1 00:00:00,120 --> 00:00:04,920 Speaker 1: The Voice Australia continues at seven on seven on Sunday Night, 2 00:00:05,160 --> 00:00:07,320 Speaker 1: and we have the great pleasure of being joined this 3 00:00:07,360 --> 00:00:08,399 Speaker 1: morning by Melanie s. 4 00:00:08,680 --> 00:00:11,880 Speaker 2: Good morning, good morning, nice to see you. 5 00:00:12,080 --> 00:00:14,800 Speaker 3: Nice night you, one of the coaches. We're moving into 6 00:00:14,800 --> 00:00:18,840 Speaker 3: the second stage of the Voice, the battles we are. 7 00:00:19,000 --> 00:00:22,120 Speaker 4: I know, it's very exciting and quite daunting as well. 8 00:00:22,400 --> 00:00:24,160 Speaker 4: It's the moment where we start saying. 9 00:00:23,960 --> 00:00:24,840 Speaker 2: Goodbye to people. 10 00:00:25,120 --> 00:00:26,320 Speaker 5: Oh no, that's tough. 11 00:00:26,960 --> 00:00:29,920 Speaker 1: Well, Sunday nights episode was very emotional already. 12 00:00:30,080 --> 00:00:31,160 Speaker 5: Who moved the most? 13 00:00:31,720 --> 00:00:32,680 Speaker 2: Oh goodness me? 14 00:00:33,159 --> 00:00:35,480 Speaker 4: You know, this is one of the wonderful things about 15 00:00:35,479 --> 00:00:39,519 Speaker 4: this show. And it's tough as a coach because we 16 00:00:39,600 --> 00:00:43,080 Speaker 4: don't know people's stories, you know, so it's like we're 17 00:00:43,159 --> 00:00:46,960 Speaker 4: literally just listening and just going with instinct, you know, 18 00:00:47,040 --> 00:00:50,520 Speaker 4: the things we love, how the audiences are affected by people. 19 00:00:51,040 --> 00:00:53,239 Speaker 4: And then of course we get to speak to the 20 00:00:53,320 --> 00:00:57,960 Speaker 4: singers and yeah, and sometimes those stories are so incredibly moving. 21 00:00:58,640 --> 00:01:01,280 Speaker 4: It's hard to know how to kind of progress with 22 00:01:01,360 --> 00:01:03,840 Speaker 4: things when some of the some of the people's stories 23 00:01:03,880 --> 00:01:04,600 Speaker 4: really follow you. 24 00:01:05,560 --> 00:01:08,520 Speaker 3: What sort of advice are you given, you know, to 25 00:01:08,600 --> 00:01:10,520 Speaker 3: all of the artists in your team for you know, 26 00:01:10,600 --> 00:01:13,480 Speaker 3: preparing for the battles. Obviously, you don't know how it's 27 00:01:13,480 --> 00:01:15,480 Speaker 3: going to rand I mean, how do you because you've 28 00:01:15,480 --> 00:01:17,679 Speaker 3: seen there, how do you how do you prepare them? 29 00:01:17,800 --> 00:01:18,920 Speaker 2: Yeah, it's tough, you know. 30 00:01:19,080 --> 00:01:23,959 Speaker 4: I think each artist requires something different, and this was 31 00:01:24,200 --> 00:01:27,240 Speaker 4: a big learning curve for me. I've not worked on 32 00:01:27,319 --> 00:01:29,800 Speaker 4: the Voice in this way before. I've done the Kids 33 00:01:29,800 --> 00:01:33,120 Speaker 4: Show in the UK, which is you know, it's very similar, 34 00:01:34,440 --> 00:01:38,640 Speaker 4: but really getting to mentor the artists and getting to 35 00:01:38,680 --> 00:01:43,479 Speaker 4: know them. It's interesting because you realize some people need 36 00:01:43,920 --> 00:01:47,360 Speaker 4: a real confidence boost, you know, some people need some 37 00:01:47,640 --> 00:01:52,440 Speaker 4: technical advice, and it's it's really bespoke what you have 38 00:01:52,520 --> 00:01:55,760 Speaker 4: to give each person, and you just really hope that 39 00:01:55,880 --> 00:01:58,240 Speaker 4: you are you've given them what they need, you know, 40 00:01:58,240 --> 00:02:00,840 Speaker 4: because we just want everyone to shy. I think the 41 00:02:00,840 --> 00:02:05,720 Speaker 4: best show is the show where everybody's great. So yeah, 42 00:02:05,880 --> 00:02:07,960 Speaker 4: we're just trying to pump everyone up. 43 00:02:08,360 --> 00:02:10,840 Speaker 1: Well, Melanie, I think if they're wise, they would know 44 00:02:10,960 --> 00:02:13,760 Speaker 1: to take your advice on because, I mean, you were 45 00:02:13,880 --> 00:02:18,040 Speaker 1: in the Spice Girl's Little Bear that pretty much stopped the. 46 00:02:17,960 --> 00:02:19,760 Speaker 5: World in nineteen ninety four. 47 00:02:19,840 --> 00:02:22,880 Speaker 1: It was the zeggarist of the moment, and you got 48 00:02:22,919 --> 00:02:26,400 Speaker 1: there by responding to an ad and beating out hundreds 49 00:02:26,440 --> 00:02:30,320 Speaker 1: of probably thousands of other girls who wanted to get 50 00:02:30,320 --> 00:02:32,720 Speaker 1: into the band. So you know what it's like to 51 00:02:32,760 --> 00:02:35,240 Speaker 1: be on the other side. Is it strange for you 52 00:02:35,280 --> 00:02:36,000 Speaker 1: to be on this side? 53 00:02:36,040 --> 00:02:38,280 Speaker 2: Now you know what it is. It's strange. 54 00:02:38,360 --> 00:02:41,320 Speaker 4: But I think it's important that you've had that experience 55 00:02:41,440 --> 00:02:44,600 Speaker 4: because it makes you very respectful if the people you 56 00:02:44,680 --> 00:02:48,120 Speaker 4: were up there, and you know, and you know, maybe 57 00:02:48,160 --> 00:02:51,040 Speaker 4: not everybody is like that, but I think personally for 58 00:02:51,160 --> 00:02:53,920 Speaker 4: me being an artist, and I think it's something my 59 00:02:54,000 --> 00:02:57,640 Speaker 4: fellow coaches share. We know what it takes, we know 60 00:02:57,720 --> 00:02:59,760 Speaker 4: how hard it is, we know how vulnerable you can 61 00:02:59,800 --> 00:03:02,440 Speaker 4: be in that position. And I think what sets the 62 00:03:02,520 --> 00:03:05,440 Speaker 4: Voice apart from other shows in that kind of genre 63 00:03:06,120 --> 00:03:09,359 Speaker 4: is it's very nurturing. You know, no one's making fun 64 00:03:09,400 --> 00:03:15,400 Speaker 4: of anyone. It's really about supporting and helping artists progress. 65 00:03:15,960 --> 00:03:18,760 Speaker 4: So yeah, and that's that's a lovely thing to be 66 00:03:18,800 --> 00:03:19,160 Speaker 4: a part of. 67 00:03:19,200 --> 00:03:19,640 Speaker 5: The watch. 68 00:03:19,840 --> 00:03:23,440 Speaker 3: Yeah, and of course you've been there and your fellow 69 00:03:23,520 --> 00:03:27,640 Speaker 3: judges Australian Kate Miller, Hydeke and of course Richard Marx 70 00:03:27,840 --> 00:03:32,600 Speaker 3: and Ronan Keating. Now obviously you you know Ronan you've 71 00:03:32,639 --> 00:03:34,920 Speaker 3: known him for a little while and you know, and 72 00:03:34,960 --> 00:03:36,960 Speaker 3: you know, Richard, how has it been getting to know 73 00:03:37,080 --> 00:03:37,800 Speaker 3: Kate as well? 74 00:03:38,440 --> 00:03:43,760 Speaker 2: Yeah, so I didn't know Kate. Obviously. We're all massive 75 00:03:43,760 --> 00:03:45,600 Speaker 2: Eurovision fans here in the UK. 76 00:03:46,080 --> 00:03:49,320 Speaker 3: Yeah, yeah, we're becoming that way too. 77 00:03:53,080 --> 00:03:58,119 Speaker 4: It's all those mainland Europeans. But you know, Case's performance 78 00:03:58,160 --> 00:04:02,520 Speaker 4: obviously was breathtaking on Eurovision, but I didn't know that 79 00:04:02,640 --> 00:04:06,240 Speaker 4: much more about her, and leading up to working with her, 80 00:04:06,320 --> 00:04:09,080 Speaker 4: I was, you know, looking at what she'd done and 81 00:04:09,120 --> 00:04:12,560 Speaker 4: then just getting to meet her, she just absolutely astounded me. 82 00:04:13,120 --> 00:04:15,360 Speaker 4: I spent some time with her here in London as well. 83 00:04:15,800 --> 00:04:19,080 Speaker 4: She was over here opening her musical that she's written 84 00:04:19,920 --> 00:04:24,320 Speaker 4: the music for and she did a performance a beautiful 85 00:04:24,440 --> 00:04:27,520 Speaker 4: venue we have in West London at Bush Hall, So 86 00:04:28,040 --> 00:04:30,920 Speaker 4: it was great to kind of see her in her 87 00:04:31,120 --> 00:04:32,320 Speaker 4: environment in that way. 88 00:04:32,960 --> 00:04:35,000 Speaker 2: And Yeah, she just continues to amaze me. 89 00:04:35,040 --> 00:04:39,080 Speaker 4: She's an incredible artist, an amazing singer, yeah, and just 90 00:04:39,320 --> 00:04:44,000 Speaker 4: a great entertainer, so funny, so wise, and I feel 91 00:04:44,000 --> 00:04:48,000 Speaker 4: like with her it being her second season of the Voice, 92 00:04:48,480 --> 00:04:51,240 Speaker 4: I really looked to her because I just felt like 93 00:04:51,440 --> 00:04:56,080 Speaker 4: her comments to the artists were just really beautiful and 94 00:04:56,240 --> 00:05:00,640 Speaker 4: intricate and interesting, and yeah, I felt like I was 95 00:05:00,720 --> 00:05:03,120 Speaker 4: learning watching care So I've got a lot of respect 96 00:05:03,160 --> 00:05:03,440 Speaker 4: for Kate. 97 00:05:03,560 --> 00:05:05,240 Speaker 5: I've got to ask you, Melanie. 98 00:05:05,240 --> 00:05:07,400 Speaker 1: We just played baby when You're Gone your your duet 99 00:05:07,560 --> 00:05:10,200 Speaker 1: with Brian Adams, and I don't know. 100 00:05:10,120 --> 00:05:10,920 Speaker 5: If you're aware. 101 00:05:11,000 --> 00:05:12,880 Speaker 1: Earlier this year he had a show in Perth and 102 00:05:13,120 --> 00:05:17,080 Speaker 1: had to be canceled because the toilets and water at 103 00:05:17,080 --> 00:05:20,400 Speaker 1: the facilities were being affected by a fat burg. 104 00:05:21,640 --> 00:05:22,680 Speaker 5: In the system. 105 00:05:22,960 --> 00:05:25,839 Speaker 1: Have you ever had to cancel a show because of 106 00:05:25,920 --> 00:05:28,800 Speaker 1: something as bizarre as that? 107 00:05:30,360 --> 00:05:31,680 Speaker 5: Before I was meant to come home. 108 00:05:31,760 --> 00:05:33,520 Speaker 3: When was the last time the toilets backed up at 109 00:05:33,520 --> 00:05:34,320 Speaker 3: one of your gigs? 110 00:05:35,080 --> 00:05:36,159 Speaker 5: Yeah? 111 00:05:36,360 --> 00:05:41,200 Speaker 4: I think about that one. Funnily enough, I was actually 112 00:05:41,200 --> 00:05:42,280 Speaker 4: with Brian. 113 00:05:42,400 --> 00:05:44,200 Speaker 5: And this week, okay I did. 114 00:05:44,240 --> 00:05:47,480 Speaker 4: I supported him on two shows in the UK, and 115 00:05:48,000 --> 00:05:50,640 Speaker 4: so I wish I had known that I'm seeing him 116 00:05:50,640 --> 00:05:51,400 Speaker 4: again on Saturday. 117 00:05:52,480 --> 00:05:56,320 Speaker 2: Yeah, that is so funny. Yeah, I can imagine his 118 00:05:56,440 --> 00:05:57,400 Speaker 2: reaction to that. 119 00:05:57,800 --> 00:06:00,400 Speaker 4: I actually we had when I was on tour with 120 00:06:00,400 --> 00:06:02,479 Speaker 4: the Space Girls in nineteen ninety eight. We were in 121 00:06:02,520 --> 00:06:05,320 Speaker 4: America and we were playing a lot of outdoor venues 122 00:06:05,640 --> 00:06:08,640 Speaker 4: and there was we were somewhere and I feel like 123 00:06:08,680 --> 00:06:10,720 Speaker 4: we were someone like out in Texas and we're out 124 00:06:10,760 --> 00:06:16,080 Speaker 4: that way and there was like there was these huge insects. Oh, 125 00:06:16,160 --> 00:06:19,760 Speaker 4: it was like a plaque intext and we were like, literally, 126 00:06:20,200 --> 00:06:22,240 Speaker 4: I think we had the show stucked one night for 127 00:06:22,279 --> 00:06:25,200 Speaker 4: a thunderstorm, which is kind of normal, but one night 128 00:06:25,279 --> 00:06:27,520 Speaker 4: we did wonder if we could go on because these 129 00:06:27,640 --> 00:06:31,159 Speaker 4: like huge like grasshoppery things were like all landing on 130 00:06:31,279 --> 00:06:33,120 Speaker 4: us and we were like, you were singing a big 131 00:06:33,200 --> 00:06:34,000 Speaker 4: one known you were. 132 00:06:33,839 --> 00:06:38,320 Speaker 5: Like, ah, I my mouth attack of the locust. Yes, 133 00:06:38,400 --> 00:06:41,800 Speaker 5: so you had the You don't realize it's going. 134 00:06:41,720 --> 00:06:44,560 Speaker 4: To happen to you right when you start life as 135 00:06:44,640 --> 00:06:45,040 Speaker 4: a singer. 136 00:06:45,279 --> 00:06:48,160 Speaker 3: You had locusts and he had toilets at you both 137 00:06:48,160 --> 00:06:50,000 Speaker 3: had you've both done the hard yards. 138 00:06:50,080 --> 00:06:54,280 Speaker 1: Yeah, well, Melanie, we really must let you go. It 139 00:06:54,360 --> 00:06:57,080 Speaker 1: is it is your bedtime where you are. Thank you 140 00:06:57,120 --> 00:06:59,400 Speaker 1: so much for joining us this morning. The Boys continues 141 00:06:59,440 --> 00:07:01,719 Speaker 1: at seven on seven on Sunday. 142 00:07:01,839 --> 00:07:02,880 Speaker 5: Lovely to chat to you. 143 00:07:03,279 --> 00:07:05,640 Speaker 4: Lovely chat to you, and hopefully I'll get out there soon. 144 00:07:05,640 --> 00:07:06,800 Speaker 4: I'm not seeing you for a while. 145 00:07:07,960 --> 00:07:11,000 Speaker 5: Thanks Melanie, Thank you, take care, Bye bye