1
00:00:01,000 --> 00:00:01,560
Speaker 1: Woods.

2
00:00:01,880 --> 00:00:03,400
Speaker 2: A few days ago, now, we had a woman play

3
00:00:03,440 --> 00:00:06,240
Speaker 2: the quiz who truly had one of the most remarkable

4
00:00:06,320 --> 00:00:08,479
Speaker 2: names we've ever had on this show before.

5
00:00:09,240 --> 00:00:11,880
Speaker 3: Alrighty playing the quiz today, we've got nah hello.

6
00:00:11,720 --> 00:00:19,120
Speaker 1: Nah, Yes, she would be. We just couldn't stop thinking

7
00:00:19,120 --> 00:00:22,560
Speaker 1: about the confusion that would cause. But what's your name? Nah?

8
00:00:22,560 --> 00:00:23,959
Speaker 1: Oh geez, sorry, just.

9
00:00:23,840 --> 00:00:26,520
Speaker 3: Asking for your name, like in a bar context that

10
00:00:26,920 --> 00:00:28,160
Speaker 3: would actually have happened, right.

11
00:00:28,120 --> 00:00:31,440
Speaker 2: Actually is so problematic, And she admitted that, Nah, she's

12
00:00:31,440 --> 00:00:33,879
Speaker 2: just fake names all the time when she orders coffee.

13
00:00:34,600 --> 00:00:36,559
Speaker 3: LJ Is that right, el, like she said, like when

14
00:00:36,560 --> 00:00:39,639
Speaker 3: she said, hey, it's nah here, then she said then

15
00:00:40,040 --> 00:00:41,879
Speaker 3: l excuse me, and she goes, you know, like yeah

16
00:00:41,960 --> 00:00:43,360
Speaker 3: nah right, she.

17
00:00:43,200 --> 00:00:45,880
Speaker 1: Said that to her words exactly, So it must happen

18
00:00:45,920 --> 00:00:46,560
Speaker 1: all all the time.

19
00:00:46,920 --> 00:00:47,120
Speaker 4: Yeah.

20
00:00:47,159 --> 00:00:49,960
Speaker 2: No, Like she qualified her name by saying, yeah, nah.

21
00:00:50,040 --> 00:00:51,559
Speaker 2: I feel like in another country you might get away

22
00:00:51,600 --> 00:00:51,760
Speaker 2: with this.

23
00:00:51,800 --> 00:00:52,320
Speaker 1: Australia.

24
00:00:53,040 --> 00:00:56,720
Speaker 2: Nah, he's like breathing for people. You say nah before

25
00:00:56,760 --> 00:00:59,760
Speaker 2: you even have a thought. Oh, you know, someone asks

26
00:00:59,800 --> 00:01:04,040
Speaker 2: something nah, so you're thinking as you say nah nah.

27
00:01:04,560 --> 00:01:06,880
Speaker 1: Yeah, it's very true to that. It's everywhere.

28
00:01:07,360 --> 00:01:09,240
Speaker 2: It must be so problematic for her and you know

29
00:01:09,480 --> 00:01:13,240
Speaker 2: she Yeah, must really struggle with that. So, as good

30
00:01:13,280 --> 00:01:16,600
Speaker 2: citizens of this country, I feel as if it is

31
00:01:16,720 --> 00:01:20,520
Speaker 2: our job and our duty to really have some fun

32
00:01:20,600 --> 00:01:28,840
Speaker 2: with this. We are going to have a whole lot

33
00:01:28,880 --> 00:01:32,720
Speaker 2: of fun with a woman called Nah in Ah is

34
00:01:32,800 --> 00:01:34,720
Speaker 2: her name. She called her play the Quiz a couple

35
00:01:34,720 --> 00:01:35,400
Speaker 2: of days ago.

36
00:01:35,880 --> 00:01:37,000
Speaker 1: You can't stop talking about her.

37
00:01:37,000 --> 00:01:38,440
Speaker 2: I can't stop talking about the amount of problems she

38
00:01:38,440 --> 00:01:39,840
Speaker 2: would have had in her life day to day.

39
00:01:39,880 --> 00:01:40,640
Speaker 1: Your name's Nah.

40
00:01:40,800 --> 00:01:45,400
Speaker 2: Absolute nightmare, absolute nightmare, day to day. Absolutely, But gee, whiz,

41
00:01:45,600 --> 00:01:48,360
Speaker 2: is it a shit storm when a radio show calls

42
00:01:48,400 --> 00:01:51,920
Speaker 2: you with a just a yes game for ten thousand

43
00:01:51,960 --> 00:01:56,080
Speaker 2: dollars where the final question is what's your name?

44
00:01:56,520 --> 00:01:56,720
Speaker 1: Yeah?

45
00:01:56,800 --> 00:02:00,000
Speaker 3: I still reckon get four yess and then get really

46
00:02:00,040 --> 00:02:01,880
Speaker 3: excited because you're going to call her as like a well,

47
00:02:01,880 --> 00:02:02,720
Speaker 3: I'm going to call her as.

48
00:02:02,600 --> 00:02:06,600
Speaker 2: A day jock date with the name Darren Collins. Darren

49
00:02:06,680 --> 00:02:08,760
Speaker 2: Collins colo on kiss, that'll be his name.

50
00:02:08,840 --> 00:02:11,120
Speaker 1: Oh gee, that works. I'll save the voice. I'll save that.

51
00:02:11,160 --> 00:02:14,600
Speaker 2: We've you heard it before. I can't ram up that

52
00:02:14,720 --> 00:02:17,160
Speaker 2: energy just yet. But like so, I'm going to I'm

53
00:02:17,160 --> 00:02:18,840
Speaker 2: going to become colo on kiss very shortly.

54
00:02:18,880 --> 00:02:20,560
Speaker 1: He's doing it. He's doing his shift. He's in the

55
00:02:20,560 --> 00:02:21,280
Speaker 1: middle of his shift.

56
00:02:21,639 --> 00:02:24,080
Speaker 2: He's called her randomly because she was on Willan Woody recently.

57
00:02:24,880 --> 00:02:27,680
Speaker 2: And we've got a ten thousand dollars Just say yes game.

58
00:02:27,720 --> 00:02:30,640
Speaker 2: If you answer five questions by saying yes, you win

59
00:02:30,680 --> 00:02:31,520
Speaker 2: ten thousand dollars.

60
00:02:31,560 --> 00:02:32,200
Speaker 1: That's the setup.

61
00:02:32,240 --> 00:02:34,679
Speaker 2: Amazing right, all right, the fifth question somehow I will

62
00:02:34,680 --> 00:02:35,720
Speaker 2: get to her name and.

63
00:02:35,800 --> 00:02:39,959
Speaker 1: She's just gonna that's bloody bird, good luck.

64
00:02:43,520 --> 00:02:43,680
Speaker 5: Hy.

65
00:02:43,760 --> 00:02:46,079
Speaker 6: Yeah, how's it going. My name is Daran Collins. I'm

66
00:02:46,080 --> 00:02:47,760
Speaker 6: calling from Kiss one day six five? Hell? Are you

67
00:02:47,840 --> 00:02:48,160
Speaker 6: this up?

68
00:02:48,280 --> 00:02:48,440
Speaker 1: Name?

69
00:02:50,639 --> 00:02:50,839
Speaker 2: Yeah?

70
00:02:50,880 --> 00:02:51,120
Speaker 7: Really?

71
00:02:51,120 --> 00:02:52,360
Speaker 1: Well, have you've got a second of talk?

72
00:02:54,520 --> 00:02:56,360
Speaker 5: So all right, so you're on Willan Woody recently.

73
00:02:56,440 --> 00:02:58,720
Speaker 6: Everybody that's going on will and Woody goes in the

74
00:02:58,800 --> 00:03:01,359
Speaker 6: draw to play on air for the ten thousand dollars.

75
00:03:01,400 --> 00:03:02,160
Speaker 5: Just say yes game.

76
00:03:03,480 --> 00:03:06,799
Speaker 1: Also, okay, would you like to give that a crack? Yes?

77
00:03:08,680 --> 00:03:08,880
Speaker 7: Right?

78
00:03:08,960 --> 00:03:10,120
Speaker 1: Okay? Cool. So what we're gonna do.

79
00:03:10,200 --> 00:03:12,320
Speaker 6: I'm in a song right now, all right, So you're

80
00:03:12,320 --> 00:03:13,800
Speaker 6: just gonna hear a little bit more of the song

81
00:03:14,040 --> 00:03:16,800
Speaker 6: and then on the other side we'll we'll crack in.

82
00:03:16,880 --> 00:03:18,840
Speaker 1: Okay, okay, sound good.

83
00:03:18,760 --> 00:03:20,360
Speaker 6: Okay, So it's just all it is very still. I'll

84
00:03:20,360 --> 00:03:22,400
Speaker 6: explain all this on air, but you're just gonna answer

85
00:03:22,480 --> 00:03:25,919
Speaker 6: fight yes to five questions. All right, okay, all right,

86
00:03:25,960 --> 00:03:27,680
Speaker 6: so you're in a quiet room. Just make sure your

87
00:03:27,760 --> 00:03:29,280
Speaker 6: radio is on the background, all that sort of gear.

88
00:03:29,320 --> 00:03:32,679
Speaker 1: Okay, sure, no worries, right.

89
00:03:32,520 --> 00:03:36,400
Speaker 6: Okay, here we go, good luck, make back.

90
00:03:36,520 --> 00:03:38,760
Speaker 1: We're winding back, lorda Chris got the floor.

91
00:03:38,600 --> 00:03:38,960
Speaker 4: To make.

92
00:03:51,920 --> 00:03:52,600
Speaker 5: Yeah, there he is.

93
00:03:52,640 --> 00:03:55,200
Speaker 6: It's color on Kiss one six five. Hope you're having

94
00:03:55,200 --> 00:03:58,320
Speaker 6: a great drive home. Hey, very quickly right now, I

95
00:03:58,360 --> 00:04:00,640
Speaker 6: know that was my man, Asha. You're man as well,

96
00:04:00,680 --> 00:04:03,000
Speaker 6: saying yeah and speaking of yeah.

97
00:04:03,080 --> 00:04:08,279
Speaker 1: Well, it's time to break say game.

98
00:04:11,080 --> 00:04:12,839
Speaker 6: All right, do you guys know that you'll say yes

99
00:04:12,840 --> 00:04:16,000
Speaker 6: five times your chance to win ten k? Here with

100
00:04:16,160 --> 00:04:18,719
Speaker 6: Colo on Kiss. We got our first player.

101
00:04:18,800 --> 00:04:20,520
Speaker 7: Here are you there? Y?

102
00:04:21,279 --> 00:04:21,440
Speaker 6: Hey?

103
00:04:21,440 --> 00:04:21,640
Speaker 7: Hey?

104
00:04:21,760 --> 00:04:22,640
Speaker 5: All right, here we go.

105
00:04:22,880 --> 00:04:24,520
Speaker 1: So have you heard this perform?

106
00:04:25,279 --> 00:04:25,560
Speaker 7: I have?

107
00:04:25,839 --> 00:04:27,680
Speaker 5: I have wonderful all right, So we.

108
00:04:27,720 --> 00:04:30,760
Speaker 6: Gotta do is just answer yes to five questions and

109
00:04:30,839 --> 00:04:32,560
Speaker 6: you get yourself ten k.

110
00:04:33,360 --> 00:04:34,480
Speaker 1: All right, here we go.

111
00:04:37,360 --> 00:04:41,520
Speaker 5: First question is a carrot orange?

112
00:04:42,640 --> 00:04:46,480
Speaker 1: Yes, well done, We've.

113
00:04:46,360 --> 00:04:47,000
Speaker 5: Got a player.

114
00:04:47,400 --> 00:04:48,040
Speaker 1: Here we go.

115
00:04:48,480 --> 00:04:53,560
Speaker 5: Here we go, all right. Second question, do you live

116
00:04:54,560 --> 00:04:55,240
Speaker 5: on Earth?

117
00:04:56,680 --> 00:04:56,880
Speaker 8: Yes?

118
00:04:59,200 --> 00:05:01,080
Speaker 5: There's two from two. I'm not sure where else you

119
00:05:01,160 --> 00:05:01,600
Speaker 5: might live?

120
00:05:02,880 --> 00:05:03,359
Speaker 1: Not sure?

121
00:05:04,120 --> 00:05:05,159
Speaker 7: Al right, Here we go.

122
00:05:05,120 --> 00:05:09,920
Speaker 6: For question three. Remember five questions, ten grand? Have you

123
00:05:10,040 --> 00:05:13,440
Speaker 6: breathed today? Yeah?

124
00:05:13,760 --> 00:05:16,320
Speaker 1: Yeah, you have, otherwise you wouldn't be talking to me.

125
00:05:17,760 --> 00:05:18,320
Speaker 7: Yeah you have.

126
00:05:18,839 --> 00:05:21,240
Speaker 5: All right, turn to go.

127
00:05:22,640 --> 00:05:23,400
Speaker 1: How are you feeling?

128
00:05:24,040 --> 00:05:24,680
Speaker 9: Are you sorry?

129
00:05:24,800 --> 00:05:25,520
Speaker 10: Nervous?

130
00:05:26,440 --> 00:05:27,000
Speaker 1: Ten grand?

131
00:05:27,040 --> 00:05:27,799
Speaker 7: I'd be nervous.

132
00:05:27,920 --> 00:05:29,640
Speaker 6: I know you were breathing before, but you might not

133
00:05:29,680 --> 00:05:32,200
Speaker 6: be surely, my god? All right, here we go. Question four?

134
00:05:33,200 --> 00:05:34,479
Speaker 6: Is it dark at night?

135
00:05:36,839 --> 00:05:37,080
Speaker 2: Yeah?

136
00:05:38,600 --> 00:05:43,480
Speaker 1: Yes, it is, Yes it is. Oh my god, is

137
00:05:43,520 --> 00:05:44,400
Speaker 1: it dark at night?

138
00:05:44,480 --> 00:05:45,000
Speaker 7: All right?

139
00:05:45,440 --> 00:05:46,040
Speaker 1: Here we go.

140
00:05:47,120 --> 00:05:52,719
Speaker 6: Five questions ten thousand dollars, the kiss, ten thousand dollars,

141
00:05:52,800 --> 00:05:55,119
Speaker 6: just say yes game question five?

142
00:05:55,640 --> 00:05:59,960
Speaker 5: Ten grand on the line here, Oh my god.

143
00:06:00,080 --> 00:06:02,600
Speaker 6: Well, before we get to question five, I realized I

144
00:06:02,600 --> 00:06:03,640
Speaker 6: haven't even asked your name.

145
00:06:03,680 --> 00:06:04,280
Speaker 7: What's your name?

146
00:06:05,080 --> 00:06:05,479
Speaker 11: I'm not.

147
00:06:07,160 --> 00:06:12,760
Speaker 6: Oh no, I mean it's just it's say yes. Five

148
00:06:12,839 --> 00:06:15,480
Speaker 6: times you've you said.

149
00:06:15,360 --> 00:06:19,440
Speaker 4: Nah, No, that's so turkey.

150
00:06:22,040 --> 00:06:22,719
Speaker 1: So sorry.

151
00:06:22,800 --> 00:06:26,880
Speaker 5: So your name's actually nah, like it's no.

152
00:06:26,960 --> 00:06:31,159
Speaker 9: Yeah it is, it's like yeah, but nah.

153
00:06:32,880 --> 00:06:33,560
Speaker 7: Yeah, but noah.

154
00:06:33,600 --> 00:06:36,320
Speaker 1: I'm so sorry. I can't give you the cash.

155
00:06:36,600 --> 00:06:37,440
Speaker 9: That sucks.

156
00:06:43,120 --> 00:06:43,760
Speaker 7: No, it's not.

157
00:06:43,960 --> 00:06:45,799
Speaker 1: It's willing Woody it's Willing Woody.

158
00:06:45,800 --> 00:06:46,440
Speaker 2: He was a joke.

159
00:06:47,320 --> 00:06:51,720
Speaker 10: Oh oh my god, I thought I was really gonna win.

160
00:06:54,680 --> 00:06:56,040
Speaker 7: We could hear it in your voice.

161
00:06:56,160 --> 00:06:59,479
Speaker 8: No, I know, I almost like was planning like a

162
00:06:59,520 --> 00:07:05,599
Speaker 8: triple it in my head. You suck. That's a really

163
00:07:05,640 --> 00:07:08,040
Speaker 8: good voice. Who was that was that will A Woody?

164
00:07:08,360 --> 00:07:11,280
Speaker 7: It's Will? It was Will Oh Will?

165
00:07:11,640 --> 00:07:16,320
Speaker 2: No, Will Oh, Sorry, you walked right into it.

166
00:07:16,440 --> 00:07:19,120
Speaker 1: I can't believe it. It just shut up and you

167
00:07:19,240 --> 00:07:19,920
Speaker 1: just it was.

168
00:07:20,360 --> 00:07:22,640
Speaker 3: Our producer told us that you made that joke when

169
00:07:22,640 --> 00:07:24,360
Speaker 3: you were saying your name, when you were like I'm

170
00:07:24,360 --> 00:07:27,040
Speaker 3: called Na, like you know, yeah nah, As Will said,

171
00:07:27,040 --> 00:07:28,400
Speaker 3: it just sat up for us, and we had to

172
00:07:28,440 --> 00:07:29,720
Speaker 3: have a little bit of fun with you.

173
00:07:29,760 --> 00:07:32,520
Speaker 1: But I know, we don't want you to leave empty handed.

174
00:07:32,680 --> 00:07:33,880
Speaker 1: We don't want to leave empty hand.

175
00:07:33,960 --> 00:07:37,040
Speaker 3: So you can have a Holts Locks pass, you can

176
00:07:37,080 --> 00:07:39,559
Speaker 3: have a spinal lease pillow. You're gonna have one hundred

177
00:07:39,560 --> 00:07:41,880
Speaker 3: dollars a Porto voucher, and you're gonna have one hundred

178
00:07:41,880 --> 00:07:43,040
Speaker 3: dollars red Rooster voucher.

179
00:07:43,960 --> 00:07:46,880
Speaker 9: Okay, thing, I'm not going to Europe now, but.

180
00:07:50,000 --> 00:07:51,760
Speaker 6: Hey, Will just say listen, you might be able to

181
00:07:51,800 --> 00:07:52,880
Speaker 6: win the ten thousand dollars.

182
00:07:52,920 --> 00:07:54,800
Speaker 1: Just say no game. A little bit later on, we'll

183
00:07:54,880 --> 00:07:55,680
Speaker 1: change it up for you.

184
00:07:56,960 --> 00:08:00,320
Speaker 8: Oh god, that is such a good voice.

185
00:08:01,560 --> 00:08:06,800
Speaker 2: Oh my god, did your dad embarrass you in front

186
00:08:06,840 --> 00:08:08,120
Speaker 2: of your new partner?

187
00:08:10,680 --> 00:08:12,760
Speaker 1: Nothing worse. It's almost the dad's duty, though.

188
00:08:12,800 --> 00:08:15,400
Speaker 2: I am looking forward to the moment when I absolutely

189
00:08:15,720 --> 00:08:17,840
Speaker 2: mortify my daughter in front of the first boy she

190
00:08:17,920 --> 00:08:18,320
Speaker 2: brings home.

191
00:08:18,920 --> 00:08:20,720
Speaker 1: Oh, I've already got it in the calendar. What are

192
00:08:20,720 --> 00:08:21,080
Speaker 1: you thinking?

193
00:08:21,840 --> 00:08:23,920
Speaker 2: I'm going to rock in in like a like a

194
00:08:24,040 --> 00:08:28,080
Speaker 2: like a Onesie or something. Yeah, rageous outfit for no reason.

195
00:08:28,240 --> 00:08:28,640
Speaker 1: Love that.

196
00:08:28,840 --> 00:08:31,600
Speaker 2: Yeah, you have no reason behind it. Don't even mention it. Yeah,

197
00:08:31,720 --> 00:08:32,440
Speaker 2: just don't mention it.

198
00:08:32,520 --> 00:08:34,760
Speaker 1: Yeah of course. Oh it is act normal, yeah, abnormal.

199
00:08:34,880 --> 00:08:36,920
Speaker 2: Yeah, walk in in like a banana hammock and just

200
00:08:37,000 --> 00:08:38,000
Speaker 2: act totally normal.

201
00:08:38,000 --> 00:08:40,000
Speaker 1: But and then just ask me if they want to coffee.

202
00:08:40,000 --> 00:08:41,839
Speaker 3: He went from one you guys after a coffee, you

203
00:08:41,920 --> 00:08:44,360
Speaker 3: went from one sie to g strings so quickly.

204
00:08:44,760 --> 00:08:47,320
Speaker 1: Yeah, just keep it really clean. Yeah, hey guys, would

205
00:08:47,320 --> 00:08:48,600
Speaker 1: you would you both like a juice?

206
00:08:48,920 --> 00:08:49,160
Speaker 2: Yeah?

207
00:08:49,440 --> 00:08:49,920
Speaker 1: Love that.

208
00:08:50,360 --> 00:08:51,839
Speaker 2: Your mum will need a juice after you know what

209
00:08:51,880 --> 00:08:54,080
Speaker 2: we've been up doing there. That's sort of oh wow.

210
00:08:55,240 --> 00:08:58,680
Speaker 2: Just make her, just make the ground, the ground beneath

211
00:08:58,679 --> 00:08:59,720
Speaker 2: her feet, swallow her up.

212
00:09:00,160 --> 00:09:03,320
Speaker 1: Have so much, it'll be good. But right now.

213
00:09:04,840 --> 00:09:09,480
Speaker 2: Took the mantle of dad who embarrasses his daughter on

214
00:09:09,520 --> 00:09:11,679
Speaker 2: the TV Today as he was interviewing quite a big

215
00:09:11,720 --> 00:09:14,800
Speaker 2: deal JFK's daughter, Caroline Kennedy, who is the ambassador for

216
00:09:15,200 --> 00:09:17,400
Speaker 2: the United States, and he had her on the Today

217
00:09:17,440 --> 00:09:18,600
Speaker 2: Show and asked her this.

218
00:09:19,559 --> 00:09:22,400
Speaker 11: There are some weighty issues too, but there are some

219
00:09:22,400 --> 00:09:25,559
Speaker 11: some some seriously light ones. I hope you don't take

220
00:09:25,559 --> 00:09:27,880
Speaker 11: any offense. What I'm going to ask my daughter wanted

221
00:09:27,880 --> 00:09:36,640
Speaker 11: to know if your son is single.

222
00:09:37,320 --> 00:09:39,560
Speaker 1: Also, your daughter must be so mad at you right now.

223
00:09:41,040 --> 00:09:43,760
Speaker 2: Oh my god, I just did the overlaugh to cover

224
00:09:43,840 --> 00:09:47,720
Speaker 2: the awkwardness. Oh yeah, can we hear it again? Because

225
00:09:47,880 --> 00:09:49,520
Speaker 2: it really is no fairy bit. It listened to the

226
00:09:49,559 --> 00:09:50,000
Speaker 2: laughter here.

227
00:09:57,679 --> 00:09:59,760
Speaker 1: Next question, Next question?

228
00:10:00,240 --> 00:10:03,319
Speaker 2: Have you got Christie's called on thirty one and six five? Christy?

229
00:10:03,600 --> 00:10:06,240
Speaker 2: What happened when your partner met your dad?

230
00:10:07,360 --> 00:10:10,440
Speaker 9: Hey, fellas my current partner when he met my dad

231
00:10:10,720 --> 00:10:14,480
Speaker 9: was an engineer doing life the explosions for mining, and

232
00:10:14,600 --> 00:10:16,640
Speaker 9: that my father proceeded to.

233
00:10:16,280 --> 00:10:17,680
Speaker 10: Tell him that I would be able to.

234
00:10:17,679 --> 00:10:20,640
Speaker 9: Assist him because I produced enough gas or the flatulan

235
00:10:21,200 --> 00:10:22,120
Speaker 9: that would be able to help you.

236
00:10:24,120 --> 00:10:25,040
Speaker 7: That's a crack out.

237
00:10:25,040 --> 00:10:28,599
Speaker 2: I love it, Gabrielle. This when you were fourteen fourteen.

238
00:10:29,360 --> 00:10:33,360
Speaker 9: Yes, I took my new partner in to meet my mom.

239
00:10:33,960 --> 00:10:38,040
Speaker 9: Asked where dad was so he could meet my dad outside.

240
00:10:38,400 --> 00:10:43,800
Speaker 9: Walked outside there my dad was stuck naked the leaves

241
00:10:44,080 --> 00:10:45,280
Speaker 9: out of the swimming pool.

242
00:10:45,640 --> 00:10:50,560
Speaker 3: No wait, I mean he's got like the pool net,

243
00:10:50,679 --> 00:10:52,720
Speaker 3: like the thing or is he bending over going for

244
00:10:52,760 --> 00:10:53,839
Speaker 3: the leaves?

245
00:10:54,040 --> 00:10:55,160
Speaker 9: Thank god he had the.

246
00:10:55,120 --> 00:10:57,559
Speaker 1: Pool net was in the filter. He wasn't in the filter.

247
00:10:58,800 --> 00:11:02,160
Speaker 1: The line a lie thanks to the call, Gabrielle.

248
00:11:03,160 --> 00:11:04,280
Speaker 2: One of the things that you and I were toying

249
00:11:04,320 --> 00:11:05,600
Speaker 2: with before we were to the song was the fact

250
00:11:05,600 --> 00:11:07,120
Speaker 2: that you and I will have this opportunity.

251
00:11:07,200 --> 00:11:09,400
Speaker 1: See I cannot, and I don't know about you, but my.

252
00:11:09,320 --> 00:11:11,200
Speaker 2: Mind was spinning in the song and I was just

253
00:11:11,240 --> 00:11:15,480
Speaker 2: thinking mortifying questions to ask when Max brings the first

254
00:11:15,520 --> 00:11:17,240
Speaker 2: boy home or the first girl home for that matter,

255
00:11:18,600 --> 00:11:20,760
Speaker 2: Questions like have you got a five year plan?

256
00:11:21,240 --> 00:11:21,560
Speaker 4: Oh?

257
00:11:22,040 --> 00:11:25,480
Speaker 2: Brilliant, Like even if they're like seventeen, have you got

258
00:11:25,480 --> 00:11:26,240
Speaker 2: a five year plan?

259
00:11:26,640 --> 00:11:26,880
Speaker 4: Yes?

260
00:11:29,320 --> 00:11:31,120
Speaker 1: Have you got a hall pass as well?

261
00:11:31,200 --> 00:11:31,400
Speaker 7: Oh?

262
00:11:31,600 --> 00:11:35,079
Speaker 1: Wow? In front of every in front of it.

263
00:11:35,160 --> 00:11:36,559
Speaker 3: I just go over things like, hey, mate, can you

264
00:11:36,600 --> 00:11:38,160
Speaker 3: come into the bathroom and say like, look, I've got

265
00:11:38,200 --> 00:11:41,480
Speaker 3: a cyst, I'm a bum. And because they're going to

266
00:11:41,520 --> 00:11:43,400
Speaker 3: do it, it's like you are going to do anything

267
00:11:43,440 --> 00:11:45,280
Speaker 3: for me. You're trying to impress my daughter.

268
00:11:45,880 --> 00:11:52,080
Speaker 2: Get the sist, Courtney assault.

269
00:11:52,400 --> 00:11:56,520
Speaker 1: Let's go to Courtney. Maybe what happened? You're talking about

270
00:11:56,600 --> 00:11:58,439
Speaker 1: dad embarrassing you in front of your new partner. What

271
00:11:58,520 --> 00:11:59,040
Speaker 1: have you got?

272
00:11:59,720 --> 00:12:02,319
Speaker 8: Yeah, so I had a four year old at the time,

273
00:12:02,640 --> 00:12:05,480
Speaker 8: and my dad came over for the first family dinner

274
00:12:05,520 --> 00:12:07,440
Speaker 8: and he thought that it was would be funny to

275
00:12:07,520 --> 00:12:11,680
Speaker 8: embarrass me with photos of my placenter from my first son.

276
00:12:12,040 --> 00:12:14,160
Speaker 1: Oh oh wow.

277
00:12:14,240 --> 00:12:18,640
Speaker 3: So you just got just solo placenta shots you Yeah,

278
00:12:18,679 --> 00:12:19,480
Speaker 3: wow wow.

279
00:12:20,120 --> 00:12:21,960
Speaker 8: My dad was in the in the room when I

280
00:12:22,000 --> 00:12:24,760
Speaker 8: gave birth to my son, and he thought it was

281
00:12:24,760 --> 00:12:26,480
Speaker 8: cool to take a photo of it. And yeah, he

282
00:12:26,480 --> 00:12:27,600
Speaker 8: thought that would embarrass me.

283
00:12:27,960 --> 00:12:29,640
Speaker 2: Framing is going to be pretty key there when you're

284
00:12:29,640 --> 00:12:32,080
Speaker 2: taking any photos in the birth suite, Courtney, I imagine

285
00:12:32,080 --> 00:12:33,240
Speaker 2: that would have been an anxious moment.

286
00:12:36,240 --> 00:12:41,960
Speaker 1: Yeah, well, let's go seriously.

287
00:12:41,960 --> 00:12:43,720
Speaker 2: When you're in that birth weight there are just there's

288
00:12:43,760 --> 00:12:45,880
Speaker 2: so much going on you're going to take a photo,

289
00:12:45,960 --> 00:12:49,000
Speaker 2: there's like the precision on where that lens is is

290
00:12:49,440 --> 00:12:53,680
Speaker 2: really key. In fact this, I thought that the nurses

291
00:12:53,720 --> 00:12:56,000
Speaker 2: in the operating theater were amazing like that. We're an

292
00:12:56,000 --> 00:12:58,520
Speaker 2: emergency c so there's a lot of stuff going on,

293
00:12:58,559 --> 00:13:00,680
Speaker 2: and you look at the photos. It's just a beautiful

294
00:13:00,679 --> 00:13:03,840
Speaker 2: baby just outside that shot bedlam.

295
00:13:04,120 --> 00:13:06,000
Speaker 1: Yeah, I think I was worried about downstairs. A few

296
00:13:06,000 --> 00:13:08,559
Speaker 1: people got nipple. I forgot about upstairs. Oh, I think

297
00:13:08,559 --> 00:13:12,720
Speaker 1: that's all right, Comes to the territory. Comes to the territory.

298
00:13:12,800 --> 00:13:13,640
Speaker 1: Let's go to Josh here.

299
00:13:16,200 --> 00:13:18,800
Speaker 2: Josh, we're talking about if your dad embarrassed you in

300
00:13:18,840 --> 00:13:19,920
Speaker 2: front of your new partner.

301
00:13:21,160 --> 00:13:23,720
Speaker 12: Well, I was taking my dog for a walk with

302
00:13:23,760 --> 00:13:27,120
Speaker 12: my partner and my dad, and my dad took my

303
00:13:27,240 --> 00:13:30,840
Speaker 12: partner aside and told her to say water, we shouldn't

304
00:13:30,840 --> 00:13:33,240
Speaker 12: flush after every use and only flashed every three to

305
00:13:33,360 --> 00:13:37,560
Speaker 12: four uses. I was, I went myself in my room.

306
00:13:39,760 --> 00:13:40,760
Speaker 1: She does live it?

307
00:13:40,800 --> 00:13:40,920
Speaker 2: Now?

308
00:13:43,160 --> 00:13:44,719
Speaker 1: Did she did she follow the rules at all?

309
00:13:44,760 --> 00:13:44,840
Speaker 11: Like?

310
00:13:44,880 --> 00:13:46,959
Speaker 1: Did she did she go in and not flush?

311
00:13:47,040 --> 00:13:47,240
Speaker 7: Run?

312
00:13:48,200 --> 00:13:48,400
Speaker 6: No?

313
00:13:48,480 --> 00:13:50,040
Speaker 12: She didn't, thank god?

314
00:13:51,000 --> 00:13:57,160
Speaker 1: Oh yeah she flashed right of course, She's like you're

315
00:13:57,200 --> 00:13:59,719
Speaker 1: a boy though, you're a boy, right, I.

316
00:13:59,679 --> 00:14:03,160
Speaker 2: Think I think you feel as much pressure with the

317
00:14:03,160 --> 00:14:06,640
Speaker 2: opposite sex. Yeah, sure, I think if you're a boy

318
00:14:06,679 --> 00:14:08,840
Speaker 2: going to someone's house, you've got that sense of subservience.

319
00:14:08,880 --> 00:14:11,840
Speaker 1: But yeah, predicting her dignity. Yeah, now you're right, there's

320
00:14:11,840 --> 00:14:15,360
Speaker 1: no way that you're leaving it. Yeah, let's go to.

321
00:14:17,160 --> 00:14:20,000
Speaker 7: Yeah, you're just not, You're just not.

322
00:14:20,320 --> 00:14:21,320
Speaker 1: I mean that's worst.

323
00:14:21,360 --> 00:14:25,160
Speaker 2: That for me is worst nightmare territory a new partner's house.

324
00:14:26,360 --> 00:14:27,120
Speaker 1: Yeah, are you.

325
00:14:27,080 --> 00:14:29,120
Speaker 3: Okay with if it's yellow letted, mellow, if it's brown

326
00:14:29,120 --> 00:14:29,720
Speaker 3: flush at time?

327
00:14:29,760 --> 00:14:31,360
Speaker 1: I've recently become a mellow yellow.

328
00:14:31,160 --> 00:14:33,720
Speaker 2: Hey boys, one fair enough, I recently have become a

329
00:14:33,800 --> 00:14:34,720
Speaker 2: yellow mellow guy though.

330
00:14:34,760 --> 00:14:40,880
Speaker 3: Yeah, Alyssa, your dad's embarrassed you by saying something, hey.

331
00:14:40,840 --> 00:14:43,680
Speaker 10: Boys, how are you going? Yeah, so this happened about

332
00:14:43,720 --> 00:14:47,320
Speaker 10: six years ago. Now, myself, my partners just got to

333
00:14:47,480 --> 00:14:49,720
Speaker 10: mind and they were having a general conversation with the kitchen,

334
00:14:49,760 --> 00:14:52,200
Speaker 10: and I had to quickly run to the toilet. It

335
00:14:52,320 --> 00:14:54,800
Speaker 10: definitely wasn't a number one. It was a number two,

336
00:14:54,960 --> 00:14:59,040
Speaker 10: and unfortunately we can't always be quiet. They both heard

337
00:14:59,160 --> 00:15:02,880
Speaker 10: me going to the toilet, and my dad thought it

338
00:15:02,920 --> 00:15:03,640
Speaker 10: was pretty funny.

339
00:15:03,680 --> 00:15:05,359
Speaker 8: Say, oh, the plopper droppers.

340
00:15:05,000 --> 00:15:11,560
Speaker 1: Going yesterday Woods. Yeah. I spoke to a woman called

341
00:15:11,600 --> 00:15:15,160
Speaker 1: Alisha who told us this, what was the most expensive

342
00:15:15,160 --> 00:15:16,080
Speaker 1: thing you swallowed?

343
00:15:16,440 --> 00:15:20,200
Speaker 4: One hundred thousand dollars pim Tams. They had these promos.

344
00:15:20,240 --> 00:15:23,200
Speaker 4: If he got a golden hymn Tam, you won one

345
00:15:23,280 --> 00:15:26,480
Speaker 4: hundred thousand dollars. I opened the pack and the movie

346
00:15:26,520 --> 00:15:30,040
Speaker 4: it was dark, and I looked, Oh my god, I

347
00:15:30,160 --> 00:15:30,440
Speaker 4: got it.

348
00:15:30,520 --> 00:15:31,840
Speaker 9: That's that's unique.

349
00:15:32,480 --> 00:15:35,840
Speaker 4: And then I just hate it, not realizing and then

350
00:15:35,880 --> 00:15:37,840
Speaker 4: I looked at the pack and it said.

351
00:15:37,720 --> 00:15:45,480
Speaker 1: Yeh, unbelievable blunder, and we have got unbelievable blunder.

352
00:15:45,600 --> 00:15:50,800
Speaker 2: Like I remember that campaign because of how heavily promoted

353
00:15:50,840 --> 00:15:51,160
Speaker 2: it was.

354
00:15:51,480 --> 00:15:55,120
Speaker 1: Oh yeah, it was everywhere. Everybody knew about that. Tim

355
00:15:55,160 --> 00:15:57,080
Speaker 1: Rebards was the genie. And then to.

356
00:15:56,840 --> 00:16:00,480
Speaker 2: Find out yesterday on the show that one of our

357
00:16:01,320 --> 00:16:06,440
Speaker 2: one of our listeners scoffed it solo in a dark

358
00:16:06,480 --> 00:16:09,160
Speaker 2: cinema is, as we said before, one of the great

359
00:16:09,160 --> 00:16:10,160
Speaker 2: blonders in this century.

360
00:16:10,200 --> 00:16:13,560
Speaker 1: Alisha joins us again. Now, Alisha, welcome back to Willem Woody.

361
00:16:14,280 --> 00:16:16,520
Speaker 7: Hi, guys, tell you we're good.

362
00:16:16,560 --> 00:16:18,800
Speaker 3: We're much better than you because you're reminiscing about eating

363
00:16:18,800 --> 00:16:20,400
Speaker 3: one hundred thousand dollars effectively.

364
00:16:20,760 --> 00:16:21,800
Speaker 1: But Alicia, I.

365
00:16:21,720 --> 00:16:23,480
Speaker 4: Feel like I need to give context to that.

366
00:16:23,720 --> 00:16:26,080
Speaker 1: Yesh, go on, give us context. We need to know

367
00:16:26,160 --> 00:16:27,040
Speaker 1: more about what happened.

368
00:16:27,440 --> 00:16:32,160
Speaker 4: I am studying my master's. I am a sexual assault counselor.

369
00:16:32,280 --> 00:16:34,400
Speaker 4: That were two young people, and I had a hectic,

370
00:16:34,680 --> 00:16:35,920
Speaker 4: soul destroying week.

371
00:16:36,120 --> 00:16:37,360
Speaker 7: Obviously, I just did.

372
00:16:37,240 --> 00:16:39,440
Speaker 4: A packet of intense. I kicked back. You know, I

373
00:16:39,560 --> 00:16:41,680
Speaker 4: watch the movie for an hour or two. Plus I've

374
00:16:41,680 --> 00:16:44,840
Speaker 4: got two babies, so it was just like, yeah, it

375
00:16:44,880 --> 00:16:48,160
Speaker 4: was just like that. But then the resentment after was

376
00:16:48,200 --> 00:16:51,320
Speaker 4: like the shock initially, and then it was.

377
00:16:51,280 --> 00:16:53,360
Speaker 2: So, Alsia, can we go let let's just go to

378
00:16:53,400 --> 00:16:55,760
Speaker 2: the shock, because this is I was. I was on

379
00:16:55,760 --> 00:16:57,560
Speaker 2: the way home last night and I was thinking to myself,

380
00:16:57,960 --> 00:17:01,600
Speaker 2: you wiz, I didn't like, what point did you realize

381
00:17:01,600 --> 00:17:03,200
Speaker 2: that you'd eaten the gold?

382
00:17:03,240 --> 00:17:08,880
Speaker 13: Tim tam So when I was actually cleaning up the wrapper, Yeah,

383
00:17:08,880 --> 00:17:12,639
Speaker 13: and I seen that Jeanie lamp haunts me still to

384
00:17:12,680 --> 00:17:14,240
Speaker 13: this day.

385
00:17:14,880 --> 00:17:15,560
Speaker 1: Yeah.

386
00:17:16,640 --> 00:17:19,359
Speaker 4: So and then it was just one hundred thousand.

387
00:17:19,960 --> 00:17:22,000
Speaker 2: So then so it was but did you like have

388
00:17:22,040 --> 00:17:24,239
Speaker 2: a flashback to you were like, oh my god, there

389
00:17:24,280 --> 00:17:25,960
Speaker 2: was a weird Sparkley Tim Tam in there.

390
00:17:25,960 --> 00:17:27,520
Speaker 1: But you were in the dark. You're in a cinema.

391
00:17:27,520 --> 00:17:29,000
Speaker 1: How did you know it was golden Sparkley.

392
00:17:29,359 --> 00:17:31,480
Speaker 4: No, no, because there was you know, flashes in there,

393
00:17:31,520 --> 00:17:37,040
Speaker 4: so you could see. So, okay, that's that's different. Let

394
00:17:37,040 --> 00:17:37,360
Speaker 4: it go.

395
00:17:37,640 --> 00:17:37,920
Speaker 1: Okay.

396
00:17:37,920 --> 00:17:40,040
Speaker 2: So then you saw the rapper afterwards, you picked up

397
00:17:40,040 --> 00:17:42,320
Speaker 2: the wrapper and the rapper said on it.

398
00:17:42,240 --> 00:17:42,400
Speaker 6: What.

399
00:17:43,880 --> 00:17:46,160
Speaker 4: One hundred thousand dollars for a golden Tintam?

400
00:17:46,920 --> 00:17:48,399
Speaker 7: You die?

401
00:17:48,560 --> 00:17:51,960
Speaker 4: I haven't, Like I said, I hadn't even told anyone yesterday.

402
00:17:51,960 --> 00:17:55,160
Speaker 2: I'm like, shut up, we're the first people you told

403
00:17:55,200 --> 00:17:56,400
Speaker 2: about eating one hundred dollars.

404
00:17:56,960 --> 00:18:01,560
Speaker 4: Yes, tell anyone just from the backlash. And I've got

405
00:18:01,600 --> 00:18:03,080
Speaker 4: a really big Moldlock family.

406
00:18:03,280 --> 00:18:05,840
Speaker 1: What Yeah, they would have disowned.

407
00:18:05,840 --> 00:18:07,480
Speaker 4: You would have been still flowing.

408
00:18:07,680 --> 00:18:10,800
Speaker 2: So you were so so, you're working flat chat, you

409
00:18:10,880 --> 00:18:14,160
Speaker 2: got two kids. You're so gassed, you're so gassed, you're

410
00:18:14,200 --> 00:18:14,960
Speaker 2: so broken at the in.

411
00:18:15,000 --> 00:18:19,160
Speaker 4: The day submitted yeah an assignment.

412
00:18:19,400 --> 00:18:22,240
Speaker 2: Okay, okay, So all this is going on and you're

413
00:18:22,280 --> 00:18:24,800
Speaker 2: so gassed and so intense that you scoff a pack

414
00:18:24,880 --> 00:18:28,240
Speaker 2: of Tim TAM's like their succuitars to the point that

415
00:18:28,480 --> 00:18:30,160
Speaker 2: you miss out on the fact that one of them's

416
00:18:30,200 --> 00:18:32,080
Speaker 2: golden and you swallowed a hundred thousand dollars.

417
00:18:32,320 --> 00:18:34,480
Speaker 1: Wow, that is awesome. Did you have Do you have

418
00:18:34,520 --> 00:18:35,920
Speaker 1: a partner at the time, Alisha?

419
00:18:36,600 --> 00:18:38,680
Speaker 4: Yeah, I didn't tell him. I didn't tell you a lot.

420
00:18:39,440 --> 00:18:42,040
Speaker 4: I didn't know like you, just like my family. You

421
00:18:42,200 --> 00:18:44,159
Speaker 4: just if you under feel like if you knew you,

422
00:18:44,440 --> 00:18:46,560
Speaker 4: you know, you're like I would never live it down.

423
00:18:46,680 --> 00:18:48,640
Speaker 1: So so sorry, Alicia. Are you still with the guy

424
00:18:48,760 --> 00:18:50,400
Speaker 1: that you were with when you ate the one hundred

425
00:18:50,440 --> 00:18:51,280
Speaker 1: thousand dollars Tim Tam?

426
00:18:52,200 --> 00:18:53,600
Speaker 4: Yeah, and he still doesn't know.

427
00:18:54,240 --> 00:18:56,480
Speaker 2: Wow. Wow.

428
00:18:57,320 --> 00:18:59,800
Speaker 3: And so just to confirm again, Alia, did you try

429
00:19:00,040 --> 00:19:03,359
Speaker 3: did you try and contact Tim Tam, like, trust me

430
00:19:03,359 --> 00:19:05,120
Speaker 3: and believe me, I ate the golden Tim Tam.

431
00:19:05,720 --> 00:19:10,280
Speaker 4: No, it was just pure. It was just I was

432
00:19:10,320 --> 00:19:14,000
Speaker 4: ashamed of myself by that point, Alicia.

433
00:19:14,440 --> 00:19:17,040
Speaker 2: My first response there would be, oh my god, I've

434
00:19:17,040 --> 00:19:19,760
Speaker 2: just swallowed a hundred thousand dollars Tim Tam. Yeah, Yeah,

435
00:19:19,960 --> 00:19:21,920
Speaker 2: what's the what's the numer for Tim Tam? One three hundred,

436
00:19:21,920 --> 00:19:24,400
Speaker 2: Tim Tam. I'd be trying to try and get onto

437
00:19:24,440 --> 00:19:27,399
Speaker 2: them and be like, yo, I've swallowed the thing. Is

438
00:19:27,440 --> 00:19:29,200
Speaker 2: there any commonation you haven't done any of that?

439
00:19:29,760 --> 00:19:31,320
Speaker 1: No, okay, were there.

440
00:19:31,280 --> 00:19:34,040
Speaker 4: Any Like I said, it's the embarrassment.

441
00:19:34,359 --> 00:19:37,200
Speaker 2: How many other golden Timtams, Like how many golden tim

442
00:19:37,240 --> 00:19:39,720
Speaker 2: Tams were given out in that primo even know?

443
00:19:39,840 --> 00:19:41,920
Speaker 4: I don't want to know, because you know, I'm lucky

444
00:19:42,000 --> 00:19:44,520
Speaker 4: the sis I got it, but then you know, to

445
00:19:44,640 --> 00:19:47,000
Speaker 4: eat it. It's just ridiculous, you know what I mean?

446
00:19:47,160 --> 00:19:50,360
Speaker 1: Like it was so it is, it is definitely ridiculous.

447
00:19:50,440 --> 00:19:52,720
Speaker 1: Button push your turn. Tom is telling me, Tommy, you

448
00:19:52,800 --> 00:19:55,040
Speaker 1: were saying, yeah, I'm on the Golden tim Tam website

449
00:19:55,080 --> 00:19:57,560
Speaker 1: now and it's still golden tim Tams. Yeah.

450
00:19:57,640 --> 00:20:01,400
Speaker 14: So they're still running this promotion, but days they said,

451
00:20:01,880 --> 00:20:04,760
Speaker 14: unlike our previous promotions, there are no physical golden tim

452
00:20:04,800 --> 00:20:06,600
Speaker 14: Tam biscuits in this promotion anymore.

453
00:20:06,640 --> 00:20:09,480
Speaker 1: So I feel like is the one.

454
00:20:09,720 --> 00:20:10,359
Speaker 7: To go away?

455
00:20:10,520 --> 00:20:12,720
Speaker 1: She was the one that Alisha was the one that

456
00:20:12,840 --> 00:20:13,320
Speaker 1: got away.

457
00:20:14,880 --> 00:20:17,600
Speaker 2: You can imagine they'd be sitting around at tim Tam headquarters.

458
00:20:18,920 --> 00:20:21,359
Speaker 2: I imagine a plethora of Tim TAM's on their at

459
00:20:21,400 --> 00:20:23,840
Speaker 2: their board meeting. By the way, going, guys, we put

460
00:20:23,880 --> 00:20:27,240
Speaker 2: a golden tim Tam out there. No one's claiming for anyone.

461
00:20:27,400 --> 00:20:30,000
Speaker 2: No one's claimed she's just been sitting.

462
00:20:30,560 --> 00:20:33,639
Speaker 1: Wow, Alisha, you are the ghose that laid the golden

463
00:20:33,680 --> 00:20:36,760
Speaker 1: Tim Tam. This is amazing. We're gonna, I think we can.

464
00:20:36,920 --> 00:20:40,760
Speaker 2: I feel I feel like, Alicia, would you let us

465
00:20:40,920 --> 00:20:44,440
Speaker 2: contact Tim Tam for you and try and salvage something

466
00:20:44,480 --> 00:20:44,760
Speaker 2: from this?

467
00:20:46,640 --> 00:20:46,880
Speaker 1: Sure?

468
00:20:47,560 --> 00:20:49,240
Speaker 3: I feel like we need to tell your partner first, though,

469
00:20:49,280 --> 00:20:51,960
Speaker 3: By the way, I think, are you happy to open

470
00:20:52,040 --> 00:20:53,159
Speaker 3: to calling your partner?

471
00:20:53,280 --> 00:20:54,720
Speaker 10: You would kill me, He'll kill me.

472
00:20:54,760 --> 00:20:55,879
Speaker 1: I think we're gonna have to call him.

473
00:20:57,080 --> 00:20:59,159
Speaker 3: Yeah, if you're tell him on air, we'll give you

474
00:20:59,160 --> 00:20:59,880
Speaker 3: a pack of Tim Tam.

475
00:21:01,400 --> 00:21:02,000
Speaker 1: One of them might be.

476
00:21:04,920 --> 00:21:08,359
Speaker 3: Talking about the hottest story today, and that is Russell

477
00:21:08,480 --> 00:21:13,119
Speaker 3: Brand texting Katy Perry before her show and breaking up

478
00:21:13,160 --> 00:21:14,840
Speaker 3: with her. I mean will, I mean, you brought this

479
00:21:14,920 --> 00:21:17,240
Speaker 3: to my attention and you were very excited about it.

480
00:21:18,080 --> 00:21:22,840
Speaker 1: Who cares happened six years ago? Who cares it happened

481
00:21:23,040 --> 00:21:25,000
Speaker 1: six years ago? We don't get me fired out about it.

482
00:21:25,080 --> 00:21:27,680
Speaker 2: If you know anyone, anyone that's seen the Katy Perry

483
00:21:27,720 --> 00:21:29,440
Speaker 2: documentary knows where I'm going from.

484
00:21:30,400 --> 00:21:32,639
Speaker 1: Yes, I cried in the Katy Perry doc o. Nobody

485
00:21:32,680 --> 00:21:35,360
Speaker 1: deserves to get broken up with overtext let alone. Yeah,

486
00:21:35,359 --> 00:21:35,800
Speaker 1: I agree with that.

487
00:21:35,960 --> 00:21:38,200
Speaker 2: While they're about to go on stage in front of

488
00:21:38,240 --> 00:21:39,920
Speaker 2: eighty thousand people. I just think he's a pig.

489
00:21:40,320 --> 00:21:42,760
Speaker 1: And sure, you know that's where that's where you stand,

490
00:21:42,800 --> 00:21:44,160
Speaker 1: and you'd think you would have let it go after

491
00:21:44,200 --> 00:21:46,040
Speaker 1: six years. But it came up again. Came up again

492
00:21:46,119 --> 00:21:48,560
Speaker 1: yesterday because he was on Bear Grills podcast. Yeah No

493
00:21:48,680 --> 00:21:51,440
Speaker 1: good Recovery, and he talked about writing that text.

494
00:21:51,520 --> 00:21:54,399
Speaker 3: But anyway, I found it really interesting when you started

495
00:21:54,440 --> 00:21:59,560
Speaker 3: talking specifically about Russell Brand and even more specifically just

496
00:21:59,640 --> 00:22:02,200
Speaker 3: talking about how from the character that he played in

497
00:22:02,280 --> 00:22:05,600
Speaker 3: Forgetting Sarah Marshall, it made you kind of not like him.

498
00:22:06,520 --> 00:22:09,119
Speaker 1: I just I just don't get him. I don't I

499
00:22:09,160 --> 00:22:12,720
Speaker 1: don't get appeal he does. I mean he was he

500
00:22:12,840 --> 00:22:15,840
Speaker 1: was to truck for a while there Forgetting Sarah Marshall.

501
00:22:17,880 --> 00:22:19,920
Speaker 2: I think, so I can't divorce him from the character

502
00:22:20,000 --> 00:22:22,720
Speaker 2: he plays in Forgetting Sarah Marshall. Every time I hear

503
00:22:22,840 --> 00:22:24,919
Speaker 2: him talk, I'm like, oh my god, you're just an.

504
00:22:24,800 --> 00:22:26,840
Speaker 1: Infor maniac with a very fast tongue.

505
00:22:27,600 --> 00:22:31,399
Speaker 2: So that's the bid for you, I think so, I

506
00:22:31,440 --> 00:22:33,639
Speaker 2: think I find it I find it really hard to

507
00:22:33,720 --> 00:22:34,720
Speaker 2: divorce him from the character.

508
00:22:34,800 --> 00:22:35,280
Speaker 1: The character.

509
00:22:35,440 --> 00:22:37,959
Speaker 2: By the way, if you haven't seen Forgetting Sarah Marshall,

510
00:22:38,200 --> 00:22:41,159
Speaker 2: he plays as I said, he plays, but you have

511
00:22:41,320 --> 00:22:44,560
Speaker 2: to admit, for everyone that's seen Forgetting Sarah Marshall, it's

512
00:22:44,640 --> 00:22:46,560
Speaker 2: with Jason Siegel.

513
00:22:46,440 --> 00:22:51,800
Speaker 1: And Kristen Bell. Yes, and Who's the Girl Who's I

514
00:22:51,840 --> 00:22:54,680
Speaker 1: love that movie. It's a wonderful, really really funny movie.

515
00:22:54,720 --> 00:22:58,600
Speaker 2: But he plays this person who is really hard to

516
00:22:58,680 --> 00:23:01,080
Speaker 2: divorce from who he is or who he was at

517
00:23:01,119 --> 00:23:02,840
Speaker 2: that time in his life, which is dexactly what I said.

518
00:23:02,840 --> 00:23:06,560
Speaker 2: He's an informaniac, he over uses words, he's a pig,

519
00:23:07,320 --> 00:23:11,720
Speaker 2: He's effectively a pig. And yeah, that left I mean,

520
00:23:11,800 --> 00:23:13,320
Speaker 2: maybe it's just a mark of a good performance, but

521
00:23:13,359 --> 00:23:15,000
Speaker 2: it left such a mark on me that every time

522
00:23:15,040 --> 00:23:17,680
Speaker 2: I hear him talk, I just think about him playing

523
00:23:17,720 --> 00:23:18,480
Speaker 2: that guy in the movie.

524
00:23:19,000 --> 00:23:21,080
Speaker 1: My rights here. So I'm going to skid out of

525
00:23:21,200 --> 00:23:24,960
Speaker 1: them before anything else. It's any more daft am I drive,

526
00:23:25,000 --> 00:23:25,879
Speaker 1: I'm gonna have sex with her.

527
00:23:27,040 --> 00:23:31,400
Speaker 3: I just kind of found him, but I find it's

528
00:23:31,480 --> 00:23:34,320
Speaker 3: very interesting. So thirty one oh sixty five is our number.

529
00:23:34,520 --> 00:23:37,159
Speaker 3: Join us if you want, But will you clearly dislike

530
00:23:37,240 --> 00:23:39,440
Speaker 3: Russell Brand because of a character he played.

531
00:23:39,640 --> 00:23:43,119
Speaker 2: Oh, he's also like but it's a reason he's always

532
00:23:43,680 --> 00:23:47,680
Speaker 2: bos sure. But I kind of was overly verbose and

533
00:23:48,000 --> 00:23:52,080
Speaker 2: of itself. But yeah, no, yeah, I did myself there

534
00:23:52,119 --> 00:23:54,520
Speaker 2: with my own language. But yeah, he's I just think

535
00:23:54,560 --> 00:23:56,960
Speaker 2: he's a bit of a tossa because of the character

536
00:23:57,000 --> 00:23:57,320
Speaker 2: he played.

537
00:23:57,320 --> 00:23:59,280
Speaker 3: Sorry, thirty one oh six five. Is there an actor

538
00:24:00,280 --> 00:24:04,440
Speaker 3: you kind of hate just because of a character they play.

539
00:24:04,480 --> 00:24:08,280
Speaker 3: There's a couple for me the film Wedding Crashes. People

540
00:24:08,400 --> 00:24:10,480
Speaker 3: may not realize this. Bradley Cooper.

541
00:24:10,840 --> 00:24:15,560
Speaker 2: Oh, yes, he plays absolutely, Yes, who is going out

542
00:24:15,600 --> 00:24:17,440
Speaker 2: with roche M the All American?

543
00:24:18,320 --> 00:24:20,439
Speaker 1: Yeah, he plays the.

544
00:24:20,560 --> 00:24:24,000
Speaker 2: Zach Yes, yes, yes, in that football game they play

545
00:24:24,040 --> 00:24:25,440
Speaker 2: when he bins Owen Wilson.

546
00:24:25,680 --> 00:24:28,959
Speaker 3: Yes, yes, I don't know how he recovered from that, right.

547
00:24:29,320 --> 00:24:32,880
Speaker 3: The other one for me is my favorite movie, Gladiator.

548
00:24:34,200 --> 00:24:38,840
Speaker 1: Joaquin Phoenix. Yeah, it took me so long.

549
00:24:39,880 --> 00:24:43,680
Speaker 2: I reckon, I reckon the Yeah, well, the pillow scene,

550
00:24:44,480 --> 00:24:48,000
Speaker 2: the pillow scene his dad right, so intense, and then

551
00:24:48,000 --> 00:24:50,520
Speaker 2: obviously the bit at the end where he stabs him

552
00:24:50,520 --> 00:24:51,080
Speaker 2: before they go and.

553
00:24:51,119 --> 00:24:53,000
Speaker 1: Have that fight, and when he rocks up to a battle.

554
00:24:53,080 --> 00:24:58,800
Speaker 2: Yes, three movies that you can't spoil the sound of music,

555
00:24:59,240 --> 00:25:02,040
Speaker 2: Gladiator and The Lion King, and I think we're safe.

556
00:25:02,520 --> 00:25:07,200
Speaker 2: But one six five Do you hate an actor because

557
00:25:07,200 --> 00:25:09,560
Speaker 2: of a character they played? Because I would argue Jaquin

558
00:25:09,600 --> 00:25:11,560
Speaker 2: Phoenix is in the same area as as Heath Ledger.

559
00:25:11,640 --> 00:25:14,240
Speaker 1: There where he was so bad, he was good totally.

560
00:25:14,280 --> 00:25:14,800
Speaker 7: Do you know what I mean?

561
00:25:14,840 --> 00:25:16,520
Speaker 1: It must have been such a good performance for me

562
00:25:16,600 --> 00:25:18,879
Speaker 1: to hate him so right, and you're able to divorce,

563
00:25:18,920 --> 00:25:21,520
Speaker 1: But other people they just it's nagging.

564
00:25:21,840 --> 00:25:25,320
Speaker 3: Gotton Grantly played one of the most unlikable characters on

565
00:25:25,680 --> 00:25:26,280
Speaker 3: Home and Away?

566
00:25:26,520 --> 00:25:26,959
Speaker 1: Is that right?

567
00:25:27,240 --> 00:25:30,520
Speaker 3: You'd think I'd go to him playing Carl Williams his career,

568
00:25:30,560 --> 00:25:32,840
Speaker 3: but no, it was his Home and Away character, And

569
00:25:33,280 --> 00:25:35,840
Speaker 3: when we met him in person, I was surprised at

570
00:25:35,880 --> 00:25:37,040
Speaker 3: how nice he was.

571
00:25:37,400 --> 00:25:40,359
Speaker 2: I couldn't shake the Yeah, yeah, it does surprise me

572
00:25:40,440 --> 00:25:42,760
Speaker 2: that the mass murdering Carl Williams wasn't the first thing

573
00:25:42,760 --> 00:25:43,360
Speaker 2: that came to mind.

574
00:25:43,359 --> 00:25:44,080
Speaker 7: It was more of a what.

575
00:25:46,560 --> 00:25:48,120
Speaker 3: He was a guy who was a really bad influence

576
00:25:48,160 --> 00:25:49,840
Speaker 3: on a girl, you know, and she was just trying

577
00:25:49,840 --> 00:25:50,439
Speaker 3: to link on the.

578
00:25:50,400 --> 00:25:53,800
Speaker 1: Straight and narrow. Dodger was a shocking, shocking, influence took

579
00:25:53,840 --> 00:25:55,880
Speaker 1: me a bit. Let's go to Jemmy here on third one.

580
00:25:56,000 --> 00:25:58,480
Speaker 2: Six five, I should say, you do really have that

581
00:25:58,560 --> 00:26:01,240
Speaker 2: with Guyton Gurantley, though, like that Carl Williams role that

582
00:26:01,320 --> 00:26:04,440
Speaker 2: he played is so like again so bad that he's good.

583
00:26:05,040 --> 00:26:07,000
Speaker 2: It was so iconic that when you meet him and

584
00:26:07,040 --> 00:26:09,280
Speaker 2: again he's the loveliest person in the world, beautiful man,

585
00:26:09,840 --> 00:26:11,840
Speaker 2: you meet him that this is the first five seconds

586
00:26:11,960 --> 00:26:15,520
Speaker 2: before he speaks or before he interacts with you properly.

587
00:26:15,240 --> 00:26:17,360
Speaker 1: You go, oh my god, I'm talking to Carl Williams. Yeah,

588
00:26:17,400 --> 00:26:18,440
Speaker 1: you might kill me or whatever.

589
00:26:18,840 --> 00:26:22,159
Speaker 3: Let's got a Gemma here, Gemma, which actor do you

590
00:26:22,359 --> 00:26:24,679
Speaker 3: not like? Because the character they played.

591
00:26:25,359 --> 00:26:28,879
Speaker 9: Nikolai Costa, which was Jamie Lanno's from Game of Thrones.

592
00:26:31,320 --> 00:26:33,240
Speaker 1: He is gorgeous as well. He's hard not to like.

593
00:26:33,520 --> 00:26:35,280
Speaker 1: What about in What About?

594
00:26:35,320 --> 00:26:36,879
Speaker 6: In is It?

595
00:26:37,000 --> 00:26:40,480
Speaker 2: Point Break that he's in there with Paul Bettany and

596
00:26:40,680 --> 00:26:44,360
Speaker 2: Kirsten Dunst. He plays a lovely, lovely second role there.

597
00:26:44,480 --> 00:26:47,119
Speaker 1: Matt point. Matt point points with match point. Did you

598
00:26:47,119 --> 00:26:50,040
Speaker 1: see him in that Gemma? Yeah? I don't think many

599
00:26:50,080 --> 00:26:51,800
Speaker 1: people have seen that, but anyway, there was a good

600
00:26:51,840 --> 00:26:53,840
Speaker 1: tribe from us he's in a shocking TV series. The

601
00:26:53,920 --> 00:26:57,560
Speaker 1: Jennifer Ghanna, speaking of costume, was just showing off.

602
00:26:58,200 --> 00:27:01,800
Speaker 2: But there is something about It's that first scene. It's

603
00:27:01,840 --> 00:27:03,880
Speaker 2: the first scene when he when he came on me. Well,

604
00:27:04,119 --> 00:27:06,800
Speaker 2: well wealk about things you can't spoil. I probably can

605
00:27:06,920 --> 00:27:07,720
Speaker 2: spoil Game of Thrones.

606
00:27:07,840 --> 00:27:10,320
Speaker 1: Everybody. He effectively throws a child out of a window.

607
00:27:10,560 --> 00:27:14,320
Speaker 3: Oh that's shocking. Yeah, it's unredeemable. Yeah's will pretty bad

608
00:27:14,480 --> 00:27:15,800
Speaker 3: here on thirty one six y five?

609
00:27:15,960 --> 00:27:17,680
Speaker 1: Will who do you not lie? Because of the character

610
00:27:17,720 --> 00:27:18,160
Speaker 1: they played?

611
00:27:19,320 --> 00:27:20,600
Speaker 4: I hate Steve Carell.

612
00:27:21,200 --> 00:27:22,760
Speaker 1: Oh which character?

613
00:27:22,960 --> 00:27:26,000
Speaker 10: Will Michael in the office.

614
00:27:27,560 --> 00:27:28,720
Speaker 1: Really like?

615
00:27:29,560 --> 00:27:30,680
Speaker 9: I shouldn't sand him?

616
00:27:31,040 --> 00:27:33,720
Speaker 1: Are you a British office guy though you were?

617
00:27:34,280 --> 00:27:34,320
Speaker 6: No?

618
00:27:34,760 --> 00:27:36,760
Speaker 7: No, just in general, there you go.

619
00:27:37,040 --> 00:27:37,240
Speaker 1: Thanks.

620
00:27:37,280 --> 00:27:39,680
Speaker 9: Well. I like the US because it was funny, but

621
00:27:39,840 --> 00:27:41,959
Speaker 9: Steve was just too loud and annoying.

622
00:27:42,040 --> 00:27:43,720
Speaker 2: You might be the only person in the world that

623
00:27:43,840 --> 00:27:46,840
Speaker 2: doesn't like Steve Carell, Like that's that's the role.

624
00:27:47,000 --> 00:27:48,560
Speaker 3: Yeah, I think you just I think he just missed

625
00:27:48,560 --> 00:27:51,200
Speaker 3: the point. To be fair, it's it's it's an unlikable

626
00:27:51,200 --> 00:27:54,040
Speaker 3: bot he playing. He's playing an underwikable Yeah, yeah, totally, but.

627
00:27:54,280 --> 00:27:55,680
Speaker 1: It's talking about born into it.

628
00:27:56,440 --> 00:27:57,960
Speaker 2: He brought into it too much, and he's on I

629
00:27:58,080 --> 00:28:01,760
Speaker 2: see Jeremy Irons on Green obviously played scar in The

630
00:28:01,840 --> 00:28:06,080
Speaker 2: Lion King Life. Not fair stretch though that's a cartoon,

631
00:28:08,720 --> 00:28:13,480
Speaker 2: really is so iconic, and particularly obviously that Long Live

632
00:28:13,680 --> 00:28:14,080
Speaker 2: the King.

633
00:28:14,440 --> 00:28:15,560
Speaker 1: When he throws him off the.

634
00:28:15,600 --> 00:28:19,760
Speaker 2: Thing, it's just like, oh my god, you are nasty,

635
00:28:20,440 --> 00:28:23,280
Speaker 2: so nasty, but he's brilliant again, so bad, he's good.

636
00:28:23,560 --> 00:28:27,920
Speaker 2: Helena thirty one six five, which which actor was ruined

637
00:28:28,000 --> 00:28:28,680
Speaker 2: by a character they.

638
00:28:28,640 --> 00:28:32,880
Speaker 8: Played Meldas Thornton because she plays with missus Umbridge.

639
00:28:32,480 --> 00:28:34,800
Speaker 2: And Harry pot Oh yeah, my god, I hate that

640
00:28:34,960 --> 00:28:42,040
Speaker 2: woman so much. Wow, the woman with the cats, Yes, Bridge,

641
00:28:42,040 --> 00:28:43,880
Speaker 2: the woman with the cats. What's the evil thing she does?

642
00:28:44,160 --> 00:28:46,720
Speaker 2: When he has to write out lines and they appear

643
00:28:46,760 --> 00:28:48,040
Speaker 2: in blood on the back of his hand.

644
00:28:48,160 --> 00:28:49,880
Speaker 1: I remember that bite.

645
00:28:49,560 --> 00:28:51,640
Speaker 6: Even the crown as well, and I just I can't

646
00:28:51,720 --> 00:28:52,040
Speaker 6: watch her.

647
00:28:52,240 --> 00:28:55,520
Speaker 1: Yeah, she's is there again? We go back to do

648
00:28:55,640 --> 00:28:58,480
Speaker 1: you respect her? Though? Helena like you're like, wow, great performance.

649
00:28:59,600 --> 00:29:02,480
Speaker 8: Yeah I'm absoletely but at the same time, yeah.

650
00:29:02,960 --> 00:29:03,080
Speaker 7: You go.

651
00:29:03,240 --> 00:29:05,840
Speaker 3: It's if you're an actor, will and you could have

652
00:29:06,000 --> 00:29:08,680
Speaker 3: respect and be hated, would you prefer that then not

653
00:29:08,840 --> 00:29:09,880
Speaker 3: respect and being liked.

654
00:29:10,160 --> 00:29:12,200
Speaker 1: I prefer respect and hated in life in general, mate,

655
00:29:12,200 --> 00:29:13,800
Speaker 1: not just an actor. I was asking the wrong person?

656
00:29:16,280 --> 00:29:19,760
Speaker 1: Is my bag? How is your follow? And my friend?

657
00:29:24,240 --> 00:29:26,000
Speaker 2: A chance to win one thousand dollars in a Pepperjack

658
00:29:26,040 --> 00:29:31,200
Speaker 2: prize pack, all thanks to Pepperjack with Dad, Pole, Will

659
00:29:31,280 --> 00:29:33,920
Speaker 2: and Woodies, Dad.

660
00:29:34,520 --> 00:29:39,560
Speaker 14: Pom Pepperjack's new and deceptively good mid strengths to ass.

661
00:29:39,920 --> 00:29:43,400
Speaker 1: The mid strength that doesn't taste like one freak responsibly

662
00:29:44,400 --> 00:29:45,479
Speaker 1: very easy, well but two.

663
00:29:45,600 --> 00:29:50,040
Speaker 3: Dad's going back and forth with daddisms, or Dad's specific

664
00:29:50,240 --> 00:29:52,680
Speaker 3: phrases with a certain theme.

665
00:29:52,920 --> 00:29:57,040
Speaker 2: Will The theme today is watching sport, So things Dad

666
00:29:57,080 --> 00:30:00,760
Speaker 2: would say watching sports. These guys have Will and dot Com,

667
00:30:01,320 --> 00:30:03,440
Speaker 2: We've got Gai, We've got Sam guys.

668
00:30:03,560 --> 00:30:06,440
Speaker 1: The rules as always, you can't say the same thing.

669
00:30:06,560 --> 00:30:09,080
Speaker 2: You've got to say your Dad is in within three seconds,

670
00:30:09,160 --> 00:30:11,000
Speaker 2: and it can't be generic. All right, It's got to

671
00:30:11,040 --> 00:30:12,920
Speaker 2: be something Dad would say. Otherwise Woods and I will

672
00:30:12,960 --> 00:30:14,800
Speaker 2: jump in. You will have foiled and you will be

673
00:30:14,840 --> 00:30:17,440
Speaker 2: evicted A thousand dollars for the winner with the Pevyjack

674
00:30:17,440 --> 00:30:19,800
Speaker 2: price pack. Gie, you're gonna kick it off as soon

675
00:30:19,840 --> 00:30:20,840
Speaker 2: as you hear the pong noise.

676
00:30:21,640 --> 00:30:23,080
Speaker 1: Take it away. All right.

677
00:30:24,160 --> 00:30:26,160
Speaker 12: You get knocked down, but you get back up again.

678
00:30:26,760 --> 00:30:31,040
Speaker 9: Yeah, he rest meeds his eyes checked.

679
00:30:33,720 --> 00:30:39,200
Speaker 12: Knock it out of park, son, Yeah, my grandpa.

680
00:30:39,160 --> 00:30:40,480
Speaker 4: My grandmother plays better than this.

681
00:30:41,040 --> 00:30:45,200
Speaker 1: Oh yeah, the eyes on the prize.

682
00:30:45,280 --> 00:30:45,480
Speaker 12: Son.

683
00:30:48,840 --> 00:30:50,720
Speaker 10: If I was playing, I would have kicked the touch.

684
00:30:53,640 --> 00:30:58,480
Speaker 3: The balls in your court saying in general, but that's

685
00:30:58,520 --> 00:31:00,760
Speaker 3: more of a saying we keep going, We're going to

686
00:31:00,840 --> 00:31:01,800
Speaker 3: keep going, keep going.

687
00:31:02,720 --> 00:31:02,880
Speaker 7: Yeah.

688
00:31:02,960 --> 00:31:05,200
Speaker 2: No, I think Giant has just taken a sportism that

689
00:31:05,400 --> 00:31:07,040
Speaker 2: a metaphor the people using everyday life.

690
00:31:07,080 --> 00:31:08,640
Speaker 1: And because he's got the word ball, he's used it

691
00:31:08,640 --> 00:31:13,640
Speaker 1: as something to deavitate sports. So he's out. It's about Yeah, Sam,

692
00:31:13,760 --> 00:31:19,160
Speaker 1: you won You go to your life, ms gie Gie.

693
00:31:20,520 --> 00:31:23,520
Speaker 1: Can I have a quick guess that not a lot

694
00:31:23,560 --> 00:31:26,520
Speaker 1: of sport around you? Yeah?

695
00:31:26,600 --> 00:31:28,880
Speaker 4: Actually does a lot when my sons play rugby league.

696
00:31:29,640 --> 00:31:30,520
Speaker 7: Wow, right, did you?

697
00:31:30,800 --> 00:31:33,040
Speaker 1: But you know you would never yell from the sidelines

698
00:31:33,080 --> 00:31:40,160
Speaker 1: of the balls in your court. Life is agreeing with us.

699
00:31:45,400 --> 00:31:48,200
Speaker 2: Right now, We've got a chance for you to get

700
00:31:48,240 --> 00:31:51,760
Speaker 2: tickets to the Jonas Brothers Are You Live for the

701
00:31:51,920 --> 00:31:55,200
Speaker 2: first time in Australia for Jonas Brothers are bringing their

702
00:31:55,360 --> 00:31:56,680
Speaker 2: five albums one.

703
00:31:56,640 --> 00:31:58,480
Speaker 1: Night to us to us in much.

704
00:32:01,120 --> 00:32:03,680
Speaker 5: Tickets on sale now at Live nation dot.

705
00:32:03,640 --> 00:32:04,360
Speaker 1: Com dot Au.

706
00:32:04,680 --> 00:32:06,920
Speaker 2: A couple of weeks ago, we lost a bet to

707
00:32:07,120 --> 00:32:09,520
Speaker 2: Joe Jonas, which meant he could get us to do

708
00:32:09,800 --> 00:32:12,600
Speaker 2: anything he wanted. Well, and body will be opening up

709
00:32:12,720 --> 00:32:15,200
Speaker 2: for the Jonas Brothers when we perform in Australia.

710
00:32:15,480 --> 00:32:18,200
Speaker 1: Two songs of My Choosing and wardrobe of My Choosing.

711
00:32:18,360 --> 00:32:19,720
Speaker 1: You don't want to mess that shirt.

712
00:32:20,040 --> 00:32:22,880
Speaker 6: So if you think you can add some X factor

713
00:32:23,000 --> 00:32:25,520
Speaker 6: to our performance and you want tickets to go and

714
00:32:25,600 --> 00:32:29,880
Speaker 6: see the Jonas Brothers, now's your chance to join us.

715
00:32:30,320 --> 00:32:34,600
Speaker 1: Brothers. We're scratching your bag, you're scratching our back. That's

716
00:32:34,600 --> 00:32:35,440
Speaker 1: the way this is working.

717
00:32:35,560 --> 00:32:38,440
Speaker 3: If you want those tickets to the Jonas Brothers, you

718
00:32:38,600 --> 00:32:42,840
Speaker 3: have to show us some sort of X factor. You

719
00:32:43,240 --> 00:32:45,040
Speaker 3: have to be able to do something entertaining, because then

720
00:32:45,080 --> 00:32:47,880
Speaker 3: we might be able to use you when we warm

721
00:32:48,000 --> 00:32:50,160
Speaker 3: up for the Jonas Brothers when they're here in Australia.

722
00:32:50,280 --> 00:32:52,680
Speaker 1: That's exactly right. We've got a big, big show ahead

723
00:32:52,680 --> 00:32:53,240
Speaker 1: of us. Guys.

724
00:32:53,760 --> 00:32:56,720
Speaker 2: Again, no promises here, and in fact, if we're totally

725
00:32:56,760 --> 00:33:00,400
Speaker 2: honest with you and everybody that's called so far's been

726
00:33:00,440 --> 00:33:03,960
Speaker 2: dog awful. It's been shocking, it's been spend shocking dog

727
00:33:04,040 --> 00:33:07,080
Speaker 2: meat entries. And currently we will be on stage before

728
00:33:07,080 --> 00:33:08,960
Speaker 2: the Jonas Brothers by ourselves, which might be the way

729
00:33:09,000 --> 00:33:10,520
Speaker 2: that it is, but we're just casting the net out

730
00:33:10,520 --> 00:33:11,480
Speaker 2: there to see if we can add a bit of

731
00:33:11,600 --> 00:33:12,000
Speaker 2: X factor.

732
00:33:13,280 --> 00:33:15,560
Speaker 3: Yes, can Natalie do that? You've got on thirty one

733
00:33:15,640 --> 00:33:18,760
Speaker 3: oh six five? Natalie, I think you can provide some

734
00:33:19,200 --> 00:33:20,080
Speaker 3: X factor for us.

735
00:33:21,280 --> 00:33:25,800
Speaker 1: Oh god, it's okay, all right, all right, Natalie? What

736
00:33:25,880 --> 00:33:27,600
Speaker 1: have you got? What's what's what's in your tool belt there?

737
00:33:27,640 --> 00:33:28,960
Speaker 1: What are you going to go with? But someone says,

738
00:33:29,000 --> 00:33:32,760
Speaker 1: to your expector, yeah, I know, I know. That's the point.

739
00:33:33,480 --> 00:33:35,280
Speaker 1: Someone walks up to you and says, what's your X factor?

740
00:33:35,320 --> 00:33:35,800
Speaker 1: Where do you go?

741
00:33:36,720 --> 00:33:36,840
Speaker 2: Oh?

742
00:33:37,400 --> 00:33:43,000
Speaker 1: Usually go shopping, shopping, shopping, shopping, shopping. I love that.

743
00:33:43,880 --> 00:33:45,040
Speaker 7: I love that so much.

744
00:33:45,120 --> 00:33:47,440
Speaker 2: You're gonna get up there away with the plastic fantastic

745
00:33:47,960 --> 00:33:48,840
Speaker 2: just shout the crowd.

746
00:33:50,280 --> 00:33:50,880
Speaker 8: What would I do?

747
00:33:51,720 --> 00:33:53,120
Speaker 1: What do you want me to do? What do you

748
00:33:53,640 --> 00:33:55,320
Speaker 1: what do you want to do? What do you want

749
00:33:55,360 --> 00:33:55,480
Speaker 1: to do?

750
00:33:55,960 --> 00:33:56,640
Speaker 4: Usually dance?

751
00:33:56,760 --> 00:33:59,560
Speaker 1: But you can't do that, do that on radio, can't

752
00:33:59,560 --> 00:34:02,719
Speaker 1: do that on audible. Payoff. We'll take we'll take shopping,

753
00:34:03,360 --> 00:34:07,680
Speaker 1: Natalie will take shopping the radio. I think that'll be

754
00:34:07,720 --> 00:34:09,560
Speaker 1: awful for it.

755
00:34:09,760 --> 00:34:12,120
Speaker 3: You have offered shopping, so you'd get on stage with us,

756
00:34:12,120 --> 00:34:13,600
Speaker 3: and as you said, Will should probably just make some

757
00:34:13,719 --> 00:34:14,600
Speaker 3: online purchases.

758
00:34:15,200 --> 00:34:16,640
Speaker 1: I'm sure if the crowded love it. Let's go to

759
00:34:16,680 --> 00:34:20,920
Speaker 1: Shawna here right there, Seawna, this should be an easy

760
00:34:21,000 --> 00:34:23,600
Speaker 1: win for you. You just need to give some sort

761
00:34:23,680 --> 00:34:26,200
Speaker 1: of X factor and you have got tickets to the

762
00:34:27,480 --> 00:34:30,280
Speaker 1: online shopping really like people.

763
00:34:32,440 --> 00:34:33,360
Speaker 2: Wanted to use shopping.

764
00:34:34,640 --> 00:34:37,240
Speaker 1: What's your ex factor? Shauna? Someone says to you, Shaana,

765
00:34:37,280 --> 00:34:38,719
Speaker 1: what's your X factor? What have you got?

766
00:34:38,760 --> 00:34:41,359
Speaker 8: What do you go with? I can do a couple

767
00:34:41,400 --> 00:34:42,040
Speaker 8: of accents.

768
00:34:42,719 --> 00:34:45,560
Speaker 2: Here we go, bit of accent gear, Here we go, accent.

769
00:34:45,920 --> 00:34:48,160
Speaker 2: What would you like to go with first? I might

770
00:34:48,280 --> 00:34:50,560
Speaker 2: need to censor this, but yeah, what are you going with?

771
00:34:50,680 --> 00:34:51,040
Speaker 1: Shawna?

772
00:34:52,000 --> 00:34:53,720
Speaker 9: We'll start with British.

773
00:34:54,239 --> 00:34:56,799
Speaker 1: British good will allow it. That's a green light right there?

774
00:34:56,960 --> 00:34:57,120
Speaker 7: Ding?

775
00:34:58,080 --> 00:35:01,080
Speaker 1: Yeah, all right, sure, we're from we're from and we're

776
00:35:01,120 --> 00:35:04,480
Speaker 1: from we're from in Britain.

777
00:35:05,200 --> 00:35:08,719
Speaker 3: London, okay, okay, So tell us about a date you've

778
00:35:08,760 --> 00:35:12,600
Speaker 3: been on, Miss London A date?

779
00:35:12,880 --> 00:35:17,279
Speaker 1: Yeah, cracking, oh, okay, a date.

780
00:35:17,360 --> 00:35:20,160
Speaker 10: So we go out to dinner and then we ordered

781
00:35:20,200 --> 00:35:22,920
Speaker 10: the spaghetti, but then it didn't even come with the

782
00:35:22,960 --> 00:35:23,560
Speaker 10: garlic bread.

783
00:35:24,920 --> 00:35:29,240
Speaker 1: Not shattering, okay, shout change. If a if a pastry

784
00:35:29,320 --> 00:35:31,560
Speaker 1: is if a pastry was too short, what would you

785
00:35:31,640 --> 00:35:35,880
Speaker 1: say if what was too short a pastry? If you

786
00:35:35,920 --> 00:35:38,120
Speaker 1: didn't like a pastry, what would you say?

787
00:35:39,040 --> 00:35:39,560
Speaker 13: Must be long?

788
00:35:40,320 --> 00:35:43,759
Speaker 2: Shorts a baking term.

789
00:35:44,080 --> 00:35:46,479
Speaker 1: But I like that you took it literally. That's pretty

790
00:35:46,560 --> 00:35:56,080
Speaker 1: much going to the double bars. Must be long, much,

791
00:35:59,200 --> 00:35:59,960
Speaker 1: must be long.

792
00:36:00,040 --> 00:36:10,680
Speaker 2: Oh yeah, they are the noises we make when we

793
00:36:10,760 --> 00:36:11,359
Speaker 2: finished the show.

794
00:36:11,640 --> 00:36:15,800
Speaker 1: My, wow, we just don't we a big old hodown

795
00:36:15,840 --> 00:36:21,600
Speaker 1: in so I think big, big take home, big take

796
00:36:21,640 --> 00:36:26,919
Speaker 1: home from the of the show. It's a hodown. It's

797
00:36:26,920 --> 00:36:28,840
Speaker 1: a song. It's a song like you can give you

798
00:36:28,840 --> 00:36:32,239
Speaker 1: a hold down. It's song, right, Tommy, it's like a

799
00:36:32,560 --> 00:36:36,200
Speaker 1: don't ask the game man about this. Come an American partner,

800
00:36:36,400 --> 00:36:38,399
Speaker 1: holdown to American, aren't they? I think a hold down

801
00:36:38,400 --> 00:36:40,759
Speaker 1: to dance off. It's a party. I thought it was

802
00:36:40,880 --> 00:36:44,480
Speaker 1: like a I went to the country and saw a community.

803
00:36:44,520 --> 00:36:48,200
Speaker 14: Yeah, it's a community dancing party, typically featuring folken square dancers.

804
00:36:48,440 --> 00:36:48,759
Speaker 7: There you go.

805
00:36:48,840 --> 00:36:50,840
Speaker 1: I remember it from whose lines anyway? And they have

806
00:36:50,920 --> 00:36:53,879
Speaker 1: to rhyme, right, But you said it was a song.

807
00:36:54,360 --> 00:36:56,560
Speaker 1: So it's a dance party. It's a dance party and

808
00:36:56,640 --> 00:36:57,040
Speaker 1: it's played.

809
00:37:02,280 --> 00:37:04,960
Speaker 2: I think I've coveted with the word music. All right,

810
00:37:05,000 --> 00:37:10,319
Speaker 2: well whatever, But it's a holdown. It's a holdout. Yeah,

811
00:37:10,320 --> 00:37:12,399
Speaker 2: it's a community dance places, like one of those dance halls.

812
00:37:14,280 --> 00:37:14,839
Speaker 7: Grab your belt.

813
00:37:14,920 --> 00:37:17,960
Speaker 1: That's line dancing. Yeah, yeah, I'm going. Yeah, you're on

814
00:37:18,040 --> 00:37:21,000
Speaker 1: the hold back of the rodeo. Yeah, it feels very rod.

815
00:37:21,840 --> 00:37:26,320
Speaker 14: Alie Cyrus has a song called Hodown Throwdown from the

816
00:37:26,400 --> 00:37:30,560
Speaker 14: hind Montana, the movie So good, The hold Down Throwdown.

817
00:37:30,680 --> 00:37:32,960
Speaker 1: I'd love to hear it, all right, I love Morley Cyrus.

818
00:37:35,080 --> 00:37:35,480
Speaker 7: Can we go.

819
00:37:37,520 --> 00:37:38,960
Speaker 1: Holdown? I told you?

820
00:37:39,160 --> 00:37:51,680
Speaker 3: And so singing's involved, alright. I always had, always had it,

821
00:37:52,560 --> 00:37:53,120
Speaker 3: always had it.

822
00:37:56,200 --> 00:37:57,080
Speaker 1: You know what's funny, l J.

823
00:37:57,239 --> 00:38:00,000
Speaker 2: I feel like you dancing in the airlock is mutually

824
00:38:00,120 --> 00:38:05,040
Speaker 2: exclusive with me enjoying something, So that's sort of like exclusive.

825
00:38:05,800 --> 00:38:09,960
Speaker 1: Hang on, say that again. Never did the two circles meet.

826
00:38:10,040 --> 00:38:10,479
Speaker 9: They can't.

827
00:38:10,680 --> 00:38:11,359
Speaker 7: They can't, they.

828
00:38:11,280 --> 00:38:14,600
Speaker 2: Can't, they can't go exist. It's like they supplant each other.

829
00:38:15,440 --> 00:38:18,359
Speaker 2: Soon as I'm enjoying something and then I say old

830
00:38:18,440 --> 00:38:21,640
Speaker 2: J Danzer just goes and then vice versa. Yeah, they

831
00:38:21,760 --> 00:38:22,840
Speaker 2: just they can't go exist.

832
00:38:23,239 --> 00:38:27,760
Speaker 1: I feel the same way about your face. Wait, wait.

833
00:38:29,520 --> 00:38:33,400
Speaker 7: Me into just take it.

834
00:38:34,360 --> 00:38:35,680
Speaker 1: It was a good retort. I don't know.

835
00:38:36,840 --> 00:38:39,479
Speaker 2: I'm not going to just a reflection on your taste

836
00:38:39,480 --> 00:38:41,799
Speaker 2: of music, that's all it is. But you, your taste

837
00:38:41,840 --> 00:38:43,120
Speaker 2: of music is iconic.

838
00:38:43,880 --> 00:38:46,560
Speaker 1: You say this about me, and yet you love a

839
00:38:46,640 --> 00:38:48,520
Speaker 1: bit of Biggie. You love a bit of two part.

840
00:38:48,640 --> 00:38:51,399
Speaker 6: You can you can real off a Biggie verse when

841
00:38:51,480 --> 00:38:54,000
Speaker 6: no one asks you to or want you to.

842
00:38:54,320 --> 00:38:55,600
Speaker 7: So what's your problem.

843
00:38:55,719 --> 00:38:57,080
Speaker 1: It's not the Biggie in the two part.

844
00:38:57,239 --> 00:39:00,680
Speaker 2: It's the other, like sort of mid tier trash rap

845
00:39:00,760 --> 00:39:02,960
Speaker 2: that I hear coming out of the Orange ut that

846
00:39:03,200 --> 00:39:07,239
Speaker 2: rolls into the station. I don't know what it is

847
00:39:07,560 --> 00:39:10,799
Speaker 2: or where it's come from, and it's just you in there.

848
00:39:13,120 --> 00:39:17,720
Speaker 2: Clearly you've been rapping to yourself. It's just it's iconic.

849
00:39:18,040 --> 00:39:24,879
Speaker 2: It's an orange raptor. It's a huge ute huge, It's

850
00:39:24,920 --> 00:39:27,080
Speaker 2: just LJ. Then you see it come in and you expect,

851
00:39:27,480 --> 00:39:30,960
Speaker 2: like effectively Biggie Smalls to get out of the car,

852
00:39:31,560 --> 00:39:32,120
Speaker 2: and it's l J.

853
00:39:33,480 --> 00:39:36,279
Speaker 1: It's a jawdy it's perfect who you're listening to at

854
00:39:36,280 --> 00:39:38,160
Speaker 1: the moment. What's the rap you're listening to at the moment, LJ.

855
00:39:38,719 --> 00:39:42,719
Speaker 1: We think that LJ should go in there and wrap something. Yeah,

856
00:39:43,440 --> 00:39:45,520
Speaker 1: that's a pretty good idea. And it's a hold down

857
00:39:46,840 --> 00:39:52,040
Speaker 1: terrible come on out to hold throw down. Just last

858
00:39:52,040 --> 00:39:53,560
Speaker 1: song you're listening to, come in and wrap it.

859
00:39:53,680 --> 00:39:54,719
Speaker 2: She doesn't have to do it. You don't have to

860
00:39:54,760 --> 00:39:55,880
Speaker 2: come in here and just give us a verse. Just

861
00:39:55,920 --> 00:39:58,440
Speaker 2: give us a couple, Give us some rhymes. Give us

862
00:39:58,440 --> 00:39:59,200
Speaker 2: some rhymes right now.

863
00:39:59,400 --> 00:40:01,160
Speaker 1: What have you got. We use the term to spit

864
00:40:01,280 --> 00:40:01,800
Speaker 1: some bars.

865
00:40:07,400 --> 00:40:08,080
Speaker 7: It's not happening.

866
00:40:08,160 --> 00:40:12,319
Speaker 2: Move on quick, give us a bar, give us a line,

867
00:40:12,400 --> 00:40:15,279
Speaker 2: one bar. Come on, we can do Juicy. I'll tell

868
00:40:15,320 --> 00:40:16,000
Speaker 2: you in if you like.

869
00:40:17,560 --> 00:40:18,440
Speaker 7: This is what I mean.

870
00:40:18,719 --> 00:40:20,240
Speaker 1: I don't know every word to Juicy?

871
00:40:20,360 --> 00:40:20,680
Speaker 4: You do?

872
00:40:20,960 --> 00:40:21,200
Speaker 10: You do?

873
00:40:21,560 --> 00:40:21,840
Speaker 1: Come on?

874
00:40:22,160 --> 00:40:22,480
Speaker 6: You do?

875
00:40:24,160 --> 00:40:26,880
Speaker 1: Sega Genesis? When I was dead, broke man, I couldn't

876
00:40:26,920 --> 00:40:31,000
Speaker 1: picture this. Come on, go on. You don't know the

877
00:40:31,080 --> 00:40:35,320
Speaker 1: next word she does. She's told him back. She's unbelievable.

878
00:40:35,760 --> 00:40:37,360
Speaker 1: She's not giving us what we want. Guys, we have

879
00:40:37,400 --> 00:40:37,960
Speaker 1: to put it down.

880
00:40:38,280 --> 00:40:40,600
Speaker 3: When we just sit here in silence, and the podcast

881
00:40:40,680 --> 00:40:43,040
Speaker 3: just does not end until LJ spits at least a

882
00:40:43,200 --> 00:40:45,680
Speaker 3: bar of any song of her choosing.

883
00:40:46,120 --> 00:40:50,440
Speaker 14: Analytically, I assault animate things, broken barriers down to by

884
00:40:50,520 --> 00:40:55,280
Speaker 14: the bomb beat, building that one alphabet them.

885
00:40:55,160 --> 00:41:05,800
Speaker 7: All to us, all right, needs to hear a white breeze, one.

886
00:41:07,160 --> 00:41:12,719
Speaker 2: Bar, single gigs to see, biggest walls speak, living life

887
00:41:12,760 --> 00:41:13,400
Speaker 2: without fear.

888
00:41:15,960 --> 00:41:26,439
Speaker 1: Here we go, here we go about It was vanilla ice, Yes, yes, yes,

889
00:41:26,560 --> 00:41:29,279
Speaker 1: you're coming in here. Though you're coming in here. Oh,

890
00:41:30,040 --> 00:41:32,759
Speaker 1: give us some vanilla vanilla. I only have the one song.

891
00:41:33,320 --> 00:41:33,799
Speaker 3: It was just the.

892
00:41:36,520 --> 00:41:38,919
Speaker 1: She's waving the fingers. Come on, get in here, she's

893
00:41:38,960 --> 00:41:39,520
Speaker 1: waving the thing.

894
00:41:39,719 --> 00:41:41,360
Speaker 7: Do not have time for this nonsense.

895
00:41:42,440 --> 00:41:44,839
Speaker 1: You can end the bit by doing one one rhyme.

896
00:41:45,800 --> 00:41:47,960
Speaker 1: Have you heard two pigs Brenda's got a baby?

897
00:41:48,120 --> 00:41:50,320
Speaker 7: No, but this is the kind of gear that I

898
00:41:50,600 --> 00:41:51,080
Speaker 7: like hearing.

899
00:41:51,200 --> 00:41:56,480
Speaker 1: Come on, two parks, brend has got a baby.

900
00:41:57,080 --> 00:42:01,200
Speaker 2: Just the least, the least to speak te wrap van

901
00:42:01,400 --> 00:42:05,320
Speaker 2: you could ever find. It's like when Miss Marple turned ghetto.

902
00:42:05,680 --> 00:42:09,320
Speaker 1: All right, what have you got? Come on, give it

903
00:42:09,400 --> 00:42:13,919
Speaker 1: to us, Give it to us a bitter bar. You're

904
00:42:14,120 --> 00:42:26,440
Speaker 1: too bunch ended, out ended, Come on, Brenda's got a baby,

905
00:42:27,680 --> 00:42:32,879
Speaker 1: she has h m hmm.

906
00:42:39,280 --> 00:42:45,120
Speaker 7: I'm not beaten. Do you want to be?

907
00:42:45,520 --> 00:42:48,239
Speaker 1: Do you want to want to beat LJ? You just

908
00:42:48,320 --> 00:42:50,480
Speaker 1: have to give us one. Brenda's got a baby, but

909
00:42:50,600 --> 00:42:51,960
Speaker 1: Brenda's barey got a brain.

910
00:42:52,400 --> 00:42:55,120
Speaker 7: Damn shame. The girl can hardly spell a name. That's

911
00:42:55,160 --> 00:42:58,080
Speaker 7: not our problem. That's up to Brenda's family. Now, let's

912
00:43:00,120 --> 00:43:00,719
Speaker 7: pretty good.

913
00:43:00,760 --> 00:43:04,120
Speaker 1: It's really good, pretty good, that's what.

914
00:43:06,080 --> 00:43:06,320
Speaker 6: You know.

915
00:43:06,400 --> 00:43:08,520
Speaker 1: It's hot. All right, we'll see you guys.

916
00:43:08,960 --> 00:43:09,080
Speaker 5: Uh.

917
00:43:11,239 --> 00:43:14,520
Speaker 1: Everyone who's stuck around for that is absolutely devastated.

918
00:43:14,680 --> 00:43:16,480
Speaker 7: As I should be, a bunch of.

919
00:43:20,360 --> 00:43:22,160
Speaker 1: If I was in Elgian shows, I would be living

920
00:43:22,239 --> 00:43:24,800
Speaker 1: right now. We pushed her, We pushed her, We pushed.

921
00:43:24,800 --> 00:43:25,719
Speaker 7: It was her only way I have.

922
00:43:26,160 --> 00:43:28,359
Speaker 1: She knew she was bad, she knew she was bad,

923
00:43:28,440 --> 00:43:31,279
Speaker 1: and oh god, was she all right? El We love you,

924
00:43:31,440 --> 00:43:32,959
Speaker 1: Thank you very good.

925
00:43:33,480 --> 00:43:36,800
Speaker 2: Uh, guys, tomorrow we'll see then flips in the studio

926
00:43:37,320 --> 00:43:39,520
Speaker 2: playing my bum is a druma on board.

927
00:43:39,520 --> 00:43:40,839
Speaker 1: He's ass should be huge.

928
00:43:41,120 --> 00:43:41,279
Speaker 9: See.

929
00:43:41,360 --> 00:43:47,200
Speaker 1: Then that's a.

930
00:43:47,280 --> 00:43:51,239
Speaker 2: Book, my own revolution to whatever it takes to persist that,

931
00:43:51,400 --> 00:43:52,479
Speaker 2: to take to print.

932
00:43:52,520 --> 00:43:55,600
Speaker 1: The guy super boys a point from what's her cousin? Now,

933
00:43:55,680 --> 00:43:56,600
Speaker 1: let's wipe the joy.

934
00:43:57,160 --> 00:43:59,680
Speaker 5: She trying to add a pregnancy from a thing