1 00:00:00,520 --> 00:00:03,480 Speaker 1: Kate Sobrano has a new album out called My Life 2 00:00:03,600 --> 00:00:05,520 Speaker 1: Is a Symphony. She's also doing some shows but on 3 00:00:05,559 --> 00:00:08,080 Speaker 1: the East Coast and she's with us. 4 00:00:08,000 --> 00:00:11,399 Speaker 2: Now good morning kay shows on the West coast. 5 00:00:11,720 --> 00:00:14,640 Speaker 1: You are coming here as well with the Yeah, my 6 00:00:14,680 --> 00:00:16,919 Speaker 1: Life is a Symphony? Oh well, I take it back then. Yeah. 7 00:00:17,200 --> 00:00:20,200 Speaker 2: No, no, it's yet to be announced. Okay, you. 8 00:00:24,680 --> 00:00:28,520 Speaker 1: Heard it here you defend yourself. No, I'm sorry. 9 00:00:28,680 --> 00:00:31,440 Speaker 2: This album was recorded before COVID, so it's taken four 10 00:00:31,520 --> 00:00:35,360 Speaker 2: years to actually make okay. And it says it's like 11 00:00:35,400 --> 00:00:39,280 Speaker 2: a film, and like the title suggests, it's like a 12 00:00:40,040 --> 00:00:43,199 Speaker 2: broad spectrum of all of the fields. 13 00:00:43,280 --> 00:00:47,520 Speaker 1: Yeah, well is you know, probably obvious. So My Life 14 00:00:47,560 --> 00:00:50,640 Speaker 1: is a Symphony it's with the Melbourne Symphony Orchestra. Features 15 00:00:50,800 --> 00:00:54,800 Speaker 1: some of your favorite songs reimagined. How many musicians were involved? 16 00:00:54,800 --> 00:00:57,920 Speaker 1: How many takes does it take to record songs with 17 00:00:57,960 --> 00:00:58,840 Speaker 1: the symphony orchestra. 18 00:00:58,960 --> 00:01:01,400 Speaker 2: Well, I think that people are under the idea that 19 00:01:01,440 --> 00:01:03,880 Speaker 2: the recordings take a long time as symphonies, and yet 20 00:01:03,920 --> 00:01:06,880 Speaker 2: they are recorded in real time. So orchestras are so 21 00:01:07,280 --> 00:01:11,080 Speaker 2: fabulous and they're so highly trained and so skilled that 22 00:01:11,120 --> 00:01:13,080 Speaker 2: you can just put a piece of paper in front 23 00:01:13,080 --> 00:01:14,640 Speaker 2: of them and it could have been like your life 24 00:01:14,760 --> 00:01:17,960 Speaker 2: Sopus and then just go boom in one take and 25 00:01:18,000 --> 00:01:20,960 Speaker 2: that's it. It's recorded. My favorite album that I made, 26 00:01:21,080 --> 00:01:23,000 Speaker 2: actually in my career to date, has been with the 27 00:01:23,040 --> 00:01:27,640 Speaker 2: Western Australian Sypney Orchestra. I know, and I'm not even 28 00:01:27,720 --> 00:01:31,200 Speaker 2: saying that it's a blow the whole It was actually 29 00:01:31,959 --> 00:01:34,920 Speaker 2: again another chance when I had like stepping over from 30 00:01:34,920 --> 00:01:38,520 Speaker 2: a pop artist into the stronics of space. Yeah, you 31 00:01:38,600 --> 00:01:40,880 Speaker 2: have to kind of do it with much respect and 32 00:01:40,920 --> 00:01:44,160 Speaker 2: dignity for the orchestra themselves because they can play you know, 33 00:01:44,440 --> 00:01:48,920 Speaker 2: Marla Beethoven, Rakmaninoff, and you need to give them more 34 00:01:48,960 --> 00:01:51,160 Speaker 2: than just a three chord pop song. You need to 35 00:01:51,160 --> 00:01:53,240 Speaker 2: give them an experience. The guy that I did in 36 00:01:53,240 --> 00:01:57,120 Speaker 2: his arrangements with is the musical director. He had been 37 00:01:57,160 --> 00:02:00,480 Speaker 2: for years with James Morrison's Jazz Academy, but he also 38 00:02:00,520 --> 00:02:03,280 Speaker 2: works with the Bamboos and the cat Empire, and so 39 00:02:03,360 --> 00:02:06,840 Speaker 2: he's got this really great study of pop and classics. 40 00:02:07,160 --> 00:02:09,400 Speaker 3: Okay, I've played those early on talking singles. There's New 41 00:02:09,440 --> 00:02:11,600 Speaker 3: Things on vinyl, and vinyl was the first time on 42 00:02:11,720 --> 00:02:16,080 Speaker 3: the radio. Is this album, Katie, Is this your thirtieth album, 43 00:02:16,080 --> 00:02:16,480 Speaker 3: What's Coming. 44 00:02:16,960 --> 00:02:19,959 Speaker 2: Yeah, it is actually and in forty years of being 45 00:02:20,240 --> 00:02:23,280 Speaker 2: an artist, I don't aim to make the definitive album. 46 00:02:23,360 --> 00:02:26,160 Speaker 2: I don't reckon that's actually even physically possible. I think 47 00:02:26,200 --> 00:02:28,760 Speaker 2: an artist has to grow and they have to change 48 00:02:28,880 --> 00:02:31,480 Speaker 2: just as much as like from you know, when I recorded. 49 00:02:31,520 --> 00:02:34,880 Speaker 2: But I'm talking at seventeen, at the grand old age 50 00:02:34,919 --> 00:02:38,280 Speaker 2: of fifty six. You know, I'm a different person. So 51 00:02:39,520 --> 00:02:41,000 Speaker 2: you make music about. 52 00:02:40,800 --> 00:02:43,040 Speaker 1: Who you are. But I mean so many genres that 53 00:02:43,200 --> 00:02:46,440 Speaker 1: you have stepped around. Because I love Kate Sobrano and 54 00:02:46,520 --> 00:02:49,079 Speaker 1: the Septet just you know that album. 55 00:02:50,240 --> 00:02:54,000 Speaker 2: I put it, thought it a lot, and I see. 56 00:02:54,800 --> 00:02:56,960 Speaker 1: You know where no one can hear me. I love 57 00:02:57,080 --> 00:02:57,880 Speaker 1: the jest stuff. 58 00:02:58,400 --> 00:03:00,280 Speaker 2: I feel like I was born old. It was really weird. 59 00:03:00,360 --> 00:03:03,440 Speaker 2: I wanted to be all of those films draped over 60 00:03:03,520 --> 00:03:07,320 Speaker 2: a piano and smoky bars, and I was still young 61 00:03:07,440 --> 00:03:09,320 Speaker 2: enough to kind of like make it really sexy. So 62 00:03:09,400 --> 00:03:12,720 Speaker 2: it was sort of seventeen that album was released in 63 00:03:12,800 --> 00:03:16,120 Speaker 2: the guy who did that record for me, his name 64 00:03:16,200 --> 00:03:18,560 Speaker 2: was Cliff at Hocking. He had brought out Judy Garland 65 00:03:18,680 --> 00:03:22,400 Speaker 2: Frank Sinatra on their last tour and he booked me 66 00:03:22,480 --> 00:03:26,320 Speaker 2: in Perse for the Big Purse Festival there at the 67 00:03:26,400 --> 00:03:29,519 Speaker 2: time of the Big Boat Race, you know, the America's Girl. 68 00:03:30,720 --> 00:03:34,120 Speaker 2: And then so you could say, w A that maybe 69 00:03:34,160 --> 00:03:41,040 Speaker 2: you discovered me. You state, how good is that? 70 00:03:42,160 --> 00:03:44,480 Speaker 3: I know you're at the recent Opera Awards, and what 71 00:03:44,560 --> 00:03:47,080 Speaker 3: a night it was. I mean, speaking of Colin Hay, 72 00:03:47,120 --> 00:03:48,360 Speaker 3: I know you were there and you caught up with 73 00:03:48,600 --> 00:03:51,320 Speaker 3: the legend himself and I played those business as usual 74 00:03:51,360 --> 00:03:54,320 Speaker 3: on cargo albums. Still my fingers bled, but what a 75 00:03:54,400 --> 00:03:56,640 Speaker 3: wonderful thing for him to be acknowledged on that night. 76 00:03:56,760 --> 00:03:59,840 Speaker 2: So well, well, the statement that he made is true 77 00:04:01,200 --> 00:04:02,880 Speaker 2: for any of us that are like the kind of 78 00:04:03,200 --> 00:04:05,920 Speaker 2: the last of the Mohicans, if you can re evolve 79 00:04:06,000 --> 00:04:07,920 Speaker 2: and stay in the business of being who you are. 80 00:04:08,520 --> 00:04:12,160 Speaker 2: And he said, and oh this is a bad quote, 81 00:04:12,200 --> 00:04:14,240 Speaker 2: but meaning I'm not going to say it as he 82 00:04:14,320 --> 00:04:16,120 Speaker 2: said it, But he said, you know, I reached the 83 00:04:16,200 --> 00:04:20,560 Speaker 2: apex of a popular sort of success, and then I 84 00:04:20,680 --> 00:04:23,840 Speaker 2: had to start from zero again. And it's taken this 85 00:04:23,960 --> 00:04:25,560 Speaker 2: long to get to where I'm to sday. But he said, 86 00:04:25,680 --> 00:04:28,000 Speaker 2: this is the artist I always hoped I would become. 87 00:04:29,320 --> 00:04:33,320 Speaker 1: There's names Miss Sobrano in the Macquarie Dictionary. 88 00:04:33,920 --> 00:04:37,679 Speaker 2: What true going on? You've done your homework. 89 00:04:37,839 --> 00:04:40,200 Speaker 3: This was amazing, totally. 90 00:04:40,440 --> 00:04:42,760 Speaker 1: A name is not in the dictionary, but here you 91 00:04:42,880 --> 00:04:44,120 Speaker 1: are sobrano o Kate. 92 00:04:44,400 --> 00:04:45,960 Speaker 2: They had to put it in there because I'm so 93 00:04:46,440 --> 00:04:49,400 Speaker 2: like notoriously misspelled my name. They needed to put it 94 00:04:49,480 --> 00:04:50,760 Speaker 2: there so that people could check it up in the 95 00:04:50,800 --> 00:04:53,520 Speaker 2: dictionary to see if it's spelt it right. Actually, I 96 00:04:53,600 --> 00:04:56,320 Speaker 2: am very glad for my career in the Apps. I 97 00:04:56,400 --> 00:04:59,160 Speaker 2: think Australia I have everything to think. I think my 98 00:04:59,279 --> 00:05:01,160 Speaker 2: daughter said it beauty once. She said, Mum, I think 99 00:05:01,200 --> 00:05:06,040 Speaker 2: you've got the career that you can handle, which it 100 00:05:06,240 --> 00:05:09,440 Speaker 2: is because I get asked off and she's there. Can 101 00:05:09,480 --> 00:05:12,040 Speaker 2: you imagine, you know, she's often in a super Oh 102 00:05:12,560 --> 00:05:18,200 Speaker 2: she was famous as Connie and as a little kid. 103 00:05:18,320 --> 00:05:20,680 Speaker 2: You know, this can be quite make a deep impression. 104 00:05:20,920 --> 00:05:24,479 Speaker 2: And then she she rationalized it. She said, actually knowing 105 00:05:24,560 --> 00:05:27,080 Speaker 2: you and knowing you as the mum that you are, 106 00:05:27,560 --> 00:05:29,880 Speaker 2: you're exactly where you want to be. So I was like, 107 00:05:30,160 --> 00:05:33,000 Speaker 2: I'll take a kid, that's a great compliment. 108 00:05:33,120 --> 00:05:36,400 Speaker 1: The album is out now and you shall in the 109 00:05:36,520 --> 00:05:39,000 Speaker 1: future and now it's some shows over here. 110 00:05:39,320 --> 00:05:42,000 Speaker 2: We look forward to that Okay, Well then good, you 111 00:05:42,360 --> 00:05:42,760 Speaker 2: birthed it. 112 00:05:42,920 --> 00:05:45,080 Speaker 1: Then it's all out there now and now I'm going. 113 00:05:45,080 --> 00:05:45,720 Speaker 2: To make it happen. 114 00:05:46,440 --> 00:05:48,599 Speaker 3: To look at the baddie, but you've got to once 115 00:05:48,640 --> 00:05:49,960 Speaker 3: you come to Perth where we discovered you. 116 00:05:50,000 --> 00:05:52,960 Speaker 2: All the best, Thanks guy. 117 00:05:53,680 --> 00:05:54,000 Speaker 1: Okay,