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Speaker 1: This is Will and Woody getting your home this afternoon.

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Speaker 1: Jesus Woods.

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Speaker 2: We have got a very very special guest on the show,

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Speaker 2: arguably the largest artists have had, certainly the one most

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Speaker 2: responsible I think for writing most of the songs that

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Speaker 2: you actually hit down the stage.

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Speaker 3: You're obviously talking about Julia Michael.

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Speaker 4: Sweets of funds It.

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Speaker 5: And your tune there called Anxiety, which we're talking to

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Speaker 5: her about, talking about a brand new record that's going

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Speaker 5: to be live on the show after five all so

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Speaker 5: your chance to get involved in the kiss five million

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Speaker 5: dollar free money frenzy, don't call now. The time for

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Speaker 5: that is only at five o'clock. Going to be continuing. Also,

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Speaker 5: little one text.

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Speaker 1: Story very very shortly here on the show, So it's

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Speaker 1: in a weird area. If you don't know what we're

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Speaker 1: talking about.

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Speaker 6: It's too hard to explain now and we can't be bothered.

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Speaker 6: Just stay with us for involvement. A war is a

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Speaker 6: woman called Gladys, and a Lake and Stewart. Don't forget Stewart.

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Speaker 5: We're not going to be talking about the good stuff

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Speaker 5: in the news, or at least the significant things in

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Speaker 5: the news later on, so we'd like to cram them

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Speaker 5: all into a little break at the start, so we

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Speaker 5: tick off our journalistic responsibilities.

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Speaker 1: Do you ever think of yourself as a journalist?

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Speaker 3: Absolutely? Definitely, in what way? In the way that I

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Speaker 3: shape society's views and opinions on the world. Will wow,

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Speaker 3: heavy lies of the Crown. That is this megaphone in

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Speaker 3: front of our mouths that talks to Australia. It's a microphone, yeah,

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Speaker 3: but I see it as a megaphone.

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Speaker 1: It's a microphone.

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Speaker 3: So I'm a journalist and I'm hoping to be nominated

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Speaker 3: for the journalistic awards the obviously.

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Speaker 1: The journalistic awards like the Pulletzer.

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Speaker 3: The Pulitzer would be good.

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Speaker 1: Yeah, we have to write something.

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Speaker 3: I've written a few things haven't been published yet.

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Speaker 1: I'm not going into this.

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Speaker 5: A little bit of a serious start here woulds. But

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Speaker 5: the Pope is apparently admitted for the first time to

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Speaker 5: sexual slavery of nuns by priests.

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Speaker 1: Geez.

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Speaker 5: He said that they should do something more and he's

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Speaker 5: looking looking forward. He's looking to fight the problem in

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Speaker 5: the future. But he said that it is a path

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Speaker 5: that they've already begun. And that's the speech that he

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Speaker 5: gave on the Papal plane on the way home. So

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Speaker 5: interesting stuff because I never thought that would be the

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Speaker 5: case that they would admit to something like that.

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Speaker 3: And it's a step in the right direction that the

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Speaker 3: whole thing is absolutely awful, but that is one step

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Speaker 3: in the right direction that he's taking responsibility for it

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Speaker 3: or admitting that.

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Speaker 1: Yeah, yeah, exactly right. Moving on now to Facebook, Facebook

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Speaker 1: book book, very good.

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Speaker 5: Apparently there is now going to be I don't use

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Speaker 5: Facebook Messenger, but you're a big Facebook Messenger guy. I

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Speaker 5: used like you like to text lots of women simultaneously

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Speaker 5: on Facebook Messenger.

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Speaker 3: Never texted a woman ever? Well, sorry, I have That

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Speaker 3: was a ridiculous thing to say, but.

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Speaker 1: I didn't like what you were insinuating.

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Speaker 3: Insinuating Yeah, you rather.

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Speaker 1: An Instagram slide into your DM sort of.

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Speaker 3: Well, I'd just like to live a normal.

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Speaker 7: No.

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Speaker 3: Messenger is good because you can actually delete Facebook. I

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Speaker 3: hate Facebook, but you can keep the Messenger, which is

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Speaker 3: good because people can.

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Speaker 1: Oh yeah, no, you can do that. Well.

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Speaker 5: Facebook Messenger, so we're talking specifically about the messenger, has

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Speaker 5: now introduced.

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Speaker 1: An UNSND option UNSD yes.

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Speaker 5: So apparently what you can do is you can remove

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Speaker 5: the text either just for you or you can remove

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Speaker 5: for everyone if you'd like.

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Speaker 3: To excuse me while I delete some messages on the weekend.

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Speaker 1: It's four or five. How good is that?

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Speaker 3: That's great? That is really great.

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Speaker 5: Yes, so I think it's a I think it's a

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Speaker 5: ripper of a feature. You can do it on WhatsApp,

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Speaker 5: you know, when you're in what I didn't do that?

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Speaker 5: You know on WhatsApp thread, and it comes on it

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Speaker 5: says this message has been deleted.

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Speaker 3: Oh no, I have to That is so funny when

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Speaker 3: that I'd love to see a graph of how many

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Speaker 3: times that happens on Sunday morning. Yeah, we all write

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Speaker 3: some chokers on Saturday night. Yeah, seriously.

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Speaker 5: It's It's interesting, isn't it. It's also interesting, I think

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Speaker 5: because as soon as it is done, you're just immediately

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Speaker 5: wondering about what the person has written in order to

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Speaker 5: have it removed.

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Speaker 3: It definitely adds to the mystique, doesn't it When you

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Speaker 3: see messages being deleted. Interest spikes, that's for sure.

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Speaker 1: Definitely final story here. Woods Audi has named a new Carter.

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Speaker 5: So, a new car that audio making, which has been

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Speaker 5: named after the French word for turd. Excuse me, hoping

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Speaker 5: to be electric by twenty twenty five, Audi has released

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Speaker 5: their new car design called the e Tron or the Entron,

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Speaker 5: meaning turd in French.

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Speaker 3: Yep, I'm confused. Is that a deliberate? Is it deliberate?

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Speaker 3: Or have they gone? They've made a mistake? So France,

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Speaker 3: France is laughing at Audy. So Audi is the laughing

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Speaker 3: stock of France.

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Speaker 1: Anybody that's driving one of these trons.

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Speaker 3: All, it's not.

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Speaker 1: That that's that's what they won't. They definitely won't because.

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Speaker 3: Atron is a great name. I like that.

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Speaker 1: Yes, each you like the Tron. I think i'd buy

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Speaker 1: it until you found out that it meant well.

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Speaker 3: No, I just wouldn't drive it to France.

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Speaker 1: We're rolling around in a heap of ship.

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Speaker 3: They will have to change it in front. They'll have to,

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Speaker 3: won't they. Well, a friend of mine was put in

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Speaker 3: the worst situation possible at work. I think any workplace,

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Speaker 3: worst situation ever.

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Speaker 1: Ye slept with his boss.

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Speaker 3: No, no, could be bound. That's a shocker. That actually

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Speaker 3: probably beats it.

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Speaker 1: Well you said worse.

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Speaker 3: Yep, Okay, that beats it. Stop guessing, because you'll probably

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Speaker 3: continue to beat it. Let me just tell you the story.

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Speaker 3: To protect my friend. I'm just going to call him Paul.

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Speaker 3: His name is not Paul, but his name is Paul.

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Speaker 3: For the sake of the story. Paul goes to a

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Speaker 3: very important meeting.

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Speaker 1: Nobody would have known that. By the way, what his

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Speaker 1: name Wasn't Paul could carry it, That was a.

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Speaker 3: Waste to done. Paul goes to a meeting with his boss.

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Speaker 3: He's big, big boss, and the biggest client of the

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Speaker 3: finance company that he works for is there, the biggest client.

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Speaker 3: The boss is talking to the client and asks him

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Speaker 3: where he parked his car. The client says, I'm in

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Speaker 3: an hour park across the road. Shouldn't be a problem,

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Speaker 3: and the boss says, don't be ridiculous.

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Speaker 5: Sorry, just two seconds Paul walks into the meeting. The

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Speaker 5: client's there, the boss is there. Yes, there's three of

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Speaker 5: them in the room right now, three of them. The

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Speaker 5: client said that he's parked his car across the road.

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Speaker 3: Yes, okay, The boss says, mate, don't you park across

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Speaker 3: the road? Don't you dare parking money? The company car

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Speaker 3: parks and don't you bloody get off your chair.

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Speaker 1: I'll do it, Paul.

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Speaker 3: Paul to Paul's my friend, Paul will move the car

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Speaker 3: for you.

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Speaker 1: Paul's ready to go.

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Speaker 3: This part of the story, I should tell you the

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Speaker 3: car is a two hundred and sixty thousand dollars BMW. Okay,

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Speaker 3: Paul's a bit nervous, as you can imagine, but Paul's

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Speaker 3: driven a car before Paul got his license. Paul does

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Speaker 3: have his license. Paul should be able to park the car.

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Speaker 3: I can do this. I'm Paul, I can drive.

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Speaker 1: I'm the big p man.

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Speaker 3: I'm big, big puppa pe. So he's doing this to

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Speaker 3: himself and he walks down the stairs towards the car.

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Speaker 3: He gets in, the car, turns this puppy one drives

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Speaker 3: it straight into a concrete pole. Two hundred and sixty

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Speaker 3: thousand dollars car, Paul, and he's just put it straight

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Speaker 3: into a pole.

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Speaker 1: Oh my god.

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Speaker 3: At that moment, as you can imagine, you're just like,

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Speaker 3: I just need to run away.

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Speaker 5: I need add it in reverse and went forward or

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Speaker 5: what he was going for.

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Speaker 3: It was more of a scrapy job. So when he

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Speaker 3: turned into the car park, he went straight into massive

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Speaker 3: concrete pylon. As you can imagine, at that point, you

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Speaker 3: sort of it seems ridiculous, but you're sort of going,

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Speaker 3: I've it's got to drop the key, run home, flight

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Speaker 3: to Mexico. Like, there's no way out here. I can't

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Speaker 3: go and face my boss goes through your head anyway,

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Speaker 3: ponders this for a while, finally goes back upstairs. He

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Speaker 3: walks in the door and the boss says, how'd you go, mate,

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Speaker 3: and Paul says, actually, not very good. The room erupts

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Speaker 3: with laughter, thinking, ah, Paul, very good, like hilarious, and

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Speaker 3: then he has to explain to them, no, mate, I've

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Speaker 3: put your two hundred and sixty thousand dollars car into

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Speaker 3: a pole. Yeah, I'm so sorry. Amazingly, he still has

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Speaker 3: a job, but I think, wilbur what happened? No, he

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Speaker 3: got absolutely hammered by his boss, like just berated in

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Speaker 3: front of the guy. And now he's known as something

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Speaker 3: in the office. But it's a rude word and I

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Speaker 3: can't say it. But the whole office calls him that

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Speaker 3: Paul Scraper. No, no, pol'scra That would have been good.

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Speaker 3: It's much ruder than that. Really, Yes, okay, I think.

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Speaker 1: Can you give me a little bit. People are listening now,

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Speaker 1: going like, what's Paul called?

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Speaker 3: S for brains?

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Speaker 1: I was not that bad. That's not very I thought

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Speaker 1: you were going to use the poll somehow.

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Speaker 3: Well, I didn't know him that the boss called him that,

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Speaker 3: don't don't point the finger.

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Speaker 5: It mess out like it was like this really clever wound,

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Speaker 5: like derogatory nickname.

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Speaker 3: I was hoping you wouldn't ask me and then I

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Speaker 3: wouldn't have this embarrassing moment on air where I've just

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Speaker 3: delivered a bad nickname. Anyway, I think this is an example,

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Speaker 3: Wilbur of the worst following of a boss's orders. You know,

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Speaker 3: when your direct boss asks you to do something, And

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Speaker 3: I think this is the biggest stuff up that has

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Speaker 3: ever occurred from a boss's orders. Thirteen one oh six

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Speaker 3: fives our number. I want to hear if anyone can

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Speaker 3: top it. So your boss has told you to do something,

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Speaker 3: gives you a simple task. Boss says do this for me,

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Speaker 3: and I want to hear about how much you absolutely.

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Speaker 1: Cooked it, how badly it went.

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Speaker 3: Yeah, let's not forget the time where this is a

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Speaker 3: previous job, a previous employer. We were given tickets to the

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Speaker 3: world premiere of The Hobbit. This was the biggest moment

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Speaker 3: of our careers. Our boss gave us the job. Yeah,

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Speaker 3: two days before you revealed that your passport had expired.

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Speaker 1: That's right, I remember that.

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Speaker 5: And then you went to Peter Jackson's ranch towards the

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Speaker 5: movie Yes and fell Asleep. Correct, means that you had

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Speaker 5: no material for your interview with Elijah Wood and Kate Bunchett.

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Speaker 3: All correct, and that was your fault, and that was

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Speaker 3: your fault.

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Speaker 1: And then you came to New Zealand Prime minister was

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Speaker 1: a hobbit on the red carpet, and tried to interview him.

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Speaker 1: This is true, this is right. I don't think it's John.

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Speaker 1: Give us all. How bad did you botch out the

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Speaker 1: bosses orders?

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Speaker 3: For asking? How badly you've stuffed up the boss's orders?

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Speaker 3: We got Brent here, Brent, what happened with you?

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Speaker 7: It?

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Speaker 8: Mate?

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Speaker 9: Yeah, it was a small painting job and what turned

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Speaker 9: into a small painting job. I was asked to go

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Speaker 9: and move a piece of furniture just so we didn't

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Speaker 9: get any splatters on the furniture. And I said to

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Speaker 9: my boss, you know, I'll need another person.

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Speaker 10: It's like, oh, no, you'll be right.

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Speaker 9: You can just slide it out the way.

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Speaker 11: So I slid it out of the.

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Speaker 9: Way and called a you know, good couple of grand

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Speaker 9: damage to a beautiful parquetry floor. Yes, it wasn't.

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Speaker 1: My mum was always big on that if we moved anything, yeah, lift, lift, Yeah,

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Speaker 1: don't drag.

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Speaker 3: And it's only you move into your own place and

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Speaker 3: you start appreciating how bad floor scratches are. I just

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Speaker 3: say to my mom and the family. Mom, it's a

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Speaker 3: couple of scratches.

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Speaker 5: Yeah, it's a floor. It's a floor. It's meant to

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Speaker 5: have stuff dragged. That's what I would say, would yeah,

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Speaker 5: polish it up later. Mom.

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Speaker 3: Yeah, thanks for the call, Brent.

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Speaker 5: And yeah again what it's a horrible thing to say, Mum,

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Speaker 5: it's awful.

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Speaker 1: Mom says, lift kids, lift.

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Speaker 3: Yes, because you don't want to be regretful, Like do

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Speaker 3: you want to be a regretful thirty year old's like us?

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Speaker 3: Living with that guilt? Got alia here now you stuffed

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Speaker 3: up the buses orders.

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Speaker 11: Hi, guys, I did what happened.

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Speaker 10: My boss me to move.

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Speaker 11: The work car, and she told me that her car

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Speaker 11: was passed behind the work car, and she probably told

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Speaker 11: me five minutes before. And I went down the stairs

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Speaker 11: and jumped into the work car and I put it

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Speaker 11: in reverse.

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Speaker 12: I looked at the readew.

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Speaker 11: Mirror, but because of it on an angle, I didn't.

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Speaker 10: Realize her car was behind, and I just reversed straight

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Speaker 10: into it.

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Speaker 3: How bad was the demage?

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Speaker 11: About four and a half thousand dollars?

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Speaker 3: Interesting question here earlier is did you pay for that?

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Speaker 10: No?

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Speaker 3: Work shied, it's huge, huge, huge, But you get more

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Speaker 3: guilt from that data.

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Speaker 1: No kidding?

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Speaker 3: Okay, work paid for it, right?

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Speaker 1: Are you kidding?

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Speaker 5: There's somebody who happily writes off everything on our company

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Speaker 5: credit card.

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Speaker 3: No, that's not that's not true for you.

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Speaker 1: Do you get any guilt from that?

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Speaker 11: No?

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Speaker 3: I don't because I have genuine.

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Speaker 5: Televi vision and claimed it as a text, as a

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Speaker 5: text actual watch because you had to watch reality TV

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Speaker 5: this yow get me guilt.

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Speaker 3: There married at first sign that's true though, will let's

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Speaker 3: go to Daniel real quick, get off me in my

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Speaker 3: text activity Daniels given us, Daniel, you stuffed up the

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Speaker 3: bosses orders, mate.

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Speaker 10: Yeah, I did a good one. Yeah.

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Speaker 5: Daniel went to a dobby sent me a message saying

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Speaker 5: we got to do a reroof So I went there.

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Speaker 1: Sorry, Daniel, a reroof all the old tis off putting

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Speaker 1: new ones up.

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Speaker 5: Ye, so he said you'll be there about lunch, so

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Speaker 5: just go there seven, make a start whatever, and you're

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Speaker 5: off up.

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Speaker 3: What are you doing?

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Speaker 12: What you you told me start the job because it's

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Speaker 12: the wrong job.

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Speaker 3: It's across the street.

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Speaker 5: You and I, I think in the throes of it's

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Speaker 5: a very good example of an idea which you thought

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Speaker 5: would work and be a lot of fun, and you

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Speaker 5: guarantee that it would go for a week.

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Speaker 1: But you're not really sure how it's going. But we're

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Speaker 1: still enjoying it.

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Speaker 13: So let's play the opener and the two story one

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Speaker 13: text certainly one of the more obscure things we've done, mate.

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Speaker 5: We're trying to make a story one text at a time.

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Speaker 5: So the text line is, oh for two nine one three,

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Speaker 5: one oh six five. We have discussed the fact that

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Speaker 5: we are missing talking to you guys about this when

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Speaker 5: you're making the suggestion.

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Speaker 3: Yes, so.

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Speaker 5: Thirteen one oh sixty five. If you just want to

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Speaker 5: call us and tell us what your suggestion is for

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Speaker 5: the next step of the story, we'd love to hear

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Speaker 5: that as well.

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Speaker 3: Your suggestion has to be text length, though, oh.

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Speaker 1: Look, we're not going to be We're going to We're

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Speaker 1: not going to be anal on that though. We're not.

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Speaker 5: We're just not because if you want to call up

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Speaker 5: with a great suggestion, I'm not going to pull you

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Speaker 5: up for saying, oh.

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Speaker 1: Sorry, mate, that's a one hundred and seventy characters.

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Speaker 3: Well I'll be the party people. They are going to

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Speaker 3: count your characters as you talk. Our story so far

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Speaker 3: is three texts long. I will read it to everyone.

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Speaker 3: We are looking for a fourth text. Text one Stuart

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Speaker 3: erupted from the cold lake and yelled Gladys, and that

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Speaker 3: was how it all began. Text two he carries her

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Speaker 3: cold body up to the shore and started performing emergency CPR.

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Speaker 3: Text three Stuart was a little bit disorientated from the

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Speaker 3: plane's impact into the water. Gladys was actually a walrus.

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Speaker 3: So many different ways these can go. I've been thinking

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Speaker 3: for twenty four hours about it, and I'm starting to

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Speaker 3: think that maybe the fourth text could be something around.

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Speaker 3: But turns out.

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Speaker 5: Is sorry, I got I gotta mention. This is on

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Speaker 5: you guys to suggest this text.

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Speaker 3: Yes, yes, yes, thirty one oh sixty five give us

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Speaker 3: a call with the fourth text idea for the story.

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Speaker 3: But I was thinking, like, yeah, what do you think

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Speaker 3: can talk to me? Turns out it was like that

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Speaker 3: movie Planet of the Apes, except it was an apes.

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Speaker 3: It was Planet of the Walruses. So Stuart is the

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Speaker 3: only human on a planet of walrus I or wall right,

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Speaker 3: what's the plural of walruses? Walruses? Yeah, wars so and

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Speaker 3: then we and then the story kicks off to like

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Speaker 3: why is he the only human on this planet of Walruses?

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Speaker 3: And are they still on Earth?

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Speaker 1: What do you mean? Or that's the twisting Planet of

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Speaker 1: the Apes?

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Speaker 3: Yeah, and so spoiler everyone spoiler.

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Speaker 5: So it turns out there on planet of the wars

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Speaker 5: I don't even want to take a text.

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Speaker 3: That's as good as someone can beat that? All right,

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Speaker 3: can beat that? Thirteen one, six fives our number. You've

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Speaker 3: got another suggestion as to where the story can go. Yeah,

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Speaker 3: please give us a call.

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Speaker 1: Yes, yes, please give us call.

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Speaker 5: Remember you can still text if you're still enjoying the

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Speaker 5: texting phenomenon. Six five love to hear from me there,

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Speaker 5: or as we said, thirteen one and six fives of

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Speaker 5: phone number. Stuart's out of the lake. He's got a body.

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Speaker 5: We've just found out that the body is Gladys, who

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Speaker 5: is actually a Walrus. Take us to the next step Australia.

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Speaker 5: Is he on Planet of the Walruses.

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Speaker 3: Yeah, it's a good start. It's a good start, but

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Speaker 3: I think it can be.

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Speaker 5: Been was where we're making a story one text at

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Speaker 5: a time, two.

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Speaker 4: Story, one text time.

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Speaker 5: She mentioned this is in honor of a bloke called

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Speaker 5: Bushani who just won the Victoria in the Rey Prize

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Speaker 5: one hundred five thousand dollars for a story he wrote

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Speaker 5: one text at a time for five years from Manus Island.

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Speaker 5: So that's a real feat there where we're at with ours.

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Speaker 5: It's a comparable work, mate, it's a comparable work.

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Speaker 3: I agree. I'll go through the text where three texts

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Speaker 3: in the first text said Stuart erupted from the cold

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Speaker 3: lake and ye old Gladys, And that was how it

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Speaker 3: all began.

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Speaker 1: So I got Stuart coming from the lake.

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Speaker 3: Text two carries a cold carries her cold body up

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Speaker 3: to the shore and started performing emergency CPR. Text three

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Speaker 3: Stuart was a little bit disorientated from the plane's impact

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Speaker 3: into the water. Gladys was a walrus.

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Speaker 1: So he's just realized that Gladys was a walrus.

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Speaker 5: Yes, and I got to mention, please if you if

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Speaker 5: you text the show for thirteen one O six five.

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Speaker 5: Please tell us your name?

393
00:18:05,960 --> 00:18:07,440
Speaker 3: Yes, yes, you need to get a writer's credit.

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Speaker 1: Jamie.

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Speaker 5: Jamie was the one who came up with the Walrus concept.

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Speaker 5: We love the Warri's concept. So there's a couple of

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Speaker 5: texts that are coming in classic gang. Here should have

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Speaker 5: gone to specsavers. Really appreciate that. Well done, not bad, Yeah,

399
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Speaker 5: very good stuff. Next text here says Stuart. Then thought

400
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Speaker 5: to himself, it's not nice to call your ex wife

401
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Speaker 5: a Waris.

402
00:18:30,440 --> 00:18:35,119
Speaker 3: No, it takes a twist. I doesn't know. Well the

403
00:18:35,240 --> 00:18:37,880
Speaker 3: Stuart realize that. So then Gladays would be a woman again.

404
00:18:38,000 --> 00:18:39,720
Speaker 3: I should move on from.

405
00:18:39,560 --> 00:18:44,480
Speaker 5: The Yes, we move on from Waris And consequently, unfortunately

406
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Speaker 5: was your concept which was Planet of the Walruses, which

407
00:18:47,920 --> 00:18:50,520
Speaker 5: is similar to obviously Planet of the Apes. But Stuart's

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Speaker 5: the only man, yeah, and he's surrounded by Warises.

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Speaker 1: One of the lead one would probably be playd by

410
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Speaker 1: Andy Serkis.

411
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Speaker 3: Yeah, absolutely absolutely. I would think of no man but

412
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Speaker 3: Circus for that roll. And I personally think the.

413
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Speaker 1: Lead Walris would be called on Planet of the Warises.

414
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Speaker 1: We good, great question, like a character's name.

415
00:19:07,480 --> 00:19:16,439
Speaker 3: Warm sorry Waldo, so Waldo, So I imagine then Gladys

416
00:19:16,440 --> 00:19:19,880
Speaker 3: would wake up. We're going with mine, because no, we've

417
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Speaker 3: got heaps of texts coming through it. One is clearly

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Speaker 3: the best planet of the warr.

419
00:19:25,960 --> 00:19:26,400
Speaker 1: Keep us.

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00:19:27,880 --> 00:19:29,720
Speaker 3: Planet of the War. I need more.

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00:19:29,600 --> 00:19:31,800
Speaker 5: People to say planet of the Walris before I carry

422
00:19:31,800 --> 00:19:33,920
Speaker 5: on here, because there's more here. Gladays to work with

423
00:19:33,920 --> 00:19:36,120
Speaker 5: the shock and look replexed by the humans standing over him.

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Speaker 1: Shouldn't they be extinct? She thought?

425
00:19:38,119 --> 00:19:39,600
Speaker 3: That follows the Planet of the War.

426
00:19:40,320 --> 00:19:42,560
Speaker 1: That's from k that's from Kiara.

427
00:19:42,760 --> 00:19:45,200
Speaker 3: Everyone's loving the planet of the Walrus idea.

428
00:19:44,960 --> 00:19:47,040
Speaker 5: So it ends up, Stuart, says a voice behind Stewart,

429
00:19:47,119 --> 00:19:49,520
Speaker 5: before the sound of a gun clicks. Was another text there,

430
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Speaker 5: And I imagine that gun was held by a walrus.

431
00:19:52,920 --> 00:19:56,159
Speaker 5: They've got special Walrus guns they would and made of

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Speaker 5: like fish.

433
00:20:00,000 --> 00:20:04,800
Speaker 3: A bit ridiculous, but I think they don't have a

434
00:20:04,800 --> 00:20:07,040
Speaker 3: finger for the trigger, so I need to be attached

435
00:20:07,040 --> 00:20:09,000
Speaker 3: to their flipper. They would put like air flipper into

436
00:20:09,000 --> 00:20:11,600
Speaker 3: a laser gun. I imagine they'd probably just slap you.

437
00:20:12,400 --> 00:20:14,240
Speaker 3: Oh no, there'd be they'd be slappers out there. Don't

438
00:20:14,240 --> 00:20:16,439
Speaker 3: get me wrong, Will But I if there's a gun,

439
00:20:16,760 --> 00:20:19,399
Speaker 3: it's a flipper to flip a laser flipper inside.

440
00:20:19,400 --> 00:20:21,360
Speaker 1: All right, given the amount.

441
00:20:21,040 --> 00:20:23,080
Speaker 5: Of support that we're getting for Planet of the Warris,

442
00:20:23,280 --> 00:20:25,639
Speaker 5: somebody said, please keep planneting of.

443
00:20:25,640 --> 00:20:26,880
Speaker 1: The walrus in capitals there.

444
00:20:26,920 --> 00:20:31,520
Speaker 5: So yep, so that's where the story's at.

445
00:20:31,640 --> 00:20:35,600
Speaker 3: The war turns out, Glad, this is a walrus and

446
00:20:36,040 --> 00:20:38,119
Speaker 3: the planet is full of Walruses and Stewart is the

447
00:20:38,160 --> 00:20:41,680
Speaker 3: only human. It's a pretty incredible twist. What will happen

448
00:20:41,720 --> 00:20:45,199
Speaker 3: next to Stewart as he tries to find his way.

449
00:20:45,200 --> 00:20:47,800
Speaker 5: I'll tell you what I tell you what if everyone's

450
00:20:47,840 --> 00:20:50,320
Speaker 5: heard this segment every day over the last four days,

451
00:20:50,440 --> 00:20:53,440
Speaker 5: you are just dumbfounded as to what.

452
00:20:53,359 --> 00:20:54,200
Speaker 1: We do for a living.

453
00:20:54,280 --> 00:21:00,800
Speaker 3: And if you just joined us, you definitely think more normal.

454
00:21:00,840 --> 00:21:06,160
Speaker 1: Now, thanks you all the text guys. We'll come back

455
00:21:06,200 --> 00:21:07,199
Speaker 1: to with that.

456
00:21:07,720 --> 00:21:12,240
Speaker 3: And we are here with singing sensation. Julia Michaels, please.

457
00:21:13,600 --> 00:21:20,520
Speaker 7: Please you like to like settle around with people in there,

458
00:21:20,800 --> 00:21:21,679
Speaker 7: trying to check them like.

459
00:21:21,800 --> 00:21:26,080
Speaker 3: Like Penis and just gage reaction.

460
00:21:29,119 --> 00:21:32,600
Speaker 1: Oh my god, that is closing stuff. We've got Julia

461
00:21:32,680 --> 00:21:35,080
Speaker 1: Michaels with us. She's here.

462
00:21:35,680 --> 00:21:37,560
Speaker 5: I know you've done most of the rest of the country.

463
00:21:37,600 --> 00:21:39,800
Speaker 5: You just do it a couple more nights. With Keith

464
00:21:39,880 --> 00:21:43,080
Speaker 5: Urban at Rod Labor Arena. But you're you're, you're a

465
00:21:43,119 --> 00:21:46,760
Speaker 5: star man. You've got like twenty million monthly streams or something.

466
00:21:46,800 --> 00:21:49,800
Speaker 5: I know that Issues, that's on Spotify alone. I know

467
00:21:49,880 --> 00:21:56,720
Speaker 5: the Issues was triple platinum and you've got nominated for

468
00:21:56,760 --> 00:21:59,800
Speaker 5: two Grammys for that one as well, not to mention

469
00:21:59,840 --> 00:22:01,959
Speaker 5: the fact that obviously that song hurts somebody. You did

470
00:22:02,000 --> 00:22:05,000
Speaker 5: with Knolkohan was really big with us, and you got

471
00:22:05,040 --> 00:22:06,800
Speaker 5: some brand new music, brand new AP.

472
00:22:08,440 --> 00:22:10,680
Speaker 1: And you're lovely to boot, which is so nice.

473
00:22:11,440 --> 00:22:12,600
Speaker 3: No, it is, it really is.

474
00:22:13,119 --> 00:22:14,520
Speaker 7: Thanks guys, thanks for having me.

475
00:22:14,560 --> 00:22:15,119
Speaker 3: This is awesome.

476
00:22:15,160 --> 00:22:16,720
Speaker 5: And you're straight into the dick jokes as well, which

477
00:22:16,720 --> 00:22:19,119
Speaker 5: we always right to.

478
00:22:24,000 --> 00:22:27,000
Speaker 3: Julie, you were you're a songwriter early on though, like

479
00:22:27,000 --> 00:22:28,719
Speaker 3: that's how you got into the music industry. You were

480
00:22:28,720 --> 00:22:31,600
Speaker 3: writing songs. Yes, can you tell me about the journey

481
00:22:31,640 --> 00:22:36,040
Speaker 3: to start singing? So Issues was when you first started singing.

482
00:22:36,240 --> 00:22:38,320
Speaker 7: It was one of those songs that was a little

483
00:22:38,320 --> 00:22:40,520
Speaker 7: bit too personal and I think to sort of give

484
00:22:40,560 --> 00:22:44,440
Speaker 7: to someone else to perform, so I didn't. I kept

485
00:22:44,440 --> 00:22:46,199
Speaker 7: it and then it all just sort of happened, and

486
00:22:46,240 --> 00:22:49,639
Speaker 7: it was really fast and it was sort of like

487
00:22:49,920 --> 00:22:52,719
Speaker 7: you know, like given one swimming lesson and then being

488
00:22:52,800 --> 00:22:55,719
Speaker 7: dropped in the ocean. You know, like one of our

489
00:22:55,760 --> 00:22:59,000
Speaker 7: first performances being the Billboard Music Awards, which was live.

490
00:22:59,480 --> 00:23:00,720
Speaker 7: You know, in your so used to being in the

491
00:23:00,760 --> 00:23:03,119
Speaker 7: booth and like re singing something six times so that

492
00:23:03,200 --> 00:23:05,119
Speaker 7: you can get it perfect, and like every breath like

493
00:23:05,200 --> 00:23:07,560
Speaker 7: micro managed, you know, and then you're like, cool, I

494
00:23:07,560 --> 00:23:09,480
Speaker 7: have one shot live. This is horrifying.

495
00:23:10,040 --> 00:23:10,760
Speaker 3: Cool, let's go.

496
00:23:11,720 --> 00:23:14,920
Speaker 7: So a majority of the transition was like a lot

497
00:23:14,960 --> 00:23:16,000
Speaker 7: of anxiety in the beginning.

498
00:23:16,440 --> 00:23:18,639
Speaker 3: And I read in an article that you've recently written

499
00:23:18,680 --> 00:23:22,119
Speaker 3: about your anxiety. But in that Billboard performance, there's a

500
00:23:22,119 --> 00:23:24,960
Speaker 3: moment where you hugged my keyboard. Is your keyboardist?

501
00:23:25,000 --> 00:23:26,880
Speaker 7: Yeah, I have full on panic attack at the end.

502
00:23:27,160 --> 00:23:30,320
Speaker 7: That's me literally like not being able to breathe, shaking

503
00:23:30,520 --> 00:23:34,600
Speaker 7: like and then crumbling in a hallway afterward being breath Yeah.

504
00:23:34,600 --> 00:23:39,400
Speaker 7: It was pretty intense. Yeah really, but I mean it's

505
00:23:39,400 --> 00:23:42,879
Speaker 7: pretty amazing, Like that was that was just two years ago,

506
00:23:43,080 --> 00:23:46,439
Speaker 7: and now now we're doing these shows and like, you know,

507
00:23:46,600 --> 00:23:49,520
Speaker 7: I go moments where I don't have anxiety at all.

508
00:23:49,760 --> 00:23:51,800
Speaker 1: You know, well, what was the change?

509
00:23:51,840 --> 00:23:54,960
Speaker 7: Like I found that rationalizing with myself trying to sort

510
00:23:55,000 --> 00:23:58,000
Speaker 7: of talk myself out of out of it. And I

511
00:23:58,040 --> 00:24:00,160
Speaker 7: think the other thing that's helped me so much, which

512
00:24:01,000 --> 00:24:06,320
Speaker 7: is when people sing with me in the crowd. It

513
00:24:06,400 --> 00:24:09,119
Speaker 7: really does, and in what I think it is, it

514
00:24:09,240 --> 00:24:12,640
Speaker 7: helps me not feel so alone up there. It's like, oh,

515
00:24:12,640 --> 00:24:14,240
Speaker 7: we're doing we're doing together.

516
00:24:14,320 --> 00:24:14,520
Speaker 1: Yeah.

517
00:24:15,160 --> 00:24:17,800
Speaker 7: We did a show and Brisbane, we did three nights.

518
00:24:17,920 --> 00:24:19,840
Speaker 7: In the last night, this girl put up a sign

519
00:24:19,840 --> 00:24:23,320
Speaker 7: that said you make us super happy. Oh, and it

520
00:24:23,440 --> 00:24:26,679
Speaker 7: was like, okay, Like I'm like, hold my hand this.

521
00:24:28,600 --> 00:24:32,359
Speaker 3: The whole time, make a sign for it. Sign for

522
00:24:32,440 --> 00:24:33,119
Speaker 3: Julia Morgels.

523
00:24:33,520 --> 00:24:33,720
Speaker 7: Yeah.

524
00:24:33,760 --> 00:24:35,600
Speaker 3: I read the article as well that there's a smaller

525
00:24:35,720 --> 00:24:37,879
Speaker 3: practical thing that you do, which is something that Benny

526
00:24:37,960 --> 00:24:41,120
Speaker 3: Blanco taught you, which was holding I.

527
00:24:41,440 --> 00:24:44,120
Speaker 5: Sorry, I just Julie just said I and I was like, wow,

528
00:24:44,119 --> 00:24:45,639
Speaker 5: I don't know if we can recommend.

529
00:24:45,320 --> 00:24:53,160
Speaker 7: That, right. There are different words for different things. Yeah,

530
00:24:53,920 --> 00:24:57,600
Speaker 7: it's basically just like a It's like an anxiety technique.

531
00:24:57,600 --> 00:25:00,320
Speaker 7: It makes you focus on the fact that you're hands

532
00:25:00,320 --> 00:25:03,639
Speaker 7: are literally burning from the cold, so then you're not

533
00:25:03,720 --> 00:25:06,159
Speaker 7: thinking about like all the irrational.

534
00:25:05,640 --> 00:25:08,879
Speaker 5: Wings you're thinking about absolutely fascinating Julia A.

535
00:25:08,920 --> 00:25:09,400
Speaker 1: Tip as well.

536
00:25:09,400 --> 00:25:11,800
Speaker 5: By the way, anxiety, I'm sure it's something that to

537
00:25:11,840 --> 00:25:13,800
Speaker 5: be particularly if you're a performer and.

538
00:25:13,760 --> 00:25:16,960
Speaker 3: We are here with singing sensation Julia Michaels.

539
00:25:16,680 --> 00:25:21,119
Speaker 5: Julia, I want to talk to you about the fact

540
00:25:21,160 --> 00:25:24,280
Speaker 5: that we had Noaha Haunt in the studio the other

541
00:25:25,080 --> 00:25:25,640
Speaker 5: and he's.

542
00:25:25,480 --> 00:25:27,800
Speaker 1: A real sweetheart. He's a sweetheart he is.

543
00:25:27,880 --> 00:25:29,920
Speaker 5: He is such a nice guy with possibly the most

544
00:25:29,920 --> 00:25:30,680
Speaker 5: adorable lisp.

545
00:25:30,920 --> 00:25:36,040
Speaker 3: I think I'm a sucker for a list. He had

546
00:25:36,040 --> 00:25:39,680
Speaker 3: a huge lunch and he had meat sweats. It's just

547
00:25:39,720 --> 00:25:42,040
Speaker 3: the most phenomenal guy.

548
00:25:42,160 --> 00:25:44,240
Speaker 5: He is such a good guy and we had a

549
00:25:44,240 --> 00:25:46,880
Speaker 5: really good laugh with him, and we're obviously talking about

550
00:25:47,160 --> 00:25:48,680
Speaker 5: Hurt Somebody and parody.

551
00:25:48,960 --> 00:25:52,400
Speaker 1: We did a comedic parody of that song. Yeah, we did.

552
00:25:53,080 --> 00:25:57,560
Speaker 5: We did a parody called Dessert Somebody, which was about

553
00:25:57,880 --> 00:25:59,919
Speaker 5: when you what do you know?

554
00:25:59,880 --> 00:26:01,600
Speaker 1: I both experience in relationships.

555
00:26:01,680 --> 00:26:04,119
Speaker 5: We're more often than not you ask the girl that

556
00:26:04,160 --> 00:26:07,040
Speaker 5: you're with if they want dessert and they say no,

557
00:26:07,520 --> 00:26:09,720
Speaker 5: but they say, I'll just have some of yours.

558
00:26:09,760 --> 00:26:14,080
Speaker 14: Oh your own new ice cream, thief, because it hurts

559
00:26:14,359 --> 00:26:18,080
Speaker 14: and you stealed yourself from somebody.

560
00:26:18,560 --> 00:26:27,119
Speaker 1: Like piss off. So we spoke to know about that.

561
00:26:27,160 --> 00:26:29,120
Speaker 1: We actually sung the chorus of that with us, which

562
00:26:29,119 --> 00:26:31,440
Speaker 1: is really nice. Yeah, it was great. He was really fun.

563
00:26:31,960 --> 00:26:35,680
Speaker 5: But we were talking to him about you, and it

564
00:26:35,800 --> 00:26:38,600
Speaker 5: was really funny because we were like, Oh, what's your

565
00:26:38,640 --> 00:26:41,960
Speaker 5: relationship like with Julia and all this sort of stuff. Anyway,

566
00:26:42,040 --> 00:26:44,200
Speaker 5: I've got a clip of him talking about it, to

567
00:26:44,240 --> 00:26:44,680
Speaker 5: have a listen.

568
00:26:44,680 --> 00:26:44,960
Speaker 3: Please.

569
00:26:45,320 --> 00:26:49,000
Speaker 5: I've never met her, I met, I met her before

570
00:26:49,480 --> 00:26:51,159
Speaker 5: my I'd even written her somebody, so I wrote the

571
00:26:51,200 --> 00:26:53,840
Speaker 5: song and an email with their vocal.

572
00:26:54,200 --> 00:26:59,200
Speaker 1: It's a very like sad like black Mirrory with That's

573
00:26:59,240 --> 00:26:59,680
Speaker 1: not true.

574
00:26:59,720 --> 00:27:01,560
Speaker 7: We have definitely met.

575
00:27:01,840 --> 00:27:06,520
Speaker 3: Yes, we met, Yeah, the NAPA thing, the NAPA thing. Really,

576
00:27:06,520 --> 00:27:10,760
Speaker 3: Noah had too many drinks at the NAPA thing, apparently wine.

577
00:27:11,200 --> 00:27:13,200
Speaker 5: But what we were going to do, because Noah said

578
00:27:13,240 --> 00:27:15,320
Speaker 5: that he hadn't met you, is we were going to

579
00:27:15,320 --> 00:27:18,359
Speaker 5: get you to look down the camera there and say, hey, Noah,

580
00:27:18,480 --> 00:27:19,119
Speaker 5: I'm Julia.

581
00:27:19,200 --> 00:27:19,920
Speaker 1: Nice to meet you.

582
00:27:20,200 --> 00:27:24,040
Speaker 5: But now we've met. Now, now what you can say

583
00:27:24,160 --> 00:27:29,119
Speaker 5: is hey Noah, so please get him up.

584
00:27:29,119 --> 00:27:29,399
Speaker 1: Please.

585
00:27:29,560 --> 00:27:29,720
Speaker 10: Yeah.

586
00:27:29,880 --> 00:27:32,760
Speaker 7: No, we've definitely met, and I'm sure I'll meet you again,

587
00:27:33,160 --> 00:27:34,359
Speaker 7: but hopefully not enap.

588
00:27:35,760 --> 00:27:40,320
Speaker 5: Hopefully not when you're drunk. Julia, thank you so much

589
00:27:40,359 --> 00:27:43,720
Speaker 5: for joining us. Thank you so welcomed in Australia.

590
00:27:44,160 --> 00:27:44,960
Speaker 7: I love it here.

591
00:27:45,240 --> 00:27:47,520
Speaker 5: Yeah, I really we love everything you're doing as well,

592
00:27:47,560 --> 00:27:49,119
Speaker 5: so please keep writing and keep singing.

593
00:27:49,160 --> 00:27:51,000
Speaker 1: And it's been a pleasure playing on the radio. And

594
00:27:51,080 --> 00:27:53,040
Speaker 1: nice meeting you. Nice to meet you. Thanks Julia.

595
00:27:53,320 --> 00:27:55,400
Speaker 5: I should have mentioned also, if you want to get

596
00:27:55,600 --> 00:27:58,040
Speaker 5: a little bit of a interview with Julia, this very

597
00:27:58,119 --> 00:28:00,520
Speaker 5: very funny moment which you might have picked up during

598
00:28:00,560 --> 00:28:02,760
Speaker 5: the first part of the interview, which you can go

599
00:28:02,880 --> 00:28:04,200
Speaker 5: watch yourself on Instagram.

600
00:28:04,400 --> 00:28:06,480
Speaker 1: William, what are you going to now, Woodrow?

601
00:28:07,359 --> 00:28:08,800
Speaker 5: I want to talk to you. I'm going to be

602
00:28:09,640 --> 00:28:12,199
Speaker 5: frank and ernest about this. I don't watch Maths, I

603
00:28:12,280 --> 00:28:14,800
Speaker 5: don't watch Married at First Site, but I do. I'm

604
00:28:14,920 --> 00:28:18,040
Speaker 5: so close to watching it because there's something going on

605
00:28:18,040 --> 00:28:20,439
Speaker 5: on that show. And I just clicked on an article

606
00:28:20,440 --> 00:28:22,280
Speaker 5: today and it didn't even reference the fact that it

607
00:28:22,400 --> 00:28:23,680
Speaker 5: was married at First Site.

608
00:28:23,920 --> 00:28:25,480
Speaker 1: But gee whiz, I'm interested.

609
00:28:25,640 --> 00:28:26,040
Speaker 3: Talk to me.

610
00:28:26,359 --> 00:28:30,280
Speaker 5: Headline Okay, this is the headline adult virgin hospitalized in

611
00:28:30,400 --> 00:28:32,440
Speaker 5: sex freak out O.

612
00:28:34,960 --> 00:28:35,840
Speaker 1: That was a clickbait.

613
00:28:35,880 --> 00:28:37,560
Speaker 3: I knew there was the virgin and I'm married at

614
00:28:37,600 --> 00:28:38,520
Speaker 3: First Sight, right, So.

615
00:28:38,480 --> 00:28:40,000
Speaker 5: That's what I know as well, because I was watching

616
00:28:40,000 --> 00:28:42,720
Speaker 5: the tennis and they're advertising on Channel nine for the.

617
00:28:42,640 --> 00:28:45,160
Speaker 1: Fact that there is virgin on Married at First Site.

618
00:28:45,200 --> 00:28:46,000
Speaker 1: His name is Matthew.

619
00:28:46,080 --> 00:28:48,120
Speaker 5: I go on to read more, and I've since started

620
00:28:48,160 --> 00:28:49,640
Speaker 5: watching a whole bunch of clips because this has.

621
00:28:49,600 --> 00:28:51,760
Speaker 1: Got me interested. He is a virgin.

622
00:28:51,800 --> 00:28:54,440
Speaker 5: Apparently he's walked into Married at First Site. He's met

623
00:28:54,440 --> 00:28:57,160
Speaker 5: this woman called Lauren. Yep, Okay, that's the couple.

624
00:28:57,400 --> 00:28:57,680
Speaker 3: Cool.

625
00:28:58,840 --> 00:29:01,720
Speaker 5: Matthew and Lauren go to there what they call a

626
00:29:01,760 --> 00:29:06,440
Speaker 5: honeymoon on the show in inverted Common's honeymoon, and keep

627
00:29:06,440 --> 00:29:12,320
Speaker 5: in mind that like this is often where you're harping

628
00:29:12,360 --> 00:29:13,080
Speaker 5: on the good foot and.

629
00:29:13,000 --> 00:29:15,200
Speaker 1: Doing the bad thing of course, well, of course on

630
00:29:15,280 --> 00:29:16,480
Speaker 1: the show.

631
00:29:17,120 --> 00:29:18,040
Speaker 3: So they go go.

632
00:29:18,000 --> 00:29:24,960
Speaker 5: And have a jacuzzi together. Oh, very good, supersensual. This

633
00:29:25,040 --> 00:29:28,840
Speaker 5: is what happens after they get in the jacrezy. I've

634
00:29:28,840 --> 00:29:30,680
Speaker 5: got a little bit of audio, okay.

635
00:29:30,920 --> 00:29:34,160
Speaker 8: Instead of getting turned on by taking a spar with Lauren.

636
00:29:34,760 --> 00:29:36,800
Speaker 3: I'm feeling really crooked. I don't know what's going on.

637
00:29:36,960 --> 00:29:38,840
Speaker 8: Matthew's taken a turn for the worse.

638
00:29:41,040 --> 00:29:43,360
Speaker 3: We are on our way to this middle right now.

639
00:29:44,000 --> 00:29:45,240
Speaker 3: That's seen a lot of pain.

640
00:29:45,600 --> 00:29:49,080
Speaker 8: The honeymoon is becoming one to remember, but for all

641
00:29:49,120 --> 00:29:50,120
Speaker 8: the wrong reasons.

642
00:29:50,920 --> 00:29:56,320
Speaker 3: Oh no, of course you would though, the anxiety of

643
00:29:56,400 --> 00:29:58,600
Speaker 3: like this is the first time I just married this woman, who,

644
00:29:58,640 --> 00:29:59,840
Speaker 3: by the way, is a stranger.

645
00:30:01,120 --> 00:30:03,120
Speaker 1: I've got to sleep with it on national television.

646
00:30:03,160 --> 00:30:04,840
Speaker 3: By the way, you want to start with jacuzzi, Like

647
00:30:04,880 --> 00:30:06,880
Speaker 3: give the guy a break, Like give him just a

648
00:30:06,960 --> 00:30:11,480
Speaker 3: simple bed setup? Would Chacouzzies are a nightmare for the

649
00:30:11,560 --> 00:30:15,200
Speaker 3: experience among us. A lot can go wrong, So let's

650
00:30:15,240 --> 00:30:16,640
Speaker 3: not get into the story about me and one of

651
00:30:16,680 --> 00:30:20,640
Speaker 3: those jets. I'm serious, Why would she do it? That's

652
00:30:20,640 --> 00:30:23,000
Speaker 3: probably the producers going, let's give him a difficult one. First,

653
00:30:23,320 --> 00:30:24,160
Speaker 3: check him in the deep end.

654
00:30:24,240 --> 00:30:25,800
Speaker 5: Looks in there, and there's a rope course hung up

655
00:30:25,800 --> 00:30:32,240
Speaker 5: in the bedroom. I know, where's the humanity I really

656
00:30:32,280 --> 00:30:40,280
Speaker 5: feel for I know you do. Anyway, Dad insult to injury.

657
00:30:41,000 --> 00:30:44,280
Speaker 5: His mom is watching this.

658
00:30:44,320 --> 00:30:45,200
Speaker 1: Sort of stuff as well.

659
00:30:47,600 --> 00:30:50,680
Speaker 5: Yeah, sure, yeah, And it's just gotta be I kind

660
00:30:50,680 --> 00:30:53,280
Speaker 5: of want to just get past the virginity stuff.

661
00:30:53,320 --> 00:30:55,200
Speaker 1: And sure how it would be because.

662
00:30:54,960 --> 00:30:57,280
Speaker 5: That's we all have to go through that. It's not

663
00:30:57,320 --> 00:30:59,520
Speaker 5: a nice procedure, and I genuinely feel for the bloke.

664
00:31:01,120 --> 00:31:03,600
Speaker 5: I do also feel for his parents and his family

665
00:31:03,640 --> 00:31:06,960
Speaker 5: and stuff watching, because I just can't really think of

666
00:31:07,040 --> 00:31:12,440
Speaker 5: anything more awkward than that. And it's a really interesting

667
00:31:12,480 --> 00:31:18,640
Speaker 5: scenario Woods where you have to witness something that you

668
00:31:18,800 --> 00:31:24,040
Speaker 5: haven't signed up for necessarily. So I really want to

669
00:31:24,040 --> 00:31:26,520
Speaker 5: know in thirty one and sixty five from you, guys,

670
00:31:28,360 --> 00:31:30,320
Speaker 5: what did you have to witness.

671
00:31:31,520 --> 00:31:32,520
Speaker 1: From a hiding place?

672
00:31:33,440 --> 00:31:34,520
Speaker 3: From a hiding place?

673
00:31:34,600 --> 00:31:35,680
Speaker 1: Yes, so often?

674
00:31:35,720 --> 00:31:38,880
Speaker 5: Have you ever seen that movie? He's not that into you?

675
00:31:38,960 --> 00:31:41,920
Speaker 5: And again this is this is another example of a

676
00:31:41,960 --> 00:31:43,680
Speaker 5: sexual encounter. I don't want them all to be like this.

677
00:31:43,800 --> 00:31:44,960
Speaker 3: Okay, where.

678
00:31:46,360 --> 00:31:48,080
Speaker 5: What scarlet your hanson has to go and hide in

679
00:31:48,080 --> 00:31:50,880
Speaker 5: the cupboard from? I think it's Bradley Cooper that she's

680
00:31:50,920 --> 00:31:53,520
Speaker 5: with at the time, and then Bradley Cooper. Then who

681
00:31:53,600 --> 00:31:55,440
Speaker 5: scarlet your hands is the woman he's having an affair with.

682
00:31:56,200 --> 00:31:58,360
Speaker 5: Bradley Cooper's wife then enters the room and then they

683
00:31:59,040 --> 00:32:00,680
Speaker 5: yeah on his desk.

684
00:32:00,800 --> 00:32:03,320
Speaker 3: She's got to watch the end from the cupboard.

685
00:32:03,440 --> 00:32:07,000
Speaker 1: From the cupboard. Now, this doesn't necessarily have to happen.

686
00:32:09,360 --> 00:32:13,040
Speaker 5: With two with any sort of you know, hanky panky.

687
00:32:13,280 --> 00:32:17,680
Speaker 5: This might happen where you walked into your boss's room,

688
00:32:18,200 --> 00:32:21,479
Speaker 5: or you're hiding under a desk somewhere. It might it

689
00:32:21,560 --> 00:32:25,040
Speaker 5: might have happened when you were hiding from burglars or something.

690
00:32:25,520 --> 00:32:27,360
Speaker 5: Oh yeah, and you had to go and hide somewhere,

691
00:32:27,360 --> 00:32:30,080
Speaker 5: and then you had to watch as all this unfolded.

692
00:32:30,240 --> 00:32:32,880
Speaker 5: Yeah right, okay, so thirty one O six five? What

693
00:32:32,960 --> 00:32:37,360
Speaker 5: did you have to watch involuntarily? Now I'm imagining this

694
00:32:37,480 --> 00:32:38,400
Speaker 5: is from a hiding place.

695
00:32:39,240 --> 00:32:41,080
Speaker 3: That makes most sense that you've got to You've got

696
00:32:41,080 --> 00:32:43,000
Speaker 3: to go somewhere. You're hiding from someone. And if you're

697
00:32:43,040 --> 00:32:45,280
Speaker 3: hiding from someone, you can't put your hand up and go,

698
00:32:45,320 --> 00:32:46,200
Speaker 3: oh sorry.

699
00:32:46,040 --> 00:32:48,920
Speaker 5: Exactly right, excuse me a run. A little bit like

700
00:32:49,160 --> 00:32:52,000
Speaker 5: when Dumbledore dies in Harry Potter.

701
00:32:52,120 --> 00:32:54,160
Speaker 3: This is going to be a tough reference, and Harry.

702
00:32:53,880 --> 00:32:56,400
Speaker 5: Has to hide under the floorboards and Dumbledore says, don't

703
00:32:56,760 --> 00:32:57,600
Speaker 5: don't say anything.

704
00:32:57,760 --> 00:33:00,000
Speaker 3: Speaking of movies, bit like four Weddings in a few

705
00:33:00,000 --> 00:33:03,479
Speaker 3: Funeral where Hugh Grant is in a closet and then

706
00:33:03,520 --> 00:33:07,000
Speaker 3: I'm pretty sure two women are just talking absolutely about him,

707
00:33:07,080 --> 00:33:08,240
Speaker 3: and then he goes and he gets out of the

708
00:33:08,240 --> 00:33:10,440
Speaker 3: cabin and goes, oh, where I parked my cart?

709
00:33:12,960 --> 00:33:17,440
Speaker 1: Anyone who sinks vibe. What did you have to watch involuntarily?

710
00:33:17,520 --> 00:33:19,080
Speaker 1: We'll take because the next villain, what do you get now?

711
00:33:19,760 --> 00:33:23,160
Speaker 1: What did you have to watch involuntarily? Now?

712
00:33:23,200 --> 00:33:25,440
Speaker 5: The reason we're asking that is because I believe her

713
00:33:25,520 --> 00:33:29,680
Speaker 5: name is Rhonda, Matthew's mum on Married at First Sight.

714
00:33:30,240 --> 00:33:33,160
Speaker 5: Matthew is the is the virgin on Married at First Site,

715
00:33:33,200 --> 00:33:38,320
Speaker 5: and obviously she had to watch on television her son

716
00:33:38,960 --> 00:33:42,680
Speaker 5: potentially loses virginity. Yep, but stuff can't imagine how.

717
00:33:42,960 --> 00:33:43,440
Speaker 1: That would be.

718
00:33:45,560 --> 00:33:48,080
Speaker 5: Fortunately, I think for everyone, the big fella had a

719
00:33:48,120 --> 00:33:50,160
Speaker 5: panic attack before they got to the thin edge of

720
00:33:50,160 --> 00:33:51,040
Speaker 5: the wedge.

721
00:33:51,120 --> 00:33:54,080
Speaker 8: Instead of getting turned on by taking a spar with Lauren.

722
00:33:55,000 --> 00:33:57,080
Speaker 3: I'm feeling really crooked. I don't know what's going on.

723
00:33:57,160 --> 00:33:59,040
Speaker 8: Matthew's taken a turn for the worse.

724
00:34:01,280 --> 00:34:03,400
Speaker 3: We are on our way to this middle of the front.

725
00:34:04,360 --> 00:34:05,320
Speaker 10: There's a lot of pain.

726
00:34:05,840 --> 00:34:09,279
Speaker 8: The honeymoon is becoming one to remember, but for all

727
00:34:09,320 --> 00:34:10,320
Speaker 8: the wrong reasons.

728
00:34:11,200 --> 00:34:12,840
Speaker 1: And we feel for Matthew. We we do.

729
00:34:13,120 --> 00:34:15,520
Speaker 3: Yeah, he's right, he'll bounds back. He'll bounds back.

730
00:34:15,800 --> 00:34:16,000
Speaker 1: Yeah.

731
00:34:16,000 --> 00:34:17,680
Speaker 3: Probably in the night's episode. I imagine i'd.

732
00:34:17,560 --> 00:34:18,960
Speaker 1: Say back on the horse, but he hasn't been on

733
00:34:19,000 --> 00:34:19,520
Speaker 1: there yet, So.

734
00:34:19,640 --> 00:34:23,799
Speaker 3: No, try the horse for the first time we got

735
00:34:24,120 --> 00:34:27,200
Speaker 3: here is give us goal, Liz, Hello.

736
00:34:27,400 --> 00:34:30,160
Speaker 1: Talk to us mate. You had to watch something involuntarily.

737
00:34:31,320 --> 00:34:31,680
Speaker 6: Yeah.

738
00:34:31,800 --> 00:34:34,920
Speaker 14: So in high school, me and my friend were hiding

739
00:34:34,960 --> 00:34:37,719
Speaker 14: at the top of the staircase behind some rubbish bag.

740
00:34:37,960 --> 00:34:40,680
Speaker 5: Yeah, saying of all that there might be some great

741
00:34:40,680 --> 00:34:43,000
Speaker 5: examples here of hiding places because this is yeah.

742
00:34:43,080 --> 00:34:44,920
Speaker 14: Yeah, I mean I can't even tell you why we

743
00:34:44,920 --> 00:34:48,840
Speaker 14: were there, but we were there. People came sat down

744
00:34:49,120 --> 00:34:51,799
Speaker 14: and they were having this steper meaningful conversation and the

745
00:34:51,840 --> 00:34:55,319
Speaker 14: guy actually came out to his friend and told her

746
00:34:55,360 --> 00:34:56,400
Speaker 14: that he was gay.

747
00:34:58,520 --> 00:35:01,040
Speaker 3: Which is are he sensitive?

748
00:35:01,080 --> 00:35:03,640
Speaker 2: Era awkward?

749
00:35:03,880 --> 00:35:06,400
Speaker 14: And we tried to be quiet, but then we laughed

750
00:35:06,480 --> 00:35:07,480
Speaker 14: and it was awful.

751
00:35:09,280 --> 00:35:11,439
Speaker 3: So he found out he found out straight away that

752
00:35:11,520 --> 00:35:12,640
Speaker 3: there were other people listening.

753
00:35:14,160 --> 00:35:16,160
Speaker 14: Yeah, I mean we tried to be quiet, but no.

754
00:35:16,800 --> 00:35:17,000
Speaker 10: Yeah.

755
00:35:19,800 --> 00:35:21,600
Speaker 1: And the thing is about these situations.

756
00:35:21,640 --> 00:35:24,040
Speaker 5: If you are hiding somewhere, then you don't want to

757
00:35:24,080 --> 00:35:26,120
Speaker 5: reveal that you're hiding early because you don't want to

758
00:35:26,120 --> 00:35:30,440
Speaker 5: look dodgy. Yeah, Liz, So did you go and talk

759
00:35:30,480 --> 00:35:32,879
Speaker 5: to him? Because I mean, as you said, what's incredibly

760
00:35:34,000 --> 00:35:38,719
Speaker 5: the tough, that's the call is really tough Lawrence caught

761
00:35:38,760 --> 00:35:39,919
Speaker 5: on thirty one and sixty five.

762
00:35:40,000 --> 00:35:43,720
Speaker 1: Lauren, Hi, Lauren, are you there?

763
00:35:44,520 --> 00:35:44,719
Speaker 14: Yes?

764
00:35:44,960 --> 00:35:45,799
Speaker 2: Where are you? Yeah?

765
00:35:45,880 --> 00:35:48,160
Speaker 5: Well, well these are interesting. What did you have to

766
00:35:48,160 --> 00:35:50,520
Speaker 5: watch involuntarily? Were you hiding somewhere as well?

767
00:35:51,320 --> 00:35:56,160
Speaker 10: Yes, I was hiding at the airport. I discovered, or

768
00:35:56,200 --> 00:35:59,800
Speaker 10: well I sense that my six husband was having an affair.

769
00:36:00,680 --> 00:36:03,840
Speaker 10: Told me he was going on a golf trip for

770
00:36:03,960 --> 00:36:06,799
Speaker 10: a couple of weeks, and I thought that was quite unusual,

771
00:36:08,239 --> 00:36:12,200
Speaker 10: and I just put two and two together and realized

772
00:36:12,239 --> 00:36:16,400
Speaker 10: that it was in the city with this woman that

773
00:36:16,480 --> 00:36:22,799
Speaker 10: had flown out from overseas. And then so I sort

774
00:36:22,800 --> 00:36:27,160
Speaker 10: of realized that this was all the notes that I'd

775
00:36:27,200 --> 00:36:29,800
Speaker 10: been taking that she was going back overseas. On a

776
00:36:29,840 --> 00:36:33,080
Speaker 10: particular day, I rang the airport, found out all the flights,

777
00:36:33,520 --> 00:36:39,240
Speaker 10: went there hiding behind the pole, and saw them embrace.

778
00:36:39,080 --> 00:36:42,400
Speaker 1: And right in front of you, Lauren.

779
00:36:42,680 --> 00:36:46,440
Speaker 10: Yep, yeah. And then then he walked away crying and

780
00:36:46,480 --> 00:36:48,920
Speaker 10: wiping his eyes and texted me and said I'll be

781
00:36:48,960 --> 00:36:51,800
Speaker 10: home in four hours. And we were only fifty minutes

782
00:36:52,280 --> 00:36:56,239
Speaker 10: fifty minutes from the airport, so he wasn't where he's here.

783
00:36:56,560 --> 00:36:59,479
Speaker 3: So, Lauren, that sucks.

784
00:37:00,239 --> 00:37:01,960
Speaker 10: So that was the beginning of the end.

785
00:37:02,200 --> 00:37:02,399
Speaker 12: Yeah.

786
00:37:02,920 --> 00:37:05,160
Speaker 5: Wow, at least you've got him red handed. Though you're

787
00:37:05,160 --> 00:37:07,000
Speaker 5: not trying to piece a whole bunch of stuff together.

788
00:37:07,080 --> 00:37:08,719
Speaker 5: You saw it with your very your own eyes.

789
00:37:08,520 --> 00:37:10,000
Speaker 10: So I certainly did.

790
00:37:10,480 --> 00:37:10,840
Speaker 13: Lauren.

791
00:37:10,960 --> 00:37:14,000
Speaker 5: It sucks, mate, Thanks to the call, though. I'm glad

792
00:37:14,000 --> 00:37:16,919
Speaker 5: you call up and talk about it openly now. Yeah,

793
00:37:17,040 --> 00:37:21,239
Speaker 5: thanks God, cheers mate, Well enjoy your enjoy your your Wednesday.

794
00:37:21,320 --> 00:37:22,880
Speaker 3: And I always say bullet dodged as well, you know

795
00:37:22,920 --> 00:37:25,719
Speaker 3: what I mean. Lady's getting called and now I hope,

796
00:37:25,960 --> 00:37:29,320
Speaker 3: hopefully Lauren's gone, but hopefully Lawren's ye a lot happier

797
00:37:29,360 --> 00:37:32,160
Speaker 3: and better because she has moved on. Yep, we got

798
00:37:32,200 --> 00:37:34,920
Speaker 3: Emily here. And now Emily, you were at May you're

799
00:37:34,920 --> 00:37:38,480
Speaker 3: at McDonald's and saw something in voluntarily.

800
00:37:38,480 --> 00:37:40,319
Speaker 12: So I'll see you in the dry through what mac

801
00:37:40,440 --> 00:37:42,920
Speaker 12: is And this literally only happened about twenty minutes, half.

802
00:37:42,760 --> 00:37:43,279
Speaker 11: An hour ago.

803
00:37:43,520 --> 00:37:46,160
Speaker 12: Yeah, and we were sitting in sitting the drive through,

804
00:37:46,280 --> 00:37:48,320
Speaker 12: and were pulled up and an ambulance is there with

805
00:37:48,400 --> 00:37:48,799
Speaker 12: their lights.

806
00:37:48,800 --> 00:37:49,000
Speaker 7: Time.

807
00:37:49,719 --> 00:37:51,480
Speaker 12: I haven't really thought much of it, thought someone might

808
00:37:51,480 --> 00:37:53,800
Speaker 12: have gotten here, you know all that. But we're sitting

809
00:37:53,800 --> 00:38:01,280
Speaker 12: there and a lady is giving Ti birth back. Oh goodness, yeah,

810
00:38:01,360 --> 00:38:02,200
Speaker 12: right in front of us.

811
00:38:05,160 --> 00:38:05,399
Speaker 11: Yeah.

812
00:38:06,600 --> 00:38:08,040
Speaker 3: Success.

813
00:38:08,480 --> 00:38:11,080
Speaker 12: Yeah, I've got my nugget pretty quickly and drove out there.

814
00:38:11,080 --> 00:38:17,319
Speaker 12: But she was so I said to ladies window, I said,

815
00:38:17,320 --> 00:38:19,000
Speaker 12: you know what's going on there? She says, no, I did,

816
00:38:19,040 --> 00:38:26,000
Speaker 12: I said I and she got to just look at.

817
00:38:24,200 --> 00:38:27,160
Speaker 1: In the drive through makers that we couldn't.

818
00:38:26,880 --> 00:38:28,520
Speaker 12: Go forward, and we couldn't go that first because you're

819
00:38:28,560 --> 00:38:31,719
Speaker 12: right in the middle way you can get sure enough.

820
00:38:31,840 --> 00:38:34,560
Speaker 3: Can I ask you, Emily, if if you were naming

821
00:38:34,600 --> 00:38:38,360
Speaker 3: the child, given they were well popped out at McDonald's,

822
00:38:38,360 --> 00:38:44,680
Speaker 3: what would you name the baby? Baby, baby beautiful?

823
00:38:44,840 --> 00:38:46,320
Speaker 5: You and I are just about out of time. You

824
00:38:46,400 --> 00:38:50,120
Speaker 5: have talked some serious drool for nearly two hours. However,

825
00:38:50,160 --> 00:38:53,399
Speaker 5: there is still some stuff there. We're just gruntled that.

826
00:38:53,320 --> 00:38:54,399
Speaker 1: We didn't get a chance to.

827
00:38:54,320 --> 00:38:56,359
Speaker 5: Get We didn't get to.

828
00:38:58,600 --> 00:39:01,359
Speaker 3: H There is a shame. This is a real shame

829
00:39:01,440 --> 00:39:03,279
Speaker 3: because it's a it's a huge story and I think

830
00:39:03,280 --> 00:39:04,080
Speaker 3: it was a great angle.

831
00:39:04,360 --> 00:39:06,279
Speaker 1: We are talking about it now, Yeah, but I've got.

832
00:39:06,200 --> 00:39:08,279
Speaker 3: To rush it. Look, there was an amazing video that

833
00:39:08,320 --> 00:39:09,640
Speaker 3: came out of the Northern Territory.

834
00:39:09,640 --> 00:39:11,760
Speaker 1: Were at the Shark and the Crocodile Yep, yep.

835
00:39:12,200 --> 00:39:15,160
Speaker 3: You've already seen it. Yeah, great, Crocodile goes to week

836
00:39:15,200 --> 00:39:16,719
Speaker 3: the chicken on the end of a line on the

837
00:39:16,960 --> 00:39:17,560
Speaker 3: fishing line.

838
00:39:17,920 --> 00:39:21,879
Speaker 5: Before you go in, I need to need to say

839
00:39:22,200 --> 00:39:24,880
Speaker 5: that I was on news dot com earlier today and

840
00:39:24,920 --> 00:39:27,280
Speaker 5: I was looking through some stuff talking about for the show.

841
00:39:27,800 --> 00:39:29,560
Speaker 1: At about three point thirty.

842
00:39:29,760 --> 00:39:31,680
Speaker 3: Saw two pieces, Yeah, talk to me.

843
00:39:32,440 --> 00:39:35,000
Speaker 5: First one was about a guy who'd forgotten his password

844
00:39:35,040 --> 00:39:38,520
Speaker 5: that held a lot of bitcoin. I the second one

845
00:39:39,680 --> 00:39:41,120
Speaker 5: and I looked at there and I said, what he

846
00:39:41,160 --> 00:39:43,600
Speaker 5: pitch that? And they're like, oh, so pulling down the

847
00:39:43,600 --> 00:39:46,040
Speaker 5: curtain here. Woody and I don't tell each other what

848
00:39:46,080 --> 00:39:47,360
Speaker 5: we're going to talk about on the show, so.

849
00:39:47,320 --> 00:39:49,360
Speaker 3: We get a genuine conversation on there and also a

850
00:39:49,400 --> 00:39:51,759
Speaker 3: lot of stuff ups, which hopefully you enjoy. Also, Yes,

851
00:39:51,840 --> 00:39:52,400
Speaker 3: but we'd.

852
00:39:52,280 --> 00:39:53,960
Speaker 1: Rather have an organic chat with each other than have

853
00:39:54,000 --> 00:39:56,520
Speaker 1: it planned. So I walked in the room.

854
00:39:56,360 --> 00:39:58,000
Speaker 5: And I was like, I've got two topics that I'd

855
00:39:58,080 --> 00:40:00,719
Speaker 5: like to pitch, but I'm pretty sure Woody will have

856
00:40:00,800 --> 00:40:03,520
Speaker 5: picked both stories and pitched both stories. So you had

857
00:40:03,560 --> 00:40:06,400
Speaker 5: the bitcoin guy yep. The second one was the video.

858
00:40:06,520 --> 00:40:08,080
Speaker 5: The other story that I was going to do. Was

859
00:40:08,120 --> 00:40:10,719
Speaker 5: the video of the crocodile with the shark. Yes, so

860
00:40:10,760 --> 00:40:12,560
Speaker 5: there's a chicken, and I think I get I can

861
00:40:12,560 --> 00:40:15,640
Speaker 5: guess your phone topic the chicken. This this is what

862
00:40:15,680 --> 00:40:18,239
Speaker 5: you're going to ask people for everyone playing at home.

863
00:40:18,480 --> 00:40:20,719
Speaker 5: The video is there's a chicken being dangled in front

864
00:40:20,760 --> 00:40:22,600
Speaker 5: of a crocodile and then a.

865
00:40:22,520 --> 00:40:26,120
Speaker 3: Baby shark bullshark.

866
00:40:26,000 --> 00:40:30,080
Speaker 5: Jumps out of the water and nearly snaffles the amazing footage.

867
00:40:30,280 --> 00:40:32,480
Speaker 3: Incredible footage. What's my angle?

868
00:40:32,840 --> 00:40:37,800
Speaker 1: I thought you were going to ask people? Got it

869
00:40:37,840 --> 00:40:39,640
Speaker 1: written down? Come on, no, because I think I've got

870
00:40:39,640 --> 00:40:39,920
Speaker 1: it right.

871
00:40:39,920 --> 00:40:43,279
Speaker 5: I just wanted to make sure, Oh yeah, whose food

872
00:40:43,320 --> 00:40:43,880
Speaker 5: did you steal?

873
00:40:45,520 --> 00:40:46,720
Speaker 1: When did you realize afterwards?

874
00:40:47,360 --> 00:40:51,399
Speaker 3: Stolen? No, I went for a completely different topic. It's

875
00:40:51,400 --> 00:40:57,000
Speaker 3: going to be called ambitious food thievery ambitious food thief.

876
00:40:57,000 --> 00:40:59,759
Speaker 3: I was going to bring up the time that we

877
00:40:59,880 --> 00:41:06,279
Speaker 3: ate the chicken that belonged to flow Rider. Yeah, flow

878
00:41:06,360 --> 00:41:06,919
Speaker 3: riders chick.

879
00:41:07,000 --> 00:41:09,719
Speaker 5: We only realized afterwards that it was flow Rider's chicken.

880
00:41:09,719 --> 00:41:12,160
Speaker 5: We didn't go in there going this is flow Rider's chicken.

881
00:41:12,200 --> 00:41:13,280
Speaker 3: I was going to tweak the story.

882
00:41:13,960 --> 00:41:14,920
Speaker 1: Oh you're gonna lie?

883
00:41:15,200 --> 00:41:20,080
Speaker 5: Yeah, absolutely so I did have it right, though, pretty much.

884
00:41:20,560 --> 00:41:21,680
Speaker 3: Yeah, yours was a bit weaker.

885
00:41:22,360 --> 00:41:26,480
Speaker 5: I liked the what about the scenario with vicious food thievery? Yeah,

886
00:41:26,520 --> 00:41:29,360
Speaker 5: but what about the scenario was the hilarity, the gags

887
00:41:29,640 --> 00:41:31,839
Speaker 5: that would come from you know, Oh, you walk into

888
00:41:32,000 --> 00:41:35,040
Speaker 5: your girlfriend's house and you grab her dad sandwich for.

889
00:41:35,080 --> 00:41:36,000
Speaker 1: The next day and yeah, eat that.

890
00:41:36,200 --> 00:41:37,759
Speaker 3: Ah both, but you don't know what.

891
00:41:37,800 --> 00:41:39,960
Speaker 1: You don't know it's your dad sandwich until afterwards.

892
00:41:40,040 --> 00:41:42,000
Speaker 3: Yeah, both have their merits and you get that good

893
00:41:42,040 --> 00:41:44,200
Speaker 3: punchline moment where they go, guess who sandwich it was?

894
00:41:44,320 --> 00:41:48,960
Speaker 3: It was the Barack Obamas, all the dads. Imagine if

895
00:41:49,000 --> 00:41:52,960
Speaker 3: someone amed Barack Obama's sandwich, would we would have taken

896
00:41:53,000 --> 00:41:54,640
Speaker 3: the call of fone. It would have been a call

897
00:41:54,640 --> 00:41:56,320
Speaker 3: of fone, writ call of fame? What was in the sandwich?

898
00:41:56,320 --> 00:41:57,560
Speaker 3: What is baraq like in a sandwich?

899
00:41:57,840 --> 00:42:01,040
Speaker 5: Can you give me another example of the ambitious food

900
00:42:01,040 --> 00:42:06,880
Speaker 5: thievery because ours is unique. So you're saying you have

901
00:42:06,960 --> 00:42:09,640
Speaker 5: to see that it's Barack Obama's sandwich and then still

902
00:42:09,680 --> 00:42:10,120
Speaker 5: go for it.

903
00:42:10,200 --> 00:42:13,319
Speaker 3: Yeah, so Barack Obama's eating at a fish and chippery Yeah,

904
00:42:13,480 --> 00:42:17,000
Speaker 3: e goo, excuse me, Michelle Obama, his wife, I've got

905
00:42:17,000 --> 00:42:21,120
Speaker 3: a duck off to the loo. You see this, You

906
00:42:21,160 --> 00:42:23,440
Speaker 3: get your friend to distract Michelle, I imagine with some

907
00:42:23,480 --> 00:42:26,320
Speaker 3: sort of dance routine or like she's looking at the

908
00:42:26,400 --> 00:42:30,600
Speaker 3: dance routine. You run past. Grab his calamario, grab his

909
00:42:30,760 --> 00:42:34,719
Speaker 3: chicken filet or his calamarie. What did I say he

910
00:42:34,760 --> 00:42:36,439
Speaker 3: said chicken fill Oh, I'll tell you that was weird.

911
00:42:36,800 --> 00:42:39,239
Speaker 3: Grab his fish, grab his chips, get out of there,

912
00:42:39,360 --> 00:42:41,480
Speaker 3: ambitious food. Thievery and I probably would have had like

913
00:42:41,520 --> 00:42:42,560
Speaker 3: a sting or something there.

914
00:42:42,800 --> 00:42:44,680
Speaker 1: Yeah, yeah, we would have taken the call.

915
00:42:45,600 --> 00:42:49,040
Speaker 3: Yeah, an awesome radio.

916
00:42:51,360 --> 00:42:53,960
Speaker 5: Thanks to the show, guys, we're gonna get out of you.

917
00:42:54,160 --> 00:42:56,160
Speaker 5: More chances to get involved with Socks Out. If you're single,

918
00:42:56,200 --> 00:42:57,759
Speaker 5: all you need is your sock and a car to

919
00:42:57,800 --> 00:43:00,200
Speaker 5: be driving home. Or if somebody suggested I walk home,

920
00:43:00,200 --> 00:43:02,800
Speaker 5: I've got a backpack. You can also get involved. Just

921
00:43:02,880 --> 00:43:04,439
Speaker 5: hit us up on Will and Woody on Instagram. There's

922
00:43:04,440 --> 00:43:06,920
Speaker 5: a link there register register to be a part of

923
00:43:06,920 --> 00:43:09,520
Speaker 5: it because we'd love to find you a perfect match

924
00:43:09,960 --> 00:43:11,319
Speaker 5: on the radio next week.

925
00:43:11,520 --> 00:43:14,680
Speaker 1: See what you're hearing. Find us on Instagram and Facebook

926
00:43:14,840 --> 00:43:15,840
Speaker 1: search Will and Woody