1 00:00:00,480 --> 00:00:06,440 Speaker 1: Jonesy and Amanda in the morning Sam ready to go girl, 2 00:00:06,680 --> 00:00:10,479 Speaker 1: so ready to go big use for fans of Bold 3 00:00:10,480 --> 00:00:13,320 Speaker 1: and the Beautiful. They are back filming again. They are 4 00:00:13,320 --> 00:00:16,160 Speaker 1: resuming filming, but a lot of Bold and the Beautiful. 5 00:00:16,160 --> 00:00:18,800 Speaker 1: As we know, characters have it off all the time, 6 00:00:19,480 --> 00:00:21,040 Speaker 1: not all the time, a lot of the time. It's 7 00:00:21,040 --> 00:00:24,599 Speaker 1: interesting when I went to La. This is the thing 8 00:00:24,600 --> 00:00:27,280 Speaker 1: when I when I met the cast in La and 9 00:00:27,320 --> 00:00:30,159 Speaker 1: I had to look around the set. They because of 10 00:00:30,200 --> 00:00:34,040 Speaker 1: the budget cutbacks, they don't have bedroom sets anymore. They 11 00:00:34,120 --> 00:00:38,199 Speaker 1: used to be boudoirs and stuff like that. Now. So 12 00:00:38,440 --> 00:00:41,400 Speaker 1: John Cook, who is Eric, told me that what they 13 00:00:41,440 --> 00:00:43,680 Speaker 1: have to do now is the young people constantly have 14 00:00:43,720 --> 00:00:45,720 Speaker 1: it off in the office. He's always walking in and saying, 15 00:00:45,760 --> 00:00:48,360 Speaker 1: no enough of that here because they can't afford the sets. 16 00:00:48,479 --> 00:00:52,440 Speaker 1: So they all have it off in the workspaces. But anyway, 17 00:00:52,479 --> 00:00:56,840 Speaker 1: that's some hot desking right there, mister Sheen. Is a 18 00:00:56,880 --> 00:01:00,160 Speaker 1: tough time. So they are resuming production this week. But 19 00:01:00,280 --> 00:01:03,600 Speaker 1: to ensure the actors remain safe amid the coronavirus pandemic, 20 00:01:03,960 --> 00:01:08,000 Speaker 1: close contact scenes have been reimagined. Let me tell you 21 00:01:08,000 --> 00:01:11,840 Speaker 1: what that means. The executive producer Bradley Bell has explained 22 00:01:11,840 --> 00:01:14,880 Speaker 1: that the sex scenes are going to be tricky. He's 23 00:01:14,920 --> 00:01:17,320 Speaker 1: come up with a solution, employing blow up dolls to 24 00:01:17,400 --> 00:01:20,040 Speaker 1: keep his characters warm at night. Actors will shoot two 25 00:01:20,080 --> 00:01:22,520 Speaker 1: and a half meters apart, following all the safety standards, 26 00:01:23,080 --> 00:01:26,039 Speaker 1: but using tricks of the business. He says. When it 27 00:01:26,080 --> 00:01:29,360 Speaker 1: comes to close up kissing scenes, the actors will go 28 00:01:29,400 --> 00:01:32,440 Speaker 1: through the kiss routine separately. How do you do that? 29 00:01:32,560 --> 00:01:36,360 Speaker 1: Just move your mouth around and editors will splice them together. 30 00:01:37,600 --> 00:01:41,679 Speaker 1: In some situations, the star's real life spouses, who have 31 00:01:41,720 --> 00:01:45,000 Speaker 1: all been tested for COVID upon arrival, will serve as 32 00:01:45,040 --> 00:01:48,920 Speaker 1: stand ins when physical intimacy is required. I having to 33 00:01:48,920 --> 00:01:56,360 Speaker 1: go to work and pass your partner, I'm kissing you. Ah. 34 00:01:56,440 --> 00:01:59,680 Speaker 1: That show got canceled years ago. In other scenes, producers 35 00:01:59,720 --> 00:02:02,160 Speaker 1: say they will turn to life size dummies. This is 36 00:02:02,200 --> 00:02:05,480 Speaker 1: a quote. We will have some life size, lifelike blow 37 00:02:05,520 --> 00:02:07,600 Speaker 1: up dolls that have been sitting around here for the 38 00:02:07,680 --> 00:02:10,120 Speaker 1: past fifteen years. We use for other storylines, like when 39 00:02:10,160 --> 00:02:14,040 Speaker 1: people were presumed dead. We're dusting off the dolls, putting 40 00:02:14,040 --> 00:02:15,960 Speaker 1: on new wigs and makeup, and they'll be featured in 41 00:02:16,000 --> 00:02:19,880 Speaker 1: the love scene like a blow up doll. How intriguing? 42 00:02:20,040 --> 00:02:23,040 Speaker 1: What's that going to sound like? I love you, Missus Forester, 43 00:02:24,200 --> 00:02:43,320 Speaker 1: I love you, mister. I look forward to it enormously. 44 00:02:43,680 --> 00:02:47,079 Speaker 1: I'm back on the bolt, can't you just? Jonesy and Amanda, 45 00:02:47,320 --> 00:02:49,360 Speaker 1: Good Morning seven. Tell you