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Speaker 1: Mulan Rouge, the musical is on at Crown Theater from

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Speaker 1: this Sunday until April the twenty first. You can get

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Speaker 1: tickets through Ticketmaster and the multi talented and faceted Simon

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Speaker 1: Burke is with us.

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Speaker 2: Hello, Hello, good morning. Are you I'm pretty good? Thank you?

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Speaker 1: So you play Harold Ziddler fun?

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Speaker 2: Sorry, they have fun, so much fun?

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Speaker 1: You love it?

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Speaker 2: Yeah.

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Speaker 3: Look, I've done a lot of musicals in my time,

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Speaker 3: but I think you probably, without doubt, hands down the

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Speaker 3: most exciting. It's I mean, the role is great. Harold

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Speaker 3: is the owner of the Mulan Rouge in the movie,

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Speaker 3: is played by Jim Broadbent. In the stage music, it's

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Speaker 3: been beefed up, so I'm sort of like the host

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Speaker 3: of the whole show for the audience. When you walk

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Speaker 3: into the Muhlan Rouge walk into the Crown Theater, you're

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Speaker 3: actually walking to the Mulan Rouge, and and I'm kind

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Speaker 3: of a host.

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Speaker 2: And it's so much fun.

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Speaker 1: Perhaps one of the most physical roles at Yeah.

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Speaker 3: Yeah, I bounce aroughout that stage in a way that

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Speaker 3: I haven't for some time.

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Speaker 2: Just in a boat exactly. It's amazing, Yeah, amazing.

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Speaker 4: Simon Burke a, it's great to see you.

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Speaker 5: We have chatted before, We've various things across the years, mate,

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Speaker 5: but the people are still celebrating in perthin across the land.

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Speaker 5: You get the feeling that excitement about seeing live performances

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Speaker 5: from really talented people.

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Speaker 4: They're still still in that vibe.

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Speaker 2: Absolutely.

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Speaker 3: I think that's what we found with we've done the

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Speaker 3: show in Melbourne and Sydney and as we've been coming

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Speaker 3: out of lockdown and stuff, there's something about this show

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Speaker 3: of people being locked away for eighteen months. It's almost

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Speaker 3: like because this is like the movie. People remember the

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Speaker 3: movie and how kind of fun and beautiful and magnificent

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Speaker 3: and broad it is, but the show is kind of

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Speaker 3: the movie on steroids, and so you get like eighteen

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Speaker 3: months of entertainment in one night.

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Speaker 2: It's nice.

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Speaker 3: All the songs you know from the movie, like you

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Speaker 3: know your song and Roxanne and Diamonds girls that were saying,

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Speaker 3: but there's twenty two years of music since the movie happens,

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Speaker 3: so yeah, that's been put into our musical. So we

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Speaker 3: got beyond saying Pink and Adele and Rihanna.

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Speaker 1: You know, there's one thing to watch all that color

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Speaker 1: and amazingness that is bass on the screen, but to

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Speaker 1: feel like you're virtually immersed in it in the in

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Speaker 1: the theater. And you've been on some amazing sets. I mean,

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Speaker 1: I will never forget the first time that chandelier crashes

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Speaker 1: down above my head in the Phantom. But what is

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Speaker 1: the set like for this one?

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Speaker 2: Again?

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Speaker 3: Really stunning? I think what you're saying. Let the whole

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Speaker 3: idea of putting a bas film onto stage, and our

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Speaker 3: director for a Broadway director, Alex Timbers, has totally nailed

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Speaker 3: it because it has that kind of mash up feel

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Speaker 3: that you think, how are you going to do that?

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Speaker 3: That mash up stuff that you have on screen, but

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Speaker 3: just the set and the costumes and stuff, it's just

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Speaker 3: it's just a kind of visual assault.

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Speaker 2: It just kind of a.

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Speaker 1: It's fun in the best possible word, fantastic visual assault.

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Speaker 5: You're up there, you know, you're practicing a craft on

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Speaker 5: stage and there, but you must see sometimes things in

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Speaker 5: the crowd, even though you're focusing on what you're doing,

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Speaker 5: you must see some unusual things at times.

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Speaker 4: You can get the odd phone, ringing mobile.

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Speaker 3: Oh yeah, yeah, yeah, a lot of singing along because yeah, yeah,

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Speaker 3: we've got to get people that come come see the show.

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Speaker 3: That have been obsessed with this film since they were

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Speaker 3: teenagers or whatever, and it holds a very special place

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Speaker 3: in so many people's hearts, this film. And I think

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Speaker 3: the excitement of seeing it on stage, you know, if

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Speaker 3: you've got to see something, you know when you're on

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Speaker 3: your first date or something as a teenager and you're

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Speaker 3: watching it like twenty years later. Yeah, there's a lot

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Speaker 3: of excitement there. And so yeah, we have We actually

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Speaker 3: had a we had a punch up in the audience

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Speaker 3: in Sydney. I should probably say this, but in Sydney

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Speaker 3: it was it was. It was a Wednesday matinee. Yeah,

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Speaker 3: and so generally and generally an older audience and a Wednesday,

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Speaker 3: and there's a there's a couple there and another elderly

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Speaker 3: couple and one guy said.

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Speaker 2: Tell your wife to stop seeing. How do you say that?

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Speaker 5: I had to be a separated added entertainment, we had

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Speaker 5: a Dave Chappelle comedy show.

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Speaker 4: There was a punch up here in person a couple

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Speaker 4: of weeks ago, which.

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Speaker 1: Was bizarre enough. Wednesday musical that is insane exactly right now.

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Speaker 4: I want to put you off a little bit up there.

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Speaker 1: There was something for everyone that day. Your resume is spectacular.

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Speaker 1: You've done a lot of the biggies, you know, I

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Speaker 1: mentioned the Phantom of the Opera, done SOT music, You've

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Speaker 1: done my all time favorite Lamber is Chicago, Mary Poppin's Hairspray.

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Speaker 1: Is there a musical theater theater production that you haven't

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Speaker 1: done that you think I want to do that one day?

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Speaker 1: I don't think this meany you haven't done.

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Speaker 2: There's not money I haven't done.

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Speaker 3: I mean there are some really interesting.

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Speaker 2: Of it and the oldest, oldest elder. Look.

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Speaker 3: I just as well as doing big musicals, I love

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Speaker 3: working on new Australian stuff, which I've done and so like,

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Speaker 3: I guess there's a music all out there that hasn't

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Speaker 3: been written yet that yeah, you know, Yeah, I think

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Speaker 3: that's That's another exciting thing, is, you know, is to

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Speaker 3: be able to combine you know, the great big shows

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Speaker 3: that are so well loved with with new work.

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Speaker 2: Yeah.

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Speaker 1: What about TV and film and so on? Is anything

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Speaker 1: much coming up in the pipeline?

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Speaker 3: Yeah, I'm I'm preoccupied with this show quiet at the time.

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Speaker 3: But yeah, I have really been wanting to get back

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Speaker 3: into film and television.

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Speaker 1: So how many more options now. I mean I've seen

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Speaker 1: some great stuff on Netflix and stand and particularly Stan

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Speaker 1: doing some good Australian look stuff.

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Speaker 3: I think the screen industry in Australia is really really

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Speaker 3: busy again.

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Speaker 4: It is great, isn't it.

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Speaker 3: The streamers as we know starting to do stuff and

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Speaker 3: there's been some great I mean Colin from Accounts, Yes, yes,

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Speaker 3: the Foxtel the Jury, the twelve thing.

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Speaker 1: That was that was fantastic, more than the European ones, Yeah,

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Speaker 1: wasn't it.

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Speaker 2: What's my favorite show of that year? Is my favorite show?

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Speaker 2: Such a great yeah? I mean Kitty Floding it amazing.

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Speaker 5: Who seemed surprised when she won the award? She wasn't

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Speaker 5: she got someone else to pick up and that.

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Speaker 2: The guy who's the receptionist, Eric, I really he recognized.

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Speaker 2: It's just how funny she is.

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Speaker 4: No, I don't think so.

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Speaker 2: In a way, I love it that that show is.

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Speaker 3: There's so many little kind of cameos and stuff.

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Speaker 2: You see I know that person from someone.

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Speaker 4: Famous, friends rocking up.

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Speaker 2: It's really cool.

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Speaker 1: It's a great show.

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Speaker 5: Gold and it's all going on. I was talking about

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Speaker 5: people in the crowd. I did hear someone told me

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Speaker 5: a story about a woman who was an actress who

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Speaker 5: was in a show. She had very long monologues throughout

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Speaker 5: this performance, and she obviously knew she was good at

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Speaker 5: her craft. But a mobile phone ringing absolutely through her

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Speaker 5: one day, and because she was so experienced, she managed

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Speaker 5: to get back on track. Have you ever been put

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Speaker 5: off by something whilst the shows on?

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Speaker 2: Like that?

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Speaker 4: I can understand a punch up being slightly amusing.

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Speaker 3: Yeah, look, I guess it happens occasionally. But you know,

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Speaker 3: I think that's the other great thing about live entertainment,

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Speaker 3: you know, like you know, if something crazy happens, an

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Speaker 3: audience is going to love it even more. I mean

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Speaker 3: I've had the odd sort of slip up in a

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Speaker 3: line or something. Actually, I do remember once I was

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Speaker 3: in London. I was playing Captain von Trapp in the

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Speaker 3: Sound of Music at Palladium Theater and I just arrived

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Speaker 3: from Australia and I was I must have been homesick,

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Speaker 3: because there was a matin day one day and the

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Speaker 3: Nazis come in and whatever, and Maria runs around.

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Speaker 2: She turns to me and she says, what are we

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Speaker 2: going to do? Gayor? And I said, We'll have to

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Speaker 2: go out of Austria right away. And this matinee you did.

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Speaker 2: She turned to me and said, what you do gay,

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Speaker 2: I said, We'll have to get out of London right away.

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Speaker 2: The whole audience just she.

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Speaker 3: Looked at me, I looked at her, The audience looked

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Speaker 3: at each other. There was just like great raw and

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Speaker 3: then everyone applauded, and then you just get on with it.

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Speaker 3: I mean, of course, I think the other moments that

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Speaker 3: people live.

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Speaker 1: For, and that's history of the film flipped on its head.

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Speaker 3: Exactly while we do it, you know, because something happens

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Speaker 3: every night, and sometimes the audience knows what's going on.

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Speaker 3: Sometimes that like sometimes you know, in any show, there

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Speaker 3: might be a show stop something and then the audience

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Speaker 3: sort of stops for it doesn't happen, happens once in

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Speaker 3: a blue moon, but an audience goes and then you

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Speaker 3: come back on they give you a little round.

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Speaker 2: And that's it's kind of weird as well not.

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Speaker 5: Be live otherwise, said the late great Peak Posselway. In

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Speaker 5: a one man played his magic and he was trying

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Speaker 5: to do something as simple as light a candle, and

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Speaker 5: the bloody thing wouldn't lie.

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Speaker 4: It had four cracks. Eventually it did, but he was

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Speaker 4: so calm up there, you know, yeah, it's it's.

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Speaker 2: It's why we do it.

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Speaker 1: Speaking of Shenanigan's you were, of course, of course a

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Speaker 1: lot of people know from play School because we've all

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Speaker 1: grown up with Play School. What sort of tom foolery

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Speaker 1: went on behind the scenes of that.

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Speaker 3: Well, I was fortunate enough that when I started play School,

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Speaker 3: my goodness me, it was in the late eighties. Yeah,

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Speaker 3: and the eighties and nineties, I guess, were when play

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Speaker 3: School was still filmed as if it was live, so

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Speaker 3: you didn't do it in sections, and so basically you

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Speaker 3: had to learn the entire script plus all the camera

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Speaker 3: stuff and just it was like being in top Gun.

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Speaker 2: You just got in and did it and song here exactly.

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Speaker 2: And you were not you know, you were very frowned

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Speaker 2: upon if you stopped at all. The only way you

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Speaker 2: could stop if the magic word dropped you goodness, And so.

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Speaker 3: You were very much encouraged to like if something went wrong,

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Speaker 3: you just had to you had to put up with it.

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Speaker 3: Like you know, if you're making a little a little

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Speaker 3: clay doll and I remember this one time was with

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Speaker 3: NONI and we were making this clay doll and the

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Speaker 3: little doll and she the girl decides to go for

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Speaker 3: a walk in the forest, and there's a close up

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Speaker 3: and the leg falls.

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Speaker 2: Off, and so she kept hopping.

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Speaker 3: But that's that's the great and that training of play

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Speaker 3: school and those things has really and there's certain moments

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Speaker 3: in this show when I'm mucking around on stage. I think,

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Speaker 3: if it wasn't a play school, I would not have

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Speaker 3: the comfort and the joy of doing that, because you know,

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Speaker 3: it's it's that whole thing of I mean, what we

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Speaker 3: do acting is playing.

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Speaker 2: Really.

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Speaker 3: Yeah, There's been a few moments in the show that

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Speaker 3: I've been able to channel. So I've got this thing

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Speaker 3: at the very end where I sing who needs a

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Speaker 3: Heart when a Heart could be broken? It's just my

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Speaker 3: solo line in the encore, and for some reason, who

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Speaker 3: needs a Heart when a Heart makes You crazy? And

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Speaker 3: the whole oh, that's right, it's call and response. So

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Speaker 3: I'm singing this and then the whole cast has to

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Speaker 3: sing along with me, who needs a harp when a

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Speaker 3: Heart makes You crazy? And they went, who needs a

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Speaker 3: But I've done it full time over four hundred fifty shows.

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Speaker 3: I've just got I come up to this moment. I go, please,

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Speaker 3: what is the line Oh, it's who needs a hurt

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Speaker 3: one heart.

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Speaker 2: Make sure.

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Speaker 1: The more you tell yourself to say the lines there,

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Speaker 1: the more you say the other one.

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Speaker 3: Yeah.

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Speaker 5: Well you could always do what the veteran rock stars

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Speaker 5: are doing and having some They're looking at the screen.

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Speaker 3: No, I like it better.

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Speaker 2: How you doing it well?

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Speaker 1: Mulin Rouge. The musical is on a Crown Theater until

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Speaker 1: April twenty. First tickets are through Ticketmaster. Lovely to have

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Speaker 1: you in town. Lovely to have you on stay for

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Speaker 1: the Crown, and thank you so much.

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Speaker 2: For joining us. It's great to see you guys. Thank you.

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Speaker 4: Excuse my friend, like you got beep