1 00:00:00,200 --> 00:00:02,960 Speaker 1: Hey Woods, Yeah, Voice Today Show. I've actually got some 2 00:00:02,960 --> 00:00:05,480 Speaker 1: big news for you and everybody else listening to this 3 00:00:05,559 --> 00:00:09,760 Speaker 1: right now. Extraordinary stuff. We have a sponsor that that 4 00:00:09,960 --> 00:00:12,400 Speaker 1: is totally wild. It's good stuff, isn't. I mean, no 5 00:00:12,440 --> 00:00:15,440 Speaker 1: one expected the little boys that could. Look it's not 6 00:00:15,480 --> 00:00:17,960 Speaker 1: just a pie shop down the road either. It's Telstra, 7 00:00:18,120 --> 00:00:20,640 Speaker 1: Telstra the best. All right. That is where you get 8 00:00:20,880 --> 00:00:22,919 Speaker 1: far too enthusiastic about sponsors, and I need you to 9 00:00:23,000 --> 00:00:25,680 Speaker 1: range it in. I've been serious. Just play cool. It's cool, 10 00:00:25,720 --> 00:00:30,240 Speaker 1: it's cool, it's nice, all right, whatever, like I love them, 11 00:00:30,280 --> 00:00:31,000 Speaker 1: but whatever. 12 00:00:32,880 --> 00:00:32,960 Speaker 2: No. 13 00:00:33,040 --> 00:00:35,599 Speaker 3: But seriously, though, they're amazing with data, so you know, 14 00:00:35,640 --> 00:00:38,200 Speaker 3: you know all the streaming that everyone's been doing throughing 15 00:00:38,240 --> 00:00:41,760 Speaker 3: all this COVID stuff, because my god, have I been 16 00:00:41,800 --> 00:00:43,479 Speaker 3: downloading a lot getting through a lot. 17 00:00:43,320 --> 00:00:46,120 Speaker 1: Of gear of stuff. Yeah, Telstra, Yes. 18 00:00:46,159 --> 00:00:48,440 Speaker 3: I cannot believe how much data they give you. Like 19 00:00:48,479 --> 00:00:51,040 Speaker 3: it's like it's like Telstra have access to ninety nine 20 00:00:51,080 --> 00:00:52,720 Speaker 3: point nine percent of the data in the world. 21 00:00:52,880 --> 00:00:55,400 Speaker 1: I think the good thing is that they're making changes 22 00:00:55,560 --> 00:00:59,959 Speaker 1: to their data plans so you can with more dat 23 00:01:00,000 --> 00:01:02,160 Speaker 1: harder than ever before, on new month to month plans, 24 00:01:02,160 --> 00:01:04,800 Speaker 1: so you can get more data just for use in Australia, 25 00:01:04,800 --> 00:01:06,520 Speaker 1: but for people like you that are downloading too much, 26 00:01:06,720 --> 00:01:09,360 Speaker 1: visit Telstra instore or online. That's the sponsor. 27 00:01:09,360 --> 00:01:12,200 Speaker 3: In a smooth, smooth transition for me into COVID with Telstra, 28 00:01:12,280 --> 00:01:13,200 Speaker 3: I haven't had any issues. 29 00:01:13,440 --> 00:01:16,160 Speaker 1: That's good tonight. Now back onto the show. Julia Killard's 30 00:01:16,200 --> 00:01:17,679 Speaker 1: going to join us a little bit later this hour, 31 00:01:17,720 --> 00:01:20,920 Speaker 1: which is great. That is that is amazing. Well, you're 32 00:01:20,920 --> 00:01:22,200 Speaker 1: all sheepish now. I gave you a little bit of 33 00:01:22,200 --> 00:01:24,000 Speaker 1: a wrap of the knuckles about your sponsoring and then 34 00:01:24,040 --> 00:01:24,800 Speaker 1: you've brained it in. 35 00:01:25,640 --> 00:01:29,000 Speaker 3: Well enth, the problem is, I've lost my enthusiasm now, 36 00:01:29,000 --> 00:01:31,399 Speaker 3: so now we're hooking the show and you've lost my zeal. 37 00:01:31,840 --> 00:01:35,240 Speaker 3: You've lost my zest and you've zero. But I. 38 00:01:37,200 --> 00:01:39,440 Speaker 1: Don't have to be worrying about your I don't have 39 00:01:39,480 --> 00:01:42,040 Speaker 1: to worry about your zest. That's not something I want. 40 00:01:42,760 --> 00:01:44,760 Speaker 1: Bring your own concern, bring your own zest, bro, I 41 00:01:44,800 --> 00:01:47,000 Speaker 1: bring my own zest. I'm not. I'm not. You know, 42 00:01:47,120 --> 00:01:49,600 Speaker 1: I was bringing zest to Telstra. I was loving the Telstra. 43 00:01:49,800 --> 00:01:52,520 Speaker 1: I will rEFInd that zest zest that lemon. All right, Fine, 44 00:01:52,520 --> 00:01:56,840 Speaker 1: we talk about a guy and but a chicken. That's 45 00:01:56,880 --> 00:02:00,160 Speaker 1: exciting that you're not that happy about this whole thing. No, 46 00:02:00,280 --> 00:02:05,240 Speaker 1: I'm pret br it. Dial it up all right. Chris 47 00:02:05,240 --> 00:02:08,840 Speaker 1: Sebastian's on the show Huge Guys, Brother, Chris Sebastian. That's 48 00:02:08,840 --> 00:02:10,760 Speaker 1: bit aggressive, wasn't it? That was a little bit aggressive. 49 00:02:10,760 --> 00:02:12,680 Speaker 1: He won the Voice last night. Lots of questions to 50 00:02:12,800 --> 00:02:15,760 Speaker 1: him about you know, was guy the reason that he won? 51 00:02:16,240 --> 00:02:18,600 Speaker 1: Lots of people canning him. I actually, well, you and 52 00:02:18,600 --> 00:02:23,200 Speaker 1: I both read a tweet that somebody wrote comparatively about 53 00:02:23,240 --> 00:02:25,720 Speaker 1: people winning competitions. Can you please get your finger out 54 00:02:25,720 --> 00:02:28,000 Speaker 1: of that mic sock because you've destroyed it? And I 55 00:02:28,040 --> 00:02:29,920 Speaker 1: put it on my mic the other day and the 56 00:02:30,000 --> 00:02:32,360 Speaker 1: microphone was like a hot dog down a hallway because 57 00:02:32,400 --> 00:02:35,040 Speaker 1: you've been shoving your bat wurst fingers inside the sock. 58 00:02:35,520 --> 00:02:38,840 Speaker 1: Why would I find it very comforting shoving my finger inside? 59 00:02:38,919 --> 00:02:42,160 Speaker 1: Stop it a mic sock? Stop it? You ruined it. 60 00:02:42,560 --> 00:02:44,080 Speaker 1: I haven't ruined it. You check. 61 00:02:45,800 --> 00:02:46,040 Speaker 4: Joel? 62 00:02:46,120 --> 00:02:49,440 Speaker 1: Is that normal? Check? Check it in, put on your 63 00:02:50,040 --> 00:02:52,280 Speaker 1: put it on your mikel put it on you See 64 00:02:52,320 --> 00:02:55,200 Speaker 1: look at the friction there. Now, watch this almost too 65 00:02:55,240 --> 00:02:56,880 Speaker 1: much friction. Hot dog down hallway? That was not a 66 00:02:56,919 --> 00:02:58,880 Speaker 1: hot I'll show you the other one that you did 67 00:02:58,880 --> 00:03:01,760 Speaker 1: to do Joel. I've only poked my finger in one. 68 00:03:01,840 --> 00:03:04,799 Speaker 1: How dare you? I've never shoved my finger in that? 69 00:03:04,800 --> 00:03:06,440 Speaker 1: What's this now? People are going to have to look 70 00:03:06,440 --> 00:03:12,000 Speaker 1: at this online. But this is me. It's loose. It's loose. 71 00:03:12,080 --> 00:03:16,280 Speaker 1: I go a wizard sleeve. I've never put my finger 72 00:03:16,320 --> 00:03:19,240 Speaker 1: inside it. I've never put my finger inside that. Now. Anyway, 73 00:03:19,240 --> 00:03:20,639 Speaker 1: We've had enough chat about this, but I had to 74 00:03:20,680 --> 00:03:24,440 Speaker 1: put you up on that. We some great insight for 75 00:03:24,520 --> 00:03:26,880 Speaker 1: all the fans who podcast the show every day on 76 00:03:27,040 --> 00:03:29,120 Speaker 1: what my socks were you? Yeah, we've got a very 77 00:03:29,120 --> 00:03:31,519 Speaker 1: destructive person in Woody here in the studio. Just anything 78 00:03:31,520 --> 00:03:34,120 Speaker 1: with in his hands like a toddler. Okay, either puts 79 00:03:34,120 --> 00:03:35,880 Speaker 1: it in his mouth or he sticks his finger in it. 80 00:03:36,080 --> 00:03:38,280 Speaker 1: I do get very fidgety, don't I? 81 00:03:38,440 --> 00:03:38,600 Speaker 5: You know? 82 00:03:38,680 --> 00:03:42,000 Speaker 1: Someone to me? You do? But I think a woman 83 00:03:42,040 --> 00:03:45,040 Speaker 1: who was actually living with me for a while. Was 84 00:03:45,080 --> 00:03:49,840 Speaker 1: she That's such an errand comment. A woman who was 85 00:03:49,880 --> 00:03:52,000 Speaker 1: actually living with me? Was she a housemaid? Or are 86 00:03:52,000 --> 00:03:52,720 Speaker 1: you sleeping with it? 87 00:03:52,880 --> 00:03:53,040 Speaker 6: No? 88 00:03:53,200 --> 00:03:53,920 Speaker 1: No, my housemate. 89 00:03:54,000 --> 00:03:55,800 Speaker 3: Remember it was the mother, the mother of two who 90 00:03:56,160 --> 00:03:58,120 Speaker 3: won an opportunity to live with me for a few weeks. 91 00:03:58,280 --> 00:03:58,920 Speaker 1: We did it on the show. 92 00:03:59,000 --> 00:04:01,320 Speaker 3: Yeah, yeah, Leah Lea was her name, Lovely So she 93 00:04:01,400 --> 00:04:05,200 Speaker 3: got me. She got me some playdough because you really finish. 94 00:04:05,240 --> 00:04:08,440 Speaker 3: She was like, you're so your attention is so bad? 95 00:04:08,520 --> 00:04:08,720 Speaker 6: Yeah. 96 00:04:08,720 --> 00:04:10,280 Speaker 1: No, she gave me something that Plato as well. What 97 00:04:10,360 --> 00:04:12,120 Speaker 1: was it called mindful Plato or something. It was really 98 00:04:12,160 --> 00:04:12,560 Speaker 1: good gear. 99 00:04:12,680 --> 00:04:14,520 Speaker 3: Yeah, and it actually helped me focus. But I don't 100 00:04:14,520 --> 00:04:15,880 Speaker 3: know where that is. So now to put my finger 101 00:04:15,920 --> 00:04:16,880 Speaker 3: in mic socks. 102 00:04:18,520 --> 00:04:23,159 Speaker 1: Anyway? Oh, we talk about your partner meeting your mates 103 00:04:23,320 --> 00:04:26,039 Speaker 1: and how critical that juncture is and how to succeed 104 00:04:26,080 --> 00:04:29,400 Speaker 1: at doing that as well, because yeah, I think I 105 00:04:29,400 --> 00:04:31,320 Speaker 1: think Keanu Reeves has got it right, as he gets 106 00:04:31,440 --> 00:04:34,119 Speaker 1: most things right he does, isn't he? God, he's the best? 107 00:04:34,160 --> 00:04:37,680 Speaker 1: Isn't he? Stick my finger in his mic sock? Any day? 108 00:04:38,279 --> 00:04:38,640 Speaker 2: There is? 109 00:04:40,040 --> 00:04:42,360 Speaker 1: Alright, we're gonna get out of here. Really fell up 110 00:04:42,360 --> 00:04:47,000 Speaker 1: my chair, So yeah, enjoy the show, guys. We'll say to. 111 00:04:52,760 --> 00:04:54,599 Speaker 7: This is Will and Wood. 112 00:05:00,360 --> 00:05:02,960 Speaker 3: There is a man in Melbourne, Will who has copped 113 00:05:03,080 --> 00:05:07,880 Speaker 3: a sixteen, one hundred and fifty two dollars fine for 114 00:05:07,960 --> 00:05:11,159 Speaker 3: a thirty kilometer journey to pick up And I'm quoting 115 00:05:11,200 --> 00:05:18,800 Speaker 3: here a specific buttered chicken. I mean I know that 116 00:05:18,960 --> 00:05:21,880 Speaker 3: you will but have one butter chicken, have them all? 117 00:05:21,920 --> 00:05:24,720 Speaker 1: How good? Can I disagree? And that's that we got. 118 00:05:24,800 --> 00:05:26,680 Speaker 1: That's spoken like somebody who has had a butter chicken 119 00:05:26,720 --> 00:05:29,640 Speaker 1: for a while. You obviously got a few intolerances that 120 00:05:30,040 --> 00:05:32,680 Speaker 1: mean that the buttered chicken doesn't appeal to you. Otherwise 121 00:05:32,720 --> 00:05:34,920 Speaker 1: you kill everyone within a ten kilometer radius. This is 122 00:05:34,960 --> 00:05:38,800 Speaker 1: all true. So butter chicken can very much depend on 123 00:05:38,800 --> 00:05:40,160 Speaker 1: where you get it from one hundred percent. It's a 124 00:05:40,200 --> 00:05:42,919 Speaker 1: fine balance between tomato and cream. My friend, well, he 125 00:05:43,000 --> 00:05:45,680 Speaker 1: has risked. Well it is I mean, you laugh at me, 126 00:05:45,760 --> 00:05:47,520 Speaker 1: it is. It is. Everyone knows when you have a 127 00:05:47,520 --> 00:05:49,920 Speaker 1: good buttered chicken. Do you remember the name of that place? 128 00:05:50,160 --> 00:05:53,080 Speaker 1: Do you think it was worth him risking sixteen hundred 129 00:05:53,080 --> 00:05:55,640 Speaker 1: dollars to travel the thirty k's to get his specific 130 00:05:55,720 --> 00:06:01,720 Speaker 1: buttered chicken. You're nodding. It's radio arguably. Arguably, I mean, 131 00:06:01,880 --> 00:06:03,560 Speaker 1: I mean, if it's good enough. And look, we've all 132 00:06:03,600 --> 00:06:05,520 Speaker 1: been in lockdown, you know for a long time, and 133 00:06:05,560 --> 00:06:07,240 Speaker 1: I don't know for people that are in Melbourne as well, 134 00:06:07,279 --> 00:06:09,680 Speaker 1: you're double the lockdown. I mean, as a part of 135 00:06:09,760 --> 00:06:11,120 Speaker 1: you that just wants to fly the bird of down 136 00:06:11,160 --> 00:06:13,360 Speaker 1: Andrews and make the track Acrosstown to get yourself check. 137 00:06:13,800 --> 00:06:19,120 Speaker 1: And and that is what it is. That's what this 138 00:06:20,080 --> 00:06:22,800 Speaker 1: by the way, stick the rules, the rules of course. 139 00:06:22,839 --> 00:06:25,240 Speaker 3: Well here's the thing though, I think, well, there's only 140 00:06:25,279 --> 00:06:28,200 Speaker 3: two things. There's only two things that people make big 141 00:06:28,240 --> 00:06:34,479 Speaker 3: journeys for. Food or love. Generally speaking, those are the 142 00:06:34,520 --> 00:06:37,159 Speaker 3: two things that people will make outrageous journeys for. 143 00:06:38,320 --> 00:06:43,720 Speaker 1: So I've been in migrating. Sorry, migrating, I'm sorry. I mean, 144 00:06:43,839 --> 00:06:45,200 Speaker 1: I just don't think you can draw the line there. 145 00:06:45,200 --> 00:06:47,159 Speaker 1: I'm happy to draw the line there for the you know, 146 00:06:47,200 --> 00:06:51,280 Speaker 1: for the sake of this topic. But I disagree, fair enough, man, 147 00:06:51,520 --> 00:06:54,200 Speaker 1: your disagreement to one side. Let's just go for the 148 00:06:54,240 --> 00:06:56,160 Speaker 1: sake of the topic. There are two things that people 149 00:06:56,200 --> 00:06:59,680 Speaker 1: travel for. It's either food or it's love. Okay, this 150 00:06:59,720 --> 00:07:00,440 Speaker 1: is what I want to do. 151 00:07:00,560 --> 00:07:03,960 Speaker 3: Our numbers thirteen one oh sixty five. Yep, work sorry, 152 00:07:04,200 --> 00:07:07,440 Speaker 3: carry just please stop and let's talk during the song 153 00:07:07,480 --> 00:07:11,280 Speaker 3: about distracting someone when they're trying to lead something. Give 154 00:07:11,320 --> 00:07:16,080 Speaker 3: us a call, now, give us, give us a call now. 155 00:07:17,320 --> 00:07:20,840 Speaker 3: If you've ever made a long journey for food or love. 156 00:07:20,920 --> 00:07:24,000 Speaker 3: Oh yeah, okay, you give us the details of that journey. 157 00:07:24,000 --> 00:07:28,400 Speaker 1: How long's long doesn't matter. It's up to you nor 158 00:07:28,480 --> 00:07:32,080 Speaker 1: in the circuit like circumstantally, you know, two meters might 159 00:07:32,120 --> 00:07:34,440 Speaker 1: turn out to be very long. We might find out, well, 160 00:07:34,440 --> 00:07:34,960 Speaker 1: maybe not two. 161 00:07:36,320 --> 00:07:38,880 Speaker 3: It's got to be it's got to be a substantial 162 00:07:39,600 --> 00:07:42,400 Speaker 3: it's got to be a relatively big journey for food 163 00:07:42,480 --> 00:07:45,000 Speaker 3: or love. You'll tell us the story up next, and 164 00:07:45,040 --> 00:07:46,520 Speaker 3: then you and I are going to try and guess 165 00:07:46,560 --> 00:07:50,600 Speaker 3: if that journey was for love or for food. 166 00:07:50,800 --> 00:07:53,160 Speaker 1: Podcasting blog from Melbourne. 167 00:07:53,160 --> 00:07:56,200 Speaker 3: Will has copped a sixteen sixteen hundred dollars fine for 168 00:07:56,240 --> 00:07:59,840 Speaker 3: a thirty kilometer journey to pick up a specific butter chicken. 169 00:07:59,600 --> 00:08:02,880 Speaker 1: Chickens everybody will be eating now. 170 00:08:02,920 --> 00:08:04,960 Speaker 3: You think it was worth the will hard to find 171 00:08:05,000 --> 00:08:05,880 Speaker 3: a good butter of chicken. 172 00:08:06,280 --> 00:08:08,320 Speaker 1: Yeah, Well, as I said before, and you know all 173 00:08:08,320 --> 00:08:10,920 Speaker 1: the butter chicken fans out there, the tomato cream ratio 174 00:08:11,080 --> 00:08:12,800 Speaker 1: is a big thing and a button pits of Joelers 175 00:08:12,800 --> 00:08:15,200 Speaker 1: said before. It's nothing worse than opening a butter chicken 176 00:08:15,680 --> 00:08:18,160 Speaker 1: and it's too red or you know, on the other side, 177 00:08:18,360 --> 00:08:20,720 Speaker 1: it's washed out. You're not getting any of that you 178 00:08:20,720 --> 00:08:21,480 Speaker 1: know that tang. 179 00:08:21,760 --> 00:08:23,560 Speaker 3: So look, I mean I could talk about it, yeah 180 00:08:23,560 --> 00:08:27,400 Speaker 3: and get my chicken shout on Will's podcast butter Chicken. 181 00:08:28,280 --> 00:08:31,760 Speaker 3: That would be an outstanding podcast, just buttered chicken. 182 00:08:32,400 --> 00:08:34,600 Speaker 1: No, no, like you'd have buttered chicken. You'd eat the 183 00:08:34,600 --> 00:08:36,920 Speaker 1: butter chicken while you're chatting, obviously you talk about where 184 00:08:36,960 --> 00:08:38,640 Speaker 1: it came from. It'd be good stuff. 185 00:08:38,400 --> 00:08:40,600 Speaker 3: For totally wild Right now, though, I'm saying that there's 186 00:08:40,640 --> 00:08:42,960 Speaker 3: only two things that people travel a long way for. 187 00:08:43,120 --> 00:08:44,520 Speaker 1: It's food or it's love. 188 00:08:44,600 --> 00:08:46,600 Speaker 3: So what we're doing right now is taking your calls 189 00:08:46,800 --> 00:08:48,360 Speaker 3: if you've ever made a journey for one of those 190 00:08:48,400 --> 00:08:50,319 Speaker 3: two things, and then Will and I are going to 191 00:08:50,400 --> 00:08:53,080 Speaker 3: try and guess based on the details of the journey. 192 00:08:53,000 --> 00:08:55,560 Speaker 1: If it was food you were after or love. It's 193 00:08:55,559 --> 00:08:58,320 Speaker 1: got a Natasha here, Natasha, what was the journey? 194 00:08:58,480 --> 00:08:58,720 Speaker 2: Yeah? 195 00:08:58,800 --> 00:09:02,480 Speaker 6: I traveled really like at night. It was over one 196 00:09:02,520 --> 00:09:05,320 Speaker 6: hundred and fifty k's for a distance and it ended 197 00:09:05,400 --> 00:09:07,199 Speaker 6: up being super successful. 198 00:09:07,559 --> 00:09:09,359 Speaker 1: How late at night was it, Natasha? 199 00:09:10,559 --> 00:09:11,040 Speaker 5: Ah? 200 00:09:12,200 --> 00:09:14,720 Speaker 6: I probably left around eight o'clock at night. 201 00:09:14,720 --> 00:09:15,880 Speaker 1: Over one hundred fifty k's. 202 00:09:16,640 --> 00:09:16,880 Speaker 5: Yeah. 203 00:09:16,960 --> 00:09:21,600 Speaker 1: Can I ask, Can I ask, like, can we like, 204 00:09:21,640 --> 00:09:26,080 Speaker 1: are you traveling across land one hundred and fifty k's like, 205 00:09:26,120 --> 00:09:27,359 Speaker 1: what was your former transport? 206 00:09:28,520 --> 00:09:33,240 Speaker 6: In a car, in a car in a skyline, in skylight. 207 00:09:33,080 --> 00:09:35,840 Speaker 1: In this skyline one hundred ft DEKs at night? She whizz? 208 00:09:35,920 --> 00:09:37,440 Speaker 1: What is this need for speed? Will? 209 00:09:37,480 --> 00:09:39,439 Speaker 6: He's sparre love boys? 210 00:09:39,640 --> 00:09:42,840 Speaker 3: Okay, yeah, wrapping us up with Natasha? 211 00:09:42,920 --> 00:09:43,400 Speaker 1: It easy thing? 212 00:09:43,440 --> 00:09:43,600 Speaker 2: Will? 213 00:09:43,880 --> 00:09:46,480 Speaker 3: Eight pm? That stinks of late dinner. If it was 214 00:09:46,520 --> 00:09:48,280 Speaker 3: after midnight. I'm thinking love. 215 00:09:48,720 --> 00:09:50,480 Speaker 1: Could be a late night kiss. You know, Well I 216 00:09:50,520 --> 00:09:53,719 Speaker 1: don't know, Okay, you know, there's no reason that eight 217 00:09:53,760 --> 00:09:56,520 Speaker 1: o'clock precludes the fact that she'd be she could be 218 00:09:56,559 --> 00:09:58,840 Speaker 1: going on a romantic trip. No, that's fair. It's a 219 00:09:58,840 --> 00:10:01,480 Speaker 1: fair point that be being said. This stinks of a 220 00:10:01,559 --> 00:10:04,040 Speaker 1: food trip. She's driving in his skyline. It's eight o'clock 221 00:10:04,040 --> 00:10:06,520 Speaker 1: at night, one hundred and fifty k's. I reckon it's 222 00:10:06,679 --> 00:10:09,000 Speaker 1: pizza or fish and chips or something like that. Natasha, 223 00:10:09,080 --> 00:10:12,280 Speaker 1: we think it was for food. No, it was for love, 224 00:10:13,880 --> 00:10:15,800 Speaker 1: damn it. What were the circumstances? Why do you need 225 00:10:15,800 --> 00:10:17,240 Speaker 1: to travel that far for love? Natasha? 226 00:10:19,080 --> 00:10:20,760 Speaker 6: There was a boy that I really liked and he 227 00:10:20,840 --> 00:10:22,520 Speaker 6: really liked me, and it was the first time I 228 00:10:22,559 --> 00:10:25,480 Speaker 6: met him, and it ended up being successful because I 229 00:10:25,520 --> 00:10:30,040 Speaker 6: actually have a three year old daughter with him. 230 00:10:31,760 --> 00:10:34,280 Speaker 1: So we were calling you a late night pizza eater. 231 00:10:34,440 --> 00:10:39,160 Speaker 1: Disgusting stuff. Congratulations, Natasha, we've got Steve. You tell us 232 00:10:40,480 --> 00:10:43,320 Speaker 1: where you traveled and we'll tell you whether or not 233 00:10:43,320 --> 00:10:44,360 Speaker 1: it was for food or love. 234 00:10:45,520 --> 00:10:49,400 Speaker 4: Hey boys, good, we're good. All right. Well I was 235 00:10:49,480 --> 00:10:54,640 Speaker 4: in London. I was traveling for six months. Wells all so, 236 00:10:54,840 --> 00:10:58,240 Speaker 4: got a bit lonely, got a bit home, sick, missed 237 00:10:58,240 --> 00:11:01,600 Speaker 4: a couple of things. Who made a phone call the 238 00:11:01,640 --> 00:11:03,640 Speaker 4: next day I flew to San Francisco. 239 00:11:04,520 --> 00:11:07,600 Speaker 1: You flew So there was a phone call made Steven. 240 00:11:08,320 --> 00:11:11,640 Speaker 4: Yeah, one phone call mate, and went straight to San 241 00:11:11,679 --> 00:11:13,040 Speaker 4: Francisco on the next flight. 242 00:11:13,120 --> 00:11:15,480 Speaker 1: On the next day home sick home, sick home, seek 243 00:11:15,480 --> 00:11:16,680 Speaker 1: what do you see? 244 00:11:16,720 --> 00:11:19,880 Speaker 3: The phone call for me suggests love you know is 245 00:11:19,960 --> 00:11:22,880 Speaker 3: called the love? And then flown the next day. 246 00:11:22,880 --> 00:11:24,319 Speaker 1: But I, well, that's what you think, so, I mean, 247 00:11:24,320 --> 00:11:27,360 Speaker 1: that's what the naive, untrained mind would probably go forwards. 248 00:11:27,559 --> 00:11:32,480 Speaker 1: And what's your trained mind doing? Good question? Untrained one? 249 00:11:33,920 --> 00:11:37,240 Speaker 1: I reckon? I reckon. The phone call to San fran 250 00:11:37,480 --> 00:11:39,720 Speaker 1: was to see if there was a particular food shop 251 00:11:39,880 --> 00:11:42,679 Speaker 1: in San Fran because he was homesick, and I reckon. 252 00:11:42,720 --> 00:11:45,120 Speaker 1: He's found out, like, what's an Australian only cuisine? What's 253 00:11:45,120 --> 00:11:49,840 Speaker 1: something you can only get here? Tim Tams maybe could be. 254 00:11:50,200 --> 00:11:52,480 Speaker 1: I mean, I reckon, But for example, that's what I 255 00:11:52,480 --> 00:11:54,440 Speaker 1: think has happened. He's found out that there's a particular 256 00:11:54,440 --> 00:11:56,120 Speaker 1: thing that he can get in San Francisco. And I'm 257 00:11:56,120 --> 00:11:57,679 Speaker 1: feeling homesick. I'm just going to fight to San Francis. 258 00:11:57,720 --> 00:11:59,120 Speaker 1: Is going to eat that and feel better about myself. 259 00:11:59,120 --> 00:12:00,839 Speaker 1: He's called ahead, made sure it was that. I think 260 00:12:00,840 --> 00:12:02,679 Speaker 1: he flew from London to San Francisco. 261 00:12:03,160 --> 00:12:03,720 Speaker 4: In London. 262 00:12:04,240 --> 00:12:07,439 Speaker 1: Yes, Steve, we're not talking to you. We'll tell you 263 00:12:07,520 --> 00:12:10,280 Speaker 1: food or love. It's very easy. I'm going with Steve 264 00:12:10,320 --> 00:12:11,400 Speaker 1: when we reckon, it's food. 265 00:12:12,600 --> 00:12:13,520 Speaker 4: You're right, it was. 266 00:12:15,080 --> 00:12:17,240 Speaker 1: What was the What was the food? Stephen? 267 00:12:18,080 --> 00:12:19,839 Speaker 4: It was Tim Tams and a jar. 268 00:12:22,480 --> 00:12:23,240 Speaker 1: We are good at this. 269 00:12:23,559 --> 00:12:27,520 Speaker 4: Bring my ring. My cousin has a flight shortis with 270 00:12:27,679 --> 00:12:29,600 Speaker 4: Quantas and she said she's going to be in San 271 00:12:29,640 --> 00:12:30,960 Speaker 4: Francisco tomorrow. 272 00:12:31,480 --> 00:12:33,120 Speaker 7: I said, can you bring this stuff and I'll meet 273 00:12:33,120 --> 00:12:33,440 Speaker 7: you there? 274 00:12:33,600 --> 00:12:36,160 Speaker 1: Oh, no stuff. Now you should have left that out 275 00:12:36,160 --> 00:12:38,400 Speaker 1: because it ruined the story. But great stuff, Steve watch 276 00:12:38,480 --> 00:12:42,840 Speaker 1: great shading. We have the chance for you guys to 277 00:12:42,840 --> 00:12:45,960 Speaker 1: win ten thousand dollars. You've got to register at the 278 00:12:45,960 --> 00:12:48,840 Speaker 1: link in our bio and Instagram. Will and Audiot's Will 279 00:12:48,840 --> 00:12:53,760 Speaker 1: and Woody's Big Rappetite with menu log Will and woodieak 280 00:12:54,000 --> 00:12:58,199 Speaker 1: Rappetide Were and his son. Just give in to your cravings. 281 00:12:58,360 --> 00:13:01,720 Speaker 1: Order on the menu log app Woods. It's a knockout system. 282 00:13:01,760 --> 00:13:04,480 Speaker 3: Will two rappers every day, last man or woman standing 283 00:13:04,480 --> 00:13:07,040 Speaker 3: Friday wins ten thousand dollars. I'm going to introduce the 284 00:13:07,080 --> 00:13:10,040 Speaker 3: first rapper now. Actually his name's Trevor Trav. What's your 285 00:13:10,120 --> 00:13:10,560 Speaker 3: rap name? 286 00:13:10,760 --> 00:13:12,920 Speaker 7: Oh? I'll go big because I'm strawny, but. 287 00:13:14,720 --> 00:13:17,760 Speaker 1: All right, all right now Big Trav, you're going to 288 00:13:17,800 --> 00:13:20,960 Speaker 1: be rapping about pad tie today. That's right, all right, 289 00:13:21,400 --> 00:13:26,160 Speaker 1: all right, We've got your the challenger this afternoon is Sarah, 290 00:13:26,160 --> 00:13:29,200 Speaker 1: who joins on the phone today. Sarah, Hi, guys, how 291 00:13:29,280 --> 00:13:31,480 Speaker 1: are you good? Thanks Sarah? What's your rap name? 292 00:13:32,240 --> 00:13:32,400 Speaker 5: Oh? 293 00:13:32,800 --> 00:13:34,800 Speaker 2: We didn't have one, but let's go with Little Shaza. 294 00:13:35,440 --> 00:13:40,959 Speaker 1: Oh we got Big travv Little Shazar. Welcome to Australia. 295 00:13:41,480 --> 00:13:43,800 Speaker 3: To Australia, and Little Shay you're going to be rapping 296 00:13:43,800 --> 00:13:44,720 Speaker 3: about dim Sims. 297 00:13:45,400 --> 00:13:50,520 Speaker 1: Surem alright, bloody love it. Alright, guys, So look we're 298 00:13:50,559 --> 00:13:53,320 Speaker 1: about to kick off, but before you do, and just 299 00:13:53,360 --> 00:13:55,880 Speaker 1: to add a little bit more fear and trepidation to 300 00:13:55,920 --> 00:13:57,880 Speaker 1: the rap battle. Hate to do this to you, but 301 00:13:57,880 --> 00:14:01,040 Speaker 1: we've got a special judge for day's rap battle as well. 302 00:14:01,080 --> 00:14:05,400 Speaker 1: He's fresh off competing and singing for people's love and 303 00:14:05,480 --> 00:14:07,920 Speaker 1: attention and votes anyway, so he should be the perfect 304 00:14:08,000 --> 00:14:10,800 Speaker 1: judge for this context. It's the winner of last night's 305 00:14:10,880 --> 00:14:13,199 Speaker 1: The Voice. It's Chris Abashion. 306 00:14:16,080 --> 00:14:21,040 Speaker 7: Agree. Wow, those are the best rap names I've heard 307 00:14:21,080 --> 00:14:21,440 Speaker 7: all year. 308 00:14:23,360 --> 00:14:25,520 Speaker 1: Could be a bit of a bit of a cooperation 309 00:14:25,760 --> 00:14:28,240 Speaker 1: or something on a song Chris coming. 310 00:14:28,080 --> 00:14:30,880 Speaker 7: Up, definitely a collaboration. 311 00:14:32,920 --> 00:14:36,880 Speaker 1: We go a cooperation? Sorry, I am not down with 312 00:14:36,920 --> 00:14:41,440 Speaker 1: the music lingo. Could be a collab Chris, I'll you Hey, Chris, 313 00:14:41,520 --> 00:14:43,520 Speaker 1: you're going to hopefully stick around have a chat with 314 00:14:43,560 --> 00:14:45,080 Speaker 1: this mate. But yeah, if you could, if you could 315 00:14:45,280 --> 00:14:47,520 Speaker 1: get your thoughts on the on the rap battle to 316 00:14:47,600 --> 00:14:49,040 Speaker 1: kick it off, all right, let's kick it off with 317 00:14:49,120 --> 00:14:52,840 Speaker 1: Big Trav to start with for ten thousand bucks, the 318 00:14:52,880 --> 00:14:56,800 Speaker 1: first rap of Willem Woodies Rapp A tite Big Trav 319 00:14:57,080 --> 00:14:59,120 Speaker 1: take it away. You're going to be rapping about pad Thai. 320 00:14:59,320 --> 00:15:00,880 Speaker 1: You tell the d jay when you want him to 321 00:15:00,920 --> 00:15:03,720 Speaker 1: spin that, Yes, spin those decks. 322 00:15:03,760 --> 00:15:08,440 Speaker 7: Fleeps, get a time, and I'm getting pad time. I'm 323 00:15:08,480 --> 00:15:12,240 Speaker 7: picking up the heights, raign ty to fry. I'm slashing 324 00:15:12,280 --> 00:15:13,800 Speaker 7: my meal and going down a tree. 325 00:15:14,000 --> 00:15:16,840 Speaker 4: I'm loving this taste. So I'm still incomplete. So I've 326 00:15:16,840 --> 00:15:17,200 Speaker 4: got to. 327 00:15:17,160 --> 00:15:18,880 Speaker 7: Get a curry and I'm getting through the night. 328 00:15:19,120 --> 00:15:21,280 Speaker 5: I should have flowed down my assumption. 329 00:15:20,960 --> 00:15:21,640 Speaker 7: In hind. 330 00:15:23,480 --> 00:15:24,320 Speaker 8: About the pot. 331 00:15:24,720 --> 00:15:27,800 Speaker 7: Then you're doing it again to one such short your 332 00:15:27,960 --> 00:15:35,280 Speaker 7: hot then you love me cad out. It's incredible. 333 00:15:35,480 --> 00:15:39,360 Speaker 1: The Big Trav a good stuff, now, DJ. 334 00:15:39,200 --> 00:15:40,120 Speaker 7: That's a good start. 335 00:15:40,160 --> 00:15:41,600 Speaker 1: It was a good start. It was a good start 336 00:15:41,640 --> 00:15:45,880 Speaker 1: from Big Trav. Chris any comments on on the first wrap. 337 00:15:45,760 --> 00:15:48,160 Speaker 7: Then this is not your first time doing this, mate, 338 00:15:48,200 --> 00:15:52,840 Speaker 7: I'm convinced of that. I don't know about you, but 339 00:15:52,920 --> 00:15:53,520 Speaker 7: I'm terrible. 340 00:15:53,720 --> 00:15:58,040 Speaker 1: Okay, Big Trap. We're gonna turn down your fade out 341 00:15:58,040 --> 00:16:01,200 Speaker 1: for rank chat. In between wraps, we're gonna go over 342 00:16:01,320 --> 00:16:06,040 Speaker 1: to is it is it? Little Shazow, Little Shaza. I 343 00:16:06,080 --> 00:16:08,480 Speaker 1: was about to go your Big Chazz, but you're gone 344 00:16:08,520 --> 00:16:11,920 Speaker 1: with Little Chas Little Shazzy. You're wrapping about Jim Sims. 345 00:16:11,960 --> 00:16:14,640 Speaker 1: Ten thousand dollars all thanks to Manulogue could be yours 346 00:16:14,680 --> 00:16:16,560 Speaker 1: given to your cravings. Order on the Menulog app for 347 00:16:16,600 --> 00:16:19,360 Speaker 1: everybody else. She's registered on the link out by Instagram. 348 00:16:19,400 --> 00:16:22,440 Speaker 1: Will and Woody here we go. We've got Chris Sebastian 349 00:16:22,560 --> 00:16:25,120 Speaker 1: judging the second rap of the first Will and Woody 350 00:16:25,160 --> 00:16:28,440 Speaker 1: rapp it tite, little Chazzy ready to go, Ready to go. 351 00:16:28,680 --> 00:16:31,320 Speaker 1: You call the DJ in when you need him a right. 352 00:16:31,600 --> 00:16:36,640 Speaker 2: J drop it like it's hot, Dan Sims, we want 353 00:16:36,640 --> 00:16:39,440 Speaker 2: to Dan Sim, so get your phone out. Order Jim 354 00:16:39,600 --> 00:16:44,360 Speaker 2: Simp tap open that up app Manulog Baby rose at 355 00:16:44,560 --> 00:16:46,920 Speaker 2: a Dan Sim go on and add it as a 356 00:16:47,000 --> 00:16:49,680 Speaker 2: side ships and soy sauce. Your dinner has a right, 357 00:16:50,040 --> 00:16:52,960 Speaker 2: Jim Sims. Yeah, man, you know it's you TV two 358 00:16:53,120 --> 00:16:55,600 Speaker 2: and let the lights Jim Sum that's it and Sims 359 00:16:55,640 --> 00:16:58,920 Speaker 2: a super statisfied thanks for taking us on that deliciousation. 360 00:16:59,160 --> 00:16:59,320 Speaker 6: Right. 361 00:17:04,640 --> 00:17:06,600 Speaker 7: That's little shouted, that's Nicki Minaj. 362 00:17:08,880 --> 00:17:10,720 Speaker 1: We have got Christian mashi Win of the Voice last 363 00:17:10,760 --> 00:17:15,400 Speaker 1: night to judge this willing Wood his first rapper tite battle. Chris, 364 00:17:16,000 --> 00:17:16,919 Speaker 1: who are you going with you. 365 00:17:17,520 --> 00:17:19,840 Speaker 7: Look, that was a tighter finished and last night, so 366 00:17:21,359 --> 00:17:23,560 Speaker 7: this is a hard one. I think you know I'm 367 00:17:23,600 --> 00:17:26,399 Speaker 7: gonna go. I'm going to hold for a for as 368 00:17:26,440 --> 00:17:32,200 Speaker 7: long as Darren mcmullon did last night. No, I Big 369 00:17:32,280 --> 00:17:35,560 Speaker 7: Trav had had that extra bit of heart tonight, so 370 00:17:35,960 --> 00:17:45,320 Speaker 7: I'm gonna go with Big TRAVS. 371 00:17:45,520 --> 00:17:49,400 Speaker 1: Thanks for coming on the show. Anybody else that wants 372 00:17:49,440 --> 00:17:51,479 Speaker 1: to win ten thousand bucks, get along to our Instagram. 373 00:17:51,560 --> 00:17:53,120 Speaker 1: The link in the buyer there will take you through 374 00:17:53,240 --> 00:17:55,840 Speaker 1: to register for tomorrow's wrap battle who will be taking 375 00:17:56,040 --> 00:17:59,679 Speaker 1: on the champ. That's it right now. Our boy b Rabbits, 376 00:18:00,040 --> 00:18:03,119 Speaker 1: so known as Big Trav. We'll be back tomorrow to 377 00:18:03,240 --> 00:18:05,720 Speaker 1: rap about a new food. He can't use the same rap, 378 00:18:05,800 --> 00:18:07,360 Speaker 1: so if you want to challenge him for the ten 379 00:18:07,440 --> 00:18:09,400 Speaker 1: grand make sure you get involved in the Great news 380 00:18:09,440 --> 00:18:11,600 Speaker 1: for you guys is Chrisimbashian's going to stay with us 381 00:18:12,600 --> 00:18:15,800 Speaker 1: podcasting No last night a massive moment on the TV. 382 00:18:16,119 --> 00:18:20,720 Speaker 7: The winner of The Voice twenty twenty is. 383 00:18:23,880 --> 00:18:29,440 Speaker 1: Chris Semasters. Chris joins us on the phone right now, 384 00:18:29,800 --> 00:18:30,840 Speaker 1: Chris Walking. 385 00:18:30,520 --> 00:18:34,720 Speaker 7: A willing, willing the biggest legends in the radio. 386 00:18:34,800 --> 00:18:36,920 Speaker 1: How are you stupid? 387 00:18:38,960 --> 00:18:41,200 Speaker 7: I've gotta be real for a moment. I'm proper fans 388 00:18:41,200 --> 00:18:42,520 Speaker 7: of you guys. Get you guys. 389 00:18:42,640 --> 00:18:47,040 Speaker 1: Incredible, mate, mate, It's a phenomenal, phenomenal thing to a 390 00:18:47,240 --> 00:18:48,680 Speaker 1: particularly you know, a lot of people say it was 391 00:18:48,680 --> 00:18:52,000 Speaker 1: the best season of the Voice ever and the fact 392 00:18:52,040 --> 00:18:53,920 Speaker 1: that you took that out is you know, obviously a 393 00:18:54,000 --> 00:18:57,040 Speaker 1: testament to your talent. But look, obviously just this elephant 394 00:18:57,119 --> 00:18:59,800 Speaker 1: in the room, which I feel like I want to 395 00:18:59,840 --> 00:19:01,359 Speaker 1: give you a chance to talk about, at least to 396 00:19:01,400 --> 00:19:04,760 Speaker 1: our listeners. Anyway, I'll give you. There was a there 397 00:19:04,800 --> 00:19:07,040 Speaker 1: was a tweet I read from a guy called like 398 00:19:07,240 --> 00:19:09,640 Speaker 1: Online that said, so you can't take part in McDonald's 399 00:19:09,640 --> 00:19:12,119 Speaker 1: monopoly if you have a relative who works in one 400 00:19:12,119 --> 00:19:14,480 Speaker 1: of their restaurants, but you can win one hundred thousand 401 00:19:14,480 --> 00:19:16,560 Speaker 1: dollars in a recording contract on the Voice if your 402 00:19:16,600 --> 00:19:19,280 Speaker 1: brother is a judge. Now, that is just that is 403 00:19:19,440 --> 00:19:21,639 Speaker 1: just a sliver, and it's amazing that you can laugh 404 00:19:21,680 --> 00:19:23,520 Speaker 1: about that. Chris. I love that about you. And what 405 00:19:23,680 --> 00:19:25,800 Speaker 1: are your thoughts on it? You know, please feel free 406 00:19:25,840 --> 00:19:27,080 Speaker 1: to well, first. 407 00:19:26,880 --> 00:19:29,680 Speaker 7: Of all, I think I think, first of all the 408 00:19:29,760 --> 00:19:33,119 Speaker 7: important thing is when people say guys rather than I 409 00:19:33,240 --> 00:19:35,439 Speaker 7: think they think that I might think it's an insult. 410 00:19:36,920 --> 00:19:38,919 Speaker 7: Guys like I love my brother, but he's also one 411 00:19:38,920 --> 00:19:41,680 Speaker 7: of my best mates, so to be mentioned in the 412 00:19:41,720 --> 00:19:44,200 Speaker 7: same sentences, guys like, are you kidding? That's an honor? 413 00:19:44,680 --> 00:19:47,320 Speaker 7: Why would I be offended about that. Second of all, 414 00:19:47,640 --> 00:19:49,800 Speaker 7: the thing that I think is really important is last 415 00:19:49,840 --> 00:19:52,840 Speaker 7: night was a public vote. It was it was audited 416 00:19:53,119 --> 00:19:57,040 Speaker 7: by a third party company. And I'm not trying to 417 00:19:57,119 --> 00:20:01,840 Speaker 7: sound robotic, you know, like it was a genuine topic vote. 418 00:20:01,960 --> 00:20:05,760 Speaker 7: You know, it wasn't rigged like people saw and honestly 419 00:20:06,200 --> 00:20:08,240 Speaker 7: like and everyone would agree with it. I would have 420 00:20:08,280 --> 00:20:10,000 Speaker 7: lost to every single one of those people. I mean 421 00:20:10,080 --> 00:20:12,600 Speaker 7: everyone on that stage I would happily lose to because 422 00:20:12,600 --> 00:20:16,280 Speaker 7: they're incredible. Yeah, and guy said to me last night, 423 00:20:16,320 --> 00:20:18,600 Speaker 7: there's going to be people that are feelthy. There's going 424 00:20:18,680 --> 00:20:21,600 Speaker 7: to be people that think it's rigged, and that's fine. 425 00:20:21,680 --> 00:20:23,000 Speaker 7: Like I get I get that people are going to 426 00:20:23,040 --> 00:20:25,520 Speaker 7: be upset. But at the end of the day, if 427 00:20:25,600 --> 00:20:28,200 Speaker 7: I focus on those people as opposed to the people 428 00:20:28,240 --> 00:20:30,639 Speaker 7: that voted for me, then I'm giving those people a 429 00:20:30,760 --> 00:20:34,400 Speaker 7: huge disservice. So, you know, I feel for the people 430 00:20:34,440 --> 00:20:36,840 Speaker 7: that are angry, but I'm going to focus my attention 431 00:20:36,920 --> 00:20:39,000 Speaker 7: on the people that loved what I did and then 432 00:20:39,080 --> 00:20:42,119 Speaker 7: gave me their vote. So I'm stoked to be here. Man. 433 00:20:42,240 --> 00:20:44,920 Speaker 1: Well, and looks over a million and a half people 434 00:20:45,040 --> 00:20:47,160 Speaker 1: changed into the into the final last night. I'm sure 435 00:20:47,200 --> 00:20:49,120 Speaker 1: a lot of them would have voted mate. So look 436 00:20:49,160 --> 00:20:50,359 Speaker 1: at the end of the day, the fact that it 437 00:20:50,480 --> 00:20:53,840 Speaker 1: was a public vote really totally undermines the argument that 438 00:20:53,920 --> 00:20:56,920 Speaker 1: he could have had any influence anyway. So my congratulations, 439 00:20:56,960 --> 00:20:59,359 Speaker 1: I mean, and you're move into your own stuff. You've 440 00:20:59,359 --> 00:21:02,000 Speaker 1: got a brand new song called bed for two, yeah, 441 00:21:02,119 --> 00:21:03,520 Speaker 1: which you got a little bit of here. Have listened 442 00:21:03,520 --> 00:21:10,400 Speaker 1: to this? Can we run away? It's a bit sexy 443 00:21:10,440 --> 00:21:12,000 Speaker 1: as well, Chris. I'm gonna be honest with your bed 444 00:21:12,080 --> 00:21:15,920 Speaker 1: for two? Wow? We why is it that sexy? Lots 445 00:21:15,960 --> 00:21:17,520 Speaker 1: of people sleep in a bed for two, but I'm 446 00:21:17,600 --> 00:21:21,159 Speaker 1: currently alone in a bed. Question for you, I mean, 447 00:21:21,240 --> 00:21:23,520 Speaker 1: you know you're the hottest thing in Australia right now. Baby, 448 00:21:24,400 --> 00:21:26,959 Speaker 1: is the bed full or is the bed empty? Right now? 449 00:21:27,840 --> 00:21:33,080 Speaker 7: Look my wife is I'm probably probably in there with 450 00:21:33,160 --> 00:21:34,719 Speaker 7: my four month old baby right now. 451 00:21:37,119 --> 00:21:44,840 Speaker 3: Struck well, just moving run along, then, you said before 452 00:21:45,040 --> 00:21:46,800 Speaker 3: the single made the ear spoke to guy. You know, 453 00:21:46,880 --> 00:21:48,520 Speaker 3: after all this stuff and Guy said to you, people 454 00:21:48,520 --> 00:21:49,760 Speaker 3: are going to be angry and stuff. And I think 455 00:21:49,800 --> 00:21:51,639 Speaker 3: it is one advantage that you do have is that 456 00:21:51,720 --> 00:21:53,640 Speaker 3: you do have you know, your brother in the industry, 457 00:21:53,680 --> 00:21:55,920 Speaker 3: and he's been everything before. 458 00:21:56,040 --> 00:21:57,720 Speaker 1: Can I what's the one bit of advice? So what's 459 00:21:57,720 --> 00:21:59,240 Speaker 1: the best bit of advice that Guy's given you. 460 00:21:59,440 --> 00:22:01,439 Speaker 7: I've been able to watch someone who's worked harder than 461 00:22:01,480 --> 00:22:03,240 Speaker 7: anyone I've ever seen, and I've been trying for a 462 00:22:03,240 --> 00:22:03,719 Speaker 7: really long time. 463 00:22:03,720 --> 00:22:05,280 Speaker 1: Would it be fair to say, Chris that it was 464 00:22:05,320 --> 00:22:07,280 Speaker 1: the last resort for you in a lot of ways. Mate. 465 00:22:07,480 --> 00:22:08,960 Speaker 7: You know, when I found out my wife is pregnant, 466 00:22:09,000 --> 00:22:10,720 Speaker 7: I was like, all right, well, it's not even about 467 00:22:10,800 --> 00:22:13,000 Speaker 7: me anymore. I can cop some criticism if it means 468 00:22:13,160 --> 00:22:15,240 Speaker 7: I can, you know, give my wife and kid a 469 00:22:15,320 --> 00:22:17,760 Speaker 7: good life, and and that's what this is about. So 470 00:22:17,840 --> 00:22:19,719 Speaker 7: I think for me, it's like that the advantage has 471 00:22:19,720 --> 00:22:22,480 Speaker 7: been seeing what it takes and guy works his ass 472 00:22:22,560 --> 00:22:25,000 Speaker 7: off to get to where he is now, and so 473 00:22:25,800 --> 00:22:28,560 Speaker 7: you know that's the best advice is not sort of 474 00:22:28,680 --> 00:22:29,840 Speaker 7: what he said, but what he's done. 475 00:22:30,359 --> 00:22:31,960 Speaker 1: Well, mate, I'll tell you what I mean. Like, we've 476 00:22:32,000 --> 00:22:33,960 Speaker 1: had guy in here, you know quite a bit on 477 00:22:34,080 --> 00:22:36,920 Speaker 1: this show. You know the I was going to say, 478 00:22:37,040 --> 00:22:39,800 Speaker 1: I'm talking like you're his son with the apple full 479 00:22:39,840 --> 00:22:42,080 Speaker 1: style from the tree. But maybe maybe the apple grows 480 00:22:42,119 --> 00:22:48,680 Speaker 1: cross to the other apple. Maybe that's put it. We're 481 00:22:48,720 --> 00:22:50,760 Speaker 1: all with that guy though, made like on your own 482 00:22:50,800 --> 00:22:55,240 Speaker 1: Merrit's congratulations, it's going to be already amazing. It's been 483 00:22:55,320 --> 00:22:57,040 Speaker 1: a pleasure to talk to you and I really look 484 00:22:57,080 --> 00:22:58,200 Speaker 1: forward to talking to you more in the future. 485 00:22:58,240 --> 00:23:01,560 Speaker 7: Man, Thanks coming absolutely, Thanks guys podcasting. 486 00:23:02,160 --> 00:23:03,960 Speaker 1: I got a question of everyone right now. Do you 487 00:23:04,080 --> 00:23:07,240 Speaker 1: think that throwing your partner in the deep end with 488 00:23:07,400 --> 00:23:10,679 Speaker 1: your friends and family is beneficial to the relationship They 489 00:23:10,680 --> 00:23:12,000 Speaker 1: don't want to stick five. I want to find I 490 00:23:12,040 --> 00:23:15,800 Speaker 1: want to find Australia's deepest end. If you've been thrown 491 00:23:15,880 --> 00:23:18,760 Speaker 1: in there with your new partner's mates and family or 492 00:23:18,800 --> 00:23:20,840 Speaker 1: whatever it is, I'd love to hear from you. Because 493 00:23:21,280 --> 00:23:27,040 Speaker 1: Keanu Reeves filming Matrix for is in Berlin at the moment, which, 494 00:23:27,880 --> 00:23:31,040 Speaker 1: needless to say, what do you and I'm very excited 495 00:23:31,040 --> 00:23:33,560 Speaker 1: about We're not going to talk about it though, because 496 00:23:33,560 --> 00:23:39,120 Speaker 1: we could talk for hours. So they are his take. 497 00:23:39,440 --> 00:23:43,040 Speaker 1: He's also seeing someone new He's got relatively new what's 498 00:23:43,080 --> 00:23:43,560 Speaker 1: her name. 499 00:23:43,480 --> 00:23:47,560 Speaker 3: Artist, Alexandra Grant. They've been friends for years, but they 500 00:23:47,680 --> 00:23:50,560 Speaker 3: came out as a couple last year or earlier this year. 501 00:23:50,480 --> 00:23:54,159 Speaker 1: Okay, so pretty fresh. He then decides to take this 502 00:23:54,320 --> 00:23:58,080 Speaker 1: new partner, Alexandra Grant, out to this art gallery in 503 00:23:58,160 --> 00:24:03,199 Speaker 1: Berlin with the tire cast of the Matrix four. That's 504 00:24:03,240 --> 00:24:05,840 Speaker 1: a deep end. That's a pretty deep end. Yeah, I 505 00:24:05,920 --> 00:24:09,080 Speaker 1: mean there's some some some heavy Hollywood heavyweights that he's 506 00:24:09,119 --> 00:24:09,679 Speaker 1: thrown her in with. 507 00:24:09,840 --> 00:24:13,320 Speaker 3: On Neil Patrick Harris Will for one, it's uh no, 508 00:24:14,000 --> 00:24:16,680 Speaker 3: physically might not be, but he's a big deal. Carry 509 00:24:16,720 --> 00:24:19,359 Speaker 3: Anne Moss. Carry Ane Moss is a huge actress. She 510 00:24:19,440 --> 00:24:21,919 Speaker 3: of course plays Trinity and Matrix of course. And then 511 00:24:22,080 --> 00:24:25,600 Speaker 3: obviously Lena Lana Wachowski as well, who is a huge 512 00:24:25,680 --> 00:24:26,399 Speaker 3: viter and director. 513 00:24:26,440 --> 00:24:30,680 Speaker 1: Okay, so regardless of their clout in Hollywood, and you've 514 00:24:30,720 --> 00:24:35,280 Speaker 1: done well to beef some of them up, it's still 515 00:24:35,280 --> 00:24:38,000 Speaker 1: a pretty tough gig, I think, to be taken anywhere 516 00:24:38,040 --> 00:24:40,880 Speaker 1: as somebody's partner and then just being said like, all right, 517 00:24:41,119 --> 00:24:44,560 Speaker 1: here are my close friends slash family, get along with them. 518 00:24:44,920 --> 00:24:50,360 Speaker 1: M I think it's a good move. I've always been 519 00:24:50,400 --> 00:24:52,600 Speaker 1: a fan of the deep end throw it's God, it's 520 00:24:52,640 --> 00:24:55,960 Speaker 1: pretty harsh, and it's well, it's important, I think, I 521 00:24:56,119 --> 00:24:59,760 Speaker 1: think for me, for me personally, it is absolutely pivotal 522 00:25:00,080 --> 00:25:04,000 Speaker 1: my partner get on with my mates and my family, 523 00:25:04,480 --> 00:25:08,600 Speaker 1: and I think when I'm in that picture, a one 524 00:25:08,680 --> 00:25:13,880 Speaker 1: on one relationship is so different if somebody else's partner's there. 525 00:25:13,920 --> 00:25:16,200 Speaker 1: So what I've done traditionally, and I certainly did it 526 00:25:16,240 --> 00:25:19,119 Speaker 1: with my with my current partner sem is when she 527 00:25:19,280 --> 00:25:21,760 Speaker 1: met my mates, I made a real effort of going, Okay, 528 00:25:21,760 --> 00:25:23,280 Speaker 1: you're having a conversation with them. I'm not going to 529 00:25:23,280 --> 00:25:27,000 Speaker 1: be anywhere near so you can form your own bond there. 530 00:25:27,440 --> 00:25:30,280 Speaker 1: I remember the when I met her, and I think 531 00:25:30,359 --> 00:25:32,399 Speaker 1: you left her with me almost one on one for 532 00:25:32,600 --> 00:25:34,960 Speaker 1: a good few hours. That must have been hell for her, 533 00:25:36,240 --> 00:25:38,399 Speaker 1: and you didn't interrupt at all. No, not at all, 534 00:25:38,400 --> 00:25:40,200 Speaker 1: because it's important for me that she got on with you. 535 00:25:40,640 --> 00:25:41,800 Speaker 1: It's really important for me. 536 00:25:42,040 --> 00:25:45,560 Speaker 3: I definitely, I agree so much with the importance of 537 00:25:45,880 --> 00:25:47,280 Speaker 3: the new partner getting on with your friends. 538 00:25:47,480 --> 00:25:49,040 Speaker 1: Do you think you should ease him into it? Though, 539 00:25:49,400 --> 00:25:50,879 Speaker 1: because the other I was going to say, the thing 540 00:25:50,960 --> 00:25:53,080 Speaker 1: that kills me, the thing that kills me is when 541 00:25:53,200 --> 00:25:57,040 Speaker 1: a partner gets molly coddled by by someone who's new 542 00:25:57,080 --> 00:26:00,359 Speaker 1: in the relationship. They're a fresh couple and the person 543 00:26:00,440 --> 00:26:02,960 Speaker 1: that they've just started seeing like molly coddles them in public. 544 00:26:03,280 --> 00:26:07,360 Speaker 1: In public, they look after them, they like substantiate their answers. 545 00:26:07,520 --> 00:26:10,960 Speaker 1: They lead them into questions and stuff like kills me. Yeah, 546 00:26:11,200 --> 00:26:13,000 Speaker 1: sure sure. So like when you go and I've done 547 00:26:13,000 --> 00:26:15,359 Speaker 1: this before, when I've gone like, oh, you know, money, 548 00:26:15,400 --> 00:26:16,920 Speaker 1: but she's got a great story on this, I'll tell 549 00:26:16,960 --> 00:26:19,760 Speaker 1: them all your story, tell them all your story, and 550 00:26:19,840 --> 00:26:22,360 Speaker 1: then they've got the whole tables. It's shocking. Yeah, I've 551 00:26:22,400 --> 00:26:24,360 Speaker 1: been that kills me. So I reckon, you're a much 552 00:26:24,440 --> 00:26:26,600 Speaker 1: better chance at just going hey, look, you know what 553 00:26:27,040 --> 00:26:29,560 Speaker 1: you need to form your own relationships with these people. 554 00:26:29,720 --> 00:26:34,920 Speaker 1: Sure now, Look that's the positive side of it. The 555 00:26:35,119 --> 00:26:37,840 Speaker 1: negative side of it is sometimes the deep end can 556 00:26:37,880 --> 00:26:38,960 Speaker 1: be a little bit too deep. 557 00:26:39,240 --> 00:26:43,600 Speaker 3: One time, well, early in a former relationship. This is 558 00:26:44,200 --> 00:26:48,000 Speaker 3: a month into the relationship. I was thrown on an 559 00:26:48,080 --> 00:26:54,800 Speaker 3: island in a hut with eleven women. Well there was 560 00:26:54,880 --> 00:26:58,960 Speaker 3: one I was sorry with my girlfriend. This is with 561 00:26:59,080 --> 00:27:01,879 Speaker 3: my girlfriend in my God, I remember this with eleven 562 00:27:02,040 --> 00:27:03,119 Speaker 3: remember this women. 563 00:27:05,680 --> 00:27:09,480 Speaker 1: Australia. The topic of discussion was men in bed and 564 00:27:09,600 --> 00:27:14,120 Speaker 1: they were all shocking. They were judging men and talking 565 00:27:14,200 --> 00:27:16,119 Speaker 1: about the sign and it was forty degrees and there 566 00:27:16,200 --> 00:27:18,440 Speaker 1: was no heater, no coller. I remember that. I'm never 567 00:27:18,520 --> 00:27:20,520 Speaker 1: coming to see you. Hated that. Yeah, we had to 568 00:27:20,600 --> 00:27:22,920 Speaker 1: pry you off the ferry. Afterwards you tried to jump 569 00:27:22,960 --> 00:27:26,720 Speaker 1: onto it. Yes, mind you. I did actually forge a 570 00:27:26,800 --> 00:27:30,040 Speaker 1: relationship with all them. Yeah. Absolutely, it was an enjoyable experience. 571 00:27:30,040 --> 00:27:32,720 Speaker 1: It wasn't an enjoyable experience, but afterwards I was okay. 572 00:27:33,080 --> 00:27:34,760 Speaker 1: So that's the line that I want to talk about 573 00:27:34,840 --> 00:27:38,399 Speaker 1: right now. Were you thrown in the deep end? How 574 00:27:38,560 --> 00:27:43,000 Speaker 1: deep was that end? Currently? Wood he's winning eleven friends 575 00:27:43,119 --> 00:27:45,199 Speaker 1: on an island for a week. Is the deep end? 576 00:27:45,240 --> 00:27:46,800 Speaker 1: He got thrown in? No walls in the hut, by 577 00:27:46,840 --> 00:27:49,200 Speaker 1: the way. But it worked out for you, So is 578 00:27:49,359 --> 00:27:51,120 Speaker 1: throwing your partner in the deep end with your mate. 579 00:27:51,119 --> 00:27:55,200 Speaker 1: It's a good idea. Did it work out? We're talking 580 00:27:55,240 --> 00:27:59,720 Speaker 1: all about Keanu Reeves Matrix for he's over in Berlin 581 00:28:00,240 --> 00:28:04,400 Speaker 1: shooting with his new Matrix forecast members with his brand 582 00:28:04,440 --> 00:28:06,240 Speaker 1: new Partner's good Britain. You've got a new partner he's 583 00:28:06,240 --> 00:28:10,280 Speaker 1: been saying for a while. Alexandra Grant, Alexandra Grants, thanks 584 00:28:10,359 --> 00:28:13,360 Speaker 1: very much. And look, the question we're asking is, when 585 00:28:13,440 --> 00:28:16,560 Speaker 1: you're trying to get your new partner to get along 586 00:28:16,640 --> 00:28:19,879 Speaker 1: with your friends and family, should you throw them in 587 00:28:19,920 --> 00:28:22,120 Speaker 1: the deep end with them? That is, do you leave 588 00:28:22,160 --> 00:28:24,119 Speaker 1: them one on one alone with your mates or your family. 589 00:28:24,280 --> 00:28:26,160 Speaker 1: I think it's really important. It looks like counta Reeves 590 00:28:26,200 --> 00:28:29,920 Speaker 1: has done that on this trip to this Burllian art gallery. God, 591 00:28:30,000 --> 00:28:33,000 Speaker 1: he's a cool guy. He's also wearing hiking boots in 592 00:28:33,040 --> 00:28:36,920 Speaker 1: a suit. Anyone's seen the photos. It's extraordinary stuff. But look, 593 00:28:37,240 --> 00:28:39,640 Speaker 1: we're talking right now about this. This phenomenon getting thrown 594 00:28:39,680 --> 00:28:41,040 Speaker 1: in the deep end with you, with your with your 595 00:28:41,080 --> 00:28:44,239 Speaker 1: partner's mates or family doesn't work. And more importantly, if 596 00:28:44,280 --> 00:28:46,560 Speaker 1: you were thrown in a deep end, how deep was 597 00:28:46,640 --> 00:28:49,960 Speaker 1: that end? Would he currently taking the lead with eleven 598 00:28:50,040 --> 00:28:53,000 Speaker 1: of his former partner's mates on an island in a hut, 599 00:28:53,120 --> 00:28:56,040 Speaker 1: in a hut with no walls, all women, no walls, 600 00:28:56,680 --> 00:28:58,880 Speaker 1: forty degree heat. It's like a sauna in there with 601 00:28:58,920 --> 00:29:02,000 Speaker 1: Will's struggling to see the flow and the ointment on 602 00:29:02,080 --> 00:29:04,640 Speaker 1: that story, but it's a good one. We've got Amy 603 00:29:04,720 --> 00:29:08,600 Speaker 1: here on thirty one and sixty five, Amy, your partner 604 00:29:08,640 --> 00:29:09,480 Speaker 1: throw you in the deep end? 605 00:29:10,760 --> 00:29:12,120 Speaker 8: No, I threw him in the deep end? 606 00:29:12,320 --> 00:29:14,160 Speaker 1: Great? Okay, how deep was that end? 607 00:29:15,360 --> 00:29:17,479 Speaker 6: So we went on one day and he ended up 608 00:29:17,600 --> 00:29:19,280 Speaker 6: saying the night nothing happened. 609 00:29:19,480 --> 00:29:19,760 Speaker 1: Okay. 610 00:29:20,080 --> 00:29:23,120 Speaker 5: The next day, my friend came over to have lunch 611 00:29:23,200 --> 00:29:25,440 Speaker 5: with me, and she ended up inviting us out for 612 00:29:25,680 --> 00:29:26,160 Speaker 5: dinner with. 613 00:29:26,200 --> 00:29:26,959 Speaker 6: Her and her fiance. 614 00:29:27,360 --> 00:29:27,560 Speaker 1: Yeah. 615 00:29:28,000 --> 00:29:30,000 Speaker 7: I didn't feel too well, so I had. 616 00:29:29,920 --> 00:29:30,520 Speaker 1: To stay home. 617 00:29:30,600 --> 00:29:32,959 Speaker 5: But he ended up going to dinner with them. 618 00:29:33,880 --> 00:29:35,920 Speaker 1: After one night, he went to dinner with your best 619 00:29:35,960 --> 00:29:38,960 Speaker 1: mate and her fiance. Jesus Christ, how did he go? Amy? 620 00:29:40,040 --> 00:29:41,440 Speaker 8: Three years later, we're engaged. 621 00:29:44,520 --> 00:29:47,080 Speaker 1: It works because if they survived the deep end, they 622 00:29:47,120 --> 00:29:49,760 Speaker 1: can survive anything. I'm coming around. It proves in the porting, 623 00:29:49,800 --> 00:29:52,000 Speaker 1: And as I said before, it's so important that your 624 00:29:52,040 --> 00:29:53,959 Speaker 1: partner gets along with your mates any time they've got 625 00:29:54,000 --> 00:29:56,080 Speaker 1: to afford their own relationship that you can't hold their 626 00:29:56,120 --> 00:30:00,320 Speaker 1: hand through it baptism of fires. Sometimes sometimes it works. 627 00:30:00,400 --> 00:30:03,160 Speaker 1: It's got to Rebecca here, Rebecca, were you thrown in 628 00:30:03,240 --> 00:30:04,400 Speaker 1: the deep end? Or did you throw? 629 00:30:05,520 --> 00:30:08,400 Speaker 8: I was thrown in the deep end with my partner's 630 00:30:08,600 --> 00:30:09,160 Speaker 8: work function. 631 00:30:09,880 --> 00:30:10,880 Speaker 1: Okay, what happened? 632 00:30:11,000 --> 00:30:13,560 Speaker 8: So we had a tennis it was like a tennis 633 00:30:13,600 --> 00:30:14,080 Speaker 8: for the match. 634 00:30:14,240 --> 00:30:16,960 Speaker 1: Sorry, sorry, Rebecca. I was talking friends and family before, 635 00:30:17,600 --> 00:30:19,160 Speaker 1: just before you even get into this story, I just 636 00:30:19,200 --> 00:30:22,040 Speaker 1: want to say that I think that the workmates is 637 00:30:22,560 --> 00:30:24,360 Speaker 1: not an acceptable end to be throwing them in. 638 00:30:24,840 --> 00:30:27,320 Speaker 3: I threw my first girl. I signed up my first 639 00:30:27,320 --> 00:30:30,719 Speaker 3: but my last girlfriend into a work function, and well 640 00:30:30,720 --> 00:30:32,160 Speaker 3: we were to go for four and a half years, 641 00:30:32,640 --> 00:30:37,480 Speaker 3: so pretty successful. Relevantly, it was my most successful relationship, 642 00:30:37,800 --> 00:30:38,719 Speaker 3: which maybe is insane. 643 00:30:39,760 --> 00:30:41,479 Speaker 1: No, no, no, that's a good point, but I think 644 00:30:41,480 --> 00:30:43,600 Speaker 1: I think that is another kettle of fish of itself. 645 00:30:43,680 --> 00:30:46,800 Speaker 1: But anyway, Rebecca, carry on deep end with workmates, bold 646 00:30:46,880 --> 00:30:49,760 Speaker 1: move pick up the show tennis function. 647 00:30:50,360 --> 00:30:54,440 Speaker 8: We're getting paired up with random people. Yeah, I got 648 00:30:54,440 --> 00:30:55,320 Speaker 8: paied up with the boss. 649 00:30:55,600 --> 00:30:58,920 Speaker 2: Oh jeepers, he can't play tennis. 650 00:31:00,320 --> 00:31:03,840 Speaker 8: I'm not great, but I was getting so angry with him. 651 00:31:04,280 --> 00:31:06,080 Speaker 8: He was just really horrible. 652 00:31:06,240 --> 00:31:06,440 Speaker 1: Yep. 653 00:31:07,920 --> 00:31:10,080 Speaker 8: Yeah, I don't get along with that boss now because 654 00:31:10,120 --> 00:31:14,959 Speaker 8: I was just really really angry with him the whole time. Fucked. 655 00:31:15,080 --> 00:31:18,120 Speaker 1: So you now hate his boss because of the games 656 00:31:18,160 --> 00:31:19,520 Speaker 1: of tennis that used to play it that you play 657 00:31:19,560 --> 00:31:20,600 Speaker 1: with him, thankfully. 658 00:31:20,600 --> 00:31:22,840 Speaker 8: It's not his boss anymore. It's not there anymore. Huge 659 00:31:24,120 --> 00:31:26,800 Speaker 8: didn't ruin the things for us, like we're getting married 660 00:31:26,840 --> 00:31:28,480 Speaker 8: next year. We've got a two year old suits. 661 00:31:28,560 --> 00:31:29,680 Speaker 6: It's all worked out well. 662 00:31:30,560 --> 00:31:36,880 Speaker 1: Rebecca, is any end deep? Too deep? Will? Sounds like 663 00:31:36,960 --> 00:31:39,560 Speaker 1: a rhetorical philosophical question which I'm gonna let go over 664 00:31:39,600 --> 00:31:42,080 Speaker 1: the top. Fair enough podcasting. 665 00:31:42,480 --> 00:31:46,600 Speaker 5: Now, our next guest was the first female prime minister 666 00:31:46,840 --> 00:31:48,320 Speaker 5: of this great country. 667 00:31:49,240 --> 00:31:56,200 Speaker 1: The national anthems aliens go on, guys play the real 668 00:31:56,280 --> 00:32:02,400 Speaker 1: anthem that's better. Well before the me too movement, she 669 00:32:02,680 --> 00:32:03,480 Speaker 1: was sticking off. 670 00:32:03,400 --> 00:32:04,360 Speaker 7: For us, ladies. 671 00:32:04,920 --> 00:32:08,920 Speaker 5: I will not be lectured about sexism and misogyny by 672 00:32:09,080 --> 00:32:09,600 Speaker 5: this man. 673 00:32:09,840 --> 00:32:10,440 Speaker 3: I will not. 674 00:32:13,240 --> 00:32:14,880 Speaker 1: It's still so good, isn't it? 675 00:32:15,160 --> 00:32:18,040 Speaker 3: Need to tell us all about her new book, Women. 676 00:32:17,840 --> 00:32:20,800 Speaker 1: In Leadership, Real Lives, Real Lessons. 677 00:32:21,400 --> 00:32:24,080 Speaker 7: It's the horrable Julia Gillard. 678 00:32:27,000 --> 00:32:29,560 Speaker 1: Love me the show, Julia, thanks for coming on. 679 00:32:30,440 --> 00:32:32,920 Speaker 5: Well, thank you for that world class introduction. 680 00:32:34,760 --> 00:32:36,960 Speaker 1: Julia's got a brand new book. It's called Women in 681 00:32:37,040 --> 00:32:39,720 Speaker 1: Leadership Get at All Good Bookstores, which she's co authored 682 00:32:39,760 --> 00:32:42,080 Speaker 1: with a former Nigerian finance minister. Was if you could 683 00:32:42,080 --> 00:32:45,640 Speaker 1: pronounce their name, that'd be huge and gozi aconjur Aweila. 684 00:32:45,720 --> 00:32:46,640 Speaker 1: Is that right, Julia? 685 00:32:46,960 --> 00:32:47,480 Speaker 5: Well done? 686 00:32:48,480 --> 00:32:50,320 Speaker 1: And I threw you in front of a buss. 687 00:32:50,080 --> 00:32:51,320 Speaker 6: There and you. 688 00:32:52,840 --> 00:32:55,400 Speaker 1: I did my research? Well, I did my research now, Julia. 689 00:32:55,600 --> 00:32:59,960 Speaker 1: The book's about four key messages are all about women 690 00:33:00,600 --> 00:33:04,400 Speaker 1: in leadership and trying to help them through that process 691 00:33:04,480 --> 00:33:07,800 Speaker 1: and obviously through your experience the pitfalls and things they 692 00:33:07,800 --> 00:33:10,720 Speaker 1: should look out for. Amazingly, the first thing that you 693 00:33:10,880 --> 00:33:13,480 Speaker 1: reference here is the fashion Police. That's sort of the 694 00:33:13,600 --> 00:33:16,440 Speaker 1: first part of the book. It's in four parts. Can 695 00:33:16,520 --> 00:33:20,200 Speaker 1: you just talk me through like how strenuous a job 696 00:33:20,280 --> 00:33:25,840 Speaker 1: it was as a woman choosing your clothes each day? 697 00:33:26,080 --> 00:33:27,760 Speaker 1: Or did you have somebody to do that for you? 698 00:33:27,960 --> 00:33:32,160 Speaker 1: And why did you feel like there was so much 699 00:33:32,280 --> 00:33:34,120 Speaker 1: pressure on that part of your job. 700 00:33:34,640 --> 00:33:37,200 Speaker 5: In the book, what we do en goesy in eyes. 701 00:33:37,320 --> 00:33:40,720 Speaker 5: We interview eight women leaders from around the world, so 702 00:33:40,880 --> 00:33:45,440 Speaker 5: it's our experiences and their experiences. And one thing that 703 00:33:45,600 --> 00:33:48,520 Speaker 5: stays with me very clearly from the interviews we did 704 00:33:48,680 --> 00:33:52,560 Speaker 5: is Hillary Clinton actually added up how much time she 705 00:33:52,680 --> 00:33:55,560 Speaker 5: spent in here and make up day after day after 706 00:33:55,680 --> 00:33:58,960 Speaker 5: day for the twenty sixteen presidential campaign, and it added 707 00:33:59,080 --> 00:34:04,560 Speaker 5: up to for days all up and yeah, why do 708 00:34:04,680 --> 00:34:08,520 Speaker 5: women do that? Because you know that if you don't 709 00:34:08,719 --> 00:34:13,440 Speaker 5: turn out looking kind of you know, camera ready, with 710 00:34:13,640 --> 00:34:17,960 Speaker 5: a non controversial outset, that whatever you'll want to say 711 00:34:18,120 --> 00:34:21,560 Speaker 5: that day will be swamped in coverage about what you're wearing. 712 00:34:22,080 --> 00:34:25,399 Speaker 5: So actually, all the time is taken, not so people 713 00:34:25,560 --> 00:34:28,520 Speaker 5: wander around saying, gee, she looks nice. All the time. 714 00:34:28,719 --> 00:34:32,239 Speaker 5: It's taken, so people don't react to your appearance at all. 715 00:34:33,360 --> 00:34:37,080 Speaker 5: So you'd have people who would bring choices for you 716 00:34:37,320 --> 00:34:42,120 Speaker 5: to wear. You were pick clothes, you know, so you'd 717 00:34:42,440 --> 00:34:44,560 Speaker 5: end up with, you know, a wardrobe of clothes that 718 00:34:44,920 --> 00:34:47,680 Speaker 5: you would travel with and have at the lodge in 719 00:34:47,760 --> 00:34:50,880 Speaker 5: the official residence. But the aim you had was that 720 00:34:51,000 --> 00:34:54,080 Speaker 5: people wouldn't be talking about what you were wearing. And 721 00:34:54,200 --> 00:34:57,200 Speaker 5: I certainly know from my second day as Prime Minister. 722 00:34:57,320 --> 00:34:59,200 Speaker 5: I was sworn in one day and the next day 723 00:34:59,320 --> 00:35:03,239 Speaker 5: I wore a colored jacket to a shopping center and 724 00:35:03,480 --> 00:35:06,279 Speaker 5: all of the TV coverage was dominated, all of the 725 00:35:06,320 --> 00:35:09,360 Speaker 5: newspaper coverage by whether or not people like the jackets. 726 00:35:09,440 --> 00:35:12,320 Speaker 5: So that's exactly what you don't want to have happened. 727 00:35:12,719 --> 00:35:15,560 Speaker 1: What was the end, polver Did people like the jacket 728 00:35:15,640 --> 00:35:18,000 Speaker 1: or didn't that a jacket was in a golden gund 729 00:35:18,440 --> 00:35:20,040 Speaker 1: what do you see here? Sort of a number? 730 00:35:20,160 --> 00:35:23,520 Speaker 5: It was it I think, I think, if my recollection 731 00:35:24,000 --> 00:35:31,319 Speaker 5: is right, it was unfortunately compared to a cheap motel bedspread, right, 732 00:35:31,480 --> 00:35:32,160 Speaker 5: so I didn't. 733 00:35:32,040 --> 00:35:36,799 Speaker 1: Like Away there, stay with us, Julia, let's dive more 734 00:35:36,880 --> 00:35:39,799 Speaker 1: into your book on women in Leadership. Right up there, 735 00:35:42,160 --> 00:35:45,840 Speaker 1: very special guest in the Iconic, the honorable Julia Gillardo, 736 00:35:45,960 --> 00:35:48,440 Speaker 1: joins us on the phone right now to talk all 737 00:35:48,520 --> 00:35:51,600 Speaker 1: about her brand new book on Women in Leadership. And 738 00:35:51,640 --> 00:35:53,839 Speaker 1: that's exactly what we're talking about right now, Julia, as 739 00:35:53,840 --> 00:35:57,440 Speaker 1: a woman in your position and just choosing what to 740 00:35:57,600 --> 00:36:00,000 Speaker 1: wear because you couldn't wear something on the one hand, 741 00:36:00,080 --> 00:36:04,960 Speaker 1: and which was too sultry for one of a better word, 742 00:36:05,000 --> 00:36:06,800 Speaker 1: and then on the other hand, you couldn't wear anything 743 00:36:06,800 --> 00:36:10,040 Speaker 1: which was you know, sort of too robotic or you know, formulating. 744 00:36:10,880 --> 00:36:13,160 Speaker 1: It feels like that's a bit of a theme because 745 00:36:13,600 --> 00:36:15,800 Speaker 1: in the third part of the book you're also talking 746 00:36:15,840 --> 00:36:19,920 Speaker 1: about leaders that you're interviewing saying that the situation is 747 00:36:19,960 --> 00:36:23,120 Speaker 1: not getting any better because you know, if we use that, 748 00:36:23,160 --> 00:36:25,560 Speaker 1: if we stick with the wardrobe analogy, the same thing 749 00:36:25,840 --> 00:36:29,680 Speaker 1: applies to your personality as well, because if you're too 750 00:36:29,840 --> 00:36:33,120 Speaker 1: strong or assertive, you're seeing a sort of cold or robotic, 751 00:36:34,200 --> 00:36:36,640 Speaker 1: bitchy even. But then if you're you know, sort of 752 00:36:36,640 --> 00:36:38,600 Speaker 1: seem to be a bit warm, then then you're you're 753 00:36:38,640 --> 00:36:42,200 Speaker 1: too motherly and you're too soft. And I mean, the 754 00:36:42,320 --> 00:36:45,680 Speaker 1: sad part about that is I suppose that men don't 755 00:36:45,800 --> 00:36:49,440 Speaker 1: have that problem in positions of leadership, and that doesn't 756 00:36:49,480 --> 00:36:52,160 Speaker 1: just apply to politics. That's everywhere. You know, if you're 757 00:36:52,200 --> 00:36:54,319 Speaker 1: a guy and you're you know, sort of assertive and strong, 758 00:36:54,400 --> 00:36:56,000 Speaker 1: then you know, he's a powerful bloke with a strong 759 00:36:56,040 --> 00:36:59,239 Speaker 1: point of view. Whereas it's a double standard. Can you 760 00:36:59,320 --> 00:37:00,520 Speaker 1: can you talk a bit more about that. 761 00:37:01,560 --> 00:37:04,719 Speaker 5: Yeah, it is a double standard, and researchers have been 762 00:37:04,800 --> 00:37:07,719 Speaker 5: pointing at this for a while. So what they do 763 00:37:08,120 --> 00:37:11,759 Speaker 5: is they get groups of voters, so you know, two 764 00:37:11,840 --> 00:37:15,839 Speaker 5: groups of voters in two different venues, and they get 765 00:37:16,600 --> 00:37:19,719 Speaker 5: someone a man to appear in front of one audience 766 00:37:19,800 --> 00:37:22,040 Speaker 5: and a woman in front of the other, and they're 767 00:37:22,120 --> 00:37:25,360 Speaker 5: pretending that they're running for the Senate or something like that, 768 00:37:26,080 --> 00:37:29,080 Speaker 5: and actually they're actors. But they're given a script and 769 00:37:29,160 --> 00:37:32,400 Speaker 5: the script is exactly the same, and they do things 770 00:37:32,600 --> 00:37:36,440 Speaker 5: like test the audience reaction if the script's got lines 771 00:37:36,680 --> 00:37:39,280 Speaker 5: in it, like you know, I'm the kind of person 772 00:37:39,360 --> 00:37:41,960 Speaker 5: who gets things done. I might have to stand on 773 00:37:42,080 --> 00:37:45,359 Speaker 5: other people's toes to make sure the job gets done, 774 00:37:45,480 --> 00:37:48,920 Speaker 5: but I always achieve. I'm always the one who delivers. 775 00:37:49,560 --> 00:37:52,920 Speaker 5: And when a man says lines like that, all fine. 776 00:37:53,440 --> 00:37:57,040 Speaker 5: When a woman says it, the audience has a real 777 00:37:57,320 --> 00:38:00,680 Speaker 5: adverse reaction. And when they're polled at the end of 778 00:38:00,760 --> 00:38:03,960 Speaker 5: it as to would you vote for this candidate, then 779 00:38:04,200 --> 00:38:08,160 Speaker 5: the female candidate records far lower votes, even though she 780 00:38:08,360 --> 00:38:12,080 Speaker 5: said exactly the same words as the male candidate. So 781 00:38:12,239 --> 00:38:14,800 Speaker 5: it's sort of telling us that we've still got gender 782 00:38:14,880 --> 00:38:19,200 Speaker 5: stereotypes in our brains, and we expect women to be 783 00:38:20,120 --> 00:38:23,880 Speaker 5: empathetic and nurturing and to put the team firs, not 784 00:38:24,120 --> 00:38:28,920 Speaker 5: being self seeking. And if a woman offends against those stereotypes, 785 00:38:28,960 --> 00:38:31,920 Speaker 5: then we can pay out on them pretty strongly. But 786 00:38:32,200 --> 00:38:34,280 Speaker 5: men don't pay the same price. 787 00:38:34,800 --> 00:38:38,520 Speaker 1: That is terrible. What an amazing study. Yeah, it's been done. 788 00:38:40,680 --> 00:38:44,719 Speaker 3: Hey, Julia, as Will and I where two men, and 789 00:38:44,960 --> 00:38:48,680 Speaker 3: we host this national radio show. Just from your experience 790 00:38:48,800 --> 00:38:50,879 Speaker 3: with this book that you've done, is interviews that you've 791 00:38:50,920 --> 00:38:53,520 Speaker 3: done could you give any advice for Will and I 792 00:38:53,760 --> 00:38:56,399 Speaker 3: on You know, we're two people who want to see 793 00:38:56,440 --> 00:38:59,080 Speaker 3: a change here moving forwards with women in the workplace 794 00:38:59,120 --> 00:39:01,320 Speaker 3: and women in leadership. Could you give any advice to 795 00:39:01,880 --> 00:39:03,799 Speaker 3: two people that are speaking to the masses every day 796 00:39:03,800 --> 00:39:05,000 Speaker 3: and two men for that matter. 797 00:39:06,520 --> 00:39:11,320 Speaker 5: I would venture a little bit of advice if I could. Firstly, 798 00:39:11,600 --> 00:39:14,440 Speaker 5: I'd say, perhaps, you know, at the end of every 799 00:39:14,520 --> 00:39:17,560 Speaker 5: week or whatever, do a bit of account as to 800 00:39:17,719 --> 00:39:20,560 Speaker 5: who you've had on in which category and see if 801 00:39:20,640 --> 00:39:23,239 Speaker 5: you're giving affair shared to women, like if you want 802 00:39:23,280 --> 00:39:26,600 Speaker 5: to have politicians on, or you're getting half women business people? 803 00:39:26,640 --> 00:39:29,720 Speaker 5: Are you getting half women? Because that role modeling matters, 804 00:39:29,840 --> 00:39:32,440 Speaker 5: And you know there'll be young women and girls who 805 00:39:32,480 --> 00:39:34,320 Speaker 5: are listening to your show who are thinking, oh, I 806 00:39:34,360 --> 00:39:37,720 Speaker 5: could do that one day. Second, I think it's always 807 00:39:37,840 --> 00:39:42,279 Speaker 5: worth doing the comparison. Would you have done the introduction 808 00:39:42,440 --> 00:39:44,799 Speaker 5: the same or the questions the same if you were 809 00:39:44,840 --> 00:39:47,960 Speaker 5: speaking to a man. So you know, you think of 810 00:39:48,040 --> 00:39:53,040 Speaker 5: all of those journalist articles that start, you know, Susie 811 00:39:53,560 --> 00:39:57,600 Speaker 5: mother of two wearing a white jacket today said, and 812 00:39:57,719 --> 00:40:00,160 Speaker 5: if you just you know, drop in John and think 813 00:40:00,160 --> 00:40:02,719 Speaker 5: to yourself, would you really have gone father of too. 814 00:40:02,760 --> 00:40:04,000 Speaker 7: Would you really have gone? 815 00:40:04,040 --> 00:40:05,480 Speaker 5: What color jacket he's wearing? 816 00:40:05,920 --> 00:40:10,600 Speaker 1: It gives you a tist, fascinating, brilliant that we probably 817 00:40:10,640 --> 00:40:13,520 Speaker 1: should have introduced you as Julia Gillard, formerly known for 818 00:40:13,640 --> 00:40:16,480 Speaker 1: wearing a jacket that looked like a motel bedspread. 819 00:40:18,320 --> 00:40:19,480 Speaker 7: I'm grateful you didn't. 820 00:40:20,920 --> 00:40:23,680 Speaker 1: I'll do it next time. Julia, Thank you so much 821 00:40:23,719 --> 00:40:25,400 Speaker 1: for joining us on the show Mate. It's been an 822 00:40:25,440 --> 00:40:29,839 Speaker 1: absolute pleasure to have you on. It's obviously just such 823 00:40:29,880 --> 00:40:32,640 Speaker 1: a layered issue in so many ways, and that's why 824 00:40:32,680 --> 00:40:34,759 Speaker 1: the brand new book's got four different parts to it, 825 00:40:34,920 --> 00:40:37,440 Speaker 1: all about women and leadership. It's some amazing interviews there, 826 00:40:37,480 --> 00:40:39,839 Speaker 1: Theresa May, Hillary Clinton, just Cindra doing Christine le Garde, 827 00:40:39,840 --> 00:40:45,680 Speaker 1: as I said before, and Nagozi okondro Iweala is Nigerian 828 00:40:46,280 --> 00:40:49,399 Speaker 1: finance minister who's about to keep partner and look, yeah, 829 00:40:50,160 --> 00:40:51,719 Speaker 1: is anything that we've taken out of it, it's that 830 00:40:52,200 --> 00:40:54,680 Speaker 1: you know, you in particular where the position that you 831 00:40:54,800 --> 00:40:57,000 Speaker 1: were in at the time that you were in. I mean, 832 00:40:57,160 --> 00:40:59,200 Speaker 1: just talking about some of these issues just you know, 833 00:40:59,360 --> 00:41:01,480 Speaker 1: feels for me like a hurdle, So I can't imagine 834 00:41:01,480 --> 00:41:06,080 Speaker 1: what it was like in your position. So without pitying 835 00:41:06,480 --> 00:41:12,080 Speaker 1: or overextending or reaching, congratulations on all that you've achieved 836 00:41:12,120 --> 00:41:13,839 Speaker 1: and all that you are in Australia's eyes right now, 837 00:41:13,880 --> 00:41:15,320 Speaker 1: which is really Nicon. It's amazing. 838 00:41:15,840 --> 00:41:16,759 Speaker 7: Thank you very much. 839 00:41:16,840 --> 00:41:18,480 Speaker 5: I very much enjoyed that conversation.