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Speaker 1: Happy to you. Yay. It's the jam Nation podcast with Jonesi, Demanda.

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Speaker 2: Lots of maths information today, some family background stories on

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Speaker 2: some of the contestants will say. Claire Stevens from Mom

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Speaker 2: and MIA's canceled podcast, she is our math's expert. No

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Speaker 2: offense to you, Brendan.

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Speaker 1: I like to think of myself as a maths expert.

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Speaker 1: But having said that, I like to pick the brains

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Speaker 1: of others. About the TV show, it seems strange, but

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Speaker 1: you wanted us to go into the man's.

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Speaker 2: Men don't care about flowers. We throw the statement out

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Speaker 2: and see what you say the pub test going through

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Speaker 2: your partner's phone. Does it pass the pub test?

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Speaker 1: Well? Check in on our Goolies hotline as well. Enjoy

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Speaker 1: our podcast.

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Speaker 3: Everybody online.

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Speaker 1: I was now about a miracle of recording. We have

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Speaker 1: so many requests for them to do it again. Mistress

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Speaker 1: Amanda's MS killer. Amanda doesn't work alone.

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Speaker 2: Good friend is in a back room making the tools

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Speaker 2: of the train.

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Speaker 1: I've heard them describe him as a drunken idiot.

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Speaker 4: The legendary poet Jonesy, Amanda the actress.

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Speaker 1: Congratulations right now, Jersey and Amanda, you're doing a great.

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Speaker 5: Job for anyone but your selfie giant.

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Speaker 1: Good radio. Sorry, but if a tongue twist set Amanda,

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Speaker 1: shoot Timy, we're on the air, Amanda. How are you today?

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Speaker 2: Okay, how are you going?

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Speaker 1: I'm doing all right. I'm getting good grades.

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Speaker 2: And let me guess about maps today.

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Speaker 1: Well, look, you know there's so much talk. It's reflections week,

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Speaker 1: or in producer speak, that's let's wreck with their lives

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Speaker 1: a bit more.

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Speaker 2: What reflections week?

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Speaker 6: Me?

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Speaker 2: They have to say, tell me again about how you

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Speaker 2: feel about your relationship given.

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Speaker 1: These terrible challenges like so dominic reflection, Dominica and Jack.

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Speaker 1: You know Dominica and Jack. Anyway, the guy that's losing

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Speaker 1: his hair by the second had to write constructive criticism

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Speaker 1: to Olivia and Jackson. Olivia and you know Olivia, she's

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Speaker 1: the one that doesn't another character. You can't. I can't

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Speaker 1: actually understand what she's saying.

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Speaker 2: They have to write constructive criticism to other contestants, to.

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Speaker 1: Other contestants to give them constructive criticism about their relationship.

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Speaker 2: You know, has anyone ever tried to give you advice

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Speaker 2: about your relationship? Even if my husband tried to give

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Speaker 2: me advice about our relationship. I'd say, mind your own business.

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Speaker 1: What would you know what to do with?

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Speaker 2: You say? Would you know when as anyone ever said,

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Speaker 2: I'm going to give you some constructive criticism and you go, okay,

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Speaker 2: I'd like to hear it. Thank you, I appreciate it.

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Speaker 2: Sure you know I constantly shoot the messenger all the time.

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Speaker 2: I'm just shooting the messenger. Mess with me.

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Speaker 1: My poor little guy in Greece ran that started the marathon.

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Speaker 1: He was the messenger, so it would have run all

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Speaker 1: that time.

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Speaker 2: I don't think you're being sensitive enough.

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Speaker 1: And then you were going to stab.

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Speaker 2: Yeah, stabbed him. Mind your own business, keep it to yourself.

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Speaker 1: And then there was another one on.

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Speaker 2: That I mean this this show is not at all

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Speaker 2: about making good relationships or people at home to learn

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Speaker 2: anything about relationships. That that was its initial premise.

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Speaker 1: I know you don't watch it. I watch it just

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Speaker 1: for you, just keep you up question it. But there

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Speaker 1: was another bit there where the girl who I like,

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Speaker 1: I forgot the name Selena. No, I love her. She's no,

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Speaker 1: not Selma. I don't know. She's got black hand and

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Speaker 1: mole on her face, but she's cute and she's with

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Speaker 1: the guy that looks like the guy at of Brost

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Speaker 1: with the two earrings.

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Speaker 2: And the hair Brendan. I can't help you with this anyway.

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Speaker 2: You know you were doing police I did to get drawing.

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Speaker 2: He like looks like brass and hair.

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Speaker 1: Ella and Mitch Ella, and Mitch Ella had to go

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Speaker 1: through Mitch's phone and a look on his face was

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Speaker 1: not a face of like and you can go through

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Speaker 1: my phone.

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Speaker 2: Well, no one has the look of you can go

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Speaker 2: through my phone. This stuff is just inflammatory. And look

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Speaker 2: it's working.

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Speaker 1: It's working. I'm watching it.

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Speaker 2: I'm just million people at night are watching it.

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Speaker 1: I'm loving that show. Anyway, we'll unpack married at first.

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Speaker 1: We've got ten thousand dollars with a ten thousand dollars question,

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Speaker 1: and we can't do anything until we do the magnificent seven.

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Speaker 2: Question one, what's the name of Mickey Mouse's pet dog?

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Speaker 1: Thirteen ws have occurred to me.

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Speaker 2: It was his pets.

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Speaker 1: It's strange that a mouse has a dog for.

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Speaker 2: A pet and the dog's smaller than the mouse.

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Speaker 1: No, the dog's bigger than the mass.

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Speaker 2: Yes, not really, Yes, the mouse could write on that

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Speaker 2: dog's bag. No, it's not, but it's not to scale.

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Speaker 2: Admit it's not to scale. Don't say, don't say the

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Speaker 2: name of them.

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Speaker 1: If he's a what's Goofy? Because Goofy's a dog as well.

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Speaker 2: Well, you've just taken out the only other choice of

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Speaker 2: for the answer.

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Speaker 1: We'll I plan for sheep stations.

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Speaker 2: What's the name of Mickey Mouse's pet dog?

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Speaker 1: Podcast The Magnificent Seven is here? Seven questions? Can you

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Speaker 1: go all the way and answer all seven questions correctly?

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Speaker 1: If you do that, Amanda will say, so which.

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Speaker 2: One was the pet of Mickey Mouse? I'll still be wondering.

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Speaker 1: Its about getting questions seven righte benders in nirellu vale.

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Speaker 2: Hi ben.

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Speaker 3: Hello.

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Speaker 2: Question one. You make it sound like we've called you,

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Speaker 2: but I'd like to think you've called us. What's the

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Speaker 2: name of Mickey Mouse's pet dog? So as you say,

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Speaker 2: Brandon was Goofy just a street dog versus being a.

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Speaker 1: Peodo had a house and a car and did all that.

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Speaker 1: How come Pluto and we're clothes? Pluto wore no clothes.

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Speaker 2: Pluto wore a jacket.

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Speaker 1: No he didn't, he had no jacket. He's a dog.

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Speaker 2: I think that's Goofy.

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Speaker 1: Goofy wore a jacket?

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Speaker 2: Plant Goofy? Which one was had black fur.

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Speaker 1: No one, I think it was Goofy a black fur.

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Speaker 2: No, that's Pluto.

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Speaker 1: I'm sure it's exactly. There's that Pluto.

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Speaker 2: Is that Goofy or Pluto?

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Speaker 1: That's Pluto?

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Speaker 2: And Goofy is the one with clothes?

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Speaker 1: Yes, yes, yes he is. Okay, anyway, what dance style

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Speaker 1: shares its name with a Mexican food pin?

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Speaker 3: Also yes?

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Speaker 2: Question three serious sings? When serious singing a song? Have

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Speaker 2: a listen?

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Speaker 7: So slide over here and give me a moment. Your

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Speaker 7: moves are so raw. I've got to let you know.

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Speaker 7: I've got to let you know you're one of my kind.

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Speaker 2: She's given you a lot there to go with. Who's that?

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Speaker 2: What's the song? Can it? One more time?

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Speaker 1: Yeah?

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Speaker 3: One more time?

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Speaker 7: Here it is, so slide over here and give me

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Speaker 7: a moment. Your moves are so raw. I've got to

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Speaker 7: let you know. I've got to let you know you're

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Speaker 7: one of my kind, don't t.

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Speaker 2: All right? Well, that's question number three. What's that song.

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Speaker 1: For the Magnificent seven? We find ourselves a question number three?

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Speaker 1: It's serious sings?

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Speaker 2: Serious Chris and Cogra.

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Speaker 3: Hello, good morning, Jones and Amanda.

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Speaker 7: Hi Chris, you listen to this song by Siri, So

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Speaker 7: slide over here and give me a moment. Your moves

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Speaker 7: are is so wrong. I've got to let you know.

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Speaker 7: I've got to let you know. You're one of Mikeys.

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Speaker 2: So you met to the microwave? Do you know what

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Speaker 2: the song is? Chris tell me one of.

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Speaker 3: The shows great fans.

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Speaker 1: As Mikey, etc. Diana the Musical is nominated for Worst

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Speaker 1: Picture at this year's Razzie's. Which are the following is

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Speaker 1: not a real line from the show A harry My

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Speaker 1: gingerhead son, You'll always be second to none? B I

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Speaker 1: just got a ticket to the main event. It's the

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Speaker 1: Thriller in Manila with Diana and Camilla. Or ce serves

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Speaker 1: me right for marrying an aquarius.

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Speaker 2: Which one's not a line from the show? I can

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Speaker 2: go be No, I got a ticket to the main

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Speaker 2: Avendas of Chuler Manilbert with Dinah and Camilla. Is a

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Speaker 2: line from Diana the Musical.

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Speaker 8: Scott's in one brall Hi Scott lying So which of

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Speaker 8: these is not a line from Diana the Musical harry

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Speaker 8: My gingerhead son, You'll always be second to none?

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Speaker 2: Or serves me right for marrying an aquarius?

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Speaker 3: Serves in a career.

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Speaker 2: That's right. The actual line serves me right for marrying

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Speaker 2: a scorpio. So all those awful lines are pretty much in.

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Speaker 1: It as some of the music in Diana, the musical

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Speaker 1: Less Shoes Shoes Awfless. We say, maybe they should do

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Speaker 1: a musical of this show. Eddie Perfect could play me?

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Speaker 2: Who could play me?

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Speaker 1: Eddie Perfect?

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Speaker 2: As well? Which iconic city landmark has nicknames that include

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Speaker 2: nuns in a scrum, type full of oyster shells and

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Speaker 2: a bowl of oranges? Go yeah, I'll read them out again.

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Speaker 2: It's an iconic Sydney landmark and it's been described as

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Speaker 2: nuns in a scrum, a typewriter full of oyster shells,

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Speaker 2: and a bowl of oranges. What looks like that?

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Speaker 6: I couldn't tell you.

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Speaker 2: Grandson Southern Hello, grand good morning, Hello, very well, nuns

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Speaker 2: in a scrum, typewriter full of oyster shells, a bowl

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Speaker 2: of oranges? Describes? What building that did have to be

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Speaker 2: the opera house? That's right?

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Speaker 1: What year did Seinfeld finish? As in the TV show his.

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Speaker 2: Final episode was seen by seventy six million people? What

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Speaker 2: year was it?

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Speaker 3: Oh ninety three?

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Speaker 1: A bit later than that, Grant Andrew's in Mount Druid.

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Speaker 2: Hello, Andrew, he and Amanda? What year did sein Feld

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Speaker 2: finish nineteen ninety? Yesh, yes it was.

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Speaker 1: What country is said to have developed the turo? The turo?

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Speaker 1: The turo?

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Speaker 2: Well plural is ros, isn't it?

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Speaker 1: I don't speak for lingo.

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Speaker 2: Do you know? It's a delicious delicacy, like a straight donut.

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Speaker 2: I've got a friend who makes it.

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Speaker 1: We have, Sabrina of Campbelltown.

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Speaker 2: Hi, Sabina, how are you?

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Speaker 1: Are you very well?

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Speaker 2: What country is said to have developed the chuo?

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Speaker 6: Uh? It's Spain?

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Speaker 2: Yes, yes, Miguel hessurros. My children have made them with him.

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Speaker 2: He's passionate about making churros.

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Speaker 1: Wherever he goes, wherever he goes, wherever he goes. He's

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Speaker 1: got a deep frier and he's making he.

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Speaker 2: Could be fixing a tire, and next minute he's making sure.

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Speaker 1: A matter of fact, I got it now, Amiga. Congratulations, Sabina,

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Speaker 1: You've got it all. Having you away with the jam

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Speaker 1: pack A one hundred and fifty dollars TVSN Voucher TVSN

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Speaker 1: Australia's number one television shopping network, A family pastor. Jurassic

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Speaker 1: World by Brickman, Australia's biggest ever lego exhibition now on

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Speaker 1: at the Australian Museum, Sydney and Jonesi, Demanda character toures

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Speaker 1: Fed the Couren and Sada Panser. So you can color

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Speaker 1: with confidence anything you would like to add. Yes, you

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Speaker 1: are my favorite show.

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Speaker 2: Oh guys, we love hearing.

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Speaker 1: You are our favorite person on this show.

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Speaker 2: He's gonna put a lot of noses out.

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Speaker 1: Of a lot of noses out of joint, but you

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Speaker 1: know it has to be said. Thank you. Be back

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Speaker 1: again tomorrow at the Magnificent seven Jonesy.

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Speaker 9: And Amanda Podcast.

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Speaker 1: There's no sound I'm twitted on. Oh silly me.

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Speaker 2: I'm going to fix through the Gerlemanaca Big Books of

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Speaker 2: Musical Facts on this day in nineteen eighty Brendan, You're

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Speaker 2: like this one Pink Floyd's Another brick in the Wall.

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Speaker 2: Part two started a four week run at number one

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Speaker 2: on the US Single charts. Bassis Roger Waters wrote Part

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Speaker 2: two as a protest against Rigid's schooling, particularly boarding schools.

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Speaker 2: The children that sang on the track came from a

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Speaker 2: school in England and were chosen not because of their

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Speaker 2: musical abilities, but because the school was close to the studio,

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Speaker 2: it was made up of twenty three kids between the

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Speaker 2: ages of thirteen and fifteen, and they were overdubbed twelve

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Speaker 2: times to make it sound like there were more children.

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Speaker 2: There was some controversy when it was revealed that the

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Speaker 2: kids weren't paid ooh. They didn't also sit well with

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Speaker 2: the teachers, not just because of that, but because the

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Speaker 2: kids were singing an anti school song. As a make

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Speaker 2: good the school received one thousand dollars and a platinum record.

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Speaker 2: In my day, we'd have got the cats.

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Speaker 1: Who are they? What are they?

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Speaker 6: Two?

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Speaker 2: Here it is?

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Speaker 1: It's twenty six to seven? Were close sheepess. I don't

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Speaker 1: need no education.

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Speaker 2: Wsfmus asked me if I watched Maths last night?

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Speaker 1: Did you watch Maniths Satellites night?

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Speaker 2: No? But I did read something. What did you read?

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Speaker 2: You know? Dion he was on our show, I think

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Speaker 2: last week. He's the one that you said.

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Speaker 1: Was cal Stephanovic's mate, which he years. But there was

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Speaker 1: a rumor going around that Carlos got him on the

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Speaker 1: show so it would parlay into other things.

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Speaker 2: To his own real estate show, Yeah.

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Speaker 1: Which didn't happen. Well, welcome to the party.

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Speaker 2: Pal Dion is the former stepson of Gina Leano from

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Speaker 2: What's Her? Housewives of Melbourne.

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Speaker 1: Jeanere Leiano, Yes, smells though, Juna, that's.

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Speaker 2: The one Gina. I love when the rainfalls Gina. Gina

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Speaker 2: dated his father for twelve years.

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Speaker 1: How old is Gina learns she's fifty six? Is she

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Speaker 1: fifty six? I thought she was about fifty two.

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Speaker 2: How old I don't know, but he's thirty three.

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Speaker 1: Can happen, It could happen.

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Speaker 2: So what she has said, I don't know whether he's

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Speaker 2: particularly fond of me. She said, I hadn't seen him

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Speaker 2: for a long time. He was challenged, obviously, by the

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Speaker 2: relationship I had with his father. I wasn't his mother.

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Speaker 2: A lot of young boys are like that when the

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Speaker 2: father moves on. It was a long time ago, but

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Speaker 2: we traveled together. I'm very fond of him, but I

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Speaker 2: don't know whether he's particularly fond of me. She said, well,

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Speaker 2: how could you.

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Speaker 1: Not be fond of Gina? We love Gina.

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Speaker 2: Yeah, but you know she makes a point that his

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Speaker 2: dad had moved on to a new relationship, had for

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Speaker 2: a teenage boy to just go, okay, this is my

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Speaker 2: life now.

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Speaker 1: Poor little dion. That's why he dress is like a kid.

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Speaker 2: Does he do a little sailor suit?

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Speaker 1: He dresses like a little kid. An expensive, rich kid,

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Speaker 1: but he dresses like a little kid.

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Speaker 2: You wan't to know. Another interesting family connection that's the

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Speaker 2: producers discovered while the show was on air, but haven't

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Speaker 2: made this a storyline, so it hasn't been shared on air. Samantha.

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Speaker 2: Which one's she Samantha.

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Speaker 1: Moitziy and she's had a very Greek nose.

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Speaker 2: She her husband is ol ol ol okay, the one

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Speaker 2: if your kid won.

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Speaker 1: Who lives at home, couldn't go home to his marital

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Speaker 1: house because he lives with his mum, so Al who

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Speaker 1: seems nice.

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Speaker 2: Yeah, well, they sat down to watch some TV and

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Speaker 2: he said, let's put on Wolf Creek and since I

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Speaker 2: haven't seen it, there'll be a frists on a fear.

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Speaker 1: It's all cozy.

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Speaker 2: Mom's not home, she doesn't let me watch it. And

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Speaker 2: his bride Samantha said, I'd rather not. She got uncomfortable

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Speaker 2: and it's off camera. She said why she was uncomfortable.

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Speaker 2: Her grandma's brother is Ivan malatt No, and the film

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Speaker 2: Wolf Creek is based on.

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Speaker 1: Her grandma's brother is Ivan Malatt. Wow, that's that's quite

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Speaker 1: a direct lineage there.

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Speaker 2: It's I mean, he has wrecked it for everyone in

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Speaker 2: that family, hasn't he. So now she sits down to

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Speaker 2: watch TV and she has to say, Oh, here's the thing.

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Speaker 1: You know, I'm not one of those guys. I'm not

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Speaker 1: one of those people in the family. You know, if

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Speaker 1: you all the Malats aren't murderers, I'm sure no, no, no,

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Speaker 1: no no.

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Speaker 2: If your grand're your grandmother's brother was a famous inventor,

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Speaker 2: are you supposed to invent things?

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Speaker 1: Well, you'd cash in on that, wouldn't you. If your

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Speaker 1: grandmother's brother invented the hills horse, you say, my grandfather,

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Speaker 1: his brother invented the hills hoist.

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Speaker 2: There is a level of boasting. You don't get it.

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Speaker 2: You don't say it's the subject of some films. Well,

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Speaker 2: so what were your observations?

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Speaker 1: I know you watch it. It's been reflections week on

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Speaker 1: Marriati first side, even more in the mirror, which is

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Speaker 1: which basically means, in producers speak, how much more can

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Speaker 1: we mess with these fools and mess away? They did

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Speaker 1: so they had to write letters of constructive criticism to

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Speaker 1: each other. So they had it to the other couple

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Speaker 1: to the other couples, So Dominica and Jack had to

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Speaker 1: write a letter to Olivia and Jackson.

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Speaker 10: As Dominica and Jack continue their efforts to write constructive feedback.

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Speaker 2: You're all so, how do you spell?

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Speaker 5: So?

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Speaker 1: They also added that OLIVERA and Jackson have they have

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Speaker 1: sort of codependency issues, meaning they can't be apart from

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Speaker 1: each other. So the challenge was to spend twenty four

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Speaker 1: hours apart.

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Speaker 5: It's nothing really to worry about, it's just our seeing

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Speaker 5: him in the morning.

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Speaker 1: I speak fluent Olivia what she's saying, it's nothing to

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Speaker 1: worry about. She doesn't close her mouth when she space,

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Speaker 1: so anyway she had she cope well not well, yes.

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Speaker 5: Saying today after the commitment ceremony have been awful. The

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Speaker 5: timing of last night's task was absolutely terrible. And I've

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Speaker 5: tried to be a trooper and get on with it,

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Speaker 5: but Jackson was taken from me.

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Speaker 1: Aliens, Well did you look for that?

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Speaker 2: My lat kid? Old stop, that is not fair. Let's

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Speaker 2: go campy.

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Speaker 1: The shallow grave doesn't fall far from the true s pomcast.

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Speaker 2: Put on your dance and shoes.

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Speaker 1: Don't give me your best shot from Hamama dot com

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Speaker 1: dot A you. It's Claire Stevens.

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Speaker 2: Hello, Claire, Hello, Hello. We have a lot to talk

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Speaker 2: about today. Well, let's debrief, let's get stuck straight into

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Speaker 2: and it seems to me, as a non viewer, the

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Speaker 2: big storyline is the fact that an image of Dom

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Speaker 2: from her OnlyFans account has been shared throughout the group,

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Speaker 2: and it's what's the girl's name? Who's Olivia?

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Speaker 1: She's the one, She's the one. She has no empathy.

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Speaker 1: She's like terminator. She just doesn't stop, but she's terminated

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Speaker 1: and she doesn't shut her mouth when she's speaking.

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Speaker 2: Is But the issue here is and this is a

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Speaker 2: big societal issue, isn't it. So who have people sided

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Speaker 2: with within the confines of the show.

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Speaker 11: Within the confines of the show, they've really sided with Olivia,

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Speaker 11: who shared the photo, and they've said there was no malice.

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Speaker 11: She just happened to find this.

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Speaker 2: Photo as she was curious.

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Speaker 11: She was curious, and you know it's on the internet.

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Speaker 11: So what did you expect, which is just lovely rhetoric

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Speaker 11: to play out on television. Whereas the audience has very

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Speaker 11: much sided with Dom and decided as a collective that

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Speaker 11: this is a horrible horrible thing to play out on TV. However,

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Speaker 11: I have to say that looking at it and taking

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Speaker 11: stock over a few episodes, which I have done because

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Speaker 11: I watch every second of this, I do think there's

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Speaker 11: something no one's saying, and it's that if we're really

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Speaker 11: looking at who to blame in this situation, I don't

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Speaker 11: think it's Olivia. I think it's Channel nine because if

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Speaker 11: they really thought that there was something very sensitive about this,

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Speaker 11: and we care about women's privacy and we don't want

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Speaker 11: the whole world to know that Dominica was on OnlyFans,

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Speaker 11: why did they play out the same storyline? I don't

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Speaker 11: I don't know.

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Speaker 2: You know, it's interesting because we were supposed to believe

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Speaker 2: I'm imagining that the experts are the stop gap here

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Speaker 2: and they haven't been. So where what do we a

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Speaker 2: society learn from this? It's interesting you say that the

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Speaker 2: audience is saying Olivia is out of line, because what

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Speaker 2: do we take from this if the experts aren't guiding

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Speaker 2: us in how we're supposed to feel about this and

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Speaker 2: how outrageous it is that someone's privacy can be violated

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Speaker 2: like this.

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Speaker 11: I know, I don't think the experts did what people

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Speaker 11: expected them to do. At the commitment ceremony on Sunday night,

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Speaker 11: they called live out, but then she got upset so

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Speaker 11: they backed off, which was a bit weird.

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Speaker 1: What about what you said, I and now I'm in

401
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Speaker 1: a bad mood. She's like for Ruca Salt, I know she.

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Speaker 11: Was so upset, and it's like, Oh, you really upset

403
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Speaker 11: somebody else, that's why you're But I have to say,

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Speaker 11: this is the first time I've recapped Married at First

405
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Speaker 11: Sight since the very first season. This is the first

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Speaker 11: time my sister and I, who do it together, have

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Speaker 11: had to stop ourselves and say, we can't write that

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Speaker 11: about someone because you want to. You're so angry at

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Speaker 11: this woman. And I think Olivia, to a lot of women,

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Speaker 11: represents what we've experienced. You might be familiar with it, Amanda,

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Speaker 11: when there's another woman who does something cruel and then

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Speaker 11: acts like it's very strange that you're upset about it.

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Speaker 11: I think it's sort of this toxic pattern that plays out.

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Speaker 11: But I have to say, I think we're forgetting that

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Speaker 11: there is a role for editing and duty of care

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Speaker 11: exactly that they have let this air. And I did

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Speaker 11: think at the commitment ceremony, the empathy comment that Olivia

418
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Speaker 11: made she said I have no empathy. That was one

419
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Speaker 11: hundred percent edited out of context. She was definitely saying

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Speaker 11: I have no empathy for Dominica in this situation because

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Speaker 11: xy fed probably still not a good thing to say.

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Speaker 11: But that SoundBite of her saying I have no empathy

423
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Speaker 11: has now been twisted to make it about she's a sociopath.

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Speaker 11: She's a psychopath. She's training to be a teacher the internet.

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Speaker 11: There's like a petition for her not to be allowed

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Speaker 11: to teach. I just think this has really bad consequences.

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Speaker 1: As for anyone that's going to go on these shows,

428
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Speaker 1: you have to take like you're selling your soul to

429
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Speaker 1: the devil. Channel nine after year they do. But I

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Speaker 1: disagree with you a bit on the Channel nine stuff.

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Speaker 1: All they need to do is get people to watch

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Speaker 1: the show so they get advertising. So I would if

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Speaker 1: I was a producer or of that show, I would

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Speaker 1: be doing exactly the same thing.

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Speaker 2: It's an interesting point. What is their responsibility? You do

436
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Speaker 2: have a duty of care. We have that at the

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Speaker 2: radio station. We have to protect people from themselves if

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Speaker 2: we have a competition, and there are other radio stations

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Speaker 2: that do that. Pull your pants for free? People would

440
00:22:42,359 --> 00:22:42,960
Speaker 2: your pants.

441
00:22:42,720 --> 00:22:46,920
Speaker 1: For cashat idea you have to.

442
00:22:46,640 --> 00:22:51,160
Speaker 2: Protect people from their lower selves and we take that

443
00:22:51,240 --> 00:22:54,200
Speaker 2: seriously and so should Channel nine. And so if they

444
00:22:54,280 --> 00:22:57,359
Speaker 2: see this as as like the gas lighting thing last series,

445
00:22:57,720 --> 00:23:01,119
Speaker 2: what as society a million people night of watching this,

446
00:23:01,119 --> 00:23:03,760
Speaker 2: This is the most viewed show in Australia. Is this

447
00:23:03,840 --> 00:23:05,480
Speaker 2: a bad thing that we're seeing this plan?

448
00:23:05,560 --> 00:23:06,399
Speaker 1: Where does it stop?

449
00:23:06,680 --> 00:23:08,639
Speaker 11: I think a lot of people would look at it

450
00:23:08,680 --> 00:23:11,520
Speaker 11: and think it's good that we're seeing it play out.

451
00:23:11,560 --> 00:23:15,320
Speaker 11: It's starting in conversation and that.

452
00:23:14,640 --> 00:23:16,399
Speaker 2: Is there a context to the conversation.

453
00:23:16,880 --> 00:23:19,280
Speaker 11: Yeah, And I think so many people are looking at

454
00:23:19,320 --> 00:23:23,360
Speaker 11: it and saying, well, it's good that we all, you know, collectively,

455
00:23:23,400 --> 00:23:25,440
Speaker 11: and there's opinion pieces and all of that that say,

456
00:23:25,600 --> 00:23:27,800
Speaker 11: we don't shame a woman. We just don't shame a

457
00:23:27,840 --> 00:23:29,960
Speaker 11: woman for a NWD photo. It's not something to be

458
00:23:30,040 --> 00:23:33,840
Speaker 11: ashamed of. I think that's great. However, I think the

459
00:23:34,080 --> 00:23:37,560
Speaker 11: bigger thing is the impact that it is having on

460
00:23:37,640 --> 00:23:40,720
Speaker 11: these individuals. It just can't be good in the long term.

461
00:23:40,840 --> 00:23:44,320
Speaker 1: No, And once again, has anything good as any merit

462
00:23:44,359 --> 00:23:48,720
Speaker 1: at first sight? Contestant parlays something I think are duels

463
00:23:49,320 --> 00:23:52,119
Speaker 1: and Cam. That's about it. Yeah, so Adam. So the

464
00:23:52,119 --> 00:23:54,880
Speaker 1: show's been going since twenty fifteen. Yep, so they're the

465
00:23:54,920 --> 00:23:59,159
Speaker 1: only couple that have actually managed to survive unscathed.

466
00:23:59,359 --> 00:24:01,920
Speaker 11: I know, and I think every person who goes into

467
00:24:01,920 --> 00:24:06,320
Speaker 11: it probably thinks they're going to be the character that

468
00:24:06,359 --> 00:24:10,119
Speaker 11: everyone falls in love with, and.

469
00:24:09,080 --> 00:24:10,920
Speaker 2: In the push for ratings, they're not going to let

470
00:24:10,960 --> 00:24:13,200
Speaker 2: them know. They're not going to let four nice couples

471
00:24:13,240 --> 00:24:15,600
Speaker 2: go on that show and find love. No, that's not

472
00:24:15,600 --> 00:24:18,960
Speaker 2: how I just think.

473
00:24:19,440 --> 00:24:21,920
Speaker 11: I think we keep a close eye on this storyline

474
00:24:21,960 --> 00:24:25,560
Speaker 11: the next few weeks. And as much as Olivia has

475
00:24:25,600 --> 00:24:28,360
Speaker 11: done some horrible things on television, there is no way

476
00:24:28,400 --> 00:24:29,680
Speaker 11: that woman is okay right now.

477
00:24:29,680 --> 00:24:32,000
Speaker 2: So are we becoming the people in the crowd square

478
00:24:32,040 --> 00:24:32,960
Speaker 2: watching the Behead?

479
00:24:33,040 --> 00:24:33,639
Speaker 1: Yes, pretty much.

480
00:24:33,640 --> 00:24:35,400
Speaker 2: But I think we've become That's it.

481
00:24:36,040 --> 00:24:40,360
Speaker 1: There's a show idea. Bring that back, Claire. It's always

482
00:24:40,359 --> 00:24:41,280
Speaker 1: great to talk to you.

483
00:24:41,400 --> 00:24:41,880
Speaker 2: Interesting.

484
00:24:42,080 --> 00:24:46,280
Speaker 1: I will catch you next week. That's Stevens there, so

485
00:24:46,320 --> 00:24:48,119
Speaker 1: you can say goodbye at this point. This is a

486
00:24:48,119 --> 00:24:48,800
Speaker 1: little wrapp up.

487
00:24:49,640 --> 00:24:50,080
Speaker 3: Thank you.

488
00:24:53,400 --> 00:24:55,080
Speaker 1: There's a couple of questions that I have to ask

489
00:24:55,119 --> 00:24:56,320
Speaker 1: you answer questions.

490
00:24:56,560 --> 00:24:58,680
Speaker 2: Just answer a question, okay for me?

491
00:25:00,320 --> 00:25:05,679
Speaker 1: Dollar reward ten questions in sixty seconds, ten thousand dollars.

492
00:25:05,840 --> 00:25:07,119
Speaker 1: That is a walk in the park.

493
00:25:07,280 --> 00:25:09,840
Speaker 2: Well, the person who answers question number ten correctly gets

494
00:25:09,840 --> 00:25:12,440
Speaker 2: ten thousand dollars. But the phone lines are full. If

495
00:25:12,480 --> 00:25:15,000
Speaker 2: you hesitate or you're wrong, you're out and someone steps in.

496
00:25:15,119 --> 00:25:19,480
Speaker 1: That's what it's all about. Allison is in Ingodean. Hello, Allison, Hello,

497
00:25:19,600 --> 00:25:21,639
Speaker 1: how are you join me? I'm very well, Thank you?

498
00:25:21,720 --> 00:25:22,400
Speaker 2: Hi Allison?

499
00:25:23,080 --> 00:25:25,160
Speaker 1: Hello, man, how are you very well?

500
00:25:25,200 --> 00:25:27,080
Speaker 2: We have ten questions in front of us. You are

501
00:25:27,200 --> 00:25:30,120
Speaker 2: caller number one. We have a bank full of callers.

502
00:25:30,119 --> 00:25:33,240
Speaker 2: We've got sixty seconds and you're ready to begin. Yes,

503
00:25:33,880 --> 00:25:41,000
Speaker 2: here we are. Question one? How many carrots in pure Goals?

504
00:25:42,160 --> 00:25:44,359
Speaker 2: Question two? Who voices buzz light? You're in the movie

505
00:25:44,560 --> 00:25:45,760
Speaker 2: series Toy Story.

506
00:25:49,160 --> 00:25:52,560
Speaker 1: I'm sorry, sorry, Alison. Dave's in Albion Park.

507
00:25:52,600 --> 00:25:55,240
Speaker 2: Who voices buzz light? You're in the movie series Toy Story.

508
00:25:56,960 --> 00:25:59,840
Speaker 2: Question three. Politicophobia is a fear of what.

509
00:26:01,760 --> 00:26:02,640
Speaker 4: No idea?

510
00:26:03,280 --> 00:26:04,320
Speaker 1: Darren's in Rosebury.

511
00:26:04,359 --> 00:26:05,960
Speaker 2: Politicophobia is a fear.

512
00:26:05,760 --> 00:26:06,040
Speaker 5: Of what.

513
00:26:08,080 --> 00:26:08,639
Speaker 4: No idea.

514
00:26:09,520 --> 00:26:10,479
Speaker 1: Helen's in Hartley.

515
00:26:10,600 --> 00:26:15,640
Speaker 2: Politicophobia is a fear of what politic Question four, which

516
00:26:15,720 --> 00:26:17,800
Speaker 2: country gift to the Statue of Liberty to the US.

517
00:26:21,080 --> 00:26:23,840
Speaker 1: Ah Mari's in Glenbrook.

518
00:26:23,880 --> 00:26:26,240
Speaker 2: Which country gift to the Statue of Liberty to the US?

519
00:26:27,040 --> 00:26:27,320
Speaker 1: Okay?

520
00:26:27,680 --> 00:26:30,040
Speaker 2: Question five? What Mary Poppin's song was inspired by the

521
00:26:30,040 --> 00:26:31,880
Speaker 2: polio vaccine?

522
00:26:34,920 --> 00:26:35,880
Speaker 1: Jeff's in Glenworth.

523
00:26:35,920 --> 00:26:37,679
Speaker 2: What Mary Poppins song was inspired by the.

524
00:26:37,720 --> 00:26:42,200
Speaker 1: Nik Well have a crack, Jeff Sugar? Yeah, it is

525
00:26:42,520 --> 00:26:46,840
Speaker 1: makes the medicine go down. And there she blows as

526
00:26:46,840 --> 00:26:47,440
Speaker 1: she blows.

527
00:26:47,440 --> 00:26:49,679
Speaker 2: Indeed, all right, we'll play again tomorrow.

528
00:26:50,040 --> 00:26:52,359
Speaker 1: It's fun, isn't it. It'll be back. Yes, as a

529
00:26:52,400 --> 00:26:54,159
Speaker 1: matter said, ten thousand dollars could be yours.

530
00:26:56,320 --> 00:26:58,800
Speaker 2: Got a question for sure. I was doing some filming

531
00:26:58,800 --> 00:27:00,199
Speaker 2: for the living room and one of the things was

532
00:27:00,200 --> 00:27:04,040
Speaker 2: involved handing out some flowers in public. And I was

533
00:27:04,119 --> 00:27:06,800
Speaker 2: down at Bondi Beach and you know the guys that

534
00:27:07,040 --> 00:27:09,040
Speaker 2: used the gym down there, and there's two older guys.

535
00:27:09,359 --> 00:27:12,760
Speaker 2: There's one that where's his speedos with Bondi written at

536
00:27:12,760 --> 00:27:14,240
Speaker 2: the back. And he's there every single day.

537
00:27:14,440 --> 00:27:16,960
Speaker 1: It looks like a collection of walnuts.

538
00:27:17,040 --> 00:27:19,160
Speaker 2: Yeah yeah, yeah, yeah, And he's tann he's there every

539
00:27:19,240 --> 00:27:21,160
Speaker 2: day and he's probably what he says, in his fifties,

540
00:27:21,240 --> 00:27:23,840
Speaker 2: he looks good, yeah, he does. But went to give

541
00:27:23,880 --> 00:27:27,840
Speaker 2: him some flowers and he was done, what what a

542
00:27:27,920 --> 00:27:32,320
Speaker 2: woman giving me flowers? He was just he couldn't. He

543
00:27:32,359 --> 00:27:35,360
Speaker 2: thought it was the most extraordinarily hilarious thing he'd ever heard.

544
00:27:35,359 --> 00:27:37,200
Speaker 2: He said, what's happening to my day?

545
00:27:37,280 --> 00:27:37,359
Speaker 6: That?

546
00:27:37,480 --> 00:27:40,520
Speaker 2: How attractive am I? That a woman's giving me flowers?

547
00:27:41,760 --> 00:27:45,000
Speaker 2: And it made me think, because you've often said I

548
00:27:45,040 --> 00:27:48,440
Speaker 2: love getting flowers, but you've often said, don't get me flowers,

549
00:27:48,520 --> 00:27:49,240
Speaker 2: get me beer.

550
00:27:50,560 --> 00:27:50,760
Speaker 6: Yeah.

551
00:27:50,800 --> 00:27:53,040
Speaker 2: Well, look, but yesterday you were saying, some flowers.

552
00:27:53,160 --> 00:27:54,879
Speaker 1: We got to send some flowers because my father in

553
00:27:54,960 --> 00:27:58,280
Speaker 1: law passed away the other night. My condolence, thank you,

554
00:27:58,359 --> 00:28:01,720
Speaker 1: thank you, And we got s some flowers and I say,

555
00:28:01,760 --> 00:28:04,880
Speaker 1: we your wife's with the radio whether they send them

556
00:28:04,880 --> 00:28:07,679
Speaker 1: to the family, and Helen's not around at the moment,

557
00:28:08,160 --> 00:28:10,119
Speaker 1: And so I got the flowers and I went, I

558
00:28:10,119 --> 00:28:12,480
Speaker 1: looked at it. I'm going, oh, that's it, that's great.

559
00:28:12,760 --> 00:28:14,439
Speaker 1: And then I looked at my daughter as if I

560
00:28:14,520 --> 00:28:17,080
Speaker 1: was holding like a live cat, going what do I

561
00:28:17,080 --> 00:28:18,919
Speaker 1: do with this? Just put them in the vase you

562
00:28:18,960 --> 00:28:22,479
Speaker 1: feel and what you put in a vas so And

563
00:28:22,480 --> 00:28:24,160
Speaker 1: then I'm dealing. People are ringing me.

564
00:28:25,119 --> 00:28:26,560
Speaker 2: More disparaging than that.

565
00:28:26,600 --> 00:28:30,520
Speaker 1: Flowers going trouble. What a pain in the neck this is.

566
00:28:30,840 --> 00:28:32,680
Speaker 1: And then I've got the you know, thank you by

567
00:28:32,720 --> 00:28:35,000
Speaker 1: the way, because it's a lovely bunch of flowers, And

568
00:28:35,040 --> 00:28:37,040
Speaker 1: I got the junk little saschet that you put in

569
00:28:37,320 --> 00:28:39,440
Speaker 1: the vase. And then I got the wrong vase. I

570
00:28:39,560 --> 00:28:41,160
Speaker 1: got a Fishbole apparently.

571
00:28:42,680 --> 00:28:43,360
Speaker 2: Don't like it.

572
00:28:43,680 --> 00:28:46,719
Speaker 1: I do like it, but I just don't. I don't

573
00:28:46,840 --> 00:28:53,200
Speaker 1: understand flowers unless you're Elton John. Okay, he likes flowers.

574
00:28:52,560 --> 00:28:56,240
Speaker 2: By saying it, and John, do you mean what I

575
00:28:56,240 --> 00:28:57,800
Speaker 2: think you mean a piano player.

576
00:28:58,880 --> 00:29:01,520
Speaker 1: No, I'm just it's not a a sexual thing. If

577
00:29:01,520 --> 00:29:04,760
Speaker 1: that's what you're saying. I'm just saying. I'm men are practical.

578
00:29:04,360 --> 00:29:07,880
Speaker 2: And flowers, man, I think some men like flowers. That's

579
00:29:07,880 --> 00:29:08,680
Speaker 2: what I'm intrigued to know.

580
00:29:09,280 --> 00:29:11,680
Speaker 1: If you got me beer, that's great.

581
00:29:11,680 --> 00:29:15,040
Speaker 2: But do you like like Helen's a very good gardener.

582
00:29:15,080 --> 00:29:16,840
Speaker 2: Does she pick flowers and put them in the house?

583
00:29:16,960 --> 00:29:20,280
Speaker 1: No? Really no, no, she does not know if she did.

584
00:29:20,280 --> 00:29:22,320
Speaker 2: Would you like it? Do you like seeing flowers?

585
00:29:22,440 --> 00:29:23,960
Speaker 1: If I see them? Yeah, but I'm not going to

586
00:29:23,960 --> 00:29:25,800
Speaker 1: go and gather them.

587
00:29:27,120 --> 00:29:29,320
Speaker 2: Or ever buy them yourself. I love fresh flowers.

588
00:29:29,520 --> 00:29:31,960
Speaker 1: Elton John was spending I think was when he was

589
00:29:32,000 --> 00:29:34,040
Speaker 1: about to go bankrupt. But he was spending something like

590
00:29:34,080 --> 00:29:37,240
Speaker 1: three hundred thousand dollars a month not liking flowers.

591
00:29:37,240 --> 00:29:40,280
Speaker 2: So liking flowers for a man equals mental illness. You're saying.

592
00:29:41,680 --> 00:29:45,680
Speaker 1: There's no practicality to them. So what's the practicality to be? A?

593
00:29:45,720 --> 00:29:47,000
Speaker 2: Flowers last longer than beer?

594
00:29:48,360 --> 00:29:48,479
Speaker 6: Not?

595
00:29:48,560 --> 00:29:49,440
Speaker 1: Really, No, they don't.

596
00:29:49,640 --> 00:29:53,160
Speaker 2: I've seen you down in a second a flower. So

597
00:29:53,600 --> 00:29:55,840
Speaker 2: do you mind? I will stand on the stairs of

598
00:29:55,880 --> 00:29:56,560
Speaker 2: the man's own ear.

599
00:29:57,200 --> 00:30:02,400
Speaker 1: Come on, let's go into the man's a. You can

600
00:30:02,440 --> 00:30:04,360
Speaker 1: come down into the men. Come on, come on, don't

601
00:30:04,360 --> 00:30:08,480
Speaker 1: stand up to come down stick. I'll set up the

602
00:30:08,480 --> 00:30:09,800
Speaker 1: pool table. Let's play some pool.

603
00:30:10,800 --> 00:30:11,360
Speaker 2: I don't want to.

604
00:30:11,400 --> 00:30:14,160
Speaker 1: Smell, and don't shoot back from the d What about

605
00:30:14,160 --> 00:30:16,040
Speaker 1: we'll fire up my harley. Come on, that's always good.

606
00:30:16,720 --> 00:30:20,360
Speaker 1: There you go. Okay, just be gentle, let's just start

607
00:30:20,400 --> 00:30:22,120
Speaker 1: it up. That repe What are you doing?

608
00:30:23,720 --> 00:30:26,360
Speaker 2: I don't feel comfortable to here? Well, look, the question

609
00:30:26,480 --> 00:30:33,280
Speaker 2: for this men only? Establish question for men only? How

610
00:30:33,320 --> 00:30:36,000
Speaker 2: will we phrase this? Is it true? Is what Jonesy says? True?

611
00:30:36,080 --> 00:30:39,320
Speaker 2: Men care about flo Flowers are a waste of.

612
00:30:39,200 --> 00:30:39,920
Speaker 1: Time for a man.

613
00:30:40,200 --> 00:30:44,600
Speaker 2: Men don't care about flowers? Is this true.

614
00:30:45,800 --> 00:30:49,479
Speaker 1: Podcast? Let's get in there. Okay, the man's own save space.

615
00:30:49,520 --> 00:30:51,160
Speaker 1: Men can talk about manly issues.

616
00:30:52,320 --> 00:30:54,560
Speaker 2: I brought up the manly issue today trying to give

617
00:30:54,640 --> 00:30:55,360
Speaker 2: men flowers.

618
00:30:55,560 --> 00:30:56,240
Speaker 1: What are you doing?

619
00:30:56,400 --> 00:30:58,800
Speaker 2: What are you doing? Seemed incredibly threatened that I was

620
00:30:58,800 --> 00:30:59,960
Speaker 2: trying to give someone some flowers.

621
00:31:00,080 --> 00:31:01,960
Speaker 1: You like what I've done with the place. Look, I'm

622
00:31:01,960 --> 00:31:04,680
Speaker 1: just put new bulbs in the pinball machine.

623
00:31:05,440 --> 00:31:06,640
Speaker 2: You've really freshened it up.

624
00:31:06,680 --> 00:31:08,880
Speaker 1: It's good. They're the only sort of bulbs that I like.

625
00:31:09,880 --> 00:31:12,160
Speaker 1: If you get a drift, do you like a beer?

626
00:31:12,640 --> 00:31:18,440
Speaker 2: How about roost? Talking about flowers? Flowers? Of course, Well

627
00:31:18,440 --> 00:31:22,280
Speaker 2: that's what we're asking today. Men don't care about flowers,

628
00:31:22,280 --> 00:31:24,640
Speaker 2: You've often said, Brendan. When I get sent flowers, you say,

629
00:31:24,680 --> 00:31:28,120
Speaker 2: give me beer. Don't give me flowers. Give you beer.

630
00:31:28,280 --> 00:31:31,160
Speaker 1: You get sent flowers, I reckon, month's a weak, hess

631
00:31:31,720 --> 00:31:34,680
Speaker 1: enormous bunch of flowers. And then I see you trying

632
00:31:34,720 --> 00:31:37,280
Speaker 1: to man handle that giant bunch into your car, and

633
00:31:37,320 --> 00:31:39,080
Speaker 1: I think, then there's going to be flower water in

634
00:31:39,080 --> 00:31:40,560
Speaker 1: your car. There seems to be a lot of effort

635
00:31:40,600 --> 00:31:40,960
Speaker 1: the car.

636
00:31:40,960 --> 00:31:42,760
Speaker 2: I love flowers. A very good friend of mine is

637
00:31:42,760 --> 00:31:45,240
Speaker 2: a florist. She does flowers. She comes to my house,

638
00:31:45,280 --> 00:31:46,440
Speaker 2: and I just love flowers.

639
00:31:46,440 --> 00:31:49,160
Speaker 1: You're like Elton John. You've got someone that comes out

640
00:31:49,200 --> 00:31:50,360
Speaker 1: and puts flowers in your house.

641
00:31:50,400 --> 00:31:51,520
Speaker 2: Well, she's a friend of mine.

642
00:31:51,760 --> 00:31:54,440
Speaker 1: That cost you a lot of money. I pay for you?

643
00:31:54,760 --> 00:31:55,120
Speaker 1: How much?

644
00:31:55,200 --> 00:31:57,120
Speaker 2: Just you know, I'm not telling you.

645
00:31:57,280 --> 00:31:58,520
Speaker 1: We're in the man. You can tell me.

646
00:31:58,960 --> 00:32:00,480
Speaker 2: But I pay for flowers.

647
00:32:00,480 --> 00:32:03,200
Speaker 1: Woh, okay, So how much like fifty bars twenty barks? Well,

648
00:32:03,240 --> 00:32:04,640
Speaker 1: I get more than fifty.

649
00:32:04,600 --> 00:32:07,240
Speaker 2: More than fifty a week? No, no, no, maybe once

650
00:32:07,240 --> 00:32:09,080
Speaker 2: a month week.

651
00:32:09,240 --> 00:32:11,400
Speaker 1: John, he was spending three hundred pounds.

652
00:32:11,120 --> 00:32:14,240
Speaker 2: About Elton John. He's not the only man in the

653
00:32:14,280 --> 00:32:16,880
Speaker 2: world who likes flowers. I'm imagining.

654
00:32:17,000 --> 00:32:18,520
Speaker 1: I put it to you, Elton John is the only

655
00:32:18,560 --> 00:32:19,720
Speaker 1: man in the world that likes flaws.

656
00:32:19,760 --> 00:32:21,120
Speaker 2: Well, let's see, shall we.

657
00:32:21,120 --> 00:32:25,720
Speaker 1: Into the man's name? We have Craig with us. Hello Craig, Hey, good,

658
00:32:25,720 --> 00:32:26,560
Speaker 1: Thanks Greg, Craig.

659
00:32:26,600 --> 00:32:28,640
Speaker 2: How do you feel about flowers? How do you feel

660
00:32:28,680 --> 00:32:30,600
Speaker 2: about I.

661
00:32:30,600 --> 00:32:34,280
Speaker 3: Like him flowers in the house. So I picked flowers

662
00:32:34,280 --> 00:32:37,560
Speaker 3: from the my own train garden. I have an assortment

663
00:32:37,560 --> 00:32:41,920
Speaker 3: of roses, brands of pennies. But I sit in a

664
00:32:41,960 --> 00:32:45,840
Speaker 3: bowl on the table, and some magnolia is out the front.

665
00:32:45,800 --> 00:32:49,360
Speaker 2: Beautiful, and it makes you feel happy to see them, Craig.

666
00:32:49,440 --> 00:32:51,440
Speaker 2: And you're in vases and in your house.

667
00:32:52,200 --> 00:32:53,360
Speaker 1: Yep, yep. You know.

668
00:32:54,240 --> 00:32:59,200
Speaker 2: Jimmy Barnes, Jimmy bar he does. He grows beautiful flowers

669
00:32:59,200 --> 00:33:00,800
Speaker 2: and he picks him every day for his wife and

670
00:33:00,880 --> 00:33:02,520
Speaker 2: they put them in vast in the crag.

671
00:33:03,960 --> 00:33:06,800
Speaker 1: And Barnzy grows his own flowers. And the fact that

672
00:33:06,880 --> 00:33:08,440
Speaker 1: Craig said I put him in a bowl, he doesn't

673
00:33:08,440 --> 00:33:09,440
Speaker 1: even say the word vase.

674
00:33:10,160 --> 00:33:13,280
Speaker 2: You're hearing what I'm he's liking flowers. Question is men

675
00:33:13,320 --> 00:33:14,400
Speaker 2: don't care about flowers.

676
00:33:14,400 --> 00:33:17,040
Speaker 1: Don't care about flowers, Craig, Can I ask you this question?

677
00:33:17,200 --> 00:33:19,240
Speaker 1: If you didn't have a garden, would you have flowers

678
00:33:19,240 --> 00:33:19,800
Speaker 1: in your house?

679
00:33:25,240 --> 00:33:28,680
Speaker 2: The question wasn't do you grow flowers? It's men don't

680
00:33:29,440 --> 00:33:30,360
Speaker 2: about flowers.

681
00:33:30,760 --> 00:33:33,240
Speaker 1: If I grew a bunch of flowers around the house.

682
00:33:33,600 --> 00:33:36,160
Speaker 2: You do have flowers around your house, I couldn't.

683
00:33:35,840 --> 00:33:37,760
Speaker 1: Even bother going out there picking them, because then you

684
00:33:37,880 --> 00:33:38,640
Speaker 1: kill the flowers.

685
00:33:38,720 --> 00:33:41,320
Speaker 2: No, you can't be bothered because you don't. They don't

686
00:33:41,400 --> 00:33:44,600
Speaker 2: talk to you. You you don't feel anything. But I

687
00:33:44,640 --> 00:33:46,080
Speaker 2: put it to you that other men do.

688
00:33:46,760 --> 00:33:50,080
Speaker 1: I like flowers, but I'm not going to pay for them.

689
00:33:50,280 --> 00:33:50,920
Speaker 1: What about that?

690
00:33:51,000 --> 00:33:53,040
Speaker 2: But you've got flowers in your own garden, of course,

691
00:33:53,040 --> 00:33:55,360
Speaker 2: and you wouldn't bring any of those inside because you

692
00:33:55,360 --> 00:33:57,240
Speaker 2: don't care about looking at them.

693
00:33:57,280 --> 00:33:59,400
Speaker 1: Not necessarily. When I walk past my garden, I go,

694
00:33:59,520 --> 00:34:02,520
Speaker 1: that looks good, Stephens. It's not like I haven't got

695
00:34:02,560 --> 00:34:04,480
Speaker 1: the light heart lawn. It's just all concrete.

696
00:34:04,600 --> 00:34:08,120
Speaker 2: I've got to garb Stephen's with us. Hello, Stephen, Hell,

697
00:34:08,280 --> 00:34:10,279
Speaker 2: how are you very well? What do you feel do

698
00:34:10,320 --> 00:34:12,839
Speaker 2: you men don't care about flowers? With this statement, how

699
00:34:12,840 --> 00:34:14,160
Speaker 2: do you feel about it?

700
00:34:14,480 --> 00:34:17,600
Speaker 4: Yeah, I don't care about flowers, to be honest. It's

701
00:34:17,640 --> 00:34:19,200
Speaker 4: too expensive and.

702
00:34:19,400 --> 00:34:21,520
Speaker 3: You put him on the bench after a couple of days.

703
00:34:21,520 --> 00:34:22,680
Speaker 4: You've got to in the bit.

704
00:34:24,920 --> 00:34:26,439
Speaker 1: They're expensive and they die.

705
00:34:26,719 --> 00:34:29,160
Speaker 2: So we'll same with fruit and your fruit bowl and

706
00:34:29,360 --> 00:34:31,480
Speaker 2: you eat the fruit. Not always. Sometimes it goes off

707
00:34:31,480 --> 00:34:32,760
Speaker 2: and you have to chuck it out.

708
00:34:33,040 --> 00:34:33,600
Speaker 1: Thank you, Steve.

709
00:34:33,640 --> 00:34:35,400
Speaker 2: All right, Stephen, thank you. I'm going to take my

710
00:34:35,400 --> 00:34:43,880
Speaker 2: strolls for the man's own Jonesy and Amanda podcast. You

711
00:34:43,960 --> 00:34:45,360
Speaker 2: wear the same clauses yesterday.

712
00:34:45,520 --> 00:34:49,680
Speaker 1: It was yesterday, same as the day before, and Amanda's assistance.

713
00:34:49,800 --> 00:34:52,680
Speaker 1: We're going down to the man's own. The man's own

714
00:34:52,719 --> 00:34:55,919
Speaker 1: for those who don't know him. It's just a nice

715
00:34:55,920 --> 00:34:58,080
Speaker 1: little basement area here in the radio station.

716
00:34:58,200 --> 00:34:59,600
Speaker 2: Thinks it doesn't it does.

717
00:35:00,120 --> 00:35:06,680
Speaker 1: It's got cool staff, there's a pool table, sounds like

718
00:35:06,719 --> 00:35:08,680
Speaker 1: a party. There's my pinball machine.

719
00:35:09,880 --> 00:35:10,880
Speaker 2: Even but you're biking.

720
00:35:11,120 --> 00:35:12,719
Speaker 1: I got my motor bike. You got fire it up.

721
00:35:14,320 --> 00:35:23,200
Speaker 1: Just listen to it, okay, So irritating the reasons I've suggested.

722
00:35:23,200 --> 00:35:25,200
Speaker 2: Today we come into the man's own. It's trying to

723
00:35:25,239 --> 00:35:28,560
Speaker 2: give for filming purposes the other day handing out flowers

724
00:35:28,600 --> 00:35:29,439
Speaker 2: down at Boonde Beach.

725
00:35:29,719 --> 00:35:34,200
Speaker 1: Is this what you say, filming purposes? Handing out flowers?

726
00:35:34,200 --> 00:35:35,520
Speaker 1: Oh but there's no camera around.

727
00:35:36,719 --> 00:35:40,120
Speaker 2: Yes, Brendan, I was filming, and even if I was it,

728
00:35:40,160 --> 00:35:42,320
Speaker 2: what's wrong with handing out flowers? Which is my point?

729
00:35:42,560 --> 00:35:45,600
Speaker 2: Why do men think it's sus when you want to

730
00:35:45,640 --> 00:35:49,080
Speaker 2: hand them out. Some of the guys were going, well,

731
00:35:49,239 --> 00:35:51,279
Speaker 2: some of the younger guys were going thank you. Of

732
00:35:51,280 --> 00:35:54,080
Speaker 2: course the older ones we're going, oh, what's this about?

733
00:35:54,360 --> 00:35:57,240
Speaker 2: What is a woman giving me flowers? And it seems

734
00:35:57,239 --> 00:36:00,000
Speaker 2: so threatening to them, and we gave you some flowers.

735
00:36:00,200 --> 00:36:01,960
Speaker 2: The office gave you some flowers to pass in our

736
00:36:02,000 --> 00:36:04,880
Speaker 2: condolences for the passing of your father in law. Helen's

737
00:36:04,920 --> 00:36:06,880
Speaker 2: not home, she's up with the family at the moment.

738
00:36:07,360 --> 00:36:12,080
Speaker 2: So you said this is how Now I've got to

739
00:36:12,080 --> 00:36:13,880
Speaker 2: put them in a vase. I've got to put that

740
00:36:14,280 --> 00:36:15,759
Speaker 2: sachet of junk in there.

741
00:36:17,840 --> 00:36:20,120
Speaker 1: Well, then people say. Then someone was saying, we'll get

742
00:36:20,360 --> 00:36:22,399
Speaker 1: the ends of the flower and put them in them,

743
00:36:22,440 --> 00:36:26,120
Speaker 1: fry pan and seal. The end of this, It's like,

744
00:36:26,840 --> 00:36:28,359
Speaker 1: it's like I've got to do a lot of work.

745
00:36:28,600 --> 00:36:29,879
Speaker 2: I don't do any of that stuff. I know you're

746
00:36:29,880 --> 00:36:31,360
Speaker 2: supposed to when you're supposed to cut the ends. I

747
00:36:31,400 --> 00:36:32,279
Speaker 2: don't bother with any of that.

748
00:36:32,320 --> 00:36:35,439
Speaker 1: But I love and some that I'm not threatened. I'm

749
00:36:35,480 --> 00:36:38,680
Speaker 1: not threatened sexually by flowers. If someone gives me flower,

750
00:36:38,680 --> 00:36:39,680
Speaker 1: I'm not going to I'm.

751
00:36:39,480 --> 00:36:42,800
Speaker 2: Not nature's vase. Brendan read the card.

752
00:36:43,200 --> 00:36:47,440
Speaker 1: I'm not threatened by that sexually. I appreciate flowers.

753
00:36:47,640 --> 00:36:50,560
Speaker 2: But what I'm saying you think that no men like

754
00:36:50,760 --> 00:36:54,000
Speaker 2: men men John a number of times, and that's all.

755
00:36:54,080 --> 00:36:56,279
Speaker 1: John is the only one I know out of all

756
00:36:56,320 --> 00:36:59,200
Speaker 1: my mates. The likes flowers, and he spends three hundred

757
00:36:59,239 --> 00:37:01,600
Speaker 1: thousand dollars a month. They nearly went broke on flowers.

758
00:37:01,600 --> 00:37:04,479
Speaker 2: That's not normal that of course, that doesn't No one's

759
00:37:04,520 --> 00:37:06,960
Speaker 2: going to say that makes sense. Even Elton John wouldn't

760
00:37:06,960 --> 00:37:10,680
Speaker 2: say that makes sense. Men don't care about flowers. We've

761
00:37:10,719 --> 00:37:13,759
Speaker 2: got Darren, Darren, how do you feel about flowers?

762
00:37:14,960 --> 00:37:17,600
Speaker 3: I picked flowers all the time. I picked which one

763
00:37:17,640 --> 00:37:19,440
Speaker 3: to mow down with the mower and which one to

764
00:37:19,719 --> 00:37:20,360
Speaker 3: wake down.

765
00:37:20,239 --> 00:37:21,480
Speaker 1: With the whippons.

766
00:37:25,120 --> 00:37:28,080
Speaker 2: Darren, Thank you? Is in Windsor, Chris, what about you?

767
00:37:28,680 --> 00:37:30,319
Speaker 1: Hey?

768
00:37:31,120 --> 00:37:32,000
Speaker 2: I love them.

769
00:37:32,120 --> 00:37:34,480
Speaker 3: I grew up with roses and gardenias in the garden.

770
00:37:34,920 --> 00:37:37,120
Speaker 3: I only been giving them once and I found it

771
00:37:37,239 --> 00:37:37,920
Speaker 3: very flattering.

772
00:37:38,400 --> 00:37:40,560
Speaker 1: Yes, who gave you the flowers? Chris?

773
00:37:41,360 --> 00:37:45,200
Speaker 3: Previous partner a bit different, But I quite enjoyed it.

774
00:37:45,520 --> 00:37:47,279
Speaker 2: And did you put them into ours and loved how

775
00:37:47,320 --> 00:37:48,440
Speaker 2: they looked in your home?

776
00:37:49,040 --> 00:37:51,759
Speaker 3: Of course? Yes, my grandfather and all of them. They

777
00:37:51,960 --> 00:37:54,239
Speaker 3: ride into their flowers. So they showed me how to

778
00:37:54,280 --> 00:37:55,960
Speaker 3: keep them at a little bit longer, and yeah.

779
00:37:56,000 --> 00:37:58,760
Speaker 1: That's it. Did you do the fry pan method?

780
00:38:00,320 --> 00:38:01,560
Speaker 2: No, I've never heard of that before.

781
00:38:01,640 --> 00:38:02,920
Speaker 1: Have you heard of that? You get the stem and

782
00:38:02,960 --> 00:38:05,280
Speaker 1: you put it in a fry, pamps and seal the stamp.

783
00:38:05,400 --> 00:38:06,960
Speaker 2: Never heard of it. I've heard that you'd cut the

784
00:38:07,480 --> 00:38:09,520
Speaker 2: bits underwater when you get them home. I've never done that.

785
00:38:09,520 --> 00:38:11,120
Speaker 1: I understand now I haven't done. Now I'm going to

786
00:38:11,160 --> 00:38:13,720
Speaker 1: be anxious because they're going to be my flowers things

787
00:38:13,719 --> 00:38:14,240
Speaker 1: of beauty.

788
00:38:14,320 --> 00:38:17,480
Speaker 2: You like art, flowers are things of beauty. That's what

789
00:38:17,560 --> 00:38:18,120
Speaker 2: Chris is saying.

790
00:38:18,160 --> 00:38:21,360
Speaker 1: It's not that I don't like them, I just don't

791
00:38:21,400 --> 00:38:23,520
Speaker 1: care about them. Like, if no one ever gave me

792
00:38:23,560 --> 00:38:25,200
Speaker 1: flowers in my life, i'd be going. I wouldn't be

793
00:38:25,239 --> 00:38:26,960
Speaker 1: on my deathbed saying, oh man, I wish I've got

794
00:38:27,000 --> 00:38:27,480
Speaker 1: more flowers.

795
00:38:27,480 --> 00:38:30,920
Speaker 2: Ironically, that's when you'll get some, I know. So I

796
00:38:31,040 --> 00:38:32,400
Speaker 2: just put beer on your casket.

797
00:38:32,480 --> 00:38:33,960
Speaker 1: Put beer on my casket.

798
00:38:35,040 --> 00:38:36,439
Speaker 2: Isn't that a slim dusty song?

799
00:38:37,000 --> 00:38:37,839
Speaker 1: Carlid's with us.

800
00:38:38,160 --> 00:38:42,600
Speaker 2: Carlid are right, Well, men don't care about flowers. How

801
00:38:42,640 --> 00:38:43,840
Speaker 2: do you feel about that statement?

802
00:38:44,360 --> 00:38:44,560
Speaker 7: Yeah?

803
00:38:44,600 --> 00:38:47,759
Speaker 4: Look, unfortunately, I've got to agree with Drasey. They do

804
00:38:47,840 --> 00:38:51,920
Speaker 4: nothing to the emotional heart strings flowers. Look, if anything,

805
00:38:51,920 --> 00:38:55,440
Speaker 4: I'd rather give car from super tip order or finding

806
00:38:56,000 --> 00:39:00,160
Speaker 4: something practical, but flowers. Yeah, it's legislating kind of literally.

807
00:39:00,640 --> 00:39:01,800
Speaker 2: Yeah, well fair enough.

808
00:39:02,200 --> 00:39:04,520
Speaker 1: What about that a bouquet of gift bouchers from a

809
00:39:04,560 --> 00:39:10,759
Speaker 1: super cheap order RTM, that'd be great, BCF and any

810
00:39:10,800 --> 00:39:15,319
Speaker 1: other place DPL, that would be right. Well, there you go,

811
00:39:15,440 --> 00:39:17,960
Speaker 1: Come on, get out of here, kid. So next time

812
00:39:18,000 --> 00:39:21,200
Speaker 1: we have issues to discuss into the man's own we go,

813
00:39:25,320 --> 00:39:27,400
Speaker 1: I'll just spray some WD forty around here, just to

814
00:39:27,480 --> 00:39:27,759
Speaker 1: get the.

815
00:39:27,880 --> 00:39:31,239
Speaker 2: Flowery st and put some on your armpits as well.

816
00:39:33,920 --> 00:39:35,320
Speaker 1: Down to the Jones in a bout of arms for

817
00:39:35,360 --> 00:39:41,480
Speaker 1: the pub test and today going through your partner's phone,

818
00:39:41,719 --> 00:39:43,200
Speaker 1: does it pass the pub test?

819
00:39:43,400 --> 00:39:43,560
Speaker 12: Now?

820
00:39:43,600 --> 00:39:45,560
Speaker 2: You said this was something that came up on maths.

821
00:39:46,000 --> 00:39:49,080
Speaker 1: Yeah, last night. So Ella Ding and Mitch you know,

822
00:39:50,800 --> 00:39:51,640
Speaker 1: I think that's their.

823
00:39:51,640 --> 00:39:54,000
Speaker 2: Names, Ella Ding and Mitch.

824
00:39:54,200 --> 00:39:56,959
Speaker 1: You know, I didn't know there's surnames until now, Ella

825
00:39:57,040 --> 00:39:57,680
Speaker 1: Ding and Mitch.

826
00:39:57,719 --> 00:40:00,600
Speaker 2: You know, you know, you know, you know when you know,

827
00:40:00,760 --> 00:40:03,880
Speaker 2: you know, that's how she knew he was mister right,

828
00:40:04,200 --> 00:40:04,600
Speaker 2: you know.

829
00:40:05,040 --> 00:40:08,960
Speaker 1: Do you take your know who's on first? He's got

830
00:40:09,000 --> 00:40:11,080
Speaker 1: these names anyway, Ella and.

831
00:40:11,160 --> 00:40:13,839
Speaker 2: Mitch Jones, you'd like to keep it simple.

832
00:40:13,760 --> 00:40:17,719
Speaker 1: Keep it simple. Ellaer and Mitch had the because it's

833
00:40:17,760 --> 00:40:19,600
Speaker 1: reflection this week I married at the first time.

834
00:40:19,640 --> 00:40:21,400
Speaker 2: If I look in the mirror even longer.

835
00:40:21,200 --> 00:40:24,120
Speaker 1: Or more torment week and anyway, they had to hand

836
00:40:24,160 --> 00:40:27,239
Speaker 1: over their mobile phones to each other, to each other,

837
00:40:27,520 --> 00:40:31,040
Speaker 1: going through the partner's phone, go through each other's phones

838
00:40:31,200 --> 00:40:33,359
Speaker 1: for five minutes. Do you have photos of your ex

839
00:40:33,400 --> 00:40:34,080
Speaker 1: partners in here?

840
00:40:35,719 --> 00:40:36,480
Speaker 2: Of course you would.

841
00:40:37,000 --> 00:40:38,440
Speaker 1: Do you have photos of your ex partners?

842
00:40:38,440 --> 00:40:38,600
Speaker 5: On me?

843
00:40:39,000 --> 00:40:42,759
Speaker 1: I'll be married for thirty years old oil page? They're

844
00:40:42,800 --> 00:40:45,680
Speaker 1: on a cave. Gee.

845
00:40:47,000 --> 00:40:48,000
Speaker 2: He looks like a bison.

846
00:40:48,160 --> 00:40:50,160
Speaker 1: Good wasn't he good?

847
00:40:50,719 --> 00:40:52,200
Speaker 2: To set me on fire?

848
00:40:54,120 --> 00:40:54,759
Speaker 1: Anyways?

849
00:40:55,400 --> 00:40:56,520
Speaker 2: And new set of wheels.

850
00:40:56,800 --> 00:40:58,680
Speaker 1: The guy don't have anything. I let you have my

851
00:40:58,719 --> 00:41:00,000
Speaker 1: phone and you can go through it if you want

852
00:41:00,480 --> 00:41:00,959
Speaker 1: your mind.

853
00:41:02,800 --> 00:41:05,160
Speaker 2: Well, I don't have anything on there. You might wreck

854
00:41:05,239 --> 00:41:09,080
Speaker 2: up my word. All okay, you know it's interesting.

855
00:41:08,800 --> 00:41:11,160
Speaker 1: That I noticed that you've just instantly put it back

856
00:41:11,360 --> 00:41:11,799
Speaker 1: and you're not.

857
00:41:12,640 --> 00:41:12,839
Speaker 5: Well.

858
00:41:12,880 --> 00:41:14,840
Speaker 2: It should be private even if there's nothing on it,

859
00:41:14,880 --> 00:41:16,680
Speaker 2: and people go you've got nothing to hide, it doesn't matter.

860
00:41:16,800 --> 00:41:19,680
Speaker 2: But would you go through your wife's handbag?

861
00:41:20,440 --> 00:41:21,200
Speaker 1: No? Goodness.

862
00:41:21,920 --> 00:41:24,239
Speaker 2: We were looking for my spare car keys and it's

863
00:41:24,239 --> 00:41:26,000
Speaker 2: one of those remote ones that just starts the car

864
00:41:26,040 --> 00:41:29,160
Speaker 2: in the vicinity, and Harley knew enough not to go

865
00:41:29,200 --> 00:41:31,000
Speaker 2: through my handbag to look for it. He just took

866
00:41:31,000 --> 00:41:32,520
Speaker 2: my handbag down and put it in the car and

867
00:41:32,520 --> 00:41:35,319
Speaker 2: tried to start the car. He knew after thirty years

868
00:41:35,320 --> 00:41:37,600
Speaker 2: of marriage not to go through my handbag.

869
00:41:37,640 --> 00:41:39,960
Speaker 1: Sure, well going to find and there are all sorts of stuff.

870
00:41:39,960 --> 00:41:41,920
Speaker 2: Oh, there'd be some old Worther's originals covering.

871
00:41:45,320 --> 00:41:47,480
Speaker 1: I always find when my kids show me a picture,

872
00:41:47,600 --> 00:41:49,560
Speaker 1: you go to grab their phone. It's like, oh my god,

873
00:41:49,600 --> 00:41:50,440
Speaker 1: don't even touch my.

874
00:41:50,600 --> 00:41:53,080
Speaker 2: Well, our phones are our diaries these days. They are

875
00:41:53,080 --> 00:41:56,680
Speaker 2: our personal There are photo vaults, there are diaries, There

876
00:41:56,719 --> 00:42:00,359
Speaker 2: are research histories. It's all that stuff. Would you hand

877
00:42:00,400 --> 00:42:02,359
Speaker 2: over your diary to someone? Of course you would you

878
00:42:02,640 --> 00:42:05,319
Speaker 2: if your partner's diary was on a table, would you

879
00:42:05,400 --> 00:42:05,839
Speaker 2: read it?

880
00:42:06,760 --> 00:42:09,440
Speaker 1: Ooh no no?

881
00:42:10,200 --> 00:42:11,759
Speaker 2: And would you like yourself if you did to be

882
00:42:11,840 --> 00:42:14,000
Speaker 2: very hard. Not because sign that says wet paint you're

883
00:42:14,000 --> 00:42:14,719
Speaker 2: going to touch it?

884
00:42:15,000 --> 00:42:17,279
Speaker 1: No? No, because it's a warning size. See.

885
00:42:17,280 --> 00:42:21,280
Speaker 2: The difference is diaries and private information aren't usually left

886
00:42:21,360 --> 00:42:26,080
Speaker 2: on a table. These phones are. So it's tempting, but

887
00:42:26,200 --> 00:42:28,719
Speaker 2: I still wouldn't. And also I'm a bit of a lot.

888
00:42:28,880 --> 00:42:29,640
Speaker 2: I wouldn't know how.

889
00:42:29,920 --> 00:42:33,880
Speaker 1: Yeah, going through your partner's phone. Does it pass the

890
00:42:33,920 --> 00:42:34,319
Speaker 1: pub time?

891
00:42:34,400 --> 00:42:37,839
Speaker 2: What do you think? Podcast?

892
00:42:38,160 --> 00:42:41,760
Speaker 1: WSFM, Hello there, it's Jonesy and Amanda the East Shows.

893
00:42:41,840 --> 00:42:46,520
Speaker 1: That's on the eighth of April. And yesterday we proposed

894
00:42:46,719 --> 00:42:49,040
Speaker 1: what ideal food will have in the East to shape

895
00:42:49,160 --> 00:42:50,360
Speaker 1: We're going to go and have a food truck. We

896
00:42:50,440 --> 00:42:52,080
Speaker 1: got a food truck and we're going to serve something.

897
00:42:52,120 --> 00:42:54,319
Speaker 2: We've had pies in the past. Yeah, they were good

898
00:42:54,360 --> 00:42:57,560
Speaker 2: and we had interesting fillings. That was a meet and

899
00:42:57,600 --> 00:43:01,200
Speaker 2: three vege, Macho pie, had other kinds.

900
00:43:01,040 --> 00:43:02,480
Speaker 1: Of things, spaghetti pie.

901
00:43:03,040 --> 00:43:07,000
Speaker 2: This year we decided, well, we are deciding what we'd

902
00:43:07,040 --> 00:43:11,440
Speaker 2: like to have. I suggested because no one else really

903
00:43:11,719 --> 00:43:14,760
Speaker 2: in Sydney is doing it, and it's my favorite food.

904
00:43:15,600 --> 00:43:17,520
Speaker 2: Soup on a stick because everything at the Easter Show

905
00:43:17,520 --> 00:43:19,879
Speaker 2: has to be on a stick, so soup.

906
00:43:19,680 --> 00:43:23,120
Speaker 1: On a stick mechanically impossible. It would be the biggest

907
00:43:23,160 --> 00:43:24,840
Speaker 1: failure in the history of failures.

908
00:43:25,080 --> 00:43:29,200
Speaker 2: I think, build it and they will come. You have

909
00:43:29,280 --> 00:43:31,359
Speaker 2: to throw the idea out there and then we find

910
00:43:31,400 --> 00:43:32,719
Speaker 2: it crazy way to make it work.

911
00:43:32,760 --> 00:43:36,280
Speaker 1: The problem is deranged people can't travel, so the people

912
00:43:36,320 --> 00:43:38,719
Speaker 1: you're building your food for wouldn't be able to get

913
00:43:38,719 --> 00:43:38,960
Speaker 1: into this.

914
00:43:39,160 --> 00:43:41,319
Speaker 2: It could be an entire can on a stick and

915
00:43:41,320 --> 00:43:43,080
Speaker 2: you just opened it at the top and drink it.

916
00:43:44,239 --> 00:43:45,120
Speaker 2: There are ways.

917
00:43:45,239 --> 00:43:47,640
Speaker 1: Or we could just go for the reasonable cheerros, which.

918
00:43:47,440 --> 00:43:51,080
Speaker 2: Is chiros and Miguel Maestre, our great friend. It makes

919
00:43:51,400 --> 00:43:52,280
Speaker 2: delicious churroos.

920
00:43:52,320 --> 00:43:54,040
Speaker 1: My shouldn't have been put them on a stick. It's

921
00:43:54,080 --> 00:43:54,680
Speaker 1: like to go.

922
00:43:54,920 --> 00:43:56,239
Speaker 2: Donut, isn't it If you don't know.

923
00:43:56,320 --> 00:43:58,520
Speaker 1: Put in a dipping sauce. You even dip it in

924
00:43:58,640 --> 00:43:59,400
Speaker 1: soup if you want it.

925
00:43:59,520 --> 00:44:03,480
Speaker 2: Could you? Well, let's let's work out, first of all,

926
00:44:03,640 --> 00:44:06,560
Speaker 2: what our food truck will be. We started it in

927
00:44:06,560 --> 00:44:08,440
Speaker 2: the pub test yesterday and we put it on our

928
00:44:08,480 --> 00:44:09,400
Speaker 2: socials overnight.

929
00:44:09,840 --> 00:44:12,920
Speaker 1: I'd be saying that common sense would prevail on this one,

930
00:44:13,040 --> 00:44:13,600
Speaker 1: and it's.

931
00:44:13,480 --> 00:44:16,720
Speaker 2: Going to be souper honesty is Campbell's variety.

932
00:44:16,760 --> 00:44:19,760
Speaker 1: Why don't we get missus starling in as an independent person.

933
00:44:19,800 --> 00:44:21,880
Speaker 1: She's recently off the market, just being married. Has it

934
00:44:21,920 --> 00:44:24,200
Speaker 1: all going, Yeah, it's going well, honeymoon's over.

935
00:44:24,520 --> 00:44:27,120
Speaker 2: Yeah, he's got COVID so for a.

936
00:44:27,120 --> 00:44:32,680
Speaker 1: While already, Right, what's the definitive answer? Was me by

937
00:44:32,719 --> 00:44:33,560
Speaker 1: a landslide?

938
00:44:34,360 --> 00:44:34,839
Speaker 2: Eighty one?

939
00:44:34,840 --> 00:44:40,479
Speaker 12: Percent soup soup cheeros nineteen percent for soup on a stick.

940
00:44:40,560 --> 00:44:43,799
Speaker 12: So there were some deranged people who wanted for you.

941
00:44:43,640 --> 00:44:48,120
Speaker 2: Camber, can you do chicken noodle churros? Rich tomato chiros?

942
00:44:49,040 --> 00:44:51,719
Speaker 1: Oh? Man, I don't know, why do you persist this?

943
00:44:52,080 --> 00:44:52,840
Speaker 1: Why do you persist?

944
00:44:53,200 --> 00:44:55,319
Speaker 2: Look? All right, so our food truck is going to

945
00:44:55,320 --> 00:44:59,320
Speaker 2: have churros, yes, And what happens then? Is it just churros? Honestly?

946
00:44:59,400 --> 00:45:01,879
Speaker 1: Well, we're going to have flavors exactly. Actually, what happens then?

947
00:45:02,160 --> 00:45:06,840
Speaker 12: So what we've organized is we've got little taste testers

948
00:45:07,239 --> 00:45:10,719
Speaker 12: for you, so with different kinds of flavors, and you

949
00:45:10,760 --> 00:45:13,040
Speaker 12: guys can choose which flavor you want.

950
00:45:13,040 --> 00:45:16,080
Speaker 2: You'll both have one each. Okay, don't you want to win?

951
00:45:16,880 --> 00:45:18,600
Speaker 1: Why don't we take a man out of your question?

952
00:45:18,880 --> 00:45:20,960
Speaker 1: Why don't you go and do something and I'll just

953
00:45:21,080 --> 00:45:23,120
Speaker 1: leave it up pretty good, take some time.

954
00:45:23,360 --> 00:45:25,480
Speaker 12: So we've got some flavors for you. So I've just

955
00:45:25,520 --> 00:45:27,200
Speaker 12: got to do that. So we'll do that after the news.

956
00:45:27,239 --> 00:45:28,240
Speaker 1: Well, this is great.

957
00:45:30,480 --> 00:45:36,120
Speaker 6: When God, I want you to go right now, pay now,

958
00:45:36,360 --> 00:45:38,840
Speaker 6: go to your windows, stick.

959
00:45:38,600 --> 00:45:39,560
Speaker 9: Your head on a gell.

960
00:45:43,920 --> 00:45:45,600
Speaker 1: Let's get on there to the Jonesy the matter of

961
00:45:45,680 --> 00:45:49,440
Speaker 1: arms for the pub test, going through your partner's phone,

962
00:45:49,640 --> 00:45:52,080
Speaker 1: does it pass the pub test? This is the story

963
00:45:52,080 --> 00:45:56,359
Speaker 1: about Ela Ding and Mitch. You know from that first side.

964
00:45:56,640 --> 00:45:58,760
Speaker 1: I didn't realize that that was their surname.

965
00:45:58,440 --> 00:46:01,680
Speaker 2: Mister Jones. You like it play and simple. So that

966
00:46:01,760 --> 00:46:04,520
Speaker 2: was the challenge going through each other's phones. Harley and

967
00:46:04,520 --> 00:46:06,440
Speaker 2: I don't go through each other's phones. I am a

968
00:46:06,440 --> 00:46:08,239
Speaker 2: bit of a lighteite and I wouldn't be able to.

969
00:46:08,520 --> 00:46:10,520
Speaker 2: But it's like going through a handbag or a diary.

970
00:46:10,640 --> 00:46:13,080
Speaker 2: These are the keepers of our secrets, and you don't

971
00:46:13,120 --> 00:46:15,719
Speaker 2: have to have the various secrets to want to keep

972
00:46:15,760 --> 00:46:16,560
Speaker 2: that stuff private.

973
00:46:16,840 --> 00:46:19,720
Speaker 1: Ella was a bit concerned, though, go through each other's

974
00:46:19,760 --> 00:46:22,480
Speaker 1: phones for five minutes. Do you have photos of ex

975
00:46:22,520 --> 00:46:26,720
Speaker 1: partners in here? I'd say no. He'd have no pictures

976
00:46:26,719 --> 00:46:27,719
Speaker 1: of his ex partners on.

977
00:46:27,680 --> 00:46:30,719
Speaker 2: Them, considering they didn't know each other until two weeks ago.

978
00:46:30,800 --> 00:46:31,560
Speaker 2: I think it's fair enough.

979
00:46:31,560 --> 00:46:33,560
Speaker 1: As you said before, if Harley wanted to see photos

980
00:46:33,600 --> 00:46:35,239
Speaker 1: of your ex partners, he'd have to go to the

981
00:46:35,280 --> 00:46:38,520
Speaker 1: nearby cave wall. Yes, well, and see it was bronk

982
00:46:38,560 --> 00:46:39,640
Speaker 1: wrestling of bison.

983
00:46:40,520 --> 00:46:43,040
Speaker 2: I was allowed to say that, not you, but yes,

984
00:46:43,440 --> 00:46:47,360
Speaker 2: So what do you think going through your partner's phone?

985
00:46:47,400 --> 00:46:48,520
Speaker 2: Does it pass the pub test?

986
00:46:48,600 --> 00:46:50,600
Speaker 6: I think it all comes down to how the cue

987
00:46:50,640 --> 00:46:53,080
Speaker 6: you are. I would with a guy who are never

988
00:46:53,120 --> 00:46:56,719
Speaker 6: trusted in the past and would constantly go for your phone. So,

989
00:46:56,880 --> 00:47:00,239
Speaker 6: my dear husband, I haven't thought twice, so I would say, no, dog,

990
00:47:00,320 --> 00:47:03,239
Speaker 6: and you need to be nice and secure. No, because

991
00:47:03,239 --> 00:47:04,920
Speaker 6: you know what, You've got to find out things you

992
00:47:05,000 --> 00:47:06,839
Speaker 6: never want to find out. You got to find it out.

993
00:47:06,880 --> 00:47:09,479
Speaker 6: There is a real way rather than the tech way.

994
00:47:09,600 --> 00:47:09,879
Speaker 10: I think.

995
00:47:10,080 --> 00:47:12,520
Speaker 7: I think a partner should be allowed to go through

996
00:47:12,960 --> 00:47:17,080
Speaker 7: your phone, but as a loving and trusting partner, she

997
00:47:17,200 --> 00:47:17,759
Speaker 7: never has to.

998
00:47:18,600 --> 00:47:23,919
Speaker 1: Well, many many fish to fry there? Sure, vision Well,

999
00:47:23,960 --> 00:47:26,319
Speaker 1: it's a long road, but here we are. We've got

1000
00:47:26,320 --> 00:47:28,600
Speaker 1: our food truck, which looks great.

1001
00:47:29,320 --> 00:47:32,680
Speaker 2: I'm excited. Actually, forget soup on a stick. What kind

1002
00:47:32,680 --> 00:47:34,359
Speaker 2: of idiot would want that at the east to show?

1003
00:47:34,400 --> 00:47:34,680
Speaker 1: I don't know.

1004
00:47:34,880 --> 00:47:37,200
Speaker 2: Chiros is the way to go. In case you don't

1005
00:47:37,239 --> 00:47:39,600
Speaker 2: know what a churo is. It's like a straight donut.

1006
00:47:39,719 --> 00:47:41,640
Speaker 2: How long would you say these are? They're about the

1007
00:47:41,680 --> 00:47:45,759
Speaker 2: size of a really long fat chip. Yeah, but it's

1008
00:47:45,760 --> 00:47:50,560
Speaker 2: deliciously sweet. It's like cinnamon dough. It's spectacular and well,

1009
00:47:50,600 --> 00:47:52,759
Speaker 2: this is the exciting part of our job. We get

1010
00:47:52,800 --> 00:47:55,840
Speaker 2: to sample, well how many, with six of these in

1011
00:47:55,840 --> 00:47:57,920
Speaker 2: front of us, with all the different toppings, and we

1012
00:47:58,000 --> 00:47:59,959
Speaker 2: get to choose one each to sell in our food

1013
00:48:00,080 --> 00:48:00,960
Speaker 2: truck down.

1014
00:48:00,760 --> 00:48:02,799
Speaker 1: At the Jones and Demanda Institute. They've come up with

1015
00:48:02,840 --> 00:48:06,160
Speaker 1: these fleet. I've got three flavors. You've got three flavors.

1016
00:48:06,480 --> 00:48:08,319
Speaker 2: Sample all of them, and then you choose which one

1017
00:48:08,320 --> 00:48:08,640
Speaker 2: you want.

1018
00:48:08,719 --> 00:48:10,359
Speaker 1: Well, I've got like a chock sprinkle when I get

1019
00:48:10,360 --> 00:48:11,720
Speaker 1: a caramel crunch, and a chock.

1020
00:48:11,600 --> 00:48:16,680
Speaker 2: Caramel in front of me is Lamington berry Pavlova double

1021
00:48:16,800 --> 00:48:17,680
Speaker 2: chok crunch.

1022
00:48:18,760 --> 00:48:19,919
Speaker 1: That's a bit too sweat that one?

1023
00:48:20,080 --> 00:48:21,000
Speaker 2: Is that? What was that one?

1024
00:48:22,000 --> 00:48:27,200
Speaker 1: To sweat? No?

1025
00:48:27,160 --> 00:48:28,080
Speaker 2: No, keep going.

1026
00:48:30,040 --> 00:48:35,040
Speaker 1: Hmm, I won't taste like a gay.

1027
00:48:36,800 --> 00:48:42,360
Speaker 2: That must be double chop crunch. That looks like, I

1028
00:48:42,400 --> 00:48:44,040
Speaker 2: don't know, how do you describe it. It looks like

1029
00:48:44,080 --> 00:48:45,680
Speaker 2: it's been rolled in chocolate biscuits.

1030
00:48:45,760 --> 00:48:51,680
Speaker 1: Yeah, that was good. I like that, such a big eat.

1031
00:48:51,840 --> 00:48:54,839
Speaker 2: Well, it's very early in the morning, of course, and

1032
00:48:54,880 --> 00:48:56,800
Speaker 2: you've also got one that's just dipped in plain chocolate

1033
00:48:57,040 --> 00:49:02,600
Speaker 2: caramel delish. How could I not be delicious, spectacularly delicious.

1034
00:49:03,680 --> 00:49:06,560
Speaker 2: So I'm going to pick one, and you're going to

1035
00:49:06,560 --> 00:49:10,319
Speaker 2: pick one, and they will be our toturos at our

1036
00:49:10,360 --> 00:49:11,520
Speaker 2: food truck right here.

1037
00:49:12,040 --> 00:49:19,560
Speaker 9: Jonesy and Amanda Germ podcast.

1038
00:49:17,000 --> 00:49:25,040
Speaker 1: The Easter Show starts on the eighth of April. We

1039
00:49:25,120 --> 00:49:26,560
Speaker 1: have tickets to the East to show. If you'd like

1040
00:49:26,640 --> 00:49:28,160
Speaker 1: to come along to that, why don't you call us

1041
00:49:28,280 --> 00:49:30,200
Speaker 1: fifteen w SE Let's.

1042
00:49:29,960 --> 00:49:31,759
Speaker 2: Do it right now. I've got a family passing my

1043
00:49:31,840 --> 00:49:33,600
Speaker 2: bad let's do it.

1044
00:49:34,520 --> 00:49:38,120
Speaker 1: And we've got our hero's flavors right now. We've decided

1045
00:49:38,200 --> 00:49:41,680
Speaker 1: it's down to two. I've gone with the gay Time one.

1046
00:49:41,840 --> 00:49:43,359
Speaker 2: You don't allowed to call it a gay time because

1047
00:49:43,360 --> 00:49:44,160
Speaker 2: that's copyrighted.

1048
00:49:45,239 --> 00:49:46,800
Speaker 1: I can't believe it's not gaytie.

1049
00:49:46,840 --> 00:49:49,759
Speaker 2: It's called caramel crunch, Yeah, but it's a hero that's

1050
00:49:49,800 --> 00:49:51,239
Speaker 2: been dipped in caramel with peanuts on.

1051
00:49:51,360 --> 00:49:53,000
Speaker 1: I'm pretty sure if I said I can't believe it's

1052
00:49:53,000 --> 00:49:55,799
Speaker 1: not gay time, that would not the foul of any

1053
00:49:55,840 --> 00:49:56,960
Speaker 1: copyright laws.

1054
00:49:57,080 --> 00:49:59,680
Speaker 2: And also you're ruling out the people with anaphylaxis, and

1055
00:49:59,719 --> 00:50:03,160
Speaker 2: you're I've gone. My favorite one of all these is

1056
00:50:03,200 --> 00:50:07,440
Speaker 2: the Lamington, right, and it's at Churros dipped in. So

1057
00:50:07,520 --> 00:50:12,040
Speaker 2: there's jam, then chocolate, then coconut, like the most delicious Lamington.

1058
00:50:12,160 --> 00:50:13,879
Speaker 1: Which do you think is better? I think my one's

1059
00:50:13,880 --> 00:50:14,359
Speaker 1: a bit better.

1060
00:50:14,400 --> 00:50:16,279
Speaker 2: Well, I've chosen min because I think mine's better.

1061
00:50:16,320 --> 00:50:18,480
Speaker 1: Well, I'm just saying out of yours. Between your Lamington

1062
00:50:18,520 --> 00:50:21,239
Speaker 1: one and my I can't believe it's not gaytime one.

1063
00:50:21,719 --> 00:50:23,799
Speaker 2: What will probably end up doing, I think is you

1064
00:50:23,840 --> 00:50:27,239
Speaker 2: can buy mine, or you can buy yours, or a

1065
00:50:27,400 --> 00:50:30,600
Speaker 2: jam pack, put them together across the streams.

1066
00:50:30,800 --> 00:50:32,800
Speaker 1: Maybe we should get jim y Rye, who seems to

1067
00:50:32,840 --> 00:50:36,799
Speaker 1: be doing nothing but wordle. Why don't you taste? So

1068
00:50:36,920 --> 00:50:38,839
Speaker 1: that's the I can't believe it's not gay time one.

1069
00:50:38,880 --> 00:50:39,720
Speaker 1: That's my one.

1070
00:50:40,239 --> 00:50:44,000
Speaker 2: Mine's Lamington. I could have gone Australiana and had vegemine

1071
00:50:44,000 --> 00:50:44,160
Speaker 2: on it.

1072
00:50:44,239 --> 00:50:45,839
Speaker 1: You don't have any nut allergies to your mate?

1073
00:50:46,360 --> 00:50:46,520
Speaker 6: I know.

1074
00:50:46,840 --> 00:50:49,759
Speaker 1: Actually I used to an EPI pen. It's the station.

1075
00:50:49,880 --> 00:50:52,640
Speaker 2: Don't make light of it. I have a son with another.

1076
00:50:53,239 --> 00:50:54,680
Speaker 1: Make light of it. I just said, if you got

1077
00:50:54,680 --> 00:50:58,080
Speaker 1: an epipt I want him swelling up. Good.

1078
00:50:58,200 --> 00:51:00,319
Speaker 2: What's that one? Great ones?

1079
00:51:00,360 --> 00:51:02,040
Speaker 1: That that's caramel crunch right now?

1080
00:51:02,080 --> 00:51:04,319
Speaker 2: Get rid of that and have a life, sorbet get

1081
00:51:04,400 --> 00:51:07,800
Speaker 2: rid of it all. No, you have to eat mine now.

1082
00:51:08,719 --> 00:51:09,880
Speaker 1: I'm not on a cruise ship.

1083
00:51:11,800 --> 00:51:12,160
Speaker 5: Mm hmm.

1084
00:51:14,520 --> 00:51:18,560
Speaker 1: What are your thoughts, Carmel Crunch? Do you think I

1085
00:51:18,680 --> 00:51:19,880
Speaker 1: can't believe it's not gaytime?

1086
00:51:20,719 --> 00:51:22,080
Speaker 2: And there's the lips of gone blue?

1087
00:51:25,080 --> 00:51:26,840
Speaker 1: Anyway, Well, we'll talk.

1088
00:51:26,680 --> 00:51:28,640
Speaker 2: Further about this, but I think we've sorted out our

1089
00:51:28,719 --> 00:51:29,400
Speaker 2: food truck.

1090
00:51:29,680 --> 00:51:35,840
Speaker 1: Done and done once again. The water cooler is taken

1091
00:51:35,920 --> 00:51:38,040
Speaker 1: up with people talking about what happened. I married at

1092
00:51:38,040 --> 00:51:42,120
Speaker 1: first sight and last night we saw Ella Ding and Mitch,

1093
00:51:42,200 --> 00:51:42,640
Speaker 1: you know.

1094
00:51:43,320 --> 00:51:45,600
Speaker 2: Just bringing it up because you like their surnames.

1095
00:51:45,400 --> 00:51:48,359
Speaker 1: Ding and you know, anyway.

1096
00:51:48,040 --> 00:51:50,719
Speaker 2: From mister Jones, that's a whole wide world out there,

1097
00:51:50,760 --> 00:51:51,160
Speaker 2: isn't there.

1098
00:51:51,320 --> 00:51:53,759
Speaker 1: I'm sorry, is my name to Anglo for you?

1099
00:51:53,800 --> 00:51:55,960
Speaker 2: No giggle at their names?

1100
00:51:56,520 --> 00:51:59,120
Speaker 1: Mitch, Mitch? You know what's the names?

1101
00:51:59,160 --> 00:51:59,279
Speaker 6: You know?

1102
00:51:59,320 --> 00:52:01,680
Speaker 1: Anyway, he's the that looks like he's out of brass

1103
00:52:01,680 --> 00:52:05,160
Speaker 1: with the two earrings. So they had they've got this

1104
00:52:05,320 --> 00:52:09,160
Speaker 1: what's it called Reflections week, which in brackets means torment

1105
00:52:09,239 --> 00:52:11,520
Speaker 1: the contestants a bit more and they had to go

1106
00:52:11,600 --> 00:52:15,120
Speaker 1: through each other's phones, go through each other's phones for

1107
00:52:15,160 --> 00:52:16,759
Speaker 1: five minutes.

1108
00:52:16,080 --> 00:52:19,839
Speaker 2: Do you have of your X partners in here, Well,

1109
00:52:19,840 --> 00:52:22,160
Speaker 2: of course he would. They only met two weeks ago.

1110
00:52:22,320 --> 00:52:24,720
Speaker 1: And when you say ex partners in here, it means

1111
00:52:24,840 --> 00:52:25,600
Speaker 1: like you.

1112
00:52:25,600 --> 00:52:35,080
Speaker 2: Know what flag grantre, foreign names meaning having yeah, saucy picks.

1113
00:52:35,120 --> 00:52:37,480
Speaker 1: I have to be No, it's not going to be

1114
00:52:37,520 --> 00:52:39,400
Speaker 1: pictures of a standing next to a creek.

1115
00:52:41,400 --> 00:52:41,600
Speaker 12: Yeah.

1116
00:52:41,600 --> 00:52:45,479
Speaker 1: Anyway, why shouldn't you go through your partner's phone? These

1117
00:52:45,480 --> 00:52:48,319
Speaker 1: are three reasons that's written here. It makes you into

1118
00:52:48,320 --> 00:52:51,840
Speaker 1: someone you don't want to be. It's sabotage's closeness. It

1119
00:52:51,920 --> 00:52:53,280
Speaker 1: puts you in a weaker position.

1120
00:52:53,760 --> 00:52:54,760
Speaker 2: I don't know what that means.

1121
00:52:54,840 --> 00:52:57,360
Speaker 1: Are you protective of your phone? I noticed that you

1122
00:52:58,560 --> 00:53:02,080
Speaker 1: for the years i've known you, or quite hand happy

1123
00:53:02,080 --> 00:53:04,120
Speaker 1: to hand it over to your kids. You let your

1124
00:53:04,160 --> 00:53:06,600
Speaker 1: kids just get on your phone and do stuff?

1125
00:53:06,719 --> 00:53:08,440
Speaker 2: I guess, yeah, I have. I mean they don't do

1126
00:53:08,480 --> 00:53:11,520
Speaker 2: it now. I wouldn't dream of going through now, and

1127
00:53:11,560 --> 00:53:14,200
Speaker 2: they have no interest in going through mine now. I've

1128
00:53:14,200 --> 00:53:15,560
Speaker 2: got mine here? Have you got yours there?

1129
00:53:15,640 --> 00:53:17,000
Speaker 1: I don't usually have it in the studio.

1130
00:53:17,080 --> 00:53:19,600
Speaker 2: But which bits do we go through? I wouldn't even

1131
00:53:19,600 --> 00:53:20,960
Speaker 2: know where to look in your files?

1132
00:53:21,040 --> 00:53:23,319
Speaker 1: Or well, I don't have any I don't have any

1133
00:53:23,320 --> 00:53:24,399
Speaker 1: SAT's files in there.

1134
00:53:24,640 --> 00:53:26,520
Speaker 2: Well, how would I know if you?

1135
00:53:27,719 --> 00:53:28,320
Speaker 1: Well, I don't.

1136
00:53:28,880 --> 00:53:32,160
Speaker 2: Oh are you okay? Then you got someone standing by

1137
00:53:32,200 --> 00:53:36,920
Speaker 2: a creek? We go through photos. I know how to

1138
00:53:36,920 --> 00:53:39,480
Speaker 2: go through photos. I'll open up my photos for you.

1139
00:53:39,719 --> 00:53:40,760
Speaker 1: Are we going to go through photo?

1140
00:53:40,960 --> 00:53:41,040
Speaker 6: Well?

1141
00:53:41,080 --> 00:53:42,239
Speaker 2: I don't know what else to go through?

1142
00:53:42,360 --> 00:53:43,719
Speaker 1: Okay, Well I've got nothing else?

1143
00:53:44,080 --> 00:53:49,400
Speaker 2: Okay there, okay, just the last photos.

1144
00:53:50,920 --> 00:53:54,359
Speaker 1: You've just got like a recipe for chocolate buckwheat and

1145
00:53:54,400 --> 00:53:56,200
Speaker 1: salt Sea salt brownies.

1146
00:53:56,239 --> 00:53:58,000
Speaker 2: I took of that from the paper this morning.

1147
00:53:58,040 --> 00:54:02,839
Speaker 1: Then you've got something from you've taken a screenshot of Twitter, yep.

1148
00:54:03,080 --> 00:54:05,319
Speaker 1: And then you've got something from Julie Goodwin.

1149
00:54:05,120 --> 00:54:09,880
Speaker 2: A recipe, a recipe and recipes and another recipe, pictures

1150
00:54:09,920 --> 00:54:12,319
Speaker 2: of my animals. I've only got one, and then.

1151
00:54:12,239 --> 00:54:13,600
Speaker 1: A chicken and cheese scrudal.

1152
00:54:13,680 --> 00:54:15,080
Speaker 2: Yeah that looks nice, doesn't it does?

1153
00:54:16,480 --> 00:54:18,520
Speaker 1: And then now that's pretty boring.

1154
00:54:18,560 --> 00:54:20,319
Speaker 2: Really, well, let's see yours here.

1155
00:54:20,440 --> 00:54:21,120
Speaker 1: You don't have anything.

1156
00:54:21,160 --> 00:54:25,600
Speaker 2: It's just recipes and usually recipes and street corners where

1157
00:54:25,600 --> 00:54:27,200
Speaker 2: I've parked my car so I can remember.

1158
00:54:27,400 --> 00:54:28,640
Speaker 1: And you've got a picture of that.

1159
00:54:28,640 --> 00:54:30,640
Speaker 2: That's a that's a doll, that's a Ken doll.

1160
00:54:31,440 --> 00:54:32,720
Speaker 1: Sitting on a beach baky.

1161
00:54:32,800 --> 00:54:35,760
Speaker 2: Yeah. You have here a picture of a book. Actually

1162
00:54:35,760 --> 00:54:36,640
Speaker 2: I gave you that book.

1163
00:54:36,880 --> 00:54:39,320
Speaker 1: Oh that's a great book. By the way, I am Pilgrim.

1164
00:54:39,800 --> 00:54:41,040
Speaker 1: That is a page turn.

1165
00:54:41,120 --> 00:54:43,879
Speaker 2: You've got a picture here of a beautiful vase full

1166
00:54:43,920 --> 00:54:45,200
Speaker 2: of flowers.

1167
00:54:44,719 --> 00:54:47,000
Speaker 1: Send from work, Candolan's flowers. Thank you.

1168
00:54:47,080 --> 00:54:50,160
Speaker 2: Yeah. Picture of two surfboards. You're going to buy a

1169
00:54:50,160 --> 00:54:50,880
Speaker 2: new surfboard.

1170
00:54:50,920 --> 00:54:54,320
Speaker 1: Oh yeah, that's my many board. Yeah.

1171
00:54:55,040 --> 00:54:56,800
Speaker 2: Picture of a house. You're going to buy a new house.

1172
00:54:58,120 --> 00:54:58,640
Speaker 1: You are.

1173
00:55:00,160 --> 00:55:05,560
Speaker 2: Buy a new investment property. So look it's got for

1174
00:55:05,640 --> 00:55:11,000
Speaker 2: sale sign out of the front. Gay Brendan, how many

1175
00:55:11,000 --> 00:55:11,560
Speaker 2: would this be?

1176
00:55:12,200 --> 00:55:15,440
Speaker 1: Just give me them?

1177
00:55:15,520 --> 00:55:16,600
Speaker 2: I want your phone back.

1178
00:55:21,120 --> 00:55:25,280
Speaker 1: Wow, Manager podcast.

1179
00:55:33,360 --> 00:55:36,840
Speaker 2: Our favorite goolie of the year wins twenty thousand dollars

1180
00:55:36,880 --> 00:55:39,400
Speaker 2: cash and a year supply of chocolate from Darlie. This

1181
00:55:39,520 --> 00:55:40,520
Speaker 2: is just for having a.

1182
00:55:40,520 --> 00:55:43,799
Speaker 1: Win, so good. Nine oh six one seven, nine eighty

1183
00:55:43,800 --> 00:55:46,279
Speaker 1: four is our hotline number for you. What have we got?

1184
00:55:47,080 --> 00:55:49,319
Speaker 6: So what really gets my gulies is my son came

1185
00:55:49,320 --> 00:55:52,919
Speaker 6: home yesterday singing hot cross buns nursery rhymes. He sang

1186
00:55:52,960 --> 00:55:55,719
Speaker 6: it like hot cross buns, hot cross buns. I've got

1187
00:55:55,719 --> 00:55:58,120
Speaker 6: no daughters, so I'll give them to my son. I'm

1188
00:55:58,160 --> 00:56:00,720
Speaker 6: just worried about how they're teaching nursery rhymes at school

1189
00:56:00,719 --> 00:56:01,960
Speaker 6: in kindergarten lately.

1190
00:56:05,040 --> 00:56:07,400
Speaker 1: Hot Cross bunds one a penny, two of penny hot

1191
00:56:07,400 --> 00:56:09,279
Speaker 1: Cross bunds. Give them to your daughters, give them to

1192
00:56:09,360 --> 00:56:11,920
Speaker 1: your sons. I always thought it was that I've got

1193
00:56:11,920 --> 00:56:12,319
Speaker 1: no daughters.

1194
00:56:12,360 --> 00:56:14,640
Speaker 2: I've never heard myselves apart from when you sing it,

1195
00:56:14,680 --> 00:56:18,279
Speaker 2: I've never actually heard it in the real world. There

1196
00:56:18,320 --> 00:56:18,680
Speaker 2: you go.

1197
00:56:18,960 --> 00:56:23,320
Speaker 6: What else what gets me is when business is advertise

1198
00:56:23,440 --> 00:56:26,359
Speaker 6: a phone number and it is none O, six three

1199
00:56:26,640 --> 00:56:28,040
Speaker 6: and then letters.

1200
00:56:28,200 --> 00:56:29,080
Speaker 3: What does that mean?

1201
00:56:29,400 --> 00:56:31,600
Speaker 6: That makes it harder than just having the number?

1202
00:56:31,840 --> 00:56:32,160
Speaker 3: Thanks?

1203
00:56:32,560 --> 00:56:34,880
Speaker 2: Can I have a confession here? You know how our

1204
00:56:34,960 --> 00:56:39,880
Speaker 2: number is thirteen W thirteen WSFM. How do you do

1205
00:56:39,920 --> 00:56:41,200
Speaker 2: the WS so you can text?

1206
00:56:41,320 --> 00:56:44,560
Speaker 1: Can't you? So look at your phone? Okay, So you

1207
00:56:44,600 --> 00:56:46,560
Speaker 1: get on there and each one of the numbers, get

1208
00:56:46,600 --> 00:56:48,120
Speaker 1: the call thing open?

1209
00:56:49,080 --> 00:56:50,520
Speaker 2: Okay do you mean keypad?

1210
00:56:50,680 --> 00:56:55,520
Speaker 1: Keypad? Get the keypad now look there, yes, see number

1211
00:56:55,560 --> 00:56:59,080
Speaker 1: two as ABC, Yes, so thirteen, w S eighteen and

1212
00:56:59,360 --> 00:57:05,000
Speaker 1: thirteen and then you go w S which is nine seven.

1213
00:57:05,239 --> 00:57:08,799
Speaker 2: M and I so it's one three nine three three six.

1214
00:57:08,680 --> 00:57:15,040
Speaker 1: Yeah, that's it simple like your number sexy moons you

1215
00:57:15,160 --> 00:57:20,840
Speaker 1: dry thirteen sexy seven E. That's three.

1216
00:57:20,920 --> 00:57:23,760
Speaker 2: Okay, we get the gist. That's what you'r one is

1217
00:57:23,760 --> 00:57:28,240
Speaker 2: called the gist. Thank you for explaining that I never knew.

1218
00:57:28,160 --> 00:57:30,880
Speaker 1: Easy peasy with the badam with the goodyview DIPPEDABT. You

1219
00:57:30,880 --> 00:57:33,320
Speaker 1: can always call our hotline number. It's just a simple number.

1220
00:57:33,440 --> 00:57:37,760
Speaker 1: Nine oh six one seven nine eight four. It's seven tonight.

1221
00:57:39,520 --> 00:57:41,840
Speaker 2: I'd say this to email. A Facebook friend wins three

1222
00:57:41,880 --> 00:57:45,640
Speaker 2: hundred dollars to spend it feast to feast at Hurricanes

1223
00:57:45,760 --> 00:57:49,760
Speaker 2: Grill restaurants in Darling Harbor, Brighton and Circular Key.

1224
00:57:49,960 --> 00:57:50,960
Speaker 1: Yum yum.

1225
00:57:51,080 --> 00:57:52,800
Speaker 2: You'll seet the jones in the Man of Fridge Magnet

1226
00:57:52,840 --> 00:57:55,280
Speaker 2: branded tea towel. I just saw recent for a living

1227
00:57:55,360 --> 00:57:57,440
Speaker 2: room where I had to give flowers to men at Bondai.

1228
00:57:57,600 --> 00:57:59,840
Speaker 2: Had to like an impulse commercial, so.

1229
00:57:59,800 --> 00:58:01,360
Speaker 1: There was a camera crew.

1230
00:58:01,520 --> 00:58:04,400
Speaker 2: Yes it was. It seemed that the older guys were

1231
00:58:04,440 --> 00:58:08,600
Speaker 2: really freaked out by it. Men seemed threatened by getting flowers.

1232
00:58:09,880 --> 00:58:12,400
Speaker 2: We gave you some flowers to pass in our condolences

1233
00:58:12,400 --> 00:58:15,120
Speaker 2: for the passing of your father in law, and you went, oh,

1234
00:58:15,320 --> 00:58:16,360
Speaker 2: I better have a beer.

1235
00:58:16,480 --> 00:58:19,080
Speaker 1: I did not say. I did not say that. What

1236
00:58:19,120 --> 00:58:22,000
Speaker 1: we did do is go down into the man's zone.

1237
00:58:22,880 --> 00:58:26,520
Speaker 1: This is where men can talk about manly things in

1238
00:58:26,560 --> 00:58:29,400
Speaker 1: a safe space, and the question in the man's own today.

1239
00:58:29,720 --> 00:58:32,480
Speaker 2: Men don't care about flowers.

1240
00:58:32,080 --> 00:58:34,680
Speaker 1: That's what I'm saying. I don't hate flowers. I like

1241
00:58:34,720 --> 00:58:37,560
Speaker 1: seeing flowers. They are nice bunch of flowers. But it's

1242
00:58:37,560 --> 00:58:40,000
Speaker 1: not that I don't care about Well.

1243
00:58:39,880 --> 00:58:42,120
Speaker 2: We've got lots of calls from men who did like flowers.

1244
00:58:42,800 --> 00:58:44,720
Speaker 2: And then there was Darren in Falkenbridge.

1245
00:58:44,960 --> 00:58:47,600
Speaker 3: I pick flowers all the time. I picked which one

1246
00:58:47,640 --> 00:58:49,440
Speaker 3: to mow down with the mower and which one to

1247
00:58:49,760 --> 00:58:50,960
Speaker 3: work down with The women.

1248
00:58:52,600 --> 00:58:54,320
Speaker 1: Don't get him around at Elton John's house.

1249
00:58:54,560 --> 00:58:58,840
Speaker 2: Rida U two. That's enough likely phellers back after nine

1250
00:58:59,160 --> 00:59:01,680
Speaker 2: Sydney Royal ticket blitz your chance to win every.

1251
00:59:01,520 --> 00:59:03,760
Speaker 1: Single hour and we'll be back tomorrow.

1252
00:59:03,920 --> 00:59:06,760
Speaker 2: I'll be back tonight with JAUA six tonight examination.

1253
00:59:07,640 --> 00:59:10,080
Speaker 1: Good day. Well, thank god, that's over.

1254
00:59:11,760 --> 00:59:13,560
Speaker 3: Good bite wipe.

1255
00:59:15,120 --> 00:59:15,480
Speaker 6: You're right.

1256
00:59:15,520 --> 00:59:18,880
Speaker 10: You catch Jonesy and Amanda's podcast on the iHeartRadio app

1257
00:59:19,040 --> 00:59:26,680
Speaker 10: or wherever you get your podcasts.

1258
00:59:27,480 --> 00:59:30,560
Speaker 9: Jonesy and Amanda Gmination podcast catch up

1259
00:59:30,560 --> 00:59:33,120
Speaker 10: On what you've missed on the free iHeartRadio app.