1
00:00:00,080 --> 00:00:01,240
Speaker 1: It's time for our podcast.

2
00:00:01,560 --> 00:00:05,840
Speaker 2: Woop woo, woop woo. Eh Lydia Thorpe. You probably saw

3
00:00:05,840 --> 00:00:08,799
Speaker 2: her outburst at the function in Canberra at Parliament House

4
00:00:08,840 --> 00:00:12,239
Speaker 2: for King Charles and Queen Camilla. We put it to

5
00:00:12,280 --> 00:00:15,680
Speaker 2: the pub test because yes, it's uncomfortable and it's awkward,

6
00:00:15,840 --> 00:00:18,639
Speaker 2: and I'm no fan. But at the same time, that

7
00:00:18,800 --> 00:00:20,240
Speaker 2: story has gone all around the world and it has

8
00:00:20,280 --> 00:00:23,759
Speaker 2: reminded people that there was a very long indigenous culture

9
00:00:23,760 --> 00:00:25,360
Speaker 2: here before the English came.

10
00:00:25,920 --> 00:00:29,960
Speaker 3: Also Tales of the Paperboy, the world's oldest paperboy has

11
00:00:30,040 --> 00:00:31,960
Speaker 3: retired at the age of eighty two.

12
00:00:32,720 --> 00:00:36,600
Speaker 2: And I'll show you something interesting about Rihanna's song Sos

13
00:00:37,040 --> 00:00:40,519
Speaker 2: the lyrics in the second verse, the writer of the

14
00:00:40,600 --> 00:00:43,199
Speaker 2: song divulges for the first time, what the hell they mean?

15
00:00:43,240 --> 00:00:44,320
Speaker 2: It's quite fascinating.

16
00:00:44,560 --> 00:00:47,280
Speaker 3: And there's a new stand series coming out. It's called Nautilus.

17
00:00:47,400 --> 00:00:50,400
Speaker 3: One of its stars Georgia Flood. Will we join us Nautalus?

18
00:00:50,400 --> 00:00:55,040
Speaker 2: Her name is Georgia, Yeah, no, ther name's Flood.

19
00:00:55,560 --> 00:01:09,240
Speaker 4: I was just seeing if you're paying attention, enjoy the podcast.

20
00:01:09,400 --> 00:01:10,560
Speaker 2: That a miracle of recording.

21
00:01:10,760 --> 00:01:12,520
Speaker 1: We have so many requests.

22
00:01:12,000 --> 00:01:12,920
Speaker 2: For them to do it again.

23
00:01:13,040 --> 00:01:14,679
Speaker 1: Mistress Amanda and miss Killer.

24
00:01:15,360 --> 00:01:21,000
Speaker 5: Amanda doesn't work alone, friend Aroom making the tools of

25
00:01:21,040 --> 00:01:21,440
Speaker 5: the train.

26
00:01:21,520 --> 00:01:24,679
Speaker 3: I've heard them describe him as a drunken idiot.

27
00:01:25,720 --> 00:01:26,600
Speaker 1: The legendary part.

28
00:01:26,720 --> 00:01:29,680
Speaker 3: Jonesy and Amanda the Actress.

29
00:01:29,720 --> 00:01:31,720
Speaker 2: Congratulations, man, we are there any right now?

30
00:01:32,640 --> 00:01:34,520
Speaker 3: Josey and Amanda, you're doing a great job.

31
00:01:36,400 --> 00:01:39,639
Speaker 6: Silk good radio.

32
00:01:39,920 --> 00:01:45,120
Speaker 5: Sorry but it's a total tongue twist set and Amanda,

33
00:01:45,360 --> 00:01:47,720
Speaker 5: it's time we're.

34
00:01:47,480 --> 00:01:50,080
Speaker 1: On the air top the moment to you, Amanda.

35
00:01:49,680 --> 00:01:51,880
Speaker 2: How are you great? How are you?

36
00:01:52,000 --> 00:01:52,880
Speaker 1: I am great as well.

37
00:01:52,960 --> 00:01:55,080
Speaker 3: Jim I Rye is back from his sickness.

38
00:01:56,120 --> 00:01:59,200
Speaker 2: It was a moment yesterday Ryan about this time where Jones'

39
00:01:59,280 --> 00:02:02,720
Speaker 2: arthritick finger did something and all the ads disappeared.

40
00:02:02,720 --> 00:02:04,080
Speaker 1: They all just disappeared with one.

41
00:02:04,120 --> 00:02:05,280
Speaker 2: Came running from out there.

42
00:02:05,360 --> 00:02:09,440
Speaker 3: What one key stroke or the ads just went because

43
00:02:09,480 --> 00:02:11,280
Speaker 3: as you say of my arthritic.

44
00:02:10,960 --> 00:02:13,160
Speaker 2: Finger, yeah, I felt a sense of duty to come

45
00:02:13,200 --> 00:02:15,440
Speaker 2: back in also after the magnificance. They haven't finished. I

46
00:02:15,480 --> 00:02:16,800
Speaker 2: think you fight into the traffic.

47
00:02:16,919 --> 00:02:19,320
Speaker 1: Oh okay, you up and heard that.

48
00:02:19,520 --> 00:02:20,600
Speaker 2: I've got a list of things.

49
00:02:20,600 --> 00:02:22,720
Speaker 3: Actually okay, well how about you keep your list to

50
00:02:22,760 --> 00:02:25,480
Speaker 3: yourself and have you got your little sick note no,

51
00:02:25,840 --> 00:02:27,640
Speaker 3: it's not just written from Ryan's mum.

52
00:02:27,800 --> 00:02:29,600
Speaker 2: It's funny, though, isn't it that if we didn't play,

53
00:02:29,720 --> 00:02:33,240
Speaker 2: if something had happened and I died on air, no

54
00:02:33,280 --> 00:02:36,320
Speaker 2: one would notice. But the ads got dropped. People came

55
00:02:36,360 --> 00:02:39,320
Speaker 2: from repellent in the ceiling. What the hell's happened?

56
00:02:39,360 --> 00:02:40,480
Speaker 1: It came from everywhere, but made.

57
00:02:40,520 --> 00:02:41,959
Speaker 3: It's good to see and you look, well, you don't

58
00:02:41,960 --> 00:02:43,799
Speaker 3: look you look like yourself.

59
00:02:43,840 --> 00:02:46,000
Speaker 2: And usually you say, look like that sick guy from

60
00:02:46,000 --> 00:02:46,520
Speaker 2: the Simpsons.

61
00:02:46,560 --> 00:02:48,720
Speaker 1: You don't look like Wendell. No, you look you've got

62
00:02:48,760 --> 00:02:49,480
Speaker 1: color in your face.

63
00:02:49,560 --> 00:02:52,040
Speaker 2: Okay, too much? Actually, yeah, I know? What have you

64
00:02:52,080 --> 00:02:52,480
Speaker 2: been doing?

65
00:02:52,680 --> 00:02:52,880
Speaker 5: Still?

66
00:02:52,880 --> 00:02:53,240
Speaker 3: All right?

67
00:02:53,320 --> 00:02:55,520
Speaker 2: Yeah, I'm okay. It's beaverish.

68
00:02:55,760 --> 00:02:58,160
Speaker 1: Maybe many you can make him a little one of

69
00:02:58,200 --> 00:02:59,160
Speaker 1: your health drinks.

70
00:02:59,280 --> 00:03:01,440
Speaker 2: Well you o those and the cartoons? What was that

71
00:03:01,560 --> 00:03:05,200
Speaker 2: for where you tie material around your head and on

72
00:03:05,280 --> 00:03:07,080
Speaker 2: top would be like a big bag of ice.

73
00:03:07,560 --> 00:03:11,080
Speaker 3: I think that's a headache, a hanger, like one of those.

74
00:03:11,160 --> 00:03:14,639
Speaker 2: Right, I think a payrise. We'll get you a pay rise.

75
00:03:14,720 --> 00:03:17,359
Speaker 3: You can tire the kids some more money.

76
00:03:17,360 --> 00:03:17,840
Speaker 1: He works.

77
00:03:18,040 --> 00:03:20,640
Speaker 3: He works like you know, a couple of hours a days,

78
00:03:20,880 --> 00:03:21,480
Speaker 3: hard yacker.

79
00:03:21,560 --> 00:03:23,160
Speaker 2: This job, it's hard, hard, yacker.

80
00:03:23,639 --> 00:03:25,760
Speaker 3: But it's good to your back, Ryn, because the king

81
00:03:26,200 --> 00:03:28,120
Speaker 3: and the Queen are going to be on the harbor

82
00:03:28,160 --> 00:03:31,320
Speaker 3: and we've got yeah, today they're going out on a boat.

83
00:03:31,600 --> 00:03:34,000
Speaker 2: Remember I was invited to Camber yesterday.

84
00:03:34,240 --> 00:03:35,080
Speaker 1: What about yesterday?

85
00:03:35,120 --> 00:03:35,600
Speaker 3: Did you see?

86
00:03:35,920 --> 00:03:37,920
Speaker 2: I would have been there for the brew haha?

87
00:03:38,040 --> 00:03:40,680
Speaker 3: And the king was confronted by that crazy spitting animal

88
00:03:41,000 --> 00:03:42,360
Speaker 3: and then there was the Lama.

89
00:03:42,680 --> 00:03:44,760
Speaker 1: It was like, it's all happened.

90
00:03:44,800 --> 00:03:47,520
Speaker 2: Well, that's what happens when you're the king top all kinds.

91
00:03:47,640 --> 00:03:48,600
Speaker 1: You do cop or cards.

92
00:03:48,640 --> 00:03:51,560
Speaker 2: Even if maybe Brendan Jones had repelled from the ceiling,

93
00:03:52,440 --> 00:03:55,480
Speaker 2: what would you do if you met the king? Well

94
00:03:55,520 --> 00:03:56,960
Speaker 2: we're going to talk about this a bit later. My

95
00:03:57,040 --> 00:03:59,400
Speaker 2: son's friend lined up in Camber and shook their hands,

96
00:03:59,440 --> 00:04:01,600
Speaker 2: which which Louis Louis.

97
00:04:01,600 --> 00:04:02,800
Speaker 1: I like Louis.

98
00:04:03,320 --> 00:04:04,120
Speaker 2: I love Louis.

99
00:04:04,160 --> 00:04:07,560
Speaker 1: He's got a bit of smart ass about but he's a.

100
00:04:07,600 --> 00:04:09,960
Speaker 2: Very polite, smarter. I don't think he's a smartest. He's

101
00:04:09,960 --> 00:04:13,400
Speaker 2: actually a very sincere dry person. We went to see

102
00:04:13,520 --> 00:04:15,120
Speaker 2: very Dry. We went to the East.

103
00:04:14,920 --> 00:04:16,240
Speaker 1: Show a couple.

104
00:04:16,279 --> 00:04:18,039
Speaker 3: Remember Jack had to fill in for you because you

105
00:04:18,040 --> 00:04:20,920
Speaker 3: were getting hip surgery, and we had the Dodge and

106
00:04:21,000 --> 00:04:23,760
Speaker 3: race car. He brought Louis along. They put Louis and

107
00:04:23,880 --> 00:04:26,760
Speaker 3: Jackie high veers, and this guy came up and started

108
00:04:26,800 --> 00:04:30,120
Speaker 3: asking Louis what he should do and said, you look

109
00:04:30,240 --> 00:04:33,320
Speaker 3: like management because his moony is Well, clearly I look

110
00:04:33,440 --> 00:04:34,120
Speaker 3: like management.

111
00:04:34,240 --> 00:04:36,039
Speaker 2: Well, he and jack both went through the same phase

112
00:04:36,080 --> 00:04:40,560
Speaker 2: of having looking like nineteen seventies porn stars terrible mustaches.

113
00:04:40,680 --> 00:04:43,200
Speaker 1: I would say Louis pulled off his mustache better than Jack.

114
00:04:43,279 --> 00:04:45,479
Speaker 2: Well, I think Jackson's gone, but Louis might still have his.

115
00:04:45,560 --> 00:04:46,320
Speaker 2: I can't remember.

116
00:04:46,560 --> 00:04:48,599
Speaker 1: And so he saw the King and the Queen.

117
00:04:48,640 --> 00:04:50,800
Speaker 2: I'll talk you through all of that about coming up

118
00:04:50,839 --> 00:04:51,359
Speaker 2: on the show.

119
00:04:51,480 --> 00:04:51,600
Speaker 7: Ye.

120
00:04:52,640 --> 00:04:56,080
Speaker 3: Also, Instagram makes us return and today it's a two

121
00:04:56,120 --> 00:04:58,880
Speaker 3: grand Tuesday when it comes to have we got that

122
00:04:58,920 --> 00:04:59,559
Speaker 3: stupid jingle?

123
00:04:59,600 --> 00:05:01,640
Speaker 1: Still right? Okay?

124
00:05:01,720 --> 00:05:03,800
Speaker 2: Look I can see it from here, can you? Yeah?

125
00:05:03,839 --> 00:05:06,680
Speaker 2: There it is right there too? Great?

126
00:05:06,839 --> 00:05:12,960
Speaker 3: Come on, I'm unwell, that was worth it.

127
00:05:13,040 --> 00:05:15,680
Speaker 1: I'd rather have Lydia Thorpe come and yell in my face.

128
00:05:19,120 --> 00:05:20,200
Speaker 2: I can arrange it, you know.

129
00:05:20,680 --> 00:05:23,359
Speaker 1: Can I just love that a Lydia Thorpe yelling in

130
00:05:23,400 --> 00:05:23,880
Speaker 1: my face?

131
00:05:23,920 --> 00:05:26,160
Speaker 2: Well, we will play a song that'll be played again

132
00:05:26,200 --> 00:05:27,840
Speaker 2: before six o'clock. You're gonna have to listen out to

133
00:05:27,839 --> 00:05:28,919
Speaker 2: find out what that song is.

134
00:05:29,200 --> 00:05:31,040
Speaker 3: If you'd like to play the magnificsm seven. We can't

135
00:05:31,040 --> 00:05:32,320
Speaker 3: do anything to do that. Yeah.

136
00:05:33,160 --> 00:05:37,000
Speaker 2: One here it is question number one A centennial refers

137
00:05:37,040 --> 00:05:39,640
Speaker 2: to which anniversary we.

138
00:05:39,600 --> 00:05:42,560
Speaker 1: Have for you the magnifs seven? There are seven questions?

139
00:05:42,560 --> 00:05:44,000
Speaker 1: Can you go all the way and answer all seven

140
00:05:44,040 --> 00:05:45,920
Speaker 1: questions correctly? If you do that, a Manda will say

141
00:05:45,960 --> 00:05:47,359
Speaker 1: you are not my king.

142
00:05:48,720 --> 00:05:51,679
Speaker 2: I'll say in a big English accent, though little confused people.

143
00:05:51,839 --> 00:05:53,880
Speaker 1: The other thing with lydia thoughpe I just thought about

144
00:05:53,920 --> 00:05:55,480
Speaker 1: she's heading into menopause as well.

145
00:05:55,640 --> 00:05:58,120
Speaker 3: Oh, Brendan, I'm just saying, cannot do that.

146
00:05:58,200 --> 00:05:59,080
Speaker 1: I know you can say you.

147
00:05:59,080 --> 00:06:04,039
Speaker 2: Can be you can be an outspoken, unusual, aggressive woman

148
00:06:04,160 --> 00:06:05,760
Speaker 2: without blaming menopause.

149
00:06:07,560 --> 00:06:10,039
Speaker 1: Please, before you know, I'm just saying that there is

150
00:06:10,200 --> 00:06:10,800
Speaker 1: it is a thing.

151
00:06:11,120 --> 00:06:14,240
Speaker 2: Her behavior has always been that she always know she

152
00:06:14,320 --> 00:06:16,960
Speaker 2: has And women can be batchet all over the place.

153
00:06:17,000 --> 00:06:18,040
Speaker 2: Doesn't mean they're menopausal.

154
00:06:18,160 --> 00:06:20,760
Speaker 1: No, it's a thing. Okay, you can't not say it.

155
00:06:20,800 --> 00:06:22,960
Speaker 2: What do you tell me? It's a thing I went

156
00:06:22,960 --> 00:06:23,479
Speaker 2: through with you?

157
00:06:23,640 --> 00:06:24,960
Speaker 3: Yeah, but my wife.

158
00:06:24,839 --> 00:06:28,720
Speaker 2: Now, yeah, but that does not you don't have need

159
00:06:28,800 --> 00:06:30,200
Speaker 2: to link that to that behavior.

160
00:06:30,440 --> 00:06:33,000
Speaker 3: I would say, because I say it about men all

161
00:06:33,000 --> 00:06:35,599
Speaker 3: the time, like the manopause. It happensopause.

162
00:06:35,680 --> 00:06:37,840
Speaker 2: When have you ever seen Bob Katta going off?

163
00:06:37,839 --> 00:06:39,120
Speaker 3: You go either the manipause.

164
00:06:39,640 --> 00:06:41,479
Speaker 2: He's just mad, He's just mad.

165
00:06:42,880 --> 00:06:46,480
Speaker 3: I'm just saying, I'm just telling it, like, don't go me.

166
00:06:47,600 --> 00:06:48,760
Speaker 3: But it's about getting questions.

167
00:06:48,760 --> 00:06:50,640
Speaker 1: Seven R. Felix is in ash Field.

168
00:06:50,680 --> 00:07:01,039
Speaker 2: Hello, Felix, wear very well, thank you. Brusque Entennial refers

169
00:07:01,040 --> 00:07:04,279
Speaker 2: to which anniversary.

170
00:07:04,680 --> 00:07:07,599
Speaker 8: So that's it is one hundred years Phelix.

171
00:07:07,640 --> 00:07:10,960
Speaker 2: I feeling every one of them.

172
00:07:11,600 --> 00:07:13,920
Speaker 1: Faith that everyone gets closer.

173
00:07:14,720 --> 00:07:16,120
Speaker 2: True or we're lucky.

174
00:07:16,160 --> 00:07:16,960
Speaker 3: That is very true.

175
00:07:17,040 --> 00:07:17,480
Speaker 2: That's true.

176
00:07:17,680 --> 00:07:19,600
Speaker 1: Every day around the sun is a great day.

177
00:07:19,680 --> 00:07:20,200
Speaker 9: That's right.

178
00:07:20,480 --> 00:07:23,280
Speaker 2: We go around the sun in one day. Wow, no wonder,

179
00:07:23,320 --> 00:07:23,880
Speaker 2: I'm tired.

180
00:07:25,280 --> 00:07:29,960
Speaker 3: True or false. The first use of commercial refrigeration was

181
00:07:29,960 --> 00:07:33,800
Speaker 3: in Australia to keep beer cold. Felix, is this true

182
00:07:34,080 --> 00:07:35,040
Speaker 3: or is it false?

183
00:07:36,440 --> 00:07:38,800
Speaker 2: It's going to be true, It's got true. The technology

184
00:07:38,880 --> 00:07:42,400
Speaker 2: was developed by Australian James Harrison in eighteen fifty six.

185
00:07:43,040 --> 00:07:45,679
Speaker 2: He was commissioned by a brewery a brewery a brian

186
00:07:45,720 --> 00:07:48,520
Speaker 2: Bury to build a machine that would cool beer, and

187
00:07:48,560 --> 00:07:51,520
Speaker 2: his method of refrigeration is still used by fridges, obviously

188
00:07:51,520 --> 00:07:55,480
Speaker 2: with some refinements. Yeah, but the initial technology is still valid.

189
00:07:55,680 --> 00:07:56,440
Speaker 2: Amazing good.

190
00:07:56,480 --> 00:07:58,240
Speaker 1: This should be a day for James Harrison.

191
00:07:58,280 --> 00:08:00,560
Speaker 3: Shouldn't there be as days everyone else?

192
00:08:00,680 --> 00:08:00,960
Speaker 10: We want?

193
00:08:00,960 --> 00:08:02,040
Speaker 3: Don't we go to open the fridge?

194
00:08:02,040 --> 00:08:02,200
Speaker 2: Want?

195
00:08:02,280 --> 00:08:02,360
Speaker 11: So?

196
00:08:02,360 --> 00:08:03,720
Speaker 2: I'm just going to open the Harrison.

197
00:08:05,040 --> 00:08:06,400
Speaker 1: Let's play lyrical Assassin.

198
00:08:09,200 --> 00:08:11,560
Speaker 3: This is where we quote lyrics to a song and Felix,

199
00:08:11,640 --> 00:08:13,760
Speaker 3: you have to wear work out where those lyrics have.

200
00:08:13,760 --> 00:08:15,040
Speaker 1: Come from you? Are you ready to go?

201
00:08:15,960 --> 00:08:20,080
Speaker 3: Yep? I never will forget those nights. I wonder if

202
00:08:20,080 --> 00:08:23,320
Speaker 3: it was a dream. Remember how you made me crazy?

203
00:08:23,960 --> 00:08:27,360
Speaker 3: Remember how I made you scream?

204
00:08:27,560 --> 00:08:37,880
Speaker 2: Oh I know this, Umm, Felix. I could listen to

205
00:08:37,880 --> 00:08:38,960
Speaker 2: you hamm and horror al more.

206
00:08:39,000 --> 00:08:41,160
Speaker 1: We can, but unfortunately no, do you want me to

207
00:08:41,200 --> 00:08:41,640
Speaker 1: do it again?

208
00:08:42,040 --> 00:08:43,440
Speaker 2: How about I do it and I'll give a little

209
00:08:43,440 --> 00:08:45,600
Speaker 2: bit of sass which I gave sas, but I might

210
00:08:45,640 --> 00:08:47,400
Speaker 2: give a bit of phrasing. I know you don't like it,

211
00:08:47,400 --> 00:08:50,640
Speaker 2: but this will help people. I never will forget those nights.

212
00:08:50,679 --> 00:08:52,800
Speaker 2: I wonder if it was a dream. Remember how you

213
00:08:52,840 --> 00:08:55,720
Speaker 2: made me crazy? Remember how I made you scream.

214
00:08:55,760 --> 00:08:58,080
Speaker 1: You're singing it. No, that's singing back to me.

215
00:08:58,120 --> 00:08:58,920
Speaker 2: No, I'm not singing it.

216
00:08:59,320 --> 00:09:00,959
Speaker 1: Lyrical assass and it's a different.

217
00:09:01,000 --> 00:09:08,000
Speaker 2: Different I'm not saying it's a different kettle podcast The Magnificent.

218
00:09:08,200 --> 00:09:10,680
Speaker 3: We're up to Western number three, Lyrical Assassins.

219
00:09:10,800 --> 00:09:14,280
Speaker 2: We're going to Michael in Mount Anna and hello Michael,

220
00:09:16,960 --> 00:09:18,400
Speaker 2: very well, thank you. I'm going to read you some

221
00:09:18,480 --> 00:09:20,839
Speaker 2: lyrics and see if you know the song this they're from.

222
00:09:21,320 --> 00:09:23,280
Speaker 2: I will never forget those nights. I wonder if it

223
00:09:23,360 --> 00:09:26,240
Speaker 2: was a dream. Remember how you made me crazy? Remember

224
00:09:26,240 --> 00:09:28,000
Speaker 2: how I made you scream? Do you know what the

225
00:09:28,040 --> 00:09:28,440
Speaker 2: song is?

226
00:09:29,880 --> 00:09:32,640
Speaker 12: Yeah?

227
00:09:34,800 --> 00:09:35,360
Speaker 2: I wonder I.

228
00:09:37,559 --> 00:09:38,480
Speaker 1: Remember, etc.

229
00:09:39,960 --> 00:09:42,360
Speaker 3: How many of the Beatles Michael, were left handed?

230
00:09:42,720 --> 00:09:43,320
Speaker 1: Was it one?

231
00:09:43,480 --> 00:09:43,680
Speaker 7: Two?

232
00:09:43,960 --> 00:09:44,520
Speaker 3: Or three?

233
00:09:45,880 --> 00:09:46,800
Speaker 12: I think there's one.

234
00:09:48,320 --> 00:09:51,520
Speaker 3: That's where you go straight to but no tenures in

235
00:09:51,559 --> 00:09:52,120
Speaker 3: Georgia's Hall.

236
00:09:52,200 --> 00:09:55,880
Speaker 2: Hello Tanya, good morning. So it wasn't one. How many

237
00:09:55,920 --> 00:09:57,160
Speaker 2: of the Beatles were left handed?

238
00:09:58,000 --> 00:09:59,040
Speaker 13: I'm going to go with two.

239
00:09:59,160 --> 00:10:01,080
Speaker 2: Yeah, Ringo Star and Paul Mcamor.

240
00:10:01,160 --> 00:10:03,719
Speaker 3: Well, Ringo is big and you went through this as

241
00:10:03,760 --> 00:10:06,680
Speaker 3: a youngster where left handed. If you're there, you're an

242
00:10:06,720 --> 00:10:09,960
Speaker 3: abomination if you were left handed. So he was taught

243
00:10:10,200 --> 00:10:11,720
Speaker 3: to be right handed, So.

244
00:10:11,640 --> 00:10:13,280
Speaker 2: He plays drummer. Wouldn't matter now.

245
00:10:13,200 --> 00:10:15,320
Speaker 3: He plays, Yeah, but there's left handed drummers and right

246
00:10:15,400 --> 00:10:18,960
Speaker 3: hand Ringo plays And when you watch him play, he

247
00:10:19,040 --> 00:10:22,920
Speaker 3: does this thing with his shoulder. It's quite extraordinary because

248
00:10:22,920 --> 00:10:25,880
Speaker 3: he's not meant to be a right handed drum.

249
00:10:25,760 --> 00:10:27,240
Speaker 2: I had no idea there were left handed drums and

250
00:10:27,320 --> 00:10:28,040
Speaker 2: right handed drums.

251
00:10:28,120 --> 00:10:29,839
Speaker 3: Yeah, you put your snare on a different side and

252
00:10:29,880 --> 00:10:31,120
Speaker 3: your high hat on a different side.

253
00:10:31,160 --> 00:10:36,000
Speaker 2: Well, that's why I'm so terrible. Question number five? Does

254
00:10:36,000 --> 00:10:39,320
Speaker 2: it usually take more or less than thirty days to

255
00:10:39,360 --> 00:10:41,800
Speaker 2: climb Mount Everest? Thirty days more or less.

256
00:10:43,840 --> 00:10:44,080
Speaker 12: More?

257
00:10:44,200 --> 00:10:46,560
Speaker 2: Yeah, it takes around sixty days. You can probably do

258
00:10:46,600 --> 00:10:49,360
Speaker 2: it faster, but you have to adjust to the extreme

259
00:10:49,360 --> 00:10:51,160
Speaker 2: altitude on the way. But you're headed explodes.

260
00:10:51,200 --> 00:10:52,760
Speaker 1: I've got an inclinator up that thing yet.

261
00:10:52,840 --> 00:10:54,040
Speaker 2: Oh no, wouldn't you think?

262
00:10:54,600 --> 00:10:55,439
Speaker 3: You think?

263
00:10:55,600 --> 00:10:58,280
Speaker 1: If I can't get a ruler from Everest? What's the point?

264
00:10:58,880 --> 00:11:02,760
Speaker 3: Which nineteen ninety eight animated comedy film produced by Pixar

265
00:11:03,160 --> 00:11:04,600
Speaker 3: is about a colony of ants?

266
00:11:07,080 --> 00:11:09,679
Speaker 13: Oh it's called ants, isn't it?

267
00:11:09,760 --> 00:11:12,640
Speaker 2: There was ants, But that's not the Pixar film. I

268
00:11:12,640 --> 00:11:15,079
Speaker 2: didn't like Ants that a member of Sylvester Stallone. It

269
00:11:15,200 --> 00:11:18,560
Speaker 2: was great as No, this was a great film. Ants

270
00:11:18,600 --> 00:11:20,959
Speaker 2: was trying to copy it and wasn't quite as great.

271
00:11:21,360 --> 00:11:23,920
Speaker 1: I did sort of he could hook on to there.

272
00:11:24,200 --> 00:11:26,240
Speaker 2: This was a film that sort of there's the second

273
00:11:26,240 --> 00:11:29,400
Speaker 2: feature length film from Pixar following Toy Story. They always

274
00:11:29,400 --> 00:11:32,520
Speaker 2: did amazing movies. Gregena, Hello, Greg, do you know what

275
00:11:32,559 --> 00:11:33,560
Speaker 2: film we're talking about?

276
00:11:35,120 --> 00:11:38,680
Speaker 3: No idea? No, thanks, you always good Davy on the

277
00:11:38,679 --> 00:11:41,319
Speaker 3: show Graham's in South Penrod Graham.

278
00:11:41,080 --> 00:11:43,680
Speaker 2: What's the film about a colony of ants at Pixar made?

279
00:11:43,760 --> 00:11:45,560
Speaker 13: You know? A bugs Life?

280
00:11:46,000 --> 00:11:47,000
Speaker 2: Life was a great film?

281
00:11:47,200 --> 00:11:50,679
Speaker 3: What fast food chain did Donald Trump volunteer his time

282
00:11:50,720 --> 00:11:55,400
Speaker 3: at in swing state of Pennsylvania McDonald's yes serving.

283
00:11:55,200 --> 00:11:57,240
Speaker 2: Up the frit What I was reading was that he

284
00:11:57,400 --> 00:11:59,640
Speaker 2: disputed the fact that Krmala Harris said that when she

285
00:11:59,679 --> 00:12:02,280
Speaker 2: was a kid, she'd worked at McDonald's. So as a

286
00:12:02,280 --> 00:12:05,320
Speaker 2: form of pity revenge, he chose to do this at

287
00:12:05,360 --> 00:12:08,640
Speaker 2: McDonald's yesterday. But it was actually closed and all the

288
00:12:08,640 --> 00:12:10,959
Speaker 2: people that came in and did all of that were

289
00:12:11,280 --> 00:12:14,720
Speaker 2: arranged to be there. It wasn't a working McDonald's that day.

290
00:12:14,720 --> 00:12:17,800
Speaker 2: They had closed it. So as an up you to her.

291
00:12:18,480 --> 00:12:21,160
Speaker 2: He went into a he closed the McDonald's and pretended

292
00:12:21,200 --> 00:12:21,760
Speaker 2: to work there.

293
00:12:23,280 --> 00:12:24,839
Speaker 1: That's when's this alection going to be right?

294
00:12:25,040 --> 00:12:25,520
Speaker 3: It's only a.

295
00:12:25,520 --> 00:12:28,280
Speaker 2: Couple of weeks, a couple of weeks, and this madness

296
00:12:28,320 --> 00:12:30,960
Speaker 2: can either be there full time or go somewhere else.

297
00:12:31,559 --> 00:12:33,079
Speaker 3: And as if it's going to go away when it's

298
00:12:33,080 --> 00:12:35,360
Speaker 3: all done, because neither side will concede defeat.

299
00:12:35,400 --> 00:12:36,480
Speaker 1: Now that's a thing.

300
00:12:36,600 --> 00:12:38,760
Speaker 2: I think one side will not concede.

301
00:12:39,080 --> 00:12:40,520
Speaker 1: Congratulations to your Graham.

302
00:12:40,559 --> 00:12:42,920
Speaker 3: You've won the Jame Pack It's all coming away one

303
00:12:43,040 --> 00:12:45,480
Speaker 3: hundred and fifty dollar price line voucher thanks to Quality

304
00:12:45,559 --> 00:12:49,560
Speaker 3: Health Australian owned vitamins and Supplements, one hundred and fifty

305
00:12:49,559 --> 00:12:53,840
Speaker 3: dollars to spend it Funder Restaurant experienced modern Korean cuisine

306
00:12:54,120 --> 00:12:56,240
Speaker 3: like no other and Jones inomatic character Chow was for

307
00:12:56,320 --> 00:12:57,480
Speaker 3: the color and substandard pencils.

308
00:12:57,480 --> 00:12:58,800
Speaker 1: Graam anything you'd like to add.

309
00:12:59,080 --> 00:13:00,839
Speaker 13: I thank you so much. I have a great day.

310
00:13:01,000 --> 00:13:02,000
Speaker 2: Well you are welcome.

311
00:13:02,480 --> 00:13:05,720
Speaker 9: Jonesy and Amanda podcast.

312
00:13:08,160 --> 00:13:10,760
Speaker 3: Copy extra.

313
00:13:11,120 --> 00:13:14,000
Speaker 2: All I have is Sequila and popular car can get

314
00:13:14,000 --> 00:13:17,160
Speaker 2: a DOUBLET fit through the German act I Beat Books

315
00:13:17,160 --> 00:13:20,600
Speaker 2: of Musical Facts. On this day in nineteen eighty eight,

316
00:13:20,679 --> 00:13:23,480
Speaker 2: You Too released the hit Desire. It was the band's

317
00:13:23,480 --> 00:13:27,079
Speaker 2: first number one hit in the UK. Back in twenty sixteen,

318
00:13:27,120 --> 00:13:30,280
Speaker 2: ahead of the US election, YouTube blasted Donald Trump on

319
00:13:30,320 --> 00:13:34,120
Speaker 2: stage during their live performance at the iHeartRadio Awards in Vegas.

320
00:13:34,520 --> 00:13:50,360
Speaker 2: Here it is, Do you have? You have? Dream is dead?

321
00:13:57,200 --> 00:13:58,680
Speaker 3: Yeah, we've seen that American dream.

322
00:13:58,720 --> 00:13:59,960
Speaker 2: We'll live out in recent Ye.

323
00:14:00,160 --> 00:14:01,640
Speaker 1: Well that worked, that stopped the election.

324
00:14:01,800 --> 00:14:04,840
Speaker 2: I wonder if he'll do anything this time. The October surprise?

325
00:14:05,240 --> 00:14:06,720
Speaker 2: What is the October surprise?

326
00:14:06,880 --> 00:14:07,080
Speaker 7: Yeah?

327
00:14:07,360 --> 00:14:08,920
Speaker 2: All right, let's play the song and think back to

328
00:14:08,960 --> 00:14:10,760
Speaker 2: when it first was released in twenty eight.

329
00:14:11,559 --> 00:14:13,640
Speaker 1: We love this song, don't we love?

330
00:14:14,120 --> 00:14:19,080
Speaker 2: You bought it? Yeah? Just work And I just posted

331
00:14:19,120 --> 00:14:22,680
Speaker 2: on my Instagram don't tell me time labs. Well I

332
00:14:22,760 --> 00:14:24,880
Speaker 2: did that. But have a look at my wood pile.

333
00:14:25,200 --> 00:14:29,960
Speaker 2: Look at my wood pile. Have a look. Be more boring.

334
00:14:30,240 --> 00:14:32,960
Speaker 2: That is a great Let me have a look. Brandon

335
00:14:33,080 --> 00:14:37,080
Speaker 2: Jonesy Jones, m h, what do you think? Actually that's

336
00:14:37,080 --> 00:14:39,640
Speaker 2: a very impressive wood part. What happened? But we're coming

337
00:14:39,640 --> 00:14:40,280
Speaker 2: into summer?

338
00:14:40,440 --> 00:14:42,760
Speaker 1: Yeah, well you got to.

339
00:14:42,280 --> 00:14:44,880
Speaker 2: Make this wood while the sunshine. That's what my wife said.

340
00:14:45,320 --> 00:14:49,760
Speaker 3: What happened was my daughter and her boyfriend have got

341
00:14:49,760 --> 00:14:51,680
Speaker 3: a house and they're doing some renovation. So there was

342
00:14:51,680 --> 00:14:55,400
Speaker 3: all this old hardwood in you know, that they're getting

343
00:14:55,480 --> 00:14:58,360
Speaker 3: rid of. And I was standing to look at all

344
00:14:58,400 --> 00:15:01,600
Speaker 3: this hardwood. I've got to look at it, and I said,

345
00:15:01,800 --> 00:15:03,720
Speaker 3: to anyone who care to listen, wouldn't it be great

346
00:15:03,760 --> 00:15:06,360
Speaker 3: to get that chopped up and put it into my

347
00:15:06,400 --> 00:15:07,480
Speaker 3: little wood pile there?

348
00:15:07,640 --> 00:15:08,560
Speaker 2: Well did you do that?

349
00:15:08,600 --> 00:15:08,800
Speaker 6: Well?

350
00:15:08,880 --> 00:15:13,000
Speaker 3: And Michael's uncle, uncle Pete, he's a draftsman, and he said,

351
00:15:13,040 --> 00:15:14,000
Speaker 3: you know what, I could do that.

352
00:15:14,320 --> 00:15:15,840
Speaker 1: And I said, well, if.

353
00:15:15,680 --> 00:15:17,360
Speaker 2: You see him being a draftsman, haven't.

354
00:15:17,120 --> 00:15:20,320
Speaker 1: You this, he's a retired draftsman. Stuff to do it, okay?

355
00:15:20,520 --> 00:15:21,200
Speaker 1: And I could do that.

356
00:15:21,240 --> 00:15:22,560
Speaker 3: And I said, if you don't mind cutting it up,

357
00:15:22,600 --> 00:15:24,840
Speaker 3: in denailing it and cutting it up into five hundred

358
00:15:24,840 --> 00:15:25,840
Speaker 3: MILLI lengths, that'd be great.

359
00:15:25,920 --> 00:15:28,520
Speaker 1: I was joking. But he said about it, and it

360
00:15:28,600 --> 00:15:30,040
Speaker 1: made his task.

361
00:15:30,160 --> 00:15:31,000
Speaker 2: And he did all that.

362
00:15:31,040 --> 00:15:34,280
Speaker 3: He chopped it all up in then took him a

363
00:15:34,280 --> 00:15:34,720
Speaker 3: fair bit.

364
00:15:35,000 --> 00:15:37,080
Speaker 2: What's a fair bit two days, two days.

365
00:15:36,800 --> 00:15:40,640
Speaker 3: Thereabouts, just methodically measuring each piece.

366
00:15:40,760 --> 00:15:43,120
Speaker 2: That's a retired man for you, pulling the.

367
00:15:43,120 --> 00:15:47,880
Speaker 3: Nails out quite satisfactorily, satisfactory for him as well, I

368
00:15:47,920 --> 00:15:51,280
Speaker 3: would imagine. Of course, my wife then accused me. She said,

369
00:15:51,280 --> 00:15:54,920
Speaker 3: that's not real work, it's unnecessary work. And so what

370
00:15:54,920 --> 00:15:58,480
Speaker 3: do you mean, she said, men will do unnecessary work.

371
00:15:58,800 --> 00:15:59,760
Speaker 2: It's not real work.

372
00:16:00,040 --> 00:16:02,960
Speaker 3: Real work, for example, because I asked for this is

373
00:16:03,000 --> 00:16:04,560
Speaker 3: like cleaning the gutters out of the house.

374
00:16:04,600 --> 00:16:05,280
Speaker 2: That's real work.

375
00:16:05,760 --> 00:16:08,120
Speaker 1: But unnecessary work is stuff like that.

376
00:16:08,480 --> 00:16:12,400
Speaker 2: Could unnecessary work be a distraction? But people coming over

377
00:16:12,800 --> 00:16:15,040
Speaker 2: and Harley chose that day not to help me get

378
00:16:15,040 --> 00:16:17,640
Speaker 2: anything ready that day to clear the leaves out of

379
00:16:17,680 --> 00:16:19,920
Speaker 2: the gutter all over the front area where everyone was

380
00:16:19,960 --> 00:16:22,160
Speaker 2: going to walk in. It's a distraction.

381
00:16:22,520 --> 00:16:24,160
Speaker 1: Yeah, and there's no point in him doing that.

382
00:16:24,280 --> 00:16:26,040
Speaker 2: No, no, and then why then?

383
00:16:26,200 --> 00:16:28,280
Speaker 1: And gutter cleaning is the worst job that you could

384
00:16:28,320 --> 00:16:28,960
Speaker 1: do in the house.

385
00:16:29,080 --> 00:16:30,920
Speaker 2: That is the worst job. So he did it as

386
00:16:30,960 --> 00:16:34,080
Speaker 2: people were about to arrive, and the mank was everywhere.

387
00:16:34,160 --> 00:16:38,000
Speaker 3: Yeah, that's unnecessary work, and men seem to do it.

388
00:16:38,040 --> 00:16:39,760
Speaker 2: What's your version, well.

389
00:16:39,840 --> 00:16:41,840
Speaker 3: Stacking the wood I would.

390
00:16:41,720 --> 00:16:43,160
Speaker 2: And we're coming to summer.

391
00:16:43,360 --> 00:16:45,120
Speaker 3: Yeah, Helen said, what are you doing that? So me

392
00:16:45,160 --> 00:16:47,120
Speaker 3: and other things you could do around the house. Why

393
00:16:47,160 --> 00:16:48,840
Speaker 3: don't you fix the leak in the ceiling? Why do

394
00:16:48,960 --> 00:16:50,680
Speaker 3: you fix that light club in the range with this.

395
00:16:50,960 --> 00:16:52,760
Speaker 2: Is because you're doing things you like to do rather

396
00:16:52,800 --> 00:16:53,880
Speaker 2: than things you need to do.

397
00:16:53,960 --> 00:16:56,720
Speaker 1: Yeah, it's just it's a guy thing. I guess.

398
00:16:57,080 --> 00:17:00,360
Speaker 2: You know, I know you're going to do. This is

399
00:17:00,360 --> 00:17:02,600
Speaker 2: a guy thing because there are things that still need

400
00:17:02,640 --> 00:17:05,119
Speaker 2: to be done that, by and large, as I've said before,

401
00:17:05,480 --> 00:17:09,800
Speaker 2: tend to fall on women's shoulders. The washing, the shopping there,

402
00:17:09,840 --> 00:17:13,240
Speaker 2: thinking about meals. We've spoken about this before. Statistics show

403
00:17:13,280 --> 00:17:17,879
Speaker 2: women are still doing that while men do the stuff

404
00:17:17,920 --> 00:17:19,840
Speaker 2: and say, look how busy I've been. Look, I'll check

405
00:17:19,880 --> 00:17:21,360
Speaker 2: the oil in your car and you Yeah, you might

406
00:17:21,400 --> 00:17:23,680
Speaker 2: do that once every six months. Every day I'm doing

407
00:17:23,680 --> 00:17:24,199
Speaker 2: this stuff.

408
00:17:24,359 --> 00:17:27,679
Speaker 3: Yep, I do my share of work around the head.

409
00:17:27,760 --> 00:17:29,679
Speaker 2: Yes, I think you do. Actually, you know I do

410
00:17:29,720 --> 00:17:32,119
Speaker 2: the cooking. Yeah, you do the cooking. I do the cooking.

411
00:17:32,280 --> 00:17:33,240
Speaker 2: Where's the g gone?

412
00:17:33,320 --> 00:17:34,480
Speaker 1: That's what I call it, the cooking.

413
00:17:35,920 --> 00:17:37,200
Speaker 2: I gotta go do the cooking.

414
00:17:37,320 --> 00:17:38,240
Speaker 1: But the other one is cleaning.

415
00:17:38,240 --> 00:17:38,600
Speaker 2: That's true.

416
00:17:38,640 --> 00:17:40,119
Speaker 1: You do the fish pond filter?

417
00:17:40,640 --> 00:17:43,520
Speaker 2: Yeah, but how often do you do that? Washing gets

418
00:17:43,560 --> 00:17:46,520
Speaker 2: done every day? Yeah, I know, but that's real work.

419
00:17:46,880 --> 00:17:50,200
Speaker 2: It's yeah, that's what I mean. That's real work. Whereas

420
00:17:50,400 --> 00:17:54,160
Speaker 2: you you're doing fun or you know, the fun stuff. Yeah,

421
00:17:54,160 --> 00:17:56,040
Speaker 2: the stuff you like to clean the field. I know

422
00:17:56,119 --> 00:17:57,440
Speaker 2: you like that stuff.

423
00:17:57,720 --> 00:17:59,240
Speaker 1: You get it and you just clean the field and

424
00:17:59,600 --> 00:18:00,560
Speaker 1: it's quite satisfying.

425
00:18:00,760 --> 00:18:01,200
Speaker 2: You like it.

426
00:18:01,200 --> 00:18:03,080
Speaker 3: It's like chopping down this palm tree at the moment.

427
00:18:03,080 --> 00:18:04,879
Speaker 3: I've got this palm tree and I'm just chopping it down.

428
00:18:04,760 --> 00:18:08,760
Speaker 3: Don't you have any greenery left? It's killing it one

429
00:18:08,880 --> 00:18:09,720
Speaker 3: blow at a time.

430
00:18:09,840 --> 00:18:11,399
Speaker 1: It's a pesky palm tree.

431
00:18:11,840 --> 00:18:12,920
Speaker 2: How dare it keep going?

432
00:18:12,880 --> 00:18:16,080
Speaker 3: I'm taking it at you know, little thirty fifty cent

433
00:18:16,119 --> 00:18:19,359
Speaker 3: amount of length view with council love it.

434
00:18:19,440 --> 00:18:21,560
Speaker 1: No, there's no clearing of view. It's just a weed

435
00:18:21,680 --> 00:18:22,160
Speaker 1: palm tree.

436
00:18:22,920 --> 00:18:25,160
Speaker 2: It's just going to cause troubles is when it goes

437
00:18:25,200 --> 00:18:26,520
Speaker 2: to a delinkedent tree.

438
00:18:27,000 --> 00:18:30,040
Speaker 1: Okay, you know, must you be well when you.

439
00:18:29,960 --> 00:18:31,680
Speaker 2: Bring that up, when you bring it up and say

440
00:18:31,840 --> 00:18:35,000
Speaker 2: men like to do incidental side things.

441
00:18:35,040 --> 00:18:38,520
Speaker 3: Of course, as a woman, when it stems from when

442
00:18:38,560 --> 00:18:40,920
Speaker 3: we were kids and we build dams. Do you ever

443
00:18:40,960 --> 00:18:43,760
Speaker 3: build a dam when you're a kid. It's the greatest

444
00:18:43,760 --> 00:18:45,920
Speaker 3: thing in the world. Kid. You get down to the creek,

445
00:18:46,000 --> 00:18:49,080
Speaker 3: the Hoover dam, like that's how it starts how.

446
00:18:49,040 --> 00:18:50,639
Speaker 2: Many kids to take to build a hoop.

447
00:18:50,640 --> 00:18:51,720
Speaker 1: Around our local creek?

448
00:18:51,760 --> 00:18:54,320
Speaker 3: One day we started building this dam and then and

449
00:18:54,359 --> 00:18:55,800
Speaker 3: then all of a sudden, this guy walks bas We

450
00:18:55,800 --> 00:18:57,560
Speaker 3: thought he was going to yell at us against no boys,

451
00:18:57,640 --> 00:18:58,679
Speaker 3: what you're going to do is get.

452
00:18:58,520 --> 00:18:59,360
Speaker 1: Some more mud in there.

453
00:18:59,520 --> 00:19:03,680
Speaker 3: So then this man grown men too, he's putting money

454
00:19:03,680 --> 00:19:05,760
Speaker 3: in there. And then we kept building the creek up.

455
00:19:05,840 --> 00:19:08,560
Speaker 3: Then in the local newspaper they couldn't explain what had

456
00:19:08,600 --> 00:19:09,720
Speaker 3: happened because.

457
00:19:10,040 --> 00:19:15,280
Speaker 2: This damn enthusiasts. This It's like if men take their

458
00:19:15,320 --> 00:19:18,440
Speaker 2: little sons or kids to watch a big crane in act,

459
00:19:18,840 --> 00:19:20,960
Speaker 2: and the kids run off and do something else, and

460
00:19:21,000 --> 00:19:22,760
Speaker 2: the grown men just stand there watching.

461
00:19:22,960 --> 00:19:25,520
Speaker 3: That's why building sites around Sydney there's a little hole

462
00:19:25,720 --> 00:19:26,640
Speaker 3: in the in them.

463
00:19:26,720 --> 00:19:29,840
Speaker 2: The men's heads to you like a peakish peak. What's

464
00:19:29,840 --> 00:19:30,640
Speaker 2: it called a peep show?

465
00:19:30,720 --> 00:19:32,720
Speaker 3: I forget sex stuff. You want to see you guys

466
00:19:32,720 --> 00:19:33,600
Speaker 3: with a backo.

467
00:19:34,960 --> 00:19:41,440
Speaker 2: As it were building an erection.

468
00:19:42,840 --> 00:19:44,919
Speaker 3: The King and the Queen are in town. I just

469
00:19:44,920 --> 00:19:47,399
Speaker 3: feel this thing. I don't know, maybe it's my age.

470
00:19:47,440 --> 00:19:50,960
Speaker 3: Now just everyone just look, let's just all look busy, okay.

471
00:19:51,000 --> 00:19:52,320
Speaker 3: I don't know why I'm saying, do you mean what

472
00:19:52,400 --> 00:19:54,399
Speaker 3: do you mean by you? Because we want to make

473
00:19:54,440 --> 00:19:55,160
Speaker 3: a good impression.

474
00:19:55,480 --> 00:19:58,360
Speaker 2: It's funny, isn't it. I'm the same, I'm a bit

475
00:19:58,400 --> 00:20:02,320
Speaker 2: the same. I'm happy for us to be a republic.

476
00:20:02,400 --> 00:20:04,960
Speaker 2: And yet I kind of have affection for Charles's story,

477
00:20:05,000 --> 00:20:07,199
Speaker 2: maybe from having watched those early episodes of The Crown.

478
00:20:07,800 --> 00:20:09,960
Speaker 2: He's finally got his moment and he's unwell and he

479
00:20:10,000 --> 00:20:12,200
Speaker 2: fought for his love and all that kind of stuff.

480
00:20:14,000 --> 00:20:17,400
Speaker 2: Jack's friend Louis goes to A and U the university

481
00:20:17,400 --> 00:20:21,639
Speaker 2: in Canberra, and lined up to meet them yesterday with

482
00:20:21,680 --> 00:20:24,520
Speaker 2: his permission. He's allowed me to play this because he's bizarre,

483
00:20:24,600 --> 00:20:28,640
Speaker 2: he's cynical and he's hilarious, but he's full royal, full royal.

484
00:20:30,720 --> 00:20:38,680
Speaker 2: He's pretty much He's filmed himself shaking hands with these people.

485
00:20:45,480 --> 00:20:50,160
Speaker 2: It's one person behind the person who's standing in the front. Well,

486
00:20:50,240 --> 00:20:52,240
Speaker 2: this is what's so funny, because then after that he

487
00:20:52,359 --> 00:20:54,879
Speaker 2: posted a Google search. He's done that said is it

488
00:20:54,920 --> 00:20:58,640
Speaker 2: acceptable to call the king boys first name? And the

489
00:20:58,680 --> 00:21:02,879
Speaker 2: information says people refer to the monarch by their first names,

490
00:21:02,880 --> 00:21:05,239
Speaker 2: but no one ever ever addresses a monarch by their

491
00:21:05,280 --> 00:21:09,240
Speaker 2: first name, and he's written, whoa, I've seriously violated royal protocol.

492
00:21:09,480 --> 00:21:13,360
Speaker 2: I withdraw my undignified greetings at the royal family. Who

493
00:21:13,440 --> 00:21:16,400
Speaker 2: knew you don't just say hi, Charles, Hi, Camilla. But yes,

494
00:21:16,440 --> 00:21:18,640
Speaker 2: he was there and shook their hands.

495
00:21:18,720 --> 00:21:20,400
Speaker 1: He wasn't doing a duck face selfie.

496
00:21:20,920 --> 00:21:23,800
Speaker 2: No, no, he was just filmed his own hand.

497
00:21:23,600 --> 00:21:25,400
Speaker 3: Shaking their You could have been there.

498
00:21:25,480 --> 00:21:27,800
Speaker 2: Well, I was invited to Parliament House, that's right, and

499
00:21:27,840 --> 00:21:31,080
Speaker 2: I couldn't go because I've got filming commitments. What about

500
00:21:31,080 --> 00:21:33,840
Speaker 2: that though yesterday it's gone around the world.

501
00:21:33,880 --> 00:21:34,479
Speaker 3: Is what happened?

502
00:21:34,480 --> 00:21:34,680
Speaker 2: There?

503
00:21:34,760 --> 00:21:36,880
Speaker 1: There was the spitty animal, and there was the lama.

504
00:21:37,000 --> 00:21:37,680
Speaker 3: It was all there.

505
00:21:38,240 --> 00:21:43,440
Speaker 2: Lydia Thorpe, who's an independent senator, wrapped in a possum

506
00:21:43,520 --> 00:22:12,480
Speaker 2: suit outfit or possum covering, had this outburst. It's very

507
00:22:12,560 --> 00:22:13,600
Speaker 2: uncomfortable viewing.

508
00:22:13,760 --> 00:22:15,800
Speaker 3: But that's the point. I guess, Well, yeah, I guess

509
00:22:15,840 --> 00:22:18,080
Speaker 3: you wanted to go, and there be reasonable. I would

510
00:22:18,080 --> 00:22:20,040
Speaker 3: have Charles said, okay, then sure.

511
00:22:20,320 --> 00:22:22,680
Speaker 2: Please go. Well you know wherever they go around the

512
00:22:22,680 --> 00:22:25,040
Speaker 2: world now and William faced this recently too, when I

513
00:22:25,080 --> 00:22:28,440
Speaker 2: think he's going through the Caribbean. The flip side of colonialism.

514
00:22:28,960 --> 00:22:31,200
Speaker 2: They must be used to this conversation. They're not probably

515
00:22:31,280 --> 00:22:33,639
Speaker 2: used to being screamed at like that. But I was

516
00:22:34,280 --> 00:22:36,679
Speaker 2: to Lean about it yesterday and he said, well, you

517
00:22:36,720 --> 00:22:39,520
Speaker 2: know that's Charles's job now to sit and listen. He

518
00:22:39,520 --> 00:22:41,600
Speaker 2: can give us ten minutes of his time considering all

519
00:22:41,600 --> 00:22:45,280
Speaker 2: that the royal family has taken from Australia. So you know,

520
00:22:45,359 --> 00:22:47,840
Speaker 2: I know that's very uncomfortable. I hate conflict. I would

521
00:22:47,840 --> 00:22:49,320
Speaker 2: have been so awkward to be in that room at

522
00:22:49,320 --> 00:22:52,000
Speaker 2: that time. But we might put this to the pub.

523
00:22:51,840 --> 00:22:55,240
Speaker 3: Des as well. Is it helping her cause that? Well, no,

524
00:22:55,560 --> 00:22:56,840
Speaker 3: she looks like what's range?

525
00:22:57,160 --> 00:22:59,200
Speaker 2: Of course she does, of course she does, and most

526
00:22:59,200 --> 00:23:02,199
Speaker 2: of us would say that it's outrageous and disrespects.

527
00:23:02,200 --> 00:23:07,400
Speaker 3: The point Idiothorpe's ancestry. Her father is Scottish, Irish Scottish,

528
00:23:07,560 --> 00:23:08,200
Speaker 3: so it's.

529
00:23:08,160 --> 00:23:11,639
Speaker 2: Very full few full aboriginals now, but there was a

530
00:23:11,680 --> 00:23:14,200
Speaker 2: government process to breed them out, of.

531
00:23:14,119 --> 00:23:17,600
Speaker 3: Course, And if I could go back in time, I say, hey, fellas,

532
00:23:17,640 --> 00:23:18,560
Speaker 3: what are we doing here?

533
00:23:18,640 --> 00:23:20,320
Speaker 1: But right now I can't do that.

534
00:23:21,000 --> 00:23:23,520
Speaker 3: You can't stop her acknowledging her abage analysy. I know that,

535
00:23:23,560 --> 00:23:29,120
Speaker 3: but you know we don't want division where you've I've

536
00:23:29,119 --> 00:23:32,400
Speaker 3: spoken at length about you know, I'm certainly sorry about

537
00:23:32,440 --> 00:23:34,720
Speaker 3: what happened to our indigenous people. Now, I'm certainly sorry

538
00:23:34,760 --> 00:23:36,840
Speaker 3: about that, and I'm happy for things, but there's got

539
00:23:36,880 --> 00:23:38,719
Speaker 3: to be a point where we can sit down and

540
00:23:38,840 --> 00:23:39,879
Speaker 3: discuss it reasonably.

541
00:23:40,160 --> 00:23:42,760
Speaker 1: That's not helping. No, She's Mainstream is going to sit

542
00:23:42,760 --> 00:23:45,440
Speaker 1: there and go, well, bloody, that's true. That doesn't help.

543
00:23:45,480 --> 00:23:48,119
Speaker 2: I agree. However, this story has gone all around the

544
00:23:48,119 --> 00:23:50,400
Speaker 2: world in the way that Johnny Mainstream never could true

545
00:23:50,440 --> 00:23:54,240
Speaker 2: and as uncomfortable it is as it is awful, that

546
00:23:54,440 --> 00:23:54,880
Speaker 2: was her point.

547
00:23:54,880 --> 00:23:56,840
Speaker 3: And Charles, you know, he's got spitting larmers, he's got

548
00:23:56,880 --> 00:24:00,760
Speaker 3: Lydia Thorpe, he's got Molly meldrem that time on my hands.

549
00:24:00,880 --> 00:24:03,600
Speaker 1: But the thing about Charles and what I do like

550
00:24:03,640 --> 00:24:04,040
Speaker 1: about him.

551
00:24:04,080 --> 00:24:08,800
Speaker 3: He appeared on Countdown's fortieth or fiftieth anniversary show taking

552
00:24:08,800 --> 00:24:09,720
Speaker 3: the piece out of Molly.

553
00:24:09,960 --> 00:24:12,360
Speaker 14: There is an old show business saying which warns never

554
00:24:12,400 --> 00:24:15,960
Speaker 14: to work with animals or children. But nobody prepared me

555
00:24:16,119 --> 00:24:16,959
Speaker 14: for Molly Mildred.

556
00:24:17,960 --> 00:24:22,320
Speaker 5: And now we come to the most important part. Oh,

557
00:24:22,880 --> 00:24:24,120
Speaker 5: could I just have one glass of water?

558
00:24:24,160 --> 00:24:28,760
Speaker 2: Plants? Do not have one of these ten prompts with the.

559
00:24:28,680 --> 00:24:30,760
Speaker 5: Cooperation of mister Miller and the Australian.

560
00:24:31,800 --> 00:24:34,400
Speaker 3: Sorry gonna start again.

561
00:24:35,720 --> 00:24:37,840
Speaker 5: Some months ago we had a talk with mister har

562
00:24:37,920 --> 00:24:40,680
Speaker 5: and Miller about the Oh no.

563
00:24:41,480 --> 00:24:45,080
Speaker 14: Was it really forty years ago? Only seems like yesterday.

564
00:24:45,960 --> 00:24:48,000
Speaker 14: I wish you were tomorrow. I'd cancel it.

565
00:24:49,720 --> 00:24:51,960
Speaker 1: Don't you have Molly's posh excit though, No.

566
00:24:53,400 --> 00:24:57,800
Speaker 2: That's is excruciating to listen to, as Lydia thought exactly Charles,

567
00:24:57,840 --> 00:25:01,800
Speaker 2: he is used to. It goes with the jam jam nation.

568
00:25:03,600 --> 00:25:06,240
Speaker 9: Now instance.

569
00:25:08,880 --> 00:25:12,120
Speaker 2: And Amanda's king for a day.

570
00:25:12,320 --> 00:25:14,240
Speaker 3: Ten questions, sixty seconds on the clock.

571
00:25:14,280 --> 00:25:15,680
Speaker 1: You can pass if you don't know an answer. Will

572
00:25:15,680 --> 00:25:17,520
Speaker 1: come back to that question of time per mention. You

573
00:25:17,560 --> 00:25:20,200
Speaker 1: get all the questions right, one thousand dollars, you can make.

574
00:25:20,119 --> 00:25:22,520
Speaker 2: It two thousand dollars. This happened on Friday with Derek.

575
00:25:22,840 --> 00:25:25,399
Speaker 2: He answered the bonus question, got two thousand bucks. But

576
00:25:25,440 --> 00:25:27,640
Speaker 2: it is double or nothing. What's Derek doing right now?

577
00:25:28,640 --> 00:25:30,560
Speaker 2: You've got to let him go, just you know, you've

578
00:25:30,560 --> 00:25:35,200
Speaker 2: got to open your heart. He had that lift. I

579
00:25:35,240 --> 00:25:37,040
Speaker 2: think he's used that two thousand dollars to leave the

580
00:25:37,040 --> 00:25:38,879
Speaker 2: country and get out of here. Anyway, What if we

581
00:25:38,960 --> 00:25:39,600
Speaker 2: went to lend a back.

582
00:25:39,840 --> 00:25:40,600
Speaker 1: But do you think he's down there?

583
00:25:40,600 --> 00:25:42,520
Speaker 2: If he's down there, Leen Kingswood's playing today?

584
00:25:42,560 --> 00:25:46,520
Speaker 13: Hello, li Ah Derek. I'll be your next winner.

585
00:25:47,200 --> 00:25:47,800
Speaker 3: Let's do it.

586
00:25:47,960 --> 00:25:49,720
Speaker 2: Lyn Jones can be obsessed with you.

587
00:25:51,480 --> 00:25:55,360
Speaker 3: I just like winners. I like to surround myself.

588
00:25:55,000 --> 00:25:57,800
Speaker 2: With An't you lucky to work with me and achieve

589
00:25:58,320 --> 00:26:00,679
Speaker 2: and do great things? We've got ten questions, We've got

590
00:26:00,720 --> 00:26:04,359
Speaker 2: sixty seconds. Lee. We always say say pass if you're

591
00:26:04,359 --> 00:26:07,639
Speaker 2: not sure, because we have time to come back. Okay, yep, rightly,

592
00:26:07,840 --> 00:26:10,280
Speaker 2: here we go. He comes. Question number one? What two

593
00:26:10,359 --> 00:26:11,520
Speaker 2: days make up the weekend?

594
00:26:12,280 --> 00:26:13,119
Speaker 13: Saturday and Monday?

595
00:26:13,240 --> 00:26:17,440
Speaker 2: Question two? What's a baby pig called piglet? Question three?

596
00:26:17,520 --> 00:26:18,560
Speaker 2: What number iPhone?

597
00:26:18,600 --> 00:26:20,880
Speaker 3: Are we up to? Sixteen?

598
00:26:21,160 --> 00:26:23,800
Speaker 2: Question four? What's the gas that makes balloons rise?

599
00:26:24,800 --> 00:26:25,280
Speaker 13: Helium?

600
00:26:25,520 --> 00:26:28,639
Speaker 2: Question five? True or false? Australia contains two territories?

601
00:26:29,960 --> 00:26:30,520
Speaker 13: True?

602
00:26:30,600 --> 00:26:32,720
Speaker 2: Question six? What's James Bond's code name?

603
00:26:33,840 --> 00:26:34,399
Speaker 6: W seven?

604
00:26:34,560 --> 00:26:36,720
Speaker 2: Question seven? Who wrote the book Green Eggs and Ham?

605
00:26:38,040 --> 00:26:38,639
Speaker 3: Doctor SEUs?

606
00:26:38,840 --> 00:26:41,280
Speaker 2: Question eight in the matrix, does Neo take the blue

607
00:26:41,320 --> 00:26:43,760
Speaker 2: pill or the red pill? Path?

608
00:26:44,160 --> 00:26:44,760
Speaker 3: Question nine?

609
00:26:44,760 --> 00:26:47,520
Speaker 2: Which British celebrity chef hosted Hell's Kitchen?

610
00:26:48,520 --> 00:26:49,160
Speaker 13: Gordon Rambe.

611
00:26:49,400 --> 00:26:52,160
Speaker 2: Question ten, which female Hunger game star has just announced

612
00:26:52,160 --> 00:26:56,920
Speaker 2: he's having her second child? Pass back to question eight

613
00:26:56,920 --> 00:26:59,560
Speaker 2: in the matrix? Does Neo take the blue pill or

614
00:26:59,600 --> 00:27:00,320
Speaker 2: the red pill?

615
00:27:00,760 --> 00:27:02,479
Speaker 13: Red pill? Jennifer Lawrence the other?

616
00:27:03,480 --> 00:27:11,440
Speaker 2: Oh wow, Lee Wow Jones's new session r real Wow Lee?

617
00:27:12,040 --> 00:27:12,720
Speaker 3: Lee?

618
00:27:13,320 --> 00:27:16,720
Speaker 13: Oh my gosh. Sometimes I really suck when I play along.

619
00:27:16,560 --> 00:27:19,720
Speaker 2: But like today with my day, you how you know

620
00:27:19,880 --> 00:27:21,720
Speaker 2: powered through it? Wow?

621
00:27:21,880 --> 00:27:22,160
Speaker 3: Lee?

622
00:27:22,280 --> 00:27:26,399
Speaker 2: All right, Lee, this is where the music changes. It

623
00:27:26,480 --> 00:27:29,359
Speaker 2: sounds like you're having a good daily. I'm looking at

624
00:27:29,400 --> 00:27:32,880
Speaker 2: the bonus question here. We have one question. H it's

625
00:27:32,920 --> 00:27:34,840
Speaker 2: worth two thousand dollars. You know how this goes. You

626
00:27:34,840 --> 00:27:37,800
Speaker 2: can take one thousand dollars, not bad, just coming up

627
00:27:37,800 --> 00:27:38,320
Speaker 2: to Christmas.

628
00:27:38,359 --> 00:27:39,040
Speaker 3: Go and enjoy that.

629
00:27:40,520 --> 00:27:43,600
Speaker 2: No questions are not even from crazy old jonesy or

630
00:27:44,840 --> 00:27:47,359
Speaker 2: you can answer this question for two thousand dollars, but

631
00:27:47,359 --> 00:27:48,200
Speaker 2: it's double or nothing.

632
00:27:49,640 --> 00:27:52,160
Speaker 13: It feels like it said two thousand dollars eighties two

633
00:27:52,200 --> 00:27:54,800
Speaker 13: thousand dollars Tuesday. But do you think that the question

634
00:27:54,920 --> 00:27:57,000
Speaker 13: looks like the same sort of caliber as the questions

635
00:27:57,040 --> 00:27:57,720
Speaker 13: I just answered?

636
00:27:57,840 --> 00:28:00,000
Speaker 2: We don't do trick questions. If that's what you're asking.

637
00:28:00,080 --> 00:28:02,720
Speaker 2: There's nothing evil but who knows whether you'll know it.

638
00:28:02,800 --> 00:28:05,000
Speaker 2: But we don't pull out the mean, mean, mean ones.

639
00:28:05,200 --> 00:28:07,400
Speaker 3: I haven't got on the tempting pants because I don't

640
00:28:07,400 --> 00:28:09,119
Speaker 3: think I need them for you leave.

641
00:28:09,119 --> 00:28:10,240
Speaker 1: But I'm looking at the question.

642
00:28:10,600 --> 00:28:13,320
Speaker 3: Don't say it, Brendon, I don't want to. You know,

643
00:28:13,760 --> 00:28:21,879
Speaker 3: it's win We surround ourselves are winners, all right, Lee?

644
00:28:22,000 --> 00:28:23,520
Speaker 1: Come on, Lee, you can do this.

645
00:28:23,520 --> 00:28:27,439
Speaker 2: This question is worth two thousand dollars. You'll either be

646
00:28:27,520 --> 00:28:29,880
Speaker 2: walking away with two thousand dollars in seconds from now

647
00:28:30,600 --> 00:28:33,440
Speaker 2: or a bumb sound effect. Here we go. Come on, Lee,

648
00:28:33,640 --> 00:28:38,520
Speaker 2: bonus question is this? Who is Australia's longest serving prime minister?

649
00:28:40,160 --> 00:28:40,360
Speaker 1: Oh?

650
00:28:40,800 --> 00:28:42,280
Speaker 13: I want to say it might be.

651
00:28:49,160 --> 00:28:57,040
Speaker 2: Oh my god, don't say Kevin ra Mansies did that.

652
00:28:57,040 --> 00:29:00,720
Speaker 2: That is brilliantly congratulations.

653
00:29:00,080 --> 00:29:02,760
Speaker 3: Of the Jaws, the feat she snatched victory.

654
00:29:02,880 --> 00:29:05,320
Speaker 1: This young lady from Kingswood.

655
00:29:05,560 --> 00:29:09,200
Speaker 13: Oh my god, he did ages. So you did so long.

656
00:29:09,240 --> 00:29:11,160
Speaker 13: I don't know. Kevin was just top of mind.

657
00:29:12,240 --> 00:29:14,520
Speaker 2: Robert Menses was eighteen top of mind.

658
00:29:14,800 --> 00:29:16,560
Speaker 13: It's going to be nearly twenty years, wasn't it.

659
00:29:16,720 --> 00:29:19,240
Speaker 2: Robert Menses was eighteen years eight. Federal election.

660
00:29:19,480 --> 00:29:20,440
Speaker 1: John Howard was second.

661
00:29:20,920 --> 00:29:22,560
Speaker 2: Yeah, I don't know where Kevin Rudd came in there.

662
00:29:23,000 --> 00:29:28,200
Speaker 2: Leave well done you, thank you so much, how fad

663
00:29:28,320 --> 00:29:30,720
Speaker 2: well done, Lee, you nailer, you are a winner.

664
00:29:30,920 --> 00:29:33,160
Speaker 1: Walk the streets of Kingswood holding your head.

665
00:29:33,040 --> 00:29:37,360
Speaker 12: High, so high, good Kingwood.

666
00:29:37,680 --> 00:29:38,479
Speaker 2: Wow, excellent.

667
00:29:38,480 --> 00:29:39,720
Speaker 1: I wonder what leaves up to now.

668
00:29:42,320 --> 00:29:42,920
Speaker 3: Time to time.

669
00:29:43,440 --> 00:29:45,840
Speaker 2: She's just moved on. She's buying a two thousand dollars

670
00:29:45,840 --> 00:29:47,880
Speaker 2: whistle to blow down the line in case you call her.

671
00:29:47,960 --> 00:29:50,640
Speaker 3: Lee. Good on, you.

672
00:29:49,760 --> 00:29:51,080
Speaker 13: Good eighty so much.

673
00:29:51,560 --> 00:29:55,040
Speaker 3: The best You've made everyone's day and it'll be back

674
00:29:55,040 --> 00:29:55,720
Speaker 3: again tomorrow.

675
00:29:55,840 --> 00:29:57,840
Speaker 1: That's the beauty of Instagram.

676
00:29:59,280 --> 00:30:01,120
Speaker 2: Sh podcast.

677
00:30:01,240 --> 00:30:01,800
Speaker 3: What about this?

678
00:30:01,880 --> 00:30:04,960
Speaker 2: I'm reading about the world's oldest paper boy. He's finally retired.

679
00:30:05,400 --> 00:30:09,720
Speaker 2: How old? Forty eighty two, No eighty two. He's been

680
00:30:09,720 --> 00:30:11,480
Speaker 2: a paper boy since he was eleven.

681
00:30:11,520 --> 00:30:12,400
Speaker 1: Well, he's a paper man.

682
00:30:12,960 --> 00:30:13,840
Speaker 2: He's a paper man.

683
00:30:14,000 --> 00:30:14,840
Speaker 1: He's a paper old man.

684
00:30:14,880 --> 00:30:18,680
Speaker 2: You know it's wanted for rustling on. His name is Russell, No,

685
00:30:18,760 --> 00:30:20,120
Speaker 2: it's not. His name is Joe.

686
00:30:20,280 --> 00:30:20,600
Speaker 3: Joe.

687
00:30:20,920 --> 00:30:23,240
Speaker 2: He's believing be one of the world's oldest paper boys. Duh.

688
00:30:24,040 --> 00:30:27,600
Speaker 2: He's worked non stop for seventy years. He took over

689
00:30:27,640 --> 00:30:32,800
Speaker 2: the family business at Wardman's news Agents, in nineteen sixty four,

690
00:30:33,800 --> 00:30:36,320
Speaker 2: running it until his retirement in twenty eleven. That's running

691
00:30:36,320 --> 00:30:39,280
Speaker 2: the news agent. But he's been delivering papers to homes

692
00:30:39,280 --> 00:30:43,400
Speaker 2: and businesses since nineteen fifty four, when he was eleven.

693
00:30:43,760 --> 00:30:46,680
Speaker 2: He continued delivering papers voluntarily even when he's working in

694
00:30:46,720 --> 00:30:49,560
Speaker 2: the news agent, having like a grown up job. And

695
00:30:49,600 --> 00:30:51,840
Speaker 2: he handed over his final delivery to staff at the

696
00:30:51,880 --> 00:30:56,000
Speaker 2: town's White Lion Pub September twenty one. Is this quote.

697
00:30:56,040 --> 00:30:59,120
Speaker 2: He said, I've done twenty I've done seventy years. I

698
00:30:59,120 --> 00:31:01,320
Speaker 2: thought there's nothing else I could achieve with it now,

699
00:31:01,480 --> 00:31:04,280
Speaker 2: because maybe I don't know it's sixty nine years. He thought,

700
00:31:04,400 --> 00:31:07,239
Speaker 2: it's still a little bit more. He looks really good

701
00:31:07,280 --> 00:31:09,560
Speaker 2: to look at the picture, he considering he's eighty two.

702
00:31:09,560 --> 00:31:13,000
Speaker 2: It's kept him very fit delivering the papers. Yeah. Do

703
00:31:13,080 --> 00:31:14,880
Speaker 2: we still have paper boys and girls?

704
00:31:14,920 --> 00:31:17,640
Speaker 3: I haven't seen one for a while. I must admit.

705
00:31:17,840 --> 00:31:19,960
Speaker 3: When I was a kid, I busted my hump to

706
00:31:20,000 --> 00:31:22,040
Speaker 3: be the paper boy. Why didn't you? I just thought

707
00:31:22,040 --> 00:31:24,040
Speaker 3: it was great to give you the job. I went

708
00:31:24,080 --> 00:31:25,280
Speaker 3: down that I used to see him all the time

709
00:31:25,320 --> 00:31:27,560
Speaker 3: and say about the job, and I know I might

710
00:31:27,640 --> 00:31:29,200
Speaker 3: have given it to someone else, and he given it to

711
00:31:29,200 --> 00:31:32,920
Speaker 3: someone that was hopeless, and they had the yellow trolley, Yes,

712
00:31:33,040 --> 00:31:35,520
Speaker 3: the yellow trolly Sunday whether we you know the name

713
00:31:35,560 --> 00:31:37,600
Speaker 3: of the newspaper stuff on the side, and he had

714
00:31:37,600 --> 00:31:40,640
Speaker 3: a little satchel, just the satchel. Like I just wanted

715
00:31:40,640 --> 00:31:41,120
Speaker 3: the whole thing.

716
00:31:41,240 --> 00:31:43,320
Speaker 2: He wanted it too much. It was so key. We

717
00:31:43,360 --> 00:31:44,160
Speaker 2: wanted it too much.

718
00:31:44,240 --> 00:31:45,560
Speaker 3: Yeah, but he didn't give it to and he gave

719
00:31:45,560 --> 00:31:48,680
Speaker 3: it to Johnny Slackey. Pats, you got caught shoving papers

720
00:31:48,720 --> 00:31:50,280
Speaker 3: down the drain, by the way, is.

721
00:31:50,240 --> 00:31:53,040
Speaker 2: This down will? By the way? Is this because you'd

722
00:31:53,040 --> 00:31:55,560
Speaker 2: go into the news agency and flick through big and

723
00:31:55,600 --> 00:31:59,480
Speaker 2: bouncy that Jones boy there is not going to get

724
00:31:59,480 --> 00:32:00,360
Speaker 2: my business.

725
00:32:00,960 --> 00:32:01,720
Speaker 3: Is that why?

726
00:32:02,320 --> 00:32:04,200
Speaker 2: When I was a baby, my dad owned a news

727
00:32:04,240 --> 00:32:05,880
Speaker 2: agency for a short period of time, and it was

728
00:32:05,920 --> 00:32:07,520
Speaker 2: his job to get up early and get away from

729
00:32:07,560 --> 00:32:10,520
Speaker 2: the screaming kid and throw the newspapers out deliver them.

730
00:32:11,440 --> 00:32:13,480
Speaker 3: Did he have a little like a jeep? I think

731
00:32:13,520 --> 00:32:15,960
Speaker 3: like it's Azuki Sierra that it was Auzuki four drive.

732
00:32:16,000 --> 00:32:16,720
Speaker 2: I didn't think to ask.

733
00:32:16,920 --> 00:32:19,240
Speaker 3: When I was four months old Sierras and with a

734
00:32:19,320 --> 00:32:21,400
Speaker 3: door off it or a Mini Moke. I used to

735
00:32:21,480 --> 00:32:22,880
Speaker 3: use a mini make. I think he had a man

736
00:32:23,000 --> 00:32:25,479
Speaker 3: flick the papers. What a great job, say, know, Mking.

737
00:32:25,880 --> 00:32:28,040
Speaker 2: But my grandfather would go along with him, and the

738
00:32:28,120 --> 00:32:30,320
Speaker 2: legendary tales of there'd be a woman bending over in

739
00:32:30,360 --> 00:32:33,400
Speaker 2: a front yard picking up the milk, and grandpaent just

740
00:32:33,440 --> 00:32:36,640
Speaker 2: pegging out of backside. So you know, you get your

741
00:32:36,640 --> 00:32:37,840
Speaker 2: Shenanigan's where you can.

742
00:32:39,960 --> 00:32:40,840
Speaker 3: So I thought we'd do this.

743
00:32:40,920 --> 00:32:43,760
Speaker 2: The tribal drum would be for tales of the paper.

744
00:32:44,520 --> 00:32:46,080
Speaker 1: When they sashed the whistle.

745
00:32:50,240 --> 00:32:52,120
Speaker 3: And there was some the guy, the kid that he

746
00:32:52,160 --> 00:32:55,000
Speaker 3: gave the job to, he'd just be really stingy with

747
00:32:55,040 --> 00:32:55,520
Speaker 3: the whistle.

748
00:32:55,640 --> 00:32:58,560
Speaker 2: He'd be like, well maybe on a Saturday morning Sunday,

749
00:32:59,480 --> 00:33:02,120
Speaker 2: like you'd be the like a mister Whippy's whistle.

750
00:33:01,760 --> 00:33:05,920
Speaker 1: Guy marching bed. One man marching bed.

751
00:33:07,960 --> 00:33:10,720
Speaker 2: Pay attention to me. If you've ever seen Jonesy on

752
00:33:10,800 --> 00:33:13,880
Speaker 2: a host and event, you'll know exactly how that would

753
00:33:13,880 --> 00:33:16,560
Speaker 2: have gone. Riding a unicycle down the street saying look

754
00:33:16,560 --> 00:33:17,520
Speaker 2: at me, look at me.

755
00:33:19,120 --> 00:33:22,480
Speaker 3: Lis the tribal drummers beating four tales of the paper boy,

756
00:33:23,520 --> 00:33:26,160
Speaker 3: Hello Anthony. I would have loved to have been when

757
00:33:26,200 --> 00:33:27,960
Speaker 3: I would assassed the whistle, just like that.

758
00:33:28,080 --> 00:33:29,920
Speaker 2: I know you would have woken everyone up and been

759
00:33:30,000 --> 00:33:31,200
Speaker 2: highly annoying.

760
00:33:31,240 --> 00:33:33,400
Speaker 1: Anthem, but people would have known who I was.

761
00:33:34,560 --> 00:33:37,120
Speaker 2: Did you have this in you even then? What a

762
00:33:37,280 --> 00:33:37,840
Speaker 2: show off?

763
00:33:38,560 --> 00:33:39,040
Speaker 10: The gift?

764
00:33:39,280 --> 00:33:41,480
Speaker 1: Come on, look what I did for a job? Anthony

765
00:33:41,560 --> 00:33:41,960
Speaker 1: is Joyce.

766
00:33:42,040 --> 00:33:44,720
Speaker 3: Hello Anthony, Good morning guys.

767
00:33:44,720 --> 00:33:46,480
Speaker 2: How are you very well? Were you a paper boy?

768
00:33:47,440 --> 00:33:49,760
Speaker 12: Yes, I was a painting boy about forty two years

769
00:33:49,760 --> 00:33:55,360
Speaker 12: ago when Tony cents right of them and they came

770
00:33:55,400 --> 00:33:58,120
Speaker 12: out in the morning in the afternoon. But I used

771
00:33:58,120 --> 00:33:59,960
Speaker 12: to have a particular run where I used to have

772
00:34:00,120 --> 00:34:03,760
Speaker 12: a lot of old pensioners and the blokes would come

773
00:34:03,760 --> 00:34:06,680
Speaker 12: out and they'd say, listen, just give me the form guide, mate,

774
00:34:06,680 --> 00:34:09,319
Speaker 12: you can have the paperback. So I had about six

775
00:34:09,400 --> 00:34:11,839
Speaker 12: or seven of those guys. So I used to make

776
00:34:11,880 --> 00:34:13,719
Speaker 12: a little bit of extra coin on the side, so

777
00:34:13,800 --> 00:34:14,240
Speaker 12: to speak.

778
00:34:16,400 --> 00:34:19,040
Speaker 3: But see, so you were selling the paper with that one,

779
00:34:20,080 --> 00:34:21,800
Speaker 3: you seld the paper twice.

780
00:34:22,000 --> 00:34:22,359
Speaker 1: What else?

781
00:34:23,320 --> 00:34:25,359
Speaker 12: They didn't want the paper, They just wanted the form guys.

782
00:34:26,440 --> 00:34:30,160
Speaker 12: It's a good little side hustle. And then Christmas was

783
00:34:30,200 --> 00:34:32,359
Speaker 12: really good because you get a lot of tips. And

784
00:34:32,440 --> 00:34:34,239
Speaker 12: I think the biggest tip I've got in back in

785
00:34:34,280 --> 00:34:37,200
Speaker 12: those days was about five bucks, which was pretty It

786
00:34:37,239 --> 00:34:39,640
Speaker 12: was a lot when you're a third.

787
00:34:40,000 --> 00:34:43,680
Speaker 3: Yeah, between and paper five bucks, that's quite the profit margin.

788
00:34:44,440 --> 00:34:48,719
Speaker 12: But look, I used to have a I didn't have

789
00:34:48,760 --> 00:34:50,560
Speaker 12: the trolley. I used to have a BMX bike with

790
00:34:50,640 --> 00:34:53,200
Speaker 12: two milk creets at the front and like a satchel

791
00:34:53,280 --> 00:34:53,719
Speaker 12: on the back.

792
00:34:54,280 --> 00:34:56,040
Speaker 7: So it was a bit hard at first.

793
00:34:56,040 --> 00:34:58,640
Speaker 12: But that I used to hate. When the Woman's Weekly,

794
00:34:58,960 --> 00:35:02,160
Speaker 12: which came out monthly, he was out because I'd just

795
00:35:02,239 --> 00:35:07,239
Speaker 12: be laden with magazines and so yeah, but look I

796
00:35:07,280 --> 00:35:09,800
Speaker 12: got killer cars, I say to my wife all the time.

797
00:35:09,920 --> 00:35:12,399
Speaker 12: You know I got those cars from pumping a bike

798
00:35:12,480 --> 00:35:15,200
Speaker 12: up and down the hill with papers and magazines for

799
00:35:15,440 --> 00:35:16,000
Speaker 12: three and a half.

800
00:35:16,040 --> 00:35:19,799
Speaker 2: You would have looked like et. Yeah, it looked like yeah,

801
00:35:19,800 --> 00:35:22,840
Speaker 2: I mean no, no, no. The boy not for et

802
00:35:23,040 --> 00:35:28,560
Speaker 2: creature so card.

803
00:35:30,080 --> 00:35:33,120
Speaker 3: So he didn't because he didn't, he just slacked off

804
00:35:33,120 --> 00:35:33,880
Speaker 3: in their milk crate.

805
00:35:34,080 --> 00:35:37,560
Speaker 2: Elliott had the good cards. Thank you. Anthony. Joe has

806
00:35:37,640 --> 00:35:42,000
Speaker 2: joined Hello Joe. Who was the paper person paper boy, and.

807
00:35:42,120 --> 00:35:45,440
Speaker 6: The paper person was my daughter and our neighbor's kid.

808
00:35:46,160 --> 00:35:49,680
Speaker 6: So this is going back fifteen eighteen years ago. But

809
00:35:49,800 --> 00:35:52,240
Speaker 6: I was I drove them, so I had the papers

810
00:35:52,239 --> 00:35:54,520
Speaker 6: in the front seat with me. They sat in the

811
00:35:54,560 --> 00:35:57,600
Speaker 6: back seat blew their whistles. People would come to the

812
00:35:57,640 --> 00:35:59,959
Speaker 6: window and collect the papers from the girl.

813
00:36:01,200 --> 00:36:04,760
Speaker 3: That's why the paper boy slash paper Boy girls is gone.

814
00:36:04,960 --> 00:36:06,680
Speaker 2: You could imagine that. So you had to go out

815
00:36:06,719 --> 00:36:08,000
Speaker 2: and get it anyway from the car.

816
00:36:08,160 --> 00:36:10,680
Speaker 3: Kids supposed to be independent, Joe, You're not supposed to

817
00:36:10,719 --> 00:36:12,200
Speaker 3: be driving around in your car, and.

818
00:36:12,200 --> 00:36:13,560
Speaker 2: You know shouldn't have to go to the car to

819
00:36:13,560 --> 00:36:13,840
Speaker 2: get it.

820
00:36:13,920 --> 00:36:15,960
Speaker 1: Just what's happened, that's the problem.

821
00:36:16,280 --> 00:36:17,240
Speaker 2: He love it.

822
00:36:17,400 --> 00:36:23,239
Speaker 9: Jonesy and Amanda podcast, Let's Not.

823
00:36:23,239 --> 00:36:29,959
Speaker 3: Keep The world's oldest paper boy has retired the age

824
00:36:29,960 --> 00:36:32,200
Speaker 3: of eighty two. The tribal drums beating four tales of

825
00:36:32,239 --> 00:36:33,399
Speaker 3: the paper Boy.

826
00:36:34,280 --> 00:36:37,320
Speaker 2: We've got Martin there it goes. It's a show a version.

827
00:36:37,320 --> 00:36:39,640
Speaker 2: It's a Brendan Jones holding the whistle version.

828
00:36:39,719 --> 00:36:41,600
Speaker 3: Well there was one kid, the kid that got the

829
00:36:41,640 --> 00:36:43,840
Speaker 3: job over me, and you just go It's like you

830
00:36:43,840 --> 00:36:45,080
Speaker 3: didn't want to sell any papers.

831
00:36:45,120 --> 00:36:48,480
Speaker 1: Come on, mate, you've got assassin game.

832
00:36:48,560 --> 00:36:50,160
Speaker 2: What do you think the news agent saw in you

833
00:36:50,239 --> 00:36:51,399
Speaker 2: that made him think nut?

834
00:36:52,200 --> 00:36:54,759
Speaker 3: I think you just saw too much talent because I

835
00:36:54,880 --> 00:36:55,960
Speaker 3: just wanted it suit.

836
00:36:55,880 --> 00:36:56,719
Speaker 2: Right as you wanted it.

837
00:36:56,760 --> 00:36:57,080
Speaker 3: Too much.

838
00:36:57,120 --> 00:36:58,920
Speaker 2: If people don't want to be shown up by a

839
00:36:58,920 --> 00:37:01,880
Speaker 2: paper boy me and well, argument makes no sense.

840
00:37:02,040 --> 00:37:04,680
Speaker 1: Being a paper boys like me being on TV. It's

841
00:37:04,719 --> 00:37:06,799
Speaker 1: the same thing. It's just I want it.

842
00:37:06,719 --> 00:37:12,560
Speaker 2: To you want it too much and it frightens people. Hello, Marty,

843
00:37:12,760 --> 00:37:14,520
Speaker 2: were you the paper boy?

844
00:37:14,560 --> 00:37:16,040
Speaker 7: Good morning? Birth of you?

845
00:37:18,000 --> 00:37:18,320
Speaker 12: Well?

846
00:37:18,800 --> 00:37:23,640
Speaker 15: I was the paper boy's assistant. I lived in Ride

847
00:37:23,640 --> 00:37:26,200
Speaker 15: at the time, and in top Ride shopping center, we

848
00:37:26,320 --> 00:37:31,920
Speaker 15: had a news agency called Breadshaws. And there was a

849
00:37:31,960 --> 00:37:35,600
Speaker 15: young man that used to drive a HD panel van

850
00:37:36,280 --> 00:37:39,520
Speaker 15: with just imagine if you do, the door would shut

851
00:37:39,600 --> 00:37:44,239
Speaker 15: and there they carved out an opening behind that door so.

852
00:37:44,160 --> 00:37:46,520
Speaker 7: That you could swing your arm out and throw out

853
00:37:46,560 --> 00:37:49,640
Speaker 7: the paper of cords. And the person who used to

854
00:37:49,719 --> 00:37:52,600
Speaker 7: drive that is a very famous car driver by the

855
00:37:52,680 --> 00:37:56,719
Speaker 7: name of Bill Brown. Oh yeah, who has recently passed away.

856
00:37:57,360 --> 00:38:01,840
Speaker 15: Bill is famous for crashing his G T H O

857
00:38:01,960 --> 00:38:04,280
Speaker 15: Phase three on a Baptist.

858
00:38:05,239 --> 00:38:09,000
Speaker 16: It was a yellow poor talken and the.

859
00:38:09,080 --> 00:38:10,560
Speaker 7: Race Carnival was number sixty three.

860
00:38:11,400 --> 00:38:14,879
Speaker 16: Back to the story, used to we used to sit

861
00:38:14,960 --> 00:38:20,600
Speaker 16: on the back tailgate, so weren't secured. We sit on

862
00:38:20,640 --> 00:38:23,439
Speaker 16: the back tail gate and I would throw the papers out,

863
00:38:23,480 --> 00:38:26,840
Speaker 16: so if we go down, say Smith Street, and the

864
00:38:26,880 --> 00:38:28,640
Speaker 16: paper out to land in number eleven.

865
00:38:29,000 --> 00:38:32,440
Speaker 7: I'd start throwing it at number nine and with the

866
00:38:32,440 --> 00:38:35,840
Speaker 7: motion of the cab the paper would land in number eleven.

867
00:38:36,440 --> 00:38:40,600
Speaker 15: But unfortunately, one day we're driving down the street in

868
00:38:41,120 --> 00:38:41,960
Speaker 15: North Ride.

869
00:38:43,440 --> 00:38:47,319
Speaker 3: So many bricks of detail, mate, just what you well?

870
00:38:47,440 --> 00:38:51,000
Speaker 15: I threw the paper out and poor old girl was

871
00:38:51,000 --> 00:38:52,440
Speaker 15: out the front watering the garden.

872
00:38:52,440 --> 00:38:57,560
Speaker 7: I like to write in the head with the newspaper.

873
00:38:59,280 --> 00:38:59,879
Speaker 1: Throwing a house.

874
00:39:01,480 --> 00:39:05,160
Speaker 3: But still there was a specifically built vehicle. That's pretty good.

875
00:39:05,440 --> 00:39:08,360
Speaker 3: And jim I Wright just googled up the falcon.

876
00:39:08,400 --> 00:39:10,640
Speaker 2: Look at that and the car, look at that.

877
00:39:10,800 --> 00:39:14,520
Speaker 3: She has only survived that, that's mate. Thank you Marty,

878
00:39:14,880 --> 00:39:17,160
Speaker 3: and thank you for the comprehension test as well. Do

879
00:39:17,200 --> 00:39:18,279
Speaker 3: you remember what street it was?

880
00:39:18,360 --> 00:39:19,000
Speaker 2: Smith Street?

881
00:39:19,520 --> 00:39:20,480
Speaker 1: Who was the race driver?

882
00:39:20,840 --> 00:39:21,400
Speaker 3: Bill Brown?

883
00:39:21,840 --> 00:39:24,520
Speaker 1: What what falcon did you drive? That's where you've lost

884
00:39:24,560 --> 00:39:26,200
Speaker 1: g t h A Phase three.

885
00:39:26,320 --> 00:39:28,319
Speaker 2: Oh there you go, the last of the V eight.

886
00:39:31,400 --> 00:39:31,880
Speaker 1: Podcast.

887
00:39:32,239 --> 00:39:34,320
Speaker 3: Let's get on down to the Jersey to better armswer.

888
00:39:34,120 --> 00:39:34,640
Speaker 1: The pod test.

889
00:39:35,960 --> 00:39:40,680
Speaker 3: Lydia Thorpe has made headlines worldwide with her outburst yesterday

890
00:39:40,880 --> 00:39:42,520
Speaker 3: at King Charles and Kimilla's visit.

891
00:39:42,640 --> 00:39:46,160
Speaker 2: Yes they're at Parliament House, and then she walked towards

892
00:39:46,200 --> 00:39:46,960
Speaker 2: him and this happened.

893
00:39:58,040 --> 00:40:01,440
Speaker 3: The Telegraph has said today she's a protests and no purpose.

894
00:40:01,480 --> 00:40:04,759
Speaker 3: She's all telling, no show. She's all show and no substance.

895
00:40:05,320 --> 00:40:07,600
Speaker 3: They go on to say, if Lydia thoughte were the

896
00:40:07,719 --> 00:40:11,680
Speaker 3: reflective kind, she may have realized the pointlessessness of yelling

897
00:40:11,719 --> 00:40:14,960
Speaker 3: at King Charles. Not only is he as woke as

898
00:40:14,960 --> 00:40:17,640
Speaker 3: a royal can be, but Charles is politically powerless in

899
00:40:17,719 --> 00:40:20,759
Speaker 3: terms of direct political influence. In fact, Senator Thorpe has

900
00:40:20,760 --> 00:40:22,880
Speaker 3: it all over Charles and any other figurehead monarch.

901
00:40:22,920 --> 00:40:25,040
Speaker 1: And I just realized when I was reading that she

902
00:40:25,160 --> 00:40:27,520
Speaker 1: is actually a senator. She has real power.

903
00:40:27,719 --> 00:40:30,360
Speaker 3: She can do things, but she's not helping her cause

904
00:40:30,680 --> 00:40:33,800
Speaker 3: or anyone's cause by doing this, because she's just creating division.

905
00:40:34,520 --> 00:40:36,560
Speaker 2: That's her point. I think that is her cause.

906
00:40:36,880 --> 00:40:37,680
Speaker 1: She wants division.

907
00:40:37,760 --> 00:40:40,759
Speaker 3: This story has just around herself with the Palestinians, and

908
00:40:41,360 --> 00:40:45,080
Speaker 3: there's nothing to do. Australia is nothing like Palestine, and

909
00:40:45,360 --> 00:40:48,120
Speaker 3: when she starts walking around with a Palestinian flag, it

910
00:40:48,200 --> 00:40:50,400
Speaker 3: is doing nothing. Limit this discussion.

911
00:40:50,480 --> 00:40:52,759
Speaker 1: I'm saying that, but it has to be said.

912
00:40:52,560 --> 00:40:55,920
Speaker 2: Because that's the thing. She is a divisive character and

913
00:40:56,000 --> 00:41:00,000
Speaker 2: yesterday was very uncomfortable. I'm not a fan of conflict

914
00:41:00,200 --> 00:41:03,719
Speaker 2: in any way, and yet I'm playing devil's advocate here

915
00:41:03,719 --> 00:41:05,880
Speaker 2: because if I was, there would have been sphincter tighteningly

916
00:41:05,960 --> 00:41:08,480
Speaker 2: hideous and to see that go around the world. But

917
00:41:08,560 --> 00:41:12,160
Speaker 2: that is her point. This is the flip side of colonialism,

918
00:41:12,400 --> 00:41:15,880
Speaker 2: and Prince Charles King Charles happened with William too recently

919
00:41:15,880 --> 00:41:17,880
Speaker 2: when we went through the Caribbean. They have to face

920
00:41:18,600 --> 00:41:21,560
Speaker 2: people's discomfort with the history of colonialism.

921
00:41:21,800 --> 00:41:23,680
Speaker 1: But I think we're all aware of it. I'm very

922
00:41:24,040 --> 00:41:25,480
Speaker 1: I would like to do whatever we can.

923
00:41:25,560 --> 00:41:27,799
Speaker 2: We still didn't vote yes, well I know that did

924
00:41:27,840 --> 00:41:28,680
Speaker 2: she but I did.

925
00:41:28,719 --> 00:41:31,440
Speaker 3: But what I'm saying about that is it just gets

926
00:41:31,480 --> 00:41:36,080
Speaker 3: obfiscated so much, so simple to it's not simple to.

927
00:41:36,239 --> 00:41:37,959
Speaker 3: If I could go back to two hundred and thirty years,

928
00:41:38,600 --> 00:41:40,120
Speaker 3: I would go back and I say, guys, come on,

929
00:41:40,160 --> 00:41:40,560
Speaker 3: we could do this.

930
00:41:40,640 --> 00:41:43,040
Speaker 2: We we're in the terrible position about this, and she's

931
00:41:43,080 --> 00:41:45,920
Speaker 2: trying to and I'm no fan, please, but she's trying

932
00:41:45,960 --> 00:41:51,359
Speaker 2: to say to the world we were colonized, you are

933
00:41:51,400 --> 00:41:53,680
Speaker 2: not our king. And she's done this. The story has

934
00:41:53,719 --> 00:41:55,880
Speaker 2: gone around the world. Whether you're comfortable with it or not,

935
00:41:56,320 --> 00:41:57,920
Speaker 2: it did the job she set out.

936
00:41:58,400 --> 00:42:02,120
Speaker 3: Through the prism of you know, all those years ago,

937
00:42:02,760 --> 00:42:04,920
Speaker 3: where we live in different times, we're more enlightened now.

938
00:42:05,280 --> 00:42:10,760
Speaker 3: Surely I feel that invited. No, no, that's not my point.

939
00:42:10,960 --> 00:42:13,960
Speaker 3: My point is that was obfuscated by the opposition. They

940
00:42:13,960 --> 00:42:16,120
Speaker 3: made it a political thing. It's noted with Malcolm turmul

941
00:42:16,120 --> 00:42:18,480
Speaker 3: and that whole Third Chamber thing. That's a whole different

942
00:42:18,520 --> 00:42:20,600
Speaker 3: kettle of fish. It would be great. I would love

943
00:42:20,640 --> 00:42:23,200
Speaker 3: to get to a point where there is a where

944
00:42:23,239 --> 00:42:25,040
Speaker 3: both sides I don't know want to talk about sides.

945
00:42:25,040 --> 00:42:27,040
Speaker 1: We're all Australians, know, that's the thing.

946
00:42:27,520 --> 00:42:31,040
Speaker 2: Yeah, some of us have a more disadvantaged history, of course,

947
00:42:31,040 --> 00:42:33,520
Speaker 2: and it was advocate here I know.

948
00:42:33,920 --> 00:42:38,840
Speaker 1: But she's helping Johnny mainStreet. She's not helping the cause

949
00:42:39,239 --> 00:42:41,880
Speaker 1: with Johnny main Street. Johnny main Street sitting there and

950
00:42:41,880 --> 00:42:44,120
Speaker 1: he's going, well, she's a nut. I'm not going so

951
00:42:44,160 --> 00:42:46,760
Speaker 1: he becomes even more divisive. She's too divisive.

952
00:42:46,840 --> 00:42:49,239
Speaker 2: Yeah, but her job is to shake things up, that's

953
00:42:49,239 --> 00:42:52,440
Speaker 2: what she would say. She doesn't represent everybody, No, she doesn't.

954
00:42:52,760 --> 00:42:55,080
Speaker 2: King Charles has to sit and accept this stuff, that

955
00:42:55,080 --> 00:42:57,520
Speaker 2: it's going to be uncomfortable as he travels the world.

956
00:42:57,640 --> 00:43:00,000
Speaker 2: This stuff is going to happen. How do you feel.

957
00:43:00,239 --> 00:43:04,440
Speaker 2: Let's call it this Linda Thorpe, Lydia Thorpe's outburst. Does

958
00:43:04,480 --> 00:43:05,479
Speaker 2: it passed the pub test?

959
00:43:06,200 --> 00:43:06,640
Speaker 12: Thesis?

960
00:43:08,200 --> 00:43:15,640
Speaker 17: God, I want to get right now your windows, stick.

961
00:43:15,480 --> 00:43:16,680
Speaker 5: Your head on a jel.

962
00:43:21,719 --> 00:43:22,880
Speaker 1: The pub test today.

963
00:43:23,560 --> 00:43:28,239
Speaker 3: By now you would have seen Lydia Thorpe's outburst.

964
00:43:31,560 --> 00:43:34,400
Speaker 2: She was in Parliament House and she was screaming this

965
00:43:34,480 --> 00:43:36,120
Speaker 2: out in front of the King and the Queen.

966
00:43:36,800 --> 00:43:39,560
Speaker 3: She was intending to hand him a notice of complicity

967
00:43:39,840 --> 00:43:42,000
Speaker 3: requesting he'd be charged for genocide.

968
00:43:43,360 --> 00:43:46,160
Speaker 2: It's the trix and I'm playing Devil's advocate here because

969
00:43:46,200 --> 00:43:49,320
Speaker 2: I found that incredibly uncomfortable. But if her job was

970
00:43:49,360 --> 00:43:51,759
Speaker 2: to have people all around the world look at the

971
00:43:51,800 --> 00:43:56,000
Speaker 2: fact that Australia had an longstanding indigenous culture before the

972
00:43:56,040 --> 00:43:59,120
Speaker 2: English came and settled here, then she's done her. That's

973
00:43:59,160 --> 00:44:01,680
Speaker 2: the job, she said. She is a giant disruptor.

974
00:44:01,920 --> 00:44:04,960
Speaker 3: She's an independent senator, of course, but at the same time,

975
00:44:05,040 --> 00:44:05,680
Speaker 3: awkward as hell.

976
00:44:05,719 --> 00:44:06,160
Speaker 2: I get it.

977
00:44:06,440 --> 00:44:09,480
Speaker 3: You know, we don't need division, we need unity, and

978
00:44:09,600 --> 00:44:12,160
Speaker 3: the majority of white Australia, the people like me that

979
00:44:12,239 --> 00:44:13,920
Speaker 3: came on convict ships.

980
00:44:14,080 --> 00:44:16,560
Speaker 1: I'd love to have reconciliation. I'd love to I love

981
00:44:16,600 --> 00:44:18,920
Speaker 1: to sit down and talk about it, you know. But

982
00:44:19,080 --> 00:44:20,879
Speaker 1: she's not helping help.

983
00:44:21,040 --> 00:44:22,520
Speaker 2: But we had a vote last year when no one

984
00:44:22,560 --> 00:44:24,480
Speaker 2: helped either, and she voted no.

985
00:44:24,080 --> 00:44:27,000
Speaker 3: That was the newspaper, that was the media that obfiscated

986
00:44:27,000 --> 00:44:27,239
Speaker 3: the whole.

987
00:44:27,480 --> 00:44:30,000
Speaker 2: That's the thing. So how to indigenous people supposed to

988
00:44:30,000 --> 00:44:31,040
Speaker 2: get their story out.

989
00:44:30,880 --> 00:44:31,440
Speaker 3: And be heard?

990
00:44:31,640 --> 00:44:32,760
Speaker 1: She was against the voices.

991
00:44:32,840 --> 00:44:35,200
Speaker 2: I know she voted no. I think she wanted a

992
00:44:35,239 --> 00:44:39,080
Speaker 2: treaty as opposed to what was being a different yes,

993
00:44:39,120 --> 00:44:43,080
Speaker 2: and look, I find her excruciating. But if her point

994
00:44:43,480 --> 00:44:47,120
Speaker 2: was to ras everyone and quite and King Charles is

995
00:44:47,160 --> 00:44:50,319
Speaker 2: if he it's his job to sit there and hear this.

996
00:44:50,320 --> 00:44:52,440
Speaker 2: It's happening all over the world. People are starting to

997
00:44:52,480 --> 00:44:53,480
Speaker 2: turn against the colonial wi.

998
00:44:53,840 --> 00:44:56,440
Speaker 1: King Charles sat there and went, okay, come up here,

999
00:44:56,480 --> 00:44:57,120
Speaker 1: what do you want?

1000
00:44:57,640 --> 00:44:59,800
Speaker 2: What would you I'm sure she'd have things to say.

1001
00:45:00,000 --> 00:45:01,520
Speaker 2: They wouldn't stid to be what I'd say, But she

1002
00:45:01,600 --> 00:45:04,239
Speaker 2: has things to say. What do you think? Let's look

1003
00:45:04,239 --> 00:45:07,000
Speaker 2: at this her outburst. Lydia Thorpe's outburst yesterday. Does it

1004
00:45:07,040 --> 00:45:10,319
Speaker 2: passed the pub test. I'm very supportive of was recognizing

1005
00:45:10,440 --> 00:45:13,319
Speaker 2: the first honors of the land, but.

1006
00:45:13,360 --> 00:45:16,279
Speaker 18: The way she did and the way she carries herself

1007
00:45:16,400 --> 00:45:17,440
Speaker 18: is just got on.

1008
00:45:17,800 --> 00:45:19,160
Speaker 19: I think it's crack made.

1009
00:45:19,200 --> 00:45:22,040
Speaker 17: I mean, if it had been a footballer, they'd be fine,

1010
00:45:22,360 --> 00:45:23,200
Speaker 17: they'd be safted.

1011
00:45:23,520 --> 00:45:25,560
Speaker 7: They have bands on four matches.

1012
00:45:26,080 --> 00:45:27,080
Speaker 3: I mean, how can a.

1013
00:45:27,080 --> 00:45:29,439
Speaker 17: Minister that we pay walk into a place like that

1014
00:45:29,880 --> 00:45:31,400
Speaker 17: and shows such disrespect?

1015
00:45:31,600 --> 00:45:35,759
Speaker 8: No, it doesn't. She's an exhibition and stupid behavior.

1016
00:45:35,440 --> 00:45:36,680
Speaker 13: Throw out of power.

1017
00:45:37,120 --> 00:45:38,400
Speaker 6: Well, no it doesn't.

1018
00:45:38,680 --> 00:45:40,520
Speaker 12: She's part of the reason why was there never been

1019
00:45:40,520 --> 00:45:44,040
Speaker 12: any reconciliation. She's supposed to be her role model for

1020
00:45:44,080 --> 00:45:47,040
Speaker 12: her people and she's anything but.

1021
00:45:47,880 --> 00:45:49,440
Speaker 13: No for me, it doesn't.

1022
00:45:50,719 --> 00:45:55,680
Speaker 18: I believe that some of her sentiments were aligning with mine,

1023
00:45:55,800 --> 00:45:58,600
Speaker 18: but time and a place and that definitely wasn't the

1024
00:45:58,640 --> 00:45:59,520
Speaker 18: time all the place.

1025
00:45:59,840 --> 00:46:00,640
Speaker 13: I think the.

1026
00:46:00,680 --> 00:46:03,319
Speaker 8: Lydia thought does past the pub test. It's not your

1027
00:46:03,360 --> 00:46:06,000
Speaker 8: skittles and snody larmors for the King and the Queen.

1028
00:46:06,680 --> 00:46:08,319
Speaker 8: I think they've got to focus up to the fact

1029
00:46:08,400 --> 00:46:11,000
Speaker 8: that this country was built on solo land and of

1030
00:46:11,040 --> 00:46:13,880
Speaker 8: these people. I think they've ignored it for so many years,

1031
00:46:13,920 --> 00:46:15,719
Speaker 8: So if they spoke about it and talked about it,

1032
00:46:15,719 --> 00:46:18,440
Speaker 8: which they've avoided, and I think the things can be

1033
00:46:18,480 --> 00:46:21,400
Speaker 8: put to bed. But at the time being, I just

1034
00:46:21,440 --> 00:46:23,719
Speaker 8: talk about it interesting.

1035
00:46:24,000 --> 00:46:27,600
Speaker 3: Thank you for all your calls.

1036
00:46:25,560 --> 00:46:28,120
Speaker 2: J Podcast.

1037
00:46:28,239 --> 00:46:30,960
Speaker 3: This is some great tally on at the moment, I've

1038
00:46:30,960 --> 00:46:31,600
Speaker 3: been enjoying.

1039
00:46:31,920 --> 00:46:32,960
Speaker 1: I'm here to watch FISK.

1040
00:46:33,239 --> 00:46:34,600
Speaker 2: I watched The First Step last night.

1041
00:46:34,719 --> 00:46:37,400
Speaker 3: Gosh, it's faced the Australian version of the Office.

1042
00:46:37,440 --> 00:46:38,399
Speaker 2: I'm enjoying that too.

1043
00:46:38,480 --> 00:46:39,120
Speaker 1: I'm into that.

1044
00:46:39,200 --> 00:46:41,080
Speaker 2: And you were watching Plumb. I've got around to scene

1045
00:46:41,520 --> 00:46:43,719
Speaker 2: Tulsa King. You love Australian No top me?

1046
00:46:43,760 --> 00:46:44,759
Speaker 1: Then, yeah, it's great TV.

1047
00:46:44,960 --> 00:46:47,600
Speaker 3: Touls the King with Sylvester Salone is the mob boss

1048
00:46:47,800 --> 00:46:50,400
Speaker 3: gets sent from New York to told watching to run

1049
00:46:50,440 --> 00:46:52,799
Speaker 3: the operation there. I think you'd like it. Owen, it's

1050
00:46:52,800 --> 00:46:57,280
Speaker 3: not too that's good. And then last night I switched

1051
00:46:57,320 --> 00:47:02,839
Speaker 3: over to m KR just you know, it's really good.

1052
00:47:02,920 --> 00:47:05,480
Speaker 3: It is a world of accents though, because you remember

1053
00:47:06,400 --> 00:47:10,399
Speaker 3: there was Menu Fidel and Pete Evans, and then Pete

1054
00:47:10,400 --> 00:47:13,200
Speaker 3: Evans went off to do his own cooking show, cooking

1055
00:47:13,280 --> 00:47:18,440
Speaker 3: Himself Byron Cooker. He became a Cooker, so he left,

1056
00:47:18,440 --> 00:47:20,279
Speaker 3: but they got common fascinat in there.

1057
00:47:20,400 --> 00:47:22,400
Speaker 1: But I do appreciate that show. It is a world

1058
00:47:22,440 --> 00:47:23,759
Speaker 1: of accents though.

1059
00:47:23,640 --> 00:47:25,040
Speaker 2: Would you know what it was, fuddy?

1060
00:47:25,280 --> 00:47:28,280
Speaker 1: It was fun, it was zesty. I don't want fardy

1061
00:47:28,320 --> 00:47:29,880
Speaker 1: and fun was fast.

1062
00:47:30,480 --> 00:47:30,920
Speaker 2: I don't know.

1063
00:47:31,560 --> 00:47:33,759
Speaker 1: I just love those guys because Manu.

1064
00:47:34,320 --> 00:47:38,760
Speaker 14: Coughing chicken to cook it really slowly in fat?

1065
00:47:39,120 --> 00:47:42,279
Speaker 2: What's with these guys sat cooking in fat? Why would

1066
00:47:42,320 --> 00:47:42,759
Speaker 2: you do that?

1067
00:47:42,880 --> 00:47:44,560
Speaker 3: You're in Australia now, of course they are. I think

1068
00:47:44,560 --> 00:47:49,000
Speaker 3: it's the accents though, remember Nadine Coyle, No, she couldn't

1069
00:47:49,000 --> 00:47:49,680
Speaker 3: say flowers.

1070
00:47:49,719 --> 00:47:53,120
Speaker 2: Oh this is yes, this woman. I enjoy cooking bacon

1071
00:47:53,160 --> 00:47:55,880
Speaker 2: and stuff working with Floyer and she says she's a

1072
00:47:55,920 --> 00:47:59,000
Speaker 2: cooking bacon. That's baking and baking and Floyer.

1073
00:47:59,239 --> 00:48:01,240
Speaker 3: I actually find myself to say that I like cooking

1074
00:48:01,320 --> 00:48:04,319
Speaker 3: began and stuff working with Floyda. Then I don't know

1075
00:48:04,360 --> 00:48:06,799
Speaker 3: what Ma Knew was talking about the other night.

1076
00:48:08,560 --> 00:48:09,479
Speaker 7: I don't want to be rude.

1077
00:48:10,360 --> 00:48:12,279
Speaker 2: Sounds like he's about to be rude about it. I

1078
00:48:12,400 --> 00:48:15,799
Speaker 2: know you who is he talking about? I know your

1079
00:48:15,880 --> 00:48:19,320
Speaker 2: French jam. You may know our next guest from the

1080
00:48:19,360 --> 00:48:23,320
Speaker 2: TV series went Worth or Apple's Never Fall Now Australian

1081
00:48:23,360 --> 00:48:25,759
Speaker 2: actress Georgia Flood is back on the small screen in

1082
00:48:25,800 --> 00:48:29,680
Speaker 2: an extraordinary news stand show called Nautilus. It's based on

1083
00:48:29,800 --> 00:48:32,839
Speaker 2: Jules Verne's twenty Thousand Leagues under the Sea, and she

1084
00:48:32,920 --> 00:48:39,240
Speaker 2: joins us now, Hello Georgia, Georgia, Hello, Hi, you good?

1085
00:48:39,480 --> 00:48:41,200
Speaker 1: Are you happy that your name is Flood and here

1086
00:48:41,239 --> 00:48:42,360
Speaker 1: you are underwater?

1087
00:48:45,719 --> 00:48:46,279
Speaker 20: I love it?

1088
00:48:46,360 --> 00:48:47,920
Speaker 18: I love that for me, Ycholonic.

1089
00:48:48,760 --> 00:48:52,800
Speaker 2: This show looks incredible. We've watched the trailer. It is amazing.

1090
00:48:52,880 --> 00:48:54,640
Speaker 2: I cannot wait to see it. I hear that it

1091
00:48:54,680 --> 00:48:57,520
Speaker 2: costs three hundred million dollars to make it the most

1092
00:48:57,520 --> 00:49:01,160
Speaker 2: expensive TV series ever filmed. That's amazing.

1093
00:49:05,400 --> 00:49:05,640
Speaker 3: I know.

1094
00:49:05,680 --> 00:49:07,759
Speaker 19: I couldn't believe it myself when I when I saw

1095
00:49:07,800 --> 00:49:10,640
Speaker 19: that figure, I was like, WHOA, But yeah, I think

1096
00:49:10,760 --> 00:49:14,840
Speaker 19: it matches the set pieces. It's like a high octane,

1097
00:49:14,920 --> 00:49:18,799
Speaker 19: action packed fantasy bonanza. So I think something like that

1098
00:49:18,840 --> 00:49:19,480
Speaker 19: does cost.

1099
00:49:19,320 --> 00:49:20,600
Speaker 18: Three hundred million dollars.

1100
00:49:20,719 --> 00:49:25,760
Speaker 3: Did you think some of that should be coming my way?

1101
00:49:26,840 --> 00:49:27,080
Speaker 20: Yeah?

1102
00:49:28,440 --> 00:49:31,719
Speaker 2: Naturally, of course it should. Hey, Georgia, when you're filming something,

1103
00:49:32,600 --> 00:49:36,120
Speaker 2: when you're filming something like that, are you I know,

1104
00:49:36,160 --> 00:49:38,960
Speaker 2: obviously with CGI and special effects, you're not living through

1105
00:49:38,960 --> 00:49:41,080
Speaker 2: it all. Are you as surprised as everyone else when

1106
00:49:41,080 --> 00:49:42,960
Speaker 2: you watch it and you go, oh my gosh, look

1107
00:49:42,960 --> 00:49:43,279
Speaker 2: at that.

1108
00:49:47,080 --> 00:49:51,319
Speaker 18: Yes, I mean when you're in a blue screen and

1109
00:49:51,400 --> 00:49:56,480
Speaker 18: you're doing your reactions to tennis ball that one of

1110
00:49:56,520 --> 00:50:00,319
Speaker 18: the assistant directors are like, you know, waving in front

1111
00:50:00,360 --> 00:50:02,720
Speaker 18: of your faith pretending it's a whale or a monster.

1112
00:50:03,200 --> 00:50:06,160
Speaker 18: You're doing these huge reactions that you just sort of

1113
00:50:06,160 --> 00:50:08,520
Speaker 18: cross your heart and hope to live that they are,

1114
00:50:08,760 --> 00:50:12,400
Speaker 18: that they match what the CGI produces. So when I

1115
00:50:12,440 --> 00:50:13,680
Speaker 18: actually got the chance to.

1116
00:50:13,640 --> 00:50:16,400
Speaker 20: Watch it, I was like, oh, thank god, because your

1117
00:50:16,440 --> 00:50:19,279
Speaker 20: acting skills would be certainly they'd have to come to

1118
00:50:19,320 --> 00:50:23,160
Speaker 20: the foe, wouldn't they.

1119
00:50:23,960 --> 00:50:25,840
Speaker 18: Yes, yeah, yeah, I hope that.

1120
00:50:27,640 --> 00:50:30,280
Speaker 2: Well, you've got big wigs on and big clothes and things.

1121
00:50:30,360 --> 00:50:31,880
Speaker 2: Was that fun or is that hard work?

1122
00:50:36,080 --> 00:50:37,480
Speaker 18: I didn't have a wig on.

1123
00:50:37,760 --> 00:50:45,560
Speaker 20: I had well, so I had West and West, the

1124
00:50:45,719 --> 00:50:48,800
Speaker 20: like of the clip in extensions, so.

1125
00:50:48,760 --> 00:50:54,200
Speaker 18: I did have those. But yes, the costumes were a drag.

1126
00:50:54,320 --> 00:50:59,640
Speaker 18: I were very difficult to where in Queensland in January

1127
00:50:59,719 --> 00:51:03,120
Speaker 18: when it like fifty degree nees and the corset and

1128
00:51:03,320 --> 00:51:05,239
Speaker 18: I actually ended up getting rid of the corset because

1129
00:51:05,239 --> 00:51:07,879
Speaker 18: it was too I was passing out.

1130
00:51:08,040 --> 00:51:09,640
Speaker 1: Yeah, that was the eighteen sixties.

1131
00:51:09,680 --> 00:51:11,799
Speaker 3: That's the whole thing that's the problem with that time,

1132
00:51:11,920 --> 00:51:16,000
Speaker 3: the corsets and the heavy boned dresses and things like that.

1133
00:51:19,400 --> 00:51:20,440
Speaker 18: Yeah exactly.

1134
00:51:21,440 --> 00:51:22,920
Speaker 2: So was it good for you to be able to

1135
00:51:22,920 --> 00:51:25,000
Speaker 2: be in Australia to film something so massive?

1136
00:51:28,960 --> 00:51:31,520
Speaker 18: Yeah, definitely. And actually I had previously worked on the

1137
00:51:31,560 --> 00:51:36,279
Speaker 18: Gold Coast twice before, so I was with crew that

1138
00:51:36,320 --> 00:51:38,399
Speaker 18: I had worked with before, so it was just sort

1139
00:51:38,400 --> 00:51:41,440
Speaker 18: of like coming back to work, like hey, hey, fellas,

1140
00:51:41,480 --> 00:51:45,640
Speaker 18: just back at work. And then also having the production

1141
00:51:45,760 --> 00:51:50,799
Speaker 18: company be from England and America was really fun as well,

1142
00:51:50,880 --> 00:51:52,960
Speaker 18: so it felt like I was a seer guide.

1143
00:51:53,040 --> 00:51:55,920
Speaker 3: Well I don't like using the saying it's in my wheelhouse,

1144
00:51:55,960 --> 00:51:58,040
Speaker 3: but this whole story is in my wheelhouse because I'm

1145
00:51:58,040 --> 00:52:00,560
Speaker 3: a big fan of twenty thousand leagues under this. So

1146
00:52:00,680 --> 00:52:02,880
Speaker 3: I'm just looking forward to watching the whole series, the

1147
00:52:02,920 --> 00:52:05,799
Speaker 3: whole submarine bit and them and the nar wall and

1148
00:52:05,840 --> 00:52:07,120
Speaker 3: all that junk. I love that.

1149
00:52:10,000 --> 00:52:10,800
Speaker 13: Oh, I'm happy.

1150
00:52:10,840 --> 00:52:11,320
Speaker 18: I'm glad.

1151
00:52:11,440 --> 00:52:13,680
Speaker 13: Yes, it's been a.

1152
00:52:13,200 --> 00:52:15,120
Speaker 18: It's been a long time coming. So I think they're

1153
00:52:15,160 --> 00:52:19,160
Speaker 18: going to make a quote vern verse kind of like

1154
00:52:19,200 --> 00:52:23,120
Speaker 18: the Marvel universe. So all of jul Byrne's books might

1155
00:52:23,160 --> 00:52:25,480
Speaker 18: be made in yeah, into a series.

1156
00:52:25,560 --> 00:52:27,239
Speaker 3: Yeah, oh, I don't know their name to want to

1157
00:52:27,239 --> 00:52:29,640
Speaker 3: get derivative now it's going to be a great it's

1158
00:52:30,920 --> 00:52:33,520
Speaker 3: you don't want to, Madam Webb, you never know. Bring

1159
00:52:33,560 --> 00:52:36,239
Speaker 3: it all on, Madam webbed fingers. As long as that

1160
00:52:36,280 --> 00:52:38,640
Speaker 3: three hundred million comes your way, Georgia, that's what I'm

1161
00:52:38,640 --> 00:52:44,680
Speaker 3: happy about. You can copy in on some of that.

1162
00:52:44,760 --> 00:52:46,839
Speaker 3: I'll be happy for it. Georgia, it's great to talk

1163
00:52:46,880 --> 00:52:49,160
Speaker 3: to you and not listens out this Friday only on stand.

1164
00:52:49,440 --> 00:52:51,680
Speaker 3: Congratulations you and good luck with everything you do.

1165
00:52:54,360 --> 00:52:55,200
Speaker 19: Thank you so much.

1166
00:52:55,200 --> 00:52:58,320
Speaker 2: Thanks guys, it does look amazing.

1167
00:52:58,360 --> 00:52:59,160
Speaker 3: I urge you to change.

1168
00:52:59,200 --> 00:53:01,040
Speaker 1: Georgia was talking to us underwater. I think that was

1169
00:53:01,040 --> 00:53:01,719
Speaker 1: a bit of a gap there.

1170
00:53:01,760 --> 00:53:03,320
Speaker 2: I think she's in Illinoy at the moment. Is she

1171
00:53:03,400 --> 00:53:07,759
Speaker 2: an Illinois? Chicago? Chicago, Illinois. I'm just showing off, aren't

1172
00:53:07,760 --> 00:53:08,160
Speaker 2: you just.

1173
00:53:10,680 --> 00:53:11,200
Speaker 1: Podcast?

1174
00:53:11,400 --> 00:53:11,480
Speaker 7: So?

1175
00:53:11,640 --> 00:53:17,840
Speaker 2: Yes, we are talking about this song Sospy, which.

1176
00:53:17,640 --> 00:53:20,160
Speaker 3: Has lifted the beat from Soft Cells Tainter Glove.

1177
00:53:21,680 --> 00:53:25,439
Speaker 2: Well, there's a second verse in there that the man

1178
00:53:25,480 --> 00:53:29,560
Speaker 2: who wrote it, Evan Bogart or Evan kid Bogart, I

1179
00:53:29,560 --> 00:53:31,920
Speaker 2: guess he's called kid because apparently his father was the

1180
00:53:32,120 --> 00:53:36,320
Speaker 2: Casablanca Records founder Neil Bogart.

1181
00:53:35,320 --> 00:53:41,080
Speaker 3: Name Castle Blankets Records, which famously Kiss funded I did

1182
00:53:41,120 --> 00:53:41,960
Speaker 3: that the man Kiss.

1183
00:53:42,120 --> 00:53:45,239
Speaker 2: There you go. Well, this guy wrote this song only

1184
00:53:45,280 --> 00:53:48,880
Speaker 2: twenty years ago, and he has only recently been talking

1185
00:53:49,200 --> 00:53:52,680
Speaker 2: on a podcast with his daughter about what the lyrics mean.

1186
00:53:52,760 --> 00:53:55,800
Speaker 2: Let's hear before we hear him. This is the second

1187
00:53:55,880 --> 00:53:57,120
Speaker 2: verse of Rihanna's song.

1188
00:53:58,440 --> 00:54:09,680
Speaker 10: You know that, Do you care me? Hanging on? The way?

1189
00:54:09,760 --> 00:54:10,279
Speaker 8: You made me.

1190
00:54:12,360 --> 00:54:12,560
Speaker 12: Right?

1191
00:54:12,719 --> 00:54:15,120
Speaker 2: Well, those lyrics all make sense in the context of

1192
00:54:15,160 --> 00:54:19,960
Speaker 2: the song, but here, interestingly is how he found those

1193
00:54:20,000 --> 00:54:21,919
Speaker 2: lines and why he put them in the song.

1194
00:54:22,400 --> 00:54:22,800
Speaker 1: I wrote it.

1195
00:54:22,840 --> 00:54:26,919
Speaker 21: I had no idea what I was doing. The whole

1196
00:54:26,960 --> 00:54:29,920
Speaker 21: second verse of that song is eighties song titles strung

1197
00:54:30,000 --> 00:54:32,560
Speaker 21: together as sentences, because I thought it would be super clever.

1198
00:54:32,680 --> 00:54:35,759
Speaker 21: Take on me, Aha for me? You know inside you

1199
00:54:35,800 --> 00:54:40,200
Speaker 21: feel it right now? Take me on. I could just

1200
00:54:40,280 --> 00:54:44,840
Speaker 21: die up in your arms tonight. I melt with you.

1201
00:54:44,840 --> 00:54:46,280
Speaker 21: You got me head over heels.

1202
00:54:46,480 --> 00:54:46,879
Speaker 2: Tell me.

1203
00:54:48,360 --> 00:54:50,120
Speaker 3: The boy, you keep me hanging on the way you

1204
00:54:50,120 --> 00:54:51,640
Speaker 3: make me feel, You keep.

1205
00:54:51,400 --> 00:54:53,880
Speaker 10: Me hanging on the way.

1206
00:54:54,239 --> 00:54:57,120
Speaker 3: They're all at number one songs in the eighties. That's incredible.

1207
00:54:57,160 --> 00:54:59,520
Speaker 2: I had no idea no one does, No one does

1208
00:55:00,520 --> 00:55:03,280
Speaker 2: until now all number one songs from the eighties.

1209
00:55:03,440 --> 00:55:05,480
Speaker 1: Whoa no aga do in there?

1210
00:55:10,040 --> 00:55:13,480
Speaker 3: Even he said no, I'd like to see Rihanna pushing

1211
00:55:13,520 --> 00:55:14,440
Speaker 3: her by that because she.

1212
00:55:14,480 --> 00:55:16,919
Speaker 2: Would up a tree, not anywhere else.

1213
00:55:17,360 --> 00:55:29,400
Speaker 9: Jonesy and Amanda podcast.

1214
00:55:30,880 --> 00:55:33,800
Speaker 2: Well six or some more weeks until someone wins twenty

1215
00:55:33,840 --> 00:55:36,319
Speaker 2: thousand dollars of being our favorite goolie of the year.

1216
00:55:36,360 --> 00:55:37,000
Speaker 2: What have we got?

1217
00:55:37,800 --> 00:55:38,120
Speaker 3: Okay?

1218
00:55:38,160 --> 00:55:39,160
Speaker 1: This get's my goalies.

1219
00:55:39,640 --> 00:55:43,200
Speaker 17: When you're going on an escalator and people stand in

1220
00:55:43,239 --> 00:55:47,799
Speaker 17: the middle and you can't walk around them, move to

1221
00:55:47,840 --> 00:55:51,560
Speaker 17: the left so I can go around you, please impass.

1222
00:55:51,600 --> 00:55:53,000
Speaker 3: It's also would right power move?

1223
00:55:53,120 --> 00:55:55,000
Speaker 2: So yes, that's get my gollies.

1224
00:55:55,040 --> 00:55:55,319
Speaker 13: Thank you.

1225
00:55:55,400 --> 00:55:55,799
Speaker 2: It's true.

1226
00:55:55,800 --> 00:55:57,880
Speaker 3: It's a huge ball or move when you're straight up

1227
00:55:57,920 --> 00:56:00,920
Speaker 3: the escalator while the Johnny Goner whereas are standing on

1228
00:56:00,960 --> 00:56:03,880
Speaker 3: the left. Little old ladies and things like that. I

1229
00:56:04,000 --> 00:56:06,560
Speaker 3: just scut, I got stuff to do.

1230
00:56:06,960 --> 00:56:08,640
Speaker 2: Get out of them away, Get out of them away.

1231
00:56:09,040 --> 00:56:11,160
Speaker 2: What else you want to know what.

1232
00:56:11,120 --> 00:56:11,880
Speaker 10: My gool is?

1233
00:56:12,320 --> 00:56:15,000
Speaker 11: Well, in the old days, when you need a new TV,

1234
00:56:15,160 --> 00:56:17,960
Speaker 11: it was as a result of the screen not working

1235
00:56:18,040 --> 00:56:21,479
Speaker 11: or it was broken, something didn't look right. Well, these

1236
00:56:21,600 --> 00:56:24,200
Speaker 11: days you have to get a new TV because they

1237
00:56:24,239 --> 00:56:27,640
Speaker 11: simply won't update the software anymore, so it's not compatible

1238
00:56:27,640 --> 00:56:30,680
Speaker 11: with the latest hats. So that's what gets my gool

1239
00:56:30,840 --> 00:56:33,120
Speaker 11: is I have to get a new TV, not because

1240
00:56:33,160 --> 00:56:36,560
Speaker 11: the picture is broken, but because they won't update it anymore.

1241
00:56:36,960 --> 00:56:37,520
Speaker 2: Is that true.

1242
00:56:37,920 --> 00:56:41,160
Speaker 3: I've got a TV, a Samsung big big TV and

1243
00:56:41,200 --> 00:56:42,839
Speaker 3: since the kids moved down now on us, I want

1244
00:56:42,880 --> 00:56:44,840
Speaker 3: to switch it on the other day it's not working,

1245
00:56:44,920 --> 00:56:46,720
Speaker 3: so that must be the batteries in the remote.

1246
00:56:46,960 --> 00:56:49,520
Speaker 1: Change the battery. It's still not working. Do I check

1247
00:56:49,600 --> 00:56:50,760
Speaker 1: that TV out?

1248
00:56:51,239 --> 00:56:52,120
Speaker 3: Why is it working?

1249
00:56:52,920 --> 00:56:53,440
Speaker 1: I don't know?

1250
00:56:54,040 --> 00:56:56,400
Speaker 2: Or maybe you have someone to look at it still?

1251
00:56:56,640 --> 00:56:59,600
Speaker 3: Is there still TV repairment in the cameraund as they do?

1252
00:57:00,120 --> 00:57:01,640
Speaker 2: This is what happens something he doesn't want you to

1253
00:57:01,680 --> 00:57:02,680
Speaker 2: just check it out.

1254
00:57:02,719 --> 00:57:05,000
Speaker 3: You see big screen TVs checked out on the side

1255
00:57:05,000 --> 00:57:06,000
Speaker 3: and no one takes them.

1256
00:57:06,000 --> 00:57:09,200
Speaker 2: And no one takes them, I meaning no one nicks them.

1257
00:57:09,120 --> 00:57:11,000
Speaker 3: You know me being a big Greenian or I want

1258
00:57:11,000 --> 00:57:13,600
Speaker 3: to reduce my carbon I.

1259
00:57:13,520 --> 00:57:15,359
Speaker 2: Mean, TV's have you got again? You're like Elvis? You've

1260
00:57:15,360 --> 00:57:17,000
Speaker 2: even got six in the kitchen.

1261
00:57:18,400 --> 00:57:21,360
Speaker 1: It'd be silly. It's five out of the badam with

1262
00:57:21,360 --> 00:57:21,560
Speaker 1: the good.

1263
00:57:21,560 --> 00:57:23,160
Speaker 3: If you did dat can get away to contact and

1264
00:57:23,240 --> 00:57:26,960
Speaker 3: fire the iHeartRadio apps.

1265
00:57:26,200 --> 00:57:31,720
Speaker 2: Sham notion podcast. I've ever call it email or Facebook friend?

1266
00:57:31,760 --> 00:57:34,920
Speaker 2: When's a double pass to see Cyndi lauper her girls

1267
00:57:34,960 --> 00:57:37,400
Speaker 2: just want to have fun. Farewell to her? Is hitting

1268
00:57:37,480 --> 00:57:41,360
Speaker 2: Sydney April eight, twenty twenty five, on sale now on

1269
00:57:41,440 --> 00:57:45,040
Speaker 2: sale October twenty three. What is tomorrow ticket tech?

1270
00:57:45,360 --> 00:57:47,640
Speaker 3: But if you delight this, you get those tickets Jones,

1271
00:57:47,640 --> 00:57:49,919
Speaker 3: you demand the t towel coming away with the key

1272
00:57:49,960 --> 00:57:50,560
Speaker 3: ring to boot.

1273
00:57:50,800 --> 00:57:54,160
Speaker 2: So we spoke earlier about the world's well as far

1274
00:57:54,200 --> 00:57:56,560
Speaker 2: as we know, the world's oldest paper boy, who retired

1275
00:57:56,600 --> 00:57:59,000
Speaker 2: at the age of eighty two, has been a paper

1276
00:57:59,040 --> 00:58:02,400
Speaker 2: boy for seventy Yes, pretty good travel drum was beating

1277
00:58:02,400 --> 00:58:06,760
Speaker 2: for tales of the paper boy. Here's Marty, thank you.

1278
00:58:07,080 --> 00:58:10,760
Speaker 2: Here's Mighty from Bradbury who put us through a comprehension test.

1279
00:58:10,760 --> 00:58:14,000
Speaker 2: Will the intricate details of his story, but he finally

1280
00:58:14,080 --> 00:58:14,560
Speaker 2: got there.

1281
00:58:14,720 --> 00:58:15,840
Speaker 1: Smoke him if you got him.

1282
00:58:16,280 --> 00:58:20,120
Speaker 15: I was the paper boys assistant in top Ride shopping center.

1283
00:58:20,240 --> 00:58:24,840
Speaker 15: He had a news agency called Breadshaws and there was

1284
00:58:24,920 --> 00:58:29,360
Speaker 15: a young man that used to drive a HD panel

1285
00:58:29,440 --> 00:58:35,320
Speaker 15: van with carved out an opening behind that door so

1286
00:58:35,360 --> 00:58:37,760
Speaker 15: that you could swing your arm out and throw out

1287
00:58:37,760 --> 00:58:38,160
Speaker 15: the paper.

1288
00:58:38,160 --> 00:58:41,520
Speaker 7: Of course, the person who used to drive that is

1289
00:58:41,560 --> 00:58:44,520
Speaker 7: a very famous car driver by the name of Bill Brown.

1290
00:58:44,880 --> 00:58:50,040
Speaker 15: Bill is famous for crashing his gt HO Phase three

1291
00:58:50,120 --> 00:58:51,800
Speaker 15: on at Baptist.

1292
00:58:53,360 --> 00:58:56,360
Speaker 16: We did sit on the back tailgate.

1293
00:58:58,520 --> 00:58:59,960
Speaker 7: And I would throw the papers out.

1294
00:59:00,200 --> 00:59:03,560
Speaker 15: So if we're going down, say Smith Street, and the

1295
00:59:03,600 --> 00:59:06,600
Speaker 15: paper act to land in number eleven, I'd start throwing

1296
00:59:06,640 --> 00:59:07,040
Speaker 15: it at.

1297
00:59:07,040 --> 00:59:10,560
Speaker 7: Number nine and with the motion of the cat it's

1298
00:59:10,720 --> 00:59:12,520
Speaker 7: the paper wood land in number eleven.

1299
00:59:13,400 --> 00:59:16,880
Speaker 15: Well, I threw the paper out, ye, and poor old

1300
00:59:16,920 --> 00:59:18,760
Speaker 15: girl was out the front watering the garden.

1301
00:59:18,760 --> 00:59:20,000
Speaker 3: And I need a right in the head.

1302
00:59:21,480 --> 00:59:23,360
Speaker 7: You know we have the news paper.

1303
00:59:25,280 --> 00:59:28,240
Speaker 3: You won't throwing a house books, Mary and the bricks

1304
00:59:28,280 --> 00:59:31,040
Speaker 3: of detail Mardy. I don't think Marty's aware of our obligations.

1305
00:59:31,280 --> 00:59:33,200
Speaker 3: Adds and five rock set songs to play.

1306
00:59:33,280 --> 00:59:35,560
Speaker 2: He made himself laugh and that's the main thing.

1307
00:59:35,480 --> 00:59:37,520
Speaker 3: Right au T that's enough.

1308
00:59:37,560 --> 00:59:42,560
Speaker 2: Well, don't forget it's two grand Tuesdays Tuesday.

1309
00:59:43,280 --> 00:59:45,840
Speaker 1: I think it Mighty's long winded story.

1310
00:59:46,000 --> 00:59:49,120
Speaker 2: We guarantee to repeat drops of Jupiter by Train, one

1311
00:59:49,120 --> 00:59:52,040
Speaker 2: of my favorite songs. It will be played sometime before

1312
00:59:52,080 --> 00:59:55,840
Speaker 2: six o'clock today. Be the first call through thirteen WSFM.

1313
00:59:55,880 --> 00:59:57,080
Speaker 2: You win two thousand dollars.

1314
00:59:57,160 --> 00:59:59,000
Speaker 3: We'll be back from six to nine for jam Nations.

1315
00:59:59,000 --> 01:00:02,040
Speaker 3: See good day to you. Well, thank God that's over.

1316
01:00:02,120 --> 01:00:07,360
Speaker 8: Hood Bite, good bite, wipe the two Baby, you're right.

1317
01:00:07,400 --> 01:00:10,760
Speaker 9: You catch Jonesy and Amanda's podcast on the iHeartRadio app

1318
01:00:10,920 --> 01:00:25,000
Speaker 9: or wherever you get your podcasts dating. Catch up on

1319
01:00:25,040 --> 01:00:27,520
Speaker 9: what you've missed on the free iHeartRadio app