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Speaker 1: Free will.

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Speaker 2: Yeah, it's will and getting your home for the next

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Speaker 2: couple of hours. Woodrow Friday is how you doing, mate?

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Speaker 2: Coffee a bit strong?

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Speaker 1: No, my eyes, it's quite bright in here.

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Speaker 3: Someone's turned a line on and it's quite bright, but

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Speaker 3: no one cares about that.

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Speaker 1: Friday is is a.

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Speaker 3: Segment where we give away fifty bucks, huge cash giveaway.

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Speaker 1: Here on the show. You heard it correct, fifty Australian dollars.

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Speaker 2: Fifty big ones for you to invest in whichever way

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Speaker 2: you see fit.

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Speaker 3: And well, what a perfect little segue into the Nasdaq

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Speaker 3: talking of investments. And as I've mentioned before, the nasdack

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Speaker 3: is actually down, come off a little bit in the

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Speaker 3: last few days, but we're pretty confident.

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Speaker 1: That it will bounce back.

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Speaker 2: Supremely confidence and jump on board. Rejoined in the show.

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Speaker 2: That's what we do, cheeky humor with quality finance.

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Speaker 1: So you to hear a couple more.

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Speaker 2: We cross across the global markets on a Friday, so

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Speaker 2: you hear a little bit of what's going on in London.

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Speaker 1: That's it.

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Speaker 2: In Japan, No, that's right. You've got an update from

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Speaker 2: Tokyo as well, which don't don't say now, well.

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Speaker 3: No, we'll hook that over look forward to that, stay

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Speaker 3: with us, find out how the Tokyo stock market has

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Speaker 3: gone today.

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Speaker 2: Well, special guess measures coming in. He has no idea

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Speaker 2: who it is. I'm very excited this person is going

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Speaker 2: to be coming in very much looking border how it's

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Speaker 2: going to go with you, Woods and everybody can look forward.

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Speaker 1: To that a little bit later on.

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Speaker 2: How are you feel about that?

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Speaker 1: I think I know who it is. I think I

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Speaker 1: know who it is.

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Speaker 3: Yes, so I had a bit of epiphany before I

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Speaker 3: closed my eyes and I saw that person.

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Speaker 1: Wow and excited, very very much.

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Speaker 3: I've already written down a few questions. So who's going

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Speaker 3: to place and a half back?

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Speaker 1: Good stuff?

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Speaker 2: Now Wards, I want to talk to you about the

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Speaker 2: French later, Emmanuel Macon. I hope we've spoken out on

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Speaker 2: this show before. He's him in a press conference recently.

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Speaker 2: Listen com Marc.

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Speaker 4: Contin don't as Colon.

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Speaker 1: VI missus monte cuisine at the as a band Consuma

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Speaker 1: bomb bomb What do you write? Sense of humor doesn't?

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Speaker 2: What do you think he's in there.

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Speaker 1: Now? I don't know. I didn't Mane. Just guess he

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Speaker 1: was saying that the Okay, so he's French. He's talking yes, yes,

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Speaker 1: what's going in the world now, He's all for the Trump.

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Speaker 3: Trump's let off the woman of the in jail on

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Speaker 3: Kim Kardashian's request, and he's commenting on that and saying,

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Speaker 3: he's that's fine.

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Speaker 1: Pretty good.

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Speaker 2: Really well, he's talking about Trump.

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Speaker 1: Oh there you go.

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Speaker 2: I heard I heard you.

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Speaker 1: I heard Trump in there.

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Speaker 2: What he's actually said there is and I think this

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Speaker 2: is great. He said. So, someone's asking about a phone

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Speaker 2: conversation that he had with Trumpy. It wasn't about the

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Speaker 2: Kim Kardashian incident, but they just said he's idiot.

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Speaker 1: Phone conversation with Donald Trump?

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Speaker 2: What was what was it about? And he said that

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Speaker 2: his conversations with Donald Trump are like sausages, right, And

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Speaker 2: he said, like they say where I come from, it's

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Speaker 2: best not to know what's inside them. Ah, very good,

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Speaker 2: pretty good, pretty good. I've never heard that's a metaphore basically,

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Speaker 2: and a nutshell as well. It's just just a whole

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Speaker 2: bunch of sausage. All of our conversations and sausages. Really,

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Speaker 2: I mean, it's better not to know what's inside them,

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Speaker 2: but just to see the show will be like, yeah,

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Speaker 2: I trust you, not about show.

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Speaker 5: But you're just saying, don't listen to us.

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Speaker 2: I'm saying that the contents not all. You know, you're

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Speaker 2: not You're not ging and going wow, you know what

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Speaker 2: I mean?

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Speaker 1: I would have hoped.

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Speaker 5: Don't think we're okay? I mean I think we're a

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Speaker 5: bit better of a sausage.

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Speaker 3: I think maybe we're a dim they were a dim

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Speaker 3: sim still a bit shit inside, but we at least

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Speaker 3: we taste good.

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Speaker 2: That's what he's saying. No, it's good the contents.

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Speaker 1: Let's not talk about it.

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Speaker 2: Let's let's get too deep. Sure, okay, that's the first

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Speaker 2: time I've ever heard the analogy of calling a conversation

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Speaker 2: of sausage. But I love the idea of using food

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Speaker 2: as analogies to describe things. Have you heard of any

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Speaker 2: other food analogies?

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Speaker 5: Well, you call someone a bit of a silly sausage

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Speaker 5: if they're silly.

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Speaker 2: Yeah, but like, let's let's get off the sausage.

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Speaker 1: Happened?

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Speaker 3: If you call somebody a prawn, Oh well, so I

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Speaker 3: would never but yeah, apparently of course they've got a

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Speaker 3: bad face.

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Speaker 1: So good body, but bad face. That's right, as you

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Speaker 1: ripped the head off a prawn.

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Speaker 2: Yes, have you heard of any others. If someone has

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Speaker 2: got the face like a drop meat pie, that's also harsh.

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Speaker 6: Run.

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Speaker 5: That's a negative thing to say about someone's face.

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Speaker 2: It's always always a belt is always a go to.

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Speaker 1: A bit of a turkey, turkey turkey, because turkey is

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Speaker 1: also a food.

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Speaker 5: Obviously, Yeah that works.

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Speaker 2: Why does turkey work?

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Speaker 1: I agrieve he's a little bit of a because they

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Speaker 1: carry on like a turkey turkey like a bit of

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Speaker 1: a she's a bit of a cow.

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Speaker 2: That's more of an animal.

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Speaker 1: Sorry, yeah, no beef. No good point. That's you've got

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Speaker 1: me there. That's a good point. That's a good point.

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Speaker 1: Foods food.

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Speaker 2: I really look, look, we can pull out the other one.

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Speaker 2: We can pull out all the like two peas in

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Speaker 2: a pod classics.

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Speaker 1: Good one.

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Speaker 5: Yeah, keen is mustard. Now he shake of the sauce

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Speaker 5: bottle boom.

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Speaker 1: That's the bottle.

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Speaker 2: Rather, you know anyway? Thirty one oh six five. What

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Speaker 2: I really want to know is these are all ones

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Speaker 2: that we've heard a lot of. The sausage one I've

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Speaker 2: never heard of before. But I think using food to describe.

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Speaker 1: People is just great.

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Speaker 2: Thirty one o six five. I love you guys, have

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Speaker 2: got a really good food analogy to describe anything, so

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Speaker 2: it can be I remember when I was doing interviews

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Speaker 2: for Legal Clarking, they always used to say, if you

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Speaker 2: were a fruit, what would you be? And the correct

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Speaker 2: the answer everyone had up their sleeve, which I'm sure

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Speaker 2: the law firms had never heard before, was I'd like

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Speaker 2: to be a grape because I think I'm really good individually,

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Speaker 2: but I also work well on a team.

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Speaker 3: I just fire them on the spot. If I ever

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Speaker 3: said that you're such a suck up, get out.

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Speaker 2: Give me a good Give thirty one or six pots another.

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Speaker 2: You've heard a good food analogy, give us go up next,

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Speaker 2: talking international leaders, which we'll get back onto the Tokyo

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Speaker 2: stot very shortly, but we'll do the international politics first,

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Speaker 2: which is a big favorite of ours. We like Justin Trudeau,

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Speaker 2: Kim Jong un personal fan of the show as well.

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Speaker 2: Top of this, we're also increasingly loving Emmanuel and Macon

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Speaker 2: as the president of France. I will play it again

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Speaker 2: because it's nearly my favorite of audio played all year.

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Speaker 2: This is him talking about Malcolm Turmble's wife. But they

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Speaker 2: wanted to send you for who were going to sink

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Speaker 2: you and your delicious wife for your one.

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Speaker 4: Walk on.

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Speaker 3: Skyrocketed popular leaders delicious is the footage of that?

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Speaker 1: Is it video? Friotage of that? But what about them

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Speaker 1: when the French president said your wife's delicious, and your

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Speaker 1: delicious wife as well.

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Speaker 2: Anyway, look he's had another built up and the audio

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Speaker 2: is in French. So to all those people are French

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Speaker 2: that listen to the show, I'm sure you enjoyed it before.

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Speaker 1: I won't play it again.

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Speaker 2: But he described his conversation, his phone conversation with Donald Trump,

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Speaker 2: all of his conversations with Donald Trump, like sausages, you'd

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Speaker 2: rather than not know what's inside. And so I just

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Speaker 2: think that food. Food is just such a wonderful genre

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Speaker 2: to use to analogize things I were saying. For carrying

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Speaker 2: on like a pork job. Oh yeah, why is that?

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Speaker 2: They don't carry on at all?

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Speaker 5: They generally sit pretty still.

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Speaker 2: But there it's so inventive.

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Speaker 1: Yeah, there's so.

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Speaker 2: Many different ways that you can use food to describe.

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Speaker 1: That's all. That's what I want to use.

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Speaker 2: The one who six five Rihanna is given us girl,

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Speaker 2: Happy Friday, mate, welcome to the show.

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Speaker 7: Hi, how are you doing?

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Speaker 4: Yeah? Very good?

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Speaker 2: What's you have a food analogy you want to share

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Speaker 2: with us.

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Speaker 7: Yes, you're around like a wristlet.

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Speaker 2: See you around like a wristle.

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Speaker 5: I've never heard that.

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Speaker 7: It's a very old one.

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Speaker 2: See you around like a rissle.

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Speaker 1: Start using that. That is a oh, use it right now.

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Speaker 1: See you around like a wristle.

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Speaker 5: That's beautiful.

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Speaker 1: Yeah, I thought we were going to get it back.

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Speaker 1: But that's a right, that's right.

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Speaker 5: Next time.

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Speaker 1: A good day, Tony.

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Speaker 2: Thirty one and six five tons. You got a food

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Speaker 2: analogy for us?

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Speaker 7: Yeah, sure do, mate. A few nuggets some of the

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Speaker 7: six part.

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Speaker 1: Few nuggets short of a sixer beautiful.

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Speaker 2: Yeah, that's good. That's good. I like all them. What

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Speaker 2: else we got there? Bananas, couple of bananas short short

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Speaker 2: of a bunch, a couple of short of a dollar,

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Speaker 2: A couple of sandwiches sort of a picnip sticking on.

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Speaker 5: The food, A couple of tools. Sure we're doing with food?

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Speaker 2: Oh yeah, no, now, but I like the one though, Tony.

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Speaker 2: Have you had that McDonald's deal where you pay like

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Speaker 2: ten bucks for twenty four nuggets at the moment, of course, mate,

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Speaker 2: it's the best, the best, and tuggar the deal nice

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Speaker 2: and creaky for the kids.

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Speaker 1: It's unbelievable. It's unbelievable, is it. It's like it's twenty

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Speaker 1: four nuggets for like nine or ten dollars. Wow, Donald,

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Speaker 1: it's crazy. It's so good. A right chicken nuggs for dinner?

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Speaker 1: Beautiful Kate thirteen one and six five. How are you doing?

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Speaker 7: Hey? What about you're a crunchy crunch I haven't heard that. Yeah,

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Speaker 7: because you're you know, you've.

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Speaker 6: Got brown hair, so you're brown on the outside but

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Speaker 6: blonde on the inside.

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Speaker 5: Oh, very good, it's very good.

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Speaker 2: Usually when you do a stupid mistake.

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Speaker 1: So yeah, you're.

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Speaker 2: Because because blondes are a little bit a bit of

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Speaker 2: deal their deals, aren't they?

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Speaker 1: Yeah, they sure are stereotypically done.

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Speaker 7: Bill, you just said another one.

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Speaker 2: A deal, a bit of a deal. Oh yeah, but

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Speaker 2: surely then it's a deal. Pickle?

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Speaker 1: Is it?

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Speaker 4: In?

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Speaker 1: A pickle? Is a good one?

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Speaker 2: You're in a pickle?

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Speaker 3: Why?

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Speaker 2: Why are you in a deal of a pickle?

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Speaker 1: I don't know.

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Speaker 2: That's a dilly of a pickle.

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Speaker 1: You're in a dilly of a pickle.

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Speaker 2: I don't know why you're in a pickle, but you are.

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Speaker 2: You definitely are pickles.

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Speaker 1: You're in you have to pickle something in vinegar don't you.

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Speaker 5: If you look at a pickle, they're stuck in that jar.

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Speaker 1: You are you going to get out?

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Speaker 2: Mate?

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Speaker 1: You're in a screwed lid. Yeah, you're screwing the group,

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Speaker 1: not only in the jar, but.

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Speaker 5: You're in the pickle as well, so you're double.

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Speaker 1: That's trouble. Ben here has any to be anything?

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Speaker 2: One the other day about calling someone an avocado, which

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Speaker 2: means that they look really rough on the They look

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Speaker 2: really rough on the outside, but they're actually.

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Speaker 1: Very so good. One marshmallow is good for that as well.

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Speaker 2: A bit of an avocado chop coated marshmallow. I was

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Speaker 2: gonna say, marshmallow in general looks pretty fluffy, and it

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Speaker 2: is pretty fuffy.

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Speaker 1: Yeah, I'm not good at this.

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Speaker 5: Ben's gone chocolate marsallow.

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Speaker 1: I love that you.

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Speaker 2: No, no, yeah, Benny, Hello, Hello Friday. We're talking about

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Speaker 2: food analogies. Manual macrons use sausage to describe a bad conversation.

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Speaker 2: You'd rather not know what's in it? What have you

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Speaker 2: got for us?

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Speaker 1: Mate?

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Speaker 3: When it's been a long day, hard day, it's studdy

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Speaker 3: or whatever, and your brain's a little bit fried, you're schnitzeled.

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Speaker 1: Ah, yeah, good.

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Speaker 2: Why is schnitzled, because totally you're a bit fried, You're done.

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Speaker 1: You cooked, you cooked, You're Schnitzledzled.

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Speaker 8: I like it.

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Speaker 1: And you can say, stick a fork in me. I'm schnitzel.

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Speaker 2: I like schnitzled. I think snitzle is more just the

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Speaker 2: sound of the word that I like. There, I'm a

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Speaker 2: bit cooked schnitzel schnitzled.

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Speaker 1: Oh use that that's good.

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Speaker 2: I feel like schnitzels are quite moist and you know, accessible, though.

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Speaker 1: Do you know what I mean? I thinkitz is really

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Speaker 1: dry and like almost overcooked. I clearly had to your

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Speaker 1: quality of obviously, just schnitzel off the hot plate, pasta and.

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Speaker 2: A special guest for Woods after five o'clock.

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Speaker 1: Look forward to that.

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Speaker 2: But right now, another very special guest in the first time.

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Speaker 3: I'm not sure exactly what he does, but he's behind

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Speaker 3: the scenes and he's called the Wiz something.

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Speaker 4: Pleasure to be here.

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Speaker 2: Still in the payroll.

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Speaker 4: I'm still in the payroll. I'm earning my money today.

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Speaker 2: I'll tell you that much.

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Speaker 1: Here we go.

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Speaker 4: Yeah, So, anyway, I want to talk to you boys

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Speaker 4: about reality TV.

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Speaker 1: Right so good.

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Speaker 4: There was a new show that debuted this week. It

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Speaker 4: was called buying blind. By buying blind, just like they're blindfolded.

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Speaker 4: And so pretty much what happens is couple's hand over

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Speaker 4: their life savings to complete strangers go and buy a

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Speaker 4: house that they've never laid eyes on before.

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Speaker 2: God, so who would do that? Again?

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Speaker 4: Their money to these complete strangers, and they tell them

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Speaker 4: what they like about it in the house and what

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Speaker 4: they're looking for, and then those strangers go and purchase

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Speaker 4: their house on their behalf great without them saying so

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Speaker 4: they don't know what the house is.

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Speaker 1: Why would anyone do this?

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Speaker 4: I don't know. It's getting ridiculous. Yeah, the point I'm

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Speaker 4: trying to make. So now I want to throw a

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00:13:35,120 --> 00:13:37,280
Speaker 4: little bit of audio if you actually pitching in reality

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Speaker 4: TV show to Will a while ago, So, Mike, if

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Speaker 4: you hit that.

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Speaker 3: Form, the TV show idea is called come inside, Will

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Speaker 3: and Woody, Okay, you get cameras that go inside your

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Speaker 3: body and then it's like a live feed inside us.

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Speaker 1: It's currently a bidding more for that. I'm serious.

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Speaker 4: Going. I think Will will agree with me that that

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Speaker 4: was absolutely shut. One of yours coming come in ideas

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Speaker 4: as well, and that was probably I want to pitch

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Speaker 4: a few ideas to you boys.

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Speaker 8: Whole.

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Speaker 4: Yeah, I'm going to pick a couple.

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Speaker 1: I'm kind to hear.

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Speaker 4: Them. If you like one, perhaps we could make a

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Speaker 4: pilot episode for that show. Okay, yeah, okay. So first

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Speaker 4: idea is this that you can do something as well.

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Speaker 1: This is a job for yourself, some.

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Speaker 4: Job security exactly.

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Speaker 1: First idea.

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Speaker 4: It's called Married at Last Sight, so it's steadying nursing

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Speaker 4: homes of Australia and and earlily, Australians on their death

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Speaker 4: beds take the final leap as husband and wife. I

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Speaker 4: think that's actually married it Last time. I mean, that's

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Speaker 4: a little bit of humor in that one. And also

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Speaker 4: the emotions, like one dies at the end of the episode.

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Speaker 1: They both do.

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Speaker 4: It's married at Last Night, how do you know? Yeah,

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Speaker 4: the pragmatics of it, like they both die, they both die,

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Speaker 4: they take the final leap together.

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Speaker 2: Surely one of them can just die.

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Speaker 4: Well, maybe we'll just have to make the show and

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Speaker 4: see what happens.

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Speaker 1: Okay, yeah, we need the premiers.

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Speaker 5: Yeah, okay, pretty good, pretty good idea.

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Speaker 4: So it's called Cabby Wants a Wife. So six lonely

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00:15:30,280 --> 00:15:32,840
Speaker 4: Cabby's on the road to romance. Choose between hundreds of

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Speaker 4: perspective partners hoping to find their lifelong passenger. Okay, so

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Speaker 4: I'm thinking like dates. A date could be a taxi ride,

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Speaker 4: for example, and depending on how long the ride goes for,

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Speaker 4: you can see how well you're fared. So you're fair

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Speaker 4: might be.

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Speaker 5: Last little fair pun good pun otherwise idea.

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Speaker 4: Come inside. Next one is called my Kitchen drools.

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Speaker 6: Yeah.

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00:16:14,520 --> 00:16:17,080
Speaker 4: Teams compete to serve a three course meal that will

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00:16:17,120 --> 00:16:19,520
Speaker 4: be placed in front of a hungry dog. The team

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Speaker 4: whose dog expels the most drool.

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Speaker 5: I like that people people like dogs, like people like

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Speaker 5: dogs a lot.

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Speaker 2: This is good.

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Speaker 4: I've got to hit more here. You want me to

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Speaker 4: keep going.

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00:16:34,680 --> 00:16:34,840
Speaker 2: More?

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Speaker 1: Give us your next best one? A huge list there?

356
00:16:39,360 --> 00:16:40,880
Speaker 1: Or do you want to end on my kitchen drills?

357
00:16:40,880 --> 00:16:41,400
Speaker 1: Would you prefer?

358
00:16:41,920 --> 00:16:43,200
Speaker 4: I can? And maybe a silly one?

359
00:16:43,200 --> 00:16:43,680
Speaker 1: Perhaps no?

360
00:16:43,800 --> 00:16:44,320
Speaker 2: I keep going.

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Speaker 1: Sorry they.

362
00:16:47,960 --> 00:16:50,560
Speaker 2: Give me another, give you a real one and then okay.

363
00:16:50,680 --> 00:16:58,240
Speaker 4: Australia's next top accountant His next top accountant, hopeful ta

364
00:16:58,720 --> 00:17:02,800
Speaker 4: tackle the number of mathematical financial challenges as they compete

365
00:17:02,840 --> 00:17:06,520
Speaker 4: for an accounting role at one of Australians accounting firms.

366
00:17:07,600 --> 00:17:10,400
Speaker 1: It's so bad, so bad.

367
00:17:10,880 --> 00:17:14,280
Speaker 5: So the final did the legend balance and they can

368
00:17:14,359 --> 00:17:14,720
Speaker 5: reveal it.

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00:17:14,840 --> 00:17:16,679
Speaker 1: Yeah now.

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00:17:19,119 --> 00:17:22,719
Speaker 2: Yeah, not bad anyway.

371
00:17:22,800 --> 00:17:24,159
Speaker 4: So what do we think, would you want to make

372
00:17:24,200 --> 00:17:25,000
Speaker 4: a pilot or I.

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00:17:25,040 --> 00:17:31,679
Speaker 1: Think we need to go to the traffic my kitchen drawls.

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00:17:31,880 --> 00:17:33,680
Speaker 1: I'm very interested in my kitchen drawls.

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00:17:33,720 --> 00:17:34,840
Speaker 2: What is shark take.

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00:17:35,880 --> 00:17:40,320
Speaker 4: Actually having an idea based on that. It's called shark prank.

377
00:17:49,800 --> 00:17:55,840
Speaker 4: Scuba divers plunge into shark confessed borders, taking a series

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00:17:55,880 --> 00:17:58,320
Speaker 4: of pranks on unsuspecting sharks.

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00:18:00,520 --> 00:18:06,040
Speaker 3: So wean I'm definitely frank. What would be an example

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Speaker 3: of a shark prank?

381
00:18:07,520 --> 00:18:09,359
Speaker 4: You know, when you like tap someone from the other side.

382
00:18:11,160 --> 00:18:13,439
Speaker 2: Mandy Moore, Yes, I don't know her.

383
00:18:13,480 --> 00:18:14,080
Speaker 1: Mandy Morris.

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00:18:14,160 --> 00:18:15,720
Speaker 2: Yep, you might know her from this song.

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00:18:16,920 --> 00:18:18,200
Speaker 1: No, I didn't the audio.

386
00:18:18,400 --> 00:18:20,600
Speaker 2: Now that's my fault, that's not your fault, right, But

387
00:18:21,440 --> 00:18:23,240
Speaker 2: what does Mandy Moore sing? Well?

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00:18:23,320 --> 00:18:25,800
Speaker 1: I know the film Liberty, she was in great film.

389
00:18:25,840 --> 00:18:29,400
Speaker 5: She's the president, she's an actress, she's the president's daughter.

390
00:18:29,560 --> 00:18:33,800
Speaker 2: And so Mandy Moore song on the system, Mike, I mean,

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Speaker 2: I just I just presumed that we that we would

392
00:18:35,640 --> 00:18:42,119
Speaker 2: have crush think I know this song. It's just like

393
00:18:42,320 --> 00:18:48,520
Speaker 2: it's just a little theme crush. Oh, I've never heard that.

394
00:18:52,280 --> 00:18:55,480
Speaker 2: Your knowledge of crap nineties songs unbelievab.

395
00:18:55,520 --> 00:18:59,040
Speaker 1: Yeah, great coming handed. She's done an interview on.

396
00:19:00,440 --> 00:19:05,399
Speaker 2: Howard Stern obviously in between writing Amazing, and she's had

397
00:19:05,440 --> 00:19:09,159
Speaker 2: a chat with him, a very candid interview about some

398
00:19:09,280 --> 00:19:18,240
Speaker 2: of her exes ooh Saucy, including Wilma Vandurama, Valderama, Oh Valdorama,

399
00:19:18,320 --> 00:19:27,520
Speaker 2: Wilma Vandurama. Also hugely successful. Andy Roddick, Oh, the a

400
00:19:27,720 --> 00:19:28,040
Speaker 2: rod Now.

401
00:19:28,400 --> 00:19:29,960
Speaker 1: He's the tennis player. He formed a number one in

402
00:19:29,960 --> 00:19:30,919
Speaker 1: the wiel Now for.

403
00:19:30,920 --> 00:19:35,520
Speaker 2: A couple of years. He broke her heart, apparently, she's

404
00:19:35,760 --> 00:19:37,520
Speaker 2: she said that he had a little bit of a

405
00:19:37,560 --> 00:19:38,160
Speaker 2: wandering eye.

406
00:19:38,640 --> 00:19:41,400
Speaker 1: Oh, naughty Andy. She's dated Zach Brath.

407
00:19:42,040 --> 00:19:44,720
Speaker 2: Oh you like Zach brow and she said he was

408
00:19:44,720 --> 00:19:47,879
Speaker 2: an absolute legend. She's still completely in touch with him,

409
00:19:49,000 --> 00:19:54,720
Speaker 2: which is very very good. Also, Ryan Adams. She dated

410
00:19:54,800 --> 00:19:57,960
Speaker 2: Ryan Adams a few people, hasn't.

411
00:19:57,760 --> 00:19:59,480
Speaker 1: She Who's Ryan Adams rockstar?

412
00:19:59,720 --> 00:20:02,840
Speaker 2: Very anyway, So she goes on all that all eyes

413
00:20:02,960 --> 00:20:05,240
Speaker 2: and dishes a little bit about them and look, to

414
00:20:05,320 --> 00:20:07,520
Speaker 2: be honest, I thought that some of the things that

415
00:20:07,600 --> 00:20:09,800
Speaker 2: she said about them, I wouldn't have gone and said

416
00:20:09,800 --> 00:20:12,160
Speaker 2: about my ex publicly. I don't think it's a nice

417
00:20:12,160 --> 00:20:15,280
Speaker 2: thing to do, but I didn't, and I don't think

418
00:20:15,320 --> 00:20:19,959
Speaker 2: that any of them were anywhere near as entertaining as Cassandra,

419
00:20:20,080 --> 00:20:23,640
Speaker 2: who called our show once to tell us that her

420
00:20:23,760 --> 00:20:26,919
Speaker 2: ex had spread a rumor about her.

421
00:20:27,240 --> 00:20:30,159
Speaker 6: Which was this In high school and year twelve, there

422
00:20:30,240 --> 00:20:32,400
Speaker 6: was a rumor going around that I took three two

423
00:20:32,520 --> 00:20:38,480
Speaker 6: a day. One day, I was.

424
00:20:38,480 --> 00:20:40,640
Speaker 7: At a party and one of the guys I wanted

425
00:20:40,680 --> 00:20:42,680
Speaker 7: to get with came up to me, and I got excited,

426
00:20:42,720 --> 00:20:46,600
Speaker 7: thinking I wanted to talk to me. He said, are

427
00:20:46,680 --> 00:20:48,720
Speaker 7: you the girl that takes three ships today?

428
00:20:51,000 --> 00:20:52,920
Speaker 1: And he's so good?

429
00:20:53,400 --> 00:20:56,080
Speaker 4: So I want to do easy going.

430
00:20:56,200 --> 00:20:59,119
Speaker 2: I think Mannymore has cooked it, like I got Liud

431
00:20:59,160 --> 00:21:02,120
Speaker 2: into the clickbait. Man More tells cannon stories about.

432
00:21:01,960 --> 00:21:03,240
Speaker 1: Exes, and you're on exact Brad.

433
00:21:03,280 --> 00:21:04,800
Speaker 2: I was like, great, I'm gonna learn something interesting here.

434
00:21:04,840 --> 00:21:05,919
Speaker 1: Yeah, not interesting at all.

435
00:21:06,000 --> 00:21:08,960
Speaker 2: Don't read the article. If you said the clickbait, it's bullshity.

436
00:21:09,160 --> 00:21:09,879
Speaker 1: What I really want to know?

437
00:21:09,960 --> 00:21:11,840
Speaker 2: Thirty one and six five, and I think I think

438
00:21:12,359 --> 00:21:15,920
Speaker 2: using Cassandra as a motive for all of us, what's

439
00:21:16,000 --> 00:21:19,680
Speaker 2: the best rumor that your ex spread about you that

440
00:21:19,800 --> 00:21:22,840
Speaker 2: you found out down the track was the best roomor

441
00:21:22,880 --> 00:21:25,720
Speaker 2: they spread And the best might be that you found

442
00:21:25,800 --> 00:21:27,879
Speaker 2: it really funny that you thought it was funny that

443
00:21:27,920 --> 00:21:30,000
Speaker 2: they were saying about you. Or the best might be

444
00:21:30,240 --> 00:21:34,920
Speaker 2: like wow, I cannot believe Yeah, yeah, yeah, yeah, wow

445
00:21:35,080 --> 00:21:37,280
Speaker 2: that is a hectic roomor yeah spreading about me and

446
00:21:37,400 --> 00:21:39,600
Speaker 2: you and obviously because it is a roomor you found

447
00:21:39,600 --> 00:21:40,920
Speaker 2: out through a friend or a friend of a friend.

448
00:21:41,119 --> 00:21:42,960
Speaker 2: But thirty one and six five, if you can beat

449
00:21:44,040 --> 00:21:47,920
Speaker 2: telling everyone you take three, Yeah, I mean please, you

450
00:21:48,000 --> 00:21:49,680
Speaker 2: will go straight onto the honor board.

451
00:21:49,800 --> 00:21:52,120
Speaker 1: Yeah, in the studio, and we've needed on the board,

452
00:21:52,200 --> 00:21:54,680
Speaker 1: we should have been on the board. We've replayed that

453
00:21:54,760 --> 00:21:57,159
Speaker 1: grab twenty to thirty times on the show. So if

454
00:21:57,200 --> 00:21:59,119
Speaker 1: you can beat that, you'll be on the radio a lot.

455
00:21:59,200 --> 00:22:01,359
Speaker 2: Oh gives God wants example, what's the best rumor of

456
00:22:01,359 --> 00:22:03,240
Speaker 2: your exos have spread about your death? That calls up next,

457
00:22:03,600 --> 00:22:07,600
Speaker 2: and we're talking about Mandy Moore, who's famous for this

458
00:22:07,920 --> 00:22:15,280
Speaker 2: song such a grab song.

459
00:22:15,640 --> 00:22:16,720
Speaker 1: Actually that's a shame.

460
00:22:17,000 --> 00:22:18,920
Speaker 2: Well it's a shame that I say she was a

461
00:22:18,960 --> 00:22:21,280
Speaker 2: famous singer. I think she's probably better known for her acting.

462
00:22:21,600 --> 00:22:23,240
Speaker 2: And we got a text There was an aw good

463
00:22:23,359 --> 00:22:26,760
Speaker 2: moment in the previous chat because Mike was pointing frantically

464
00:22:26,800 --> 00:22:29,440
Speaker 2: at the screen, but he was pointing excitingly because we

465
00:22:29,560 --> 00:22:30,160
Speaker 2: got a text.

466
00:22:31,800 --> 00:22:32,280
Speaker 4: Read it out.

467
00:22:32,640 --> 00:22:36,240
Speaker 3: Well, she's in the film Tangled and she plays rapinzel.

468
00:22:36,640 --> 00:22:38,000
Speaker 3: I think the person means for a punzle.

469
00:22:38,119 --> 00:22:41,840
Speaker 1: That's our first text. That's nice. Hello text, there you go.

470
00:22:42,000 --> 00:22:44,320
Speaker 1: She's entangled. So things are still good for Mandy. You

471
00:22:44,320 --> 00:22:46,240
Speaker 1: can text the show mate.

472
00:22:46,320 --> 00:22:49,240
Speaker 2: We are talking though for one six five because Mandy,

473
00:22:49,400 --> 00:22:52,520
Speaker 2: Mandy Moore, famous as she as she is, has decided

474
00:22:52,560 --> 00:22:54,280
Speaker 2: to get on How It's Done, which is a far

475
00:22:54,359 --> 00:22:58,359
Speaker 2: better radio show their own, and say some of the

476
00:22:58,440 --> 00:22:59,919
Speaker 2: stuff that about her exes.

477
00:23:00,160 --> 00:23:02,880
Speaker 1: She's she's had a little bit. Andy Roddick's one of them. Yes,

478
00:23:02,960 --> 00:23:05,520
Speaker 1: what do you think Andy roddics he's funny. I reckon,

479
00:23:05,920 --> 00:23:07,440
Speaker 1: I think Andy Rogg's funny.

480
00:23:07,480 --> 00:23:09,600
Speaker 3: I've heard someone say a little bit something a bit

481
00:23:09,680 --> 00:23:12,200
Speaker 3: nasty about him once, but again I don't like doing

482
00:23:12,240 --> 00:23:13,280
Speaker 3: that because I've never met the guy.

483
00:23:13,359 --> 00:23:14,359
Speaker 1: So but he seems all right.

484
00:23:14,440 --> 00:23:15,400
Speaker 2: She said he broke her heart.

485
00:23:15,560 --> 00:23:16,720
Speaker 1: I had a bit of a wondering eye.

486
00:23:18,320 --> 00:23:20,480
Speaker 2: Look they're boring, So thirty one O six five We

487
00:23:20,560 --> 00:23:22,879
Speaker 2: want to know if your ex has spread a decent

488
00:23:23,000 --> 00:23:23,600
Speaker 2: rumor about you.

489
00:23:23,680 --> 00:23:25,520
Speaker 1: Like this, it's going to be a good didn't your

490
00:23:25,880 --> 00:23:28,119
Speaker 1: this is an x x x X.

491
00:23:28,880 --> 00:23:30,440
Speaker 3: I mean, it's hard to keep camping with you, but

492
00:23:30,480 --> 00:23:33,399
Speaker 3: it wasn't you know, it's the initials a little bit

493
00:23:33,440 --> 00:23:35,760
Speaker 3: of Erica, but it's really hard to go.

494
00:23:35,840 --> 00:23:39,440
Speaker 2: Through the A yes, oh yeah, yeah, yeah yeah.

495
00:23:39,840 --> 00:23:42,320
Speaker 1: Didn't she start a rumored that you and I were

496
00:23:42,359 --> 00:23:45,879
Speaker 1: sleeping with each other? Did she? No? No, no, no,

497
00:23:46,280 --> 00:23:47,440
Speaker 1: she that's not true.

498
00:23:47,920 --> 00:23:50,320
Speaker 2: She did say to me when I told her that

499
00:23:50,400 --> 00:23:52,440
Speaker 2: I wanted to end things. Yes, she said to me

500
00:23:52,520 --> 00:23:56,680
Speaker 2: before she slammed the car door, going oh can you

501
00:23:56,800 --> 00:23:59,639
Speaker 2: go and s woods D Yeah, that's that's what That's

502
00:23:59,640 --> 00:24:02,160
Speaker 2: what she's it. And I was like, that's very offensive.

503
00:24:02,520 --> 00:24:06,400
Speaker 1: Yeah, and then weirdly you did. We've got Jason has

504
00:24:06,440 --> 00:24:08,840
Speaker 1: given us a call. Hey Jason, how are you making?

505
00:24:08,920 --> 00:24:09,040
Speaker 4: Yes?

506
00:24:09,359 --> 00:24:10,040
Speaker 8: Yeah, good mate?

507
00:24:10,119 --> 00:24:11,960
Speaker 1: Are you the rumor spreader? Or did you have a

508
00:24:12,040 --> 00:24:12,920
Speaker 1: rumor spread about you?

509
00:24:13,400 --> 00:24:14,960
Speaker 7: I had a really good one spa about me.

510
00:24:15,240 --> 00:24:15,879
Speaker 1: Oh good?

511
00:24:16,040 --> 00:24:19,200
Speaker 2: Okay. So the challenge to beat right now is Cassandra,

512
00:24:19,280 --> 00:24:20,920
Speaker 2: who called the show and her ex said that she

513
00:24:21,080 --> 00:24:23,920
Speaker 2: took three pers a day. Which is a such a

514
00:24:23,960 --> 00:24:26,800
Speaker 2: good one because believable, but carry well, this was.

515
00:24:27,119 --> 00:24:30,440
Speaker 8: This was very believable and my ex over me and

516
00:24:30,520 --> 00:24:34,520
Speaker 8: that bats that beats that completely. She actually said that

517
00:24:35,119 --> 00:24:37,400
Speaker 8: I was a post operative transsexual.

518
00:24:42,600 --> 00:24:43,520
Speaker 7: I'm a bit permanent.

519
00:24:43,760 --> 00:24:46,959
Speaker 8: I know that, but hey, that's a bit rough, bloody

520
00:24:47,480 --> 00:24:47,960
Speaker 8: not rough.

521
00:24:48,000 --> 00:24:50,399
Speaker 2: I mean like if I decided to you decided to

522
00:24:51,160 --> 00:24:55,840
Speaker 2: transition genders, that's that's that's not absolute times amazing, But

523
00:24:56,119 --> 00:24:57,240
Speaker 2: I wasn't doing that.

524
00:24:58,359 --> 00:25:01,080
Speaker 3: So Jason, sorry, were she's saying that you were once

525
00:25:01,160 --> 00:25:03,880
Speaker 3: a woman and you were now you changed to a man.

526
00:25:03,960 --> 00:25:04,520
Speaker 6: I was a man.

527
00:25:04,760 --> 00:25:06,920
Speaker 7: I was a man, and I left her because I

528
00:25:07,000 --> 00:25:08,160
Speaker 7: wanted to become a woman.

529
00:25:08,800 --> 00:25:13,600
Speaker 1: Right, that's what she said to do. Right.

530
00:25:14,200 --> 00:25:18,520
Speaker 2: I love that, Jays, good stuff, oh man, And Jason,

531
00:25:18,680 --> 00:25:20,640
Speaker 2: I mean like, is there any other reason you said

532
00:25:20,640 --> 00:25:21,600
Speaker 2: you're a little bit feminine?

533
00:25:21,800 --> 00:25:22,240
Speaker 1: Feminine?

534
00:25:22,320 --> 00:25:24,280
Speaker 2: I mean, like can you can you do it?

535
00:25:25,240 --> 00:25:32,479
Speaker 7: Because because I just like nice things and you know, ballet,

536
00:25:32,600 --> 00:25:37,280
Speaker 7: and I don't know, maybe the signs were there, but

537
00:25:37,400 --> 00:25:40,080
Speaker 7: hey they weren't, you know. I just like nice things.

538
00:25:40,200 --> 00:25:41,480
Speaker 2: Yeah, film with you.

539
00:25:42,680 --> 00:25:44,439
Speaker 1: Good on you, Good on you for your honesty.

540
00:25:44,560 --> 00:25:46,640
Speaker 2: J I love the ballet as well.

541
00:25:46,760 --> 00:25:48,800
Speaker 1: Jays do, Yeah, I do, I do.

542
00:25:48,960 --> 00:25:52,080
Speaker 2: I'm going to go to the ballet. There's Chakovski's playing

543
00:25:52,119 --> 00:25:53,520
Speaker 2: Australia very soon, so I'm like.

544
00:25:55,000 --> 00:26:00,280
Speaker 5: I swear Charkowsky sounds like absolutely.

545
00:26:00,080 --> 00:26:01,200
Speaker 2: Yes, but I'm not transitioning.

546
00:26:01,240 --> 00:26:03,440
Speaker 1: It's okay to like the like the ballet. If you

547
00:26:03,640 --> 00:26:05,960
Speaker 1: like the ballet, got on you or any know anything

548
00:26:05,960 --> 00:26:09,399
Speaker 1: else that's stereotypically feminine. To go for it, bloody, go

549
00:26:09,520 --> 00:26:19,040
Speaker 1: for it. I say, I've got a few, mate.

550
00:26:19,080 --> 00:26:21,960
Speaker 3: I was watching a bit of baseballuse you're a big

551
00:26:22,000 --> 00:26:26,639
Speaker 3: fan of the baseball, watching the Braves via the Padres.

552
00:26:27,680 --> 00:26:31,560
Speaker 1: In America. It was in San Diego. Yeah, in America. Yes, Braves, Yeah, the.

553
00:26:31,600 --> 00:26:36,159
Speaker 3: Braves via the Padres. Two hot, hot, hot teams and

554
00:26:36,240 --> 00:26:40,679
Speaker 3: they're really going at it. But something far more spectacular

555
00:26:40,680 --> 00:26:43,760
Speaker 3: occurred during the baseball, and I think I'll just thrown

556
00:26:43,800 --> 00:26:43,960
Speaker 3: at it.

557
00:26:44,119 --> 00:26:47,600
Speaker 1: Was a foul ball, huge foul ball, big skyball into

558
00:26:47,680 --> 00:26:49,919
Speaker 1: the crowd, and I'll let the commentators take over.

559
00:26:50,240 --> 00:26:50,440
Speaker 8: Have it.

560
00:26:50,520 --> 00:26:51,399
Speaker 1: A fan, she got that.

561
00:26:52,400 --> 00:26:57,360
Speaker 2: Last foul ball with her beer, not bad hops there,

562
00:26:59,080 --> 00:26:59,920
Speaker 2: and she's letting it go.

563
00:27:00,040 --> 00:27:00,200
Speaker 1: Oh.

564
00:27:05,400 --> 00:27:08,240
Speaker 2: I don't get the no bad hops there joke, because

565
00:27:08,320 --> 00:27:09,880
Speaker 2: hops is something that you put in beer.

566
00:27:10,080 --> 00:27:11,320
Speaker 1: Yeah, and then what's what's the pun?

567
00:27:11,400 --> 00:27:11,560
Speaker 4: Though?

568
00:27:12,040 --> 00:27:13,719
Speaker 1: Oh no, I think I don't think. I don't think

569
00:27:13,920 --> 00:27:18,280
Speaker 1: this wasn't a I missed the pun. Yeah, maybe it's

570
00:27:18,280 --> 00:27:19,399
Speaker 1: an American joke. I don't know.

571
00:27:19,680 --> 00:27:23,120
Speaker 2: Oh no, if she jumped for it to catch the beer,

572
00:27:23,440 --> 00:27:23,840
Speaker 2: she didn't.

573
00:27:24,560 --> 00:27:26,480
Speaker 3: She didn't know that would have worked as a pun though,

574
00:27:26,520 --> 00:27:27,880
Speaker 3: that would have Yeah, that would have saved him.

575
00:27:28,160 --> 00:27:30,159
Speaker 1: Maybe he thought she jumped. Anyway, we're getting distraighted by

576
00:27:30,200 --> 00:27:30,440
Speaker 1: the pun.

577
00:27:31,400 --> 00:27:31,880
Speaker 2: Didn't jump.

578
00:27:32,000 --> 00:27:34,480
Speaker 1: She didn't jump, She's just standing there. The point is

579
00:27:34,640 --> 00:27:38,560
Speaker 1: she managed to catch a baseball in her beer. The

580
00:27:38,720 --> 00:27:42,120
Speaker 1: video doesn't make sense. And then again when he makes

581
00:27:42,119 --> 00:27:45,600
Speaker 1: some jokes that just don't make she's caught the baseball

582
00:27:45,680 --> 00:27:47,879
Speaker 1: with a beer. The video is unbelievable.

583
00:27:47,960 --> 00:27:51,119
Speaker 3: And then amazingly it must have been the way she

584
00:27:51,320 --> 00:27:54,879
Speaker 3: caught the ball with her beer, but she didn't actually

585
00:27:55,280 --> 00:27:56,760
Speaker 3: drop one bit of beer.

586
00:27:57,440 --> 00:28:00,520
Speaker 1: The whole beer remained in her cup. And then she,

587
00:28:01,080 --> 00:28:03,320
Speaker 1: once the crowd started chanting.

588
00:28:03,600 --> 00:28:07,200
Speaker 3: Sculled the beer with the baseball sensational in the cup,

589
00:28:07,240 --> 00:28:08,400
Speaker 3: bloody at standing side.

590
00:28:08,600 --> 00:28:11,920
Speaker 1: But on this show, I think that was her first

591
00:28:11,960 --> 00:28:12,760
Speaker 1: and it was a light beer.

592
00:28:15,119 --> 00:28:16,879
Speaker 3: I do like will and what I want to focus

593
00:28:16,920 --> 00:28:19,040
Speaker 3: on here is the effort that people make to save

594
00:28:19,119 --> 00:28:23,680
Speaker 3: the drink. Yes, so it doesn't matter what fall you're doing,

595
00:28:23,880 --> 00:28:26,280
Speaker 3: or you know, falling in water, falling off a ladder.

596
00:28:26,480 --> 00:28:30,000
Speaker 1: People, yes, they save the drink.

597
00:28:30,040 --> 00:28:31,840
Speaker 3: And on thirteen one oh six five, I'd love to

598
00:28:31,920 --> 00:28:34,720
Speaker 3: hear stories of people saving the drink.

599
00:28:34,760 --> 00:28:37,080
Speaker 1: A good friend of mine was once. Look, I don't

600
00:28:37,119 --> 00:28:40,680
Speaker 1: condone this behavior, but he was young.

601
00:28:40,680 --> 00:28:42,160
Speaker 3: And silly, and I just want to put that on

602
00:28:42,240 --> 00:28:44,040
Speaker 3: record that he was young, and he was but he

603
00:28:44,200 --> 00:28:48,520
Speaker 3: stole No, absolutely not he Look, he stole a drink

604
00:28:48,560 --> 00:28:51,160
Speaker 3: from a seven to eleven And no, it's not me.

605
00:28:51,640 --> 00:28:52,040
Speaker 1: It's not me.

606
00:28:52,200 --> 00:28:54,840
Speaker 3: It's a silly, silly person, and I don't condone it.

607
00:28:55,120 --> 00:28:58,600
Speaker 3: He he stole a drink from a seven eleven. No, now,

608
00:28:58,720 --> 00:29:03,680
Speaker 3: don't take don't say he was on the run from

609
00:29:05,920 --> 00:29:07,720
Speaker 3: He was on the run from the seven to eleven

610
00:29:07,840 --> 00:29:10,560
Speaker 3: guy who was chasing him, and he went to go

611
00:29:10,680 --> 00:29:14,400
Speaker 3: and jump a fence and the fence didn't go so well,

612
00:29:14,600 --> 00:29:16,680
Speaker 3: so he stacked it over the fence and he put

613
00:29:16,760 --> 00:29:18,760
Speaker 3: his hands in the air to save the drink and

614
00:29:18,920 --> 00:29:23,200
Speaker 3: broke both his arms, but he saved the drink.

615
00:29:23,720 --> 00:29:26,600
Speaker 1: Broke both his arms and saved the drink. Thirteen six

616
00:29:26,720 --> 00:29:28,800
Speaker 1: five is the number. I want to hear the lenks

617
00:29:29,280 --> 00:29:31,320
Speaker 1: both of his arms. I want to hear the lengths

618
00:29:31,480 --> 00:29:31,920
Speaker 1: he went to.

619
00:29:32,320 --> 00:29:36,200
Speaker 2: Yes, to save the drink, the injury the cruise, Yeah,

620
00:29:36,560 --> 00:29:40,480
Speaker 2: to hear them six five. That's up next, asking what

621
00:29:40,640 --> 00:29:43,120
Speaker 2: leaks you've got to to save the drink?

622
00:29:43,320 --> 00:29:46,120
Speaker 1: Woods, your brother actually came off. My brother came off

623
00:29:46,160 --> 00:29:46,560
Speaker 1: his bike.

624
00:29:47,000 --> 00:29:47,920
Speaker 2: He did on the weekend.

625
00:29:47,960 --> 00:29:48,520
Speaker 1: I don't know what the.

626
00:29:48,520 --> 00:29:50,440
Speaker 3: Problem with the McMahon's is, but they can't seem to

627
00:29:50,520 --> 00:29:56,120
Speaker 3: ride a bike without coming off. He saved the mid

628
00:29:56,840 --> 00:30:01,280
Speaker 3: He came off his bike and said, great, Starff, that's

629
00:30:01,360 --> 00:30:02,080
Speaker 3: your priority.

630
00:30:02,360 --> 00:30:02,640
Speaker 2: It is.

631
00:30:04,360 --> 00:30:07,040
Speaker 1: We've got Taylor here. Hey, Taylor, Hey you going?

632
00:30:07,720 --> 00:30:07,840
Speaker 3: Hey?

633
00:30:07,960 --> 00:30:08,080
Speaker 7: Good?

634
00:30:08,160 --> 00:30:08,360
Speaker 6: Thanks?

635
00:30:08,440 --> 00:30:11,200
Speaker 1: Are you very well? What lengths did you go to

636
00:30:11,320 --> 00:30:12,000
Speaker 1: to save the drink?

637
00:30:13,040 --> 00:30:15,480
Speaker 6: I had just bought a boost juice from the station

638
00:30:15,600 --> 00:30:17,280
Speaker 6: and I was crossing the road. The lights are about

639
00:30:17,280 --> 00:30:20,200
Speaker 6: to change and I was running and I tripped right

640
00:30:20,240 --> 00:30:22,480
Speaker 6: in the middle of the road. The cars were starting

641
00:30:22,480 --> 00:30:24,200
Speaker 6: to come towards me. I managed to save the drink

642
00:30:24,240 --> 00:30:26,640
Speaker 6: though completely, not a drop spilt, but I did trape

643
00:30:26,880 --> 00:30:28,960
Speaker 6: like both my knees right up and my hands as well.

644
00:30:32,840 --> 00:30:35,640
Speaker 1: Impressivesations held up traffic as.

645
00:30:35,560 --> 00:30:37,640
Speaker 6: Well, not a single drop, but I did, like I

646
00:30:37,640 --> 00:30:38,920
Speaker 6: almost got hit by a car, but I think.

647
00:30:38,840 --> 00:30:41,440
Speaker 1: It was worth it. Jesus, Well, we don't condone that.

648
00:30:43,240 --> 00:30:46,240
Speaker 2: You ever worth it run on the show.

649
00:30:47,280 --> 00:30:49,840
Speaker 1: Your life is not worth it any your life is

650
00:30:49,880 --> 00:30:52,480
Speaker 1: worth it. And we love both juice on this show. God,

651
00:30:53,160 --> 00:30:54,000
Speaker 1: you know, so we love it.

652
00:30:54,160 --> 00:30:57,600
Speaker 2: We love it and we yeah, but it's probably not

653
00:30:58,360 --> 00:31:01,280
Speaker 2: well it's not with you, But we love burst. We

654
00:31:01,400 --> 00:31:02,800
Speaker 2: do like if I had to put my life in

655
00:31:02,840 --> 00:31:03,200
Speaker 2: the line.

656
00:31:03,040 --> 00:31:06,920
Speaker 3: For a burst, probably Caribbean green, like my goddamn pants

657
00:31:06,960 --> 00:31:09,000
Speaker 3: on fire. We got Sue here, Hey, Sue, how.

658
00:31:08,960 --> 00:31:15,880
Speaker 1: Are you going good? How are you very well? What

659
00:31:15,960 --> 00:31:16,960
Speaker 1: did you do to save a drink?

660
00:31:17,920 --> 00:31:19,680
Speaker 7: It wasn't me. It was a guy I worked with.

661
00:31:20,520 --> 00:31:23,080
Speaker 7: We're out of barbecue, and he was sitting on one

662
00:31:23,120 --> 00:31:27,160
Speaker 7: of those, you know, the folding chairs, and he had.

663
00:31:27,080 --> 00:31:27,920
Speaker 2: A drink in his hand.

664
00:31:28,000 --> 00:31:31,520
Speaker 7: The chairs started to collapse and he held the drink

665
00:31:31,640 --> 00:31:34,000
Speaker 7: and the whole thing collapsed and he actually broke both

666
00:31:34,040 --> 00:31:36,240
Speaker 7: his femours because his full weight went down.

667
00:31:41,200 --> 00:31:44,719
Speaker 1: I love that, both his femurs. That's a tough thing.

668
00:31:45,320 --> 00:31:47,800
Speaker 1: He's one of the hardest bones to break. He broke

669
00:31:47,920 --> 00:31:49,200
Speaker 1: both and then saved all.

670
00:31:49,120 --> 00:31:50,760
Speaker 2: His beer he did.

671
00:31:50,920 --> 00:31:52,640
Speaker 7: He probably needed it after that.

672
00:31:55,240 --> 00:31:57,239
Speaker 2: Wellham, what are you getting your home? I hope you've

673
00:31:57,240 --> 00:32:01,360
Speaker 2: had a wonderful week, a wonderful Friday. Friday is yet

674
00:32:01,400 --> 00:32:03,160
Speaker 2: to come. But I've got to get into a tune

675
00:32:03,360 --> 00:32:05,440
Speaker 2: quickly because I've got a special guest to joining us

676
00:32:05,480 --> 00:32:08,040
Speaker 2: in the studio. Woods doesn't know who it is. I'm

677
00:32:08,160 --> 00:32:11,320
Speaker 2: very excited about it. It's the first time for us

678
00:32:11,360 --> 00:32:14,239
Speaker 2: as well. So yeah, I need to get moving though,

679
00:32:14,240 --> 00:32:15,280
Speaker 2: because the're obviously on the schedule.

680
00:32:15,320 --> 00:32:16,600
Speaker 1: So it's a man, it isn't.

681
00:32:16,840 --> 00:32:20,640
Speaker 2: Yes, I told you that, though I told you audience

682
00:32:21,480 --> 00:32:22,240
Speaker 2: guess as to who.

683
00:32:22,120 --> 00:32:24,560
Speaker 1: It is I have I won't say who that is,

684
00:32:24,640 --> 00:32:27,920
Speaker 1: but your question, I've got a few questions.

685
00:32:28,000 --> 00:32:28,120
Speaker 2: Now.

686
00:32:29,760 --> 00:32:31,000
Speaker 1: I'm very excited. Let's get into it.

687
00:32:31,880 --> 00:32:34,400
Speaker 2: Friday is is yet to come. A chance to win

688
00:32:35,080 --> 00:32:38,160
Speaker 2: fifty dollars. But right now I'm talking about this all

689
00:32:38,160 --> 00:32:46,800
Speaker 2: show just seeing what I'm looking at. Its clossic, what

690
00:32:47,040 --> 00:32:50,240
Speaker 2: is it? Okay? So this is a live I believe

691
00:32:50,360 --> 00:32:52,760
Speaker 2: on Facebook and Instagram, so you can go and watch it.

692
00:32:53,320 --> 00:33:01,200
Speaker 2: But as in cardboard bogs over his head with his

693
00:33:01,480 --> 00:33:05,720
Speaker 2: face sticky tape or glued to the front of it,

694
00:33:05,760 --> 00:33:10,120
Speaker 2: and it just looks ridiculous. He looks so funny. So

695
00:33:10,240 --> 00:33:14,120
Speaker 2: got along to Will and Muddy on Instagram and Facebook.

696
00:33:14,200 --> 00:33:20,400
Speaker 2: Geta to everybody who's already online and watching a special

697
00:33:20,440 --> 00:33:24,160
Speaker 2: guest that's coming in the studio. I've been talking about

698
00:33:24,200 --> 00:33:24,880
Speaker 2: this person.

699
00:33:26,240 --> 00:33:26,600
Speaker 4: Computer.

700
00:33:26,880 --> 00:33:30,520
Speaker 2: That's right that we've been talking about this person all

701
00:33:30,560 --> 00:33:32,160
Speaker 2: show without revealing who it is, because it is a

702
00:33:32,240 --> 00:33:36,760
Speaker 2: surprise for you. This weekend is public holiday. I don't

703
00:33:36,760 --> 00:33:37,960
Speaker 2: want to give you too much away, but I think

704
00:33:38,000 --> 00:33:40,520
Speaker 2: it does. This weekend's public holidays.

705
00:33:40,560 --> 00:33:44,600
Speaker 1: A lot going on. There are big events happening, like

706
00:33:44,960 --> 00:33:47,280
Speaker 1: the Freeze of the g the big Freeze of the g.

707
00:33:47,520 --> 00:33:51,320
Speaker 2: Will. There's a football game happening at the Melbourne.

708
00:33:51,560 --> 00:33:54,280
Speaker 1: What a great cause. That's right as well. You can

709
00:33:54,320 --> 00:33:55,120
Speaker 1: go online and donate.

710
00:33:55,200 --> 00:33:57,400
Speaker 2: Now I'm going to get keep in mind if you

711
00:33:57,440 --> 00:33:59,719
Speaker 2: go on to our Instagram, Facebook, Will and Woody, I'm

712
00:33:59,760 --> 00:34:02,920
Speaker 2: in a bring our guest in now. You don't know

713
00:34:03,000 --> 00:34:05,640
Speaker 2: who this is, right, you have no idea, but I

714
00:34:05,760 --> 00:34:07,240
Speaker 2: know that you're a big fan of this person.

715
00:34:08,080 --> 00:34:08,360
Speaker 1: Person.

716
00:34:08,440 --> 00:34:12,319
Speaker 2: If you can just have a seat over here now,

717
00:34:12,440 --> 00:34:16,640
Speaker 2: they are under strict instructions not to say too much.

718
00:34:16,880 --> 00:34:21,719
Speaker 2: Can't smell them, but I'll just make goodnes say thank

719
00:34:21,760 --> 00:34:24,200
Speaker 2: you so much for coming, thanks for having me. So

720
00:34:27,320 --> 00:34:28,600
Speaker 2: I really don't want them to say too much, but

721
00:34:28,600 --> 00:34:29,839
Speaker 2: I want them to be in the studio. Just say

722
00:34:29,840 --> 00:34:33,960
Speaker 2: a ranking online no no, no, Facebook and Instagram. I

723
00:34:34,080 --> 00:34:36,839
Speaker 2: just don't want them to say too much.

724
00:34:37,320 --> 00:34:37,440
Speaker 4: I do.

725
00:34:37,680 --> 00:34:38,919
Speaker 2: I don't want to say too much because I feel

726
00:34:38,960 --> 00:34:40,560
Speaker 2: like you will know exactly who they are. But for

727
00:34:40,600 --> 00:34:44,560
Speaker 2: everybody online, if you have a look at Facebook, Instagram,

728
00:34:44,920 --> 00:34:47,279
Speaker 2: Will and Woody, you'll see exactly who the person is,

729
00:34:47,560 --> 00:34:50,520
Speaker 2: so you can see them there. And again, I don't

730
00:34:50,520 --> 00:34:53,239
Speaker 2: want you to say too much, mate, But what do

731
00:34:53,320 --> 00:34:55,000
Speaker 2: I get to talk to the point? No, well you will,

732
00:34:55,320 --> 00:34:57,760
Speaker 2: you will, and this is why people should stick around.

733
00:34:57,840 --> 00:35:00,480
Speaker 2: You will get to talk to this person because it's

734
00:35:01,120 --> 00:35:03,160
Speaker 2: it's a pleasure. It's going to be a great thing

735
00:35:03,239 --> 00:35:04,480
Speaker 2: for you to talk to this person. I know you'd

736
00:35:04,480 --> 00:35:06,239
Speaker 2: be very excited to talk to this person again.

737
00:35:06,360 --> 00:35:07,120
Speaker 1: Person. I'm so sorry.

738
00:35:07,120 --> 00:35:08,479
Speaker 2: I don't want to talk too much because I'm pretty

739
00:35:08,520 --> 00:35:10,240
Speaker 2: sure he's onto who you are anyway, because he's written

740
00:35:10,239 --> 00:35:11,080
Speaker 2: a bunch of questions about you.

741
00:35:11,160 --> 00:35:13,720
Speaker 1: Is that what could I'm very excited about that. Okay,

742
00:35:13,880 --> 00:35:15,319
Speaker 1: are you talking to me? You're talking to them, I'm

743
00:35:15,320 --> 00:35:17,560
Speaker 1: talking to them? Yeah, alright, have you here.

744
00:35:17,560 --> 00:35:21,960
Speaker 2: By the way, you got to see this online. The

745
00:35:22,880 --> 00:35:26,480
Speaker 2: just you with a box on your head giving your

746
00:35:26,520 --> 00:35:28,560
Speaker 2: thumbs up to someone who you really care about?

747
00:35:28,960 --> 00:35:31,680
Speaker 3: Can I go to cheeky high five from the other person?

748
00:35:31,920 --> 00:35:34,600
Speaker 3: From the guests be hanging them and.

749
00:35:36,680 --> 00:35:37,959
Speaker 2: Just don't want you to care too much.

750
00:35:37,880 --> 00:35:38,360
Speaker 4: Of an idea?

751
00:35:38,560 --> 00:35:39,919
Speaker 1: How am I going to know from their palm?

752
00:35:40,040 --> 00:35:43,120
Speaker 2: Will trust me once? Once you see who they are,

753
00:35:43,840 --> 00:35:46,239
Speaker 2: you will understand that their palm would probably be a

754
00:35:46,280 --> 00:35:49,640
Speaker 2: giveaway as to who they are. Okay, does that make sense?

755
00:35:49,840 --> 00:35:50,000
Speaker 3: Well?

756
00:35:50,120 --> 00:35:51,200
Speaker 1: Can I slap him on the ad?

757
00:35:51,480 --> 00:35:52,360
Speaker 2: You know? No?

758
00:35:53,560 --> 00:35:54,200
Speaker 1: Fair enough? All right?

759
00:35:54,200 --> 00:35:56,839
Speaker 2: So again Instagram, Facebook, Will and Woody you can see

760
00:35:57,080 --> 00:35:59,800
Speaker 2: exactly who the special guest is that I've brought in

761
00:35:59,880 --> 00:36:02,560
Speaker 2: this studio for Woods to speak to. But Woods, you

762
00:36:02,600 --> 00:36:04,680
Speaker 2: will only get to see who the special guest is.

763
00:36:04,800 --> 00:36:07,840
Speaker 2: You only get to talk to them if on the

764
00:36:07,960 --> 00:36:11,520
Speaker 2: other side of the song you complete a bit of

765
00:36:11,600 --> 00:36:15,440
Speaker 2: a challenge. Now, this challenge is the same challenge as

766
00:36:15,520 --> 00:36:19,919
Speaker 2: we did for the Royal Wedging. So people will call

767
00:36:20,080 --> 00:36:24,560
Speaker 2: up and they will tell us jokes. You have to

768
00:36:24,719 --> 00:36:29,000
Speaker 2: try not to laugh three times, easy, and you will

769
00:36:29,040 --> 00:36:31,000
Speaker 2: get to meet this person.

770
00:36:31,120 --> 00:36:34,200
Speaker 1: Easy, okay, easy? High five big guy? All right, I

771
00:36:34,239 --> 00:36:34,880
Speaker 1: suppose you can.

772
00:36:35,239 --> 00:36:37,759
Speaker 2: I suppose you can just one yeah, give them a

773
00:36:37,840 --> 00:36:39,600
Speaker 2: high five. You can give him a high five, just

774
00:36:39,719 --> 00:36:42,640
Speaker 2: like Hey, I know exactly who that is.

775
00:36:42,760 --> 00:36:44,160
Speaker 1: Okay, I know exactly.

776
00:36:49,640 --> 00:36:49,960
Speaker 2: Stop it.

777
00:36:50,920 --> 00:36:53,440
Speaker 5: Get out of here, mates, who's getting out of here?

778
00:36:53,520 --> 00:36:53,719
Speaker 4: Mate?

779
00:36:54,200 --> 00:36:56,279
Speaker 2: Our special guests is gonna get out of here. I

780
00:36:56,360 --> 00:36:58,439
Speaker 2: got to talk to on the other side of the song.

781
00:36:58,920 --> 00:37:01,239
Speaker 2: Once you get through the challenge, you get to speak

782
00:37:01,280 --> 00:37:03,560
Speaker 2: to the person if you get through the challenge. All right,

783
00:37:03,640 --> 00:37:06,120
Speaker 2: so special Guests get out of here. Thank you so much, mate,

784
00:37:06,160 --> 00:37:08,600
Speaker 2: it's been a pleasure. We're going to get into a

785
00:37:08,760 --> 00:37:16,120
Speaker 2: song here on stop smelling them on Facebook, Instagram. Seafoods

786
00:37:16,160 --> 00:37:18,520
Speaker 2: can get through this to talk to one of his idols.

787
00:37:18,560 --> 00:37:19,960
Speaker 2: That's up next, Woody.

788
00:37:20,000 --> 00:37:20,360
Speaker 6: Here we go.

789
00:37:20,840 --> 00:37:23,400
Speaker 2: Exciting times in here. I got to start off by

790
00:37:23,440 --> 00:37:26,239
Speaker 2: saying thirteen one oh six y five. If you think

791
00:37:26,480 --> 00:37:28,880
Speaker 2: you can make us laugh, and it can be anything.

792
00:37:29,440 --> 00:37:33,160
Speaker 2: If you remember the Royal wedging, this exact same thing happened.

793
00:37:33,239 --> 00:37:35,879
Speaker 2: People call up and you just got to try Max laugh.

794
00:37:36,960 --> 00:37:39,080
Speaker 2: You might have a joke or story to tell us,

795
00:37:39,160 --> 00:37:42,439
Speaker 2: anything like that. If you think you can make Woody laugh,

796
00:37:43,040 --> 00:37:44,640
Speaker 2: that is what you need to call for right now,

797
00:37:44,760 --> 00:37:46,640
Speaker 2: thirteen one oh six five on a Friday. And the

798
00:37:46,719 --> 00:37:50,280
Speaker 2: reason is because right now, if you go online Facebook

799
00:37:50,320 --> 00:37:52,480
Speaker 2: and Instagram, Will and Woody, you can see this. Woods

800
00:37:52,520 --> 00:37:56,640
Speaker 2: has a box over his head so he can't see

801
00:37:57,400 --> 00:37:59,560
Speaker 2: the special guests that we have for him in the

802
00:37:59,600 --> 00:38:02,839
Speaker 2: studio and he will get to meet the special guest

803
00:38:03,000 --> 00:38:07,640
Speaker 2: if he manages to not laugh at three of your jokes.

804
00:38:07,719 --> 00:38:10,160
Speaker 2: I don't have to be consecutive. It's just three times

805
00:38:10,239 --> 00:38:12,680
Speaker 2: you have to be able to not laugh at the

806
00:38:12,800 --> 00:38:15,400
Speaker 2: jokes or the stories that the people are calling up with.

807
00:38:15,640 --> 00:38:17,239
Speaker 1: Jakes are high jokes wanted to be better.

808
00:38:17,440 --> 00:38:19,360
Speaker 2: The jokes will need to be good. There is a

809
00:38:19,480 --> 00:38:21,720
Speaker 2: very special person in here. We're talking about his Queen's birthday.

810
00:38:21,760 --> 00:38:23,360
Speaker 2: This weekend for a couple of states, there's there's a

811
00:38:23,360 --> 00:38:25,640
Speaker 2: Big AFL game on. Everyone knows you're a big Demons fan.

812
00:38:26,239 --> 00:38:28,680
Speaker 3: Big Fraeze Oft the G, Big Frees the G get

813
00:38:28,680 --> 00:38:31,040
Speaker 3: around at Freeze MND Awful Awful Disease.

814
00:38:31,120 --> 00:38:32,640
Speaker 1: Go to the Freeze M and D website.

815
00:38:32,880 --> 00:38:35,000
Speaker 2: Donate now and you're very pumped about one of the

816
00:38:35,040 --> 00:38:36,480
Speaker 2: people that could be playing.

817
00:38:36,280 --> 00:38:38,279
Speaker 1: On that plane will be captain in the side to

818
00:38:38,360 --> 00:38:40,080
Speaker 1: a great win, will.

819
00:38:39,920 --> 00:38:43,879
Speaker 2: Be happening side to a great win. So Instagram Facebook's place.

820
00:38:43,920 --> 00:38:45,640
Speaker 1: I feel, by the way, if it's not that person,

821
00:38:45,800 --> 00:38:48,560
Speaker 1: like well, the other I still like you too, I

822
00:38:48,640 --> 00:38:51,000
Speaker 1: feel bad now. But you mean, well, and what if

823
00:38:51,040 --> 00:38:52,719
Speaker 1: it's you know, it could be something. If it's someone

824
00:38:52,760 --> 00:38:54,799
Speaker 1: else I really respect, and I'm you know, talking about

825
00:38:54,800 --> 00:38:57,440
Speaker 1: a football you know, wait and see how embarrassing.

826
00:38:58,880 --> 00:39:01,040
Speaker 2: Yeah, yeah, well I I might actually do you a

827
00:39:01,120 --> 00:39:04,319
Speaker 2: service here and tell you that maybe you should stop

828
00:39:04,360 --> 00:39:04,680
Speaker 2: saying that.

829
00:39:06,400 --> 00:39:08,799
Speaker 1: Yeah, fair enough, Sorry mate, Sorry to the guest.

830
00:39:08,880 --> 00:39:11,000
Speaker 2: And the guest is still someone that you love, so

831
00:39:11,280 --> 00:39:16,359
Speaker 2: just careful. That's quite tall Woods alright, thirteen O six

832
00:39:16,560 --> 00:39:20,919
Speaker 2: five thirty thirteen is not Andy Lee we're talking about.

833
00:39:23,400 --> 00:39:25,320
Speaker 2: All right, here's the deal. You get to take the

834
00:39:25,360 --> 00:39:27,959
Speaker 2: box off, Jesse Hogan. You get to take the box

835
00:39:28,000 --> 00:39:30,960
Speaker 2: off and meet the person if you don't laugh. Three

836
00:39:31,080 --> 00:39:35,080
Speaker 2: times six five is the number Scott's given us a call. Scottie,

837
00:39:35,640 --> 00:39:37,759
Speaker 2: you reckon, you can make you reckon, you make Woods live.

838
00:39:37,800 --> 00:39:39,520
Speaker 2: It's live on Instagram Facebook. By the way you make

839
00:39:39,640 --> 00:39:41,879
Speaker 2: you reckon? Make Woods laugh? Go I reckon?

840
00:39:41,920 --> 00:39:45,360
Speaker 7: Okay? What the boy with no arms for Christmas?

841
00:39:45,640 --> 00:39:46,719
Speaker 1: A boy with no arms?

842
00:39:47,480 --> 00:39:47,680
Speaker 6: Yeah?

843
00:39:48,360 --> 00:39:57,520
Speaker 1: Some arms? Socks? No, don't know, yeah, he hasn't opened it.

844
00:40:00,000 --> 00:40:07,319
Speaker 2: It's a laughing person. That good stuff Scott got in one.

845
00:40:14,120 --> 00:40:14,879
Speaker 2: It's a good gig.

846
00:40:16,400 --> 00:40:17,759
Speaker 1: Sorry, So what happens now?

847
00:40:18,360 --> 00:40:18,879
Speaker 2: Next caller?

848
00:40:19,600 --> 00:40:19,960
Speaker 1: We'll take.

849
00:40:20,000 --> 00:40:21,200
Speaker 2: We'll take as mean as we can so that you

850
00:40:21,280 --> 00:40:22,680
Speaker 2: can try not to laugh at three of them.

851
00:40:23,960 --> 00:40:24,240
Speaker 8: Number.

852
00:40:24,719 --> 00:40:27,160
Speaker 2: You've got hero of yours, so you've got a chance

853
00:40:27,200 --> 00:40:28,440
Speaker 2: to meet. You've got a box on your head. You

854
00:40:28,520 --> 00:40:30,839
Speaker 2: only get the box removed if you don't laugh three

855
00:40:30,920 --> 00:40:32,919
Speaker 2: times live on Instagram and Facebook, Willia Wood.

856
00:40:33,080 --> 00:40:34,080
Speaker 1: This is George.

857
00:40:34,200 --> 00:40:37,600
Speaker 2: It's given us called hey George. Hello George. You got

858
00:40:37,680 --> 00:40:39,640
Speaker 2: a joke for Woods that you think you make him laugh?

859
00:40:40,719 --> 00:40:44,839
Speaker 8: Only had a three so last night sorry I nearly

860
00:40:44,880 --> 00:40:46,000
Speaker 8: had a three so last night?

861
00:40:46,120 --> 00:40:48,520
Speaker 1: Oh yeah, well done, good well, good stuff? What happened?

862
00:40:48,520 --> 00:40:48,960
Speaker 1: Why didn't you?

863
00:40:49,719 --> 00:40:51,040
Speaker 7: I just needed two more girls.

864
00:40:57,000 --> 00:40:57,959
Speaker 2: It's a good joke.

865
00:41:00,000 --> 00:41:04,680
Speaker 1: I got a whole bunch of comedians like George.

866
00:41:06,080 --> 00:41:06,319
Speaker 8: Number.

867
00:41:06,360 --> 00:41:08,839
Speaker 2: If you didn't got a joke, Clary is China. You're

868
00:41:08,840 --> 00:41:10,759
Speaker 2: not allowed to laugh, mate, otherwise you're not going to

869
00:41:10,800 --> 00:41:13,200
Speaker 2: get a gentle person. And they're on a clock. They're

870
00:41:13,239 --> 00:41:15,480
Speaker 2: on a clock. Let me tell you they will go funny.

871
00:41:16,000 --> 00:41:19,680
Speaker 2: Willy willy. He's given us a call. Thirteen one, six five.

872
00:41:20,000 --> 00:41:20,360
Speaker 1: Willie.

873
00:41:21,200 --> 00:41:24,440
Speaker 2: You you have a joke that you think that what

874
00:41:24,640 --> 00:41:25,279
Speaker 2: he will laugh at?

875
00:41:26,320 --> 00:41:29,040
Speaker 7: Yeah, I've got a cracker here. What's the difference between

876
00:41:29,080 --> 00:41:29,840
Speaker 7: a snowman and.

877
00:41:29,880 --> 00:41:30,560
Speaker 2: A snow woman?

878
00:41:31,440 --> 00:41:36,279
Speaker 1: A snowman and a snow woman. The snowman has snowballs?

879
00:41:37,280 --> 00:41:42,160
Speaker 2: Yes, snowball yes, bloody, gotcha, Reilly, bad luck man. He's

880
00:41:42,160 --> 00:41:42,640
Speaker 2: got one there.

881
00:41:42,960 --> 00:41:46,800
Speaker 1: That's a good joke. I've heard that one before. So Woody,

882
00:41:46,880 --> 00:41:47,720
Speaker 1: you haven't laughed.

883
00:41:48,200 --> 00:41:52,640
Speaker 2: You are one step closer to meeting one of your idols.

884
00:41:52,800 --> 00:41:55,120
Speaker 2: All right, number to call it here, Daniel, thirty one

885
00:41:55,160 --> 00:41:55,560
Speaker 2: and six five.

886
00:41:55,560 --> 00:41:56,000
Speaker 1: You've got a joke.

887
00:41:56,040 --> 00:41:58,000
Speaker 2: Forwards is love and Instagram and Facebook. By the way,

888
00:41:58,000 --> 00:42:01,080
Speaker 2: if you want to see Woods revealed to meet one

889
00:42:01,120 --> 00:42:02,400
Speaker 2: of his idols, here we go, Daniel.

890
00:42:03,200 --> 00:42:06,000
Speaker 7: Yes, yes, now, look this is no laughing matter, all right.

891
00:42:06,360 --> 00:42:07,680
Speaker 7: I just wanted to let you know I used.

892
00:42:07,560 --> 00:42:10,560
Speaker 2: To say a girl with a wooden leg, yeah right, yeah,

893
00:42:10,600 --> 00:42:18,799
Speaker 2: but I broke it off. That's a love made. That's

894
00:42:18,880 --> 00:42:21,920
Speaker 2: a love good stuff, all right, thirtyone who's excribed the

895
00:42:22,000 --> 00:42:29,719
Speaker 2: number laughing waiting if laugh three times in a row,

896
00:42:30,080 --> 00:42:32,560
Speaker 2: then he gets to remove the box on his head.

897
00:42:32,600 --> 00:42:33,839
Speaker 2: He's already laughed.

898
00:42:33,719 --> 00:42:36,040
Speaker 1: Once, so he needs to not laugh. I think I

899
00:42:36,120 --> 00:42:37,880
Speaker 1: found out and.

900
00:42:38,680 --> 00:42:41,440
Speaker 2: Two more times. I'm just I'm just waiting on brorely

901
00:42:41,520 --> 00:42:43,759
Speaker 2: that the calls are coming in. I just red hot mate,

902
00:42:43,800 --> 00:42:45,600
Speaker 2: and you are in bad areas.

903
00:42:45,680 --> 00:42:49,120
Speaker 1: So we're going to got another caller here, right, I'm

904
00:42:49,120 --> 00:42:50,799
Speaker 1: going to get two more you need you need.

905
00:42:50,760 --> 00:42:52,960
Speaker 2: To not laugh two more times live on Instagram face.

906
00:42:52,960 --> 00:42:54,239
Speaker 1: Why don't you check a joke at me? Will?

907
00:42:54,280 --> 00:42:55,839
Speaker 2: All right, we've got to go to Jared, who's called

908
00:42:55,880 --> 00:42:56,920
Speaker 2: on thirty one of sixty five.

909
00:42:57,040 --> 00:42:58,279
Speaker 1: Jared the joke forwards. Here we go.

910
00:42:59,000 --> 00:43:00,840
Speaker 7: Okay, boys, what are you get when you cross a

911
00:43:00,920 --> 00:43:02,000
Speaker 7: lesbian and a plant puss?

912
00:43:03,840 --> 00:43:06,520
Speaker 2: The more sorry, lick a lot of puss.

913
00:43:11,760 --> 00:43:12,000
Speaker 1: Jerry.

914
00:43:16,920 --> 00:43:18,439
Speaker 4: That is such a good show.

915
00:43:19,320 --> 00:43:24,040
Speaker 3: What they do that is make standing with such a

916
00:43:24,160 --> 00:43:24,759
Speaker 3: funny joke.

917
00:43:25,239 --> 00:43:26,000
Speaker 1: Absolutely got me.

918
00:43:29,800 --> 00:43:29,960
Speaker 8: Right.

919
00:43:31,040 --> 00:43:33,239
Speaker 1: I mean, I'm struggling you.

920
00:43:33,640 --> 00:43:34,600
Speaker 2: You need to not lie.

921
00:43:35,200 --> 00:43:39,400
Speaker 1: You can meet this person. Keep taking I'm going to

922
00:43:39,440 --> 00:43:40,520
Speaker 1: get back.

923
00:43:40,560 --> 00:43:42,800
Speaker 2: You're gonna have to go. I haven't gone back in.

924
00:43:42,880 --> 00:43:44,360
Speaker 2: I'll bring him back in the studio though, because this

925
00:43:44,400 --> 00:43:45,680
Speaker 2: is getting ridiculous. I'll bring him back in.

926
00:43:45,760 --> 00:43:47,120
Speaker 1: I think if you bring them in, I'll take this.

927
00:43:49,440 --> 00:43:52,759
Speaker 2: Thank you, thank you, Sorry, I'm sorry, all right, I

928
00:43:52,840 --> 00:43:54,160
Speaker 2: have Jesus Christ.

929
00:43:54,320 --> 00:43:55,880
Speaker 1: All mate, Here we go.

930
00:43:56,000 --> 00:43:57,800
Speaker 2: All right, So again one of what his idols is

931
00:43:57,840 --> 00:44:00,359
Speaker 2: in the studio. He only gets to meet him if

932
00:44:01,000 --> 00:44:03,719
Speaker 2: he doesn't laugh. Now you've laughed once, you gotta you

933
00:44:03,800 --> 00:44:08,120
Speaker 2: can't laugh two more times. Here we go, tim, Tim, Yes, mate,

934
00:44:08,719 --> 00:44:09,320
Speaker 2: he's are going.

935
00:44:09,640 --> 00:44:11,080
Speaker 7: So I have to put put in a little bit

936
00:44:11,080 --> 00:44:12,920
Speaker 7: of accent for this, for this joke, because I think

937
00:44:12,920 --> 00:44:13,640
Speaker 7: I'll be able to get him.

938
00:44:13,719 --> 00:44:15,520
Speaker 1: Go for it, mate, all right.

939
00:44:16,719 --> 00:44:18,720
Speaker 8: Where does Darth Vader buy his clothes?

940
00:44:19,600 --> 00:44:23,719
Speaker 1: Where does Darth Vader buy his clothes? The darts Mall,

941
00:44:25,760 --> 00:44:26,800
Speaker 1: the Darth Mall.

942
00:44:26,719 --> 00:44:30,040
Speaker 2: Darth Maul. It's a Star Wars partner. He's no that

943
00:44:30,200 --> 00:44:32,840
Speaker 2: has to call him. I like the giants, Timmy, I

944
00:44:33,080 --> 00:44:35,160
Speaker 2: appreciate that for the Darth Mall.

945
00:44:36,239 --> 00:44:38,440
Speaker 1: Not my problem. Final one.

946
00:44:38,560 --> 00:44:40,560
Speaker 2: If you don't laugh, you get to meet one of

947
00:44:40,600 --> 00:44:45,000
Speaker 2: your idols sitting in the studio right now. It's a

948
00:44:45,040 --> 00:44:46,960
Speaker 2: big deal. Give him the fist pump is after the

949
00:44:47,000 --> 00:44:50,000
Speaker 2: fist pump may as well give it to him. All right,

950
00:44:50,080 --> 00:44:53,799
Speaker 2: here we go, all right, Final one, Donald, come on mate,

951
00:44:55,680 --> 00:44:57,439
Speaker 2: but he doesn't laugh. He gets to take the box

952
00:44:57,480 --> 00:44:58,960
Speaker 2: off his head and meet one of his idols. Here

953
00:44:59,200 --> 00:44:59,560
Speaker 2: be done.

954
00:45:01,200 --> 00:45:03,560
Speaker 7: All right, boys, what do you call a Mexican lost

955
00:45:03,640 --> 00:45:03,960
Speaker 7: his car?

956
00:45:05,080 --> 00:45:07,120
Speaker 1: A Mexican who lost his car?

957
00:45:08,600 --> 00:45:08,759
Speaker 2: Now?

958
00:45:10,040 --> 00:45:10,640
Speaker 8: What what is it?

959
00:45:11,920 --> 00:45:12,359
Speaker 7: Go off?

960
00:45:16,880 --> 00:45:17,560
Speaker 4: He likes.

961
00:45:19,920 --> 00:45:23,440
Speaker 2: Jayden for anyone who seems like Woods, you can't love me?

962
00:45:23,960 --> 00:45:26,120
Speaker 2: This guy'll let I'll get I'll let this go. I'll

963
00:45:26,200 --> 00:45:29,440
Speaker 2: let this guy go. I will let him go, Jayden.

964
00:45:29,560 --> 00:45:31,960
Speaker 2: Final one, mate, come on with try not to like Okay,

965
00:45:32,040 --> 00:45:40,680
Speaker 2: go very good Jayden? What all right?

966
00:45:40,960 --> 00:45:43,000
Speaker 1: I don't think I don't. I'm gonna say that's a no.

967
00:45:43,080 --> 00:45:45,959
Speaker 2: I think he's managed to hold that in Jayden, which

968
00:45:46,080 --> 00:45:50,240
Speaker 2: means Woods, I'm gonna you get to take the mask

969
00:45:50,320 --> 00:45:51,080
Speaker 2: off your head.

970
00:45:53,280 --> 00:45:54,040
Speaker 1: I'm very nervous.

971
00:45:54,239 --> 00:45:56,480
Speaker 2: So you get to meet obviously the big game this

972
00:45:56,560 --> 00:45:59,040
Speaker 2: weekend that you're really pumped about. In the Queen's Birthday,

973
00:45:59,200 --> 00:46:03,160
Speaker 2: the Melbourne Demon take on Collingwood at is Jack Fonny

974
00:46:03,600 --> 00:46:06,520
Speaker 2: at the Queen's Birthday Clash phrase big phrase at the

975
00:46:06,560 --> 00:46:09,439
Speaker 2: g for neurons today. He's a wonderful cause everyone everyone,

976
00:46:09,920 --> 00:46:11,759
Speaker 2: Actually you are in Melbourne or you're playing you're going

977
00:46:11,760 --> 00:46:14,000
Speaker 2: to Melbourne. It's a wonderful cause woulds.

978
00:46:13,800 --> 00:46:18,240
Speaker 1: My godmother's brother got d's. It's a shock up, absolute

979
00:46:18,280 --> 00:46:19,360
Speaker 1: shop and donate.

980
00:46:19,440 --> 00:46:22,040
Speaker 2: The blokes is going to be out there an absolute hero.

981
00:46:23,880 --> 00:46:27,160
Speaker 1: Here we go. You are now able to take it off.

982
00:46:27,239 --> 00:46:31,319
Speaker 2: Mate, it's big Maxine gone.

983
00:46:42,920 --> 00:46:54,320
Speaker 1: You where's Max? Where's the producer is going to go?

984
00:46:54,360 --> 00:46:56,640
Speaker 2: And get producer with the box on his head?

985
00:46:56,760 --> 00:46:58,160
Speaker 1: Is where's going?

986
00:47:00,040 --> 00:47:05,520
Speaker 2: Come on, We're about to go into Friday years.

987
00:47:06,560 --> 00:47:08,239
Speaker 1: But before we were getting people caught with jokes.

988
00:47:08,480 --> 00:47:10,120
Speaker 2: We're trying to laugh at the jokes, which is a

989
00:47:10,120 --> 00:47:11,520
Speaker 2: little see when we do every now and then on

990
00:47:11,600 --> 00:47:16,040
Speaker 2: the show. And we had a friend of mans who's

991
00:47:16,160 --> 00:47:17,759
Speaker 2: actually messaged us and.

992
00:47:17,800 --> 00:47:19,720
Speaker 3: He tried to message by the one the number thirteen

993
00:47:19,760 --> 00:47:21,759
Speaker 3: one oh six five, which for the record.

994
00:47:21,520 --> 00:47:24,840
Speaker 1: You can't do. That's not that's not the that's not

995
00:47:24,960 --> 00:47:25,319
Speaker 1: the number.

996
00:47:25,719 --> 00:47:29,359
Speaker 2: No it's not, it's not. But he's just sent us

997
00:47:29,640 --> 00:47:32,120
Speaker 2: and then he and then he said the joke above

998
00:47:32,719 --> 00:47:36,840
Speaker 2: is read it, this is this is and he was

999
00:47:36,880 --> 00:47:38,360
Speaker 2: trying to get on air with this this is our

1000
00:47:38,440 --> 00:47:38,839
Speaker 2: mate Bear.

1001
00:47:38,960 --> 00:47:42,160
Speaker 3: So people were trying to make me laugh, and the

1002
00:47:42,239 --> 00:47:45,000
Speaker 3: Big Bears joke was I was having a shower with

1003
00:47:45,120 --> 00:47:46,680
Speaker 3: my wife this morning and farted.

1004
00:47:47,160 --> 00:47:53,839
Speaker 1: Shower parts are pretty stanky. It's not a joke, the worst.

1005
00:47:55,680 --> 00:47:56,359
Speaker 2: What is that even?

1006
00:47:56,719 --> 00:47:57,120
Speaker 4: Anyway?

1007
00:47:57,280 --> 00:47:58,840
Speaker 2: How are you very great stuff?

1008
00:47:58,880 --> 00:47:59,080
Speaker 3: Mate?

1009
00:47:59,120 --> 00:48:00,239
Speaker 1: Could to see you warming up on.

1010
00:48:02,680 --> 00:48:03,879
Speaker 2: It's Friday time?

1011
00:48:05,840 --> 00:48:07,960
Speaker 1: No right now?

1012
00:48:09,880 --> 00:48:13,680
Speaker 2: Thirty six five. If you've got a question that Google

1013
00:48:13,719 --> 00:48:16,840
Speaker 2: can't answer, so it can't be factually based obviously, but

1014
00:48:17,000 --> 00:48:18,880
Speaker 2: if we can't have an answer to that question as

1015
00:48:18,920 --> 00:48:24,479
Speaker 2: well on a Friday, you win yourself fifty dollars. Question

1016
00:48:24,800 --> 00:48:28,000
Speaker 2: for example, might be when the tooth theory is not

1017
00:48:28,400 --> 00:48:31,439
Speaker 2: collecting tooth money, where do you think.

1018
00:48:31,360 --> 00:48:35,200
Speaker 3: She is probably spending her Oh no, she has teeth,

1019
00:48:35,239 --> 00:48:38,920
Speaker 3: doesn't she She has a lot of teethe. Imagine a

1020
00:48:39,000 --> 00:48:41,359
Speaker 3: police rate at the tooth Fairies house and like right,

1021
00:48:41,440 --> 00:48:42,640
Speaker 3: open up, kick down the door.

1022
00:48:43,040 --> 00:48:44,960
Speaker 1: Then they just find human teeth.

1023
00:48:44,920 --> 00:48:45,960
Speaker 2: Everywhere, terrifying.

1024
00:48:46,000 --> 00:48:49,520
Speaker 1: Well, you just think she's a serial killer? You one

1025
00:48:49,600 --> 00:48:52,000
Speaker 1: hundred percent there's DNA of the children's teeth.

1026
00:48:52,040 --> 00:48:54,799
Speaker 2: The next question is that the tooth tooth fairy related again,

1027
00:48:55,040 --> 00:48:58,640
Speaker 2: is what do you think the tooth like? Do you

1028
00:48:58,719 --> 00:49:01,120
Speaker 2: think the tooth theory has a a base price that

1029
00:49:01,239 --> 00:49:04,279
Speaker 2: she's comfortable with, because you never know if you're playing

1030
00:49:04,360 --> 00:49:05,280
Speaker 2: overs or unders.

1031
00:49:05,360 --> 00:49:08,359
Speaker 1: I used to hear people that got notes notes yep.

1032
00:49:09,840 --> 00:49:11,239
Speaker 1: I don't know what was so good about There.

1033
00:49:12,360 --> 00:49:14,520
Speaker 2: She's taking them for a ride. There, she's taking them

1034
00:49:14,560 --> 00:49:16,120
Speaker 2: from rap sul it ride.

1035
00:49:16,760 --> 00:49:17,439
Speaker 1: One hundred percent.

1036
00:49:17,640 --> 00:49:19,000
Speaker 3: If I got a gold coin, I was start at

1037
00:49:19,000 --> 00:49:20,680
Speaker 3: twenty cents for one, which I was actually prett happy

1038
00:49:20,680 --> 00:49:21,319
Speaker 3: with his crap tooth.

1039
00:49:21,440 --> 00:49:22,600
Speaker 1: Yeah, terrible tooth.

1040
00:49:22,840 --> 00:49:25,680
Speaker 2: Yeah yeah, is the tooth very subject to inflation?

1041
00:49:25,880 --> 00:49:28,279
Speaker 1: That's what a panel that Mike's asking. I don't know

1042
00:49:28,280 --> 00:49:29,960
Speaker 1: why he talked to us, Mike, just just tell.

1043
00:49:31,520 --> 00:49:33,040
Speaker 2: I think she might be over the years.

1044
00:49:33,200 --> 00:49:35,319
Speaker 1: I actually got another good one here and produces zooe.

1045
00:49:35,480 --> 00:49:35,680
Speaker 6: Yeah.

1046
00:49:35,880 --> 00:49:38,279
Speaker 3: She said the vampires just use their teeth to make

1047
00:49:38,320 --> 00:49:41,040
Speaker 3: a puncture wound and then suck or their fangs like

1048
00:49:41,120 --> 00:49:41,600
Speaker 3: a straw.

1049
00:49:43,400 --> 00:49:45,000
Speaker 1: That's a good question, A good question.

1050
00:49:45,160 --> 00:49:46,480
Speaker 2: I was always a straw guy.

1051
00:49:46,520 --> 00:49:48,880
Speaker 5: I think you think you think they suck blood through the.

1052
00:49:49,040 --> 00:49:51,560
Speaker 2: Thin only because when I see them suck blood like

1053
00:49:51,680 --> 00:49:54,520
Speaker 2: in movies, etcetera. They never like you if they were

1054
00:49:54,600 --> 00:49:56,400
Speaker 2: using it to puncture and then suck you'd see a

1055
00:49:56,400 --> 00:49:57,440
Speaker 2: bit of mouth movement.

1056
00:49:57,320 --> 00:49:59,000
Speaker 1: But it seems like it's just one action, doesn't it.

1057
00:49:59,280 --> 00:49:59,320
Speaker 6: Know?

1058
00:49:59,480 --> 00:50:01,680
Speaker 1: They just that just latched on the straws. Would you

1059
00:50:01,760 --> 00:50:03,520
Speaker 1: come in handy when you're drinking in general? Wouldn't it?

1060
00:50:03,960 --> 00:50:04,120
Speaker 2: Oh?

1061
00:50:04,360 --> 00:50:07,799
Speaker 1: God, tooth straw Now there's a genius all right there.

1062
00:50:08,120 --> 00:50:09,960
Speaker 2: That's the sorts of areas that you're in. If you

1063
00:50:10,040 --> 00:50:11,360
Speaker 2: got a question we haven't got an answer for, and

1064
00:50:11,400 --> 00:50:13,080
Speaker 2: fifty bucks you can win right here, and will would

1065
00:50:13,080 --> 00:50:15,759
Speaker 2: you take calls up next in the middle of Fridays?

1066
00:50:17,640 --> 00:50:21,240
Speaker 1: No fridy Hillary? How are you Hillary?

1067
00:50:22,200 --> 00:50:22,399
Speaker 3: Good?

1068
00:50:22,480 --> 00:50:22,759
Speaker 4: Thank you?

1069
00:50:22,920 --> 00:50:23,960
Speaker 2: How are you right?

1070
00:50:24,040 --> 00:50:26,120
Speaker 1: You've got a question for us that Google can't answer?

1071
00:50:26,520 --> 00:50:30,279
Speaker 7: If I love your guys, So, by the way, Ary,

1072
00:50:30,760 --> 00:50:31,239
Speaker 7: that's okay.

1073
00:50:31,640 --> 00:50:33,680
Speaker 6: So my question, So I was just listening.

1074
00:50:33,440 --> 00:50:34,960
Speaker 1: To you guys about the tooth fairy.

1075
00:50:36,360 --> 00:50:39,200
Speaker 6: Where does she get all of her money from that

1076
00:50:39,280 --> 00:50:40,719
Speaker 6: she's giving to the kids for the teeth?

1077
00:50:41,320 --> 00:50:43,920
Speaker 1: Great question, great question, We think about it.

1078
00:50:44,000 --> 00:50:48,320
Speaker 2: She's a fairy, so she's obviously selling the teeth to

1079
00:50:48,440 --> 00:50:49,000
Speaker 2: someone else.

1080
00:50:49,160 --> 00:50:50,080
Speaker 1: So she's like the middle man.

1081
00:50:50,160 --> 00:50:52,680
Speaker 2: She's she's selling the teeth, and she's selling the teeth

1082
00:50:52,719 --> 00:50:53,839
Speaker 2: in an inflated cast.

1083
00:50:53,960 --> 00:50:55,800
Speaker 1: Who would want the tea somebody else. Who do you

1084
00:50:55,800 --> 00:50:58,879
Speaker 1: think would want the teeth? Who would want children's teeth?

1085
00:50:59,000 --> 00:51:00,600
Speaker 5: Who would want old people?

1086
00:51:01,160 --> 00:51:02,000
Speaker 2: Old people?

1087
00:51:03,160 --> 00:51:05,080
Speaker 1: That's what's happening. I think we've just discovered a raw

1088
00:51:05,239 --> 00:51:06,040
Speaker 1: in society.

1089
00:51:06,200 --> 00:51:10,399
Speaker 2: What's going on. She's the fence or the middleman who

1090
00:51:10,840 --> 00:51:14,640
Speaker 2: is buying the teeth at a low price, although she'd

1091
00:51:14,719 --> 00:51:17,319
Speaker 2: be angry because she has to buy so if you're

1092
00:51:17,440 --> 00:51:21,200
Speaker 2: you know, expecting five or tens, which sometimes she has

1093
00:51:21,280 --> 00:51:23,680
Speaker 2: to pull out of a pocket. But she'd then be

1094
00:51:23,760 --> 00:51:27,360
Speaker 2: selling to old people's homes I imagine at an inflated price.

1095
00:51:27,719 --> 00:51:29,439
Speaker 2: And then because they can't just walk up to kids

1096
00:51:29,480 --> 00:51:31,160
Speaker 2: and go their teth, their teeth out of their mouths.

1097
00:51:31,280 --> 00:51:32,600
Speaker 1: No, you get arrested for it. I can't do that.

1098
00:51:33,200 --> 00:51:35,840
Speaker 2: And so she sells them back to the inflated at

1099
00:51:35,880 --> 00:51:38,080
Speaker 2: an inflated price, back to the old people's homes to

1100
00:51:38,160 --> 00:51:38,879
Speaker 2: make fake teeth.

1101
00:51:39,280 --> 00:51:41,319
Speaker 1: Yeah, that's right, because then she's a way too expensive. Hillary,

1102
00:51:41,360 --> 00:51:43,239
Speaker 1: I'm so sorry, but I think we would the question.

1103
00:51:43,680 --> 00:51:45,320
Speaker 6: I know that for a fact.

1104
00:51:46,080 --> 00:51:46,719
Speaker 1: Oh, he we do.

1105
00:51:47,640 --> 00:51:49,040
Speaker 2: The reasoning there is fears.

1106
00:51:52,080 --> 00:51:53,920
Speaker 1: I'll be honest with you. I spoke to my grandma.

1107
00:51:54,000 --> 00:51:57,560
Speaker 4: She confessed, she said it yeah, she's done dealings with

1108
00:51:57,640 --> 00:51:58,320
Speaker 4: the tooth fairy.

1109
00:51:58,200 --> 00:51:59,600
Speaker 1: Before she confessed.

1110
00:52:00,800 --> 00:52:04,200
Speaker 2: Awesome Crag group with Gresson really appreciate good stuff. All right,

1111
00:52:04,239 --> 00:52:06,839
Speaker 2: we're gonna go to Mitch. I had we had Amy there,

1112
00:52:06,880 --> 00:52:10,320
Speaker 2: Oh Mitch, Mitch, Yeah, Mitch, you got a question for

1113
00:52:10,440 --> 00:52:12,080
Speaker 2: us that go kinda and say you're like to with

1114
00:52:12,200 --> 00:52:13,080
Speaker 2: fifty bucks on a Friday.

1115
00:52:14,160 --> 00:52:15,759
Speaker 7: Yeah, I was wanting to know which end of the

1116
00:52:16,000 --> 00:52:16,920
Speaker 7: sock is the start?

1117
00:52:19,080 --> 00:52:22,160
Speaker 1: Oh, geez, good one, because so you're you're you're.

1118
00:52:22,200 --> 00:52:24,120
Speaker 3: The reason you're asking is because it's the start of

1119
00:52:24,160 --> 00:52:26,080
Speaker 3: at the point where you put your foot in, or

1120
00:52:27,200 --> 00:52:29,000
Speaker 3: the start of I mean logically, when you look at.

1121
00:52:28,960 --> 00:52:30,319
Speaker 1: A sock, the start looks like the toe.

1122
00:52:31,239 --> 00:52:32,960
Speaker 2: So, Mitch, are you saying, like if I give you

1123
00:52:33,000 --> 00:52:34,960
Speaker 2: If I gave you a sock and I said, can

1124
00:52:35,040 --> 00:52:38,040
Speaker 2: you grab the the start of it, the start of

1125
00:52:38,120 --> 00:52:39,839
Speaker 2: the sock, go to the start of the sock, I'd

1126
00:52:39,880 --> 00:52:40,160
Speaker 2: go the.

1127
00:52:40,239 --> 00:52:42,840
Speaker 5: Toe, because because if I said grab the end of

1128
00:52:42,880 --> 00:52:44,400
Speaker 5: the sock, oh no, the end could be toe.

1129
00:52:44,560 --> 00:52:45,919
Speaker 1: If I said go to the end of the sock,

1130
00:52:47,719 --> 00:52:49,560
Speaker 1: I could go to Do you go the toe? I

1131
00:52:49,640 --> 00:52:52,640
Speaker 1: think I hang my socks from the end and I

1132
00:52:52,719 --> 00:52:54,080
Speaker 1: hang my socks from the toe.

1133
00:52:54,239 --> 00:52:55,799
Speaker 2: To the toe of the sock, go to the end

1134
00:52:55,840 --> 00:52:58,000
Speaker 2: of the sock, because toe at the end of the sock.

1135
00:52:58,440 --> 00:53:01,000
Speaker 2: It's tricky stuff. Mitch fifty bucks, it's got to give

1136
00:53:01,040 --> 00:53:01,239
Speaker 2: it to you.

1137
00:53:02,160 --> 00:53:02,520
Speaker 4: A question.

1138
00:53:02,680 --> 00:53:05,200
Speaker 1: No, that's a real head scratch over.

1139
00:53:05,320 --> 00:53:08,080
Speaker 2: I mean, like the question is, though, whoever says the

1140
00:53:08,160 --> 00:53:09,040
Speaker 2: start of the sock?

1141
00:53:09,280 --> 00:53:10,920
Speaker 1: No one ever says, No one ever says a good

1142
00:53:10,960 --> 00:53:11,319
Speaker 1: reason why.

1143
00:53:11,480 --> 00:53:12,080
Speaker 5: It's confusing.

1144
00:53:12,880 --> 00:53:14,960
Speaker 1: It's really confusing. Damn it.

1145
00:53:15,040 --> 00:53:19,319
Speaker 2: Midge, great stuff, Mitch, Willing Woody get a fresh way

1146
00:53:19,400 --> 00:53:21,040
Speaker 2: to drives home with Will and Woody