1 00:00:00,240 --> 00:00:02,199 Speaker 1: Get a fresh way to drive home with. 2 00:00:02,120 --> 00:00:04,720 Speaker 2: Will and Woody super special guests in the studio with 3 00:00:04,760 --> 00:00:06,080 Speaker 2: this this afternoon. 4 00:00:07,160 --> 00:00:10,680 Speaker 3: He's here. 5 00:00:10,720 --> 00:00:19,159 Speaker 1: I think he's here when you turned there. Nice to 6 00:00:19,239 --> 00:00:23,079 Speaker 1: make you, which we're going to be spinning for you 7 00:00:23,320 --> 00:00:27,000 Speaker 1: very very shortly. But thanks so much for coming in. 8 00:00:27,040 --> 00:00:32,159 Speaker 2: Amazing, amazing new sound this song before. I'm a huge 9 00:00:32,320 --> 00:00:33,480 Speaker 2: Arctic Marky's fan from. 10 00:00:33,400 --> 00:00:33,879 Speaker 1: Back in the day. 11 00:00:34,000 --> 00:00:38,239 Speaker 2: Jesus going, isn't there some real Alex Turner vibes haven't? Yeah? 12 00:00:38,280 --> 00:00:40,960 Speaker 3: Everyone keeps saying that I actually literally think about it 13 00:00:41,000 --> 00:00:44,320 Speaker 3: was probably like a subconscious yeah that I guess, like 14 00:00:44,520 --> 00:00:45,559 Speaker 3: that's what I was brought up on. 15 00:00:45,840 --> 00:00:46,120 Speaker 4: Really. 16 00:00:46,240 --> 00:00:49,159 Speaker 3: Yeah, when I when I start making my first my 17 00:00:49,280 --> 00:00:52,199 Speaker 3: own like musical choices, I suppose that they were the 18 00:00:52,200 --> 00:00:56,800 Speaker 3: bands that were around them and the cooks. Yeah, yeah, yeah, 19 00:00:56,880 --> 00:00:57,240 Speaker 3: I love that. 20 00:00:57,360 --> 00:00:59,720 Speaker 1: It's it's great not to. 21 00:00:59,720 --> 00:01:02,880 Speaker 2: Say I actually didn't love the dripping baseline that was 22 00:01:02,920 --> 00:01:03,800 Speaker 2: in Slowhands. 23 00:01:04,319 --> 00:01:07,080 Speaker 1: This is a really different, like grungey sort of a 24 00:01:07,160 --> 00:01:10,520 Speaker 1: vibe that like it Almo, feels really natural to you. 25 00:01:10,800 --> 00:01:12,240 Speaker 2: There's a moment actually in the film cut I said 26 00:01:12,240 --> 00:01:13,800 Speaker 2: to your wood when he's wearing Sonny's and he's got 27 00:01:13,800 --> 00:01:14,679 Speaker 2: his hair going, and I was. 28 00:01:14,680 --> 00:01:19,199 Speaker 4: Like, yeah, and actually talking to the music video Nile, 29 00:01:19,360 --> 00:01:22,200 Speaker 4: the first scene a woman is seen leaving your house, 30 00:01:23,120 --> 00:01:26,959 Speaker 4: but she's left her phone behind. Is that from a 31 00:01:26,959 --> 00:01:28,200 Speaker 4: personal experience at all? 32 00:01:28,640 --> 00:01:30,640 Speaker 3: I just I just thought it was quite funny to 33 00:01:30,640 --> 00:01:32,920 Speaker 3: be able to do that, because I like the way 34 00:01:32,920 --> 00:01:35,000 Speaker 3: I wanted to shoot it was, you know what, you 35 00:01:35,120 --> 00:01:37,040 Speaker 3: very rarely hear of someone talking in the music video. 36 00:01:37,240 --> 00:01:42,480 Speaker 3: It was kind of like, asked to break the fourth wall. 37 00:01:42,720 --> 00:01:44,280 Speaker 1: Here's the first thing you do. 38 00:01:44,319 --> 00:01:46,399 Speaker 3: So I thought would be quite cool to add that 39 00:01:46,520 --> 00:01:49,080 Speaker 3: kind of something different than because you very rarely heard that. 40 00:01:49,400 --> 00:01:51,960 Speaker 2: Mate, Absolutely love the songmaking process. Can you talk to 41 00:01:52,000 --> 00:01:54,160 Speaker 2: just about where you're moving to now? I mean I 42 00:01:54,560 --> 00:01:57,760 Speaker 2: did read an article that you'd written recently about the 43 00:01:57,800 --> 00:01:59,160 Speaker 2: fact that you obviously got a lot of. 44 00:01:59,080 --> 00:02:00,880 Speaker 3: Material out of going through a bright cap and when 45 00:02:00,920 --> 00:02:02,400 Speaker 3: that walls, and I was, I was like four years 46 00:02:02,400 --> 00:02:04,360 Speaker 3: or so ago, now you know three Yeah. 47 00:02:04,640 --> 00:02:06,880 Speaker 1: Now you've got a whole new songwriting process. 48 00:02:07,000 --> 00:02:09,880 Speaker 2: Obviously because it's not emotively driven, which is naturally going 49 00:02:09,960 --> 00:02:10,960 Speaker 2: to change the sound of the cheese. 50 00:02:11,280 --> 00:02:13,200 Speaker 1: What sort of stuff are you vibing at the moment, Well. 51 00:02:13,080 --> 00:02:14,840 Speaker 3: It's kind of just a little bit heavier. I did 52 00:02:14,880 --> 00:02:16,240 Speaker 3: a lot of touring over the. 53 00:02:16,280 --> 00:02:19,280 Speaker 2: Last Mexico just recently. 54 00:02:19,320 --> 00:02:20,920 Speaker 1: Is that Singapore as well? 55 00:02:21,000 --> 00:02:23,760 Speaker 3: Level I just came from Singapore. Yeah, well, just doing 56 00:02:23,760 --> 00:02:26,200 Speaker 3: my own shows on the tour last time. You know, 57 00:02:26,280 --> 00:02:29,160 Speaker 3: you just I kind of sat and pigeon holed myself 58 00:02:29,200 --> 00:02:31,960 Speaker 3: on the last record because it was very like yep, yeah, 59 00:02:32,160 --> 00:02:35,320 Speaker 3: a lot of bit up and down nature. So I 60 00:02:35,440 --> 00:02:37,320 Speaker 3: just looking at the crowd every night. You know, you 61 00:02:37,320 --> 00:02:39,639 Speaker 3: can see what songs get them going, what songs kind 62 00:02:39,639 --> 00:02:41,679 Speaker 3: of everyone kind of you know you literally I have 63 00:02:41,760 --> 00:02:43,480 Speaker 3: the audience right in front of me, so I know 64 00:02:43,520 --> 00:02:45,760 Speaker 3: what to do next, you know. So going into the 65 00:02:45,760 --> 00:02:47,840 Speaker 3: studio to this time, I just wanted to just amp 66 00:02:47,919 --> 00:02:48,680 Speaker 3: up the energy a bit. 67 00:02:48,919 --> 00:02:49,680 Speaker 1: Yeah right. 68 00:02:49,800 --> 00:02:51,200 Speaker 4: It must be a shame for you. It's such an 69 00:02:51,280 --> 00:02:53,959 Speaker 4: instant reaction. Yeah, when you say a crowd and that reactor. 70 00:02:54,000 --> 00:02:56,200 Speaker 4: Have you ever been rattled by a reaction, whether it 71 00:02:56,200 --> 00:02:57,280 Speaker 4: was positive or negative? 72 00:02:57,600 --> 00:02:59,440 Speaker 3: I mean I had a I was. I was a 73 00:02:59,440 --> 00:03:02,880 Speaker 3: bit scared on the last album. I went on tour 74 00:03:02,919 --> 00:03:04,680 Speaker 3: before the album came out, like I did these like 75 00:03:04,720 --> 00:03:06,640 Speaker 3: things called the album was called Flickers, so I call 76 00:03:06,720 --> 00:03:09,000 Speaker 3: them the Flicker sessions. So I did one in Sydney, 77 00:03:09,400 --> 00:03:12,519 Speaker 3: played the n more did they didn't one in London, 78 00:03:12,560 --> 00:03:15,400 Speaker 3: did one in Dublin. We did all the major cities 79 00:03:16,320 --> 00:03:18,200 Speaker 3: played the first one in Dublin. The album hadn't even 80 00:03:18,200 --> 00:03:21,120 Speaker 3: come out, known heard any songs. Yeah, yeah, and so 81 00:03:21,160 --> 00:03:22,919 Speaker 3: it was kind of a nod just doing a gig 82 00:03:22,960 --> 00:03:26,040 Speaker 3: to a crowd that a couple of thousand people are 83 00:03:26,120 --> 00:03:27,959 Speaker 3: but they don't know that any of the songs. So 84 00:03:28,000 --> 00:03:29,919 Speaker 3: it was actually quite nice. They were kind of kind 85 00:03:29,919 --> 00:03:32,600 Speaker 3: of staring at me trying to figure out what songs 86 00:03:32,639 --> 00:03:34,440 Speaker 3: they like, which. 87 00:03:34,280 --> 00:03:34,880 Speaker 1: Was quite sick. 88 00:03:34,920 --> 00:03:38,160 Speaker 3: Actually, yeah, well, yeah, I just thought it was a 89 00:03:38,160 --> 00:03:40,760 Speaker 3: good reaction. I've never been there's sometimes you go on 90 00:03:40,800 --> 00:03:43,200 Speaker 3: stage and it's maybe not your gig, like sometimes you 91 00:03:43,280 --> 00:03:45,560 Speaker 3: do these like radio shows and there's like twelve acts 92 00:03:45,560 --> 00:03:47,360 Speaker 3: on the bill. You can tell that they're there for 93 00:03:47,440 --> 00:03:49,720 Speaker 3: one active one act, like. 94 00:03:51,160 --> 00:03:56,040 Speaker 1: Just a bit ratt this song. Nol Horren's in the 95 00:03:56,040 --> 00:03:59,880 Speaker 1: studio with us now. We were talking about touring. 96 00:04:00,080 --> 00:04:02,920 Speaker 4: I can't imagine getting on stage and performing songs that 97 00:04:02,960 --> 00:04:05,160 Speaker 4: you've never performed before. Yeah, people haven't heard them before, 98 00:04:05,200 --> 00:04:07,080 Speaker 4: and how scary that would have been. How do you 99 00:04:07,120 --> 00:04:10,000 Speaker 4: get yourself out before a show? Like what's your last 100 00:04:10,440 --> 00:04:12,680 Speaker 4: ten minutes before you get on stage. I imagine that's 101 00:04:12,680 --> 00:04:13,760 Speaker 4: pretty wrecking. 102 00:04:14,040 --> 00:04:17,360 Speaker 3: When it's your own show. You know they're there for you, 103 00:04:17,720 --> 00:04:19,560 Speaker 3: and you know they want you to do well, and 104 00:04:19,600 --> 00:04:21,440 Speaker 3: you have to put on you know, they've paid money 105 00:04:21,480 --> 00:04:23,080 Speaker 3: to see you, so you put on the best show 106 00:04:23,080 --> 00:04:26,000 Speaker 3: you can't, yeah, and they want you to win. And 107 00:04:26,040 --> 00:04:28,360 Speaker 3: when you're doing other shows and there's other people on 108 00:04:28,400 --> 00:04:30,320 Speaker 3: the bill, as they say, or a live TV start, 109 00:04:30,400 --> 00:04:32,520 Speaker 3: like you've got three minutes to do the best version 110 00:04:32,520 --> 00:04:34,760 Speaker 3: of that song ever done, you know, like if you're 111 00:04:34,800 --> 00:04:36,720 Speaker 3: on the television show or whatever, and then that's it. 112 00:04:36,839 --> 00:04:38,720 Speaker 3: So you get that's what that's why you get really 113 00:04:38,720 --> 00:04:43,039 Speaker 3: nervous to get that in the stomach, like walking doing 114 00:04:43,080 --> 00:04:46,160 Speaker 3: laps at the studio. Yeah, but for the most part, 115 00:04:46,279 --> 00:04:47,720 Speaker 3: try and keep everything as chill as I can. 116 00:04:48,120 --> 00:04:50,720 Speaker 4: Is there a moment where the nerves dissipate, like when 117 00:04:50,760 --> 00:04:51,640 Speaker 4: you hit that first note? 118 00:04:51,960 --> 00:04:54,560 Speaker 3: Is that that's It's kind of like a good football match, 119 00:04:54,560 --> 00:04:55,760 Speaker 3: you know, if you get your first touch out of 120 00:04:55,760 --> 00:04:56,560 Speaker 3: the way, you know. 121 00:04:58,920 --> 00:04:59,400 Speaker 1: Really good. 122 00:04:59,600 --> 00:05:01,760 Speaker 3: If you can had the first few lanes out and 123 00:05:01,800 --> 00:05:03,320 Speaker 3: they're not allowed to tune, you're doing all right. 124 00:05:04,120 --> 00:05:07,599 Speaker 1: Where your first chord. Yeah, it's all down hill from there. 125 00:05:09,160 --> 00:05:09,640 Speaker 1: I've done that. 126 00:05:09,640 --> 00:05:10,200 Speaker 3: I've looked. 127 00:05:13,320 --> 00:05:14,200 Speaker 1: Sixty Look. 128 00:05:15,680 --> 00:05:19,239 Speaker 3: What is that just and it comes to your last second. 129 00:05:19,320 --> 00:05:20,920 Speaker 3: I mean, like you you're putting your hand on there 130 00:05:20,960 --> 00:05:21,960 Speaker 3: to play it, and it's came to you. 131 00:05:22,040 --> 00:05:24,920 Speaker 1: But I know I can I pull you out of 132 00:05:24,960 --> 00:05:26,320 Speaker 1: a performance space just quickly. 133 00:05:26,360 --> 00:05:28,880 Speaker 2: I was just reading some stuff about you backpacking recently actually, 134 00:05:28,920 --> 00:05:31,560 Speaker 2: which I thought was really interesting because you know, obviously 135 00:05:31,560 --> 00:05:33,360 Speaker 2: from where you've come from and the reason that you're 136 00:05:33,400 --> 00:05:35,760 Speaker 2: on everyone's radars originally was the biggest phenomenon in the 137 00:05:35,800 --> 00:05:36,479 Speaker 2: last decade. 138 00:05:37,520 --> 00:05:40,840 Speaker 1: How do you go separating who you are? 139 00:05:41,080 --> 00:05:42,839 Speaker 2: Like, you know, the fact that you know you're NAHR 140 00:05:42,880 --> 00:05:44,520 Speaker 2: and you're walking into the building today. You know, we 141 00:05:44,800 --> 00:05:49,560 Speaker 2: keep that amongst ourselves otherwise the whole I meet you 142 00:05:49,800 --> 00:05:52,080 Speaker 2: and you know, you're what twenty six, you're in here. 143 00:05:52,320 --> 00:05:54,400 Speaker 2: You're very very normal guy. 144 00:05:55,600 --> 00:05:57,720 Speaker 1: Do you find it hard to sort of go out 145 00:05:57,760 --> 00:05:59,720 Speaker 1: in the real world and just go like I just 146 00:05:59,760 --> 00:06:01,480 Speaker 1: want to, you know, go backpacking. 147 00:06:01,640 --> 00:06:03,680 Speaker 2: And I just actually hang out at hos still and 148 00:06:03,720 --> 00:06:06,080 Speaker 2: made a couple of randoms and inside of them, Hey, 149 00:06:06,240 --> 00:06:07,680 Speaker 2: I want to talk about you know, we were going 150 00:06:07,720 --> 00:06:08,440 Speaker 2: to go drinking tonight. 151 00:06:08,800 --> 00:06:10,600 Speaker 1: You know what I did ten years ago with you know, 152 00:06:10,720 --> 00:06:11,719 Speaker 1: four the Gods exactly? 153 00:06:12,440 --> 00:06:17,840 Speaker 3: Do you find that sometimes? Yeah, I'd always literally just 154 00:06:17,880 --> 00:06:21,600 Speaker 3: see myself as the most normal fellow. I do have 155 00:06:21,680 --> 00:06:24,240 Speaker 3: a normal mates to do normal jobs and try and 156 00:06:24,320 --> 00:06:27,760 Speaker 3: do normal things with them, and getting out and about 157 00:06:27,839 --> 00:06:31,080 Speaker 3: sometimes can be a pain, Yeah, but I mean it's 158 00:06:31,120 --> 00:06:32,440 Speaker 3: part and parcel of what I do is just what 159 00:06:32,480 --> 00:06:34,800 Speaker 3: I signed up for us suppose. Yeah, the backpacking thing 160 00:06:34,920 --> 00:06:37,480 Speaker 3: was great, and it was it was in It was 161 00:06:37,520 --> 00:06:39,440 Speaker 3: that just that just that when one day he had 162 00:06:39,720 --> 00:06:44,280 Speaker 3: paused and we just like that was in December. So 163 00:06:44,440 --> 00:06:46,400 Speaker 3: I came out here in January. My cousins were living 164 00:06:46,480 --> 00:06:48,920 Speaker 3: here and my cousin was actually had lived here for 165 00:06:49,000 --> 00:06:52,480 Speaker 3: six years in Melbourne and was moving back, moving back 166 00:06:52,480 --> 00:06:55,080 Speaker 3: to England to London to live in London. So we 167 00:06:55,120 --> 00:06:57,120 Speaker 3: said we'd go through and do backpack across Asia on 168 00:06:57,160 --> 00:06:58,800 Speaker 3: the way back. So we flew to Balley and then 169 00:06:58,880 --> 00:07:02,640 Speaker 3: started just away. Yeah, but it was amazing. It was 170 00:07:02,640 --> 00:07:04,360 Speaker 3: actually a lot easier than I thought because I was 171 00:07:04,520 --> 00:07:07,400 Speaker 3: blending in as much as I could in like bars 172 00:07:07,480 --> 00:07:10,080 Speaker 3: and whatever. If I've seen people wearing a lot of 173 00:07:10,120 --> 00:07:12,720 Speaker 3: people were wearing baseball caps, I'd put a baseball Yeah. 174 00:07:13,560 --> 00:07:15,320 Speaker 3: If we were out and I've seen like we're on 175 00:07:15,360 --> 00:07:17,240 Speaker 3: a beach party or something that those people were taking 176 00:07:17,240 --> 00:07:23,200 Speaker 3: their tops off, I did the same. Din't understand. I 177 00:07:23,200 --> 00:07:25,080 Speaker 3: didn't want to stand out at all. And to be fair, 178 00:07:25,200 --> 00:07:26,960 Speaker 3: we went back back and went stayed in some hostels 179 00:07:27,000 --> 00:07:30,040 Speaker 3: and stuff, and people will come up to me just 180 00:07:30,120 --> 00:07:34,480 Speaker 3: like basically congratulated me on being normal. You were kind 181 00:07:34,520 --> 00:07:36,520 Speaker 3: of like fair play to you, you know, for giving 182 00:07:36,560 --> 00:07:37,120 Speaker 3: it a go and. 183 00:07:37,360 --> 00:07:39,560 Speaker 1: Being in a hostel. Yeah, and being in as Oh 184 00:07:39,600 --> 00:07:40,040 Speaker 1: my god, we. 185 00:07:40,080 --> 00:07:43,720 Speaker 3: Used to play the stayed in some sketchy places. Yeah. 186 00:07:43,880 --> 00:07:46,280 Speaker 3: I walked into one in the in the Philippines one 187 00:07:46,360 --> 00:07:47,840 Speaker 3: night and there was a spider on the wall. It 188 00:07:47,920 --> 00:07:51,280 Speaker 3: was the size of my hand. Condensation dripping down past them. 189 00:07:52,680 --> 00:07:55,560 Speaker 3: Are you doing You're in like six men domes, four 190 00:07:55,600 --> 00:07:58,680 Speaker 3: of us. Yeah, yeah, you're in these like shade domes. Yeah. 191 00:08:01,880 --> 00:08:03,880 Speaker 3: It was because like when I'd always say it, like 192 00:08:03,960 --> 00:08:05,800 Speaker 3: in the band we did everything. 193 00:08:05,840 --> 00:08:07,160 Speaker 1: Like so together. 194 00:08:07,360 --> 00:08:09,560 Speaker 3: Yeah, it was like you know, the Jets and the 195 00:08:09,600 --> 00:08:12,040 Speaker 3: five Star and all that stuff like that, and then 196 00:08:12,640 --> 00:08:14,640 Speaker 3: a few months later than you know, a holt of 197 00:08:14,680 --> 00:08:17,520 Speaker 3: It was great, like a great experience like the Proper 198 00:08:17,600 --> 00:08:19,960 Speaker 3: Ground and I loved it and I'll do it I 199 00:08:20,080 --> 00:08:20,480 Speaker 3: do it again. 200 00:08:20,560 --> 00:08:24,520 Speaker 2: Yeah, you come across as a very very very stand 201 00:08:24,600 --> 00:08:26,800 Speaker 2: up like what you say is what you get, and 202 00:08:27,160 --> 00:08:28,640 Speaker 2: it's brilliant that you're making these sort of music. And 203 00:08:28,680 --> 00:08:30,080 Speaker 2: can I also say, like, of all the blokes that 204 00:08:30,080 --> 00:08:31,800 Speaker 2: were in that and part of that, it's really cool 205 00:08:31,840 --> 00:08:33,199 Speaker 2: to say you've got your own sound now and like 206 00:08:33,320 --> 00:08:36,000 Speaker 2: it's obviously you know, you play guitar, you're the front 207 00:08:36,040 --> 00:08:38,719 Speaker 2: man of the band now, and that's like that's it. 208 00:08:38,840 --> 00:08:42,199 Speaker 2: That's going to be a huge, huge transition, man. So congratulations. 209 00:08:42,760 --> 00:08:44,760 Speaker 1: I appreciate it, really really really happy for you. So 210 00:08:44,840 --> 00:08:45,360 Speaker 1: thanks for coming in. 211 00:08:45,520 --> 00:08:47,079 Speaker 3: Thank you, thank you. 212 00:08:47,120 --> 00:08:48,080 Speaker 1: I have a great afternoon. 213 00:08:48,160 --> 00:08:48,360 Speaker 3: Thank you. 214 00:08:49,679 --> 00:08:50,520 Speaker 1: See what you're hearing. 215 00:08:50,760 --> 00:08:54,000 Speaker 3: Find us on Instagram and Facebook search Will and Woody