WEBVTT - RICKI LEE COULTER - AUSTRALIAN IDOL - CHANNEL SEVEN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast last week that life. Hey guys,

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<v Speaker 1>welcome back to TV Reload. I want to thank you

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<v Speaker 1>for clicking and downloading on today's episode with Ricky Lee Coolter,

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<v Speaker 1>one of the most successful alumnis from Australian Idol and

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<v Speaker 1>she is back this year hosting the reboot on Channel seven.

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<v Speaker 1>I have spent so much time with Ricky Lee over

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<v Speaker 1>the years. I don't even think she remembers how many

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<v Speaker 1>times I've been in the room with her. I couldn't

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<v Speaker 1>say that we are close friends, but I could say

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<v Speaker 1>that in fact, I'm a part of the fandom of

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<v Speaker 1>the Ricky Lee Coulter fan club because I think she

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<v Speaker 1>is talented, I think she's determined, and I am so

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<v Speaker 1>impressed with how she has been able to shape her career.

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<v Speaker 1>Australian Idol is back this week and the voices I'm

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<v Speaker 1>going to tell you from previewing a couple of episodes

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<v Speaker 1>are bigger and better than ever. The age restrictions have

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<v Speaker 1>changed and that's actually really exciting to see how the

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<v Speaker 1>show has evolved over time. Ricky Lee will unpack that

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<v Speaker 1>song from Sex and the City that put her on

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<v Speaker 1>the map international. We will chat about her relationship with

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<v Speaker 1>the judges and why Kyle Sandalans and former judge Ian

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<v Speaker 1>Dixon have her respect. I find out about her thoughts

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<v Speaker 1>on some of the artists this year and why she

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<v Speaker 1>relates to the pressure that they are under. You will

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<v Speaker 1>get everything from some amazing insights into how her career

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<v Speaker 1>has had some tough choices, what it takes to be

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<v Speaker 1>a TV presenter, and how over two decades she has

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<v Speaker 1>stayed grounded. There is so much to talk about, with

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<v Speaker 1>so many inside revelations, So guys sit back and relax

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<v Speaker 1>as we unpack the wonderful world of Australian Idol, which

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<v Speaker 1>launches this week on Channel seven and seven plus.

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<v Speaker 2>Hello, Hi, how are you?

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<v Speaker 1>I'm very excited? Do you know what I just did?

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<v Speaker 1>I just while I was waiting watched at one of

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<v Speaker 1>your concerts. I was in the front row and you

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<v Speaker 1>came down, grabbed gave me the microphone and I sung

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<v Speaker 1>a line of Michael Jackson and I've got it on video.

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<v Speaker 1>So I just rewatched it. I love it.

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<v Speaker 3>Where was that?

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<v Speaker 1>Oh? It's a Crown casino. Years ago for one of

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<v Speaker 1>the might have been like the Royal Children's Hospital. I'm

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<v Speaker 1>not sure it was a charity. Yeah, but you know,

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<v Speaker 1>my partner was like, you're always staring at the singer

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<v Speaker 1>like you want to do it, and he goes, I

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<v Speaker 1>reckon that recently just saw you and was like, that

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<v Speaker 1>guy's desperate. I'm gonna have to give him the microphone.

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<v Speaker 4>Oh. I mean, I love handing the microphone out and

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<v Speaker 4>getting people to sing. It's one of my favorite things

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<v Speaker 4>to do.

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<v Speaker 1>Well, this is super exciting to chat with you today.

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<v Speaker 1>And when I was writing out what I was going

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<v Speaker 1>to ask you, I wrote a book so if you

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<v Speaker 1>ever need something to help you with an unauthorized biography.

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<v Speaker 3>I was doing.

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<v Speaker 4>I was doing like like sometimes people will like email

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<v Speaker 4>question like you know Q and A.

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<v Speaker 3>And I have to restrain.

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<v Speaker 4>Myself because I start it's like I'm telling my last

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<v Speaker 4>story and it's like I'm writing a book when I

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<v Speaker 4>do these things, and I'm.

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<v Speaker 3>Like, Ricky, I have to tell myself, no one.

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<v Speaker 4>Cares they do about like your deep the darkest like

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<v Speaker 4>feelings and thoughts and emotions, just like give a funny

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<v Speaker 4>little quick answer and get the hell out of it.

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<v Speaker 1>I'm not weirder because I I think of questions that

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<v Speaker 1>I would ask you all the time, and when I

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<v Speaker 1>thought about it, I've put this question right in at

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<v Speaker 1>the start because I've always wanted to talk to you

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<v Speaker 1>about it. But one of my favorite songs is you

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<v Speaker 1>Can't Touch It, and I wanted to know forever how

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<v Speaker 1>the hell did that end up on the Sex and

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<v Speaker 1>the City trailer and soundtrack. That must have been such

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<v Speaker 1>an unusual thing to have happened. You must have been elated.

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<v Speaker 4>I mean I was dying when I the way that

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<v Speaker 4>it all happened because I wrote the song.

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<v Speaker 3>Yeah, we wrote the song in two thousand and seven.

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<v Speaker 4>So when you're a songwriter, if somebody wants to use

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<v Speaker 4>your song in a movie or in a TV commercial

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<v Speaker 4>or something like that, they have to seek permission.

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<v Speaker 2>From the songwriter. Yeah, so we got a request through.

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<v Speaker 4>And this is like, you know, three or four years

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<v Speaker 4>after the song came out, we got a request through

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<v Speaker 4>from from Warner Brothers, asking can we think this song

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<v Speaker 4>in a movie? They didn't say what the movie was,

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<v Speaker 4>and then they specify all of the different usages.

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<v Speaker 3>That it'll be to be like in.

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<v Speaker 4>The film in the trailer, on the set track, and

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<v Speaker 4>they tell you the parts of the song, the duration

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<v Speaker 4>of the song that will be used, and blah blah blah,

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<v Speaker 4>and then they give you to see and you basically

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<v Speaker 4>just have to.

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<v Speaker 3>Agree or not agree to it.

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<v Speaker 4>And I honestly feel like, because things like this happened,

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<v Speaker 4>there's another thing that happened and it's kind of similar.

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<v Speaker 4>I feel like it was like an Australian gay that

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<v Speaker 4>that were with working at Warner Brothers US or something,

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<v Speaker 4>and I was like, I can love this song, and

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<v Speaker 4>they put forward my song somehow. I just can't imagine

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<v Speaker 4>how my song came across the desk of someone one

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<v Speaker 4>of the big wigs at Warner Brothers in the US, Like,

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<v Speaker 4>I just don't other than it being an Australian gay

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<v Speaker 4>that's like, hey, babe, do you want to hear this

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<v Speaker 4>amazing song I heard? And I truly think that that's

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<v Speaker 4>how it happened. So shit, So then I so I

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<v Speaker 4>approved the I approved the sink and literally it was

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<v Speaker 4>days I think it was like three or four days later.

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<v Speaker 3>I came home in the afternoon.

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<v Speaker 4>Remember what did you ever watch a news is like

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<v Speaker 4>Juliana around sick and Ryan Secret of course, so I

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<v Speaker 4>sit on accounts and I've popped on the E News

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<v Speaker 4>and I'm watching Juliana and Ryan and they throw to this,

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<v Speaker 4>like this big thing we've got the new the brand

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<v Speaker 4>new trailer, the first look at the new Sex and

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<v Speaker 4>the City movie, and they throw to it and it

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<v Speaker 4>starts out with like empire state of mind, New York

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<v Speaker 4>concrete jungle where dreams are made of and you're seeing

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<v Speaker 4>all of the girls and you're seeing that they're here,

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<v Speaker 4>there and everywhere, and then all of a sudden, it

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<v Speaker 4>just go it drops, and it goes dud dude, dude,

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<v Speaker 4>and the drums for Can't Touch It start. I almost

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<v Speaker 4>ship myself. I jumped up, I was screaming, I was

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<v Speaker 4>running around the house. It was just the most I

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<v Speaker 4>wrote that song. I wrote Can't Touch It in New

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<v Speaker 4>York the first time I ever went there, about going

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<v Speaker 4>out with my girlfriend who was with me, and like

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<v Speaker 4>guys trying to hit on us, and then it ends

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<v Speaker 4>up in the movie that is the quintessential show about

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<v Speaker 4>New York and the girls and.

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<v Speaker 2>Going out and finding love.

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<v Speaker 3>It was just meant it couldn't be more perfect.

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<v Speaker 1>I remember dancing to it in like a gay nightclub

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<v Speaker 1>and it was like wild, like everyone was dancing to it,

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<v Speaker 1>and I remember feeling so proud of you. I had

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<v Speaker 1>the goosies then and I've got the goosies now just

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<v Speaker 1>even talking to you about that story.

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<v Speaker 4>Oh, it's such a crazy it's such a crazy story.

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<v Speaker 4>And I still can't believe that it happened. And it's

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<v Speaker 4>like like the song because I we'd released it in

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<v Speaker 4>Australia and it was it got to like number two

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<v Speaker 4>on the charts. It was this huge song here in Australia,

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<v Speaker 4>and it also got released in the UK and was

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<v Speaker 4>like number two on the charts over there as well.

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<v Speaker 2>We were number one on the dance chart.

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<v Speaker 4>And it was just like, so it had had its life,

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<v Speaker 4>I thought, and I thought, you know, that was that

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<v Speaker 4>was it. But then it got released internationally, you know,

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<v Speaker 4>by a Sex in the City.

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<v Speaker 3>Basically it was.

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<v Speaker 4>It was in the trailer shown all around the world.

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<v Speaker 3>It was released worldwide.

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<v Speaker 4>It was just like and now like I'll be in

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<v Speaker 4>I'll be in another country and it will come on

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<v Speaker 4>and it just guilty this day for me out because

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<v Speaker 4>you know, as an Australian artist, you're like you like

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<v Speaker 4>you're kind of combined to Australia and it's different to

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<v Speaker 4>being in the UK because I know the song got

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<v Speaker 4>released there, but like, I don't know, it's really surreal

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<v Speaker 4>and it's just it's really cool and that song has

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<v Speaker 4>had such an incredible life and I'm you know, I'm

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<v Speaker 4>just I'm.

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<v Speaker 3>Really proud of it too.

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<v Speaker 4>Like it's like I've got a little, yeah, a little

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<v Speaker 4>kid out there that's kicking goals and achieving things and

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<v Speaker 4>he's like the captain the Fall Team.

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<v Speaker 2>Kind of thing.

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<v Speaker 3>Like it's really it's really cool.

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<v Speaker 1>Yeah. I mean, we're here to talk about Idle. And

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<v Speaker 1>the weirdest thing about all of this is that you

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<v Speaker 1>have turned out to be one of the most successful

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<v Speaker 1>alumnis from this program and you have one of the

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<v Speaker 1>most iconic Australian TV moments when you were eliminated I

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<v Speaker 1>think you were it was like eighth or something in

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<v Speaker 1>that competition when you should have won. I wanted to

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<v Speaker 1>know from you personally, do you reckon that if you'd

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<v Speaker 1>made it all the way and won that series, you'd

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<v Speaker 1>be where you are today. I would say, from an

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<v Speaker 1>outsider's point of view looking in, I think you've worked

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<v Speaker 1>harder and that moment made you in a way.

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<v Speaker 3>I absolutely agree.

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<v Speaker 4>I don't think if I had one, like, I think

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<v Speaker 4>it could have gone two ways. Sure, if I won

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<v Speaker 4>and you know, got signed to the record label that

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<v Speaker 4>you get signed to and had the you know, kind

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<v Speaker 4>of a path lay it out for you, maybe maybe

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<v Speaker 4>I would have. Maybe things would have been bigger and

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<v Speaker 4>better and more successful.

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<v Speaker 3>Maybe I would have had.

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<v Speaker 2>More hit songs.

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<v Speaker 4>Maybe things would have been different, but they also maybe

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<v Speaker 4>maybe they wouldn't have. And I feel like my success

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<v Speaker 4>I feel like I can really own because I signed

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<v Speaker 4>to an independent label. Like I said no to the

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<v Speaker 4>big Sony record deal when I first came off the

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<v Speaker 4>show because they offered me a single.

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<v Speaker 2>Deal rather than an album, and I.

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<v Speaker 4>Didn't feel like that was committing I just thought, oh,

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<v Speaker 4>do you really Is this just that I'm just going

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<v Speaker 4>to throw this at the wall and see if it sticks,

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<v Speaker 4>and if it does, will then sign you. But that

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<v Speaker 4>to me doesn't feel like you truly believe in me.

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<v Speaker 4>I also was kind of got the sense that the

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<v Speaker 4>other record labels that I was talking to that were

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<v Speaker 4>majors kind of wanted to put me in a box

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<v Speaker 4>and tell me who I was going to.

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<v Speaker 3>Be whereas I was. And I'm proud that as an

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<v Speaker 3>eighteen year old.

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<v Speaker 4>I made the decision and said no to that because

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<v Speaker 4>I think the most important decision of my entire career,

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<v Speaker 4>and that was something that I had to you know,

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<v Speaker 4>I had to make that choice at eighteen or nineteen,

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<v Speaker 4>and I think it's incredibly intuitive that I knew that

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<v Speaker 4>I need to carve out my own path, and so

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<v Speaker 4>I ended up signing with an independent record label, which

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<v Speaker 4>to start with, makes everything harder because they don't have,

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<v Speaker 4>you know, the million dollar budgets that every other, you know,

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<v Speaker 4>major record label has. But it just means you have

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<v Speaker 4>to be more resourceful, and you have to be more clever,

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<v Speaker 4>and you have to work smarter, and you have to

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<v Speaker 4>work harder. It's why I feel like I can really

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<v Speaker 4>own my successes because I had to work really hard

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<v Speaker 4>for all of those and they weren't served to me

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<v Speaker 4>on a silver plutter. We had to work for every

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<v Speaker 4>chart position that we got, every radio play. I think

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<v Speaker 4>there was a lot of goodwill out there for me

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<v Speaker 4>after I was eliminated from the show. People just wanted

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<v Speaker 4>to back me, and you know, I feel like people

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<v Speaker 4>feeling guilty that I got voted out definitely worked in

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<v Speaker 4>my favor for a.

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<v Speaker 1>While I heard producers refer to that when a person

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<v Speaker 1>gets eliminated from reality show. I've been on the set

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<v Speaker 1>of some of these shows when it's happened, and I'll

0:10:21.520 --> 0:10:22.880
<v Speaker 1>be like, oh my god, I can't believe that person

0:10:22.920 --> 0:10:25.280
<v Speaker 1>went home, and they're like, don't worry about it. It's

0:10:25.320 --> 0:10:27.600
<v Speaker 1>the rickyarly cool to a moment of the season, like

0:10:27.840 --> 0:10:32.480
<v Speaker 1>and you know, like to be known as a phrase

0:10:32.720 --> 0:10:34.800
<v Speaker 1>like that is also kind of cool, do you know

0:10:34.840 --> 0:10:37.240
<v Speaker 1>what I mean? Like, I think, yeah, that's a most

0:10:37.760 --> 0:10:40.440
<v Speaker 1>everyone can refer to and immediately know what you're talking about.

0:10:40.720 --> 0:10:42.880
<v Speaker 4>Yeah, it's pretty wild, it really is.

0:10:43.320 --> 0:10:45.400
<v Speaker 1>I love that things don't happen in a straight line,

0:10:45.520 --> 0:10:47.560
<v Speaker 1>and I love looking back at the stuff when I

0:10:47.679 --> 0:10:50.040
<v Speaker 1>was probably not where I thought I would be. And

0:10:50.080 --> 0:10:52.080
<v Speaker 1>I remember I went to the opening of The Lion

0:10:52.200 --> 0:10:54.839
<v Speaker 1>King and you sat next to me with some guy

0:10:54.880 --> 0:10:56.440
<v Speaker 1>from Neighbors at the time. I know you were very

0:10:56.480 --> 0:10:59.760
<v Speaker 1>good friends with him. Oh my god, dad, yes, escapes me.

0:11:00.280 --> 0:11:02.720
<v Speaker 1>Two of you brought with you some either it was

0:11:02.760 --> 0:11:05.240
<v Speaker 1>tiny teddies or shapes that you brought along to eat

0:11:05.320 --> 0:11:07.560
<v Speaker 1>while you watched the line there bringing the line inking,

0:11:07.920 --> 0:11:11.000
<v Speaker 1>and I remember thinking, HOLLI fuck I'm sitting next to Ricula,

0:11:11.080 --> 0:11:13.240
<v Speaker 1>called her, I'm obsessed with her. And then when I

0:11:13.240 --> 0:11:14.960
<v Speaker 1>watched you eat those packet of chips, I was like,

0:11:15.160 --> 0:11:17.360
<v Speaker 1>these are the moments that I just think, you know,

0:11:17.520 --> 0:11:20.920
<v Speaker 1>look where you have come and you kind of never forget.

0:11:21.200 --> 0:11:23.880
<v Speaker 1>I think for you, you've never really forgotten who you are.

0:11:24.040 --> 0:11:27.200
<v Speaker 1>So go ricularly cool to and eat your tiny teddies

0:11:27.280 --> 0:11:29.600
<v Speaker 1>or your shapes or whatever they wear at the Lion King.

0:11:29.679 --> 0:11:31.960
<v Speaker 4>Oh my god, I still put I still put, like,

0:11:32.080 --> 0:11:35.200
<v Speaker 4>you know, champagne in my drink bottle. And then when

0:11:35.200 --> 0:11:37.439
<v Speaker 4>I'm going somewhere on it on a long triper, I

0:11:37.520 --> 0:11:40.240
<v Speaker 4>put like snacks in my bag, like those things.

0:11:40.400 --> 0:11:41.840
<v Speaker 3>I feel like I just I.

0:11:41.720 --> 0:11:45.680
<v Speaker 4>Saw people that I knew well, and I saw so

0:11:45.840 --> 0:11:50.960
<v Speaker 4>many people in the industry changed when they quote unquote.

0:11:50.559 --> 0:11:53.400
<v Speaker 3>Made it, and I just thought it was so such an.

0:11:53.320 --> 0:11:57.800
<v Speaker 4>Ugly trait, like you are who you are. There's nowhere

0:11:57.800 --> 0:12:00.840
<v Speaker 4>that says that when you become successful you need to

0:12:00.880 --> 0:12:02.200
<v Speaker 4>be a dick to everyone.

0:12:02.400 --> 0:12:04.400
<v Speaker 3>Yeah, Like I just.

0:12:04.360 --> 0:12:07.160
<v Speaker 4>Think it that they do, and people do forget where

0:12:07.200 --> 0:12:09.400
<v Speaker 4>they come from, and they think that their God's gift

0:12:09.480 --> 0:12:12.360
<v Speaker 4>to music, it's entertainment and they're the greatest thing that

0:12:12.400 --> 0:12:15.280
<v Speaker 4>ever happened, and I just think that kind of self important.

0:12:15.520 --> 0:12:17.960
<v Speaker 4>I don't know, maybe just the way that I grew

0:12:18.040 --> 0:12:19.880
<v Speaker 4>up just doesn't allow for that.

0:12:20.040 --> 0:12:21.040
<v Speaker 2>You know, I.

0:12:20.960 --> 0:12:24.200
<v Speaker 4>Watched my parents, you know, we had nothing when I

0:12:24.240 --> 0:12:27.000
<v Speaker 4>was growing up, Like I was scrounging around and putting

0:12:27.000 --> 0:12:29.640
<v Speaker 4>five different pieces together so I could buy hopefully a

0:12:29.720 --> 0:12:32.040
<v Speaker 4>pie at school when I got there, or like it

0:12:32.200 --> 0:12:35.600
<v Speaker 4>just to I watched my parents work their asses off

0:12:36.040 --> 0:12:39.840
<v Speaker 4>and try things and create a business and make something

0:12:39.880 --> 0:12:42.800
<v Speaker 4>that was successful. And that kind of work ethic has

0:12:43.000 --> 0:12:46.120
<v Speaker 4>always stuck with me. Like I'm driven and ambitious and

0:12:46.240 --> 0:12:48.559
<v Speaker 4>hard working. I always want to be the hardest working

0:12:48.600 --> 0:12:50.960
<v Speaker 4>person in the room. And I just don't think that

0:12:51.120 --> 0:12:54.520
<v Speaker 4>kind of a work ethic and drive allows you to

0:12:54.640 --> 0:12:58.200
<v Speaker 4>become a douchebag, because you can always be better, you

0:12:58.240 --> 0:13:01.240
<v Speaker 4>can always have done better, you can always work harder,

0:13:01.280 --> 0:13:02.520
<v Speaker 4>There's always.

0:13:02.120 --> 0:13:02.679
<v Speaker 2>More to do.

0:13:02.720 --> 0:13:04.800
<v Speaker 4>And I think when people feel like they've kind of

0:13:05.160 --> 0:13:07.880
<v Speaker 4>reached the peak, it just doesn't sit well with me,

0:13:07.920 --> 0:13:10.120
<v Speaker 4>and it's just never been Maybe it's just yeah, I

0:13:10.160 --> 0:13:11.080
<v Speaker 4>wasn't raised that way.

0:13:11.320 --> 0:13:14.360
<v Speaker 1>Congratulations though, on the success of the Riculae. Tim and

0:13:14.440 --> 0:13:17.320
<v Speaker 1>Joel show what a joy to partner that up though

0:13:17.600 --> 0:13:20.640
<v Speaker 1>with Australian Idol, and I think that keeps you busy

0:13:20.720 --> 0:13:24.079
<v Speaker 1>enough to avoid all of those celebrity daggy reality shows

0:13:24.080 --> 0:13:26.680
<v Speaker 1>that you'd be asked to do every year, because you're like, no, mate,

0:13:26.679 --> 0:13:28.880
<v Speaker 1>I'm busy. I'm a recording artist, to have a number

0:13:28.880 --> 0:13:31.680
<v Speaker 1>one radio show, and I'm also on one of the

0:13:31.679 --> 0:13:33.760
<v Speaker 1>most iconic Australian TV shows of all time.

0:13:34.000 --> 0:13:37.240
<v Speaker 4>I certainly have had, you know, all the all of

0:13:37.280 --> 0:13:40.720
<v Speaker 4>them approach, and there's too many other things happening and

0:13:40.760 --> 0:13:43.440
<v Speaker 4>it's just not really, it's not really my jam. I

0:13:43.559 --> 0:13:46.240
<v Speaker 4>like sitting at home in my track is watching those shows.

0:13:46.280 --> 0:13:48.560
<v Speaker 4>I don't want to be on one of them, you

0:13:48.600 --> 0:13:49.199
<v Speaker 4>know what I mean?

0:13:49.280 --> 0:13:51.440
<v Speaker 1>Though, You'll be so busy till you're like fifty and

0:13:51.480 --> 0:13:53.240
<v Speaker 1>you'll be like one of those you know where there's

0:13:54.200 --> 0:13:57.160
<v Speaker 1>Nicky Buckley, she's on I'm a celebrity at the moment,

0:13:57.160 --> 0:13:58.760
<v Speaker 1>but she's like, that's when you'll be on.

0:13:58.800 --> 0:13:59.959
<v Speaker 2>Oh my god, she's amazing.

0:14:00.000 --> 0:14:01.240
<v Speaker 3>Think she's so beautiful.

0:14:01.280 --> 0:14:03.120
<v Speaker 4>No, I'm going to be like retired and living in

0:14:03.120 --> 0:14:06.200
<v Speaker 4>like Homa or something like I'm working really hard, Like

0:14:06.320 --> 0:14:08.120
<v Speaker 4>I will just disappear off the face of the earth

0:14:08.160 --> 0:14:08.800
<v Speaker 4>and people will.

0:14:08.640 --> 0:14:10.520
<v Speaker 3>Be like, what happened to that girl? That was like

0:14:10.640 --> 0:14:11.640
<v Speaker 3>always in our face?

0:14:11.840 --> 0:14:14.880
<v Speaker 4>I will be gone and you'll never hear from ging

0:14:15.040 --> 0:14:15.720
<v Speaker 4>ever again.

0:14:16.200 --> 0:14:18.520
<v Speaker 1>This is your third season though of hosting the show,

0:14:18.559 --> 0:14:20.040
<v Speaker 1>And do you know what I've been to watch you

0:14:20.160 --> 0:14:22.880
<v Speaker 1>live recording the live episodes.

0:14:22.280 --> 0:14:23.160
<v Speaker 4>For oh really?

0:14:23.240 --> 0:14:25.320
<v Speaker 1>Yeah? Yeah, I've been there and watched you and Scott

0:14:25.360 --> 0:14:28.720
<v Speaker 1>Tweety in full action. What I find amazing about you

0:14:29.160 --> 0:14:32.200
<v Speaker 1>is how you've brought so much of who you are

0:14:32.240 --> 0:14:35.600
<v Speaker 1>as a personality to your presenting. Because I was thinking

0:14:36.040 --> 0:14:39.720
<v Speaker 1>you could almost impersonate Osha or James and or you

0:14:39.720 --> 0:14:43.240
<v Speaker 1>could almost watch other presenters and steal things from them.

0:14:43.440 --> 0:14:47.880
<v Speaker 1>But I always see you in your teleprompting, in your

0:14:48.120 --> 0:14:51.120
<v Speaker 1>live moments, which are very stressful. I've done those before.

0:14:51.360 --> 0:14:54.080
<v Speaker 1>You still are yourself. I don't know how do you

0:14:54.480 --> 0:14:56.960
<v Speaker 1>do you meditate backstage to do that? Like, how do

0:14:56.960 --> 0:14:59.800
<v Speaker 1>you consciously still try and be yourself without sort of

0:15:00.000 --> 0:15:01.840
<v Speaker 1>impersonating being a presenter.

0:15:02.120 --> 0:15:06.080
<v Speaker 4>I don't think I can't pretend I'm really like, I

0:15:06.640 --> 0:15:11.040
<v Speaker 4>feel like I just always am authentic and genuine and

0:15:11.120 --> 0:15:13.680
<v Speaker 4>what I'm thinking feeling you can I like, if I

0:15:14.120 --> 0:15:17.080
<v Speaker 4>if I think something you can see it on my face.

0:15:17.320 --> 0:15:20.200
<v Speaker 4>There's not like I can't hide it. I'm not an actress.

0:15:20.280 --> 0:15:22.240
<v Speaker 4>I cannot hide it. I can't pretend.

0:15:22.560 --> 0:15:23.280
<v Speaker 2>So I'm kind of.

0:15:23.240 --> 0:15:25.360
<v Speaker 1>One of those. With your radio show as well, I

0:15:25.400 --> 0:15:29.960
<v Speaker 1>can I can see what you're thinking audibly. That's so random.

0:15:30.280 --> 0:15:32.840
<v Speaker 1>I've heard Joel and talk to you on that show

0:15:33.280 --> 0:15:36.440
<v Speaker 1>and ask you a question, and your pauses and your

0:15:36.480 --> 0:15:40.200
<v Speaker 1>delivery always allows the audience to know what the clogs

0:15:40.240 --> 0:15:41.240
<v Speaker 1>are doing inside kul.

0:15:41.880 --> 0:15:44.080
<v Speaker 4>But like, that's that's who I am, right, And I

0:15:44.160 --> 0:15:46.360
<v Speaker 4>think anything I do, I always bring that to who

0:15:46.360 --> 0:15:48.560
<v Speaker 4>I am, to bring that to what I'm doing. And

0:15:48.960 --> 0:15:53.040
<v Speaker 4>like when I was asked to host the Third Thing,

0:15:53.120 --> 0:15:57.200
<v Speaker 4>I was asked to host AGT. Yeah, and my host,

0:15:57.400 --> 0:15:58.440
<v Speaker 4>I mean, I've.

0:15:58.320 --> 0:15:59.680
<v Speaker 3>Never I can't. I'm not a host. I don't know

0:15:59.720 --> 0:16:01.280
<v Speaker 3>how to I can't host. I can judge.

0:16:01.280 --> 0:16:03.640
<v Speaker 4>I've got opinions, so I could be a judge. And

0:16:03.640 --> 0:16:05.800
<v Speaker 4>they were like no, the people that asked me to

0:16:05.840 --> 0:16:09.080
<v Speaker 4>host AGT were people that worked on Australian Idol back

0:16:09.080 --> 0:16:11.640
<v Speaker 4>when I was on it. So the executive producers of

0:16:12.440 --> 0:16:15.000
<v Speaker 4>AGT worked on Australian Idol back when I was on it,

0:16:15.040 --> 0:16:18.680
<v Speaker 4>and they said, we know you, We know you so well,

0:16:19.080 --> 0:16:22.000
<v Speaker 4>and we know you more than an Australia and people

0:16:22.360 --> 0:16:24.920
<v Speaker 4>know you, and there is you are the only person

0:16:24.960 --> 0:16:28.080
<v Speaker 4>that can do this role because you're silly, you're daggy.

0:16:28.480 --> 0:16:31.280
<v Speaker 4>You know, your sense of humor is perfect for this.

0:16:31.520 --> 0:16:33.280
<v Speaker 4>You can be glamorous, you can put on the dresses,

0:16:33.280 --> 0:16:35.160
<v Speaker 4>but you're also a bit of a dag you can

0:16:35.200 --> 0:16:37.320
<v Speaker 4>have a laugh, you don't take yourself too seriously.

0:16:37.640 --> 0:16:39.600
<v Speaker 3>This is the perfect role. You have to do this.

0:16:39.760 --> 0:16:41.760
<v Speaker 4>We're not taking over an answer, And I was like, well,

0:16:42.200 --> 0:16:46.360
<v Speaker 4>how big the check night for Skinny No No, And

0:16:46.400 --> 0:16:49.080
<v Speaker 4>I just I just never thought that I would be

0:16:49.120 --> 0:16:50.840
<v Speaker 4>able to do it because I don't know how to

0:16:50.880 --> 0:16:52.960
<v Speaker 4>host the TV show. I don't know how to read

0:16:52.960 --> 0:16:54.840
<v Speaker 4>a Telly prompt. I can read, but I don't know

0:16:54.880 --> 0:16:57.000
<v Speaker 4>how to host. I don't know how to listen in

0:16:57.000 --> 0:16:58.880
<v Speaker 4>my ears to the director and take ques and do

0:16:58.920 --> 0:17:02.160
<v Speaker 4>all of this was like my training ground basically, but

0:17:02.200 --> 0:17:04.200
<v Speaker 4>I went head first into hoping one of the biggest

0:17:04.240 --> 0:17:07.439
<v Speaker 4>TV shows on Australian TV. It was so stressful and

0:17:07.480 --> 0:17:09.879
<v Speaker 4>the only thing that I could do that was company

0:17:10.080 --> 0:17:12.760
<v Speaker 4>was just be myself. And the whole way they just said,

0:17:13.280 --> 0:17:14.240
<v Speaker 4>just be yourself.

0:17:14.560 --> 0:17:15.120
<v Speaker 2>That's enough.

0:17:15.160 --> 0:17:17.919
<v Speaker 4>Don't try and be something else, just be yourself. And

0:17:17.920 --> 0:17:20.439
<v Speaker 4>then from that then Australian Idol came back around and

0:17:20.480 --> 0:17:23.320
<v Speaker 4>they said, Ricky, you have to host this and I

0:17:23.359 --> 0:17:26.320
<v Speaker 4>can't follow Osher and James like they're the greatest.

0:17:26.440 --> 0:17:27.160
<v Speaker 2>They are, They're the.

0:17:27.160 --> 0:17:30.920
<v Speaker 3>Best in the business. Osha is incredible and I don't

0:17:30.960 --> 0:17:31.520
<v Speaker 3>think I'll.

0:17:31.320 --> 0:17:32.840
<v Speaker 2>Ever be able to do that.

0:17:32.840 --> 0:17:35.320
<v Speaker 1>That's what I think is incredible, because I mean just

0:17:35.560 --> 0:17:37.880
<v Speaker 1>I got asked to host Australia's Got Talent the year

0:17:37.880 --> 0:17:39.479
<v Speaker 1>that Channel nine did it, and I went in and

0:17:39.480 --> 0:17:41.639
<v Speaker 1>did a screen test for it. Julia Morris ended up

0:17:41.640 --> 0:17:44.520
<v Speaker 1>getting that series. But I know how hard it is

0:17:44.560 --> 0:17:46.520
<v Speaker 1>to be in that role, and I think I lost

0:17:46.520 --> 0:17:50.120
<v Speaker 1>it because of going home and watching other presenters instead

0:17:50.119 --> 0:17:53.960
<v Speaker 1>of deep, digging deep and doing the work bringing who

0:17:54.040 --> 0:17:55.800
<v Speaker 1>I am out of into the role. Do you know

0:17:55.840 --> 0:17:56.200
<v Speaker 1>what I mean?

0:17:56.400 --> 0:17:58.320
<v Speaker 4>You just have to be genuine. I think that's the thing.

0:17:58.359 --> 0:18:01.240
<v Speaker 4>You have to be curious. Questions that you want to ask,

0:18:01.480 --> 0:18:03.199
<v Speaker 4>they're the questions that you should be asking.

0:18:03.560 --> 0:18:04.800
<v Speaker 3>That's just what I've learned.

0:18:04.880 --> 0:18:06.879
<v Speaker 4>And in all of those moments when we're live and

0:18:06.880 --> 0:18:10.400
<v Speaker 4>it's stressful and something's going on, I just go back

0:18:10.440 --> 0:18:13.080
<v Speaker 4>do You just have to follow your own instincts. And

0:18:13.520 --> 0:18:15.800
<v Speaker 4>like even when with the with the script, like we

0:18:15.920 --> 0:18:19.320
<v Speaker 4>have meetings with our writers and we make sure that

0:18:19.480 --> 0:18:20.919
<v Speaker 4>the wording isn't just what.

0:18:21.000 --> 0:18:22.480
<v Speaker 3>The writer has written for me.

0:18:22.840 --> 0:18:25.280
<v Speaker 4>It has to have my language and the way that

0:18:25.320 --> 0:18:27.359
<v Speaker 4>I would say things. And we change things and we

0:18:27.359 --> 0:18:29.439
<v Speaker 4>cross things out and we rewrite things, and then it

0:18:29.480 --> 0:18:31.359
<v Speaker 4>goes in the prompter and it's written even in the

0:18:31.359 --> 0:18:32.040
<v Speaker 4>prompter the.

0:18:31.960 --> 0:18:33.120
<v Speaker 3>Way that I would speak.

0:18:33.440 --> 0:18:36.840
<v Speaker 4>So it's just that's really the that's all I've done,

0:18:36.880 --> 0:18:38.520
<v Speaker 4>and I still feel like I don't know how to

0:18:38.520 --> 0:18:38.760
<v Speaker 4>do it.

0:18:38.840 --> 0:18:40.600
<v Speaker 3>I still feel like a fraud. I feel like an

0:18:40.640 --> 0:18:42.400
<v Speaker 3>impost in a dress with.

0:18:42.440 --> 0:18:44.320
<v Speaker 4>All the weave clipped in and the eyelasses.

0:18:44.480 --> 0:18:46.440
<v Speaker 3>But it's really fun. It's great to.

0:18:46.359 --> 0:18:48.880
<v Speaker 4>Be part of the show, and you know, the show

0:18:48.880 --> 0:18:51.080
<v Speaker 4>that changed my life. It's amazing to be a part

0:18:51.119 --> 0:18:53.320
<v Speaker 4>of it and to be on the stage and kind

0:18:53.359 --> 0:18:55.879
<v Speaker 4>of running the ship, running the show. It's kind of

0:18:56.080 --> 0:18:57.919
<v Speaker 4>it's kind of crazy when you think about it. I

0:18:58.000 --> 0:19:01.960
<v Speaker 4>was eliminated, you know, so shockingly, and now I'm back

0:19:02.160 --> 0:19:02.800
<v Speaker 4>running the show.

0:19:02.920 --> 0:19:05.320
<v Speaker 3>Basically, it's kind of it's kind of fun.

0:19:05.680 --> 0:19:07.520
<v Speaker 1>I think the biggest take home from chatting with you

0:19:07.560 --> 0:19:11.359
<v Speaker 1>today is about how curiosity is the pathway to authenticity.

0:19:11.640 --> 0:19:14.439
<v Speaker 1>And I think that if you are genuinely curious as

0:19:14.440 --> 0:19:18.119
<v Speaker 1>a person about who you're talking to and what they're saying,

0:19:18.480 --> 0:19:21.520
<v Speaker 1>that comes across that makes people go off. I'm listening

0:19:21.600 --> 0:19:25.880
<v Speaker 1>to a conversation that feels real, and I'm with you.

0:19:26.080 --> 0:19:28.280
<v Speaker 1>I'm there with you. I want to know the answers

0:19:28.320 --> 0:19:30.080
<v Speaker 1>to the questions that you're asking.

0:19:30.440 --> 0:19:32.479
<v Speaker 4>And I think I think as well as like, because

0:19:32.560 --> 0:19:35.960
<v Speaker 4>I've been through I've been through the process, I have

0:19:36.560 --> 0:19:39.680
<v Speaker 4>also even even on top of that, a unique perspective.

0:19:39.720 --> 0:19:42.440
<v Speaker 4>I'm coming at it from a place where I've walked

0:19:42.480 --> 0:19:46.960
<v Speaker 4>in their shoes, Like I'm deeply empathetic and compassionate about

0:19:47.040 --> 0:19:49.840
<v Speaker 4>how everyone is feeling it all time because I have

0:19:49.880 --> 0:19:53.240
<v Speaker 4>felt those things. I've felt terrified about this thing that

0:19:53.280 --> 0:19:55.479
<v Speaker 4>I've been dreaming of, and I've built up in my

0:19:55.520 --> 0:19:57.159
<v Speaker 4>mind that this is going to be the moment, this

0:19:57.200 --> 0:19:59.359
<v Speaker 4>is going to be the thing that changes my life

0:19:59.440 --> 0:20:02.000
<v Speaker 4>and and is the thing this is. After this, I'm

0:20:02.000 --> 0:20:03.520
<v Speaker 4>going to be selling out arenas and I'm going to

0:20:03.560 --> 0:20:05.120
<v Speaker 4>be doing all the things and moving out the dreams

0:20:05.160 --> 0:20:06.240
<v Speaker 4>that I've been dreaming since.

0:20:06.040 --> 0:20:06.560
<v Speaker 3>I was a kid.

0:20:06.920 --> 0:20:10.640
<v Speaker 4>I understand how deeply everyone is feeling that. I understand

0:20:10.680 --> 0:20:13.280
<v Speaker 4>the nerves they're going through, the doubt that's in their mind,

0:20:13.520 --> 0:20:17.320
<v Speaker 4>how much they're doubting every and questioning every single thing

0:20:17.359 --> 0:20:21.960
<v Speaker 4>they're doing. So I try and bring that knowledge and

0:20:22.000 --> 0:20:25.320
<v Speaker 4>that experience to it and just kind of provide them

0:20:25.520 --> 0:20:28.639
<v Speaker 4>they know that, you know, I'm not trying to like

0:20:28.760 --> 0:20:30.320
<v Speaker 4>ever have a gotcha moment.

0:20:30.359 --> 0:20:31.439
<v Speaker 3>I'm not trying to trick you.

0:20:31.520 --> 0:20:33.560
<v Speaker 4>I'm only ever here to try and support you and

0:20:34.520 --> 0:20:38.440
<v Speaker 4>give you the best opportunity to shine. And I think

0:20:38.520 --> 0:20:40.600
<v Speaker 4>everybody knows that when we're doing the show, and I

0:20:40.600 --> 0:20:43.560
<v Speaker 4>think that's why. It's also when you get the best

0:20:43.600 --> 0:20:45.359
<v Speaker 4>out of people. Like if you just ask a cold

0:20:45.440 --> 0:20:48.320
<v Speaker 4>question to someone that's kind of jarring, you're not going

0:20:48.359 --> 0:20:51.480
<v Speaker 4>to get a lovely response, a great, world rounded response.

0:20:51.520 --> 0:20:55.400
<v Speaker 3>You're going to get like a weird, nervous.

0:20:54.840 --> 0:20:58.200
<v Speaker 4>Anxious, strange answer where they're trying to figure something out.

0:20:58.240 --> 0:21:00.680
<v Speaker 3>But you can do this job in a.

0:21:00.640 --> 0:21:03.719
<v Speaker 4>Really lovely, compassionate way and get the best and the

0:21:03.720 --> 0:21:04.720
<v Speaker 4>most out of everyone.

0:21:05.040 --> 0:21:07.440
<v Speaker 1>But I think it's understanding the fabric of a show.

0:21:07.840 --> 0:21:09.520
<v Speaker 1>You know what I mean, And I think, yeah, we

0:21:09.560 --> 0:21:11.880
<v Speaker 1>are a part of that. You get it, Like you've

0:21:11.880 --> 0:21:14.080
<v Speaker 1>seen all that you've lived through, seeing all the different

0:21:14.160 --> 0:21:15.760
<v Speaker 1>judges that have been on this show, do you know

0:21:15.800 --> 0:21:18.560
<v Speaker 1>what I mean? Like you've stood in front of the ogs,

0:21:18.840 --> 0:21:20.720
<v Speaker 1>you know, with dick O and Mark and Marsha back

0:21:20.720 --> 0:21:23.200
<v Speaker 1>in the day. You've stood in front of the judges

0:21:23.280 --> 0:21:26.920
<v Speaker 1>that have come internationally when we rebooted the show here

0:21:26.920 --> 0:21:29.480
<v Speaker 1>in Australia three years ago, and then here you are

0:21:29.480 --> 0:21:31.919
<v Speaker 1>with these three judges who are by the way, the

0:21:32.000 --> 0:21:35.240
<v Speaker 1>chemistry between these three judges this time round, it's just on.

0:21:35.520 --> 0:21:36.200
<v Speaker 3>It's amazing.

0:21:36.359 --> 0:21:39.879
<v Speaker 1>Yeah, Marsha's keeping Kyle and Line right in a way

0:21:40.200 --> 0:21:42.679
<v Speaker 1>that anyone that's ever been scared of Kyle. I'm not

0:21:42.720 --> 0:21:44.320
<v Speaker 1>scared of Kyle. I've worked with him so many times

0:21:44.359 --> 0:21:46.359
<v Speaker 1>and I love him. He's such a generous, kind person.

0:21:46.359 --> 0:21:49.120
<v Speaker 1>I love him, Yes, totally. So bizarre when people say

0:21:49.160 --> 0:21:52.000
<v Speaker 1>to me, oh, I think this of Kyle, but she keeps.

0:21:51.840 --> 0:21:53.480
<v Speaker 3>Him in, I know it's because you don't know him.

0:21:53.720 --> 0:21:55.919
<v Speaker 1>I'm like, I've not worked with this person. I was like,

0:21:55.960 --> 0:21:58.520
<v Speaker 1>this person rang Meat after doing three years of breakfast

0:21:58.640 --> 0:22:00.760
<v Speaker 1>radio and said, are you still doing breakfast radio in

0:22:00.760 --> 0:22:02.639
<v Speaker 1>central Queensland. I said, yeah, he goes, oh, well, you

0:22:02.720 --> 0:22:04.640
<v Speaker 1>might as well be the janitor, because if they haven't

0:22:04.640 --> 0:22:06.280
<v Speaker 1>picked you up and put you somewhere else by now,

0:22:06.440 --> 0:22:08.919
<v Speaker 1>you just might as well clean the toilets. And people

0:22:09.000 --> 0:22:11.080
<v Speaker 1>might see that as like a nasty thing. But he

0:22:11.280 --> 0:22:14.880
<v Speaker 1>was absolutely not correct. Who picks up Who at Kyle's

0:22:14.920 --> 0:22:17.960
<v Speaker 1>level would have that conversation with me? You know what,

0:22:18.000 --> 0:22:20.000
<v Speaker 1>I mean, to even be bothered to pick up the

0:22:20.040 --> 0:22:23.000
<v Speaker 1>phone and have that call, But that's to me wild,

0:22:23.320 --> 0:22:24.399
<v Speaker 1>you know, and that's kind.

0:22:24.680 --> 0:22:28.080
<v Speaker 4>No, he's a wonderful and you know, everyone has their

0:22:28.119 --> 0:22:31.520
<v Speaker 4>opinions about everyone, right, but he's a wonderful. He's a

0:22:31.520 --> 0:22:34.359
<v Speaker 4>wonderful person, and he's really supportive and he really he

0:22:34.440 --> 0:22:37.960
<v Speaker 4>really backs people and gets behind you and anything you need,

0:22:38.040 --> 0:22:41.560
<v Speaker 4>I'm here. He really is really generous and helpful and

0:22:41.880 --> 0:22:44.320
<v Speaker 4>thoughtful and goes out of his way to you know,

0:22:44.440 --> 0:22:45.960
<v Speaker 4>check on people and make sure you're okay.

0:22:46.000 --> 0:22:48.439
<v Speaker 3>And he's done the same with me. He's awesome.

0:22:48.560 --> 0:22:49.760
<v Speaker 1>It's amazing, he really is.

0:22:49.920 --> 0:22:52.919
<v Speaker 4>It is nice seeing though, like you know, Marsha is

0:22:53.000 --> 0:22:55.639
<v Speaker 4>like you know, she's a queen, like she's quean Marsha.

0:22:55.960 --> 0:22:59.480
<v Speaker 4>So there's just this respects that is there, and everybody

0:22:59.520 --> 0:23:00.520
<v Speaker 4>respects each other.

0:23:00.760 --> 0:23:02.800
<v Speaker 3>Kyle respects Marsha, and Marsha respects Kyle.

0:23:03.000 --> 0:23:04.120
<v Speaker 2>There's just love and.

0:23:04.040 --> 0:23:07.920
<v Speaker 4>Respect there between everyone. And even for me, I've known

0:23:08.200 --> 0:23:11.200
<v Speaker 4>Marsha since I was on the show twenty one years ago.

0:23:11.280 --> 0:23:12.680
<v Speaker 4>Now I've known Kyle for that.

0:23:12.600 --> 0:23:13.200
<v Speaker 3>Long as well.

0:23:13.240 --> 0:23:15.320
<v Speaker 4>I've been friends with Amy since we were in school,

0:23:15.400 --> 0:23:17.199
<v Speaker 4>really good friends of Amy since we're in school. So

0:23:17.280 --> 0:23:20.040
<v Speaker 4>it's like, not only is there just this, there is

0:23:20.080 --> 0:23:22.120
<v Speaker 4>beautiful chemistry because we're all friends.

0:23:22.320 --> 0:23:23.280
<v Speaker 3>Same with Scott.

0:23:23.359 --> 0:23:27.560
<v Speaker 4>It's just like there's love, respect, friendship, and we all

0:23:27.600 --> 0:23:30.399
<v Speaker 4>want the best for everyone who's walking on that stage.

0:23:30.440 --> 0:23:34.199
<v Speaker 4>And I think that breeds a really amazing environment on

0:23:34.400 --> 0:23:37.960
<v Speaker 4>set offset behind the scenes, the whole crew. There's still

0:23:38.040 --> 0:23:39.800
<v Speaker 4>crew that works on the show that was on the

0:23:39.920 --> 0:23:43.520
<v Speaker 4>when I was on the show, Like it's just everybody. Yes,

0:23:43.560 --> 0:23:46.760
<v Speaker 4>we're there to make a great TV show with great

0:23:46.800 --> 0:23:49.399
<v Speaker 4>moments and a drama with all of that stuff, And

0:23:49.680 --> 0:23:50.920
<v Speaker 4>that naturally.

0:23:50.520 --> 0:23:53.200
<v Speaker 3>Happens when you provide a safe.

0:23:53.119 --> 0:23:57.960
<v Speaker 4>And loving and encouraging environment for people to try their

0:23:58.000 --> 0:23:59.680
<v Speaker 4>best and go out in a limb and give it

0:23:59.720 --> 0:24:01.760
<v Speaker 4>a shit and that's what we all do. And I

0:24:01.800 --> 0:24:04.920
<v Speaker 4>think that's why this show is so great, because people

0:24:05.000 --> 0:24:07.480
<v Speaker 4>are loving that there's a lot of love in the room,

0:24:07.600 --> 0:24:09.600
<v Speaker 4>but you know, there's also a lot of drama that

0:24:09.720 --> 0:24:12.600
<v Speaker 4>just naturally happens. I think that's what makes it such

0:24:12.600 --> 0:24:15.440
<v Speaker 4>a great family show. It's not nasty, it's not coming

0:24:15.480 --> 0:24:19.359
<v Speaker 4>from a bad place where you know, there's weird edits

0:24:19.400 --> 0:24:23.240
<v Speaker 4>and things happening. It's just a genuine not a love fest.

0:24:23.440 --> 0:24:26.240
<v Speaker 4>But there's just a lot there and it's great for

0:24:26.280 --> 0:24:27.080
<v Speaker 4>the whole family.

0:24:27.680 --> 0:24:30.800
<v Speaker 1>I watched a preview episode with my best friend and

0:24:30.840 --> 0:24:33.360
<v Speaker 1>her daughter was with us. Yeah, And it was so

0:24:33.400 --> 0:24:35.479
<v Speaker 1>bizarre because my best friend and I lived together in

0:24:35.520 --> 0:24:38.240
<v Speaker 1>the two thousands when Idle was first on TV. We

0:24:38.280 --> 0:24:41.200
<v Speaker 1>watched it when we were twenty two together and here

0:24:41.240 --> 0:24:43.440
<v Speaker 1>we are in our forties watching it with her daughter,

0:24:43.760 --> 0:24:46.639
<v Speaker 1>who is then enjoying the show in the same way

0:24:46.880 --> 0:24:50.199
<v Speaker 1>that we did. And I was like, this is so good, Like,

0:24:50.440 --> 0:24:52.639
<v Speaker 1>this is so good to be able to show that

0:24:52.800 --> 0:24:56.840
<v Speaker 1>this vehicle of Australian idol has been something in our

0:24:56.880 --> 0:24:59.320
<v Speaker 1>life for so long that has made so many people's

0:24:59.359 --> 0:25:04.040
<v Speaker 1>dreams actually come true. Yeah, show children to work hard

0:25:04.440 --> 0:25:07.199
<v Speaker 1>and to believe in yourself. Like there's a lot in

0:25:07.320 --> 0:25:10.919
<v Speaker 1>there's a lot in this show. That's what makes television

0:25:11.119 --> 0:25:11.760
<v Speaker 1>so good.

0:25:12.000 --> 0:25:12.880
<v Speaker 3>Oh, there's a.

0:25:12.800 --> 0:25:14.800
<v Speaker 4>Lot of lessons in there, like when you go through

0:25:14.880 --> 0:25:17.200
<v Speaker 4>like you know, you go through auditions, and sometimes people

0:25:17.240 --> 0:25:19.600
<v Speaker 4>really have to fight for their for their spot. They

0:25:19.600 --> 0:25:21.879
<v Speaker 4>have to really convince the judges because maybe they've got

0:25:21.880 --> 0:25:23.879
<v Speaker 4>to sing another song, maybe they didn't quite hit them up,

0:25:24.040 --> 0:25:25.040
<v Speaker 4>maybe there's something.

0:25:24.760 --> 0:25:26.119
<v Speaker 3>That they can see they're not quite sure.

0:25:26.280 --> 0:25:28.640
<v Speaker 4>Then you get to top thirty and sometimes people fall

0:25:28.680 --> 0:25:31.840
<v Speaker 4>apart and it's like sometimes people don't bother learning the words,

0:25:31.840 --> 0:25:33.200
<v Speaker 4>and there are lessons in there.

0:25:33.359 --> 0:25:34.040
<v Speaker 3>Do you want this?

0:25:34.240 --> 0:25:36.200
<v Speaker 2>Why are you not learning the freaking words?

0:25:36.240 --> 0:25:38.399
<v Speaker 4>Like, it's just there's so many little things and I

0:25:38.400 --> 0:25:40.040
<v Speaker 4>think it's why there you.

0:25:39.960 --> 0:25:41.680
<v Speaker 3>Know, we have such a broad audience.

0:25:41.720 --> 0:25:44.080
<v Speaker 4>You've got little kids watching it, You've got people in

0:25:44.119 --> 0:25:46.600
<v Speaker 4>the early teenagers and early twenties, and then you've got

0:25:46.600 --> 0:25:48.359
<v Speaker 4>the moms, and you've got the grandmas, and you've got

0:25:48.400 --> 0:25:50.960
<v Speaker 4>auntie and uncle, and you've got everyone across the board

0:25:51.000 --> 0:25:54.040
<v Speaker 4>watching this show because it really is for everyone, and

0:25:54.200 --> 0:25:57.359
<v Speaker 4>everybody loves sitting back in their chair and judging and

0:25:57.440 --> 0:25:59.680
<v Speaker 4>saying whether they do or don't like someone, or they

0:25:59.680 --> 0:26:01.880
<v Speaker 4>think that person should have got through or they shouldn't,

0:26:01.960 --> 0:26:04.400
<v Speaker 4>or that was a terrible performance there last.

0:26:04.200 --> 0:26:04.879
<v Speaker 2>Week was better.

0:26:05.200 --> 0:26:08.280
<v Speaker 4>People are filled with opinions and love that, and I

0:26:08.320 --> 0:26:11.360
<v Speaker 4>think that's what this show stirs, which is it's really

0:26:11.359 --> 0:26:13.560
<v Speaker 4>fun and it's fun to watch who people fall in

0:26:13.560 --> 0:26:15.760
<v Speaker 4>love with. Like out of those first few episodes, you

0:26:15.840 --> 0:26:17.160
<v Speaker 4>watched who jumped.

0:26:16.840 --> 0:26:17.400
<v Speaker 2>Out at you?

0:26:17.440 --> 0:26:21.000
<v Speaker 1>And I'm so obsessed with the first girl that walked out.

0:26:21.119 --> 0:26:24.080
<v Speaker 1>I think her name was Eilish. I'm from the Alanis

0:26:24.119 --> 0:26:30.119
<v Speaker 1>Morissette generation, so I yeah, is in my DNA. And

0:26:30.200 --> 0:26:33.439
<v Speaker 1>when she came out and her accent was so rough

0:26:33.560 --> 0:26:33.800
<v Speaker 1>and so.

0:26:33.920 --> 0:26:34.800
<v Speaker 3>Wrong, I don't get that.

0:26:34.840 --> 0:26:35.639
<v Speaker 4>I'm kilken.

0:26:35.840 --> 0:26:38.480
<v Speaker 1>I didn't even know what she was saying. I didn't either,

0:26:38.680 --> 0:26:40.040
<v Speaker 1>But then she and she was super.

0:26:39.880 --> 0:26:40.560
<v Speaker 3>Quiet, like when I.

0:26:40.520 --> 0:26:42.960
<v Speaker 4>Saw it, she's super quiet, and then she's got this

0:26:43.080 --> 0:26:46.040
<v Speaker 4>really rough accent and You're like, what is this girl going.

0:26:45.960 --> 0:26:49.119
<v Speaker 1>To do something amazing? And that's where you've got your

0:26:49.160 --> 0:26:52.160
<v Speaker 1>Susan Boyle moment where people go there's this washer woman

0:26:52.440 --> 0:26:55.760
<v Speaker 1>and then Susan Boyle bounced out with like, you know,

0:26:56.040 --> 0:26:59.360
<v Speaker 1>echoed a song that is still being you know, remembered

0:26:59.359 --> 0:27:02.200
<v Speaker 1>as a TV moment for years, and that Eilish moment

0:27:02.240 --> 0:27:04.480
<v Speaker 1>to me was something like that where you can't judge

0:27:04.480 --> 0:27:06.840
<v Speaker 1>a book by its cover, you know, you can't judge

0:27:06.840 --> 0:27:09.600
<v Speaker 1>someone by their accent. Dummy him is a good example

0:27:09.680 --> 0:27:14.480
<v Speaker 1>of that as well. These beautiful voices, these incredible TV

0:27:14.640 --> 0:27:17.680
<v Speaker 1>moments are created by people that are the underdogs and

0:27:17.960 --> 0:27:19.400
<v Speaker 1>they're the everyday Australians.

0:27:19.840 --> 0:27:20.920
<v Speaker 2>I think that's so cool.

0:27:21.040 --> 0:27:23.880
<v Speaker 1>Yeah, John, Yeah, I thought I was worried he wasnt

0:27:23.880 --> 0:27:26.720
<v Speaker 1>going to get through and I was like, oh my gosh,

0:27:26.920 --> 0:27:27.840
<v Speaker 1>you know, like you stuff.

0:27:27.920 --> 0:27:29.639
<v Speaker 3>He's like the nicest person on earth.

0:27:29.840 --> 0:27:31.760
<v Speaker 1>Yeah, yes, story with the trampoline.

0:27:32.200 --> 0:27:35.960
<v Speaker 4>For me, Marcell Hamburger was I'm obsessed with him. First

0:27:35.960 --> 0:27:38.640
<v Speaker 4>of all, Hamburger is the last name, not last name.

0:27:38.800 --> 0:27:39.600
<v Speaker 3>I'm a fan.

0:27:39.640 --> 0:27:43.439
<v Speaker 4>Instantly, but just like, I mean again, like he's just

0:27:43.440 --> 0:27:44.240
<v Speaker 4>this awkward.

0:27:44.640 --> 0:27:47.640
<v Speaker 2>Yeah, you know, you're on edge.

0:27:47.480 --> 0:27:50.959
<v Speaker 4>The whole time you're watching him until he sings, and

0:27:51.040 --> 0:27:54.160
<v Speaker 4>it's just magical. And I think that's what the great

0:27:54.200 --> 0:27:56.680
<v Speaker 4>thing about this show is is just the surprises, and

0:27:57.200 --> 0:27:58.440
<v Speaker 4>it's always unexpected.

0:27:58.520 --> 0:28:00.160
<v Speaker 3>Someone walks in the room, you think.

0:28:00.119 --> 0:28:01.919
<v Speaker 4>You know what's going to happen, and you don't, and

0:28:01.960 --> 0:28:04.000
<v Speaker 4>then that still happens. Even when the live shows and

0:28:04.000 --> 0:28:06.800
<v Speaker 4>you know, these people are great thingers, still things happen,

0:28:06.880 --> 0:28:09.320
<v Speaker 4>and it's just I don't know, it's so exciting.

0:28:09.400 --> 0:28:10.560
<v Speaker 3>I love this show so much.

0:28:10.800 --> 0:28:13.240
<v Speaker 1>Before I let you go, I ask everyone the same question.

0:28:13.480 --> 0:28:15.119
<v Speaker 1>So I've been doing this for a while, but what

0:28:15.240 --> 0:28:17.520
<v Speaker 1>is something from behind the scenes of Idol? Something that

0:28:17.720 --> 0:28:19.879
<v Speaker 1>is kind of a behind the scenes secret? And I

0:28:19.960 --> 0:28:22.040
<v Speaker 1>kind of thought of something that I wanted to ask you,

0:28:22.480 --> 0:28:25.840
<v Speaker 1>is that do people ask you about which judge you

0:28:25.880 --> 0:28:28.160
<v Speaker 1>would like to see return to the show, like whether

0:28:28.200 --> 0:28:32.120
<v Speaker 1>it's Harry Connick Junior or Mark Holden or is there

0:28:32.119 --> 0:28:34.720
<v Speaker 1>a judge though that because you are one of the

0:28:34.720 --> 0:28:36.199
<v Speaker 1>only people who have been in front of all of

0:28:36.200 --> 0:28:38.640
<v Speaker 1>these people, so you have a POV that's different to

0:28:38.760 --> 0:28:40.080
<v Speaker 1>what even the viewer has.

0:28:40.360 --> 0:28:42.760
<v Speaker 4>Oh that's a really it is a really interesting question.

0:28:42.920 --> 0:28:46.120
<v Speaker 4>I think it's great having with our judges. Everyone has

0:28:46.160 --> 0:28:50.440
<v Speaker 4>their own perspective, right And Kyle has been a part

0:28:50.480 --> 0:28:54.560
<v Speaker 4>of supporting and making and breaking artists for his whole career.

0:28:54.880 --> 0:28:57.400
<v Speaker 4>He certainly has been a huge supporter of mine and

0:28:57.520 --> 0:29:00.840
<v Speaker 4>so many other Australian artists throughout the years. He's really amazing,

0:29:01.280 --> 0:29:03.560
<v Speaker 4>an amazing person to having your corner. Marster is just

0:29:03.600 --> 0:29:05.640
<v Speaker 4>a queen, Like we say this, you know, really full

0:29:05.680 --> 0:29:06.640
<v Speaker 4>stop queen martyr.

0:29:06.800 --> 0:29:07.880
<v Speaker 2>Amy's incredible.

0:29:07.960 --> 0:29:10.160
<v Speaker 3>She's worked so hard, She's got an interesting perspective.

0:29:10.400 --> 0:29:14.000
<v Speaker 4>I think I'm really out of the judges that I've

0:29:14.040 --> 0:29:17.280
<v Speaker 4>seen and worked with. I mean, I had a really

0:29:17.320 --> 0:29:21.920
<v Speaker 4>great friendship with Dicko and I really respect like he was,

0:29:22.120 --> 0:29:25.320
<v Speaker 4>you know, a lot of the time touted the mean judge,

0:29:25.560 --> 0:29:29.040
<v Speaker 4>but it's not really that mean. When you think of

0:29:28.440 --> 0:29:32.480
<v Speaker 4>the things that are said in boardrooms when you're actually

0:29:32.520 --> 0:29:35.280
<v Speaker 4>an artist and in the industry and how cut throat

0:29:35.320 --> 0:29:37.720
<v Speaker 4>it is and how black and white things are.

0:29:38.200 --> 0:29:41.720
<v Speaker 2>There is no you know, blurry middle ground.

0:29:41.760 --> 0:29:44.440
<v Speaker 4>It either is this or it's not, or you don't know,

0:29:44.520 --> 0:29:46.600
<v Speaker 4>and you figure it out and you know really quickly

0:29:46.680 --> 0:29:49.160
<v Speaker 4>if it is or isn't a hit or good or

0:29:49.200 --> 0:29:51.160
<v Speaker 4>going to work or whatever. And I kind of I

0:29:51.200 --> 0:29:54.040
<v Speaker 4>did love his honesty and Canada like. I think he

0:29:54.120 --> 0:29:58.479
<v Speaker 4>was just very sharpshooter, straight suitor, be as it was,

0:29:58.760 --> 0:30:00.960
<v Speaker 4>because that's what the industry is like, and Kyle does

0:30:00.960 --> 0:30:01.520
<v Speaker 4>that as well.

0:30:01.800 --> 0:30:03.040
<v Speaker 3>This industry, it is.

0:30:03.080 --> 0:30:06.280
<v Speaker 4>Savage, is brutal, and it's savage, and I think if

0:30:06.560 --> 0:30:08.680
<v Speaker 4>you have to have a thick skin to be able

0:30:08.720 --> 0:30:11.560
<v Speaker 4>to survive in this industry, and like, there are things

0:30:11.560 --> 0:30:12.320
<v Speaker 4>that have been said.

0:30:12.720 --> 0:30:15.520
<v Speaker 3>Of course, you know that people don't like.

0:30:15.520 --> 0:30:17.520
<v Speaker 4>About the way someone looks or that weighs, the way

0:30:17.520 --> 0:30:20.200
<v Speaker 4>someone is dressed. But if you look at any of

0:30:20.240 --> 0:30:23.440
<v Speaker 4>the comments on social media, people at home are saying

0:30:23.480 --> 0:30:26.640
<v Speaker 4>those exact things. Or when you go out on TV

0:30:26.880 --> 0:30:30.480
<v Speaker 4>in an outfit that's maybe not flattering or you, or

0:30:30.520 --> 0:30:32.320
<v Speaker 4>people just didn't like the way you sing.

0:30:32.600 --> 0:30:35.040
<v Speaker 3>Sometimes people just don't like your space and they.

0:30:35.000 --> 0:30:38.000
<v Speaker 4>Just don't like you, and they will go and find

0:30:38.040 --> 0:30:39.360
<v Speaker 4>a place to tell you that.

0:30:39.720 --> 0:30:40.840
<v Speaker 3>I think it's funny.

0:30:40.520 --> 0:30:43.560
<v Speaker 4>When people get outraged by some of the you know,

0:30:43.600 --> 0:30:46.160
<v Speaker 4>they say nasty things that are said, but that's those

0:30:46.200 --> 0:30:49.240
<v Speaker 4>are just honest a lot of the time constructive things

0:30:49.240 --> 0:30:51.360
<v Speaker 4>that are being said to you that you can improve on.

0:30:51.880 --> 0:30:54.080
<v Speaker 4>And I mean, yeah, all you have to do is

0:30:54.120 --> 0:30:56.440
<v Speaker 4>have a look in the comments on Facebook or Instagram

0:30:56.560 --> 0:30:59.520
<v Speaker 4>or TikTok or anywhere, and you know, on news articles

0:30:59.520 --> 0:31:02.760
<v Speaker 4>to see how nasty people at home can be. So

0:31:03.160 --> 0:31:06.320
<v Speaker 4>you know, if you can't hear it from someone you respect,

0:31:06.840 --> 0:31:09.720
<v Speaker 4>that is in the industry, you're going to really struggle

0:31:09.760 --> 0:31:11.600
<v Speaker 4>to make it through with all of the noise and

0:31:11.640 --> 0:31:14.800
<v Speaker 4>all of the people's opinions out there in the world.

0:31:14.920 --> 0:31:18.320
<v Speaker 1>So I think Diggo as well was really iconic for

0:31:18.920 --> 0:31:22.120
<v Speaker 1>that time as well, because you know, he himself could

0:31:22.120 --> 0:31:25.360
<v Speaker 1>have walked on stage and tried to be palatable or

0:31:25.400 --> 0:31:28.240
<v Speaker 1>tried to make the audience love him or whatever, and

0:31:28.280 --> 0:31:31.640
<v Speaker 1>he was like, absolutely not. I'm going to put my face,

0:31:31.760 --> 0:31:35.440
<v Speaker 1>my name to these comments and help these young people

0:31:35.680 --> 0:31:38.760
<v Speaker 1>be prepared for an industry that is brutal. So it

0:31:38.840 --> 0:31:39.840
<v Speaker 1>starts here totally.

0:31:39.920 --> 0:31:42.840
<v Speaker 4>And Kyle does the same thing, and he cops a

0:31:42.840 --> 0:31:45.520
<v Speaker 4>lot of flack for saying things that everyone is thinking,

0:31:45.800 --> 0:31:47.360
<v Speaker 4>oh my god, why does he have to say something

0:31:47.440 --> 0:31:51.120
<v Speaker 4>so mean, but that he's actually it's really ballsy to

0:31:51.200 --> 0:31:54.400
<v Speaker 4>look someone in the ir national TV and know that

0:31:54.440 --> 0:31:57.000
<v Speaker 4>people are going to think that it's horrible what you're saying,

0:31:57.080 --> 0:31:59.560
<v Speaker 4>but say it for the greater good of telling the

0:31:59.600 --> 0:32:03.480
<v Speaker 4>person what they need to hear. And I think I'm

0:32:03.560 --> 0:32:05.280
<v Speaker 4>the kind of person that appreciates that.

0:32:05.960 --> 0:32:06.680
<v Speaker 3>I'm always the.

0:32:06.600 --> 0:32:10.560
<v Speaker 4>Person that's like, just tell me exactly, Like tell me,

0:32:10.600 --> 0:32:12.320
<v Speaker 4>I don't want you to mince your word.

0:32:12.440 --> 0:32:14.640
<v Speaker 3>Just tell me exactly that some people are.

0:32:14.480 --> 0:32:17.440
<v Speaker 4>A bit less confident, and they're a bit softer, and

0:32:17.480 --> 0:32:20.520
<v Speaker 4>they're not so strong and so resilient. So it is

0:32:20.560 --> 0:32:23.560
<v Speaker 4>harder for some people to take. But unfortunately that is

0:32:23.560 --> 0:32:26.280
<v Speaker 4>the reality of our business, is that you know, there

0:32:26.320 --> 0:32:28.760
<v Speaker 4>are hard conversations that you have to have all the time.

0:32:29.200 --> 0:32:30.560
<v Speaker 2>I'm married to my manager.

0:32:30.680 --> 0:32:34.040
<v Speaker 3>Can you imagine what those conversations are like sometimes.

0:32:34.160 --> 0:32:37.120
<v Speaker 1>Well, I've been rolling on a river with you for

0:32:37.680 --> 0:32:41.680
<v Speaker 1>so crowd marry red by lund room and my two

0:32:41.760 --> 0:32:44.760
<v Speaker 1>best girlfriends say to me, that's regularly cool to dance

0:32:44.840 --> 0:32:48.840
<v Speaker 1>moves right there. And I am obsessed with you. I've

0:32:48.880 --> 0:32:51.000
<v Speaker 1>been in your audience for so long. I have seen

0:32:51.040 --> 0:32:54.800
<v Speaker 1>you live, I've seen you shape shift over the many years,

0:32:55.040 --> 0:32:57.360
<v Speaker 1>and I am in your audience and I think you

0:32:57.480 --> 0:32:59.719
<v Speaker 1>do such a fantastic job. And thank you for being

0:32:59.760 --> 0:33:02.360
<v Speaker 1>so generous with your time and talking to me today.

0:33:02.400 --> 0:33:03.960
<v Speaker 1>It has actually made my week.

0:33:04.120 --> 0:33:06.320
<v Speaker 2>Of course, anytime love chatting with you.

0:33:06.920 --> 0:33:09.920
<v Speaker 3>It's been a real pleasure. Thank you for having me. Bye,

0:33:10.040 --> 0:33:10.920
<v Speaker 3>god see you later.

0:33:11.280 --> 0:33:11.560
<v Speaker 2>Thanks