1 00:00:01,360 --> 00:00:04,560 Speaker 1: Gone, gone. 2 00:00:05,600 --> 00:00:13,800 Speaker 2: Oh yeah, when we're in the pod. Oh yeah, okay, 3 00:00:14,080 --> 00:00:17,400 Speaker 2: Well we're obviously talking about can off camera, off Mike, 4 00:00:17,880 --> 00:00:24,680 Speaker 2: but itinery cool come film festival. Stan't talk over Jim 5 00:00:25,920 --> 00:00:31,639 Speaker 2: nice Jimmy diary. Okayary number one, what do he has 6 00:00:31,680 --> 00:00:33,040 Speaker 2: a quick yarn about Bundo Beach? 7 00:00:34,960 --> 00:00:35,120 Speaker 1: Oh? 8 00:00:35,560 --> 00:00:36,479 Speaker 3: Sorry, I won't do it. 9 00:00:36,680 --> 00:00:38,360 Speaker 1: Well, I want to do it. No, no, no, no, 10 00:00:39,760 --> 00:00:41,280 Speaker 1: I don't know that. 11 00:00:41,479 --> 00:00:42,159 Speaker 3: It's more, it's more. 12 00:00:42,600 --> 00:00:44,360 Speaker 1: Tinerary number one was you know, have we got a 13 00:00:44,440 --> 00:00:46,280 Speaker 1: choir for Tina Rena? But obviously not. 14 00:00:46,680 --> 00:00:50,280 Speaker 2: Williams is not exact quick Well, I certainly, I certainly 15 00:00:50,360 --> 00:00:53,239 Speaker 2: haven't done anything to organize a choir. 16 00:00:53,400 --> 00:00:55,120 Speaker 1: No, we just said in the last bat yes if 17 00:00:55,120 --> 00:00:55,760 Speaker 1: you're in a choir? 18 00:00:55,840 --> 00:01:02,160 Speaker 2: He is, oh, yeah, so you ask the kV has 19 00:01:02,680 --> 00:01:04,920 Speaker 2: has any this might saym random to you. I'm not 20 00:01:04,920 --> 00:01:06,440 Speaker 2: sure if you're listening to the podcast that we did 21 00:01:06,480 --> 00:01:09,280 Speaker 2: on Friday, But have there been any choirs that is restore. 22 00:01:09,040 --> 00:01:11,400 Speaker 1: Podcasts obviously fastidiously. 23 00:01:11,160 --> 00:01:14,720 Speaker 2: Any choirs, any singers or choirs d m us randomly 24 00:01:14,800 --> 00:01:19,840 Speaker 2: over the weekend saying yeah, boy, hey, QUI here, no. 25 00:01:23,800 --> 00:01:27,360 Speaker 1: Quiet here quiet in a choir? 26 00:01:28,160 --> 00:01:31,640 Speaker 3: No, no choirs? Dm us Sorry, that that is that 27 00:01:31,840 --> 00:01:33,800 Speaker 3: isn't that is a shame. That is a shame. 28 00:01:34,000 --> 00:01:36,000 Speaker 2: That's that seems just weird to me, Like you would 29 00:01:36,000 --> 00:01:39,240 Speaker 2: think that marketing for these choirs is something that when 30 00:01:39,280 --> 00:01:39,760 Speaker 2: you see. 31 00:01:39,640 --> 00:01:42,480 Speaker 1: These choirs that are out there, I don't think there'd 32 00:01:42,480 --> 00:01:44,080 Speaker 1: be that many. How many choirs do you think would 33 00:01:44,080 --> 00:01:46,759 Speaker 1: exist in Melbourne or yeah, let's go over one city. 34 00:01:46,760 --> 00:01:47,039 Speaker 1: How many? 35 00:01:48,280 --> 00:01:49,880 Speaker 2: So what do you are you would you say that 36 00:01:50,000 --> 00:01:52,640 Speaker 2: a quartet of singers would qualify as a choir? 37 00:01:52,800 --> 00:01:54,360 Speaker 1: No, that's a quartet, okay. 38 00:01:54,440 --> 00:01:57,240 Speaker 3: So at what point does a singing group or troop 39 00:01:57,400 --> 00:01:58,120 Speaker 3: become a choir? 40 00:01:58,960 --> 00:02:01,360 Speaker 1: It's a troop and a I reckon, I reckon, you 41 00:02:01,520 --> 00:02:05,320 Speaker 1: need I reckon, you need five? Five or more? Five 42 00:02:05,440 --> 00:02:05,680 Speaker 1: or more? 43 00:02:05,720 --> 00:02:07,720 Speaker 3: Because courtet. But what's a troop? 44 00:02:07,800 --> 00:02:07,920 Speaker 2: Then? 45 00:02:07,960 --> 00:02:08,800 Speaker 3: What's a singing troop? 46 00:02:10,360 --> 00:02:14,079 Speaker 1: Tr o U p E. I think a quiet I 47 00:02:14,160 --> 00:02:14,720 Speaker 1: think it quiet. 48 00:02:14,960 --> 00:02:17,000 Speaker 3: But if it's less than six, it's a group. Is 49 00:02:17,120 --> 00:02:17,639 Speaker 3: less than six? 50 00:02:18,000 --> 00:02:22,519 Speaker 2: Okay, So troop is just five because quartets are forts. 51 00:02:23,000 --> 00:02:26,399 Speaker 1: No, Well, if you travel with a troop, yeah, yeah, 52 00:02:26,560 --> 00:02:28,120 Speaker 1: you want to fit them in the back of an suv. 53 00:02:28,880 --> 00:02:31,040 Speaker 3: I just think that, Yeah, choir has got a bus. 54 00:02:31,440 --> 00:02:32,440 Speaker 3: I'm kind of with tom here. 55 00:02:33,680 --> 00:02:37,600 Speaker 4: Trop a troop travel together in a normal vehicle. 56 00:02:37,880 --> 00:02:42,519 Speaker 1: Yeah, okay, quires more than five or six. 57 00:02:43,960 --> 00:02:47,079 Speaker 3: More than six. Troop is specifically five. 58 00:02:48,080 --> 00:02:50,600 Speaker 1: Group is not specifically five. And I'm going to say 59 00:02:50,639 --> 00:02:53,000 Speaker 1: there's crossover in the in the ven diagram, you can 60 00:02:53,040 --> 00:02:55,079 Speaker 1: be you can be acquir who is a troop. They're 61 00:02:55,080 --> 00:02:59,880 Speaker 1: not mutually exclusive us. Hey dude, hey, hey, hey. Singing 62 00:03:00,000 --> 00:03:04,120 Speaker 1: groups just a concept like gender, right, don't get bogged 63 00:03:04,240 --> 00:03:06,120 Speaker 1: you don't get bogged down in the specific streit. It's fluid. 64 00:03:06,400 --> 00:03:07,160 Speaker 3: We need to box them. 65 00:03:07,160 --> 00:03:09,000 Speaker 2: We need to box them because otherwise I get confused. 66 00:03:09,160 --> 00:03:10,679 Speaker 2: Someone said to me, oh, what do you want to 67 00:03:10,720 --> 00:03:12,560 Speaker 2: do this evening? And I go, oh, I went and sorry, 68 00:03:14,639 --> 00:03:16,040 Speaker 2: I don't know if it was a troop or a quire. 69 00:03:16,720 --> 00:03:18,400 Speaker 2: Incredibly confusing, But who cares. 70 00:03:18,400 --> 00:03:20,280 Speaker 1: They're not going to go oh well that sounds more 71 00:03:20,320 --> 00:03:21,560 Speaker 1: like a true Yeah. 72 00:03:21,560 --> 00:03:23,400 Speaker 3: I think I think they would. I think I would be. 73 00:03:23,919 --> 00:03:26,079 Speaker 3: I think I would be. I think I would be 74 00:03:26,160 --> 00:03:29,120 Speaker 3: hammered for walking into a conversation. Ye're hammered. 75 00:03:29,200 --> 00:03:31,959 Speaker 2: I would be verbally hammered for walking into a conversation 76 00:03:32,080 --> 00:03:33,639 Speaker 2: and not knowing what the group was called? 77 00:03:33,680 --> 00:03:34,440 Speaker 1: What what what it was? 78 00:03:34,520 --> 00:03:36,680 Speaker 3: The the performance that I saw. 79 00:03:37,640 --> 00:03:39,920 Speaker 1: Okay, fine, we'll look. All I'm saying is five or 80 00:03:39,960 --> 00:03:43,720 Speaker 1: six is a troop. No more, No, there's crossover. Now. Look, 81 00:03:43,920 --> 00:03:45,680 Speaker 1: all I'm saying is will take troop or quiet. I 82 00:03:45,720 --> 00:03:47,080 Speaker 1: don't the reason I'm say I don't want to scare 83 00:03:47,120 --> 00:03:48,720 Speaker 1: either of them off. We'll take troop or quiet. If 84 00:03:48,720 --> 00:03:50,240 Speaker 1: you're in a troop or a choir, please hit us 85 00:03:50,320 --> 00:03:53,240 Speaker 1: up as part of our pitch because you get Tina Arena. 86 00:03:53,280 --> 00:03:56,800 Speaker 1: If you miss that, it does involve Gandalf the White now. 87 00:03:56,920 --> 00:04:02,360 Speaker 3: Land, Drew Barrymore and Matthew Autumn something. 88 00:04:02,920 --> 00:04:05,880 Speaker 1: Michael, Michael, Michael. 89 00:04:06,640 --> 00:04:08,920 Speaker 3: Now you said to me before the book. By the way, 90 00:04:09,040 --> 00:04:10,000 Speaker 3: Michael Varton. 91 00:04:09,800 --> 00:04:12,000 Speaker 1: Yeah, if you see him these days, really, I don't 92 00:04:12,000 --> 00:04:14,960 Speaker 1: think you saw him. Meant that when he Drew Barrymore 93 00:04:15,000 --> 00:04:16,360 Speaker 1: did this thing on her podcast and she was like 94 00:04:16,800 --> 00:04:19,840 Speaker 1: TV if only Michael Varton was here, and Michael Varton 95 00:04:19,920 --> 00:04:20,680 Speaker 1: rocks up and you. 96 00:04:20,680 --> 00:04:23,080 Speaker 3: Know, trust to get security. 97 00:04:23,120 --> 00:04:24,120 Speaker 1: It's like Drew. 98 00:04:24,760 --> 00:04:27,600 Speaker 3: He's asking for Michael Varton, the famous actor. 99 00:04:28,600 --> 00:04:29,640 Speaker 1: It's not a good look. Anyway. 100 00:04:29,720 --> 00:04:32,160 Speaker 3: Let's talk not carrying that. 101 00:04:33,320 --> 00:04:39,520 Speaker 4: There's more. I've got more, swift, bloody hell news. What 102 00:04:41,200 --> 00:04:45,680 Speaker 4: we've received a message we have? Yeah, what the message thing? 103 00:04:46,320 --> 00:04:48,680 Speaker 2: Audio message? Hang on real quick, real quick. You said 104 00:04:48,720 --> 00:04:51,320 Speaker 2: to me how many choir slash troops are in? Say 105 00:04:51,400 --> 00:04:54,560 Speaker 2: Victoria ra Yeah, Victoria, Oh you're back on that. I 106 00:04:54,640 --> 00:04:59,120 Speaker 2: just want to answer it. Melbourne in the seventy seventy five? Okay, 107 00:04:59,240 --> 00:05:00,520 Speaker 2: what's the so much more? 108 00:05:05,800 --> 00:05:11,360 Speaker 4: James Russell one of our free ons, James Russell and said, 109 00:05:11,480 --> 00:05:14,680 Speaker 4: k V, can you please show Will this song? I'll 110 00:05:14,680 --> 00:05:15,240 Speaker 4: play the song? 111 00:05:18,480 --> 00:05:19,279 Speaker 3: This is huge? 112 00:05:21,920 --> 00:05:22,680 Speaker 4: So this is the song? 113 00:05:25,880 --> 00:05:26,920 Speaker 3: She went in tense, didn't cheers? 114 00:05:26,920 --> 00:05:27,320 Speaker 1: It's good? 115 00:05:28,440 --> 00:05:28,800 Speaker 2: What is this? 116 00:05:29,000 --> 00:05:31,720 Speaker 4: And it says so James says, k V, can you 117 00:05:31,760 --> 00:05:34,200 Speaker 4: please show Will this song? He probably knows it, being 118 00:05:34,240 --> 00:05:36,400 Speaker 4: the fan that he is, but just in case he doesn't, 119 00:05:36,600 --> 00:05:38,480 Speaker 4: he might like it because I know he likes electronic, 120 00:05:39,520 --> 00:05:41,760 Speaker 4: but he may also think that they have butchered her vocals. 121 00:05:42,720 --> 00:05:45,440 Speaker 4: Also loving the extended version of the BTS podcast at 122 00:05:45,440 --> 00:05:45,760 Speaker 4: the moment. 123 00:05:47,440 --> 00:05:48,080 Speaker 1: Is this a mix? 124 00:05:48,200 --> 00:05:51,280 Speaker 4: All right? So this is the rock project featuring Tina 125 00:05:51,400 --> 00:05:56,560 Speaker 4: Arena never the Filterheads love Tina remix like this. 126 00:06:00,279 --> 00:06:04,040 Speaker 1: God's very intense, isn't it not intense? Is beautiful? 127 00:06:04,320 --> 00:06:05,200 Speaker 3: What she's saying there? 128 00:06:05,440 --> 00:06:09,960 Speaker 1: Just you managed in a basement now three four in 129 00:06:10,000 --> 00:06:13,480 Speaker 1: the morning. Only the people who are like dedicated still here. 130 00:06:14,640 --> 00:06:22,240 Speaker 1: You're not wearing much. Ah, this is just so shy. 131 00:06:23,080 --> 00:06:24,320 Speaker 3: Thank you James Russell. 132 00:06:24,440 --> 00:06:26,600 Speaker 1: Thanks for sending that through Jimmy Boy. Is there a 133 00:06:26,720 --> 00:06:28,000 Speaker 1: drop rusty. 134 00:06:30,000 --> 00:06:31,520 Speaker 3: One of the Instagram The big drop us. 135 00:06:31,400 --> 00:06:34,440 Speaker 1: Sort of like steadily building electronic songs where you won't 136 00:06:34,480 --> 00:06:36,159 Speaker 1: know where you are and then they will strip everything 137 00:06:36,200 --> 00:06:38,040 Speaker 1: away and will just be the vocals, is what I 138 00:06:38,120 --> 00:06:40,760 Speaker 1: would guess at this stage to you. 139 00:06:42,240 --> 00:06:42,839 Speaker 3: I just feel like we. 140 00:06:52,080 --> 00:06:56,360 Speaker 1: Here we go and a Dodger. 141 00:06:59,400 --> 00:07:00,359 Speaker 3: I just felt didn't I. 142 00:07:01,760 --> 00:07:06,280 Speaker 1: Don't don't mind me, but good sounds that were been 143 00:07:06,480 --> 00:07:09,279 Speaker 1: sure about it. He's been to share about this, learned 144 00:07:09,360 --> 00:07:15,480 Speaker 1: a lot from us since then, us listening to us. 145 00:07:15,480 --> 00:07:19,240 Speaker 3: So yeah, for now, let's become that. I think I 146 00:07:19,360 --> 00:07:20,880 Speaker 3: imagine everyone did enjoy it as much as I and 147 00:07:20,960 --> 00:07:21,680 Speaker 3: started here we Go. 148 00:07:22,880 --> 00:07:23,640 Speaker 1: You never. 149 00:07:25,360 --> 00:07:26,520 Speaker 3: Brought in there, You. 150 00:07:26,720 --> 00:07:30,520 Speaker 1: Never streaming me to love. 151 00:07:30,640 --> 00:07:34,880 Speaker 2: You want s again? So pasts? 152 00:07:37,120 --> 00:07:42,040 Speaker 1: You never hear me crying, You want to look me 153 00:07:42,480 --> 00:07:49,920 Speaker 1: trying to love? You want SA again? You know, so pasts. 154 00:07:51,040 --> 00:07:51,560 Speaker 2: You love? 155 00:07:53,400 --> 00:07:56,760 Speaker 1: Oh, I mean flowing back the all and nevers. 156 00:07:57,000 --> 00:08:07,720 Speaker 3: You just want to be but oh the ocean sound effects. 157 00:08:07,760 --> 00:08:08,240 Speaker 3: That's nice. 158 00:08:09,560 --> 00:08:14,960 Speaker 1: Yep, good take very good, very very good. 159 00:08:15,080 --> 00:08:17,080 Speaker 3: So was that just like a f y I have 160 00:08:17,240 --> 00:08:19,120 Speaker 3: listened to this song. We're not supposed to take anything 161 00:08:19,160 --> 00:08:19,400 Speaker 3: from that. 162 00:08:19,520 --> 00:08:22,560 Speaker 2: AI like I mean, I'm I'm kind of thinking now 163 00:08:22,600 --> 00:08:25,520 Speaker 2: that maybe she does like to rave in caves. 164 00:08:25,840 --> 00:08:26,440 Speaker 1: I don't think she. 165 00:08:27,920 --> 00:08:28,600 Speaker 3: Like she didn't. 166 00:08:28,800 --> 00:08:31,800 Speaker 1: It's just a somebody's you know. 167 00:08:32,280 --> 00:08:34,000 Speaker 3: Didn't they have to ask her permission to put it 168 00:08:34,040 --> 00:08:34,480 Speaker 3: on a rave? 169 00:08:35,559 --> 00:08:35,599 Speaker 2: No? 170 00:08:35,760 --> 00:08:36,000 Speaker 4: I no? 171 00:08:36,480 --> 00:08:38,520 Speaker 3: So this that this wouldn't suggest that she likes to 172 00:08:39,360 --> 00:08:41,319 Speaker 3: get into a dungeon somewhere and go for it. 173 00:08:41,559 --> 00:08:42,480 Speaker 4: Oh well, I wouldn't. 174 00:08:42,480 --> 00:08:44,040 Speaker 1: I wouldn't say that. I wouldn't say that. 175 00:08:45,320 --> 00:08:47,120 Speaker 3: I haven't said it. I was asking the question, Oh well, 176 00:08:47,559 --> 00:08:49,199 Speaker 3: I haven't said it either. The question is if the 177 00:08:49,240 --> 00:08:50,520 Speaker 3: answer is no, that's totally fine. 178 00:08:50,720 --> 00:08:54,400 Speaker 1: What's what's the extup on your agenda? I'm not done. 179 00:08:54,640 --> 00:08:56,400 Speaker 3: I'm not done. What I'm saying? 180 00:08:56,720 --> 00:08:59,640 Speaker 1: Are you not done? What are you talking about? 181 00:09:00,840 --> 00:09:01,800 Speaker 3: Tina Arena? 182 00:09:02,280 --> 00:09:05,480 Speaker 2: And I'm trying to everyone knows our current plan, right, 183 00:09:06,000 --> 00:09:08,040 Speaker 2: I just think all of a sudden, I'm going, Okay, 184 00:09:08,080 --> 00:09:10,960 Speaker 2: maybe she's got an interest in electronic music. I'm going 185 00:09:11,000 --> 00:09:14,360 Speaker 2: to start planning you around oh my choir. Well, maybe 186 00:09:14,400 --> 00:09:16,920 Speaker 2: the coin is to pop up in a what are 187 00:09:16,920 --> 00:09:18,760 Speaker 2: these what are these cool nightclubs that are going around 188 00:09:18,760 --> 00:09:19,200 Speaker 2: at the moment. 189 00:09:19,520 --> 00:09:21,640 Speaker 3: What's the coolest nightclub? What's the hot? Is that the 190 00:09:21,760 --> 00:09:25,199 Speaker 3: IVY still hot? People still going to the Ivy? 191 00:09:26,760 --> 00:09:28,800 Speaker 1: No, well, not that I know. I'm sure that there 192 00:09:28,840 --> 00:09:30,640 Speaker 1: are people that are going to the IVY for sure, 193 00:09:31,280 --> 00:09:31,840 Speaker 1: for sure, But. 194 00:09:31,880 --> 00:09:33,200 Speaker 3: What's the cool club at the moment? And it has 195 00:09:33,280 --> 00:09:34,400 Speaker 3: always a bit of a cool club? 196 00:09:34,640 --> 00:09:34,880 Speaker 2: Yeah? 197 00:09:35,440 --> 00:09:38,439 Speaker 3: What's hop right now? I'm out, I'm out of the 198 00:09:38,480 --> 00:09:39,000 Speaker 3: club scene. 199 00:09:39,040 --> 00:09:40,040 Speaker 1: What sort of club are you after? 200 00:09:40,559 --> 00:09:41,040 Speaker 3: The cool one? 201 00:09:41,600 --> 00:09:44,440 Speaker 1: But there's a c this like we're doing just Melbourne? 202 00:09:45,640 --> 00:09:47,480 Speaker 3: She played in Melbourne? 203 00:09:47,520 --> 00:09:50,040 Speaker 1: Okay, she she came and played if we do the 204 00:09:50,080 --> 00:09:51,880 Speaker 1: thing at the Nightcat? Because I think that might be 205 00:09:52,040 --> 00:09:54,559 Speaker 1: near as well, potentially. 206 00:09:54,360 --> 00:09:57,320 Speaker 3: What I'm going in for the potentially Ivy? Who knows? 207 00:09:57,520 --> 00:09:58,760 Speaker 3: I think you need to get up with the band 208 00:09:58,840 --> 00:09:59,320 Speaker 3: at the Cat. 209 00:09:59,760 --> 00:10:02,120 Speaker 1: There's no houseband the Cat. What they do it's not 210 00:10:02,240 --> 00:10:03,520 Speaker 1: called the Cat, it's called the Nightcat. 211 00:10:03,679 --> 00:10:04,800 Speaker 3: What do they do at the Nightcap? 212 00:10:04,960 --> 00:10:05,600 Speaker 1: They do everything? 213 00:10:05,840 --> 00:10:06,120 Speaker 3: Okay? 214 00:10:06,160 --> 00:10:08,760 Speaker 2: So is there a stage as soul funk DJs that 215 00:10:08,840 --> 00:10:11,040 Speaker 2: do it all? We didn't get one of these bands, 216 00:10:11,160 --> 00:10:15,920 Speaker 2: but they're not bands. Sometimes wait for a band, have 217 00:10:16,040 --> 00:10:19,160 Speaker 2: a chat with the with the guys or the goals. Yeah, guys, 218 00:10:20,200 --> 00:10:22,559 Speaker 2: trying to keep wanting to use the word lure, but 219 00:10:22,640 --> 00:10:23,120 Speaker 2: you don't. 220 00:10:22,960 --> 00:10:24,880 Speaker 1: Like the word lure. I think it's aggressive here. 221 00:10:24,840 --> 00:10:27,040 Speaker 3: Trying to openly invite Tina Arena. 222 00:10:27,240 --> 00:10:30,440 Speaker 2: Nice here, Yeah, min if I jump up on stage 223 00:10:30,440 --> 00:10:32,320 Speaker 2: and have a boogie with you guys. 224 00:10:32,520 --> 00:10:33,920 Speaker 3: Yeah, and that's the siren call. 225 00:10:35,360 --> 00:10:35,560 Speaker 1: Yeah. 226 00:10:35,720 --> 00:10:38,199 Speaker 2: I just think we were throwing around public space. I 227 00:10:38,240 --> 00:10:40,480 Speaker 2: think we need to angle our focus into. 228 00:10:41,360 --> 00:10:43,880 Speaker 1: She find out about it. So do we put up 229 00:10:43,880 --> 00:10:46,320 Speaker 1: posters saying like potentially featuring Tina Arena. 230 00:10:47,559 --> 00:10:49,760 Speaker 3: Totally, I hadn't even thought about that. That's great idea. 231 00:10:49,800 --> 00:10:52,000 Speaker 4: And then you know who's playing at the nightcat Here 232 00:10:52,080 --> 00:10:58,920 Speaker 4: we go psychedelic Pawn Crumpets, like the Crumpets to go 233 00:10:59,160 --> 00:11:02,280 Speaker 4: psychedelic Paul Crumpets, possibly featuring. 234 00:11:03,200 --> 00:11:07,000 Speaker 3: Let's get the Porn Crumpets, the Crumpets of Porn. 235 00:11:07,120 --> 00:11:10,120 Speaker 4: When in the Crumpets of Porn playing Thursday, the twenty 236 00:11:10,200 --> 00:11:13,160 Speaker 4: first of March, I might be a bit soon. 237 00:11:13,320 --> 00:11:14,040 Speaker 1: Oh no, that's all right. 238 00:11:14,120 --> 00:11:15,880 Speaker 3: That's that's a little while a lot of time to 239 00:11:15,920 --> 00:11:17,480 Speaker 3: prep are the twenty. 240 00:11:17,280 --> 00:11:19,240 Speaker 1: First of March. We asked the Crumpets. Can we do 241 00:11:19,320 --> 00:11:20,280 Speaker 1: a bit with Tina Arena. 242 00:11:20,480 --> 00:11:22,439 Speaker 3: Let's we'll get the porn crumpets on tomorrow on the 243 00:11:22,520 --> 00:11:24,880 Speaker 3: pot and we just go to them. 244 00:11:24,920 --> 00:11:27,920 Speaker 1: Okay, guys, probably the gigy your lives playing the Nightcat. 245 00:11:28,160 --> 00:11:29,600 Speaker 3: But congrats for starters. 246 00:11:30,080 --> 00:11:30,360 Speaker 2: Huge. 247 00:11:30,800 --> 00:11:33,240 Speaker 3: Otherwise, why you called the Crumpets of porn? Good question. 248 00:11:33,360 --> 00:11:35,680 Speaker 1: Obviously we couldn't get into that a little bit. There's 249 00:11:35,720 --> 00:11:37,960 Speaker 1: what happened there. There's a lot the crumpets, a lot 250 00:11:38,000 --> 00:11:40,520 Speaker 1: of una. There's a lot to un back now I've 251 00:11:40,520 --> 00:11:42,440 Speaker 1: heard of the porn Crumpets before. No, they're not They're 252 00:11:42,520 --> 00:11:43,840 Speaker 1: not small times small. 253 00:11:43,960 --> 00:11:46,320 Speaker 4: Otherwise, the other one that you could do is there 254 00:11:46,400 --> 00:11:48,959 Speaker 4: was a band that at a music festival. You know 255 00:11:49,080 --> 00:11:53,840 Speaker 4: that song, Jackie jack Jacket Jackie Yes, yes, yes. Private 256 00:11:54,000 --> 00:11:56,400 Speaker 4: Function is a band that's playing at the Nightcat and 257 00:11:56,480 --> 00:12:01,680 Speaker 4: they bought out Joanne see Jackie. So the first amous 258 00:12:02,200 --> 00:12:05,240 Speaker 4: for bringing out big Aussie nineties artists. 259 00:12:05,720 --> 00:12:07,079 Speaker 1: They might be able to do it. 260 00:12:08,200 --> 00:12:09,680 Speaker 4: But they're playing this Thursday. 261 00:12:12,000 --> 00:12:13,719 Speaker 1: Can you hear a live event on let's focus on 262 00:12:13,760 --> 00:12:17,360 Speaker 1: the post story about I think we focus on the 263 00:12:17,400 --> 00:12:18,880 Speaker 1: Crumpets as well what we. 264 00:12:18,920 --> 00:12:23,640 Speaker 2: Can do if someone want to reach him, Could you 265 00:12:23,720 --> 00:12:29,559 Speaker 2: please direct message the porn crumpets psychedelics sorry, psychedelic psychedelic 266 00:12:29,640 --> 00:12:35,200 Speaker 2: porn crumpets and to say, like ensemble, I think they 267 00:12:35,200 --> 00:12:35,800 Speaker 2: could be a troup. 268 00:12:36,000 --> 00:12:41,920 Speaker 1: Hard to know that, O my god, this is delicious 269 00:12:41,960 --> 00:12:42,559 Speaker 1: by the way. 270 00:12:42,600 --> 00:12:45,440 Speaker 3: And yeah, to say, would you be interested in the chat? 271 00:12:46,400 --> 00:12:49,840 Speaker 2: Can we have a mobile number, give us your captain 272 00:12:49,880 --> 00:12:52,360 Speaker 2: of the pawn or give us the lead crumpet? 273 00:12:53,679 --> 00:12:58,600 Speaker 3: Yeah, yeah, yeah, all. 274 00:12:58,600 --> 00:13:01,600 Speaker 2: Right, great Now my story from Bonda needs to wait. No, come, 275 00:13:02,320 --> 00:13:04,439 Speaker 2: I quite like it, being like it can't be that, 276 00:13:04,679 --> 00:13:08,920 Speaker 2: it can't be that we didn't get tired, didn't get time, 277 00:13:08,960 --> 00:13:10,000 Speaker 2: and all of a sudden you want to hear it, 278 00:13:10,080 --> 00:13:14,720 Speaker 2: don't you. Well tune in tomorrow from Yarn from Bondi Beach. 279 00:13:15,200 --> 00:13:19,559 Speaker 1: And a chat with the pawn Crumpets. Yes hopefully psychedelic porn. 280 00:13:19,679 --> 00:13:21,880 Speaker 1: Come all right, guys, we'll see tomorrow