated with my baby boy Jesse, who's a

760
00:35:41,520 --> 00:35:46,200
Speaker 13: great rock artist and rock guitarist. And we wrote a

761
00:35:46,239 --> 00:35:47,920
Speaker 13: couple of songs and one of them was shame on

762
00:35:47,960 --> 00:35:51,200
Speaker 13: You and we ended up getting Taylor Hawkins from the

763
00:35:51,239 --> 00:35:52,880
Speaker 13: Hoo Fighters to play drums on it. He was a

764
00:35:52,920 --> 00:35:53,680
Speaker 13: dear friend of mine.

765
00:35:54,239 --> 00:35:55,839
Speaker 1: Well, I was going to say about the song, I

766
00:35:55,880 --> 00:35:59,799
Speaker 1: love the drums in it a right, and also the

767
00:35:59,840 --> 00:36:06,319
Speaker 1: song takes me back to uh I don't need nothing? Yeah, yeah,

768
00:36:06,520 --> 00:36:09,279
Speaker 1: I mean nothing. It's got that great. I heard it

769
00:36:09,360 --> 00:36:11,560
Speaker 1: and I went, WHOA, that's uh because a lot of

770
00:36:11,560 --> 00:36:13,680
Speaker 1: people when they think of Richard Marx, you know you

771
00:36:13,760 --> 00:36:17,239
Speaker 1: have this rock side that I don't think people appreciate

772
00:36:17,440 --> 00:36:20,280
Speaker 1: and don't need nothing. To me was when I first

773
00:36:20,280 --> 00:36:22,120
Speaker 1: discovered you all those years ago.

774
00:36:22,920 --> 00:36:25,400
Speaker 13: Yeah, I mean that was my first single in America

775
00:36:25,440 --> 00:36:29,200
Speaker 13: and I started my career started at rock radio. The

776
00:36:29,200 --> 00:36:32,080
Speaker 13: first six months of my career was just all rock

777
00:36:32,120 --> 00:36:36,560
Speaker 13: stations and rock clubs. And it wasn't until I released

778
00:36:36,560 --> 00:36:39,279
Speaker 13: this sort of emotional rock ballad called Hold onto the

779
00:36:39,400 --> 00:36:41,439
Speaker 13: Nights that the rock stations went, well, we're not playing

780
00:36:41,480 --> 00:36:42,000
Speaker 13: him anymore.

781
00:36:42,040 --> 00:36:42,759
Speaker 3: He's a pop guy.

782
00:36:43,440 --> 00:36:46,160
Speaker 13: But it didn't stop me from continuing to do rock

783
00:36:46,280 --> 00:36:48,680
Speaker 13: music throughout the years. And but I will say that

784
00:36:48,880 --> 00:36:52,200
Speaker 13: it's been a while since I've done anything as heavy

785
00:36:52,960 --> 00:36:55,840
Speaker 13: as guitar heavy and drum heavy as these tracks on

786
00:36:55,880 --> 00:36:58,319
Speaker 13: the new album Wow. And as we were about to

787
00:36:58,360 --> 00:37:00,400
Speaker 13: finish it and we were about to mix, which is

788
00:37:00,400 --> 00:37:03,879
Speaker 13: the last part of the process, I just thought, look,

789
00:37:03,920 --> 00:37:06,359
Speaker 13: the worst that Taylor would say is no, I don't

790
00:37:06,360 --> 00:37:08,080
Speaker 13: want to play on it. And I played him the

791
00:37:08,280 --> 00:37:10,319
Speaker 13: track and he said, oh my god, I love this song.

792
00:37:10,360 --> 00:37:12,360
Speaker 13: I'd love to play on it. And so Jesse and

793
00:37:12,400 --> 00:37:13,799
Speaker 13: I went over to his house and spent the day

794
00:37:13,800 --> 00:37:16,520
Speaker 13: with him, and I knew him, I knew him pretty well,

795
00:37:16,520 --> 00:37:20,040
Speaker 13: and he was just the sweetest kind of He was

796
00:37:20,080 --> 00:37:23,680
Speaker 13: just amazing. So it's very bittersweet because I think about

797
00:37:23,760 --> 00:37:27,040
Speaker 13: him every day. I miss him, and it was very untimely.

798
00:37:27,560 --> 00:37:30,480
Speaker 13: But I'm also incredibly grateful that I got to make

799
00:37:30,600 --> 00:37:32,480
Speaker 13: music with him and that he's part of this record.

800
00:37:33,360 --> 00:37:37,280
Speaker 2: Is a dream for you to tour with your sons, that's.

801
00:37:37,120 --> 00:37:38,240
Speaker 1: A good question. They haven't.

802
00:37:38,280 --> 00:37:40,560
Speaker 13: I mean they've sat in with me, my son, Lucas

803
00:37:40,880 --> 00:37:43,600
Speaker 13: and Jesse. They're actually Lucas and Jesse happened to be

804
00:37:43,640 --> 00:37:45,560
Speaker 13: in London with me now and I think they're going

805
00:37:45,600 --> 00:37:47,719
Speaker 13: to sit in with me tomorrow night. Lucas got up

806
00:37:47,760 --> 00:37:52,000
Speaker 13: with me in Amsterdam and in Edinburgh when I was there.

807
00:37:52,400 --> 00:37:53,160
Speaker 3: As far as.

808
00:37:53,080 --> 00:37:55,800
Speaker 13: Touring with me, I mean, it's something that I've thought about,

809
00:37:55,840 --> 00:37:58,640
Speaker 13: but I think that they're just happy doing their own thing,

810
00:37:58,880 --> 00:38:02,640
Speaker 13: you know, just like I had tremendous love and respect

811
00:38:02,640 --> 00:38:05,479
Speaker 13: for my father when I was young, but I wanted

812
00:38:05,520 --> 00:38:06,279
Speaker 13: to do my own thing.

813
00:38:06,440 --> 00:38:06,640
Speaker 5: You know.

814
00:38:06,840 --> 00:38:09,040
Speaker 13: He'd said, hey, come out and work with me, and

815
00:38:09,080 --> 00:38:10,640
Speaker 13: I mean he tried to get me to like he

816
00:38:10,719 --> 00:38:13,040
Speaker 13: was a jingle writer and producer, and he tried to

817
00:38:13,080 --> 00:38:15,759
Speaker 13: get me to sort of take over his business. And

818
00:38:15,800 --> 00:38:19,239
Speaker 13: I said, man, I'm so grateful, but I like, that's

819
00:38:19,280 --> 00:38:21,239
Speaker 13: your thing. I want to do my thing, and I

820
00:38:21,239 --> 00:38:24,240
Speaker 13: think my sons are in the same same place.

821
00:38:24,440 --> 00:38:26,200
Speaker 1: Was this right? You did a jingle when you're a kid,

822
00:38:26,239 --> 00:38:26,680
Speaker 1: didn't you.

823
00:38:28,200 --> 00:38:30,080
Speaker 13: I did a bunch of jingles when I was a kid, Yeah,

824
00:38:30,080 --> 00:38:33,680
Speaker 13: for like candy bars and bubble gum and breakfast Cereal.

825
00:38:34,160 --> 00:38:36,680
Speaker 13: As a songwriter, as a pop songwriter, I have the

826
00:38:36,760 --> 00:38:40,240
Speaker 13: luxury of three and a half four minutes. My father

827
00:38:40,760 --> 00:38:43,120
Speaker 13: had no luxury. He had to get to the hook

828
00:38:43,160 --> 00:38:44,520
Speaker 13: within thirty seconds.

829
00:38:44,760 --> 00:38:49,400
Speaker 1: Well, in Australia we've got lub Lubemobile, and I'm not

830
00:38:49,400 --> 00:38:51,000
Speaker 1: even gonna lubemobile.

831
00:38:51,600 --> 00:38:53,239
Speaker 2: It's a van that comes to your home. And what

832
00:38:53,600 --> 00:38:54,720
Speaker 2: even I don't even want.

833
00:38:54,600 --> 00:38:56,400
Speaker 13: To I don't This is going to go down a

834
00:38:56,440 --> 00:38:59,120
Speaker 13: whole very dangerous road. Right now, I'm going to tell

835
00:38:59,120 --> 00:38:59,640
Speaker 13: you right now.

836
00:39:00,080 --> 00:39:03,160
Speaker 1: What do you think loubmobile does. It's a mobile van

837
00:39:03,239 --> 00:39:08,040
Speaker 1: that comes around and the jingle goes called thirteen thirty

838
00:39:08,200 --> 00:39:12,440
Speaker 1: thirty two Loomobile, Loomobile. What do you think they do?

839
00:39:15,520 --> 00:39:19,880
Speaker 13: I know what they do, but it's still dangerousous topic.

840
00:39:20,960 --> 00:39:22,200
Speaker 2: I found that out the hard way.

841
00:39:23,040 --> 00:39:25,279
Speaker 13: Say the word you say the word loube and I'm

842
00:39:25,320 --> 00:39:26,359
Speaker 13: going to be twelve years old.

843
00:39:26,440 --> 00:39:28,880
Speaker 1: Of course you are. Of course you are well, Richard.

844
00:39:28,880 --> 00:39:31,360
Speaker 1: It's great to talk to you. The Songwriter Tour Australian

845
00:39:31,360 --> 00:39:34,520
Speaker 1: twenty twenty three tour is on sound now Frontier Touring

846
00:39:34,600 --> 00:39:37,400
Speaker 1: dot com. Richard Marx's always a trait to catch.

847
00:39:37,280 --> 00:39:38,719
Speaker 3: Up with you.

848
00:39:38,719 --> 00:39:40,600
Speaker 13: You guys are great. I can wait to see you

849
00:39:40,640 --> 00:39:42,400
Speaker 13: and hopefully, hopefully I'll get in there and we can

850
00:39:42,440 --> 00:39:43,160
Speaker 13: hang out in personal.

851
00:39:43,239 --> 00:39:45,839
Speaker 2: I love it. Thank you, Richard Gamlation.

852
00:39:46,800 --> 00:39:50,439
Speaker 1: When gone, I want you to get on right now.

853
00:39:51,040 --> 00:39:52,120
Speaker 3: I'm taking crazy.

854
00:39:52,280 --> 00:39:55,120
Speaker 9: Now go to your windows, stick.

855
00:39:54,920 --> 00:39:57,680
Speaker 6: Your head on a yell hell.

856
00:39:59,520 --> 00:40:01,600
Speaker 1: Anymore down to the jos in about of arms for

857
00:40:01,640 --> 00:40:04,480
Speaker 1: the pub test. There's many crazy trends on TikTok, from

858
00:40:04,520 --> 00:40:07,719
Speaker 1: putting super glue into your hair too, stupid foods that

859
00:40:07,760 --> 00:40:10,719
Speaker 1: you eat, and one stupid food is butterboards.

860
00:40:10,760 --> 00:40:13,840
Speaker 2: These are everywhere. These are everywhere. Now this has replaced

861
00:40:13,840 --> 00:40:17,680
Speaker 2: the cheeseboard. It's where you smear aboard with butter and

862
00:40:17,760 --> 00:40:20,840
Speaker 2: sometimes I've seen a delicious one where you have smoked salmon,

863
00:40:21,440 --> 00:40:23,800
Speaker 2: red onion and capers and you put on bagels.

864
00:40:23,920 --> 00:40:26,000
Speaker 1: How to show you just do that to begin with,

865
00:40:26,239 --> 00:40:28,440
Speaker 1: prepare the food, make it and serve it up like that.

866
00:40:28,480 --> 00:40:29,359
Speaker 1: I have no beef with that.

867
00:40:29,440 --> 00:40:31,280
Speaker 2: This has help yourself you do like help.

868
00:40:31,120 --> 00:40:32,640
Speaker 1: Your salmonstration purposes.

869
00:40:32,760 --> 00:40:35,840
Speaker 2: We're doing a fairy bread one. It looks a little

870
00:40:36,000 --> 00:40:39,000
Speaker 2: like a unicorn has vomited. It's a whole lot of butter,

871
00:40:39,400 --> 00:40:45,520
Speaker 2: fairy bread and white fairy sprinkles. Thank you, millions. I'm

872
00:40:45,560 --> 00:40:51,920
Speaker 2: up to the minions just counting my and white bread. Brendan,

873
00:40:51,920 --> 00:40:53,560
Speaker 2: I'm going to scoop you. I like you to eat one.

874
00:40:54,960 --> 00:40:58,440
Speaker 1: Go away. You don't like it. This is bullying this workplace, bully.

875
00:40:58,640 --> 00:41:00,680
Speaker 2: This is everywhere the butter boards are.

876
00:41:00,840 --> 00:41:03,800
Speaker 1: It's the new cheese board. How do you feel?

877
00:41:04,320 --> 00:41:05,080
Speaker 2: Eat it? Eat it?

878
00:41:05,160 --> 00:41:06,080
Speaker 1: Why would I eat it?

879
00:41:06,239 --> 00:41:08,400
Speaker 2: Butter boards? Do they pass the pub test?

880
00:41:08,640 --> 00:41:08,879
Speaker 4: No?

881
00:41:09,000 --> 00:41:11,480
Speaker 7: Definitely not. Who wants to do that with their bread?

882
00:41:11,760 --> 00:41:12,600
Speaker 15: Definitely not.

883
00:41:12,800 --> 00:41:16,560
Speaker 8: There's nothing worse than butter than it's been left outside

884
00:41:16,719 --> 00:41:17,040
Speaker 8: at the.

885
00:41:17,000 --> 00:41:20,239
Speaker 4: Sort Why well, the penacy is using it. It's it's

886
00:41:20,320 --> 00:41:23,520
Speaker 4: your own individual one. Then I suppose there's not that

887
00:41:23,520 --> 00:41:25,719
Speaker 4: big a problem with it. But if it's a communal one,

888
00:41:26,160 --> 00:41:28,920
Speaker 4: get your filthy knives out of my butter so I'll

889
00:41:28,920 --> 00:41:30,760
Speaker 4: tell you the food scrape.

890
00:41:33,400 --> 00:41:36,960
Speaker 14: Butter bos definitely passed the chair. What's not to love?

891
00:41:37,440 --> 00:41:40,080
Speaker 14: All your little things that you love are one board?

892
00:41:40,440 --> 00:41:41,120
Speaker 6: Yummy?

893
00:41:42,520 --> 00:41:45,279
Speaker 2: Does someone say knife? We haven't been using a knife,

894
00:41:45,280 --> 00:41:47,120
Speaker 2: We've just been scooping it up with the bread.

895
00:41:47,200 --> 00:41:48,799
Speaker 1: You have not been very knife at all.

896
00:41:51,440 --> 00:41:55,719
Speaker 2: Podcast. No good deed goes unpunished. Let's start with the

897
00:41:55,719 --> 00:41:59,319
Speaker 2: good deed. It was an amazing thing. Imagine this. You're

898
00:41:59,320 --> 00:42:01,640
Speaker 2: in an aeroplane, small airplane. Have you ever done this? Brenda?

899
00:42:01,680 --> 00:42:03,040
Speaker 2: You look out the window and you think, what would

900
00:42:03,040 --> 00:42:04,759
Speaker 2: I do if I saw something in the ocean that

901
00:42:04,960 --> 00:42:05,920
Speaker 2: I did draw attention to?

902
00:42:06,080 --> 00:42:06,360
Speaker 1: Sure?

903
00:42:06,760 --> 00:42:08,399
Speaker 2: I mean, how do you tell someone where you are?

904
00:42:08,480 --> 00:42:08,640
Speaker 5: Where?

905
00:42:08,680 --> 00:42:11,520
Speaker 1: You feel kind of helpless? Absolutely, Like when you see

906
00:42:11,560 --> 00:42:12,960
Speaker 1: a plane in the sky and you say, what hams

907
00:42:12,960 --> 00:42:14,640
Speaker 1: of that plane falls out of the sky. There's nothing

908
00:42:14,719 --> 00:42:15,160
Speaker 1: I can do.

909
00:42:16,080 --> 00:42:21,000
Speaker 2: Well, there was a couple who were in a ultra light.

910
00:42:21,040 --> 00:42:23,480
Speaker 2: I think, what the gyro plane? What's a gyro plane?

911
00:42:23,480 --> 00:42:25,640
Speaker 1: It's got a little bit, you know Mad Max Brice

912
00:42:25,640 --> 00:42:26,799
Speaker 1: Spenser's character Mad Max.

913
00:42:26,920 --> 00:42:28,600
Speaker 2: Can I ask you a question that doesn't involve Mad

914
00:42:28,640 --> 00:42:29,520
Speaker 2: Max in the answer?

915
00:42:29,680 --> 00:42:31,080
Speaker 1: Well, there's one in there.

916
00:42:31,120 --> 00:42:33,240
Speaker 2: So it's a small plane, yes, okay.

917
00:42:33,680 --> 00:42:36,160
Speaker 1: So it's flying like a hang glider with a motor.

918
00:42:36,280 --> 00:42:39,279
Speaker 2: All right. It's flying over waller Goot Beach in the

919
00:42:39,360 --> 00:42:41,759
Speaker 2: south coast of New South Wales. A couple are in

920
00:42:41,760 --> 00:42:43,680
Speaker 2: there and the pilot. They're in there.

921
00:42:43,560 --> 00:42:47,080
Speaker 1: Well, a couple and the pilot. Yeah, that's three people.

922
00:42:46,760 --> 00:42:52,200
Speaker 2: I think, so quite the ultra light. It's a gyroplane, gyrocopter. Well,

923
00:42:52,200 --> 00:42:54,760
Speaker 2: they're in that and they look out of the window.

924
00:42:54,880 --> 00:42:57,879
Speaker 1: So I just asked this question, please, has got its.

925
00:42:57,760 --> 00:42:58,520
Speaker 2: A light aircraft?

926
00:42:58,520 --> 00:43:00,520
Speaker 1: He's got a helicopter on the as got a blade

927
00:43:00,560 --> 00:43:02,560
Speaker 1: on the top. I don't know, because that was in

928
00:43:02,640 --> 00:43:05,040
Speaker 1: Mad Max. Is it like that?

929
00:43:06,040 --> 00:43:06,600
Speaker 2: I don't know.

930
00:43:06,719 --> 00:43:08,040
Speaker 1: I have googled a picture.

931
00:43:08,200 --> 00:43:10,960
Speaker 2: No, that looks like a well maybe that. This is

932
00:43:11,000 --> 00:43:15,800
Speaker 2: not useful to anyone. That's a concorder. That's a dragon.

933
00:43:17,440 --> 00:43:19,000
Speaker 1: We've lost focus. Let's get back.

934
00:43:22,000 --> 00:43:26,719
Speaker 2: So they're flying over the beach. They look down and

935
00:43:26,760 --> 00:43:29,200
Speaker 2: they see a surfer and underneath the surfer is a

936
00:43:29,239 --> 00:43:33,400
Speaker 2: whole pot of salmon. Incredible, but what's chasing the salmon

937
00:43:33,520 --> 00:43:38,240
Speaker 2: is a giant shark, a six meter shark underneath the surfer.

938
00:43:38,360 --> 00:43:41,799
Speaker 2: Great white, that's what they said. So they figured we

939
00:43:41,920 --> 00:43:46,960
Speaker 2: have to warm this surfer. So the plane, the gyro plane,

940
00:43:47,840 --> 00:43:50,759
Speaker 2: goes lower and lower, and they're saying oi oi, and

941
00:43:50,800 --> 00:43:52,440
Speaker 2: they're leaning out of the windows.

942
00:43:52,120 --> 00:43:55,080
Speaker 1: Oi, and the surfers looking up and he's.

943
00:43:54,960 --> 00:43:57,200
Speaker 2: Thinking, what's that and he's and the surfer also has

944
00:43:57,239 --> 00:44:00,719
Speaker 2: his mum on the beach and she's saying, look, those

945
00:44:00,719 --> 00:44:03,440
Speaker 2: people are trying to tell you something. Shark, shark. So

946
00:44:03,520 --> 00:44:06,759
Speaker 2: he swims into shore, but by then they've come down

947
00:44:06,960 --> 00:44:11,480
Speaker 2: so low that they can The gyroplane is so low

948
00:44:11,520 --> 00:44:13,879
Speaker 2: it can't catch enough air to regain attitude and.

949
00:44:13,800 --> 00:44:17,000
Speaker 1: It crashes to the water to shark.

950
00:44:16,760 --> 00:44:18,720
Speaker 2: So he had to come back and say damn.

951
00:44:20,040 --> 00:44:22,759
Speaker 1: Oh, it wasn't like Jaws. Sorry, another movie where the

952
00:44:22,800 --> 00:44:25,080
Speaker 1: shark jaws two munches.

953
00:44:24,680 --> 00:44:25,640
Speaker 2: Onto show me a picture.

954
00:44:27,040 --> 00:44:29,480
Speaker 1: We're joking, Ryan, don't do that, don't know.

955
00:44:30,080 --> 00:44:32,720
Speaker 2: So the pair were fine. They were still more concerned

956
00:44:33,400 --> 00:44:35,960
Speaker 2: in the water, but very shallowly so they were able

957
00:44:36,000 --> 00:44:37,680
Speaker 2: to walk out of it. They're able to walk out

958
00:44:37,680 --> 00:44:41,640
Speaker 2: of the gyro plane and walk onto the sand, and

959
00:44:41,680 --> 00:44:43,239
Speaker 2: by them, probably the shark and the fish had all

960
00:44:43,280 --> 00:44:45,360
Speaker 2: been scared away with the commotion, you think, because the

961
00:44:45,400 --> 00:44:47,200
Speaker 2: shark was only chasing the salm and he wasn't hanging

962
00:44:47,200 --> 00:44:48,000
Speaker 2: around for the drama.

963
00:44:48,120 --> 00:44:50,160
Speaker 1: Yeah, well, the shark had gone instantly to the Internet

964
00:44:50,200 --> 00:44:52,600
Speaker 1: to google what a gyro copterro in a gyroplane looks like.

965
00:44:52,960 --> 00:44:56,640
Speaker 2: Maybe no good deed goes unpunished. Michael deed was to

966
00:44:56,640 --> 00:44:58,840
Speaker 2: tell you this story, and I've been punished with your boredom.

967
00:45:01,280 --> 00:45:02,440
Speaker 1: It's popular culture.

968
00:45:02,480 --> 00:45:04,000
Speaker 2: It's amazing though, that story.

969
00:45:04,080 --> 00:45:04,840
Speaker 1: It's a great story.

970
00:45:04,960 --> 00:45:10,520
Speaker 9: Heroes all round, Yep, Jonesy and Amanda in the morning

971
00:45:10,880 --> 00:45:13,200
Speaker 9: one oh one seven WSFM.

972
00:45:13,239 --> 00:45:14,799
Speaker 1: Hello there, it's twenty past eight.

973
00:45:15,440 --> 00:45:18,800
Speaker 2: Would you rather meet people face to face or through messaging?

974
00:45:20,120 --> 00:45:22,359
Speaker 2: How would you be without a phone? Well, our next

975
00:45:22,400 --> 00:45:26,799
Speaker 2: guest is putting these questions to kids. The responses are surprising,

976
00:45:27,200 --> 00:45:30,600
Speaker 2: sometimes sad, and in many ways scary. Todd Samson is

977
00:45:30,640 --> 00:45:33,680
Speaker 2: back with season two of Mirror Mirror, exploring how the

978
00:45:33,680 --> 00:45:37,960
Speaker 2: Internet is changing us and what we can do about it. Hello, Todd,

979
00:45:37,960 --> 00:45:38,560
Speaker 2: how are ye?

980
00:45:38,760 --> 00:45:40,239
Speaker 1: Good morning? Good to see you.

981
00:45:40,160 --> 00:45:41,120
Speaker 2: Got They're big questions.

982
00:45:41,160 --> 00:45:44,840
Speaker 12: There are big questions, and the film was well. The

983
00:45:44,920 --> 00:45:48,480
Speaker 12: opening segment is a little bit like it's borderline what

984
00:45:48,560 --> 00:45:51,920
Speaker 12: you can put on television, but it is completely.

985
00:45:51,400 --> 00:45:52,240
Speaker 1: Normal for kids.

986
00:45:53,160 --> 00:45:53,879
Speaker 2: What does that mean?

987
00:45:54,080 --> 00:45:58,520
Speaker 12: Well, we open with a scene where we have a

988
00:45:58,520 --> 00:46:01,520
Speaker 12: former police officer and an an experiment and an actress

989
00:46:01,520 --> 00:46:05,439
Speaker 12: who's playing fourteen years old and they're on a site

990
00:46:05,480 --> 00:46:08,920
Speaker 12: called Omegle. And omegl is super popular with kids and

991
00:46:08,960 --> 00:46:12,200
Speaker 12: almost unknown to parents and Basically, it's a video chat

992
00:46:12,239 --> 00:46:17,440
Speaker 12: side live cams, no age restrictions. So we're on there

993
00:46:17,440 --> 00:46:21,120
Speaker 12: as a fourteen year old. I'm controlling what the conversation

994
00:46:21,280 --> 00:46:29,160
Speaker 12: by messaging within ten minutes, groomed within ten minutes, masturbating.

995
00:46:29,960 --> 00:46:32,800
Speaker 12: He literally just said to her, take up your top.

996
00:46:33,360 --> 00:46:36,320
Speaker 12: And I was typing, going my mom's downstairs. I'm only fourteen.

997
00:46:36,360 --> 00:46:39,160
Speaker 12: He's like, shut up up your top now, and he

998
00:46:39,200 --> 00:46:43,279
Speaker 12: eventually groomed me off onto Instagram or you could get

999
00:46:43,280 --> 00:46:46,319
Speaker 12: more details. That's ten minutes. So then I got so

1000
00:46:46,680 --> 00:46:48,880
Speaker 12: it gets worse, right, So then we do this experiment

1001
00:46:48,880 --> 00:46:51,680
Speaker 12: with this police officer. Then I go home to tell

1002
00:46:51,680 --> 00:46:55,560
Speaker 12: my daughters, my teenage daughters. I'm like all energized about it,

1003
00:46:55,600 --> 00:46:59,920
Speaker 12: and I'm saying, girls, there's this site. It's called Omego.

1004
00:47:01,320 --> 00:47:05,920
Speaker 12: It's full of predators and criminal activity. You know, please

1005
00:47:05,960 --> 00:47:08,520
Speaker 12: avoid it. And they both look to the ground. They

1006
00:47:08,560 --> 00:47:11,160
Speaker 12: know it, and they said, and I'm not a boomer,

1007
00:47:11,160 --> 00:47:13,719
Speaker 12: but they said, Dad, don't be a boomer. We've been

1008
00:47:13,760 --> 00:47:16,080
Speaker 12: on that side for three years. Everyone's on it at school.

1009
00:47:16,920 --> 00:47:19,960
Speaker 12: And that's how the film opens, setting the stage for

1010
00:47:20,080 --> 00:47:23,920
Speaker 12: how our children and us as individuals are interacting in

1011
00:47:23,960 --> 00:47:27,640
Speaker 12: this world in this unregulated, unpoliced environment is.

1012
00:47:27,560 --> 00:47:31,000
Speaker 2: The genie out of the bottle. We spoke recently to

1013
00:47:32,800 --> 00:47:36,160
Speaker 2: Johann Hari for his book Stolen Focus. His thing is,

1014
00:47:36,160 --> 00:47:38,600
Speaker 2: it's not our fault that we're also obsessed with our

1015
00:47:38,640 --> 00:47:41,839
Speaker 2: phones and social media because we've been bombarded with it.

1016
00:47:42,000 --> 00:47:44,239
Speaker 2: But we have to remember it's only been around for

1017
00:47:44,320 --> 00:47:47,520
Speaker 2: ten thousand days. We can change this, yes, but only

1018
00:47:47,520 --> 00:47:49,759
Speaker 2: if we want to. Maybe we're the only ones who

1019
00:47:49,800 --> 00:47:50,200
Speaker 2: want to.

1020
00:47:50,480 --> 00:47:50,680
Speaker 5: Yes.

1021
00:47:50,840 --> 00:47:53,880
Speaker 12: Well, I do think, and he has been an inspiration

1022
00:47:53,920 --> 00:47:55,719
Speaker 12: for me, and The Social Dilemma as a film has

1023
00:47:55,760 --> 00:47:56,120
Speaker 12: been an.

1024
00:47:56,000 --> 00:47:56,759
Speaker 1: Inspiration for me.

1025
00:47:57,040 --> 00:47:59,719
Speaker 12: I think we are on the cusp of change. But

1026
00:48:01,080 --> 00:48:04,880
Speaker 12: where we currently stand is four point six billion people

1027
00:48:05,400 --> 00:48:09,480
Speaker 12: are linked in an experiment controlled primarily by a handful

1028
00:48:09,520 --> 00:48:15,360
Speaker 12: of white American men, and they are completely unregulated. You're regulated.

1029
00:48:15,440 --> 00:48:18,440
Speaker 12: You can't just say whatever you want as broadcasters. They

1030
00:48:18,640 --> 00:48:23,040
Speaker 12: under Section two thirty an American law. They're declared neutral platforms.

1031
00:48:23,160 --> 00:48:27,520
Speaker 12: They can say Alex Jones, the conspiracy area was recommended

1032
00:48:27,840 --> 00:48:32,040
Speaker 12: fifteen billion times by YouTube. Fifteen billions.

1033
00:48:32,160 --> 00:48:34,719
Speaker 2: Is the guy who says that Sandy Hook was a

1034
00:48:34,760 --> 00:48:35,879
Speaker 2: conspiracy correct?

1035
00:48:35,880 --> 00:48:38,400
Speaker 12: And they are a Lactus crisis actis Yes, he's not

1036
00:48:39,360 --> 00:48:41,759
Speaker 12: and he's recommended by the platform. So the platforms have

1037
00:48:42,000 --> 00:48:45,920
Speaker 12: no self regulation, but yet they have access to our kids'

1038
00:48:45,960 --> 00:48:49,600
Speaker 12: minds by the minutes, like on average in Australia, the

1039
00:48:49,680 --> 00:48:52,160
Speaker 12: kids are spending six hours. Like I opened up my

1040
00:48:52,200 --> 00:48:55,200
Speaker 12: screen time of my youngest daughter and she spent forty

1041
00:48:55,440 --> 00:49:01,840
Speaker 12: seven hours one week on TikTok's Wait wait now. But

1042
00:49:01,960 --> 00:49:04,760
Speaker 12: here's the thing. We used to believe, so this experiment

1043
00:49:04,800 --> 00:49:07,239
Speaker 12: is still new. As you just pointed out, we used

1044
00:49:07,239 --> 00:49:10,040
Speaker 12: to believe the fundamental problem with screen time, and the

1045
00:49:10,080 --> 00:49:12,600
Speaker 12: stats say if your child is on the internet more

1046
00:49:12,640 --> 00:49:15,839
Speaker 12: than two hours a day on social media particularly, they're

1047
00:49:15,840 --> 00:49:20,520
Speaker 12: at risk. They now believe, because the data has come in,

1048
00:49:20,560 --> 00:49:24,160
Speaker 12: they now believe the fundamental issue that relates to increases

1049
00:49:24,160 --> 00:49:28,640
Speaker 12: in mental health issues, depression, self harm, suicide is correlated

1050
00:49:29,080 --> 00:49:32,239
Speaker 12: directly to the introduction of the like button in two

1051
00:49:32,280 --> 00:49:34,920
Speaker 12: thousand and nine, and the stats just the numbers just

1052
00:49:34,920 --> 00:49:37,360
Speaker 12: go up as soon as two thousand and nine happens

1053
00:49:38,280 --> 00:49:39,799
Speaker 12: likes and.

1054
00:49:39,760 --> 00:49:41,839
Speaker 1: Then they took the like button away, and then they

1055
00:49:41,880 --> 00:49:42,480
Speaker 1: put it back.

1056
00:49:42,360 --> 00:49:44,840
Speaker 12: Again and brought it back straight away, because the like

1057
00:49:44,920 --> 00:49:48,120
Speaker 12: button is the ultimate way of understanding us. They understanding

1058
00:49:48,160 --> 00:49:50,640
Speaker 12: our preferences. It's one of the best ways to track us.

1059
00:49:51,080 --> 00:49:53,800
Speaker 12: And it's also unbelievably addictive because we get that little

1060
00:49:54,160 --> 00:49:57,319
Speaker 12: dopamine hit when it someone likes our content. And we

1061
00:49:57,360 --> 00:49:59,560
Speaker 12: have a lot of kids in the film that talk

1062
00:49:59,600 --> 00:50:02,399
Speaker 12: about this, how good they feel when someone likes how

1063
00:50:02,440 --> 00:50:06,960
Speaker 12: affirmed they feel, and that affirmation now is like there

1064
00:50:06,960 --> 00:50:10,120
Speaker 12: are more influencers have more impact now on our children

1065
00:50:10,280 --> 00:50:13,880
Speaker 12: than schools or even us as parents, because they're impact

1066
00:50:14,000 --> 00:50:17,560
Speaker 12: that they have hundreds and millions of followers and they're

1067
00:50:17,560 --> 00:50:19,800
Speaker 12: in contact with kids every twenty minutes.

1068
00:50:19,960 --> 00:50:22,400
Speaker 2: We'll see, then, what's the good news? This is all frightening.

1069
00:50:22,840 --> 00:50:25,040
Speaker 12: So the good news is I think we're on the

1070
00:50:25,040 --> 00:50:26,960
Speaker 12: cusp of a revolution when it comes to the Internet.

1071
00:50:27,200 --> 00:50:30,799
Speaker 12: And on a positive note, the internet companies want us

1072
00:50:30,840 --> 00:50:33,080
Speaker 12: to believe it's binary. They want us to believe that

1073
00:50:33,160 --> 00:50:35,040
Speaker 12: you either get all of the Internet. This is Mark

1074
00:50:35,120 --> 00:50:38,719
Speaker 12: Zuckerberg's argument, or you get none of it. We need

1075
00:50:38,719 --> 00:50:43,319
Speaker 12: to regulate one percent. We need regulation when it comes

1076
00:50:43,320 --> 00:50:43,839
Speaker 12: to these things.

1077
00:50:43,880 --> 00:50:45,600
Speaker 2: Government regulation, government and regulation.

1078
00:50:45,680 --> 00:50:47,919
Speaker 12: And I'm not a huge fan of government regulation because

1079
00:50:47,920 --> 00:50:51,320
Speaker 12: the government tend to be inept at regulating, especially commercial

1080
00:50:51,640 --> 00:50:54,000
Speaker 12: But in this case, we absolutely need it. So there

1081
00:50:54,040 --> 00:50:56,399
Speaker 12: are two levels of things we can do. We can

1082
00:50:56,480 --> 00:50:59,080
Speaker 12: keep all the good of the internet and make it safer,

1083
00:50:59,239 --> 00:51:01,759
Speaker 12: and then we as in viduals and parents. There are

1084
00:51:01,800 --> 00:51:03,320
Speaker 12: plenty of things and we talk about it in the

1085
00:51:03,320 --> 00:51:06,799
Speaker 12: film that we can do to safeguard ourselves. And one

1086
00:51:06,800 --> 00:51:09,120
Speaker 12: thing I strongly recommend it and it has changed a

1087
00:51:09,160 --> 00:51:12,960
Speaker 12: lot of people, which is turn off all notifications on

1088
00:51:13,000 --> 00:51:16,279
Speaker 12: your phone, including ring. If you really want to go

1089
00:51:16,360 --> 00:51:18,640
Speaker 12: for it, there's a simple button, you just click it

1090
00:51:18,920 --> 00:51:22,360
Speaker 12: and all notifications. That way, no one's controlling your attention

1091
00:51:22,400 --> 00:51:25,200
Speaker 12: except for you. When you want to look at things,

1092
00:51:25,280 --> 00:51:27,359
Speaker 12: you choose to do it. And then the second thing

1093
00:51:27,360 --> 00:51:32,320
Speaker 12: I'd recommend, especially for people in the media, is get

1094
00:51:32,360 --> 00:51:35,799
Speaker 12: all social media off your mobile device. So if you

1095
00:51:35,840 --> 00:51:38,839
Speaker 12: want it, leave it, leave it on your computer, off

1096
00:51:38,840 --> 00:51:42,000
Speaker 12: the mobile device, and it's incredible. You'll see you will

1097
00:51:42,040 --> 00:51:44,279
Speaker 12: not be able to stop touching your phone, and yet

1098
00:51:44,320 --> 00:51:46,640
Speaker 12: it won't be there because you will want to check

1099
00:51:46,719 --> 00:51:50,200
Speaker 12: and check and check and check. And you'll eventually break

1100
00:51:50,280 --> 00:51:51,920
Speaker 12: that addiction with time.

1101
00:51:52,040 --> 00:51:54,279
Speaker 1: Because social media, they say it's crack for your brain,

1102
00:51:54,360 --> 00:51:57,799
Speaker 1: because we get we are so stimulated and I do

1103
00:51:57,840 --> 00:52:00,879
Speaker 1: it all the time, Instagram. That's my my damnfo because

1104
00:52:00,920 --> 00:52:03,959
Speaker 1: I kept scrolling and then I've set that limit time

1105
00:52:04,000 --> 00:52:07,279
Speaker 1: for a break twenty minutes. I swear it goes as

1106
00:52:07,360 --> 00:52:08,200
Speaker 1: quick as anything.

1107
00:52:08,320 --> 00:52:11,120
Speaker 12: Yes, And the reason that we're on Instagram, we're on

1108
00:52:11,160 --> 00:52:13,799
Speaker 12: all of these. When they introduced the endless scroll, that

1109
00:52:13,960 --> 00:52:17,080
Speaker 12: changed everything. So the research now says we spend thirty

1110
00:52:17,080 --> 00:52:19,760
Speaker 12: percent more time on social media because of the endless scroll.

1111
00:52:19,880 --> 00:52:23,080
Speaker 12: And the endless scroll is basically it never stops like

1112
00:52:23,120 --> 00:52:25,800
Speaker 12: a slot machine, so you scroll up more content, more content,

1113
00:52:25,840 --> 00:52:28,719
Speaker 12: more content more. It doesn't end. So when it did

1114
00:52:28,840 --> 00:52:31,399
Speaker 12: end before endless Scroll, there was a moment where your

1115
00:52:31,400 --> 00:52:34,759
Speaker 12: brain caught up and would have gone, Okay, Jones's time

1116
00:52:34,800 --> 00:52:35,440
Speaker 12: to get off this day.

1117
00:52:35,920 --> 00:52:37,400
Speaker 2: I checked all my friends.

1118
00:52:38,280 --> 00:52:41,560
Speaker 1: I've seen puppies to Graham no longer exists.

1119
00:52:41,800 --> 00:52:44,399
Speaker 12: So it is a complete endless and they modeled it

1120
00:52:44,560 --> 00:52:48,279
Speaker 12: after the casinos. You know the usability of it. But

1121
00:52:49,040 --> 00:52:52,360
Speaker 12: I do think that we are on the cosp of

1122
00:52:52,400 --> 00:52:54,360
Speaker 12: a positive revolution when it comes to this, and the

1123
00:52:54,400 --> 00:52:56,680
Speaker 12: first step is awareness, which is why we made this film.

1124
00:52:56,920 --> 00:53:00,840
Speaker 12: And once you see that, we cover love in the

1125
00:53:00,880 --> 00:53:03,799
Speaker 12: first episode and how it changes our relationship with each other,

1126
00:53:04,080 --> 00:53:07,200
Speaker 12: we end with this sort of guy who's genuinely in

1127
00:53:07,239 --> 00:53:09,680
Speaker 12: love with a virtual bot called Anastasia. I mean, he

1128
00:53:09,880 --> 00:53:12,920
Speaker 12: is really in love and it's a pretty eye opening relationship.

1129
00:53:13,040 --> 00:53:14,040
Speaker 1: And you look at that and you.

1130
00:53:13,920 --> 00:53:17,560
Speaker 12: Go, I can see Amanda's face slightly contorted when I said,

1131
00:53:18,080 --> 00:53:21,720
Speaker 12: I said love with a virtual blot. Yeah, there's already

1132
00:53:21,880 --> 00:53:24,919
Speaker 12: ten million of those, and if you include Asia, there's

1133
00:53:25,120 --> 00:53:27,879
Speaker 12: hundreds of millions of these bots that people have relationships with.

1134
00:53:27,920 --> 00:53:30,080
Speaker 12: And if you are spending fifty six hours a week

1135
00:53:30,080 --> 00:53:33,279
Speaker 12: on your phone, you're already being conditioned sure to have

1136
00:53:33,360 --> 00:53:36,240
Speaker 12: relationships with your phone, not with other people.

1137
00:53:36,640 --> 00:53:39,640
Speaker 2: And I think and that's much nicer than the real world.

1138
00:53:40,239 --> 00:53:43,760
Speaker 12: And also their mirrors. Right, So if you create a bot,

1139
00:53:44,000 --> 00:53:48,560
Speaker 12: that bot learns Amanda really well, all your mannerisms, all

1140
00:53:48,600 --> 00:53:52,400
Speaker 12: your jokes, all your history. It's all algorithmically based, so

1141
00:53:52,600 --> 00:53:55,640
Speaker 12: eventually it collects all your data about you and feeds

1142
00:53:55,680 --> 00:53:56,879
Speaker 12: you back to you.

1143
00:53:58,280 --> 00:54:02,160
Speaker 1: That buck sands and there's putty more bots. Well side,

1144
00:54:02,200 --> 00:54:04,840
Speaker 1: it's great to talk to you. I love this. It's Monday,

1145
00:54:04,880 --> 00:54:07,640
Speaker 1: the tenth of October seven thirty on ten and ten

1146
00:54:07,719 --> 00:54:12,040
Speaker 1: play Todd Sampson, thanks for giving something to ponder yet again.

1147
00:54:12,560 --> 00:54:13,120
Speaker 12: You're welcome.

1148
00:54:13,520 --> 00:54:19,920
Speaker 10: Jonesy and Amanda jam podcast fueled by Sinclair Automotive, penrith

1149
00:54:20,160 --> 00:54:23,720
Speaker 10: ford I, Suzuyt and sang Yon Sales Service and part

1150
00:54:23,880 --> 00:54:25,040
Speaker 10: Sinclair Automotive.

1151
00:54:25,160 --> 00:54:25,920
Speaker 2: We're a family.

1152
00:54:26,360 --> 00:54:31,560
Speaker 1: WSA Fairness one hundred thousand dollars the bowser you bet?

1153
00:54:31,800 --> 00:54:34,080
Speaker 1: Are you ready to play? We've got Helen of Hardley.

1154
00:54:34,239 --> 00:54:38,080
Speaker 2: Hi, Helen, Hi, good morning. Hello, we'd love to get

1155
00:54:38,080 --> 00:54:40,239
Speaker 2: some petrol in your tank. Taking you on today is

1156
00:54:40,360 --> 00:54:43,680
Speaker 2: Mas in Mounttreuet. Hello, maz Hi, Hell are you guys

1157
00:54:43,960 --> 00:54:46,840
Speaker 2: very well? So you know how this goes? The bowser

1158
00:54:46,960 --> 00:54:48,440
Speaker 2: is going to fill up or your car is going

1159
00:54:48,480 --> 00:54:49,960
Speaker 2: to fill up. We're going to call out a mount

1160
00:54:50,640 --> 00:54:52,760
Speaker 2: when you want to stop? What do you say, Helen?

1161
00:54:53,760 --> 00:54:54,080
Speaker 1: Helen?

1162
00:54:54,120 --> 00:54:56,960
Speaker 2: And what do you say? Maz mat? And make sure

1163
00:54:57,040 --> 00:54:59,680
Speaker 2: someone calls out before the bowser blows?

1164
00:55:00,000 --> 00:55:04,279
Speaker 1: There we go, ladies. That's good luck. Mas okay, here

1165
00:55:04,280 --> 00:55:04,840
Speaker 1: we go.

1166
00:55:06,480 --> 00:55:23,960
Speaker 5: Twenty dollars, fifty dollars, one hundred dollars, two hundred dollars.

1167
00:55:22,360 --> 00:55:27,320
Speaker 2: Show mass two hundred yeap three seventy we'll go the

1168
00:55:27,400 --> 00:55:30,279
Speaker 2: hunt seven three seventy. Well you got the cusp of

1169
00:55:30,320 --> 00:55:34,360
Speaker 2: three seventy. Oh really thank you, congratulations.

1170
00:55:33,960 --> 00:55:38,480
Speaker 1: Say if you would have gone there mass dollars.

1171
00:55:39,320 --> 00:55:42,320
Speaker 2: Oh you actually got in just in time.

1172
00:55:42,200 --> 00:55:44,520
Speaker 1: And good sportswomanship all round.

1173
00:55:44,600 --> 00:55:47,719
Speaker 2: Yes, three hundred seventy dollars for you, Mas. Congratulations, Will

1174
00:55:47,719 --> 00:55:49,839
Speaker 2: plague in after nine o'clock with a good week with

1175
00:55:49,840 --> 00:56:02,839
Speaker 2: Bill Weaver. Don't forget our favorite goolie of the year.

1176
00:56:02,880 --> 00:56:05,080
Speaker 2: We're in October now it's going to win twenty thousand

1177
00:56:05,120 --> 00:56:08,200
Speaker 2: dollars cash a year supply of chocolate from Daryl Lee.

1178
00:56:08,640 --> 00:56:11,040
Speaker 2: Darrol Lee makes it better. Try the new cookies and

1179
00:56:11,080 --> 00:56:15,359
Speaker 2: cream white chocolate block or Rum and Raisin dark chocolate block. Yeah,

1180
00:56:15,880 --> 00:56:18,200
Speaker 2: you can call a hotline anytime. Nine six one seven,

1181
00:56:18,280 --> 00:56:18,839
Speaker 2: nine eight four.

1182
00:56:18,880 --> 00:56:19,480
Speaker 1: What have we got?

1183
00:56:20,560 --> 00:56:24,000
Speaker 7: Get my girlies? You go into Woolies Coals any of

1184
00:56:24,040 --> 00:56:27,640
Speaker 7: those stores, and especially when your age like I am,

1185
00:56:27,760 --> 00:56:31,000
Speaker 7: and your needs don't work anymore for bending and you

1186
00:56:31,080 --> 00:56:33,520
Speaker 7: want to bot the soft drink. All the ones in

1187
00:56:33,600 --> 00:56:36,399
Speaker 7: the front has been taken, so you've got to try

1188
00:56:36,440 --> 00:56:38,759
Speaker 7: and get down to that bottom shelf and get the

1189
00:56:39,120 --> 00:56:41,759
Speaker 7: drinks from the back. I've always got to go and

1190
00:56:41,800 --> 00:56:45,279
Speaker 7: ask somebody why don't they come along and fill them

1191
00:56:45,440 --> 00:56:48,440
Speaker 7: or move them to the front. That's What really gets

1192
00:56:48,480 --> 00:56:49,280
Speaker 7: my girlies.

1193
00:56:49,760 --> 00:56:52,560
Speaker 1: You got to bend down to get your tresca. Remember tresca?

1194
00:56:54,120 --> 00:56:57,880
Speaker 1: Stud colar? Remember stud? Do you remember stud colar?

1195
00:56:58,320 --> 00:57:00,239
Speaker 2: I'll go back to the days of Tang.

1196
00:57:00,160 --> 00:57:02,560
Speaker 1: Tang now that that's space drink.

1197
00:57:02,880 --> 00:57:08,839
Speaker 2: Space exploration gave us tang and velcrow rollers. Sure, put

1198
00:57:08,920 --> 00:57:11,600
Speaker 2: someone on the moon gave us those things.

1199
00:57:11,800 --> 00:57:13,880
Speaker 1: But that doesn't help that lady with her old knees.

1200
00:57:14,000 --> 00:57:16,439
Speaker 2: No, no, no, someone's job should be to push everything

1201
00:57:16,480 --> 00:57:17,000
Speaker 2: at the front.

1202
00:57:16,840 --> 00:57:19,760
Speaker 1: Right, Come on, people that do that stuff the pusher

1203
00:57:19,840 --> 00:57:21,360
Speaker 1: up roo? Yeah? What else?

1204
00:57:22,240 --> 00:57:25,680
Speaker 17: What gets my gulies is when I'm taking my beautiful

1205
00:57:25,760 --> 00:57:27,840
Speaker 17: sixteen year old daughter out on the l place to

1206
00:57:27,920 --> 00:57:31,440
Speaker 17: learn to drive, and people beat her when she's not

1207
00:57:31,560 --> 00:57:34,720
Speaker 17: going fast enough for doing what they would like to do.

1208
00:57:34,960 --> 00:57:37,360
Speaker 17: People are so impatient with el joves. We all had

1209
00:57:37,440 --> 00:57:38,720
Speaker 17: to learn at some stage.

1210
00:57:38,960 --> 00:57:40,880
Speaker 7: So that really gets my goolies.

1211
00:57:41,040 --> 00:57:42,640
Speaker 2: I agree, I agree.

1212
00:57:42,880 --> 00:57:45,760
Speaker 1: Whenever I see an l player, I give them encouragement.

1213
00:57:45,600 --> 00:57:47,560
Speaker 2: By yelling through your helmet and gesticulating with.

1214
00:57:50,480 --> 00:57:50,960
Speaker 1: Good luck.

1215
00:57:51,000 --> 00:57:51,960
Speaker 2: You're nearly there to do it.

1216
00:57:52,040 --> 00:57:54,400
Speaker 1: A man sure out with the bad and the good.

1217
00:57:54,400 --> 00:57:55,920
Speaker 1: If you dip, dad doesn't many. You can always call

1218
00:57:55,960 --> 00:57:58,640
Speaker 1: the hotline number nine oh six one seven nine eighty four.

1219
00:58:00,600 --> 00:58:01,240
Speaker 2: Pomcast.

1220
00:58:01,400 --> 00:58:03,600
Speaker 1: You know, Jen Ye Rye has been working harder than

1221
00:58:03,600 --> 00:58:06,520
Speaker 1: my mold extractor and he's come up with this Jen

1222
00:58:06,600 --> 00:58:12,120
Speaker 1: White Rice Jim Jab It doesn't even rhyme.

1223
00:58:13,120 --> 00:58:14,960
Speaker 3: Mum say the weirdest stuff.

1224
00:58:15,080 --> 00:58:17,200
Speaker 15: It's like when I said to my mum about be real,

1225
00:58:17,280 --> 00:58:19,720
Speaker 15: and she said, I am being real when I say clean.

1226
00:58:19,600 --> 00:58:22,080
Speaker 3: Your room, Ryan. Anyway, it doesn't just happen to me.

1227
00:58:22,440 --> 00:58:24,840
Speaker 15: We had loads of people ring in with what their

1228
00:58:24,880 --> 00:58:25,680
Speaker 15: mother said to them.

1229
00:58:25,720 --> 00:58:27,320
Speaker 3: Amanda started the ball rolling.

1230
00:58:27,440 --> 00:58:30,200
Speaker 1: Did your late mum, Jenny, for any ever say anything

1231
00:58:30,240 --> 00:58:30,400
Speaker 1: to you?

1232
00:58:30,640 --> 00:58:30,720
Speaker 9: Have?

1233
00:58:30,800 --> 00:58:34,160
Speaker 2: A million times? A million times I saw you on television.

1234
00:58:34,160 --> 00:58:36,480
Speaker 2: You looked a bit broad across the beam was one thing.

1235
00:58:36,960 --> 00:58:39,080
Speaker 2: She said that, and then I burst. She said, I

1236
00:58:39,160 --> 00:58:43,840
Speaker 2: can't say anything to please you. I can't say any

1237
00:58:44,000 --> 00:58:46,000
Speaker 2: Why did you find it so amusing? Brendan And it

1238
00:58:46,040 --> 00:58:47,840
Speaker 2: costs me a lot to say it out loud.

1239
00:58:47,840 --> 00:58:48,920
Speaker 3: Bro Luck's listings.

1240
00:58:48,960 --> 00:58:52,360
Speaker 15: Gavin Rubinstein was in even baking bread in a kitchen

1241
00:58:52,400 --> 00:58:55,680
Speaker 15: of a sixty million dollar mansion won't hurt its chances

1242
00:58:55,760 --> 00:58:57,080
Speaker 15: of making a sale.

1243
00:58:56,840 --> 00:58:59,720
Speaker 16: Baking bread in there like for yes, So one of

1244
00:58:59,760 --> 00:59:03,000
Speaker 16: the the kind of nice strategies for ownA sometimes is

1245
00:59:03,040 --> 00:59:05,640
Speaker 16: to put fresh baking in the kitchen, because you know,

1246
00:59:05,960 --> 00:59:08,000
Speaker 16: outside of presenting the home beautifully.

1247
00:59:07,600 --> 00:59:09,560
Speaker 1: Those are romas. Smelling nice is always great.

1248
00:59:09,600 --> 00:59:11,680
Speaker 16: Not too many candles because people start to think you're

1249
00:59:11,680 --> 00:59:12,720
Speaker 16: trying to cover up for mold.

1250
00:59:12,760 --> 00:59:13,400
Speaker 1: What's going on?

1251
00:59:13,880 --> 00:59:15,880
Speaker 16: You know, smelling fresh, just like you said, I smell

1252
00:59:15,920 --> 00:59:16,600
Speaker 16: good when I came in.

1253
00:59:18,360 --> 00:59:21,200
Speaker 2: Get a whiff, Jonesy, don't when you sell your house,

1254
00:59:21,240 --> 00:59:23,160
Speaker 2: don't do that pickled onion thing that you really like

1255
00:59:23,200 --> 00:59:25,080
Speaker 2: to yadding.

1256
00:59:24,280 --> 00:59:25,960
Speaker 1: Well, I thought that was the smell of success.

1257
00:59:26,480 --> 00:59:28,880
Speaker 15: Midnight Oil made their last stand this week. Do you

1258
00:59:28,920 --> 00:59:32,000
Speaker 15: want to hear the most cringiest thing in the world.

1259
00:59:32,240 --> 00:59:35,320
Speaker 15: This is Jonesy interviewing Peter Garrett for the first time

1260
00:59:35,520 --> 00:59:36,440
Speaker 15: thirty years ago.

1261
00:59:36,640 --> 00:59:41,320
Speaker 2: I was twenty four and you were living in Kartha

1262
00:59:41,680 --> 00:59:43,840
Speaker 2: and you were doing a radio shift to night shift

1263
00:59:44,160 --> 00:59:47,040
Speaker 2: and Peter Garrett you interviewed him on the phone and

1264
00:59:47,840 --> 00:59:49,640
Speaker 2: I can't believe you're a young man because you sound

1265
00:59:49,680 --> 00:59:51,960
Speaker 2: one hundred years old. This is just the first of

1266
00:59:52,040 --> 00:59:54,200
Speaker 2: the snippets. Listen to this right now.

1267
00:59:54,200 --> 00:59:56,520
Speaker 1: I have the distinct pleasure of talking to mister Peter

1268
00:59:56,560 --> 00:59:58,919
Speaker 1: Garrett who is the lead singer for Midnight or Peter,

1269
00:59:58,960 --> 00:59:59,880
Speaker 1: how are you this evening?

1270
01:00:00,560 --> 01:00:01,040
Speaker 6: Fine? Thanks?

1271
01:00:01,080 --> 01:00:01,520
Speaker 4: Dennis?

1272
01:00:01,560 --> 01:00:02,360
Speaker 1: Are you having a good?

1273
01:00:02,560 --> 01:00:03,080
Speaker 16: Good evening?

1274
01:00:03,120 --> 01:00:03,480
Speaker 6: So far?

1275
01:00:04,920 --> 01:00:05,520
Speaker 2: Like left an.

1276
01:00:05,480 --> 01:00:07,680
Speaker 6: Evening where I am the third evening where you are?

1277
01:00:10,160 --> 01:00:13,400
Speaker 2: Voice is unbelievable that when you spade from your throat,

1278
01:00:13,480 --> 01:00:14,960
Speaker 2: I know it's a bit of a list, bit of

1279
01:00:15,160 --> 01:00:18,880
Speaker 2: one of those as this you do this, yes, you

1280
01:00:18,960 --> 01:00:21,960
Speaker 2: do this, and also you said how are you? No, really,

1281
01:00:22,000 --> 01:00:23,320
Speaker 2: how are you? And how are you feeling?

1282
01:00:24,160 --> 01:00:28,520
Speaker 1: Awful? It was a big deal. And there's more. Twenty

1283
01:00:28,520 --> 01:00:31,120
Speaker 1: five dollars is great to go on to a band

1284
01:00:31,480 --> 01:00:33,640
Speaker 1: and it also benefits the kids up here of the

1285
01:00:33,640 --> 01:00:36,200
Speaker 1: Northwestern kids are our future? So hell are we going

1286
01:00:36,240 --> 01:00:36,840
Speaker 1: to look after him?

1287
01:00:36,880 --> 01:00:38,000
Speaker 8: Don't we think.

1288
01:00:40,760 --> 01:00:41,840
Speaker 2: Kids are our future?

1289
01:00:41,960 --> 01:00:42,240
Speaker 17: Hell?

1290
01:00:42,400 --> 01:00:43,920
Speaker 2: With God a look after.

1291
01:00:43,720 --> 01:00:44,920
Speaker 1: A quoting White.

1292
01:00:46,160 --> 01:00:50,120
Speaker 15: Last week we brought you the Strange way people cheating chess.

1293
01:00:50,480 --> 01:00:55,000
Speaker 15: This week another cheating scandal, this time in the fishing world.

1294
01:00:55,160 --> 01:00:59,800
Speaker 2: He grabbed a knife, he sliced open the fish and

1295
01:01:00,840 --> 01:01:05,680
Speaker 2: he saw weights in there. The fish had been fed weights.

1296
01:01:05,720 --> 01:01:17,800
Speaker 2: Here was that moment where it all unfolded.

1297
01:01:18,120 --> 01:01:20,000
Speaker 1: Well left taking that, Well, we've got.

1298
01:01:21,920 --> 01:01:23,720
Speaker 2: Who was hanging around Rex Hunt?

1299
01:01:23,840 --> 01:01:25,960
Speaker 16: I feel like excusing fish, the one with weights.

1300
01:01:26,000 --> 01:01:27,160
Speaker 2: That's heavy betting for him.

1301
01:01:29,200 --> 01:01:32,320
Speaker 15: That's all, folks, this has been genui Ris Jibby Jabba.

1302
01:01:34,360 --> 01:01:37,320
Speaker 2: Somebod recall an email or Facebook friend whins five hundred

1303
01:01:37,320 --> 01:01:40,080
Speaker 2: dollars to spend at Howard's storage world. Love being organized.

1304
01:01:40,120 --> 01:01:40,960
Speaker 2: It's easy with Howard.

1305
01:01:41,040 --> 01:01:43,240
Speaker 1: You also get the jonesy aout of detail and fridge

1306
01:01:43,320 --> 01:01:46,160
Speaker 1: magnet as well. You know, sometimes we get male centers

1307
01:01:46,160 --> 01:01:48,400
Speaker 1: here today. And I thought it was going to be

1308
01:01:48,480 --> 01:01:50,400
Speaker 1: a Creniti's voucher that I had been promising.

1309
01:01:50,520 --> 01:01:51,800
Speaker 2: That's why you made me open it. And when I

1310
01:01:51,840 --> 01:01:54,280
Speaker 2: saw the first line from this letter from a woman

1311
01:01:54,320 --> 01:01:55,640
Speaker 2: called Melissa, I said, do you sure you want me

1312
01:01:55,680 --> 01:01:58,440
Speaker 2: to read it? The first line is why you're so needy?

1313
01:01:58,880 --> 01:02:01,600
Speaker 2: And you said yeah, yeah, keep going. So it said

1314
01:02:01,800 --> 01:02:04,560
Speaker 2: not just a you needy, but you're regressing to your pubescence.

1315
01:02:05,520 --> 01:02:06,720
Speaker 2: It's stupid jokes.

1316
01:02:09,080 --> 01:02:10,360
Speaker 1: I thought. She said, I was getting better.

1317
01:02:10,440 --> 01:02:13,000
Speaker 2: Well, this is the bit that you've misunderstood. She said.

1318
01:02:13,040 --> 01:02:15,440
Speaker 2: We all hate aging. I know that, but you're better

1319
01:02:15,760 --> 01:02:19,000
Speaker 2: than you seem lately. You are, but no, she said,

1320
01:02:19,240 --> 01:02:21,760
Speaker 2: she said you're better than you have been lately. Oh,

1321
01:02:23,440 --> 01:02:26,040
Speaker 2: actually I think you're very brave giving her Man of

1322
01:02:26,080 --> 01:02:26,400
Speaker 2: the match.

1323
01:02:26,680 --> 01:02:29,040
Speaker 1: No, I'm not giving her man a match. I'm giving

1324
01:02:29,120 --> 01:02:31,480
Speaker 1: Michelle from Richmond. She called through with support.

1325
01:02:32,320 --> 01:02:35,040
Speaker 11: Can I just say, Joins, you're doing a fabulous job.

1326
01:02:35,080 --> 01:02:36,919
Speaker 11: Don't worry about that stupid letter.

1327
01:02:37,680 --> 01:02:38,640
Speaker 2: So she's getting mad at the mat.

1328
01:02:39,240 --> 01:02:41,760
Speaker 1: Why would I give praise? Why would I give a

1329
01:02:41,800 --> 01:02:43,240
Speaker 1: prize to someone that's ragged on me?

1330
01:02:43,360 --> 01:02:47,240
Speaker 2: Well, you're a confusing man. I didn't understand. Now, don't

1331
01:02:47,320 --> 01:02:50,800
Speaker 2: forget the living room. It is old tonight. We are

1332
01:02:50,920 --> 01:02:52,919
Speaker 2: taking a break next year and back the year after,

1333
01:02:53,600 --> 01:02:56,760
Speaker 2: but we still have five fabulous shows this year. Tonight's

1334
01:02:56,840 --> 01:02:58,760
Speaker 2: is a hilarious show. Please join us.

1335
01:02:59,600 --> 01:03:02,080
Speaker 1: Limited stock left out, they go out, they go.

1336
01:03:02,240 --> 01:03:03,720
Speaker 2: So if you want to get a fix of the

1337
01:03:03,800 --> 01:03:06,280
Speaker 2: Fab four, please watch its seven thirty to night, Channel ten.

1338
01:03:06,560 --> 01:03:09,200
Speaker 2: It's a bridaye te that's it's an ointment.

1339
01:03:09,400 --> 01:03:10,800
Speaker 1: That's appointment TV.

1340
01:03:11,040 --> 01:03:13,080
Speaker 2: Bill Weavers up next. He's got more free fuel to

1341
01:03:13,120 --> 01:03:13,480
Speaker 2: give away.

1342
01:03:13,600 --> 01:03:16,520
Speaker 1: It's an ointment for your soul and we'll be back.

1343
01:03:17,080 --> 01:03:18,400
Speaker 2: For jam Nation at six o'clock.

1344
01:03:18,480 --> 01:03:21,080
Speaker 1: Good day to you. Well, thank god, that's over.

1345
01:03:21,200 --> 01:03:25,120
Speaker 7: Hood bite, good bite, wipe the two.

1346
01:03:26,120 --> 01:03:29,480
Speaker 9: You're right, catch Jonesy and Amanda's podcast on the iHeartRadio

1347
01:03:29,600 --> 01:03:31,640
Speaker 9: app or wherever you get your podcasts.

1348
01:03:36,840 --> 01:03:41,320
Speaker 10: Good Jonesy and amandam podcast.

1349
01:03:41,600 --> 01:03:44,200
Speaker 2: Catch up on what you've missed on the free iHeartRadio

1350
01:03:44,320 --> 01:03:44,560
Speaker 2: app