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Speaker 1: Free Will, Yes, good afternoon Australia.

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Speaker 2: Will and Woodie get your home.

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Speaker 3: We're gonna be on your radios for the next little

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Speaker 3: while if you wire, if you're new to the show,

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Speaker 3: what can you expect.

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Speaker 4: Woods A couple of giggles, probably one of us stepping

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Speaker 4: over the line, but unintentionally, we will unintentionally say something.

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Speaker 5: Probably a little bit controversial.

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Speaker 4: If you want to complain, that's absolutely fine, but know this,

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Speaker 4: we are sorry. If we do it, we are sorry.

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Speaker 4: But that you can all look forward to in the hour.

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Speaker 4: We should do a bit where you just call up

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Speaker 4: thirty one oh sixty five when you think they've stepped

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Speaker 4: over the line, because it will happen.

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Speaker 3: Maybe we should just take calls at the end of

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Speaker 3: the show every day and hold them and then at

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Speaker 3: five fifty five everyone has calls out and tells you

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Speaker 3: what way we've offended them, how it's offensive, and it's

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Speaker 3: purely just a feedback for us, and then we're not

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Speaker 3: I'm not even gonna be vitriolic. That'll just be a

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Speaker 3: very much Uh yeah, well, put didn't realize I offended

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Speaker 3: you there.

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Speaker 4: And I think by educating us, everyone listening will also

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Speaker 4: be educated because frankly, sometimes you just don't know if

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Speaker 4: you've been offensive or not.

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Speaker 5: Well, no, sometimes I.

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Speaker 4: I also have the brain of a nine year old child,

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Speaker 4: so I think we can all learn from them the

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Speaker 4: very low base that I'm currently at. And you're welcome, Australia.

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Speaker 4: I'm happy to be your vessel. You know it's a metaphor.

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Speaker 4: I'm your vessel. Make a boat a boat.

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Speaker 2: Girl, what you sorry?

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Speaker 5: You a hook?

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Speaker 2: What you're talking about next? And draw me in?

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Speaker 4: Take me, honestly a bit ship. But I think I'd

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Speaker 4: be all right stick around if you want.

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Speaker 5: Will I love it.

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Speaker 4: I love it when moms embarrass their kids. I think

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Speaker 4: they're always beautiful moments, and I especially love it when

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Speaker 4: it's done on public platforms like Twitter, and this particular

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Speaker 4: one William has gone absolutely viral. A beautiful mother, in

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Speaker 4: support of her son, has taken a photo of him

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Speaker 4: dressed up in his navy kit. Yep, he's just graduated

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Speaker 4: for the navy.

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Speaker 5: Here he is shocking photo of.

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Speaker 4: Him in his in his navy suit with his little

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Speaker 4: navy hat on, and she's tweeted this, this is my son.

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Speaker 5: He graduated number one in boot camp. He was then

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Speaker 5: awarded the USO Award.

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Speaker 6: Whatever the body he is, he was number one in

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Speaker 6: a school. He is a gentleman who respects women, and

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Speaker 6: he won't go on solo dates anymore due to the

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Speaker 6: current climate. I vote hashtag him too, him too, him too.

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Speaker 4: She's starting the him hashtag is okay, so that actually

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Speaker 4: makes more sense. She didn't realize this, and this tweet

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Speaker 4: has been mocked mercilessly on Twitter to the point where

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Speaker 4: he's had to create a Twitter.

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Speaker 3: Record him too, just to provide potentially a little bit

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Speaker 3: more fire to what's going on here. Was I think

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Speaker 3: started for men to try and say that they'd also

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Speaker 3: had instances where there was sexual assault.

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Speaker 2: Yeah, and so she's gone for him.

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Speaker 3: Too, and she hasn't realized and it's about him not

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Speaker 3: going on to which.

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Speaker 4: Has completely embarrassed him. But let's focus on mum's embarrassing you,

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Speaker 4: because it's always bloody good stuff.

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Speaker 5: Thirteen one oh six ' five is our number if

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Speaker 5: your mum has ever embarrassed you.

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Speaker 4: And I think the best examples here are when they're

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Speaker 4: trying to help you or trying to propulate, oh yeah,

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Speaker 4: or trying to do something good by you.

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Speaker 2: Yeah.

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Speaker 4: I remember when I was thirteen, and I just started

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Speaker 4: doing push ups in my bed room because I was

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Speaker 4: trying to get big muscles.

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Speaker 5: Because I wanted to play footy well, and I also

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Speaker 5: wanted to beat up my brother, my older brother.

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Speaker 4: And she knew I was doing push ups, and she

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Speaker 4: was so impressed with that that every time friends came

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Speaker 4: over and there was like a bit of a social

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Speaker 4: do at our house, she would make me. She'd say, oh,

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Speaker 4: Wood is Oh no, Wood, he's been doing push ups

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Speaker 4: in his beddroom. Go on, Woods, flex your muscles for everyone.

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Speaker 4: Oh my god, if you can picture thirteen year old

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Speaker 4: me and my pajamas, you come out for your standing

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Speaker 4: in front of six to ten adults. They've all had

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Speaker 4: a few red wines, so they're getting a bit lippy,

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Speaker 4: and I'm standing there flexing my muscles. I'd love to

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Speaker 4: hear other stories like this. Thirteen one oh six five

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Speaker 4: is our number?

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Speaker 5: When is your child?

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Speaker 7: I know?

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Speaker 2: So you kept like an animal and every weekend, every.

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Speaker 5: Time she had friends over, to flex for them.

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Speaker 4: Wow, has your mom embarrassed you? Or again, if you're

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Speaker 4: the mum listening to this right now and you know

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Speaker 4: you've embarrassed your kids, yep, we'd love.

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Speaker 5: To hear from them.

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Speaker 3: Might be a few kids in cars right now that

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Speaker 3: kouldby listening that have had an embarrassment done to them

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Speaker 3: by their parents.

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Speaker 2: Recently, a fresh one taking.

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Speaker 3: Calls as to how, as a mother you have embarrassed

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Speaker 3: your child.

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Speaker 4: Not sure if anyone can beat my mum, who used

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Speaker 4: to make me, as a thirteen year old boy, step

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Speaker 4: in front of her dinner guests and flex my muscles

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Speaker 4: because you knew I was doing my push ups and

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Speaker 4: my sit ups in my bedroom when we used.

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Speaker 3: To go out for dinner as a family. And we'll like,

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Speaker 3: I was learning French at school. Oh yeah great, and

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Speaker 3: I was in year seven, so you know, six months

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Speaker 3: in you pretty much just.

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Speaker 2: Know how to say hello and goodbye.

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Speaker 3: Yeah, sure you go if you went out, if there

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Speaker 3: was the slight chance that you went out to a

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Speaker 3: French restaurant or there was a French word on the menu.

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Speaker 2: Like let's say you wanted to crape. Let's say you

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Speaker 2: wanted to crape. Mom would go, here's your French. You

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Speaker 2: know it now?

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Speaker 5: So good? You know it's so condescending, and.

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Speaker 2: Can I have a clip?

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Speaker 4: And then she got wow, wow, the school fee's are

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Speaker 4: worth it. I told you I got Katie in Now, Katie,

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Speaker 4: are you the mum here or the daughter?

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Speaker 8: No, unfortunately I'm the daughter.

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Speaker 4: Brilliant What did your mom do to embarrass you?

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Speaker 7: So?

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Speaker 8: I was at an eighteenth birthday party and my mom

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Speaker 8: had also been at a party, and she came to

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Speaker 8: pick me up off of her face in a Jesus

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Speaker 8: outfit and decided to.

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Speaker 7: Bless all of my friends.

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Speaker 8: Yes, of course, after she blessed everyone, she made the

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Speaker 8: point of, oh, I'm Katie's mom, by the way.

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Speaker 2: Oh god, that really not have been better.

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Speaker 1: Brilliant in Jesus outfit and bless your friends, and.

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Speaker 8: My head to toe had the gown on, had the beard,

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Speaker 8: had the wig.

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Speaker 5: Oh that is so good.

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Speaker 4: That's a whole new topic. By the way, drank mom's

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Speaker 4: that's my favorite kind of mom.

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Speaker 3: It's Sarah thirty one and sixty five. Your mum embarrassed

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Speaker 3: your friend?

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Speaker 9: Yeah, Unfortunately, my friend was a really shy she was

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Speaker 9: in fury at the time. We're in the car coming

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Speaker 9: back from Duncan and you know that age quite you know,

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Speaker 9: she fancied this.

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Speaker 2: Guy who when the school with.

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Speaker 9: His friends, and like she basically says all out there's Michael.

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Speaker 9: So my mom pulled over, wound the window down, started singing,

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Speaker 9: Hey Nikki, you're so fine, You're so fine mine, and

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Speaker 9: then it drove off and Rachel and me. I got

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Speaker 9: to school the next day. But my mom's always embarrassing it.

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Speaker 9: When she first got Facebook and I moved to Australia,

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Speaker 9: she commented on every single picture like like, and she commented.

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Speaker 7: In capitill's l L I K.

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Speaker 2: The liking and the go ingding.

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Speaker 3: I don't know if anybody follows us on Instagram on Facebook,

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Speaker 3: the mom's comments like my mum will just write beautiful.

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Speaker 5: She was beautiful.

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Speaker 4: One time you made a little joke on Instagram and

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Speaker 4: then your mom just destroyed it by going yes, will

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Speaker 4: very funny three three exclamation marks, and I think you

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Speaker 4: deleted the post because social suicides.

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Speaker 5: My boy finds it funny.

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Speaker 2: This is bad.

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Speaker 3: This morning you were and you and I are up

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Speaker 3: early doing a bit of business. Yeah, lots lots of

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Speaker 3: hard working chaps and you know up its sparrows working

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Speaker 3: and as after we did all the business and you know,

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Speaker 3: secured a few deals, got a couple of signatures.

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Speaker 2: Sure, we got in the car together.

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Speaker 4: We weren't signing autographs, by the way, we were just

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Speaker 4: signing business documents.

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Speaker 5: Obviously we're not at that stage yet. Maybe one day.

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Speaker 3: So we got in the car together in your Master

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Speaker 3: too and white Master two.

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Speaker 5: And it's a really good car. How do you say

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Speaker 5: it like that?

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Speaker 4: It GE's economical, it gets made, it be, it's really reliable.

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Speaker 3: So we got them as too and you'll give me

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Speaker 3: the time. And as we were driving together, there was

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Speaker 3: this real like almost crackling in the air, a real crackle.

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Speaker 2: Of excitement in the air.

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Speaker 3: And I actually had this song started to play in

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Speaker 3: my head because.

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Speaker 2: You brought up to me.

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Speaker 3: That when we got home, both of our girlfriends had

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Speaker 3: got jobs at the same time, which means that you

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Speaker 3: and I had our houses to ourselves.

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Speaker 5: It felt feel felt really good time.

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Speaker 3: About five months you and I were walking home to

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Speaker 3: empty houses.

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Speaker 2: What did you do first?

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Speaker 4: My friend put my feet on the hair, like rubbing

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Speaker 4: my like, hey, god, what's you know? How I can't

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Speaker 4: put my feet on the feeling my finger a couch girl?

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Speaker 5: And then I was like, I purned the TV on

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Speaker 5: and what were you thinking of? Oh, that's right, you're

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Speaker 5: not there. I watch what I want watch TV by myself.

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Speaker 5: I wanted to.

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Speaker 4: I was rubbing my feet in the couch, muddle over

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Speaker 4: my couch.

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Speaker 2: Yours would be slightly crapped, but like, being in your

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Speaker 2: mind is huge for me.

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Speaker 5: I had a shower, like, hey, who's you in the shower?

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Speaker 5: That's right, you're not here. So I got in the shower.

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Speaker 5: It's a shower, and what I was doing my can

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Speaker 5: I use a shampoo? That's right, you're not.

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Speaker 2: As shampoo?

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Speaker 5: Shampoo was going everywhere. Halfway through the shower to start

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Speaker 5: to take a WII. Hey, court didn think I should

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Speaker 5: put the seat. Oh, that's right, you're not here.

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Speaker 4: I tried myself down as a towel and then I

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Speaker 4: was like, should I put my towel back on the

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Speaker 4: Oh no, my girlfriends I'm throwing on the ground.

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Speaker 2: Woods has been scrabbing around on the floor.

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Speaker 5: There a little bit of beers.

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Speaker 3: Feverishly working researching the next topic.

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Speaker 2: I know you're as bad as bond about this as

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Speaker 2: I am. I don't know which websites.

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Speaker 3: You go to for these your black web you need

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Speaker 3: black web, dark web, dark web.

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Speaker 4: Sorry, it's a different web. So many webs look, I've

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Speaker 4: looked up the worst names in it's all the black

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Speaker 4: bed the worst names in history.

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Speaker 5: Because there's a woman. Her name is.

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Speaker 4: A woman whose name is Martitia got told that she

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Speaker 4: didn't get a job because her name was to ghetto.

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Speaker 4: But to get around her, I just want to let

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Speaker 4: her know that there are far worse names out there.

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Speaker 4: So wil but I've got a huge list here.

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Speaker 5: You're you also the audience here. When you're getting sick

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Speaker 5: of these or.

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Speaker 4: You think they're getting maybe too rude, you just take

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Speaker 4: me out, Okay, all right?

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Speaker 5: So the first one.

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Speaker 4: Here Evana Mandek, female basketballer Slavia who played for No.

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Speaker 4: Second one here, Jack Goff, Jack GoF. He was on

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Speaker 4: the news ones in America. This is an ice hockey player,

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Speaker 4: Ron hug Nut from Nuts, real people, genuine. This is

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Speaker 4: a Japanese Olympian shitter.

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Speaker 2: You can't script this, you can't this is.

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Speaker 5: This is the.

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Speaker 4: This is the judge of a horse competition. I think

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Speaker 4: he was a very well known judge. His name is

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Speaker 4: Willie Stroker.

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Speaker 5: I move on.

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Speaker 4: In the in the eighties, the president of the Jackson

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Speaker 4: Women's Club was called gay Sailor.

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Speaker 5: I'll go on, and there's a real estate agent going

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Speaker 5: stay with me. As a real estate agent called Russell tea.

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Speaker 4: Baggy, a doctor called Harold Baulitch.

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Speaker 5: The second.

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Speaker 4: Another real estate engineer, Evelyn sack Ryder. I got too long,

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Speaker 4: stay with me, got too long? We got too more.

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Speaker 4: This is someone from the army. They were called Captain

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Speaker 4: Hyman Schocker. And then finally this was a guy on

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Speaker 4: the news. His name was Mike Littoris.

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Speaker 2: Was laughing, I don't know what will go over the Boddy.

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Speaker 2: Oh god, I.

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Speaker 4: Was really excited about a dinner I've got playing with

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Speaker 4: my girlfriend tonight for your anniversary.

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Speaker 2: Huge wobbly knees. We've all been what what now?

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Speaker 7: Hang on?

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Speaker 1: Have you?

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Speaker 3: Have?

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Speaker 1: You?

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Speaker 5: And the producers been talking about it. There's been a

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Speaker 5: little bit of chat because here's the thing.

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Speaker 2: I was so.

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Speaker 5: I was telling the Whiz video producer that I'm so tonight.

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Speaker 4: The plan is that we're going to go to a

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Speaker 4: restaurant that I went to early in the relationship with Courtney,

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Speaker 4: and we're going to do like a similar sort of

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Speaker 4: thing and it's really special.

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Speaker 5: No, that was the first date. Was the first date.

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Speaker 5: I'm not going to reveal the location of the secondary.

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Speaker 10: You know.

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Speaker 5: That was the first day that things got better on

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Speaker 5: the second.

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Speaker 4: No, But I was talking to her about the plan

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Speaker 4: and she was like, oh gee, Courtney's gonna think you're

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Speaker 4: gonna propose.

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Speaker 3: Yeah, And it just it dawned on me and I think,

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Speaker 3: after you started going out with somebody at your age

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Speaker 3: for four years and I'm repeating, I'm repeating a date

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Speaker 3: we had early.

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Speaker 2: On yeah, oh yeah, yeah yeah, and she and then she.

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Speaker 4: Was messaging me today was Courtney was messaging me today

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Speaker 4: saying what should I wear?

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Speaker 5: Should I dress up for tonight?

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Speaker 2: Where are you doing here?

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Speaker 5: And now I'm freaking coda.

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Speaker 2: Where is it?

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00:16:00,120 --> 00:16:00,280
Speaker 7: Only?

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Speaker 4: It's a tie fusion and I don't know what that means.

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Speaker 5: He's beautiful. I don't know, mate, But forget the restaurant. Mate?

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00:16:10,480 --> 00:16:12,560
Speaker 4: Do I do I need to say to Courtney now

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Speaker 4: at the start, like hey, just so you know, before

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00:16:14,160 --> 00:16:17,320
Speaker 4: tonight starts, I'm not proposing or is that then awkward?

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Speaker 5: And it's like, ah, I'm terror I'm just stressed now

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Speaker 5: that she's going to be sitting there the entire time

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Speaker 5: thinking I'm going to propose. Yeah, And I'm not that

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00:16:25,120 --> 00:16:27,600
Speaker 5: that's not a bad idea, just straight up.

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Speaker 2: Well, just like you know what I do?

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00:16:31,240 --> 00:16:33,680
Speaker 3: What well, I would just make a joke about it

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00:16:33,680 --> 00:16:36,000
Speaker 3: and go ha'er on the office things were I'm going

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Speaker 3: to propose?

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Speaker 2: Yeah, right, clear their exclamat, how funny is that?

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Speaker 5: Yeah you are good. Yeah, I've forgiven the earlier in

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Speaker 5: this spot.

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Speaker 2: Well done, laughing face, laughing, crying face.

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Speaker 5: Yeah yeah, yeah, yeah, yeah yeah.

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Speaker 2: When do I drop off the ring?

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Speaker 5: No, no, it's not funny.

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Speaker 4: I would love to hear from beople though thirteen one

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Speaker 4: oh six five. I want to hear from I mean

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Speaker 4: it's probably women.

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Speaker 5: Here, yeah, that have missed a proposal.

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Speaker 4: Ah, so they just thought, oh, yes, this is the

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Speaker 4: one he's taken me on the special dinner and your thought,

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Speaker 4: I really thought he was going.

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Speaker 3: To do it. And it's fair enough because, as I

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Speaker 3: said to you before, like after you've been dating someone

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Speaker 3: for let's.

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Speaker 2: Say three years, three years is probably a good threshold,

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Speaker 2: and you're in your mid twenties. I mean, every.

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Speaker 3: Every special occasion becomes the occasion. Every special occasion you

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Speaker 3: can look at and go, oh, well there is that,

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Speaker 3: and you can read into it so simply.

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Speaker 4: Well, I've never thought about it, to be honest, And

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Speaker 4: that's why I would love some women to call thirteen

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Speaker 4: one oh sixty five.

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Speaker 5: Is this a thing for you?

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Speaker 2: Whenants?

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Speaker 4: But I want to go?

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00:17:39,160 --> 00:17:41,800
Speaker 5: It's a tifusion? Did you miss that? I know I

340
00:17:41,960 --> 00:17:44,000
Speaker 5: heard that it was the time time.

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Speaker 4: But it infuses into other things, I believe, so fusion.

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00:17:51,359 --> 00:17:52,800
Speaker 2: What do you mean it's pokemon?

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Speaker 4: I know you have to change on the front of

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00:17:55,359 --> 00:17:58,840
Speaker 4: you get like now it's it's like, you know, you

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Speaker 4: get like a burger, but it's a had ty burger fusion.

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00:18:02,840 --> 00:18:03,800
Speaker 5: That's what I'm imagining.

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00:18:04,680 --> 00:18:07,840
Speaker 3: What I'm saying is sacrifice the pad ty burger for

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Speaker 3: the sake of the angst. And I know this is

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00:18:09,359 --> 00:18:11,359
Speaker 3: going to get harder as you get older, But if

350
00:18:11,400 --> 00:18:13,240
Speaker 3: you don't want to get married yet, you need to

351
00:18:13,400 --> 00:18:18,119
Speaker 3: start avoiding places where there's a hit of nostalgia. You

352
00:18:18,320 --> 00:18:18,639
Speaker 3: can it?

353
00:18:19,240 --> 00:18:19,520
Speaker 5: Can it?

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00:18:19,600 --> 00:18:22,320
Speaker 2: What movies did you watch, Girley? What movie did you

355
00:18:22,320 --> 00:18:24,160
Speaker 2: watch early with her? You watched it in Marvel movies,

356
00:18:24,160 --> 00:18:24,480
Speaker 2: didn't you?

357
00:18:25,119 --> 00:18:25,920
Speaker 5: I can't really remember.

358
00:18:25,960 --> 00:18:29,119
Speaker 2: They're gone. Marvel's gone. You can't. No, I'm serious. What

359
00:18:29,200 --> 00:18:30,280
Speaker 2: sort of dessert did you have with her?

360
00:18:31,119 --> 00:18:31,359
Speaker 3: Gone?

361
00:18:31,680 --> 00:18:33,240
Speaker 2: Can't have that anymore? What else have you got?

362
00:18:33,320 --> 00:18:33,800
Speaker 5: Where'd you go to?

363
00:18:34,160 --> 00:18:34,440
Speaker 3: The beach?

364
00:18:34,680 --> 00:18:37,320
Speaker 5: Beach is out? It's all gone, mate, we went.

365
00:18:37,240 --> 00:18:39,680
Speaker 2: To Greece the musical first, Oh, no musical. I'm not

366
00:18:39,720 --> 00:18:40,200
Speaker 2: a big loss.

367
00:18:40,240 --> 00:18:44,639
Speaker 3: But actually, what I'm saying because it's easy to do,

368
00:18:44,960 --> 00:18:47,159
Speaker 3: And I suppose that's for the people calling thirteen one

369
00:18:47,200 --> 00:18:51,200
Speaker 3: oh six five, I suppose that's what that that'll be

370
00:18:51,240 --> 00:18:53,840
Speaker 3: their example as well. It's so easy to read into

371
00:18:53,880 --> 00:18:56,480
Speaker 3: a scenario where you think a proposal might happen, and

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00:18:56,520 --> 00:18:56,960
Speaker 3: once it's.

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Speaker 5: In your head, yeah, I know, all right, I want

374
00:18:58,880 --> 00:19:00,960
Speaker 5: to hear some more evidence. We call thirteen one oh

375
00:19:01,040 --> 00:19:01,480
Speaker 5: six y five.

376
00:19:01,560 --> 00:19:03,720
Speaker 4: Did you go into an occasion thinking, yup, this is

377
00:19:03,760 --> 00:19:05,479
Speaker 4: the one, this is it, and then it all came

378
00:19:05,560 --> 00:19:07,040
Speaker 4: crumbling down when he didn't propose.

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00:19:07,119 --> 00:19:07,600
Speaker 2: Good stuff?

380
00:19:08,040 --> 00:19:10,520
Speaker 3: Right now, Woods, you're in adilly of a pickle, going

381
00:19:10,560 --> 00:19:13,160
Speaker 3: out for your fourth, your anniversary, your girlfriend I think

382
00:19:13,440 --> 00:19:16,640
Speaker 3: justifiably has every right to assume that there's a sniff

383
00:19:16,800 --> 00:19:20,280
Speaker 3: of a proposal. Wow, well I think it's fair. Four

384
00:19:20,359 --> 00:19:24,600
Speaker 3: years and you're an idiot. Oh yeah, well you'd sorry, that's.

385
00:19:24,520 --> 00:19:26,880
Speaker 2: In general top line.

386
00:19:28,640 --> 00:19:33,359
Speaker 3: And also you're also an idiot because you're taking it

387
00:19:33,440 --> 00:19:38,080
Speaker 3: to a place that has emotional or nostalgic significance for you.

388
00:19:38,359 --> 00:19:40,639
Speaker 4: Yeah, first time we in Melbourne together and we went

389
00:19:40,680 --> 00:19:43,280
Speaker 4: to this restaurant beautiful night and we are replicating that.

390
00:19:43,320 --> 00:19:46,399
Speaker 5: And I didn't realize date replicas is proposal areas.

391
00:19:46,840 --> 00:19:50,560
Speaker 2: I didn't know that. I'll say again, yep, you're an idiot.

392
00:19:50,680 --> 00:19:51,080
Speaker 2: There we go.

393
00:19:51,880 --> 00:19:53,719
Speaker 4: We've got Mary Ashton who's given us a ring back,

394
00:19:53,800 --> 00:19:55,360
Speaker 4: so us and women to call if they've ever been

395
00:19:55,400 --> 00:19:57,919
Speaker 4: in this situation where they really thought they were going

396
00:19:58,000 --> 00:19:59,920
Speaker 4: to be proposed to. Yeah, but then it didn't have

397
00:20:00,000 --> 00:20:04,040
Speaker 4: happened Mary, Kate and Ashton, is happened to you, Mary Ashton.

398
00:20:05,320 --> 00:20:08,800
Speaker 7: It was my sister and she was dating someone for

399
00:20:08,960 --> 00:20:13,840
Speaker 7: six years. In November, he started thinking about Christmas presents

400
00:20:13,920 --> 00:20:16,600
Speaker 7: and he thought, I want to get her a birthstone ring,

401
00:20:17,840 --> 00:20:19,840
Speaker 7: and he thought how will I get her ring size?

402
00:20:22,920 --> 00:20:24,920
Speaker 7: They were in the ball and he said, for fun,

403
00:20:25,000 --> 00:20:26,640
Speaker 7: let's turn on some engagement rings.

404
00:20:26,800 --> 00:20:33,639
Speaker 2: Oh no, and that's completely your sister's forgiven. Your sister

405
00:20:33,800 --> 00:20:36,000
Speaker 2: is forgiven. Go on, Mary.

406
00:20:37,240 --> 00:20:42,640
Speaker 7: So anyway, she tried on engagement rings and at Christmas

407
00:20:42,720 --> 00:20:49,320
Speaker 7: he presented her with a little ring box oh garnet

408
00:20:49,400 --> 00:20:50,840
Speaker 7: stone for her January birthday?

409
00:20:51,560 --> 00:20:54,120
Speaker 2: Oh god, what did she say?

410
00:20:55,240 --> 00:20:56,040
Speaker 7: She was not happy?

411
00:20:57,560 --> 00:20:58,199
Speaker 5: And again like.

412
00:20:59,880 --> 00:21:04,200
Speaker 2: A well it's a gift. A lot of men share.

413
00:21:05,119 --> 00:21:08,240
Speaker 5: So I've got some headphones in a box? Should I.

414
00:21:11,680 --> 00:21:13,800
Speaker 2: Headphones in a box?

415
00:21:14,480 --> 00:21:14,720
Speaker 11: Wow?

416
00:21:15,280 --> 00:21:16,720
Speaker 2: That that's evil.

417
00:21:17,400 --> 00:21:19,440
Speaker 5: We got Katie and now, hey Kate, Hey you going?

418
00:21:20,640 --> 00:21:22,600
Speaker 10: Hi good, guys, Hey going good?

419
00:21:22,680 --> 00:21:23,800
Speaker 5: You've misread a proposal?

420
00:21:25,080 --> 00:21:25,199
Speaker 2: Oh?

421
00:21:25,400 --> 00:21:29,119
Speaker 10: Absolutely? So I went over so my partner and we

422
00:21:29,200 --> 00:21:31,440
Speaker 10: put up to the photo on the plane and like

423
00:21:31,560 --> 00:21:33,320
Speaker 10: all of his mates, everyone was doing like a ring

424
00:21:33,400 --> 00:21:36,479
Speaker 10: emoji and commenting on the photo as well. And when

425
00:21:36,520 --> 00:21:38,560
Speaker 10: we're getting ready to dinner, I was out getting a

426
00:21:38,640 --> 00:21:40,719
Speaker 10: massive and he's like, wear something nice tonight. He did

427
00:21:40,760 --> 00:21:42,680
Speaker 10: a ring emoji on it too, and I was like,

428
00:21:42,840 --> 00:21:44,760
Speaker 10: oh my god, this is this is it. We've been

429
00:21:44,760 --> 00:21:45,800
Speaker 10: together for We did a.

430
00:21:45,880 --> 00:21:49,879
Speaker 2: Ring emoji on the text because like he always, like.

431
00:21:49,920 --> 00:21:51,680
Speaker 10: He always just randomly does it when he feels like

432
00:21:51,760 --> 00:21:53,880
Speaker 10: he's in love with me for the day, So something

433
00:21:53,960 --> 00:21:55,560
Speaker 10: that was quite common, but it was kind of built

434
00:21:55,640 --> 00:21:59,200
Speaker 10: up from everyone else. And it went out to dinner

435
00:21:59,400 --> 00:22:01,920
Speaker 10: like dressed up up peace, and then obviously nothing happened.

436
00:22:02,800 --> 00:22:05,280
Speaker 10: I went back to the hotel. I start crying, like

437
00:22:06,000 --> 00:22:10,160
Speaker 10: I thought, we've got to propose and Laura and two

438
00:22:10,240 --> 00:22:12,320
Speaker 10: weeks later we started to get on the rocks because

439
00:22:12,359 --> 00:22:14,000
Speaker 10: you were saying I was sending too much pressure on

440
00:22:14,080 --> 00:22:16,200
Speaker 10: him to get married, and we broke up two weeks

441
00:22:16,200 --> 00:22:16,560
Speaker 10: after that.

442
00:22:17,280 --> 00:22:19,920
Speaker 9: Oh, I'm not ready to get married.

443
00:22:20,000 --> 00:22:20,680
Speaker 2: This is what you want.

444
00:22:20,720 --> 00:22:22,240
Speaker 10: I'm not sure if I want it, and then we

445
00:22:22,359 --> 00:22:22,920
Speaker 10: broke up with me.

446
00:22:23,320 --> 00:22:25,080
Speaker 11: So he said, this is what you want, I'm not

447
00:22:25,160 --> 00:22:29,439
Speaker 11: ready to get married, and he's sending ring emotives emojisy.

448
00:22:29,560 --> 00:22:32,200
Speaker 11: I wasn't asking for it, you know what I mean,

449
00:22:32,560 --> 00:22:34,240
Speaker 11: the one seing the ring emoticons.

450
00:22:34,520 --> 00:22:38,960
Speaker 7: That is outrageous misleading, like a hundred percent.

451
00:22:39,119 --> 00:22:40,879
Speaker 10: So to go for one week, think I'm getting a

452
00:22:40,960 --> 00:22:43,680
Speaker 10: ring the next week for a house quite excited.

453
00:22:44,000 --> 00:22:45,880
Speaker 2: Oh Kate, I'm sorry to hear that, mate.

454
00:22:46,840 --> 00:22:48,000
Speaker 5: So I'm just terrified.

455
00:22:48,080 --> 00:22:48,199
Speaker 2: Now.

456
00:22:48,320 --> 00:22:50,440
Speaker 5: Then, well what if cor does that and then breaks

457
00:22:50,480 --> 00:22:54,119
Speaker 5: out in the There's every chance, right, dinners off.

458
00:22:56,400 --> 00:23:01,479
Speaker 3: I think most radio stations would not open themselves up

459
00:23:01,680 --> 00:23:02,920
Speaker 3: to a double rejection.

460
00:23:03,680 --> 00:23:05,520
Speaker 2: That's what we're doing today, woulds.

461
00:23:05,280 --> 00:23:09,600
Speaker 5: Yeah, bloody Conrad Sall. He invited us on to the Arias.

462
00:23:09,720 --> 00:23:12,320
Speaker 4: He then came in our show on Monday and said

463
00:23:12,320 --> 00:23:13,600
Speaker 4: he didn't have enough tickets for us.

464
00:23:14,880 --> 00:23:15,520
Speaker 5: This is the moment.

465
00:23:15,800 --> 00:23:17,080
Speaker 2: I mean, I don't know if it's gonna happen.

466
00:23:18,000 --> 00:23:22,600
Speaker 3: Oh, rip it off, Like I can try it, but

467
00:23:22,720 --> 00:23:24,600
Speaker 3: I don't think that they Like last time I checked out,

468
00:23:24,640 --> 00:23:25,200
Speaker 3: we were only.

469
00:23:25,240 --> 00:23:25,840
Speaker 2: Like one person.

470
00:23:25,960 --> 00:23:27,040
Speaker 3: I can only bring one person.

471
00:23:27,720 --> 00:23:31,760
Speaker 5: But we have heard that Conrad wants to call us.

472
00:23:32,040 --> 00:23:33,639
Speaker 5: He wants to chat to us on the phone.

473
00:23:33,800 --> 00:23:36,640
Speaker 4: So this hour, at some stage this hour, Conrad Seel

474
00:23:36,680 --> 00:23:38,879
Speaker 4: will be calling the show and we'll find out what

475
00:23:38,960 --> 00:23:39,679
Speaker 4: he wants to tell us.

476
00:23:40,400 --> 00:23:43,800
Speaker 3: Oh well yeah, hopefully, well we're going to find out,

477
00:23:43,840 --> 00:23:44,960
Speaker 3: but hopefully it's good news.

478
00:23:45,600 --> 00:23:50,200
Speaker 2: Some pretty sad stuff in the news concerning.

479
00:23:52,000 --> 00:23:54,639
Speaker 3: A product which I really did not think would have

480
00:23:54,680 --> 00:23:59,600
Speaker 3: been tampered with or adulterated. But apparently Judo is studied

481
00:23:59,600 --> 00:24:05,320
Speaker 3: done by my Quarry University. One in five Australian honey

482
00:24:05,480 --> 00:24:07,600
Speaker 3: samples are not pure.

483
00:24:11,840 --> 00:24:12,840
Speaker 5: Are we naming names there?

484
00:24:12,840 --> 00:24:14,600
Speaker 2: Are we going to do it? Absolutely not?

485
00:24:14,880 --> 00:24:22,080
Speaker 5: Okay, fair enough. I just wanted to convince.

486
00:24:26,320 --> 00:24:26,520
Speaker 2: I am.

487
00:24:29,480 --> 00:24:31,959
Speaker 5: I was confused, Like, give me the details that right?

488
00:24:32,240 --> 00:24:35,479
Speaker 3: Yeah, So I found more that the honey samples from

489
00:24:35,520 --> 00:24:38,639
Speaker 3: Asia and China were the fake ones.

490
00:24:39,560 --> 00:24:42,000
Speaker 2: But Woods, I think it's pretty hard.

491
00:24:44,119 --> 00:24:44,320
Speaker 4: Two.

492
00:24:46,280 --> 00:24:47,760
Speaker 5: I think it's what are you doing?

493
00:24:47,960 --> 00:24:49,000
Speaker 2: I think it's pretty hard.

494
00:24:50,320 --> 00:24:55,560
Speaker 3: I think personally, it's easy for a honey to fake

495
00:24:55,640 --> 00:24:58,000
Speaker 3: being a man, but I think it's quite hard for

496
00:24:58,080 --> 00:24:59,639
Speaker 3: a man to fake being a honey.

497
00:25:00,760 --> 00:25:04,000
Speaker 4: Okay, yeah, I'm going so it's easy you think for

498
00:25:04,119 --> 00:25:05,400
Speaker 4: a honey to fake being a man.

499
00:25:05,560 --> 00:25:09,119
Speaker 5: Yes, yeah, I think it's pretty difficult both ways.

500
00:25:09,200 --> 00:25:12,360
Speaker 2: Well, look what I want to do right now. If,

501
00:25:12,640 --> 00:25:14,960
Speaker 2: by the way, I'm using the word honey interchangeable for

502
00:25:15,000 --> 00:25:16,920
Speaker 2: a woman for those of you just catching on, Yeah,

503
00:25:17,000 --> 00:25:20,280
Speaker 2: very good, thank you. Thirty one and six five is

504
00:25:20,280 --> 00:25:22,760
Speaker 2: the number. We need a bit of an even spread.

505
00:25:22,840 --> 00:25:24,720
Speaker 3: But I thought this would be a great opportunity to

506
00:25:24,800 --> 00:25:27,520
Speaker 3: see if we could get a man on that does

507
00:25:27,560 --> 00:25:31,159
Speaker 3: a really really good woman great, really good, like a

508
00:25:31,440 --> 00:25:33,919
Speaker 3: ripper of a woman, like I want to be able

509
00:25:34,000 --> 00:25:34,560
Speaker 3: to take.

510
00:25:34,920 --> 00:25:36,680
Speaker 5: Sorry because you think a woman trying to do a

511
00:25:36,760 --> 00:25:37,879
Speaker 5: man's voice. I've heard us.

512
00:25:37,960 --> 00:25:40,719
Speaker 2: I've heard it. I think it's doable.

513
00:25:41,000 --> 00:25:42,760
Speaker 5: We used to work with someone who could do an

514
00:25:42,800 --> 00:25:45,000
Speaker 5: incredible man. She was a female. She could do an

515
00:25:45,040 --> 00:25:45,560
Speaker 5: incredible man.

516
00:25:45,600 --> 00:25:45,959
Speaker 2: That's right.

517
00:25:46,359 --> 00:25:49,240
Speaker 5: We want now a man, yeah, doing a woman.

518
00:25:50,040 --> 00:25:51,639
Speaker 3: I want a man to call up and do a

519
00:25:51,720 --> 00:25:55,560
Speaker 3: honey for us, that's right. So thirty one and six

520
00:25:55,680 --> 00:25:58,000
Speaker 3: five is our phone number. I want to be able

521
00:25:58,040 --> 00:26:00,160
Speaker 3: to take let's say three phone calls.

522
00:26:00,880 --> 00:26:05,160
Speaker 2: And hopefully you and I cannot pick of the three

523
00:26:05,520 --> 00:26:06,440
Speaker 2: which one is the man.

524
00:26:06,800 --> 00:26:08,840
Speaker 4: We want girls to call as well, I think so, okay,

525
00:26:09,160 --> 00:26:12,000
Speaker 4: I think so girls and guys call because for the experiment.

526
00:26:12,200 --> 00:26:14,000
Speaker 2: Yes, so I do. Actually, that's a good point. I

527
00:26:14,080 --> 00:26:15,600
Speaker 2: need a couple of girls to help out here.

528
00:26:15,680 --> 00:26:16,199
Speaker 5: It help us out.

529
00:26:16,240 --> 00:26:16,359
Speaker 7: Girl.

530
00:26:16,480 --> 00:26:16,640
Speaker 2: Yeah.

531
00:26:16,640 --> 00:26:18,560
Speaker 3: So if you're a girl in your car and you

532
00:26:18,760 --> 00:26:20,320
Speaker 3: just want to be part of a social experiment, you

533
00:26:20,320 --> 00:26:22,879
Speaker 3: just love science, and yeah, we'd love to hear from you.

534
00:26:23,000 --> 00:26:25,800
Speaker 2: We need your help. If you're a girl firstly, and

535
00:26:25,880 --> 00:26:27,600
Speaker 2: hopefully you sound like a woman as well. If you're

536
00:26:27,600 --> 00:26:29,479
Speaker 2: a girl with a particular husky voice, you might throw

537
00:26:29,480 --> 00:26:31,680
Speaker 2: a cat amongst the pigeons. So let's just try and

538
00:26:31,760 --> 00:26:33,720
Speaker 2: make sure that you sound like a girl for starters.

539
00:26:34,080 --> 00:26:37,160
Speaker 3: But then on the other hand, if you're a man

540
00:26:37,560 --> 00:26:41,080
Speaker 3: that thinks you do an amazing girl's voice, I want

541
00:26:41,119 --> 00:26:43,000
Speaker 3: to hear from you, and Woods and I are going

542
00:26:43,040 --> 00:26:44,280
Speaker 3: to try and pick you out in the lineup.

543
00:26:44,359 --> 00:26:45,360
Speaker 5: It's the ultimate test.

544
00:26:45,400 --> 00:26:46,720
Speaker 4: If you're a man and you want to test your

545
00:26:46,720 --> 00:26:48,320
Speaker 4: woman's voice, this is the ultimate test.

546
00:26:48,320 --> 00:26:51,040
Speaker 3: There's some fake honey in Australian supermarkets. Let's see if

547
00:26:51,040 --> 00:26:53,160
Speaker 3: there's some fake honey on the show.

548
00:26:56,040 --> 00:26:58,720
Speaker 2: Right now. Thirty one oh six five. We've found out

549
00:26:58,960 --> 00:27:00,159
Speaker 2: sadly that almost.

550
00:27:00,080 --> 00:27:04,440
Speaker 3: One in five Australian honey samples are fake.

551
00:27:06,080 --> 00:27:06,720
Speaker 2: Tragic stuff.

552
00:27:06,880 --> 00:27:07,480
Speaker 5: Disappointing.

553
00:27:07,600 --> 00:27:10,840
Speaker 3: But I think it's incredibly difficult to do a fake honeywoods.

554
00:27:11,040 --> 00:27:13,600
Speaker 3: I think I think doing a fake honey is possibly

555
00:27:13,640 --> 00:27:14,560
Speaker 3: one of the hardest things.

556
00:27:14,640 --> 00:27:16,800
Speaker 2: I can't do it. I think you can always.

557
00:27:16,560 --> 00:27:17,920
Speaker 5: Pick them an mine's pretty good.

558
00:27:18,200 --> 00:27:19,680
Speaker 2: You don't do a bad fake honey.

559
00:27:20,520 --> 00:27:21,760
Speaker 6: Oh hi, boys, how are you.

560
00:27:23,359 --> 00:27:26,520
Speaker 2: Pleasure to be here on the show? Oh? That will

561
00:27:27,800 --> 00:27:31,320
Speaker 2: not a bad fake honey, but pickable. I'm talking about

562
00:27:31,320 --> 00:27:33,040
Speaker 2: the real, the real deal.

563
00:27:33,400 --> 00:27:34,240
Speaker 5: Oh you're all right.

564
00:27:35,680 --> 00:27:38,040
Speaker 2: So thirty one sixty five. I've asked a couple of

565
00:27:38,160 --> 00:27:39,480
Speaker 2: chicks to help out here, which is great.

566
00:27:39,520 --> 00:27:41,399
Speaker 3: Thanks for getting involved, girls, because we do need a

567
00:27:41,480 --> 00:27:44,760
Speaker 3: couple of controls, as they call it in the scientific community.

568
00:27:44,880 --> 00:27:46,560
Speaker 4: So we're just going to be throwing to calls here

569
00:27:46,600 --> 00:27:48,359
Speaker 4: and we are trying to guess if it is a

570
00:27:48,520 --> 00:27:50,040
Speaker 4: real honey or a fake honey.

571
00:27:50,080 --> 00:27:53,239
Speaker 3: You've got five honeys on the phone, one of them

572
00:27:53,359 --> 00:27:54,440
Speaker 3: some of them are real some of them fake.

573
00:27:54,480 --> 00:27:55,800
Speaker 2: We don't know how many are real? Are how many

574
00:27:55,840 --> 00:27:56,160
Speaker 2: are fake?

575
00:27:56,520 --> 00:27:58,920
Speaker 3: All right, now we've got the number one, two, three, four, five.

576
00:27:58,960 --> 00:28:01,399
Speaker 3: Now I think what we should here? Yeah, yeah, yeah,

577
00:28:01,440 --> 00:28:03,480
Speaker 3: because they don't know what to say yet, so I

578
00:28:03,520 --> 00:28:05,560
Speaker 3: think we should give them what sentence would you like?

579
00:28:06,080 --> 00:28:07,359
Speaker 4: They are going to say the same thing I think,

580
00:28:07,440 --> 00:28:09,760
Speaker 4: So okay, what jeez?

581
00:28:10,760 --> 00:28:11,440
Speaker 5: Hey boys?

582
00:28:12,240 --> 00:28:18,600
Speaker 4: MM, I don't want to say saying too sexuals get weird? Hey, boys,

583
00:28:19,440 --> 00:28:22,240
Speaker 4: wouldn't mind seeing you with a pair of wooden clogs?

584
00:28:22,280 --> 00:28:22,320
Speaker 7: On?

585
00:28:24,040 --> 00:28:24,480
Speaker 4: What did I?

586
00:28:25,000 --> 00:28:25,040
Speaker 10: What?

587
00:28:25,240 --> 00:28:27,200
Speaker 4: Is my brain? That is just why?

588
00:28:28,440 --> 00:28:33,119
Speaker 5: So hey, the line is, hey boys, wooden mind.

589
00:28:32,920 --> 00:28:35,680
Speaker 2: Seeing you with a pair of wooden clogs on?

590
00:28:35,800 --> 00:28:36,960
Speaker 5: The pair of wooden clogs on?

591
00:28:37,160 --> 00:28:37,440
Speaker 2: Okay?

592
00:28:37,640 --> 00:28:40,720
Speaker 3: Okay, so hey boys wouldn't mind seeing you with a

593
00:28:40,800 --> 00:28:42,000
Speaker 3: pair of wooden clogs?

594
00:28:42,040 --> 00:28:42,080
Speaker 7: On?

595
00:28:42,360 --> 00:28:42,880
Speaker 2: Is the line?

596
00:28:43,200 --> 00:28:46,320
Speaker 3: We've got five honeys on the phone. Do we leave

597
00:28:46,600 --> 00:28:48,320
Speaker 3: who we think is of fake honeying a real honey

598
00:28:48,360 --> 00:28:48,680
Speaker 3: to the end?

599
00:28:48,800 --> 00:28:50,040
Speaker 2: Or do you just want to tell them straight up?

600
00:28:50,720 --> 00:28:50,840
Speaker 7: Up?

601
00:28:50,880 --> 00:28:51,120
Speaker 2: Okay?

602
00:28:51,200 --> 00:28:53,520
Speaker 3: So so honey, number one you can hear is don't

603
00:28:53,520 --> 00:28:55,840
Speaker 3: say anything, and just all you gotta do is just

604
00:28:55,880 --> 00:29:01,080
Speaker 3: say you're lying. Okay, when you're ready honey number one, Hey.

605
00:29:01,080 --> 00:29:06,479
Speaker 9: Boys, I'm really love to see you wooden clogs.

606
00:29:08,400 --> 00:29:10,800
Speaker 5: It's a fake, honey, fake honey, we're calling fake honey.

607
00:29:12,920 --> 00:29:14,920
Speaker 7: No, I'm actually no, I'm.

608
00:29:19,200 --> 00:29:19,480
Speaker 2: Wow.

609
00:29:21,080 --> 00:29:23,480
Speaker 5: That was that was outstanding. We picked you, but that

610
00:29:23,600 --> 00:29:26,720
Speaker 5: was boodyte.

611
00:29:27,080 --> 00:29:27,280
Speaker 1: Zach.

612
00:29:29,040 --> 00:29:31,640
Speaker 2: I love your work. I love this alright, So honey

613
00:29:31,680 --> 00:29:33,800
Speaker 2: number two, don't say anything. You know the deal. You

614
00:29:33,880 --> 00:29:36,000
Speaker 2: got the line. The line is, hey, boys wouldn't mind

615
00:29:36,040 --> 00:29:37,760
Speaker 2: seeing you with a pair of wooden clogs.

616
00:29:37,800 --> 00:29:37,840
Speaker 5: On.

617
00:29:38,360 --> 00:29:39,600
Speaker 2: Take it away, honey number.

618
00:29:39,440 --> 00:29:43,280
Speaker 9: Two, Hi, boys wouldn't mind clogs.

619
00:29:44,240 --> 00:29:50,480
Speaker 2: That's a real honey, real honey, you are Thank you

620
00:29:50,600 --> 00:29:53,360
Speaker 2: very much, Thank thanks so much for calling Hondy number two,

621
00:29:53,400 --> 00:29:54,040
Speaker 2: appreciate it.

622
00:29:54,200 --> 00:29:54,680
Speaker 5: Great voice.

623
00:29:54,680 --> 00:29:56,600
Speaker 2: All right, honey number three, you know the line.

624
00:29:57,680 --> 00:30:00,720
Speaker 7: Hey boys wouldn't mind seeing you with some wood club's done?

625
00:30:02,080 --> 00:30:03,719
Speaker 5: That's the most interesting one so far.

626
00:30:04,720 --> 00:30:05,160
Speaker 2: I told you.

627
00:30:05,320 --> 00:30:06,960
Speaker 5: Can I hear the line again? Can I? Can I

628
00:30:07,040 --> 00:30:08,320
Speaker 5: hear the line again? Honey three?

629
00:30:09,400 --> 00:30:12,479
Speaker 9: Hey boys wouldn't mind seeing you with some wooden clogs?

630
00:30:12,520 --> 00:30:12,560
Speaker 7: On?

631
00:30:13,080 --> 00:30:18,440
Speaker 2: Oh that's tiny. I thought my initial reaction was real, honey,

632
00:30:19,120 --> 00:30:22,360
Speaker 2: but now she could well be it. Well, he could

633
00:30:22,400 --> 00:30:23,160
Speaker 2: be a fake, honey.

634
00:30:23,400 --> 00:30:25,640
Speaker 5: This could also be very offensive to a real honey.

635
00:30:25,840 --> 00:30:28,320
Speaker 2: I just realized, what are you leaning?

636
00:30:28,720 --> 00:30:29,960
Speaker 5: I'm leaning towards real honey.

637
00:30:30,000 --> 00:30:31,000
Speaker 2: You reckon it's a real honey.

638
00:30:31,160 --> 00:30:32,960
Speaker 5: Yeah, wow, this is huge if this is a fake honey.

639
00:30:33,160 --> 00:30:34,640
Speaker 2: If it's a fake honey, it's the best fake honey

640
00:30:34,680 --> 00:30:36,880
Speaker 2: i've heard. We're going with real honey, real honey.

641
00:30:37,680 --> 00:30:38,280
Speaker 10: Yeah, I'm real.

642
00:30:40,440 --> 00:30:42,160
Speaker 5: Thank god. Sorry if that was a bit offensive that

643
00:30:42,200 --> 00:30:43,360
Speaker 5: we thought you could have been a man.

644
00:30:44,840 --> 00:30:47,680
Speaker 3: Thanks to the honey number three, love your work hunting

645
00:30:47,760 --> 00:30:48,240
Speaker 3: number four.

646
00:30:48,440 --> 00:30:50,640
Speaker 2: You know the line take it away.

647
00:30:52,480 --> 00:30:54,920
Speaker 8: Hey boys, seeing you in a pair of wooden club

648
00:30:56,400 --> 00:30:57,080
Speaker 8: it's a real honey.

649
00:30:57,520 --> 00:31:00,200
Speaker 3: I think I think it's a real honey. Gee it's

650
00:31:00,200 --> 00:31:00,800
Speaker 3: a fake honey.

651
00:31:00,840 --> 00:31:02,600
Speaker 5: Then we think we think real honey.

652
00:31:04,200 --> 00:31:05,360
Speaker 9: No, my name is Daniel.

653
00:31:10,440 --> 00:31:13,840
Speaker 4: Daniel, Daniel, can you give us the woman, give us

654
00:31:13,840 --> 00:31:14,680
Speaker 4: the honey voice again?

655
00:31:20,400 --> 00:31:25,400
Speaker 2: Get out of town? Oh my god, Daniel, tell me

656
00:31:25,480 --> 00:31:26,560
Speaker 2: you use that professionally.

657
00:31:27,840 --> 00:31:28,120
Speaker 8: Mate.

658
00:31:28,680 --> 00:31:33,040
Speaker 9: You know what I've had experienced with my girlfriends for

659
00:31:33,200 --> 00:31:36,640
Speaker 9: so many years, I've actually started to make make me

660
00:31:36,760 --> 00:31:37,280
Speaker 9: so annoyed.

661
00:31:37,320 --> 00:31:38,120
Speaker 7: I've actually mixed.

662
00:31:38,480 --> 00:31:39,240
Speaker 2: Oh my god.

663
00:31:40,640 --> 00:31:43,800
Speaker 3: So what's what, Daniel, what's the most what's like? Give

664
00:31:43,840 --> 00:31:45,960
Speaker 3: us an example of something she can complain about as her.

665
00:31:47,960 --> 00:31:52,760
Speaker 9: Oh, oh my god, Daniel, can you please pick up yourself?

666
00:31:52,840 --> 00:31:53,800
Speaker 8: That's really annoying.

667
00:31:54,160 --> 00:31:58,720
Speaker 4: Oh my god, that is unbelievable.

668
00:31:59,040 --> 00:32:00,880
Speaker 5: Daniel. I need to meet you. I need to see

669
00:32:00,880 --> 00:32:03,120
Speaker 5: this in person. I need I need to see you.

670
00:32:03,280 --> 00:32:05,840
Speaker 2: I'd love a video of it. At least you're You're

671
00:32:05,880 --> 00:32:06,760
Speaker 2: like a human parrot.

672
00:32:06,920 --> 00:32:08,120
Speaker 5: That israge.

673
00:32:08,200 --> 00:32:09,960
Speaker 4: Can you to say you're listening to Will and Woody

674
00:32:10,320 --> 00:32:12,720
Speaker 4: it's time to go to traffic in the female.

675
00:32:12,480 --> 00:32:17,760
Speaker 9: Voice, you're listening to ruin traffic.

676
00:32:17,960 --> 00:32:18,680
Speaker 2: I can't believe it.

677
00:32:19,680 --> 00:32:23,480
Speaker 3: Will drow the attempts to go to the Arias next

678
00:32:23,600 --> 00:32:26,520
Speaker 3: Wednesday in Sydney. I mean, we put a lot of

679
00:32:26,560 --> 00:32:29,680
Speaker 3: prep into this. There's been a lot of anticipation, a

680
00:32:29,760 --> 00:32:31,080
Speaker 3: lot of blood, a lot of sweat.

681
00:32:31,560 --> 00:32:33,520
Speaker 5: It's just been a tumultuous journey, William.

682
00:32:34,320 --> 00:32:36,560
Speaker 4: And it all started a few weeks ago with what

683
00:32:36,720 --> 00:32:39,280
Speaker 4: ended up being a pretty hollow offer from Conrad Saw.

684
00:32:39,760 --> 00:32:42,560
Speaker 4: Our journey to the Arias all began when Conrad Sell

685
00:32:42,640 --> 00:32:46,560
Speaker 4: promised us something in the studio, are you guys should.

686
00:32:47,920 --> 00:32:52,680
Speaker 2: Be my dates great success. We thought we had it

687
00:32:52,760 --> 00:32:55,240
Speaker 2: in the bag until he came to visit this week.

688
00:32:55,600 --> 00:32:56,840
Speaker 2: I mean, I don't know if it's going to happen

689
00:33:00,080 --> 00:33:03,840
Speaker 2: off that list us with only one option, we think

690
00:33:03,920 --> 00:33:06,800
Speaker 2: we can sneak into the areas Tyler were just sneak into.

691
00:33:07,400 --> 00:33:09,480
Speaker 2: I snuck into a big day out, that's all a

692
00:33:09,480 --> 00:33:11,200
Speaker 2: couple of years ago through the drainage part.

693
00:33:13,320 --> 00:33:15,520
Speaker 3: I want to snuck into a.

694
00:33:17,080 --> 00:33:17,680
Speaker 4: Few years ago.

695
00:33:17,960 --> 00:33:22,320
Speaker 3: Oh, go through some security points to say old hours.

696
00:33:22,640 --> 00:33:25,080
Speaker 2: Answer Adam from Beaking Duck. Have you got any.

697
00:33:25,320 --> 00:33:29,040
Speaker 3: Tips about how to be sort of an underwhelmed indie musician?

698
00:33:29,400 --> 00:33:29,920
Speaker 9: You'd have a.

699
00:33:30,000 --> 00:33:32,560
Speaker 3: Weird kind of hat on your hair, something weird like

700
00:33:32,640 --> 00:33:34,960
Speaker 3: a Fedora, some edgy sonnies as well.

701
00:33:35,040 --> 00:33:37,960
Speaker 2: Maybe yeah, maybe even what Jlo was wearing back on

702
00:33:38,080 --> 00:33:40,360
Speaker 2: juice problem. You're now part of it because we're going

703
00:33:40,400 --> 00:33:41,600
Speaker 2: to be high and dry when we.

704
00:33:41,640 --> 00:33:44,000
Speaker 4: Get in there, and you'll see two morons with Jlo

705
00:33:44,120 --> 00:33:46,480
Speaker 4: sunnies on and Fedora.

706
00:33:46,200 --> 00:33:49,920
Speaker 3: Like hads, what a journey you wouldn't say, is practicing

707
00:33:50,160 --> 00:33:52,600
Speaker 3: those sneaking skills. And also have a look at some

708
00:33:52,680 --> 00:33:54,720
Speaker 3: of the outfits that we've put together potentially to go

709
00:33:54,760 --> 00:33:56,040
Speaker 3: to the aurs. You can go to with the Winstagram,

710
00:33:56,080 --> 00:33:59,280
Speaker 3: with the what do you Facebook? But the moment of

711
00:33:59,320 --> 00:34:00,520
Speaker 3: truths up next Woods.

712
00:34:00,800 --> 00:34:03,640
Speaker 4: Yeah, apparently Conrad is going to be calling us up next.

713
00:34:03,680 --> 00:34:06,480
Speaker 4: We don't know what this is about, but I'm hoping

714
00:34:06,480 --> 00:34:10,160
Speaker 4: for an apology at the very least. But he joins

715
00:34:10,239 --> 00:34:11,279
Speaker 4: us up next, Conrad Sell.

716
00:34:11,880 --> 00:34:13,359
Speaker 2: We've been waiting for this moment all show.

717
00:34:14,200 --> 00:34:18,600
Speaker 3: Conradzel said he might be calling our radio show to

718
00:34:19,400 --> 00:34:20,280
Speaker 3: change his mind.

719
00:34:20,880 --> 00:34:23,520
Speaker 4: Pretty exciting stuff. As you know, we've been talking about

720
00:34:23,760 --> 00:34:26,879
Speaker 4: how to get our way into the Arias the last

721
00:34:26,920 --> 00:34:29,800
Speaker 4: couple of days after his rejection. Well, no, we're not

722
00:34:29,880 --> 00:34:31,520
Speaker 4: going to rejection. We're just saying that, you know, he

723
00:34:31,600 --> 00:34:33,640
Speaker 4: wants us to be there. Obviously, we love Conrad, but

724
00:34:33,719 --> 00:34:36,000
Speaker 4: it's tight. It's tight. It's hard to get pass us.

725
00:34:36,040 --> 00:34:38,840
Speaker 4: But we have a call right now from the man himself.

726
00:34:39,600 --> 00:34:39,960
Speaker 5: Conrad.

727
00:34:40,040 --> 00:34:41,480
Speaker 4: How I am at boys?

728
00:34:41,640 --> 00:34:42,200
Speaker 5: What's going on?

729
00:34:43,200 --> 00:34:43,359
Speaker 3: Well?

730
00:34:43,800 --> 00:34:47,840
Speaker 2: Where good man? Yeah, I hear you've struggling.

731
00:34:50,480 --> 00:34:53,120
Speaker 4: We're pretty much using our radio show to get ideas

732
00:34:53,200 --> 00:34:54,440
Speaker 4: on how to get into the Arias.

733
00:34:54,520 --> 00:34:59,160
Speaker 2: Now, so I've got some good news.

734
00:34:59,400 --> 00:35:00,759
Speaker 3: Got some good new isn't some bad news?

735
00:35:01,719 --> 00:35:02,680
Speaker 6: Well it's not really bad news.

736
00:35:02,880 --> 00:35:03,480
Speaker 3: They're both good.

737
00:35:03,560 --> 00:35:04,360
Speaker 2: Okay, Okay, do.

738
00:35:04,400 --> 00:35:06,520
Speaker 5: We want which which news do we want first?

739
00:35:07,360 --> 00:35:08,360
Speaker 4: Well?

740
00:35:08,400 --> 00:35:11,360
Speaker 3: The good news is that I've talked to my management

741
00:35:11,440 --> 00:35:15,400
Speaker 3: team and I'm able to get you two passes.

742
00:35:16,719 --> 00:35:18,920
Speaker 2: Wow wow wow their.

743
00:35:18,840 --> 00:35:23,479
Speaker 5: Conditions okay, okay, conditions okay, so well.

744
00:35:23,400 --> 00:35:25,279
Speaker 3: Pretty much you both work for me now, like.

745
00:35:28,200 --> 00:35:29,000
Speaker 2: We like our jobs.

746
00:35:30,520 --> 00:35:30,560
Speaker 4: No.

747
00:35:30,760 --> 00:35:33,120
Speaker 3: I talked to management and they said, we can get tickets,

748
00:35:33,160 --> 00:35:35,359
Speaker 3: but like to get you on the carpet and stuff

749
00:35:35,360 --> 00:35:36,520
Speaker 3: like that, you're going to have to be doing something.

750
00:35:36,560 --> 00:35:40,040
Speaker 3: You can't just like walk. I need we need to

751
00:35:40,200 --> 00:35:42,759
Speaker 3: like either security or someone's going to have to be

752
00:35:42,840 --> 00:35:43,680
Speaker 3: handling press on.

753
00:35:43,680 --> 00:35:45,959
Speaker 4: The night something.

754
00:35:46,200 --> 00:35:48,560
Speaker 2: So they're not guest passes. They're like, no, no, you

755
00:35:48,640 --> 00:35:49,279
Speaker 2: will be with me.

756
00:35:50,200 --> 00:35:50,840
Speaker 7: They're next to me.

757
00:35:51,040 --> 00:35:53,680
Speaker 5: We work for We're like employees work for me.

758
00:35:53,800 --> 00:35:53,920
Speaker 4: Now.

759
00:35:54,239 --> 00:35:54,919
Speaker 2: Oh wow.

760
00:35:55,040 --> 00:35:59,520
Speaker 4: That's the real power play from you. But we're pretty

761
00:35:59,520 --> 00:36:03,520
Speaker 4: desperate to get there. Can we are we getting paid

762
00:36:03,920 --> 00:36:04,359
Speaker 4: for the night?

763
00:36:05,719 --> 00:36:07,440
Speaker 7: There may be a little something at the end of

764
00:36:07,440 --> 00:36:07,719
Speaker 7: the day.

765
00:36:08,120 --> 00:36:08,759
Speaker 6: Wow wow.

766
00:36:08,840 --> 00:36:10,400
Speaker 2: Okay, okay, an expeculative.

767
00:36:11,080 --> 00:36:12,320
Speaker 3: He's a VIP ticket.

768
00:36:12,360 --> 00:36:14,640
Speaker 7: You'll come with me everywhere, You'll be backstage.

769
00:36:14,920 --> 00:36:19,319
Speaker 2: Wow wow great mate?

770
00:36:19,440 --> 00:36:20,520
Speaker 3: Do I not deliver.

771
00:36:22,320 --> 00:36:23,480
Speaker 5: Celebration music?

772
00:36:24,320 --> 00:36:25,160
Speaker 3: Oh yeah?

773
00:36:27,160 --> 00:36:27,480
Speaker 2: Huge?

774
00:36:28,840 --> 00:36:30,240
Speaker 5: Wow massive Conrad.

775
00:36:30,320 --> 00:36:32,719
Speaker 4: I'm a little bit terrified about you saying that you

776
00:36:32,840 --> 00:36:37,200
Speaker 4: own us now, But mate, we're in and we're pumped.

777
00:36:37,280 --> 00:36:38,680
Speaker 2: Mate, Daddy is so good.

778
00:36:38,880 --> 00:36:40,440
Speaker 7: Yeah, boys, it's going to be a big night.

779
00:36:40,680 --> 00:36:42,799
Speaker 4: So if the team walks away with the trophy.

780
00:36:43,000 --> 00:36:44,839
Speaker 5: Yeah, hell yeah huge.

781
00:36:44,880 --> 00:36:46,400
Speaker 2: Also, we're part of We work.

782
00:36:46,320 --> 00:36:49,160
Speaker 5: For you now, you work for me now hell yeah.

783
00:36:49,160 --> 00:36:50,799
Speaker 4: And if you want to vote for us, because I'm

784
00:36:50,840 --> 00:36:53,319
Speaker 4: going us now, we're all in this together. We're part

785
00:36:53,360 --> 00:36:56,880
Speaker 4: of the party, you can go to so oh hang on,

786
00:36:57,080 --> 00:37:01,279
Speaker 4: Actually important question, Conrad, given the we're part of the team. Now,

787
00:37:02,680 --> 00:37:05,800
Speaker 4: when we win Song of the Year healing Hands, go

788
00:37:05,920 --> 00:37:08,280
Speaker 4: to Apple Music stream it or go to ARIA Awards

789
00:37:08,320 --> 00:37:08,600
Speaker 4: dot com.

790
00:37:08,800 --> 00:37:11,560
Speaker 5: Are you question? Are we coming up with you to

791
00:37:11,680 --> 00:37:12,040
Speaker 5: accept you?

792
00:37:13,239 --> 00:37:14,080
Speaker 2: Hey, don't push it?

793
00:37:14,160 --> 00:37:17,600
Speaker 5: All right, all right, that's fair enough.

794
00:37:18,160 --> 00:37:20,239
Speaker 2: We'll just lurk annoyingly.

795
00:37:21,480 --> 00:37:23,520
Speaker 3: Like the girl wanting to be kissed at the fore ball,

796
00:37:24,960 --> 00:37:26,719
Speaker 3: and hopefully we get dragged on stage with you.

797
00:37:26,800 --> 00:37:28,320
Speaker 2: Mate. This is unbelievable stuff.

798
00:37:28,760 --> 00:37:30,600
Speaker 3: Boys, We'll start thinking about what you're going to wear

799
00:37:30,640 --> 00:37:32,560
Speaker 3: because we got to look legit.

800
00:37:32,800 --> 00:37:36,200
Speaker 2: We've got to look legit. Alright, mat have a great day,

801
00:37:36,280 --> 00:37:38,440
Speaker 2: Thank you so much. We'll see that. We'll see it

802
00:37:38,560 --> 00:37:39,279
Speaker 2: thet the.

803
00:37:41,120 --> 00:37:43,840
Speaker 5: ARIA Awards. At the ARIA Awards, we're going to the Aria.

804
00:37:44,680 --> 00:37:48,560
Speaker 4: Wow. Wow, we are owned by Conrad Sull like a possession.

805
00:37:48,920 --> 00:37:51,040
Speaker 5: But it's awesome and we're bloody going.

806
00:37:51,120 --> 00:37:53,400
Speaker 4: And vote for us ARIA Awards dot com dot are

807
00:37:53,480 --> 00:37:55,359
Speaker 4: you You can go and vote there for Healing Hands

808
00:37:55,440 --> 00:37:57,160
Speaker 4: Song of the Year music.

809
00:37:57,960 --> 00:37:58,920
Speaker 5: I don't think he's getting us.

810
00:37:58,840 --> 00:38:01,160
Speaker 2: On stage, but you we get to hold an area.

811
00:38:01,520 --> 00:38:02,839
Speaker 5: Do you drink out of an aria? What does an

812
00:38:02,840 --> 00:38:03,320
Speaker 5: aria look like?

813
00:38:05,000 --> 00:38:05,760
Speaker 2: It's a a pyramid.

814
00:38:06,320 --> 00:38:10,759
Speaker 5: Okay, we could spread some butter with that thing later.

815
00:38:12,680 --> 00:38:15,320
Speaker 2: What was a huge moment on the show? We go

816
00:38:15,440 --> 00:38:16,480
Speaker 2: on the bloody areas?

817
00:38:17,080 --> 00:38:23,200
Speaker 4: Yes, slat caveat that. Apparently Conrad Sall now owns us.

818
00:38:24,280 --> 00:38:27,040
Speaker 4: We're not getting paid and we are literally his servants.

819
00:38:27,120 --> 00:38:28,880
Speaker 4: But it doesn't change the thing. Mate, We're going to

820
00:38:28,920 --> 00:38:30,759
Speaker 4: the bloody hours. This is exactly what he said.

821
00:38:30,800 --> 00:38:34,719
Speaker 2: Actually I'm able to get you two passes. Wow wow

822
00:38:34,960 --> 00:38:36,640
Speaker 2: wow wow there a condition?

823
00:38:36,840 --> 00:38:39,320
Speaker 3: Well pretty much you both work for me now like sorry,

824
00:38:41,800 --> 00:38:42,640
Speaker 3: we like our jobs.

825
00:38:44,239 --> 00:38:47,040
Speaker 7: We need to like either security or someone's going to

826
00:38:47,080 --> 00:38:48,720
Speaker 7: have to be handling press on the night.

827
00:38:50,280 --> 00:38:50,560
Speaker 3: Something.

828
00:38:51,400 --> 00:38:56,040
Speaker 5: No, mate, do I not deliver celebration music?

829
00:39:01,440 --> 00:39:01,680
Speaker 3: Wow?

830
00:39:02,560 --> 00:39:05,200
Speaker 2: Unbelievable news, mate, Please stay with us.

831
00:39:06,040 --> 00:39:08,680
Speaker 3: Just what capacity we are going to be at the

832
00:39:08,760 --> 00:39:10,760
Speaker 3: arias at I think we can go with these music,

833
00:39:11,000 --> 00:39:13,879
Speaker 3: but I'm just not sure yet. But you can follow

834
00:39:13,920 --> 00:39:15,799
Speaker 3: that journey tomorrow and all across next week.

835
00:39:16,040 --> 00:39:16,960
Speaker 10: Did a Fresh Way

836
00:39:17,080 --> 00:39:18,720
Speaker 3: To drives home with Will and Woody