1 00:00:00,400 --> 00:00:02,880 Speaker 1: That and all the other songs at the Regal Theater 2 00:00:02,920 --> 00:00:05,280 Speaker 1: from tonight until July nineteen, when mamay A launched His 3 00:00:05,320 --> 00:00:08,920 Speaker 1: tickets are available through ticke Tech and Wabra Alarm. Tanil 4 00:00:09,039 --> 00:00:12,280 Speaker 1: Benzel is joining us. Good morning morning. This is a 5 00:00:12,360 --> 00:00:15,600 Speaker 1: full circle moment because you, I believe you made your 6 00:00:15,720 --> 00:00:20,840 Speaker 1: debut in Mama Mia. Yeah, but as Sophie's understudy, because. 7 00:00:20,600 --> 00:00:23,919 Speaker 2: It was all those yeah yeah, yeah, long twenty four 8 00:00:24,040 --> 00:00:32,080 Speaker 2: years all right, yeah, yes, I was in the ensemble 9 00:00:32,120 --> 00:00:35,320 Speaker 2: and I got to cover Sophie. So that was a 10 00:00:35,360 --> 00:00:36,200 Speaker 2: real thrill. 11 00:00:36,760 --> 00:00:37,120 Speaker 1: Yeah. 12 00:00:37,159 --> 00:00:40,800 Speaker 3: Absolutely. So you get a crowd tonight, hey, yes, it 13 00:00:40,920 --> 00:00:42,480 Speaker 3: is wonderful all the work that's gone. 14 00:00:42,760 --> 00:00:45,720 Speaker 2: Yeah yeah, first preview tonight, So it'd be wonderful to 15 00:00:46,040 --> 00:00:47,800 Speaker 2: hear everyone singing and dancing along. 16 00:00:47,960 --> 00:00:52,680 Speaker 1: So yeah, great, So audience participation is encouraged. 17 00:00:52,720 --> 00:00:53,800 Speaker 2: Absolutely. Yes. 18 00:00:55,160 --> 00:00:58,560 Speaker 1: Now you're playing Rosie, famously played by Julie Walters just 19 00:00:58,760 --> 00:01:02,400 Speaker 1: Adore in the movie Wonderful of Fun. How much fun 20 00:01:02,920 --> 00:01:03,800 Speaker 1: play this character? 21 00:01:03,960 --> 00:01:06,680 Speaker 2: Yeah? This character is. She does provide a little bit 22 00:01:06,680 --> 00:01:09,360 Speaker 2: of comic relief in the show. She gets to sing 23 00:01:09,360 --> 00:01:13,000 Speaker 2: take a Chance, which is just a well known ABBA song, 24 00:01:14,400 --> 00:01:17,960 Speaker 2: and she is one third of the Dynamos. So we 25 00:01:18,000 --> 00:01:22,200 Speaker 2: also get to sing Dancing Queen, which is lots of fun, 26 00:01:22,319 --> 00:01:23,279 Speaker 2: a real treat. 27 00:01:23,520 --> 00:01:26,240 Speaker 1: Yes, I mean, is there any do you have a 28 00:01:26,240 --> 00:01:27,120 Speaker 1: favorite a song? 29 00:01:29,319 --> 00:01:32,920 Speaker 2: It would be yes, absolutely, and you should hear Alithia 30 00:01:33,000 --> 00:01:38,560 Speaker 2: Sartarelli who's playing on our singers sense chills absolutely. But 31 00:01:38,720 --> 00:01:41,120 Speaker 2: I would have to say, and probably now that I 32 00:01:41,160 --> 00:01:46,200 Speaker 2: have small children, Elliott and Evelyn, we slipping through my 33 00:01:46,240 --> 00:01:49,720 Speaker 2: fingers is probably the most really heart wrenching one for me. 34 00:01:49,840 --> 00:01:51,120 Speaker 3: I think it's a bit more poignant. 35 00:01:51,360 --> 00:01:56,560 Speaker 4: Yeah, yeah, yeah, so yeah, show like this there must 36 00:01:56,600 --> 00:01:58,920 Speaker 4: be times when you go, wow, I'm working, but it 37 00:01:58,960 --> 00:02:01,600 Speaker 4: doesn't like it just feels like credible firm. 38 00:02:02,280 --> 00:02:04,880 Speaker 2: Yeah, and particularly this show, it just has got such 39 00:02:04,920 --> 00:02:09,160 Speaker 2: a joyful effervescence about it, and the music is so 40 00:02:09,440 --> 00:02:13,480 Speaker 2: familiar it just really warms the heart. And I have 41 00:02:13,520 --> 00:02:16,960 Speaker 2: to say, the two lovely ladies that are the other Dynamos, 42 00:02:17,720 --> 00:02:21,120 Speaker 2: we're very good friends. So we're having a real wonderful 43 00:02:21,120 --> 00:02:22,000 Speaker 2: time and it's just such a. 44 00:02:22,000 --> 00:02:26,960 Speaker 3: Treat finding your spots and finding your marks very professional. Absolutely, 45 00:02:29,600 --> 00:02:30,200 Speaker 3: that's correct. 46 00:02:30,480 --> 00:02:33,600 Speaker 1: This is a one Perth show, Perth cast, Perth production 47 00:02:33,960 --> 00:02:35,160 Speaker 1: and only on in Perth. 48 00:02:35,440 --> 00:02:38,359 Speaker 2: Yes, that's right. Yeah, so just at the Regal for 49 00:02:38,360 --> 00:02:42,360 Speaker 2: for the next few weeks and yes, a full Perth production. 50 00:02:42,639 --> 00:02:44,280 Speaker 1: So the really Perth. 51 00:02:44,919 --> 00:02:49,520 Speaker 2: Talent is just incredible and the creatives have just brought 52 00:02:49,520 --> 00:02:52,160 Speaker 2: together such a wonderful, amazing show. 53 00:02:52,320 --> 00:02:56,239 Speaker 1: So do you feel more comfortable or more nervous when 54 00:02:56,280 --> 00:03:02,280 Speaker 1: you're performing for a home crowd? Crowd, I you know 55 00:03:02,320 --> 00:03:03,440 Speaker 1: there's going to be someone you know. 56 00:03:06,400 --> 00:03:10,280 Speaker 2: Yeah, I usually find the audition process a little more 57 00:03:10,360 --> 00:03:13,680 Speaker 2: nerve recognize. So the actual performing side of it is 58 00:03:13,760 --> 00:03:17,560 Speaker 2: like I sort of feel quite at home there. Yeah, 59 00:03:17,760 --> 00:03:21,600 Speaker 2: So I'm being on stage is just the best place. 60 00:03:22,919 --> 00:03:24,880 Speaker 3: I want to call you, miss Hanigan, because I've seen Annie, 61 00:03:25,600 --> 00:03:27,000 Speaker 3: You've done a lot, You've got a lot of shows 62 00:03:27,040 --> 00:03:31,320 Speaker 3: under your belt now quite a career. Must be must 63 00:03:31,360 --> 00:03:34,400 Speaker 3: be a great feeling to have that success, but also 64 00:03:34,760 --> 00:03:37,040 Speaker 3: to perform in front of friends and family. Yeah. 65 00:03:37,080 --> 00:03:41,320 Speaker 2: Absolutely, Yeah, I'm doing the big touring shows. You know, 66 00:03:41,360 --> 00:03:44,880 Speaker 2: there's there's I never quite got the opportunity to come 67 00:03:44,920 --> 00:03:47,240 Speaker 2: home to Perth because I grew up in Perth, but 68 00:03:47,280 --> 00:03:49,200 Speaker 2: I never quite got the opportunity to come home with 69 00:03:49,240 --> 00:03:51,640 Speaker 2: those shows. So I've been really fortunate over the past 70 00:03:51,680 --> 00:03:53,600 Speaker 2: couple of years to get to do a few local 71 00:03:53,600 --> 00:03:57,120 Speaker 2: Perth productions and get to work with professional Perth companies here, 72 00:03:57,160 --> 00:04:01,600 Speaker 2: which is just fantastic. Yes, so that's that's been a 73 00:04:01,600 --> 00:04:03,320 Speaker 2: really nice thing. And then my children have been able 74 00:04:03,320 --> 00:04:04,360 Speaker 2: to come and see me too, which. 75 00:04:07,480 --> 00:04:10,520 Speaker 1: Also well. Those some of those shows include Wicked, Any 76 00:04:10,640 --> 00:04:13,240 Speaker 1: Guys and Dolls, Rocky Horr, Doctor Chicago, which you were 77 00:04:13,280 --> 00:04:16,120 Speaker 1: nominated for a Helpman Award for. What is there a 78 00:04:16,240 --> 00:04:18,440 Speaker 1: role or production on your wish list which you've never 79 00:04:18,480 --> 00:04:21,760 Speaker 1: got to do? Yes, so many yet. 80 00:04:24,200 --> 00:04:28,440 Speaker 2: Maybe Chicago. I don't know if my dancing skills quite 81 00:04:28,560 --> 00:04:35,120 Speaker 2: up to physic I'd have to say Fontine in Lamy. Okay, Yeah, 82 00:04:35,360 --> 00:04:39,000 Speaker 2: that would absolutely be my legit musical theater dreams. 83 00:04:39,080 --> 00:04:42,359 Speaker 3: Yeah, speaking of dreams, costume mind back and think of 84 00:04:42,360 --> 00:04:44,280 Speaker 3: Tiny to Neil on the set of Ship to Shore. 85 00:04:44,640 --> 00:04:46,400 Speaker 3: Could you have ever imagined what were your hopes and 86 00:04:46,440 --> 00:04:47,080 Speaker 3: dreams deck there? 87 00:04:47,880 --> 00:04:51,719 Speaker 2: Well? It just for me, It was always what I 88 00:04:51,760 --> 00:04:56,960 Speaker 2: wanted to do. Yeah, it was very clear from very 89 00:04:57,040 --> 00:04:59,520 Speaker 2: early age that this was going to be something that 90 00:04:59,520 --> 00:05:04,000 Speaker 2: I pursued. So yes, I think Little to Neil would 91 00:05:04,040 --> 00:05:06,440 Speaker 2: be pretty excited about it. What I've done over the 92 00:05:06,480 --> 00:05:07,600 Speaker 2: past twenty thirty. 93 00:05:07,440 --> 00:05:10,320 Speaker 1: Years and you went to Whopper, which is you know, 94 00:05:11,200 --> 00:05:14,839 Speaker 1: we think it's the greatest theater school going around. Yeah, 95 00:05:15,320 --> 00:05:17,920 Speaker 1: and there's plenty of people that wouldn't dis agree with us, no, 96 00:05:18,120 --> 00:05:19,039 Speaker 1: that have come out. 97 00:05:18,839 --> 00:05:23,000 Speaker 2: Of there, that's right. Yes, very well known Perth people 98 00:05:23,080 --> 00:05:28,159 Speaker 2: such as Tim Mention and Lucy you out so many yep, yep, yep. 99 00:05:30,279 --> 00:05:34,440 Speaker 3: Name Jackman. But I'm a nerd. I'd get the broch 100 00:05:34,520 --> 00:05:35,800 Speaker 3: I'd be at the books when you go into the 101 00:05:35,839 --> 00:05:37,760 Speaker 3: shows and I look through and there's so many of 102 00:05:37,760 --> 00:05:41,320 Speaker 3: the cast of every sharp you're so brochure. 103 00:05:40,600 --> 00:05:47,719 Speaker 1: Book did you get it? Time, time, ground record, interval. 104 00:05:47,920 --> 00:05:50,240 Speaker 3: Record, And I'm looking through it on so so many 105 00:05:50,279 --> 00:05:53,679 Speaker 3: Whopper grads. All of the cuts shows in the brochure. 106 00:05:54,000 --> 00:05:57,159 Speaker 2: Six of us were cast in the original Muma Mia 107 00:05:57,240 --> 00:06:01,240 Speaker 2: straight out of back in two thousand and one. So yeah, 108 00:06:01,400 --> 00:06:07,039 Speaker 2: it creates just those fundamental skills to really launch into 109 00:06:07,080 --> 00:06:08,480 Speaker 2: a very competitive. 110 00:06:08,839 --> 00:06:13,040 Speaker 1: Very competitive well it's coming full circle tonight from that 111 00:06:13,040 --> 00:06:16,279 Speaker 1: that first performance. Rosie, we can't wait to see you 112 00:06:16,279 --> 00:06:18,320 Speaker 1: on stage. Thanks for coming into now, Thank you so 113 00:06:18,400 --> 00:06:21,680 Speaker 1: much for having me early for you, you know your 114 00:06:22,240 --> 00:06:24,760 Speaker 1: thanks to keep it warm, not a problem