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Speaker 1: Dowered by the High Harve Radio WAPP from ninety six

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Speaker 1: AIRFM to whereever you're listening today.

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Speaker 2: This is Clezy and Lisa's podcast.

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Speaker 3: Coming up.

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Speaker 4: On the podcast, we caught up with the one and

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Speaker 4: only Simon Burke AO of course, about his performance in

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Speaker 4: Mulin Rouge.

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Speaker 5: We find out together there's a crisis plan in order

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Speaker 5: for the Oscars, just in case anyone goes Will Smith again.

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Speaker 4: What no slapping please, We'll sad enough of it. And

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Speaker 4: of course about chores at home?

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Speaker 3: What do you argue over.

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Speaker 4: The sure report On ninety six AIRFM.

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Speaker 5: Harvey Weinstein's having a pretty party this morning, whining to

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Speaker 5: the judge. I don't deserve it. As he's handed a

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Speaker 5: sixteen year sentence on another rape charge. Boo Didley, who

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Speaker 5: have the disgraces Hollywood mogul and his team have bemoaned

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Speaker 5: what they see as a cruel sixteen year sentence in

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Speaker 5: prison for rape and sexual assault. The sentencing follows he's

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Speaker 5: being found guilty of rape and two other counts of

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Speaker 5: assault at a trial in Los Angeles in December, after

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Speaker 5: previously being entrance to twenty three years for sex crimes

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Speaker 5: in New York.

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Speaker 2: As the judge revealed his fate.

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Speaker 5: Weinstein, who is now almost certain to die behind bars, moaned,

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Speaker 5: I maintain that I'm innocent. Incidentally, looking for a good

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Speaker 5: book to read check out, she said, it's about the

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Speaker 5: two girls at the journalist at the New York Times

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Speaker 5: who busted the story.

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Speaker 2: It's a really ripper.

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Speaker 3: Read a movie as well asn't There is.

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Speaker 5: A movie as well, but read the book, all right.

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Speaker 5: The Academy Award will watch the movie as well.

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Speaker 2: We'll read the book first.

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Speaker 5: The Academy Awards has enlisted a crisis team a crisis

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Speaker 5: team at the Academy Awards ahead of this year's ceremony.

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Speaker 2: And it's all because of Will Smith slapping Chris Rock

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Speaker 2: last year.

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Speaker 5: Academy boss Bill Kramers as the incident opened their minds

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Speaker 5: to you know, many things that could happen at the

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Speaker 5: event following Will's on stage outburst, and as a result,

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Speaker 5: they have developed crisis plans. You wouldn't need a crisis

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Speaker 5: plan if everyone remembered where they were and kept at class.

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Speaker 5: It's the Oscars. Good on your Will. You really are

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Speaker 5: the gift that keeps on giving. A right Speaking of

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Speaker 5: the Oscars after her Super Bowl performance, Rihanna has confirmed

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Speaker 5: she's going to perform.

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Speaker 2: At the Academy Awards.

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Speaker 5: She'll be doing Lift Me Up, her Oscar nominated song

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Speaker 5: from Black Panther Wakanda Forever. The Academy Awards are on

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Speaker 5: two weeks from this Monday, and tickets for the Pink

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Speaker 5: shows that Optus are selling like hotcakes. Just three hundred

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Speaker 5: and sixty nine sleeps to go. Meantime, Pink continues to

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Speaker 5: make the realms to promote her new album, Trustful. She

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Speaker 5: stopped by Howard Stern's New York radio show yesterday and

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Speaker 5: they talked about her awkward encounter with one of her heroes, Madonna.

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Speaker 6: Madonna doesn't like me, I think, well, she tried to

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Speaker 6: kind of play me on Regis and Kelly. It's just

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Speaker 6: such a silly story because I actually I love Madonna.

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Speaker 7: I love her no matter what.

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Speaker 6: But it sort of got twisted around that I was

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Speaker 6: like fangirling and was dying to meet Madonna when I

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Speaker 6: act in actuality, she invaded me into her dressing room, and.

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Speaker 3: So I just set a joke.

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Speaker 6: When Regis brought me out, He's like, how does it

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Speaker 6: feel to me? You know, I heard you're just falling

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Speaker 6: over yourself backstage.

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Speaker 8: How does it feel?

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Speaker 6: I'm like I thought she wanted to meet me, did

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Speaker 6: not come for us?

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Speaker 2: Don't go down well, Hands up.

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Speaker 5: If you've never had a dispute over domestic duties to crickets,

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Speaker 5: couples squabble over issues like household chores five times a

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Speaker 5: week on average. Surveys found the most likely incident to

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Speaker 5: trigger ARROW is leaving the lights on in an empty room.

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Speaker 5: This is followed by failing to wipe kitchen surfaces. This

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Speaker 5: is followed by a dropping towels and a damp heap

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Speaker 5: on the floor. What to watch on TV causes arguments

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Speaker 5: and who should pay which bills. Forty eight percent of

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Speaker 5: couples admit to often having discussions about house rules to

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Speaker 5: diffuse potential arguments. More than one in seven say their

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Speaker 5: partners relaxed attitude to security cause of stress. It makes

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Speaker 5: them angry when their other half forgets to double lock

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Speaker 5: the doors at night, and relationship experts Sarah Luise Ryan says, well,

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Speaker 5: it's not sexy. It's important to iron out the division

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Speaker 5: of tasks and each other's expectations of labor and responsibility

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Speaker 5: is vitally important. Trust me, I used to be married to.

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Speaker 5: I used to be married to someone who never met

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Speaker 5: a task he could not put off until tomorrow. And

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Speaker 5: by tomorrow I mean next week, if ever, most likely

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Speaker 5: if ever, and yeah, and suffice to say, I'm not

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Speaker 5: married anymore.

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Speaker 3: It's quite childlike, isn't it? Really? Sorry? Spoken about you?

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Speaker 5: It pronoun that's his thrown out.

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Speaker 4: I say things are rosy at my place if I'm

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Speaker 4: because I'm the vacuuming guy. Quite often I can take

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Speaker 4: the clothes off the line and fold and put away guy.

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Speaker 4: But when it comes to the bathroom, that's the downfall.

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Speaker 2: And no one likes the bathroom.

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Speaker 3: Look in the bathroom. You know why, because apparently I

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Speaker 3: flick water on the mirrors.

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Speaker 4: I'm a flicker and yep, so when I get but

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Speaker 4: you'll give it a go, well, we'll give it a

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Speaker 4: cleaning it up.

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Speaker 3: But you know sometimes in your philosophy.

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Speaker 5: Oh no, no, no, no no.

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Speaker 2: No, you need you need.

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Speaker 3: To do foods.

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Speaker 2: I know what you're talking about.

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Speaker 1: You need.

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Speaker 5: Surely you look in the mirror and you see that thing.

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Speaker 5: I might just give that a quick wipe so that

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Speaker 5: no one knows it ever happened.

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Speaker 4: Pick up the tail I've dropped on the floor and

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Speaker 4: I wipe it, but that often smears it. It doesn't

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Speaker 4: get rid of it all. Apparently I'm really bad with

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Speaker 4: the flicking of things on the mirror.

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Speaker 2: No, that's quite disgusting clery. That's not the.

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Speaker 3: No's a couple of home. I don't need it from me.

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Speaker 2: Well, I get you, Laurie.

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Speaker 5: There's no excuse for that when I'm moving to your place.

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Speaker 5: Just having a cursory glance over a few weather whether

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Speaker 5: you left anything behind on the mirror, and making sure

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Speaker 5: you remove it before you leave the leave the room

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Speaker 5: so that no one ever has to know that it

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Speaker 5: ever came out of your mouth is different to cleaning

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Speaker 5: the bathroom.

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Speaker 3: Yep, Well there you are. Copy it at home? Copyt

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Speaker 3: it work?

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Speaker 2: That for that you should Gary and janderbarup higher.

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Speaker 8: Gary, what do you argue about making beds?

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Speaker 2: Yep?

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Speaker 8: Hate it with a passion.

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Speaker 2: Why do you hate it so much?

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Speaker 8: Six pillows, just neatness, tidiness, bend and over. Don't do

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Speaker 8: the bend and over very well?

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Speaker 4: So are you happy just to leave it and just

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Speaker 4: pull the sheets and blankets up and just jump in?

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Speaker 8: Heard that must be a bade makes a mate?

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Speaker 2: Are you one of these.

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Speaker 5: Let's call them men who have an issue with the

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Speaker 5: cushions on the bed. You don't seem to understand why

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Speaker 5: we have a liking to cushions on the bed mate.

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Speaker 8: I'm getting up about two in the morning for pe

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Speaker 8: bloody things.

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Speaker 3: Like Shane Blaze has been at your house.

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Speaker 8: Yeah, yeah, I've always thought you don't need to understand it.

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Speaker 5: You just need to put them back in the order

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Speaker 5: they came off because they're yes, yes, you don' don't

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Speaker 5: worry about it.

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Speaker 2: You don't need to know.

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Speaker 8: We got about three hundred cushions at home.

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Speaker 2: It makes the home.

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Speaker 5: Gary, if you'll tell you what if they were there,

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Speaker 5: you would feel different?

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Speaker 3: Really?

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Speaker 1: Yeah you?

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Speaker 8: Thank God said on beer.

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Speaker 4: Be happy all right, thanks Gary, Good luck with that

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Speaker 4: situation at home there in gender.

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Speaker 2: But men just can't grasp the cushion or the throw rug.

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Speaker 3: I love to actually throw them on the throw rug,

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Speaker 3: throw cushion.

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Speaker 2: That doesn't it's not what they mean, but what it was. Okay,

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Speaker 2: John in home, Good morning.

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Speaker 9: John, good morning, leads the good morning close.

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Speaker 2: Here you going good now.

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Speaker 5: I believe it's your son that you're arguing with, the

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Speaker 5: arguing over the household.

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Speaker 9: Chores with Yes, I'm trying to get through to him

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Speaker 9: the concept of actually putting a plate in the dishwasher

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Speaker 9: and not in the sink.

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Speaker 3: Oh yes, or.

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Speaker 9: Even worse, putting it on the bench that's on top

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Speaker 9: of the dishwasher.

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Speaker 2: Recess teenager is a John?

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Speaker 9: Well, no, he's twenty one. Okay, I'll keep telling him.

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Speaker 9: I keep telling him, you're not at work now, there's

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Speaker 9: no here cleaning up a chef.

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Speaker 3: Ah right, yes, really.

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Speaker 2: Yes, chef. Okay, because I was going to say you don't.

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Speaker 2: You shouldn't behave like that at work either, But I

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Speaker 2: get it.

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Speaker 3: He's a chef, John, Yeah, he is? He an eye roller?

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Speaker 3: What does he do?

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Speaker 9: Yeah?

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Speaker 10: Roll?

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Speaker 2: Yeah? Does he call you an idiot? Sandwich? No good?

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Speaker 2: That's God lies.

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Speaker 9: And size and right?

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Speaker 3: Ah right, Okay.

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Speaker 5: I wish you luck with that, John, because being a

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Speaker 5: chef and having people you know to do it for him,

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Speaker 5: that's going to be a tough one.

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Speaker 3: Yeah.

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Speaker 4: Kick him out, John, He called us back. When he

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Speaker 4: turns thirty one, see if it's improved.

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Speaker 2: Thank you. John. Scared John to death. John thinks he's

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Speaker 2: still going to be living there at thirty one.

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Speaker 3: Don't worry. I thought I had a job here at thirty.

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Speaker 2: Continuous Dena in the mins.

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Speaker 5: Good morning, good mornings, Hey going to good Divena.

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Speaker 2: What gets argued over at your place?

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Speaker 10: Well, excuse me, Apparently we have departments that we look

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Speaker 10: after in my house. Okay, so yeah, my husband we

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Speaker 10: leave on an a case. So there's a lot of

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Speaker 10: our keeps in the block.

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Speaker 9: Yeah.

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Speaker 10: One day my husband was looking for a shirt and

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Speaker 10: it wasn't washed, and so he's cracked it with me

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Speaker 10: and just gone, well, that's your department, Alena, And I've

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Speaker 10: just talked to him and gone, really and you can

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Speaker 10: get As soon as it came out of his mouth,

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Speaker 10: he was just like, oh no, what have I done?

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Speaker 10: So now anything goes wrong outside, like if something needs

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Speaker 10: fixing out in the block, I'm just like, well, mate,

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Speaker 10: thank god, that's your department.

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Speaker 1: Yes.

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Speaker 4: Indeed, had the d word department been mentioned before that conversation,

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Speaker 4: Divina was at the very first time.

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Speaker 10: Oh god, no, we've been together twenty five year then

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Speaker 10: you never.

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Speaker 5: Was a little a little moment of generations past just

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Speaker 5: snuck out of his mouth before he even could tell

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Speaker 5: it was.

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Speaker 3: Out, and he crossed the line.

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Speaker 2: They did. But you know, be careful what you wish

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Speaker 2: for because it's a big block.

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Speaker 4: Good luck with your department and his department, the department

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Speaker 4: of Joyce department.

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Speaker 3: Wow, love it.

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Speaker 5: Denise in Ridgewood, you are our last caller this morning

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Speaker 5: to talk about what chores you and your partner argue

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Speaker 5: over most.

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Speaker 7: Denise morning, Good morning to both of you both at

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Speaker 7: the chore that's been going on for years and years

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Speaker 7: is folding the towels.

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Speaker 3: Okay?

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Speaker 2: Is it the type of fold or folding fold of fold?

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Speaker 3: Okay?

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Speaker 7: So I like my towels folded a particular way, yes,

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Speaker 7: like it, so you know, like like in the hotel. Yes,

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Speaker 7: But my husband's now, after over twenty five years, he

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Speaker 7: still can't do it.

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Speaker 2: So fold in the middle and then thirds.

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Speaker 7: Yeah, fold in the middle and then folding over again,

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Speaker 7: but not and then folding again so you don't see

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Speaker 7: the edges.

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Speaker 3: Okay, Yes, he's more of a squ scrunchy ball type shape.

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Speaker 7: But what's he doing tonight, He's just he just folds

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Speaker 7: them and he doesn't care about any edges. He just right,

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Speaker 7: he just throws them in. He doesn't. He's just says,

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Speaker 7: well it's folded, so just.

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Speaker 2: Half and half, yes, which gives you edges on two sides.

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Speaker 7: Yeah, it's not right.

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Speaker 2: It's not right yet, there's not's just not right. Can

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Speaker 2: you hear yourselves you, yes, madam?

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Speaker 3: Can you hear yourselves you too?

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Speaker 2: That's fussy, Yes, we can.

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Speaker 8: Ye.

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Speaker 2: You don't want edges.

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Speaker 7: It's not fussy. It's not sussy. It's just the way

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Speaker 7: towers should be folded.

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Speaker 2: It's exactly right. Well, you don't seem to be following,

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Speaker 2: mister Claire.

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Speaker 3: Were living in a hotel. Well, exactly, you're a man, you're.

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Speaker 5: We do all these things and you just it's happening

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Speaker 5: around you and it's making your life beautiful. But you

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Speaker 5: don't even realize that that's what it is that's doing

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Speaker 5: it exactly.

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Speaker 7: You know, you open the coverts and it's all nicely folded,

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Speaker 7: and they're all beautiful and they look lovely.

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Speaker 2: Exactly.

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Speaker 7: So every single time that my husband folds a towels,

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Speaker 7: I have to then go and refold all the towels.

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Speaker 3: Oh dear, all right, gambling up the work.

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Speaker 7: He's definitely had the challenge.

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Speaker 2: It's not hard.

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Speaker 3: Hey, denis good to talk to you and stay you

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Speaker 3: up with today.

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Speaker 1: Okay, thanks guys, thank you.

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Speaker 5: It's not hard following in half and then one in

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Speaker 5: and then one into the middle of two three.

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Speaker 2: You know, thirds done?

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Speaker 3: Heres about it?

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Speaker 2: It drives you better that way.

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Speaker 3: More crazy, more Liza, more podcasts soon.

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Speaker 5: Milan Rouge the Musical is on at Crown Theater from

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Speaker 5: this Sunday until April the twenty first. You can get

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Speaker 5: tickets through Ticketmaster and the multi talented and faceted Simon

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Speaker 5: Burke is with us.

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Speaker 1: Hello, Hello, good morning you.

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Speaker 3: I'm pretty good. Thank you.

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Speaker 2: So you play Harold Ziddler fun?

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Speaker 1: Sorry, they have fun, so much fun.

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Speaker 7: I love it.

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Speaker 1: Yeah. Look, I've done a lot of musicals in my time,

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Speaker 1: but I think you probably, without doubt, hands down the

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Speaker 1: most exciting. It's I mean, the role is great. Harold

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Speaker 1: is the owner of the Muhlan Rouge in the in

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Speaker 1: the movie is played by Jim Broadbent. In the In

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Speaker 1: the stage music, it's been beefed up, so I'm sort

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Speaker 1: of like the host of the whole show for the audience.

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Speaker 1: When you walk into the Muhlan Rouge, walk into the

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Speaker 1: Crown Theater, you're actually walking to the Muhlan Rouge, and

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Speaker 1: I'm kind of the host, and it's it's it's so

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Speaker 1: much fun.

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Speaker 5: Perhaps one of the most physical roles at Yeah, yeah,

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Speaker 5: I bounce about that stage in a way that I

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Speaker 5: haven't for some time.

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Speaker 2: Just in a boat.

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Speaker 1: It's amazing, Yeah, amazing.

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Speaker 4: Simon Burke A, it's great to see you. We have

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Speaker 4: chatted before, We've met various things across the years, mate.

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Speaker 4: But the people are still celebrating in perthin across the land.

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Speaker 4: You get the feeling that excitement about seeing live performances

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Speaker 4: from really talented people.

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Speaker 3: They're still still in that vibe.

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Speaker 1: Absolutely. I think that's what we found with we've done

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Speaker 1: the show in Melbourne and Sydney and as we've been

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Speaker 1: coming out of lockdown and stuff, there's something about this

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Speaker 1: show of people being locked away for eighteen months. It's

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Speaker 1: almost like because this is like the movie. People remember

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Speaker 1: the movie and how kind of fun and beautiful and

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Speaker 1: magnificent and broad it is, but the show is kind

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Speaker 1: of the movie on steroids, and so you get like

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Speaker 1: eighteen months of entertainment in one night.

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Speaker 3: It's nice.

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Speaker 1: All the songs you know from the movie, like you

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Speaker 1: know your song and Roxanne and Diames girls that were saying.

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Speaker 1: But there's twenty two years of music since the movie happens,

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Speaker 1: so that's been put into our musical. So we got

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Speaker 1: Beyonce and Pink and Adele and Rihanna, and.

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Speaker 5: You know, there's one thing to watch all that color

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Speaker 5: and amazingness that is bas on the screen, but to

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Speaker 5: feel like you're virtually immersed in it in the in

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Speaker 5: the theater. And you've been on some amazing sets. I mean,

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Speaker 5: I will never forget the first time that chandelier crashes

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Speaker 5: down above my head in the Phantom.

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Speaker 2: But what is the set like for this one?

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Speaker 3: Again?

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Speaker 1: Really stunning? I think what you're saying. Let the whole

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Speaker 1: idea of putting a bas film onto stage, and our

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Speaker 1: director for a Broadway director Alex Timbers, has totally nailed

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Speaker 1: it because it has that kind of mash up feel

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Speaker 1: that you think, how are you going to do that?

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Speaker 1: That mash up stuff that you have on screen, But

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Speaker 1: just the set and the costumes and stuff, it's just

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Speaker 1: it's just a kind of visual assault. It just kind

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Speaker 1: of an assault. Yeah, it's fun.

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Speaker 2: In the best possible word, pleasurable, Yes, fantastic visual assault.

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Speaker 4: You're up there, you know, you're practicing a craft on

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Speaker 4: stage and that, but you must see sometimes things in

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Speaker 4: the crowd even though you're focusing on what you're doing.

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Speaker 4: You must see some unusual things at times. You can

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Speaker 4: get the odd phone ringing mobile.

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Speaker 1: Oh yeah, yeah, yeah, a lot of singing along because yeah, yeah,

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Speaker 1: we've got to get people that come come see the

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Speaker 1: show that have been obsessed with this film since they

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Speaker 1: were teenagers or whatever. And it holds a very special

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Speaker 1: place in so many people's hearts, this film. And I

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Speaker 1: think the excitement of seeing it on stage, you know,

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Speaker 1: if you've got to see something you know when you're

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Speaker 1: on your first date or something as a teenager and

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Speaker 1: you're watching it like twenty years later. Yeah, there's a

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Speaker 1: lot of excitement there. And so yeah, we have We

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Speaker 1: actually had a we had a punch up in the

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Speaker 1: audience in Sydney. I should probably say this, but in

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Speaker 1: Sydney it was it was. It was a Wednesday matinee.

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Speaker 3: Yeah, and generally generally an older.

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Speaker 1: Audience and a Wednesday, and there's a there's a couple

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Speaker 1: there and another elderly couple and one guy said, tell.

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Speaker 3: Your wife to stop singing?

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Speaker 1: Will you use it? How do you know? I had

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Speaker 1: to be a separated.

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Speaker 4: Added entertainment, we had a Dave Chappelle comedy show. There

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Speaker 4: was a punch up here in perthon a couple of

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Speaker 4: weeks ago, which.

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Speaker 2: Was bizarre enough Wednesday music that is insane.

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Speaker 3: Exactly right now, I'm to put you off a little

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Speaker 3: bit up there.

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Speaker 5: There was something for everyone that day. Your resume is spectacular.

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Speaker 5: You've done a lot of the biggies, you know. I

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Speaker 5: mentioned the Phantom of the Opera, done some music you've

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Speaker 5: done My all time favorite lamb is.

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Speaker 2: Chicago, Mary Poppin's Hairspray.

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Speaker 5: Is there a musical theater theater production that you haven't

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Speaker 5: done that you think, O G, I want to do

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Speaker 5: that one day.

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Speaker 2: I don't think this meany you haven't done.

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Speaker 1: There's not money I haven't done. I mean there are

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Speaker 1: some really interesting at it and the oldest, oldest elder.

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Speaker 1: Look I just as well as doing big musical as

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Speaker 1: I love working on new Australian stuff, which I've done,

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Speaker 1: and so like, I guess there's a music all out

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Speaker 1: there that hasn't been and yet that you know that? Yeah,

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Speaker 1: I think that's That's another exciting thing, is, you know,

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Speaker 1: is to be able to combine you know, the great

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Speaker 1: big shows that are so well loved with with new work.

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Speaker 5: Yeah, what about TV and film and so on. Is

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Speaker 5: anything much coming up in the pipeline?

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Speaker 1: Yeah, I'm I'm I'm preoccupied with this show quiet a

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Speaker 1: bit time, but yeah, I have really been wanting to

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Speaker 1: get back into film and television.

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Speaker 2: So how many more options now?

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Speaker 5: I mean I've seen some great stuff on Netflix and

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Speaker 5: Stand and particularly Stand doing some good Australian look stuff.

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Speaker 1: I think the screen industry in Australia is really really

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Speaker 1: busy again.

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Speaker 3: It is great, isn't it.

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Speaker 1: The streamers as we know starting to do stuff and

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Speaker 1: there's been some great I mean Colin from Accounts, Yes, Yes,

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Speaker 1: the Foxtel the Jury, the twelve thing that was that was.

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Speaker 3: Fantastic, more than the European ones.

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Speaker 2: Yeah, it was my favorite show of that year.

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Speaker 1: Is my favorite show? Like, oh it's such a great yeah?

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Speaker 1: I mean Kiddy Floding it amazing.

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Speaker 3: Who seemed surprised when she won the award?

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Speaker 9: She wasn't.

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Speaker 3: She got someone else to pick.

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Speaker 1: It up, and that the guy who's the receptionist.

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Speaker 2: Eric, he recognizedes just how funny she is.

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Speaker 1: No, I don't think in a way I love it

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Speaker 1: that that show is. There's so many little kind of

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Speaker 1: cameos and stuff you see. I know that person from

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Speaker 1: somewhere famous friends rocking up. It's really cool.

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Speaker 2: It's a great showy.

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Speaker 4: Gold and yeah, it's all going on. I was talking

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Speaker 4: about people in the crowd. I did hear someone told

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Speaker 4: me a story about a woman who was an actress

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Speaker 4: who was in a show. She had very long monologues

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Speaker 4: throughout this performance, and she obviously knew she was good

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Speaker 4: at her craft. But a mobile phone ringing absolutely through

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Speaker 4: her one day, and because she was so experienced, she

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Speaker 4: managed to get back on track. Have you ever been

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Speaker 4: put off by something whilst the shows on?

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Speaker 7: Like that?

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Speaker 3: I can understand a punch up being slightly amusing.

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Speaker 1: Yeah, look, I guess it happens occasionally, But you know,

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Speaker 1: I think that's the other great thing about live entertainment. Yeah, Like,

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Speaker 1: you know, if something crazy happens, an audience is going

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Speaker 1: to love it even more. I mean I've had the

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Speaker 1: odd sort of slip up in the line or something. Actually,

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Speaker 1: I do remember once I was in London. I was

445
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Speaker 1: playing Captain von Trapp in the Sound of Music at

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Speaker 1: Palladium Theater and I just arrived from Australia and I

447
00:20:15,720 --> 00:20:17,720
Speaker 1: was I must have been homesick, because there was a

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Speaker 1: matinee one day and the Nazis come in and whatever,

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Speaker 1: and Maria runs around. She turns to me and she says,

450
00:20:25,040 --> 00:20:26,560
Speaker 1: what are we going to do? Gayor? And I said,

451
00:20:26,600 --> 00:20:28,720
Speaker 1: we'll have to go out of Austria right away. And

452
00:20:28,920 --> 00:20:31,600
Speaker 1: this matinee you didn't. She turned to me and said

453
00:20:31,840 --> 00:20:33,439
Speaker 1: you do gay I said, we'll have to get out

454
00:20:33,440 --> 00:20:40,840
Speaker 1: of London right away. The whole audience just she looked

455
00:20:40,840 --> 00:20:42,679
Speaker 1: at me, I looked at her, The audience looked at

456
00:20:42,720 --> 00:20:45,080
Speaker 1: each other. There was just like great raw and then

457
00:20:45,119 --> 00:20:47,520
Speaker 1: everyone applauded, and then you just get on with it.

458
00:20:47,560 --> 00:20:49,080
Speaker 1: I mean, of course, I think there are the moments

459
00:20:49,119 --> 00:20:49,760
Speaker 1: that people live for.

460
00:20:49,760 --> 00:20:52,520
Speaker 2: And that's history of the film flipped on its head exactly.

461
00:20:54,400 --> 00:20:57,159
Speaker 1: That's why we do it, you know, because something happens

462
00:20:57,200 --> 00:20:59,680
Speaker 1: every night, and sometimes the audience knows what's going on

463
00:20:59,760 --> 00:21:02,479
Speaker 1: some that like sometimes you know, in any show, there

464
00:21:02,520 --> 00:21:06,159
Speaker 1: might be a show stop something and then the audience

465
00:21:06,160 --> 00:21:08,680
Speaker 1: sort of stops for it doesn't happen happens once in

466
00:21:08,760 --> 00:21:11,080
Speaker 1: a blue moon, but an audience goes and then you

467
00:21:11,119 --> 00:21:13,159
Speaker 1: come back on they give you a little round, and

468
00:21:13,240 --> 00:21:16,520
Speaker 1: that's it's kind of weird as well, not be live otherwise.

469
00:21:16,200 --> 00:21:18,240
Speaker 3: That's said the least.

470
00:21:18,280 --> 00:21:20,560
Speaker 4: I saw the late great Peak Postlewaite in a one

471
00:21:20,600 --> 00:21:23,040
Speaker 4: man play, his Magic, and he was trying to do

472
00:21:23,119 --> 00:21:25,040
Speaker 4: something as simple as light a candle, and the bloody

473
00:21:25,040 --> 00:21:25,679
Speaker 4: thing wouldn't lie.

474
00:21:27,760 --> 00:21:31,440
Speaker 3: It had four cracks like this. Eventually it did, but

475
00:21:31,520 --> 00:21:32,840
Speaker 3: he was so calm up there.

476
00:21:32,800 --> 00:21:35,159
Speaker 1: You know, yeah, no, it's it's it's why we do it.

477
00:21:35,880 --> 00:21:38,520
Speaker 5: Speaking of Shenanigan's you were, of course, of course a

478
00:21:38,600 --> 00:21:40,520
Speaker 5: lot of people know from play School, because we've all

479
00:21:40,560 --> 00:21:44,120
Speaker 5: grown up with play School. What sort of tom foolery

480
00:21:44,480 --> 00:21:46,680
Speaker 5: went on behind the scenes of that.

481
00:21:47,560 --> 00:21:51,080
Speaker 1: Well, I was fortunate enough that when I started play School,

482
00:21:51,200 --> 00:21:53,600
Speaker 1: my goodness me, it was in the late eighties. Yeah,

483
00:21:53,920 --> 00:21:57,480
Speaker 1: and the eighties and nineties, I guess, were when play

484
00:21:57,520 --> 00:22:00,119
Speaker 1: School was still filmed as if it was live, so

485
00:22:00,240 --> 00:22:02,520
Speaker 1: you didn't do it in sections, and so basically you

486
00:22:02,640 --> 00:22:05,320
Speaker 1: had to learn the entire script plus all the camera stuff,

487
00:22:05,640 --> 00:22:07,560
Speaker 1: and just it was like being in top Gun. You

488
00:22:07,640 --> 00:22:10,760
Speaker 1: just got in and did it and song here exactly,

489
00:22:10,840 --> 00:22:13,080
Speaker 1: and you were not you know, you were very frowned

490
00:22:13,160 --> 00:22:15,320
Speaker 1: upon if you stopped at all. And so the only

491
00:22:15,359 --> 00:22:30,520
Speaker 1: way you can stop if the magic word dropped. Goodness

492
00:22:35,040 --> 00:22:38,720
Speaker 1: and so you were very much encouraged to like if

493
00:22:38,800 --> 00:22:40,520
Speaker 1: something went wrong, you just had to you had to

494
00:22:40,600 --> 00:22:42,120
Speaker 1: put out with it, Like you know, if you're making

495
00:22:42,160 --> 00:22:45,000
Speaker 1: a little a little clay doll and I remember this

496
00:22:45,080 --> 00:22:47,040
Speaker 1: one time was known and we were making this clay

497
00:22:47,119 --> 00:22:50,639
Speaker 1: doll and the little doll and she the girl decides

498
00:22:50,640 --> 00:22:52,600
Speaker 1: to go for a walk in the forest and there's

499
00:22:52,600 --> 00:22:55,840
Speaker 1: a close up and the leg falls off and so

500
00:22:55,960 --> 00:23:02,480
Speaker 1: she kept hopping. But that's that that training of play

501
00:23:02,520 --> 00:23:05,960
Speaker 1: school and those things has really and there's certain moments

502
00:23:06,000 --> 00:23:08,399
Speaker 1: in this show when I'm mucking around on stage, I

503
00:23:08,560 --> 00:23:10,680
Speaker 1: think if it wasn't a play school, I would not

504
00:23:10,880 --> 00:23:14,040
Speaker 1: have the comfort and the joy of doing that, because

505
00:23:14,720 --> 00:23:16,359
Speaker 1: you know, it's it's that whole thing of I mean,

506
00:23:16,400 --> 00:23:19,959
Speaker 1: what we do acting is playing. Really. Yeah, there's been

507
00:23:19,960 --> 00:23:21,800
Speaker 1: a few moments in the show that I've been able

508
00:23:21,840 --> 00:23:28,520
Speaker 1: to channel. You're so, I've got this thing at the

509
00:23:28,640 --> 00:23:31,920
Speaker 1: very end where where I sing who needs a Heart

510
00:23:31,920 --> 00:23:34,560
Speaker 1: when a heart could be broken? It's just my solo

511
00:23:34,640 --> 00:23:37,520
Speaker 1: line in the encore, and for some reason, who needs

512
00:23:37,600 --> 00:23:41,480
Speaker 1: a heart when a heart makes you crazy? And the

513
00:23:41,640 --> 00:23:44,040
Speaker 1: whole oh that's right, it's call and respond. So I'm

514
00:23:44,080 --> 00:23:46,440
Speaker 1: singing this, and then the whole cast has to sing

515
00:23:46,520 --> 00:23:49,360
Speaker 1: along with me, who needs a harpwin a heart makes

516
00:23:49,400 --> 00:23:53,760
Speaker 1: you crazy? And they went, who needs a But I've

517
00:23:53,840 --> 00:23:56,600
Speaker 1: done it four times, like over four hundred fifty shows.

518
00:23:56,680 --> 00:23:59,720
Speaker 1: I've just got I come up to this moment, I go, please,

519
00:23:59,760 --> 00:24:00,640
Speaker 1: what is the line?

520
00:24:00,800 --> 00:24:00,919
Speaker 8: Oh?

521
00:24:00,960 --> 00:24:02,120
Speaker 1: It's who needs a hurt one? Hearts?

522
00:24:02,960 --> 00:24:03,480
Speaker 7: Make sure.

523
00:24:05,680 --> 00:24:08,000
Speaker 5: The more you tell yourself to say the line is there,

524
00:24:08,080 --> 00:24:09,320
Speaker 5: the more you say the other one.

525
00:24:10,520 --> 00:24:10,720
Speaker 1: Yeah.

526
00:24:11,119 --> 00:24:12,840
Speaker 4: Well you could always do what the veteran rock stars

527
00:24:12,880 --> 00:24:16,000
Speaker 4: are doing and having having some They're looking at the screen.

528
00:24:16,640 --> 00:24:19,360
Speaker 2: No, I like the better. How you doing it well?

529
00:24:19,520 --> 00:24:20,160
Speaker 2: Mulin Rouge.

530
00:24:20,240 --> 00:24:23,200
Speaker 5: The musical is on a Crown Theater until April twenty

531
00:24:23,320 --> 00:24:25,240
Speaker 5: First tickets are through Ticketmaster.

532
00:24:25,960 --> 00:24:28,480
Speaker 2: Lovely to have you in town. Lovely to have you

533
00:24:28,560 --> 00:24:30,800
Speaker 2: on stay in the Crown, and thank you so much

534
00:24:30,840 --> 00:24:31,359
Speaker 2: for joining us.

535
00:24:31,520 --> 00:24:32,320
Speaker 1: It's great to see you guys.

536
00:24:32,359 --> 00:24:32,560
Speaker 3: Thank you.

537
00:24:33,000 --> 00:24:37,159
Speaker 4: Excuse my friend, like you've got beeples Lisa