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Speaker 1: Happy to you. Yay. It's the jam Nation podcast with

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Speaker 1: Jonesy and Amanda Well.

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Speaker 2: We were joined by Frank Woodley from Leno and Woodley Fame,

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Speaker 2: Julie Goodwin from Master Chef Fame.

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Speaker 1: There was a drip on Celebrity Apprentice last night.

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Speaker 3: You haven't started yet.

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Speaker 1: Also, speaking of stupidity, the twenty five million dollars to

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Speaker 1: put a flag ball on top of the Harbor Bridge

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Speaker 1: that goes to the Jonesy de Matter of Arms for

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Speaker 1: the pub test.

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Speaker 2: The tribal dramas beating for misshard song lyrics. We actually

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Speaker 2: talked to the new South Wales minister in charge of

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Speaker 2: the flag at the top of the bridge and Jonesy

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Speaker 2: puts an incredible plan to her.

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Speaker 3: She says, I don't think so.

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Speaker 1: You know why she didn't like it because she's a

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Speaker 1: politician and I gave her common sense. Enjoy our podcast.

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Speaker 4: Everybody online.

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Speaker 1: It now that a miracle of recording. We have so

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Speaker 1: many requests for them to do it again.

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Speaker 5: Mistress Amanda and Miskiller Man it doesn't work alone.

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Speaker 6: Friend making the tools of the train.

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Speaker 1: I've heard them describe him as a drunken idiot.

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Speaker 7: The legendary part Jonesy, Amanda the actress.

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Speaker 3: Congratulations, were there right now?

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Speaker 1: Jersey and Amanda, You're doing a great job.

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Speaker 4: Set now good radio.

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Speaker 1: Sorry but of a total tongue twist.

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Speaker 8: Set Amanda's shoot.

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Speaker 1: Timy, we're on the air, Amanda. How are you today?

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Speaker 3: Well, we're feeling better than yesterday, aren't.

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Speaker 1: I feel great today.

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Speaker 2: I didn't have a hangover because I didn't consume that much.

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Speaker 2: It was more just yelling above music and things. And

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Speaker 2: I think I'm getting a cold. I don't have COVID

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Speaker 2: because I'm filming today and I had to do it,

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Speaker 2: and I do it COVID test every time you do it.

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Speaker 1: You're filming your hit TV show the living room. You'd

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Speaker 1: be happy to know today is the shortest day of

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Speaker 1: the year.

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Speaker 2: What's sort of interesting segue meaning of the winter solstice.

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Speaker 2: But a short day is a good filming day.

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Speaker 1: You mean, well, it means it wraps up earlier. Say hey,

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Speaker 1: we're losing light, guys, too.

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Speaker 3: Bad, we're all inside annoyingly too bad.

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Speaker 1: We've all got to go.

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Speaker 2: So yes, today is the shortest day of the year

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Speaker 2: in Sydney. The winter solstice means that about four we

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Speaker 2: have four and a half fewer daylight hours. And on

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Speaker 2: our longest day, which is December twenty two, where we

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Speaker 2: have fourteen hours and twenty four minutes of daylight, all

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Speaker 2: we're going to get today is ten seconds of daylight.

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Speaker 3: I made up that last bit. But we get four

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Speaker 3: and a half fewer hours.

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Speaker 1: So here we go.

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Speaker 2: We're going to experience the shortestday of the year nine

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Speaker 2: hours and fifty three minutes of daylight for the winter solstice.

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Speaker 2: And it doesn't mean that it's the coldest day. Temperature

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Speaker 2: and light are separate things.

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Speaker 1: In ancient times, the druids would come out and pants

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Speaker 1: about in robes, I would imagine, and there'd be some

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Speaker 1: sort of virgin sacrifice. I don't know what happens. We

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Speaker 1: go looking, what shaw are you doing again? It's not

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Speaker 1: married at first sight.

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Speaker 2: Yes, Instead, we just read out this information and we

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Speaker 2: don't have to dress up like a druid points around

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Speaker 2: in the cold.

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Speaker 3: I'm grateful for that.

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Speaker 1: If druids puss around, they kind of like amble a

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Speaker 1: band a bit.

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Speaker 9: No, I think.

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Speaker 2: Then they hold hands and go woo around stone engine things.

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Speaker 1: Yeah, but what druids do? Are there druids around anymore?

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Speaker 3: I don't think there's modern druids.

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Speaker 2: If there are, there's people who have who take part

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Speaker 2: in the reenactment.

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Speaker 1: Those people that do the LARPers, what live action role

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Speaker 1: play into it?

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Speaker 3: And why would you pick a druid.

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Speaker 1: I think a druid's good because they come up with

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Speaker 1: all the potents.

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Speaker 3: And it's true.

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Speaker 2: It's a simple costume that mum could whisk us on

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Speaker 2: your sacks to make.

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Speaker 1: You don't have to shave. It's low maintenance, going.

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Speaker 2: To be good, Okay, in the winter months, it'd be

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Speaker 2: a challenge. I think you would be not to get

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Speaker 2: some animal skins.

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Speaker 3: You have to get a pelt.

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Speaker 1: Generally, I love the idea of being a.

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Speaker 3: Drud you'd make yourself a flannel litt one.

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Speaker 1: I get a pelt, I get like, get me a virgin,

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Speaker 1: because you have to have one of those.

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Speaker 2: Get me a virgin And you're even going backwards with

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Speaker 2: your English. Everything's had dovetailing.

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Speaker 1: Are you upset because you're not a virgin.

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Speaker 2: I've had two children, so I've done it twice.

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Speaker 1: Well. Action packed show. Today, we're going to be joined

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Speaker 1: by Colin Lane or Frank Wood.

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Speaker 3: No we're not. We're going to be joined by Frank Woodley.

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Speaker 3: Okay from Lane and Woodley.

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Speaker 1: Well, I like to think that Lana Woodley are like

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Speaker 1: us indivisible. But we've got Colin coming in by himself too.

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Speaker 1: It's Frank Frank coming in by himself. We love Frank

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Speaker 1: zoom on the zoom o case.

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Speaker 2: None of them coming in if we had a meeting

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Speaker 2: about this ten seconds ago.

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Speaker 1: Pay attention to that. I was catching up with last

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Speaker 1: night Celebrity Apprentice.

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Speaker 3: And we also have Julie Goodwin on the show today.

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Speaker 3: Julie Goodwin is you know even got druid brain.

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Speaker 1: Druid's had very keen brains.

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Speaker 3: They know who warm Frank Woodley.

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Speaker 1: Was wearing a pelt and the ten thousand dollars question

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Speaker 1: makes us return. But we can't do anything until we

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Speaker 1: do the magnificent seven.

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Speaker 3: What's the name commonly given to a bar? In the

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Speaker 3: Wild West Era.

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Speaker 1: Podcast? We have the magnificence seven seven questions? Could you

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Speaker 1: go all the way and answer all seven questions correctly?

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Speaker 1: If you do that, Amanda will say.

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Speaker 3: Well, hello and congratulations.

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Speaker 1: It's about getting question seven right. Vander is with us

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Speaker 1: from Cabra Mava. Hello, Vander, Hi.

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Speaker 2: Hello, Vander. We've got question number one for you. What

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Speaker 2: is the name commonly given to a bar in the

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Speaker 2: wild West era?

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Speaker 1: Absolute you push through the swinging doors.

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Speaker 3: And then someone playing the piano and then you shoot

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Speaker 3: them up. Excuse me, it's Piani the pianny.

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Speaker 1: In which sport would you find a night watchman?

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Speaker 2: Vander spot switch sport?

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Speaker 1: Sport?

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Speaker 7: I don't know.

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Speaker 8: Cricket.

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Speaker 2: It is cricket. It sounded like you didn't want that

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Speaker 2: to be the answer, but it is. A night watchman

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Speaker 2: is someone who's from the lower order. So say you've

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Speaker 2: got a couple of great batsmen the next to come in.

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Speaker 2: They put someone who's lower down the order to come

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Speaker 2: in late in the day because it's easy to get

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Speaker 2: out late in the day and they don't waste a

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Speaker 2: good one.

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Speaker 1: So that's when warning we used to come out in

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Speaker 1: bat Yeah.

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Speaker 2: That's right, they're called a night watchman. Let's play cover me, Vander. Well,

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Speaker 2: most of us haven't heard of the band Marilyn and

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Speaker 2: the Lucky Cats, but here they are singing which song.

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Speaker 10: Just got to not ductor baby? Yes, you won't impress me.

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Speaker 10: You can't be two thirty that back.

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Speaker 3: I know how to and just me.

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Speaker 1: No idea.

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Speaker 2: Sorry, Vander sounds like we've phoned her and forced her

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Speaker 2: to answer questions.

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Speaker 1: Then we put her in a really imposition there, we've.

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Speaker 2: Tied it down to answer the question, answer the questions. Well,

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Speaker 2: Vander's no longer here, she's with it, of course she's

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Speaker 2: she just hung up.

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Speaker 1: She'll come back. And Kieran is in Kellyville.

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Speaker 3: I Kieran, Kay, would you like to hear this song again?

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Speaker 6: Yeah?

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Speaker 11: I would love to hear.

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Speaker 10: Just got to not douctor baby?

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Speaker 3: Yes, you one impressed? A lovely voice like that? Why

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Speaker 3: do you wasted singing jazz?

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Speaker 10: To time?

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Speaker 1: Jazz? How to and no time for jazz? Or hip hop?

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Speaker 1: And R and B there's the three. That's the traffic.

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Speaker 3: Well, no one cares what you think? So what song?

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Speaker 5: Look?

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Speaker 9: I mean it's jazz, which I think is an amazing genre,

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Speaker 9: but I don't actually know the song unfortunately.

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Speaker 1: Okay, Well, thank you to joining from the less friendly

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Speaker 1: band to the incredibly friendly KI.

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Speaker 3: Well that's question three. What the hell is that song?

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Speaker 1: We are into the Magnificent seven. We find ourselves at

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Speaker 1: question number three. We're playing cover me.

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Speaker 2: We've got Rachel in one brawl. Hello Rachel, Hi, please

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Speaker 2: put us out of misery. What song is this?

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Speaker 10: Just got to nuck baby? Yes, you one, impress me?

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Speaker 3: What song is it? You can't be too Let's get

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Speaker 3: rid of.

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Speaker 6: It, all right.

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Speaker 3: It's kissed, Yes it is.

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Speaker 6: Yay, there it is.

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Speaker 1: That's the one in the movie Back to the Future

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Speaker 1: of the time Machine, which we know was a Dolori

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Speaker 1: in car, but it was originally it was Back to

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Speaker 1: the Future the car. It's a time machine. Back to

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Speaker 1: the future.

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Speaker 3: I know. I thought, anyway, keep going, keep going.

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Speaker 1: What did you think it was?

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Speaker 3: I didn't notice.

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Speaker 1: What have you seen the movie? I think so the

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Speaker 1: whole movie is about time track.

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Speaker 3: But so they go in the car to do it.

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Speaker 3: I remember them, maybe to get to a clock tower.

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Speaker 1: Are you joking?

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Speaker 3: I don't think so. Have I misspoken?

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Speaker 8: I just.

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Speaker 1: That's like saying Top Gun? Is there planes in Top Gun? Well?

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Speaker 2: You know I didn't really see top Gun. I was

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Speaker 2: all the second one. I'm not like you.

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Speaker 1: Because I got a brain in my head and you

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Speaker 1: don't know that. Rachel. A time which you'd be interested

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Speaker 1: to know, is a DeLorean I was was originally meant

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Speaker 1: to be what was it? A fridge powered by nuclear detonations?

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Speaker 1: Be a telephone box powered by a fusion home energy reactor,

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Speaker 1: or see a float tank powdered powered by a nuclear

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Speaker 1: atomized nanoparticles.

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Speaker 3: So was it a fridge, a telephone box, or a

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Speaker 3: float tank?

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Speaker 1: They toyed with other ideas and it has been out

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Speaker 1: there on the trivia circuit this particular question.

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Speaker 12: Okay, I'm just going to have to take a guess.

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Speaker 13: I think it's probably.

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Speaker 3: Like a fridge. So it was going to be a

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Speaker 3: fridge end up being a car.

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Speaker 1: Apparently was like it was in a float tank and

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Speaker 1: you went in it because you would have done a weird.

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Speaker 3: Set the world on fire.

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Speaker 1: So when you watch back to the get back to

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Speaker 1: nine fifty? Sure if I watched it, and then indeed,

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Speaker 1: how did he get through to twenty fifteen?

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Speaker 3: Which was I knew there was time travel?

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Speaker 2: I probably knew it at the time, And I've forgotten

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Speaker 2: question five, A penny farthing was what type of vehicle?

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Speaker 3: Rachel? It wasn't a time machine? What's a penny father?

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Speaker 1: Hello?

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Speaker 9: Oh?

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Speaker 13: Sorry again.

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Speaker 3: A penny farthing?

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Speaker 8: Early this morning?

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Speaker 3: Hello, we have to be here.

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Speaker 1: We made an effort, Rachel.

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Speaker 13: You make an effort to you get paid for it?

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Speaker 3: I don't you make a very good point. What is

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Speaker 3: a penny farthing?

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Speaker 1: In Australian slang? What is a shoey? Rachel?

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Speaker 13: Shoey? It's like a drink out of a shoe.

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Speaker 3: That's right.

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Speaker 2: Question seven who on the very first season of Master

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Speaker 2: Chef Australia.

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Speaker 1: Here we go, Rachel?

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Speaker 3: What's your name? I won't give it, Julie, Julie or

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Speaker 3: what's the name she's on our show today?

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Speaker 1: Congratulations Rachel, you've won the jam Packet's all coming away

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Speaker 1: one hundred and fifty dollars TVSN Shopping Boutcher Discover Beauty

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Speaker 1: with TVSN, Australia's number one television shopping network. A family

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Speaker 1: passed the Jurassic World by Brickman at the Australian Museum, Sydney,

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Speaker 1: must close soon. Booked now through ticket Teck and Jonesy

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Speaker 1: the MAANDIC coach to choose Vieder color and some standard pencils.

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Speaker 1: Rachel's eth that you would like to add?

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Speaker 4: Sorry?

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Speaker 1: Is there anything we'd like to add?

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Speaker 3: I think the wo Who's enough?

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Speaker 5: And I'm sorry, I'm like you at a car.

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Speaker 3: That's all right, don't you worry, Rachel? Do you know

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Speaker 3: speaking of Brickman. I met Brickman at the Logis. He's

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Speaker 3: so nice. He said he used to watch me on

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Speaker 3: Beyond two thousand.

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Speaker 2: Who didn't Well, how you know he was a school

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Speaker 2: child at the time.

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Speaker 1: But once again, that begets what we were just talking

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Speaker 1: about before. It begs the question. You were on Beyond

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Speaker 1: two thousand, which was Nerds Paradise, and you still didn't know.

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Speaker 3: That I wasn't a nerd. So you know, remember, I

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Speaker 3: don't know that Anakin was what's his face?

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Speaker 1: You didn't know that the Doloreum was a time It's

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Speaker 1: not a.

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Speaker 3: Beyond two thousand Quests was a big thing. Time travel.

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Speaker 1: Time.

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Speaker 2: I never did a story on time travel. I watched

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Speaker 2: the movie The Fly. Didn't think, whoa, let's make a

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Speaker 2: documentary A Fly goes gets teleported their movies Brendan.

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Speaker 1: Yeah, I know, but you do see what I'm saying that,

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Speaker 1: don't you?

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Speaker 7: Not?

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Speaker 1: Really you do.

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Speaker 3: Let's move on. Jonesy and Amanda Germation podcast. Let's go

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Speaker 3: I'm actually all growin another day another Dalar.

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Speaker 5: You know what they are?

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Speaker 1: You writing job, but someone goes to stop work.

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Speaker 9: Well.

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Speaker 2: The Germanak is our big book of musical facts and

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Speaker 2: on this day. In nineteen ninety four, George Michael lost

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Speaker 2: his lawsuit against Sony Records. He claimed that his fifteen

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Speaker 2: year contract with Sony was unfair because the company could

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Speaker 2: refuse to release albums that they thought wouldn't be commercially successful.

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Speaker 2: This track incided with a devastating period in his personal life,

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Speaker 2: during which his partner and Selmo Philippa discovered he was

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Speaker 2: HIV positive and later died of an age related brain

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Speaker 2: hemorrhag tough time. George described and Selmo as his savior

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Speaker 2: who helped him feel comfortable about his sexuality. So what

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Speaker 2: a hard time for George. The Sony case put his

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Speaker 2: career on hold for five years, and George vowed he

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Speaker 2: would never record for Sony again. He did resign with

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Speaker 2: the company in two thousand and three. Well, you know,

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Speaker 2: times change, times change, of course, let's play this.

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Speaker 1: I was a little tired last night. I could watch

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Speaker 1: all of Celebrity Apprentice, so I watched a bit of it.

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Speaker 1: I got enough of the Celebrity Apprentice storyline and what

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Speaker 1: was it was down to four? Now you got Benji,

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Speaker 1: you got Amy Shark.

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Speaker 3: For people to haven't watched Ronnie, the premise who's Ronnie.

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Speaker 1: He was in the block Ronnie and Georgia.

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Speaker 2: So the premise is you have to do a number

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Speaker 2: of tasks and phone people to his money.

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Speaker 1: Yep. And when they used to have your boyfriend Mark

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Speaker 1: Burus on there, they moved him or Mike probably left up.

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Speaker 1: He doesn't need to do the shase. So they've got

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Speaker 1: Lord Allan Sugar, Lord Allan Sugar, who loves us, bloke,

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Speaker 1: you know.

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Speaker 3: There's a cranky bugger with every.

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Speaker 1: Way he's loaded.

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Speaker 2: He's a billion Being loaded doesn't mean you can be

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Speaker 2: a cranky bugger. Hugh Jackman's got money doesn't make him nicety,

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Speaker 2: very nice.

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Speaker 1: That's true. Maybe Lord Allan Sugar should take a leaf

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Speaker 1: out of Huge's book. Anyway. On Celebrity Apprentice, Lord Alan

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Speaker 1: Sugar appeared at the State Theater with some bombshell news

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Speaker 1: about Darren mcmallon.

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Speaker 7: You've noticed Darren is not here at the moment. I

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Speaker 7: regret to inform you that overnight Darren has taken ill.

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Speaker 7: He's in hospital and there is a distinct possibility that

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Speaker 7: he might not be able to complete the process.

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Speaker 1: He's dead.

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Speaker 2: No, he's not, No, he's not, but he makes it

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Speaker 2: sound like he's threatened him and he's hurt him. Alan

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Speaker 2: Sugar has made that sound like I'll do the same

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Speaker 2: to you too.

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Speaker 3: Who's going to wash my car?

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Speaker 1: Now?

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Speaker 3: Do you think it sounds threatening?

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Speaker 1: MICHAELA.

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Speaker 2: Welldren's in hospital. He might not come back.

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Speaker 1: He was on my patch, he was anyway. It was

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Speaker 1: kind of weird.

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Speaker 3: What's wrong with him?

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Speaker 1: But Darren had a heart issue. He's a young man.

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Speaker 1: He had like some sort of heart is he okay?

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Speaker 1: He's okay. Well, the curious thing is, there's a few

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Speaker 1: curious things about this. Because I did fall asleep because I.

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Speaker 3: Was tired, so you've had a fever dream.

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Speaker 1: So there was the bit where they showed up at

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Speaker 1: the State Theater, but I have a feeling that they

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Speaker 1: filmed it at different times because Lord Alan's Sugar was

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Speaker 1: on that. He was like Mussolini on the balcony looking

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Speaker 1: down at them, and they were looking up at him right,

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Speaker 1: and it just didn't I couldn't see them all together.

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Speaker 1: So it's like I can imagine just some producer reading

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Speaker 1: it off on the paper.

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Speaker 2: And Alan was there a day. So I don't want

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Speaker 2: to see the contestants, and I'll film my bit separately.

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Speaker 1: I'll film, we get back to I'll blight you and like.

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Speaker 1: But anyway, Darren did come back for the show, but

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Speaker 1: under strict medical conditions. Darren's doctor would only let him

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Speaker 1: participate today if he stayed hydrated. I'm feeling really really

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Speaker 1: up against that. My brain is so foggy right now.

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Speaker 1: I'm not thinking like I usually think. I just don't know.

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Speaker 1: I'm gonna pull it off. To be honest, dazz never

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Speaker 1: heard you so under confident. Let's hope this drip is

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Speaker 1: filled with inspiration.

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Speaker 3: Whose voice is that?

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Speaker 1: That's the voice Abba Guy who he takes it on tourists. Well,

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Speaker 1: the voice Abba Guy. So that was so Darren.

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Speaker 3: Darren had to drink more water, is what we're here.

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Speaker 1: Darren was on a drip, actual joke.

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Speaker 3: So he worked but was attached to a drip.

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Speaker 1: He was attached to a drip, which.

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Speaker 3: Is not a first guy from that not a first

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Speaker 3: for that show.

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Speaker 1: So so yeah, and then I fell asleep and I

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Speaker 1: don't know what happened.

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Speaker 3: Well, I love this review. We're gonna have the winning

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Speaker 3: any more people in hospital.

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Speaker 1: We have the winner from the show coming out. They

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Speaker 1: might be on it tomorrow.

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Speaker 2: They might be on a drip or attached to a lion,

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Speaker 2: something crazy coming on a commode.

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Speaker 3: I look forward to it.

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Speaker 1: You've watched every minute of that show.

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Speaker 3: Podcast.

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Speaker 2: So yes, we have been quoted or the government has

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Speaker 2: been quoted twenty five million dollars to put the Aboriginal

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Speaker 2: flag at the top of the Harbor bridge. I don't

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Speaker 2: think there'd be anyone who wouldn't think it was a

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Speaker 2: good idea to do so.

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Speaker 3: Great surprise, it's taken so long.

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Speaker 2: It has been a long campaign to get it there,

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Speaker 2: a five year long grassroots campaign. It started in twenty seventeen.

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Speaker 2: A Camillroy woman, Shari Tooka, led the push to give

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Speaker 2: the flag a prime position on Sydney Harbor. They raised

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Speaker 2: themselves three hundred thousand dollars towards the cost, and last

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Speaker 2: week our Premiere has committed another twenty five million for

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Speaker 2: construction work to install. This will be the third flag

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Speaker 2: pole because we have the Australian flag, we have the

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Speaker 2: new South Wales flag.

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Speaker 3: I didn't even know we had that.

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Speaker 1: You have the stupid state flag that no one cares

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Speaker 1: what's on it?

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Speaker 3: Is it the warrortime?

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Speaker 1: No, it's got like a it means nothing to no one.

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Speaker 1: If you're not in the camera bubble, it means nothing

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Speaker 1: to anyone. It's our state flag. Who cares? I don't

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Speaker 1: understand why they don't have So there's two flagpoles there, now,

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Speaker 1: why don't they nick off the state flag and to

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Speaker 1: put the Aboriginal flag there? Boom. Problem solved. Don't have

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Speaker 1: to do anything that's interesting save the money. No one

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Speaker 1: cares about this.

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Speaker 2: So maybe people who would say historically the state flag

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Speaker 2: is important, I don't know.

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Speaker 3: I didn't even know we had one.

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Speaker 1: See exactly, but although you didn't realize that back to

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Speaker 1: the future, the Doloreum was a time machine.

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Speaker 2: Brendan. I can't be all things to all people. What's

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Speaker 2: interesting is that Dominic Peryite has been dubbed dom the

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Speaker 2: Builder because of all the infrastructure he's doing. It's been

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Speaker 2: asked why it costs twenty five million dollars for the

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Speaker 2: construction work to put up a third flag pole. But

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Speaker 2: I was watching the news last night. It's not just

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Speaker 2: as easy as sticking up a flagpole, building a new

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Speaker 2: six story mast, which requires significant engineering.

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Speaker 3: As well as replacing the two other poles. The plan

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Speaker 3: also means shifting the beacon they call blinky bill and

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Speaker 3: it's a heritage listed It's going to take two years

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Speaker 3: to do though.

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Speaker 2: However, with a whole lot of people saying why is

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Speaker 2: it so expansive, he is saying, we will get a

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Speaker 2: second opinion on the costs.

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Speaker 1: We get another quote and look the state flag for

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Speaker 1: New South Wales. There it is there. Look at it.

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Speaker 2: So it's the Union jack and a blue and it's god,

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Speaker 2: its almost looked like a Welsh flag had a drag anything.

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Speaker 1: I honestly, I look at the people that run the

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Speaker 1: world and it should be you. Honestly, I do not

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Speaker 1: know why we run the state flag on top of

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Speaker 1: the bridge. Why would you bother? Just put the Australian flag,

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Speaker 1: but the Aboriginal flag and it won't cost you as Zach.

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Speaker 2: But I've been interested by the number of people men

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Speaker 2: who've been saying, mate, why is it so expensive?

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Speaker 3: I could do it. This is such a man thing

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Speaker 3: to say. Suddenly we're all experts on what it.

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Speaker 2: Takes to do a massive six story construction on the

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Speaker 2: Harbor prisons.

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Speaker 1: Mate, I'll do it.

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Speaker 3: I'll get a pole and I'll put up a flag.

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Speaker 1: I'll be a woman like you. I've got to do this,

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Speaker 1: and we've got to change this to it's going to

450
00:20:27,760 --> 00:20:28,800
Speaker 1: cost a billion.

451
00:20:28,440 --> 00:20:30,199
Speaker 3: Dollars, which is the safety work you've got to do.

452
00:20:30,240 --> 00:20:31,840
Speaker 3: There have to be people who work on gantries.

453
00:20:31,920 --> 00:20:34,080
Speaker 2: There's also you can't just have a flag fall down

454
00:20:34,160 --> 00:20:35,879
Speaker 2: on over people driving below.

455
00:20:36,000 --> 00:20:37,760
Speaker 1: Write down is what it's going to cost you the

456
00:20:37,880 --> 00:20:39,600
Speaker 1: jones You wait, okay.

457
00:20:39,200 --> 00:20:41,399
Speaker 3: So this is what I don't like about you add.

458
00:20:41,280 --> 00:20:44,320
Speaker 1: It to the list. We've got two poles, okay, right,

459
00:20:44,400 --> 00:20:47,159
Speaker 1: we get rid of that flag that no one. No

460
00:20:47,200 --> 00:20:47,679
Speaker 1: one knows I.

461
00:20:47,840 --> 00:20:50,560
Speaker 3: Say something we get No one is debating getting rid

462
00:20:50,560 --> 00:20:50,760
Speaker 3: of that.

463
00:20:50,880 --> 00:20:54,160
Speaker 2: So at a third pole, when you say we, you're

464
00:20:54,160 --> 00:20:55,720
Speaker 2: the only one who's brought up get rid of the

465
00:20:55,720 --> 00:20:56,520
Speaker 2: new South Wales one.

466
00:20:56,600 --> 00:20:58,119
Speaker 3: So let's work with where no.

467
00:20:58,200 --> 00:21:00,160
Speaker 1: One's thought about it.

468
00:21:00,800 --> 00:21:04,520
Speaker 2: Let's work with what the actual parameters are, which are why.

469
00:21:04,359 --> 00:21:05,760
Speaker 1: Are you defending the hill of.

470
00:21:05,720 --> 00:21:08,760
Speaker 2: The state Because I'm just saying because the public debate

471
00:21:08,840 --> 00:21:11,640
Speaker 2: hasn't even gone there yet. The public debate is how

472
00:21:11,720 --> 00:21:13,160
Speaker 2: you put up a third flag pole.

473
00:21:13,280 --> 00:21:15,679
Speaker 1: We don't need a third flag pole. That's my point.

474
00:21:16,480 --> 00:21:18,600
Speaker 1: Get rid of the new South Wales state flag. No

475
00:21:18,640 --> 00:21:20,920
Speaker 1: one cares about it, no one knows what it looks like.

476
00:21:21,920 --> 00:21:23,600
Speaker 2: So you're not even you're not even going to enter

477
00:21:23,640 --> 00:21:25,440
Speaker 2: the debate about how we put up the third one.

478
00:21:25,600 --> 00:21:27,919
Speaker 1: No, because there's no need for it. What your debate

479
00:21:28,119 --> 00:21:30,360
Speaker 1: is that doesn't need to be a debate.

480
00:21:30,040 --> 00:21:32,679
Speaker 3: Because you've decided personally yourself yes.

481
00:21:32,520 --> 00:21:34,600
Speaker 1: And you don't have and you know what, we have

482
00:21:34,680 --> 00:21:38,320
Speaker 1: just saved twenty five million dollars boom, right there, twenty

483
00:21:38,320 --> 00:21:42,200
Speaker 1: five million dollars has just been saved through common sense whatever.

484
00:21:43,400 --> 00:21:47,360
Speaker 2: What no one is saying take down the New south

485
00:21:47,400 --> 00:21:50,240
Speaker 2: Wales flag apart from Brandon Jones. And maybe that's a

486
00:21:50,240 --> 00:21:53,280
Speaker 2: good idea, but at the moment, the debate is there's

487
00:21:53,320 --> 00:21:54,240
Speaker 2: a third pole that.

488
00:21:54,200 --> 00:21:54,960
Speaker 3: Has to go up.

489
00:21:55,400 --> 00:21:57,480
Speaker 1: No, that there's no need for a third I think.

490
00:21:57,359 --> 00:22:00,480
Speaker 3: You've decided a state flag. Well, actually, and we're on

491
00:22:00,520 --> 00:22:02,200
Speaker 3: the phone, you'd love to take your talk.

492
00:22:04,240 --> 00:22:06,440
Speaker 1: And talk about this because maybe you know what he

493
00:22:06,520 --> 00:22:09,840
Speaker 1: might actually go. You know what, that's a great idea.

494
00:22:10,480 --> 00:22:12,520
Speaker 2: As if the premiere of New south Wales is going

495
00:22:12,560 --> 00:22:15,119
Speaker 2: to say ditch the New south Wales flag, it's he

496
00:22:15,240 --> 00:22:16,120
Speaker 2: can't say that.

497
00:22:16,040 --> 00:22:18,680
Speaker 1: No one cares about it. If we ran a poll

498
00:22:19,000 --> 00:22:21,560
Speaker 1: the New south Wales flag, does anyone care about it?

499
00:22:22,200 --> 00:22:22,320
Speaker 6: Right?

500
00:22:22,480 --> 00:22:23,359
Speaker 1: Most people don't even.

501
00:22:23,240 --> 00:22:23,960
Speaker 3: Know what else look like.

502
00:22:24,359 --> 00:22:26,760
Speaker 2: I'm sure you're right, but it's not our call to make.

503
00:22:26,880 --> 00:22:29,800
Speaker 2: It's not Missishops to decide whether we have the new

504
00:22:29,840 --> 00:22:30,760
Speaker 2: South Wales flag.

505
00:22:31,240 --> 00:22:34,680
Speaker 1: Look, watch this space. I'm going to say that flag.

506
00:22:35,280 --> 00:22:37,640
Speaker 1: We're going to say twenty five million dollars right now,

507
00:22:37,720 --> 00:22:42,679
Speaker 1: and I want a piece of this consultancy feet all

508
00:22:42,720 --> 00:22:44,040
Speaker 1: of this. I'd be sorry.

509
00:22:44,119 --> 00:22:48,239
Speaker 2: It's great news, giant bag of mixed lollies for all

510
00:22:48,280 --> 00:22:50,080
Speaker 2: of us.

511
00:22:51,000 --> 00:22:52,760
Speaker 1: There's a couple of questions that I have to ask you.

512
00:22:52,880 --> 00:22:55,919
Speaker 1: I answer questions, Just answer a question. Okay, what's in

513
00:22:55,960 --> 00:22:56,320
Speaker 1: it for me?

514
00:22:57,240 --> 00:22:57,640
Speaker 11: Dollars?

515
00:22:57,680 --> 00:22:59,280
Speaker 9: A dollar reward.

516
00:23:00,640 --> 00:23:03,679
Speaker 1: That's happening right here, right now. Ten questions, sixty seconds

517
00:23:03,760 --> 00:23:05,719
Speaker 1: and ten thousand dollars could be yours.

518
00:23:05,840 --> 00:23:09,240
Speaker 2: The person who answers question ten correctly wins the money.

519
00:23:09,760 --> 00:23:11,920
Speaker 2: We have as you say, sixty seconds on the clock.

520
00:23:12,000 --> 00:23:14,840
Speaker 2: But when we set out, you get buzzed out the

521
00:23:14,920 --> 00:23:17,760
Speaker 2: second that you hesitate, the second you're wrong, and someone

522
00:23:17,760 --> 00:23:20,120
Speaker 2: else takes your place. So the person who answers question

523
00:23:20,160 --> 00:23:22,240
Speaker 2: ten correctly in the time gets the money.

524
00:23:22,440 --> 00:23:26,760
Speaker 1: Roxanna is in Winston Hills. Hello, Roxanna, Hi, how are

525
00:23:26,840 --> 00:23:27,560
Speaker 1: you great?

526
00:23:27,800 --> 00:23:31,919
Speaker 3: All right? Roxanna? You might want to turn your radio down.

527
00:23:31,440 --> 00:23:32,880
Speaker 1: Using Rosanna, You're going to be focused.

528
00:23:33,080 --> 00:23:36,120
Speaker 3: Sorry, you all set?

529
00:23:37,320 --> 00:23:42,480
Speaker 1: Good? Take your time Rock Center. It's okay.

530
00:23:43,320 --> 00:23:44,400
Speaker 3: Luckily we haven't started the clock.

531
00:23:44,520 --> 00:23:46,240
Speaker 1: Well, are we going to afford this? We're going to

532
00:23:46,240 --> 00:23:48,520
Speaker 1: afford this in the first question, this is the first

533
00:23:48,520 --> 00:23:48,919
Speaker 1: call up.

534
00:23:49,040 --> 00:23:50,960
Speaker 3: All right? Are you you set to go?

535
00:23:52,040 --> 00:23:52,240
Speaker 8: Yes?

536
00:23:53,080 --> 00:23:53,399
Speaker 1: All right?

537
00:23:53,760 --> 00:23:55,840
Speaker 3: Good luck, Na, here we go.

538
00:23:56,040 --> 00:24:00,160
Speaker 2: Question one Mount Franklin is a brand of what beverage?

539
00:24:01,760 --> 00:24:02,320
Speaker 3: Question two?

540
00:24:02,320 --> 00:24:06,600
Speaker 2: What's the hottest planet in the Solar System?

541
00:24:06,920 --> 00:24:09,680
Speaker 1: Oh, Jonathan's in Warrington Downs.

542
00:24:09,720 --> 00:24:11,480
Speaker 3: What's the hottest planet in the Solar System?

543
00:24:12,520 --> 00:24:12,879
Speaker 9: Jupiter?

544
00:24:13,960 --> 00:24:15,320
Speaker 1: Adams In five does what's.

545
00:24:15,160 --> 00:24:18,479
Speaker 2: The hottest planet in the Solar System?

546
00:24:18,960 --> 00:24:19,959
Speaker 1: Ash is in Penrith.

547
00:24:20,040 --> 00:24:22,159
Speaker 3: What's the hottest planet in the Solar System?

548
00:24:23,960 --> 00:24:25,000
Speaker 1: Dennis and Karen's here?

549
00:24:25,080 --> 00:24:26,840
Speaker 3: Hottest planet in the Solar System?

550
00:24:27,200 --> 00:24:27,600
Speaker 11: Phoenix?

551
00:24:27,760 --> 00:24:30,880
Speaker 2: Question three, Colen Skink is a type of what type

552
00:24:30,880 --> 00:24:31,560
Speaker 2: of dish.

553
00:24:33,119 --> 00:24:34,000
Speaker 8: I'm gonna say soup?

554
00:24:34,720 --> 00:24:35,320
Speaker 3: Question four?

555
00:24:35,640 --> 00:24:38,359
Speaker 2: Avana is the capital of which country?

556
00:24:40,240 --> 00:24:40,760
Speaker 8: In the past?

557
00:24:41,720 --> 00:24:44,160
Speaker 2: In Campbelltown, Havana is the capital of which country?

558
00:24:44,960 --> 00:24:45,400
Speaker 5: Cuba?

559
00:24:45,520 --> 00:24:47,760
Speaker 3: Question five. The movie Wolf of Wall Street was based

560
00:24:47,800 --> 00:24:49,720
Speaker 3: on who O.

561
00:24:52,600 --> 00:24:53,520
Speaker 1: Greig's in Blacktown.

562
00:24:53,600 --> 00:24:54,600
Speaker 3: The movie Wolf of Wall.

563
00:24:54,440 --> 00:25:02,919
Speaker 2: Street was based on who there it is Jordan Belford

564
00:25:03,160 --> 00:25:04,800
Speaker 2: belfor good old Jordan Belford.

565
00:25:04,920 --> 00:25:05,520
Speaker 3: That was a good one.

566
00:25:06,320 --> 00:25:07,600
Speaker 1: I think investors.

567
00:25:08,800 --> 00:25:12,400
Speaker 3: Old Jordan and Colen Skink is a dish. I looked

568
00:25:12,400 --> 00:25:17,160
Speaker 3: it up. It's smoked haddock or something with potato. It's delicious.

569
00:25:17,160 --> 00:25:22,240
Speaker 3: It to be like a chowder. Yah, don't pull a face.

570
00:25:23,000 --> 00:25:25,359
Speaker 1: It'll be back again tomorrow. Ten thousand dollars with a

571
00:25:25,440 --> 00:25:26,680
Speaker 1: ten thousand dollars question.

572
00:25:28,800 --> 00:25:30,520
Speaker 2: That's one of the great things about the logis is

573
00:25:30,520 --> 00:25:32,280
Speaker 2: you're running too people who you really like but you

574
00:25:32,280 --> 00:25:33,320
Speaker 2: don't get to see often enough.

575
00:25:33,400 --> 00:25:35,199
Speaker 1: Yeah. I ran into John Aken. I just picked his

576
00:25:35,240 --> 00:25:38,439
Speaker 1: brain about Married at First Sight. He's the expert from.

577
00:25:38,359 --> 00:25:39,159
Speaker 3: Oh that's right.

578
00:25:39,560 --> 00:25:41,360
Speaker 2: Well, I was in a car going to the airport

579
00:25:41,440 --> 00:25:43,800
Speaker 2: with Buried by a couple of Channel ten people.

580
00:25:44,000 --> 00:25:46,040
Speaker 1: You spent a lot of time at Burried You you

581
00:25:46,040 --> 00:25:49,520
Speaker 1: were there every second. I picked Barry's brain all weekend.

582
00:25:49,240 --> 00:25:50,400
Speaker 3: About Married at First Sight.

583
00:25:50,520 --> 00:25:51,720
Speaker 1: There's a lot of pickens there.

584
00:25:51,960 --> 00:25:55,040
Speaker 2: Well Brook mcclymon. It's one of the nicest people you'd meet.

585
00:25:55,280 --> 00:25:58,960
Speaker 2: She's a country singer. She performs with her husband Adam.

586
00:25:59,040 --> 00:26:01,040
Speaker 2: She also is part of them. I wants with her sisters,

587
00:26:01,480 --> 00:26:03,320
Speaker 2: but she was on I'm a celebrity and get me

588
00:26:03,359 --> 00:26:04,679
Speaker 2: out of here, which is why she was there at

589
00:26:04,720 --> 00:26:09,440
Speaker 2: the logis. And as we drove past Courumbin bird sanctuary,

590
00:26:09,920 --> 00:26:11,160
Speaker 2: I said, is that.

591
00:26:11,080 --> 00:26:12,720
Speaker 1: Where you go along and you get a picture thing?

592
00:26:12,960 --> 00:26:15,879
Speaker 2: Every kid of my age would have a picture in

593
00:26:15,880 --> 00:26:19,520
Speaker 2: your holidays. You'd go to Surface Paradise and through Corumbin,

594
00:26:19,840 --> 00:26:22,240
Speaker 2: go to Goldie and you'd have a picture where you

595
00:26:22,280 --> 00:26:27,760
Speaker 2: had a foil tray filled with muck and sed It

596
00:26:27,800 --> 00:26:29,920
Speaker 2: was all wet, wasn't it like a porridge?

597
00:26:29,920 --> 00:26:33,200
Speaker 3: I thought? And the birds that all the.

598
00:26:33,080 --> 00:26:36,159
Speaker 2: Lori keets would eat out of it, but they'd be

599
00:26:36,320 --> 00:26:38,119
Speaker 2: all up your arms and on your head.

600
00:26:38,600 --> 00:26:39,959
Speaker 3: Every kid had that photo.

601
00:26:40,040 --> 00:26:42,600
Speaker 1: Can I just say about a bird sanctuary? I don't

602
00:26:42,640 --> 00:26:45,119
Speaker 1: get them because you go in there and there's birds.

603
00:26:45,160 --> 00:26:47,560
Speaker 1: Birds are everywhere. So you go into a bird sanctuary

604
00:26:47,640 --> 00:26:50,040
Speaker 1: and there's a bird in a cage and then there's

605
00:26:50,080 --> 00:26:52,040
Speaker 1: an ibis just walking around picking through the bin, and

606
00:26:52,080 --> 00:26:53,800
Speaker 1: it looks at them and goes, well, who's the bigger idiot?

607
00:26:53,840 --> 00:26:56,960
Speaker 1: I'm free, you're in there, what are you doing? Fly away?

608
00:26:56,960 --> 00:26:58,560
Speaker 3: Would you pay to just go and watch an ibis

609
00:26:58,600 --> 00:27:01,960
Speaker 3: walk around a bin? But she paid to go because

610
00:27:02,000 --> 00:27:02,280
Speaker 3: I would.

611
00:27:02,440 --> 00:27:04,520
Speaker 1: I've never been to a bird sectuary because there's no point.

612
00:27:04,600 --> 00:27:07,400
Speaker 2: But I think that the bird shows that Taronga Zoo

613
00:27:07,440 --> 00:27:10,520
Speaker 2: extraordinary at Australia are amazing.

614
00:27:10,280 --> 00:27:12,080
Speaker 1: When you get the big hawk that flies down and

615
00:27:12,119 --> 00:27:13,040
Speaker 1: plucks something off someone.

616
00:27:13,119 --> 00:27:16,480
Speaker 2: So but you've got no nostalgia for the simple way

617
00:27:16,520 --> 00:27:19,119
Speaker 2: that we all grew up, which was your holidays. You

618
00:27:19,160 --> 00:27:21,760
Speaker 2: went to the Gold Coast and you had pictures taken

619
00:27:21,920 --> 00:27:24,680
Speaker 2: with Lora keats on your arms. That's what you did.

620
00:27:25,440 --> 00:27:29,119
Speaker 2: But as we went well that's what Barry's Dubarre's story was.

621
00:27:29,840 --> 00:27:33,840
Speaker 2: But as we went past the Curumbum Bird Sanctuary, Brooks

622
00:27:33,840 --> 00:27:36,640
Speaker 2: said that she had a different memory of Curumbin and

623
00:27:37,000 --> 00:27:39,080
Speaker 2: it reminded her of an embarrassing story when she was

624
00:27:39,119 --> 00:27:43,879
Speaker 2: about seventeen and she saw Mark Gable from the Choir

625
00:27:43,920 --> 00:27:48,480
Speaker 2: Boys and you know their most famous song, this one.

626
00:27:50,119 --> 00:27:52,440
Speaker 2: She went up to him and she said, I love

627
00:27:52,480 --> 00:27:57,560
Speaker 2: your song Currumbin Paradise. And Mark, as we all know,

628
00:27:57,800 --> 00:28:01,880
Speaker 2: an unusual cat's and brook now knows him and knows

629
00:28:01,920 --> 00:28:04,040
Speaker 2: he's a kookie cat, but at the time he does

630
00:28:04,160 --> 00:28:06,280
Speaker 2: looked at her and the look on his face and

631
00:28:06,280 --> 00:28:08,880
Speaker 2: made her think I've said something terribly wrong.

632
00:28:09,200 --> 00:28:10,320
Speaker 1: Yeah, well yes, but she.

633
00:28:10,359 --> 00:28:13,520
Speaker 2: Heard this songun Paradise.

634
00:28:15,040 --> 00:28:16,520
Speaker 3: And heard Corumban paradise.

635
00:28:18,600 --> 00:28:22,760
Speaker 1: Integration. You get onto that with paradise.

636
00:28:22,600 --> 00:28:24,520
Speaker 3: So she thought the whole song was about.

637
00:28:24,320 --> 00:28:26,720
Speaker 1: ConA Yeah, when it's not.

638
00:28:27,359 --> 00:28:28,480
Speaker 3: No Brendan, it's not.

639
00:28:29,200 --> 00:28:32,399
Speaker 1: That's some good integration that happens. So then misheard lyrics

640
00:28:32,520 --> 00:28:35,359
Speaker 1: is always good my daughter. Whenever I hear great Southern Land,

641
00:28:35,480 --> 00:28:36,560
Speaker 1: you know, great Southern Lands.

642
00:28:38,520 --> 00:28:39,800
Speaker 3: How did you get Corumbin in there?

643
00:28:39,960 --> 00:28:44,920
Speaker 14: She thinks pizza Man, Yeah, Pizza Man, yeah, Pizza Man, Yeah.

644
00:28:45,000 --> 00:28:51,160
Speaker 14: Hear it again, Pizza Man yeah.

645
00:28:51,200 --> 00:28:54,400
Speaker 1: Wow, little kid, she'd seen pizza Man yeah. And now

646
00:28:54,400 --> 00:28:57,560
Speaker 1: she's twenty five, she still sings Pizza Man yeah. Real

647
00:28:57,640 --> 00:29:00,480
Speaker 1: and even I sing Pizza Man yeah, and I know

648
00:29:00,560 --> 00:29:01,840
Speaker 1: full well it's Great Southerland.

649
00:29:02,040 --> 00:29:05,640
Speaker 3: The tribal drum is beating the misheard song lyrics.

650
00:29:07,440 --> 00:29:10,840
Speaker 2: The famous Alex Theil put that one to bed, all right,

651
00:29:10,880 --> 00:29:14,640
Speaker 2: Misheard song lyrics.

652
00:29:14,800 --> 00:29:19,080
Speaker 1: Podcast. The tribal dramas beating this morning. Misheard song lyrics.

653
00:29:19,120 --> 00:29:21,720
Speaker 1: We all know, Alex Cecil.

654
00:29:22,080 --> 00:29:26,160
Speaker 3: We didn't know that Runda Paradise was crumb and Paradise.

655
00:29:28,800 --> 00:29:33,800
Speaker 1: It's a nice space Anna has joined us. Hello, Anna, Hello,

656
00:29:33,960 --> 00:29:34,560
Speaker 1: good morning.

657
00:29:34,640 --> 00:29:35,440
Speaker 13: How are you guys?

658
00:29:35,520 --> 00:29:36,200
Speaker 1: We are very well.

659
00:29:36,320 --> 00:29:37,440
Speaker 3: What did you miss here? Anna?

660
00:29:38,880 --> 00:29:39,080
Speaker 4: Well?

661
00:29:39,160 --> 00:29:44,840
Speaker 12: The classic Ali cecial I have always thought it was

662
00:29:45,120 --> 00:29:46,800
Speaker 12: honest cecil.

663
00:29:46,960 --> 00:29:52,680
Speaker 2: Honest, cecil, honest, Cecilia, honest Cecil.

664
00:29:53,880 --> 00:29:56,400
Speaker 12: I know my children are the ones that told me

665
00:29:56,440 --> 00:29:57,000
Speaker 12: I was wrong.

666
00:29:57,200 --> 00:30:03,160
Speaker 3: Oh Anna, Wow, thank you.

667
00:30:03,200 --> 00:30:07,680
Speaker 1: Debbie has joined us. Hi, Hi guys, how are you right?

668
00:30:07,800 --> 00:30:09,720
Speaker 3: What song were you wrong about?

669
00:30:10,480 --> 00:30:10,680
Speaker 1: No?

670
00:30:10,840 --> 00:30:14,000
Speaker 2: My daughter when she was little, and we still annoy

671
00:30:14,080 --> 00:30:14,840
Speaker 2: her till this day.

672
00:30:14,880 --> 00:30:15,840
Speaker 14: With it is.

673
00:30:15,840 --> 00:30:20,400
Speaker 3: Lady Gerga's poker face where it sirs, can't.

674
00:30:20,160 --> 00:30:21,400
Speaker 4: Read my, can't read my.

675
00:30:22,040 --> 00:30:24,480
Speaker 12: We live in the Shire and she used to sing

676
00:30:24,800 --> 00:30:25,520
Speaker 12: carrying bar.

677
00:30:25,720 --> 00:30:30,000
Speaker 1: Carrying bar, was carrying bar? Yeah wrong, carrying bar, my

678
00:30:30,160 --> 00:30:33,120
Speaker 1: carrying but yeah, yeah, Well.

679
00:30:32,960 --> 00:30:35,520
Speaker 2: We're getting all the suburbs of Sydney. Oh we've got

680
00:30:35,520 --> 00:30:37,480
Speaker 2: crumb and that's not here, but carrying bar me we

681
00:30:37,480 --> 00:30:38,360
Speaker 2: could work them all in.

682
00:30:38,640 --> 00:30:39,560
Speaker 1: I like the idea of this.

683
00:30:39,600 --> 00:30:42,480
Speaker 2: We take more of your calls, Mishard song lyrics, Jonesy

684
00:30:42,520 --> 00:30:43,480
Speaker 2: and Amanda.

685
00:30:43,160 --> 00:30:45,120
Speaker 1: Germ podcast.

686
00:30:48,840 --> 00:30:50,680
Speaker 3: And we are up and running.

687
00:30:51,320 --> 00:30:55,320
Speaker 1: It always pays dividends. You came to the party misheard

688
00:30:55,360 --> 00:30:57,720
Speaker 1: song lyrics. You're in the car with Brook mcliment.

689
00:30:57,880 --> 00:30:59,720
Speaker 2: We're driving past crumb And on the way to the

690
00:30:59,760 --> 00:31:01,520
Speaker 2: air from the Gold Coast, and she said that when

691
00:31:01,520 --> 00:31:04,680
Speaker 2: she was seventeen, she approached Mark Gable of the Choir Boys,

692
00:31:04,680 --> 00:31:08,920
Speaker 2: and said, I love your song Crumb and Paradise. He said,

693
00:31:09,000 --> 00:31:11,240
Speaker 2: what are you talking about? She said, it's fine, Courumb

694
00:31:11,280 --> 00:31:14,719
Speaker 2: and Paradise. Yeah, completely misheard that they're extreme.

695
00:31:15,400 --> 00:31:17,720
Speaker 1: And my daughter's a fool as well. She said, great

696
00:31:17,800 --> 00:31:19,280
Speaker 1: Southern Land. Pizza man.

697
00:31:19,400 --> 00:31:23,480
Speaker 2: Yeah, you can't even get it, pizza man.

698
00:31:23,600 --> 00:31:28,320
Speaker 1: Yes, we've had some good ones. Alex Cecil, which we

699
00:31:28,400 --> 00:31:31,760
Speaker 1: always thought was our lips our seal, but Alex Seal,

700
00:31:31,960 --> 00:31:36,760
Speaker 1: we had honest Seal ho cecial. She thought it was

701
00:31:37,200 --> 00:31:41,680
Speaker 1: what about Lady Gaga, a little known suburb in Sydney,

702
00:31:41,840 --> 00:31:48,360
Speaker 1: Caring Bar. This became for poker face, seeing.

703
00:31:48,160 --> 00:31:49,640
Speaker 3: We're all just going to hear carrying Bar.

704
00:31:49,800 --> 00:31:54,040
Speaker 1: Now got other people joining in. Karen's joiners, Hello Karen.

705
00:31:55,160 --> 00:31:55,880
Speaker 13: Hi, how are you?

706
00:31:56,520 --> 00:31:57,760
Speaker 3: What'd you get wrong? Karen?

707
00:31:59,400 --> 00:32:01,880
Speaker 13: With my husband then he used to think devil inside

708
00:32:01,920 --> 00:32:05,480
Speaker 13: I excess with seven A side, so we're not playing this.

709
00:32:05,600 --> 00:32:10,520
Speaker 1: For seven side?

710
00:32:12,720 --> 00:32:17,320
Speaker 2: Wow, seven aside. I love it, Thanks you love it,

711
00:32:17,400 --> 00:32:18,760
Speaker 2: Thank you Anthony's join us.

712
00:32:18,800 --> 00:32:22,920
Speaker 11: Hello Anthony, Hello, good morning and Amanda, how are you

713
00:32:23,360 --> 00:32:23,720
Speaker 11: very well?

714
00:32:23,760 --> 00:32:25,400
Speaker 3: Anthony? What song did you miss here?

715
00:32:27,200 --> 00:32:30,040
Speaker 11: I was with my son, who was about four, sitting

716
00:32:30,040 --> 00:32:32,880
Speaker 11: in the shopping trolley at Woollis, and he's on my

717
00:32:32,960 --> 00:32:37,640
Speaker 11: iPhone and he's listening to Beastie Boys No Sleep Till Brooklyn,

718
00:32:37,920 --> 00:32:40,520
Speaker 11: and he started crying and I said, look what's wrong

719
00:32:40,560 --> 00:32:46,120
Speaker 11: and he said, there's no sleep till Broccoli.

720
00:32:49,880 --> 00:32:57,640
Speaker 1: Doesn't see that, He's probably thinking I've got a brock.

721
00:32:58,080 --> 00:33:00,160
Speaker 3: So really, thank you. Anthony.

722
00:33:00,280 --> 00:33:04,880
Speaker 1: Jules has joined us. Hello Jules, good morning, Hello Jules.

723
00:33:04,880 --> 00:33:05,720
Speaker 3: What did you miss here?

724
00:33:07,160 --> 00:33:09,320
Speaker 12: When I was eighteen years old back in the eighties,

725
00:33:09,320 --> 00:33:12,280
Speaker 12: listened to all the top teen I is to dog

726
00:33:12,360 --> 00:33:14,680
Speaker 12: th on My Room, that with Mikey Bosh Micro Fine

727
00:33:15,880 --> 00:33:19,240
Speaker 12: Day five except by I heard it as she had

728
00:33:19,320 --> 00:33:20,920
Speaker 12: better days to die.

729
00:33:21,080 --> 00:33:26,040
Speaker 1: Better days to die, faust sco.

730
00:33:26,720 --> 00:33:31,960
Speaker 3: Bad days, better days to die? How dark?

731
00:33:32,680 --> 00:33:36,520
Speaker 1: That's quite dark, Jewels. Thank you, great way of wrapping

732
00:33:36,560 --> 00:33:39,880
Speaker 1: it up as well. Sure, let's get down and down

733
00:33:39,920 --> 00:33:42,040
Speaker 1: to the Jones, no matter answered the pub tast man

734
00:33:42,120 --> 00:33:44,160
Speaker 1: and I were having a discussions this morning. There's much

735
00:33:44,560 --> 00:33:47,280
Speaker 1: talk about this new flagpole on the Harbor Bridge.

736
00:33:47,360 --> 00:33:49,080
Speaker 2: Yes, and I think everyone would be happy to see

737
00:33:49,080 --> 00:33:52,520
Speaker 2: the indigenous flag flying on Sydney Harbor. There is some

738
00:33:52,600 --> 00:33:54,920
Speaker 2: dispute that twenty five million dollars seems a lot to

739
00:33:54,960 --> 00:33:57,760
Speaker 2: do it. I asked the question, why is everyone suddenly

740
00:33:57,800 --> 00:33:58,960
Speaker 2: an expert on how to put.

741
00:33:58,760 --> 00:33:59,400
Speaker 3: A flag up?

742
00:33:59,680 --> 00:34:02,320
Speaker 2: Because there's a lot of stuff that you don't know about.

743
00:34:02,600 --> 00:34:04,920
Speaker 2: There has to be an extra gantry that's built at

744
00:34:05,040 --> 00:34:08,000
Speaker 2: six stories high. There's a lot of stuff that goes

745
00:34:08,000 --> 00:34:10,319
Speaker 2: into it, and so now with three of them, they

746
00:34:10,320 --> 00:34:11,640
Speaker 2: have to space them differently.

747
00:34:11,920 --> 00:34:14,279
Speaker 3: It's not as straightforward as we like it to be.

748
00:34:14,480 --> 00:34:16,440
Speaker 2: We all want it to happen, but for people to

749
00:34:16,480 --> 00:34:19,279
Speaker 2: go I'll do it for a dollar, it can't happen

750
00:34:19,400 --> 00:34:19,600
Speaker 2: like that.

751
00:34:19,800 --> 00:34:22,479
Speaker 1: I'll do it for free. It's not going to cost

752
00:34:22,520 --> 00:34:25,359
Speaker 1: you a cent. Keep your wallet away. There's two flag

753
00:34:25,440 --> 00:34:28,000
Speaker 1: poles on there, we don't need three. The new South

754
00:34:28,040 --> 00:34:30,000
Speaker 1: Wales state flag, what does it look like? Again?

755
00:34:30,040 --> 00:34:31,960
Speaker 2: Without looking at I must say we didn't know we

756
00:34:32,040 --> 00:34:33,480
Speaker 2: had a New South Wales exactly.

757
00:34:34,280 --> 00:34:37,200
Speaker 1: My point is we can do this as cheaply as anything.

758
00:34:37,400 --> 00:34:40,040
Speaker 1: We put the original flag up on the top of

759
00:34:40,080 --> 00:34:42,880
Speaker 1: the bridge next to the Australian flag. There's two flags

760
00:34:42,880 --> 00:34:44,600
Speaker 1: flying and.

761
00:34:44,520 --> 00:34:46,080
Speaker 3: Remove the New South Wales flag.

762
00:34:46,160 --> 00:34:47,760
Speaker 1: No one cares about it. Say so the New.

763
00:34:47,600 --> 00:34:50,200
Speaker 2: South Wales flag we have had or was authorized in

764
00:34:50,239 --> 00:34:51,120
Speaker 2: eighteen sixty nine.

765
00:34:51,160 --> 00:34:54,360
Speaker 3: There's history to it. It maybe human. Look you may not

766
00:34:54,440 --> 00:34:55,920
Speaker 3: like the history. Let me tell you what it is.

767
00:34:55,960 --> 00:34:56,759
Speaker 1: I do love the history.

768
00:34:56,800 --> 00:34:57,880
Speaker 3: Can I just tell you what it is?

769
00:34:58,360 --> 00:34:59,040
Speaker 1: And I have a history?

770
00:34:59,080 --> 00:34:59,840
Speaker 3: Ye okay, tell me.

771
00:35:00,000 --> 00:35:01,880
Speaker 1: So it's like it's a naval thing or something. It

772
00:35:01,920 --> 00:35:04,080
Speaker 1: was from that we had ships and we could do

773
00:35:04,120 --> 00:35:05,880
Speaker 1: all this stuff. Well, but it's a lot of each.

774
00:35:06,360 --> 00:35:09,839
Speaker 2: The lion in the Santos, the English lion. There's also

775
00:35:09,840 --> 00:35:11,759
Speaker 2: the Union jack on it. There's a circle with the

776
00:35:11,760 --> 00:35:14,120
Speaker 2: line in the middle, and then there's four quarters. One's

777
00:35:14,120 --> 00:35:16,800
Speaker 2: golden fleece in reference to our wol industry. The second

778
00:35:16,800 --> 00:35:19,319
Speaker 2: and third ones are the wheat sheaf in reference to

779
00:35:19,360 --> 00:35:20,440
Speaker 2: our primary industry.

780
00:35:20,960 --> 00:35:23,960
Speaker 3: So yes it is. It does hark back to our

781
00:35:24,239 --> 00:35:26,600
Speaker 3: colonial roots. So that's its history.

782
00:35:27,400 --> 00:35:29,960
Speaker 1: But then we've got the Australian flag flag right next

783
00:35:29,960 --> 00:35:31,799
Speaker 1: to it, which looks pretty much similar to that.

784
00:35:33,120 --> 00:35:35,239
Speaker 2: I need to defend the New South Wales flag. I

785
00:35:35,239 --> 00:35:36,840
Speaker 2: didn't know we had one until this morning.

786
00:35:36,840 --> 00:35:37,440
Speaker 3: To be honest.

787
00:35:37,840 --> 00:35:41,520
Speaker 1: I like thrift, as you know, and you're someone.

788
00:35:41,280 --> 00:35:42,960
Speaker 3: Who will eat a chicken that you found in a

789
00:35:42,960 --> 00:35:43,680
Speaker 3: shopping trolley.

790
00:35:43,960 --> 00:35:47,200
Speaker 1: Right now, we are doing it tough. We've just gone

791
00:35:47,200 --> 00:35:49,440
Speaker 1: through a pandemic which we're still going through. We're on

792
00:35:49,480 --> 00:35:51,360
Speaker 1: the brink of a recession. Why do we need to

793
00:35:51,360 --> 00:35:54,360
Speaker 1: spend twenty five million dollars when in common sense world,

794
00:35:54,680 --> 00:35:57,160
Speaker 1: my world, you take down the new South Wales flag,

795
00:35:57,239 --> 00:35:59,600
Speaker 1: which no one's going to notice. You leave the Australian

796
00:35:59,640 --> 00:36:01,839
Speaker 1: flag there, you have the Aboriginal flag next to it,

797
00:36:02,080 --> 00:36:03,120
Speaker 1: and we've just saved all that.

798
00:36:03,200 --> 00:36:05,120
Speaker 2: This is our question this morning, not whether we should

799
00:36:05,120 --> 00:36:06,160
Speaker 2: have the Aboriginal flag.

800
00:36:06,200 --> 00:36:08,279
Speaker 1: That's not even the debate, but I want that How.

801
00:36:08,239 --> 00:36:10,520
Speaker 3: Do you feel about the new South Wales flag?

802
00:36:10,920 --> 00:36:12,960
Speaker 2: Like I would say, let's just put a third one up,

803
00:36:13,080 --> 00:36:14,400
Speaker 2: keep everybody happy.

804
00:36:15,800 --> 00:36:17,040
Speaker 3: You've got no idea what.

805
00:36:16,960 --> 00:36:19,360
Speaker 2: Money is spent on infrastructure. You probably don't want to

806
00:36:19,400 --> 00:36:21,399
Speaker 2: train that's not in your suburb because it means nothing

807
00:36:21,480 --> 00:36:24,920
Speaker 2: to you. This might know, but what in other people's suburbs.

808
00:36:24,960 --> 00:36:27,759
Speaker 2: I mean, That's what I said, is that it's like

809
00:36:27,800 --> 00:36:30,400
Speaker 2: why people get their backs up when the arts are funded?

810
00:36:30,440 --> 00:36:32,239
Speaker 2: Hang on, if that's not a painting in my lounge room.

811
00:36:32,280 --> 00:36:32,879
Speaker 2: I don't care.

812
00:36:33,880 --> 00:36:36,200
Speaker 3: Some people might care about the new South Wales flag.

813
00:36:36,239 --> 00:36:37,839
Speaker 1: I'm not saying I don't care about it, But does

814
00:36:37,840 --> 00:36:39,920
Speaker 1: it need to be on the Harbor Bridge when it

815
00:36:39,920 --> 00:36:42,640
Speaker 1: looks exactly the same as the Australian flake? Do you

816
00:36:42,640 --> 00:36:43,640
Speaker 1: do not understand what I'm saying.

817
00:36:43,680 --> 00:36:45,399
Speaker 2: I know what you're saying, but I'm saying there might

818
00:36:45,440 --> 00:36:47,960
Speaker 2: be other opinions. Maybe there won't be, but let's see.

819
00:36:48,600 --> 00:36:52,239
Speaker 1: We'll just pincer this down. Replacing the new New South

820
00:36:52,280 --> 00:36:56,239
Speaker 1: Wales flag with the Aboriginal flag? Does that pass the

821
00:36:56,280 --> 00:36:56,680
Speaker 1: pub tic?

822
00:36:56,760 --> 00:36:57,520
Speaker 3: Yeah? Subtext?

823
00:36:57,520 --> 00:36:59,640
Speaker 2: Do you care about the new South Wales flag? That's

824
00:36:59,680 --> 00:37:02,279
Speaker 2: kind of we're asking. So replacing the New South Wales

825
00:37:02,400 --> 00:37:04,200
Speaker 2: one with Indigenous.

826
00:37:03,600 --> 00:37:06,479
Speaker 1: You're mutting the waters. You're muddying the waters. Of course

827
00:37:06,640 --> 00:37:08,200
Speaker 1: you care about the flag?

828
00:37:08,520 --> 00:37:09,200
Speaker 3: You said you don't.

829
00:37:09,320 --> 00:37:11,280
Speaker 1: No, I don't care about it on the Harbor Bridge.

830
00:37:11,520 --> 00:37:13,200
Speaker 1: It looks exactly the same as is strange.

831
00:37:13,320 --> 00:37:14,759
Speaker 3: It looks nothing like the Australian flavor.

832
00:37:15,080 --> 00:37:17,359
Speaker 2: Look, I'm not here to defend it, but look at

833
00:37:17,360 --> 00:37:19,160
Speaker 2: that big It's got a round circle on it with

834
00:37:19,200 --> 00:37:19,600
Speaker 2: a lion.

835
00:37:22,640 --> 00:37:24,160
Speaker 1: This morning, you didn't even know what it looks.

836
00:37:24,200 --> 00:37:26,759
Speaker 2: No, and I know, and I don't particularly care, but

837
00:37:26,800 --> 00:37:29,600
Speaker 2: I don't think your opinion speaks for everybody, is my point.

838
00:37:29,760 --> 00:37:31,040
Speaker 3: That's why we have the pub test.

839
00:37:31,360 --> 00:37:35,480
Speaker 1: Okay, taking a replacing the new saving twenty five million dollars.

840
00:37:35,520 --> 00:37:40,000
Speaker 2: Btw replacing the new South Wales flag with the Aboriginal

841
00:37:40,040 --> 00:37:40,640
Speaker 2: flag to.

842
00:37:40,600 --> 00:37:43,479
Speaker 1: Save twenty five million dollars? Does that pass the pub test?

843
00:37:43,680 --> 00:37:45,200
Speaker 1: I love that? Are we agreed?

844
00:37:45,480 --> 00:37:47,840
Speaker 3: Sure?

845
00:37:48,120 --> 00:37:51,160
Speaker 2: Pomcast Well, our next guest is one half of Australia's

846
00:37:51,200 --> 00:37:54,560
Speaker 2: greatest duos in comedy for nearly thirty years.

847
00:37:54,760 --> 00:37:55,280
Speaker 3: Incredible.

848
00:37:55,360 --> 00:37:57,359
Speaker 2: They've been making us laugh with some of Australia's most

849
00:37:57,400 --> 00:38:00,520
Speaker 2: love comedy shows. They're back with their latest Endeavorcord Maybe Dick.

850
00:38:00,520 --> 00:38:03,280
Speaker 2: I'm talking about Leno and Woodley. We have Frank Woodley

851
00:38:03,320 --> 00:38:04,239
Speaker 2: with us right now.

852
00:38:04,280 --> 00:38:06,800
Speaker 3: Hello Frank, Hello, nice see you.

853
00:38:06,840 --> 00:38:09,000
Speaker 4: I like to think of myself as more like three

854
00:38:09,080 --> 00:38:10,320
Speaker 4: fifths of Lana Woodley.

855
00:38:10,400 --> 00:38:16,160
Speaker 1: But look, you do the maths, that's what you're the

856
00:38:16,160 --> 00:38:18,399
Speaker 1: brains the operation. And you notice we might you might

857
00:38:18,400 --> 00:38:20,640
Speaker 1: have noticed we were playing Maybe Dick by led Zeppelin.

858
00:38:20,680 --> 00:38:22,080
Speaker 1: I know that was lost on you, Amanda.

859
00:38:22,280 --> 00:38:24,040
Speaker 3: The background music there.

860
00:38:24,080 --> 00:38:25,759
Speaker 1: Your show is Moby Dick.

861
00:38:26,960 --> 00:38:30,880
Speaker 4: That's exactly what our show is. Well, I mean, if

862
00:38:30,920 --> 00:38:34,319
Speaker 4: you if you're studying Maybe Dick at university, don't come

863
00:38:34,360 --> 00:38:37,080
Speaker 4: along expecting to get insights from our show.

864
00:38:37,320 --> 00:38:38,440
Speaker 3: They're not your crib notes.

865
00:38:39,440 --> 00:38:42,120
Speaker 4: No, no, I mean I have read Maybe Dick. Well,

866
00:38:42,200 --> 00:38:44,040
Speaker 4: I have I read most of I've read well, I

867
00:38:44,120 --> 00:38:46,400
Speaker 4: got about two thirds of the way through the Wikipedia page.

868
00:38:46,680 --> 00:38:50,080
Speaker 4: It was entertaining I found, But I know Cole read

869
00:38:50,120 --> 00:38:54,320
Speaker 4: the book, and I watched the Gregory Peck nineteen fifties

870
00:38:54,400 --> 00:38:57,800
Speaker 4: film with Gregory Peck, which I thought was great. In fact,

871
00:38:58,040 --> 00:39:01,040
Speaker 4: in many ways I think, don't come and see Lana Woodley.

872
00:39:01,160 --> 00:39:05,560
Speaker 4: Just hi, Gregory Becks, Lana Lana Woodley and Gregory bexs

873
00:39:05,600 --> 00:39:07,280
Speaker 4: Laner Woodley. What am I saying?

874
00:39:07,440 --> 00:39:08,960
Speaker 3: You've linked yourself to him forever?

875
00:39:10,160 --> 00:39:13,359
Speaker 4: Gregory did a great film all about Lane Woodley. Check

876
00:39:13,400 --> 00:39:13,680
Speaker 4: that out.

877
00:39:13,960 --> 00:39:16,520
Speaker 2: But why do you picked Moby Dick of all the classics,

878
00:39:16,560 --> 00:39:17,360
Speaker 2: of all the things.

879
00:39:17,400 --> 00:39:19,040
Speaker 3: What spoke to you about Moby Dick?

880
00:39:20,040 --> 00:39:22,600
Speaker 4: Well, I'd like to I'd like to be able to

881
00:39:22,600 --> 00:39:24,680
Speaker 4: say that it was because, you know where we were

882
00:39:24,680 --> 00:39:29,160
Speaker 4: inspired by the deep and profound themes of the book.

883
00:39:29,520 --> 00:39:32,040
Speaker 4: But it's really that Cole had read it during lockdown

884
00:39:32,600 --> 00:39:36,360
Speaker 4: and we needed to do a new show, and he said,

885
00:39:36,520 --> 00:39:39,960
Speaker 4: I've just read Maybe Dick. Why don't we do Maybe Dick?

886
00:39:40,560 --> 00:39:44,560
Speaker 4: And I said, okay, you know that's about the extent.

887
00:39:44,840 --> 00:39:47,600
Speaker 4: I'm just glad he hadn't been reading Fifty Shades of Gray.

888
00:39:50,040 --> 00:39:51,080
Speaker 4: Very different production.

889
00:39:52,560 --> 00:39:54,839
Speaker 3: Not again deal with Dick in the title, I'm sure.

890
00:39:56,719 --> 00:39:58,760
Speaker 1: So with Maybe Dick? Is there going to be props?

891
00:39:59,120 --> 00:40:00,799
Speaker 1: Are we going to whale on stage?

892
00:40:02,160 --> 00:40:06,000
Speaker 4: Well, there's there's a we have a big a thing

893
00:40:06,040 --> 00:40:10,840
Speaker 4: that kind of represents a sailing boat, sail that's hanging

894
00:40:10,840 --> 00:40:13,160
Speaker 4: behind us. It's very theatrical, and then we're projecting a

895
00:40:13,200 --> 00:40:17,279
Speaker 4: lot of images onto the onto that screen, so at

896
00:40:17,280 --> 00:40:20,120
Speaker 4: the moment that a whale will appear on stage, but

897
00:40:20,200 --> 00:40:23,160
Speaker 4: not in three D form, more like as a as

898
00:40:23,200 --> 00:40:26,200
Speaker 4: a projection. I had an idea I wanted to see

899
00:40:26,239 --> 00:40:28,640
Speaker 4: Cold can be quite a kill joy to my creativity.

900
00:40:29,440 --> 00:40:33,239
Speaker 4: I wanted to for the climax, climactic story where they

901
00:40:33,360 --> 00:40:35,640
Speaker 4: just a bit of a spoiler here where the whale

902
00:40:35,719 --> 00:40:38,279
Speaker 4: rams the ship and sinks the ship. I thought it'd

903
00:40:38,280 --> 00:40:41,360
Speaker 4: be great if we handed out scuba gear and just

904
00:40:41,400 --> 00:40:46,839
Speaker 4: flooded the theater but it's such a nanny state, you know,

905
00:40:47,200 --> 00:40:48,239
Speaker 4: they wouldn't let us do that.

906
00:40:50,040 --> 00:40:52,440
Speaker 1: At the moment the costings would be would they be

907
00:40:52,480 --> 00:40:55,040
Speaker 1: pretty high though, wouldn't they imagine scuba gear? Then you've

908
00:40:55,040 --> 00:40:55,919
Speaker 1: got to flood the theater.

909
00:40:57,320 --> 00:41:01,280
Speaker 4: Like I'm hearing it all again, it's our previous show.

910
00:41:01,440 --> 00:41:04,120
Speaker 4: I wanted to do a little routine like a reality

911
00:41:04,760 --> 00:41:07,520
Speaker 4: kind of a satire of a reality show called so

912
00:41:07,680 --> 00:41:11,680
Speaker 4: you think he can survive a panther attack? And they

913
00:41:11,719 --> 00:41:12,319
Speaker 4: wouldn't let.

914
00:41:12,200 --> 00:41:12,880
Speaker 1: Me do that either.

915
00:41:13,000 --> 00:41:16,319
Speaker 3: Now you know, no, it's outrageous.

916
00:41:17,040 --> 00:41:19,600
Speaker 4: But in many ways, the way that our show kind

917
00:41:19,600 --> 00:41:22,200
Speaker 4: of devolves over the course of the show is that

918
00:41:23,000 --> 00:41:25,719
Speaker 4: in the same way that Ahab is driven crazy by

919
00:41:27,120 --> 00:41:30,360
Speaker 4: by his hatred for maybe Dick the great white whale

920
00:41:30,360 --> 00:41:33,239
Speaker 4: that injured him by biting off his leg before the

921
00:41:33,280 --> 00:41:38,480
Speaker 4: story begins, in many ways that is mirrored by the

922
00:41:38,520 --> 00:41:42,399
Speaker 4: fact that I have kind of psychologically injured Colin, and

923
00:41:42,600 --> 00:41:46,360
Speaker 4: his hatred for me grows over the course of the story,

924
00:41:46,480 --> 00:41:51,520
Speaker 4: and mainly my adhd is his problem, but rather than

925
00:41:51,520 --> 00:41:54,040
Speaker 4: my great girth and size and dimensions.

926
00:41:55,160 --> 00:41:59,560
Speaker 2: But you survived thirty years, but all those years with

927
00:41:59,600 --> 00:42:00,800
Speaker 2: the two of you as a duo.

928
00:42:01,520 --> 00:42:05,279
Speaker 3: How has he not stabbed you?

929
00:42:05,360 --> 00:42:08,239
Speaker 4: Well, I take a front at that comment and in

930
00:42:08,280 --> 00:42:13,239
Speaker 4: the back as well. Possibly No, I I that's exactly right.

931
00:42:13,480 --> 00:42:15,880
Speaker 4: And that comes to a head during the production and

932
00:42:15,920 --> 00:42:18,360
Speaker 4: at the end. Although there isn't a whale on stage,

933
00:42:18,480 --> 00:42:21,920
Speaker 4: there is a crazy man chasing another being around the

934
00:42:21,960 --> 00:42:23,960
Speaker 4: stage with that so.

935
00:42:23,960 --> 00:42:28,080
Speaker 1: That could be may not be the other show, Leno

936
00:42:28,160 --> 00:42:30,640
Speaker 1: stabs Woodley. That's the that's the next show.

937
00:42:31,400 --> 00:42:32,120
Speaker 4: That could well be.

938
00:42:32,320 --> 00:42:33,680
Speaker 1: You could be right one night only.

939
00:42:33,840 --> 00:42:36,160
Speaker 2: And despite what you said, I've actually learned more about

940
00:42:36,160 --> 00:42:37,480
Speaker 2: Moby Dick from this conversation.

941
00:42:37,560 --> 00:42:39,520
Speaker 1: And I actually and we didn't have to read it.

942
00:42:40,440 --> 00:42:43,120
Speaker 1: Lano and Woodley, maybe Dick get your tickets from ticket

943
00:42:43,160 --> 00:42:45,080
Speaker 1: tech dot com dot are you It can be nothing

944
00:42:45,080 --> 00:42:45,880
Speaker 1: but a success.

945
00:42:47,120 --> 00:42:50,160
Speaker 4: Yes, And if you say when if you come to

946
00:42:50,200 --> 00:42:53,799
Speaker 4: the show and you don't actually really love it, it's

947
00:42:53,840 --> 00:42:55,759
Speaker 4: my personal guarantee that if you go to the box

948
00:42:55,800 --> 00:42:58,960
Speaker 4: office and say I heard Frank Woodley on Jonesy and

949
00:42:58,960 --> 00:43:01,279
Speaker 4: Amanda and he said that I could get a full

950
00:43:01,320 --> 00:43:03,680
Speaker 4: refund my ticket if I didn't enjoy it, it's my

951
00:43:03,800 --> 00:43:06,680
Speaker 4: personal guarantee that they'll say, well, I haven't heard anything

952
00:43:06,680 --> 00:43:07,120
Speaker 4: about that.

953
00:43:08,400 --> 00:43:08,840
Speaker 11: Wow.

954
00:43:09,600 --> 00:43:11,719
Speaker 3: Wow, you really put your money where your mouth.

955
00:43:11,880 --> 00:43:18,120
Speaker 1: What an iron clad gan guarantee. Certainly, it's always great

956
00:43:18,160 --> 00:43:18,960
Speaker 1: to talk to you.

957
00:43:19,120 --> 00:43:21,120
Speaker 3: Thanks for joy is Frank, Thank you Frank.

958
00:43:21,880 --> 00:43:23,960
Speaker 4: Thanks for having me old you know. Oh look there

959
00:43:24,000 --> 00:43:24,480
Speaker 4: she blows.

960
00:43:26,840 --> 00:43:27,359
Speaker 3: Thank you.

961
00:43:30,600 --> 00:43:31,839
Speaker 1: God.

962
00:43:31,960 --> 00:43:35,040
Speaker 3: I want you to get on right now. I'm taking pray.

963
00:43:35,239 --> 00:43:38,839
Speaker 6: Now, go to your windows, stick your head on a gel.

964
00:43:43,040 --> 00:43:44,719
Speaker 1: Down to the jokes in amount of arms for the

965
00:43:44,719 --> 00:43:48,040
Speaker 1: pub test today. This started at six fifty this morning.

966
00:43:48,080 --> 00:43:52,320
Speaker 1: We're talking about the three flags on the Harbor Bridge and.

967
00:43:51,600 --> 00:43:54,160
Speaker 2: And that, well it's been decided that and I think

968
00:43:54,200 --> 00:43:56,080
Speaker 2: it's terrific. We are going to have the indigenous flag

969
00:43:56,640 --> 00:43:58,600
Speaker 2: all year round flown on top of the harbor.

970
00:43:58,400 --> 00:44:00,000
Speaker 1: One hundred percent. I think that's great.

971
00:44:00,239 --> 00:44:02,839
Speaker 2: The money, the twenty five million that's been mooted, and

972
00:44:02,880 --> 00:44:04,800
Speaker 2: they are saying now and maybe we'll get a second

973
00:44:04,880 --> 00:44:08,319
Speaker 2: quote is because to erect a third flag pole you

974
00:44:08,440 --> 00:44:11,040
Speaker 2: have to make sure that it's a heritage site. You've

975
00:44:11,080 --> 00:44:11,799
Speaker 2: got to do this and that.

976
00:44:12,280 --> 00:44:15,200
Speaker 3: The safety murmur. But that's what you know.

977
00:44:15,239 --> 00:44:17,480
Speaker 2: Suddenly I realized how hilarious men are they? Oh I

978
00:44:17,560 --> 00:44:19,400
Speaker 2: know how much it cost you that? And that sounds

979
00:44:19,440 --> 00:44:20,000
Speaker 2: like a lot.

980
00:44:20,120 --> 00:44:22,799
Speaker 1: Then out of nowhere. I came up with this brilliant idea.

981
00:44:22,920 --> 00:44:26,399
Speaker 1: Why don't we just take the New South Wales flag down,

982
00:44:26,600 --> 00:44:28,880
Speaker 1: which looks exactly like the same as the Australian flag.

983
00:44:29,000 --> 00:44:30,800
Speaker 1: So at the Australian flag and then we've got the

984
00:44:30,880 --> 00:44:34,720
Speaker 1: Aboriginal flag flying side by side. The New South Wales

985
00:44:34,760 --> 00:44:38,520
Speaker 1: flag has become redundant as far as the Harbor Bridge goes.

986
00:44:38,560 --> 00:44:39,600
Speaker 3: Well, that's what you're saying.

987
00:44:39,960 --> 00:44:42,560
Speaker 1: I didn't know we have saved twenty five million docs.

988
00:44:42,560 --> 00:44:44,560
Speaker 2: Can I say some words? I didn't know we had

989
00:44:44,560 --> 00:44:46,640
Speaker 2: a new South Wales flag. It doesn't look the same

990
00:44:46,640 --> 00:44:49,400
Speaker 2: as the Australian flag. I have no particular love for

991
00:44:49,440 --> 00:44:51,560
Speaker 2: the New South Wales flag. But you're saying, just and

992
00:44:51,600 --> 00:44:53,120
Speaker 2: get rid of it because you've decided.

993
00:44:53,320 --> 00:44:54,399
Speaker 3: We thought we'd put it to a point.

994
00:44:54,480 --> 00:44:57,919
Speaker 1: We're going through tough times, so I've decided and tough

995
00:44:57,960 --> 00:44:59,480
Speaker 1: times needs some tough measures.

996
00:45:00,000 --> 00:45:00,760
Speaker 3: We are going to funded.

997
00:45:01,200 --> 00:45:04,319
Speaker 1: No, I don't need to have funded. You just take

998
00:45:04,400 --> 00:45:07,680
Speaker 1: the flag down and you put the Aboriginal.

999
00:45:07,160 --> 00:45:08,000
Speaker 3: Flag in its place.

1000
00:45:08,160 --> 00:45:10,120
Speaker 1: How do you We're going to save twenty five million

1001
00:45:10,120 --> 00:45:11,280
Speaker 1: dollars and everyone's happy.

1002
00:45:11,400 --> 00:45:14,360
Speaker 2: How do you feel about replacing the new South Wales flag.

1003
00:45:15,400 --> 00:45:18,120
Speaker 2: That's how we get the indigenous flag there, we replace

1004
00:45:18,160 --> 00:45:19,680
Speaker 2: the New South Wales one and.

1005
00:45:19,719 --> 00:45:23,080
Speaker 1: We save twenty five million dollars. Does that pass the

1006
00:45:23,120 --> 00:45:23,680
Speaker 1: pub test?

1007
00:45:24,080 --> 00:45:26,919
Speaker 9: It's absolutely enforce to spend that money on the plate.

1008
00:45:27,480 --> 00:45:29,799
Speaker 9: What this South Wales state flag? I didn't even know

1009
00:45:29,880 --> 00:45:30,399
Speaker 9: we had one.

1010
00:45:30,520 --> 00:45:31,319
Speaker 13: Get rid of the.

1011
00:45:31,200 --> 00:45:32,640
Speaker 12: New South Wales flag.

1012
00:45:33,080 --> 00:45:34,040
Speaker 13: If you look at it.

1013
00:45:34,440 --> 00:45:38,920
Speaker 12: When they do fly the indigenous flag, they always pulled

1014
00:45:39,040 --> 00:45:41,560
Speaker 12: down the New South Wales flag to put it up.

1015
00:45:41,920 --> 00:45:44,160
Speaker 3: No need to the New South Wales flag.

1016
00:45:44,360 --> 00:45:45,040
Speaker 5: Why don't we just.

1017
00:45:45,000 --> 00:45:47,640
Speaker 9: Do something very simple when we we have the original

1018
00:45:47,680 --> 00:45:49,640
Speaker 9: flag next week we have the New South Wales flag

1019
00:45:49,840 --> 00:45:51,800
Speaker 9: twenty six times a year for both flags.

1020
00:45:52,000 --> 00:45:55,120
Speaker 8: No, no, no, I've never even seen that flag on

1021
00:45:55,160 --> 00:45:55,680
Speaker 8: the bridge.

1022
00:45:55,760 --> 00:45:58,280
Speaker 13: No, I'm sorry, I'm a proud New South Wales person.

1023
00:45:58,320 --> 00:46:00,720
Speaker 13: Didn't you look at it? We should be supporting all three.

1024
00:46:00,840 --> 00:46:03,200
Speaker 13: They are twenty five million sticking up there.

1025
00:46:03,120 --> 00:46:07,360
Speaker 5: On one, behore in Jonesy plus then Queensland will have

1026
00:46:07,400 --> 00:46:09,760
Speaker 5: nowhere to hang their claire you stay in the origin.

1027
00:46:10,080 --> 00:46:13,400
Speaker 1: True, that is true?

1028
00:46:14,239 --> 00:46:18,400
Speaker 3: Okay, wow, that words it's true. The minister.

1029
00:46:19,000 --> 00:46:24,360
Speaker 2: The minister's just so bossy.

1030
00:46:24,840 --> 00:46:26,880
Speaker 3: I'll tell you who can you let.

1031
00:46:26,760 --> 00:46:31,040
Speaker 2: Me say some words. The minister who is in charge.

1032
00:46:31,200 --> 00:46:34,560
Speaker 2: It's Natalie Ward. She's the Minister for Metropolitan Roads. She's

1033
00:46:34,600 --> 00:46:36,560
Speaker 2: in charge of the flags. She's going to come on

1034
00:46:36,640 --> 00:46:38,759
Speaker 2: our show at eight forty this morning. Put it to

1035
00:46:38,760 --> 00:46:41,160
Speaker 2: a Brandan. You can yell at her instead.

1036
00:46:40,920 --> 00:46:43,360
Speaker 1: Of me yell at her. You know what she might say,

1037
00:46:43,520 --> 00:46:45,000
Speaker 1: that is a genius idea.

1038
00:46:45,160 --> 00:46:48,200
Speaker 3: You put it up, Brendan, that without honest.

1039
00:46:47,880 --> 00:46:51,240
Speaker 1: I don't have to do anything. You just put and we'll.

1040
00:46:51,120 --> 00:46:54,840
Speaker 2: Have a Jonesy jones Day.

1041
00:46:55,440 --> 00:46:58,759
Speaker 1: You love it, though, he would like everyone else would

1042
00:46:58,840 --> 00:47:02,080
Speaker 1: enjoy it because they have a public. Sure, it probably

1043
00:47:02,080 --> 00:47:04,439
Speaker 1: cost us a lot of money, but well we've saved

1044
00:47:04,480 --> 00:47:05,520
Speaker 1: twenty five million dollars.

1045
00:47:05,560 --> 00:47:07,319
Speaker 3: We're also going to be joined by Julie Goodwin this

1046
00:47:07,360 --> 00:47:07,799
Speaker 3: half hour.

1047
00:47:08,000 --> 00:47:11,360
Speaker 2: Sure, I've got a friend who is a flight attendant

1048
00:47:11,680 --> 00:47:13,640
Speaker 2: and it'd be such a hard job.

1049
00:47:14,200 --> 00:47:16,880
Speaker 3: And she used to fly internationally. She doesn't anymore.

1050
00:47:16,960 --> 00:47:20,040
Speaker 2: During all the lockdowns, she took redundancy and no no

1051
00:47:20,120 --> 00:47:22,680
Speaker 2: longer flies. But there's always bits of tricks that they do.

1052
00:47:22,760 --> 00:47:24,600
Speaker 2: For example, if they had people that they didn't like,

1053
00:47:24,760 --> 00:47:26,399
Speaker 2: you know how you'd hand your rubbish in at the inch,

1054
00:47:26,400 --> 00:47:30,120
Speaker 2: they'd say you're rubbish, You're trash. I enjoy doing that one,

1055
00:47:30,360 --> 00:47:31,680
Speaker 2: but I was just reading this one. Do you know

1056
00:47:31,719 --> 00:47:33,719
Speaker 2: what the bane of their lives are? I'm reading here

1057
00:47:34,200 --> 00:47:36,040
Speaker 2: people who order diet cokes.

1058
00:47:36,760 --> 00:47:37,480
Speaker 1: Oh why is that?

1059
00:47:37,760 --> 00:47:41,799
Speaker 2: Because it takes so long to pour because of the

1060
00:47:41,880 --> 00:47:44,719
Speaker 2: air pressure that you open the can, there's a lot

1061
00:47:44,760 --> 00:47:48,479
Speaker 2: more fizz. So they've done a demonstration here regular coke

1062
00:47:48,719 --> 00:47:53,160
Speaker 2: versus diet coke. So in regular coke there's sugar. The

1063
00:47:53,200 --> 00:47:56,960
Speaker 2: sugar increases viscosity and surface tension, so the coke forms

1064
00:47:57,080 --> 00:48:01,160
Speaker 2: larger bubbles that are weaker and pop faster. With diet coke,

1065
00:48:01,760 --> 00:48:04,440
Speaker 2: it fizzes up, so they crack open the can and

1066
00:48:04,480 --> 00:48:07,800
Speaker 2: it takes eight like twice as long to pour a glass.

1067
00:48:07,800 --> 00:48:09,839
Speaker 1: True, I pop faster on a plane.

1068
00:48:10,840 --> 00:48:12,000
Speaker 3: Your enormous bubbles.

1069
00:48:12,960 --> 00:48:15,839
Speaker 1: That's why only order a beer. Well, because you get

1070
00:48:15,880 --> 00:48:18,160
Speaker 1: the beer and I just drink it straight out of

1071
00:48:18,200 --> 00:48:20,200
Speaker 1: the can. Or no, sometimes I get the little cup

1072
00:48:20,200 --> 00:48:22,040
Speaker 1: because then it feels like you've got more beer because

1073
00:48:22,040 --> 00:48:24,520
Speaker 1: you have one little thing of beer, and then you

1074
00:48:24,560 --> 00:48:26,719
Speaker 1: get more beer because it feels like you've had two

1075
00:48:26,719 --> 00:48:27,839
Speaker 1: beers but you've only had one.

1076
00:48:27,920 --> 00:48:30,359
Speaker 3: And then they sticky tape you to.

1077
00:48:30,320 --> 00:48:32,680
Speaker 1: The chairs there, mister Jones, we haven't taken off yet.

1078
00:48:33,760 --> 00:48:34,600
Speaker 1: Are you not on a plane?

1079
00:48:34,719 --> 00:48:37,600
Speaker 3: Isn't an error plane? Mister Jones? I wonder if because

1080
00:48:37,640 --> 00:48:39,320
Speaker 3: I order a cup of black tea.

1081
00:48:39,080 --> 00:48:41,200
Speaker 1: On a plane, Yeah, you're the bane of everyone's.

1082
00:48:41,440 --> 00:48:44,719
Speaker 2: Also, it's hotter than the surface of the sun, and

1083
00:48:44,800 --> 00:48:46,840
Speaker 2: I think they do that so you don't ask for

1084
00:48:46,880 --> 00:48:48,879
Speaker 2: another one. By the time it cools down, you could

1085
00:48:48,880 --> 00:48:51,000
Speaker 2: have flown to Singapore and over landed and.

1086
00:48:50,880 --> 00:48:52,520
Speaker 1: Then you're straight to the toilet as well, because it

1087
00:48:52,520 --> 00:48:52,879
Speaker 1: goes straight.

1088
00:48:53,080 --> 00:48:54,680
Speaker 3: Yeah, I'm using too many facilities.

1089
00:48:55,000 --> 00:48:57,600
Speaker 1: Yeah, I think if you're one of the people that

1090
00:48:57,760 --> 00:49:00,640
Speaker 1: they you would be the bane of the existence. Coke

1091
00:49:00,880 --> 00:49:02,320
Speaker 1: diet coke and you.

1092
00:49:02,680 --> 00:49:04,640
Speaker 2: Well, yes, no, next time you order a diet coke,

1093
00:49:05,080 --> 00:49:08,080
Speaker 2: don't do it. Well, think twice before getting more than one.

1094
00:49:08,280 --> 00:49:09,280
Speaker 1: Order beer instead.

1095
00:49:11,440 --> 00:49:12,040
Speaker 3: Comcast.

1096
00:49:12,320 --> 00:49:14,239
Speaker 2: Well, I'm a huge fan of MASTERSHIF as we know,

1097
00:49:14,320 --> 00:49:16,200
Speaker 2: and this year, along with the new contestants, there's been

1098
00:49:16,200 --> 00:49:19,160
Speaker 2: a wonderful hit of nostalgia with some of the famous

1099
00:49:19,320 --> 00:49:23,120
Speaker 2: faces that have returned, including the og the winner of

1100
00:49:23,239 --> 00:49:25,840
Speaker 2: season one, Julie Goodwin. We've spoken to you at the

1101
00:49:25,960 --> 00:49:27,160
Speaker 2: very beginning of the season.

1102
00:49:27,480 --> 00:49:29,200
Speaker 3: What a thrill. You're still going.

1103
00:49:28,960 --> 00:49:32,440
Speaker 15: Hello, Hello, I'm so excited to still be there.

1104
00:49:32,480 --> 00:49:33,279
Speaker 3: To still be there.

1105
00:49:33,440 --> 00:49:35,480
Speaker 2: But you know what I love is that you're still

1106
00:49:35,560 --> 00:49:39,359
Speaker 2: intrinsically you. And that's what people love is that you're

1107
00:49:39,400 --> 00:49:41,120
Speaker 2: not a precision cook.

1108
00:49:42,480 --> 00:49:44,680
Speaker 3: No one's ever accused me of that. No, that's right.

1109
00:49:45,000 --> 00:49:48,080
Speaker 2: But the result is always amazing and no matter what

1110
00:49:48,160 --> 00:49:50,839
Speaker 2: fluster you get in it's like watching Bewitched. You know,

1111
00:49:50,920 --> 00:49:52,920
Speaker 2: there's a tussle in the middle and it's all going

1112
00:49:52,960 --> 00:49:54,160
Speaker 2: to be okay at the end.

1113
00:49:55,120 --> 00:49:58,320
Speaker 15: Wiggle my nose and make things perfect. It's not always

1114
00:49:58,360 --> 00:50:01,000
Speaker 15: okay in the end. There's a few ups and downs.

1115
00:50:01,040 --> 00:50:04,839
Speaker 15: The roller coaster is real. But yeah, it's enormous fun

1116
00:50:04,880 --> 00:50:07,440
Speaker 15: and I'm really starting to enjoy myself.

1117
00:50:07,520 --> 00:50:11,040
Speaker 1: Do you like quail? I just have no time for quail.

1118
00:50:11,120 --> 00:50:13,640
Speaker 1: It's just a small chicken and the quail egg that

1119
00:50:13,719 --> 00:50:16,239
Speaker 1: seems it just seems like, come on, don't we eat

1120
00:50:16,360 --> 00:50:16,959
Speaker 1: enough in this.

1121
00:50:16,920 --> 00:50:18,919
Speaker 3: World to eat while I'm picking on the small one?

1122
00:50:20,280 --> 00:50:22,080
Speaker 1: What is even a quail? What is it?

1123
00:50:22,080 --> 00:50:26,879
Speaker 3: It's a small bird. It's a game bird, so it's

1124
00:50:26,960 --> 00:50:27,319
Speaker 3: kind of.

1125
00:50:27,280 --> 00:50:28,520
Speaker 1: A can it get bigger?

1126
00:50:29,000 --> 00:50:30,040
Speaker 3: I don't think so.

1127
00:50:30,440 --> 00:50:31,719
Speaker 1: No one they give it but no one gives it

1128
00:50:31,760 --> 00:50:32,240
Speaker 1: a chance.

1129
00:50:33,280 --> 00:50:35,200
Speaker 3: It's not going to be a dinosaur if you let

1130
00:50:35,200 --> 00:50:35,360
Speaker 3: it go.

1131
00:50:35,680 --> 00:50:37,480
Speaker 15: I don't think they all get eaten. I think that

1132
00:50:37,640 --> 00:50:39,920
Speaker 15: I think that that's its fully grown state. But for me,

1133
00:50:40,080 --> 00:50:43,839
Speaker 15: a quail is it's like a toothpick, like I can't

1134
00:50:44,280 --> 00:50:47,040
Speaker 15: for me to prepare quail for my family, I would

1135
00:50:47,080 --> 00:50:49,839
Speaker 15: need a quail farm for a start and a lot

1136
00:50:49,840 --> 00:50:52,239
Speaker 15: of money and a lot of time, and they would

1137
00:50:52,280 --> 00:50:54,319
Speaker 15: inhale it and it would be done. So it's not

1138
00:50:54,360 --> 00:50:56,560
Speaker 15: a practical thing for me to cook. So I don't

1139
00:50:56,560 --> 00:50:58,239
Speaker 15: actually cook with them ever.

1140
00:50:58,680 --> 00:51:01,520
Speaker 2: With the we spoke to at the beginning and you

1141
00:51:01,560 --> 00:51:03,000
Speaker 2: said you had a lot of things to weigh up

1142
00:51:03,040 --> 00:51:06,320
Speaker 2: because going back in as winner, that's a lot of pressure,

1143
00:51:06,840 --> 00:51:09,279
Speaker 2: and it's a pressure situation, and you wondered how you'd be.

1144
00:51:10,080 --> 00:51:12,560
Speaker 2: I hope you feel so validated at the love that

1145
00:51:12,680 --> 00:51:14,759
Speaker 2: everyone feels for you in there. I hope this has

1146
00:51:14,760 --> 00:51:16,360
Speaker 2: been a wonderful experience for you.

1147
00:51:16,640 --> 00:51:21,520
Speaker 15: Oh look, it really has. And the other contestants are beautiful.

1148
00:51:21,760 --> 00:51:24,200
Speaker 15: It's an amazing group of people. And I don't know

1149
00:51:24,280 --> 00:51:26,719
Speaker 15: if you if it's coming through on the screen, but

1150
00:51:27,080 --> 00:51:29,600
Speaker 15: whenever somebody wins, everyone's happy.

1151
00:51:29,600 --> 00:51:29,960
Speaker 4: For them.

1152
00:51:30,000 --> 00:51:33,759
Speaker 15: Whenever somebody loses, we commiserate with them and we get

1153
00:51:33,800 --> 00:51:36,360
Speaker 15: back into the green room in between, you know, filming,

1154
00:51:36,440 --> 00:51:40,040
Speaker 15: and we all just talk about food and we have

1155
00:51:40,360 --> 00:51:42,640
Speaker 15: a great laugh. You know, we're in the middle of

1156
00:51:42,719 --> 00:51:48,160
Speaker 15: writing Master Chef the musical. You know, we're coordinating dance moves.

1157
00:51:47,960 --> 00:51:50,719
Speaker 15: It's just a lot of fun. It's been a beautiful

1158
00:51:50,760 --> 00:51:55,200
Speaker 15: experience and everyone's just kind of lifting each other up

1159
00:51:55,280 --> 00:51:58,239
Speaker 15: and carrying each other along. So I'm really grateful for that.

1160
00:51:59,400 --> 00:52:01,439
Speaker 1: On the show that you're spending more and more time

1161
00:52:01,480 --> 00:52:04,600
Speaker 1: in the gantry above the kitchen, which is better because

1162
00:52:04,640 --> 00:52:07,120
Speaker 1: that means you're going through, you're going further. That's a

1163
00:52:07,160 --> 00:52:09,160
Speaker 1: good place to be. And you don't yell out as

1164
00:52:09,200 --> 00:52:11,839
Speaker 1: much advice from the gantry because I find it very

1165
00:52:11,840 --> 00:52:14,360
Speaker 1: irritating when those people go or you're doing it wrong.

1166
00:52:15,680 --> 00:52:17,359
Speaker 1: I would find that very distracting.

1167
00:52:17,600 --> 00:52:20,000
Speaker 15: Yeah, look, it's a funny thing being on the gantry.

1168
00:52:20,040 --> 00:52:22,440
Speaker 15: So I sort of spoke to people individually and said,

1169
00:52:22,440 --> 00:52:26,359
Speaker 15: do you want because I know Mindy who's really full

1170
00:52:26,360 --> 00:52:28,279
Speaker 15: of energy, and when she's up on the gantry, she's

1171
00:52:28,280 --> 00:52:31,839
Speaker 15: full of encouragement aldo as well, full of encouragement and

1172
00:52:31,960 --> 00:52:35,320
Speaker 15: Mindy actually hates it if there's quiet in the kitchen.

1173
00:52:35,600 --> 00:52:37,319
Speaker 15: So if we're on the gantry and she's down on

1174
00:52:37,320 --> 00:52:39,960
Speaker 15: the floor and there's no noise, she'll rev us up

1175
00:52:40,000 --> 00:52:42,560
Speaker 15: and say, come on, guys, give me some energy. And

1176
00:52:42,600 --> 00:52:45,719
Speaker 15: so she likes to be shouted down to. And then

1177
00:52:45,760 --> 00:52:48,000
Speaker 15: of course the producers are like, come on, gantree, give

1178
00:52:48,040 --> 00:52:50,400
Speaker 15: us some energy. It's like nobody wants us to say it.

1179
00:52:50,680 --> 00:52:51,680
Speaker 3: It is so hard.

1180
00:52:51,960 --> 00:52:53,960
Speaker 2: And also, if a couple of people are cooking, who

1181
00:52:53,960 --> 00:52:55,520
Speaker 2: do you cheer everyone on?

1182
00:52:55,640 --> 00:52:56,799
Speaker 3: You have to pick a favorite.

1183
00:52:56,480 --> 00:52:58,759
Speaker 2: Because often you're seeing clapping Yeah I love it, You think, well,

1184
00:52:58,800 --> 00:52:59,879
Speaker 2: I hope they cheered the other one.

1185
00:53:00,400 --> 00:53:01,200
Speaker 1: Yeah. I know.

1186
00:53:01,320 --> 00:53:04,960
Speaker 15: It's funny what goes to air and what doesn't go

1187
00:53:05,080 --> 00:53:07,920
Speaker 15: to air. And you know, you get this feedback we

1188
00:53:08,040 --> 00:53:10,040
Speaker 15: old people. They gave you advice, but they didn't give

1189
00:53:10,040 --> 00:53:14,080
Speaker 15: her advice. Actually, there's like a dozen cameras and we

1190
00:53:14,200 --> 00:53:17,520
Speaker 15: film all day long and that gets condensed into one hour.

1191
00:53:17,719 --> 00:53:20,640
Speaker 15: So I promise you don't see everything that happens. What

1192
00:53:20,680 --> 00:53:24,240
Speaker 15: you see is sort of whatever carries through to the story.

1193
00:53:24,360 --> 00:53:26,440
Speaker 15: So you see the story of what was cooked, what

1194
00:53:26,520 --> 00:53:29,040
Speaker 15: went wrong, what went right, who won, who lost, and

1195
00:53:29,160 --> 00:53:32,280
Speaker 15: you know who shouted something funny pun from them again? Yes,

1196
00:53:32,440 --> 00:53:35,120
Speaker 15: like Dan does so you know that gantry chat. Dan

1197
00:53:35,160 --> 00:53:36,400
Speaker 15: and I had a bit of as soon as he

1198
00:53:36,440 --> 00:53:39,279
Speaker 15: started doing puns, I'm like, oh, you're my human You

1199
00:53:39,360 --> 00:53:41,160
Speaker 15: and me how I used to do that on the

1200
00:53:41,239 --> 00:53:41,840
Speaker 15: radio that.

1201
00:53:42,239 --> 00:53:44,560
Speaker 3: I do it too, and Jonesy hates the disgust of

1202
00:53:44,640 --> 00:53:45,920
Speaker 3: our partners exactly.

1203
00:53:46,000 --> 00:53:46,320
Speaker 1: Yes.

1204
00:53:46,520 --> 00:53:46,880
Speaker 3: Yes.

1205
00:53:47,120 --> 00:53:49,799
Speaker 2: When you come home from the Master Chef shoot at

1206
00:53:49,800 --> 00:53:52,400
Speaker 2: the end of the season, do you not like to

1207
00:53:52,440 --> 00:53:53,240
Speaker 2: cook for a while?

1208
00:53:53,400 --> 00:53:53,520
Speaker 8: Like?

1209
00:53:54,040 --> 00:53:56,840
Speaker 3: Or do you get back into it? How do you unwind?

1210
00:53:57,320 --> 00:54:00,719
Speaker 15: I look, my feeling would be that I wouldn't want

1211
00:54:00,719 --> 00:54:03,360
Speaker 15: to cook for a while, But then my own kitchen

1212
00:54:03,480 --> 00:54:08,440
Speaker 15: is so calm and inviting and I can I can

1213
00:54:08,480 --> 00:54:11,520
Speaker 15: take my time, and if I'm running a little over time,

1214
00:54:11,600 --> 00:54:13,319
Speaker 15: I just say dinner's going to be late. I don't

1215
00:54:13,320 --> 00:54:17,319
Speaker 15: have people yelling at me, you know. So cooking at

1216
00:54:17,320 --> 00:54:19,759
Speaker 15: home is a completely different experience to cooking in the

1217
00:54:19,760 --> 00:54:23,320
Speaker 15: Master Chef kitchen. And whilst I feel in the middle

1218
00:54:23,360 --> 00:54:25,560
Speaker 15: of the competition that I might be burnt for cooking

1219
00:54:25,600 --> 00:54:28,239
Speaker 15: for quite a long time, that's not ever the reality.

1220
00:54:28,600 --> 00:54:29,480
Speaker 15: I just get back to it.

1221
00:54:29,719 --> 00:54:30,359
Speaker 8: I do love it.

1222
00:54:30,400 --> 00:54:33,839
Speaker 1: Maybe we should build a gantry, get your kids up there,

1223
00:54:34,520 --> 00:54:36,799
Speaker 1: because that's how the Phantom of the Opera started. He

1224
00:54:36,840 --> 00:54:39,400
Speaker 1: was just in a gantry and there's a whole musical.

1225
00:54:39,960 --> 00:54:44,479
Speaker 1: Dovetails nicely. You a peanut gallery, not how you cook

1226
00:54:44,520 --> 00:54:53,200
Speaker 1: a quail, you eaty, it's a calabrity. Well, Julie, it's

1227
00:54:53,200 --> 00:54:55,560
Speaker 1: always great to see you. Julie Goodwin. Master Chef is

1228
00:54:55,560 --> 00:54:58,040
Speaker 1: back to night seven point thirty on Channel ten. Yes,

1229
00:54:58,080 --> 00:55:00,240
Speaker 1: thank you for coming in my absolute.

1230
00:55:00,239 --> 00:55:06,360
Speaker 15: Always Jonesy and Amanda podcast on the pub Test Today

1231
00:55:06,560 --> 00:55:09,080
Speaker 15: we put it to you about the flag on.

1232
00:55:09,120 --> 00:55:12,160
Speaker 1: Top of the Harbor Bridge. So what we've got at

1233
00:55:12,160 --> 00:55:14,680
Speaker 1: the moment we've got two flags. We've got the Australian

1234
00:55:14,719 --> 00:55:17,440
Speaker 1: flag and then we've got the new South Wales state flag.

1235
00:55:17,760 --> 00:55:20,719
Speaker 1: And there seems to be quite the hullabaloo about this

1236
00:55:20,840 --> 00:55:24,279
Speaker 1: new third flagpole because we're going to have our Aboriginal

1237
00:55:24,280 --> 00:55:25,759
Speaker 1: flag up there all the.

1238
00:55:25,719 --> 00:55:27,240
Speaker 3: Time, which we all think is wonderful.

1239
00:55:27,320 --> 00:55:28,399
Speaker 1: No one disagrees with that.

1240
00:55:28,440 --> 00:55:30,160
Speaker 2: But you came up with the idea this morning of

1241
00:55:30,200 --> 00:55:31,560
Speaker 2: do we need the new South Wales one.

1242
00:55:31,600 --> 00:55:33,080
Speaker 1: It seems that we had a quote that was six

1243
00:55:33,160 --> 00:55:35,840
Speaker 1: hundred thousand dollars to put this third flagpole out and

1244
00:55:35,880 --> 00:55:37,480
Speaker 1: then it blew out a little bit to twenty five

1245
00:55:37,600 --> 00:55:38,319
Speaker 1: million dollars.

1246
00:55:38,400 --> 00:55:40,360
Speaker 2: Yes, And I've loved how people that have no knowledge

1247
00:55:40,360 --> 00:55:41,840
Speaker 2: of how much it costs to put up a flag

1248
00:55:41,880 --> 00:55:43,960
Speaker 2: dollar or going I'll do it for twenty bucks.

1249
00:55:43,960 --> 00:55:46,400
Speaker 1: Well, then Jonesy came along and.

1250
00:55:46,440 --> 00:55:48,360
Speaker 3: Spoke about himself and the third person he.

1251
00:55:48,400 --> 00:55:50,839
Speaker 1: Came along and said, why don't we flick the new

1252
00:55:50,880 --> 00:55:54,080
Speaker 1: South Wales flag because you, for example, Amanda, when I

1253
00:55:54,120 --> 00:55:56,520
Speaker 1: mentioned it this morning, didn't even know what it looked like. No,

1254
00:55:56,760 --> 00:55:59,200
Speaker 1: it just looks like the Australian fan. Why don't we

1255
00:55:59,200 --> 00:56:02,359
Speaker 1: take that down? Put it in somewhere a government house

1256
00:56:02,480 --> 00:56:05,319
Speaker 1: is something that's nice where the politicians care about it.

1257
00:56:05,560 --> 00:56:08,120
Speaker 1: And then we've got the Australian flag and we've got

1258
00:56:08,160 --> 00:56:10,920
Speaker 1: the Aboriginal flag and we've saved twenty five million dollars.

1259
00:56:10,960 --> 00:56:11,720
Speaker 1: That you're welcome.

1260
00:56:11,760 --> 00:56:13,440
Speaker 2: That was an idea of yours, and I thought, who

1261
00:56:13,480 --> 00:56:15,480
Speaker 2: are you to speak for people? So we put it

1262
00:56:15,520 --> 00:56:17,520
Speaker 2: to the pub test this morning, which was replacing the

1263
00:56:17,560 --> 00:56:20,040
Speaker 2: new South Wales flag on the bridge with the Aboriginal one?

1264
00:56:20,080 --> 00:56:20,799
Speaker 3: Is this the way they say?

1265
00:56:20,840 --> 00:56:22,439
Speaker 1: Saving twenty five million dollars?

1266
00:56:22,480 --> 00:56:23,640
Speaker 3: Does it pass? The pub test.

1267
00:56:24,280 --> 00:56:28,640
Speaker 9: It's absolutely import to spend that money on the Plaguth

1268
00:56:28,680 --> 00:56:30,560
Speaker 9: Wales state flag. I didn't even know we had one.

1269
00:56:30,680 --> 00:56:32,800
Speaker 12: Get rid of the New South Wales flag.

1270
00:56:33,239 --> 00:56:34,200
Speaker 13: If you look at it.

1271
00:56:34,600 --> 00:56:39,080
Speaker 12: When they do fly the indigenous flag, they always pulled

1272
00:56:39,200 --> 00:56:41,680
Speaker 12: down the New South Wales flag to put it up.

1273
00:56:42,200 --> 00:56:45,360
Speaker 8: No, no, no, I've never even seen that flag on

1274
00:56:45,400 --> 00:56:45,920
Speaker 8: the bridge.

1275
00:56:46,000 --> 00:56:48,479
Speaker 13: No, I'm sorry, I'm a proud New South Wales person.

1276
00:56:48,560 --> 00:56:51,000
Speaker 13: Didn't you look at it? We should be supporting all three.

1277
00:56:51,120 --> 00:56:53,120
Speaker 13: They are twenty five millions figured.

1278
00:56:52,920 --> 00:56:56,000
Speaker 5: Up there on one hundred percent before in jonesy plus

1279
00:56:56,400 --> 00:56:59,239
Speaker 5: then Queensland will have nowhere to hang their flag, you say,

1280
00:56:59,320 --> 00:56:59,960
Speaker 5: win the origin.

1281
00:57:00,719 --> 00:57:03,680
Speaker 2: Interesting point there, well, Natalie Ward is the Minister for

1282
00:57:03,760 --> 00:57:06,279
Speaker 2: Metropolitan Roads. She's in charge of the flags on the

1283
00:57:06,280 --> 00:57:09,040
Speaker 2: Harbor Bridge. We know it's budget day, we know she's

1284
00:57:09,120 --> 00:57:11,080
Speaker 2: uber busy, but she's taken the time to talk to

1285
00:57:11,160 --> 00:57:11,680
Speaker 2: us this morning.

1286
00:57:11,680 --> 00:57:12,880
Speaker 3: We're very grateful Natalie.

1287
00:57:12,880 --> 00:57:14,640
Speaker 8: Hello, Hi, gratefully with you.

1288
00:57:14,880 --> 00:57:15,760
Speaker 1: Natalie, You're welcome.

1289
00:57:16,040 --> 00:57:17,760
Speaker 3: Now, don't go into the meeting.

1290
00:57:17,920 --> 00:57:20,840
Speaker 1: That's the problem. I've just saved twenty five million dollars. Guys,

1291
00:57:20,880 --> 00:57:22,520
Speaker 1: do you want to hear it? And boom?

1292
00:57:22,800 --> 00:57:24,840
Speaker 2: What do you make of Jonesy's suggestion that we do

1293
00:57:25,000 --> 00:57:26,720
Speaker 2: replace the New South Wales flag.

1294
00:57:27,760 --> 00:57:30,640
Speaker 8: Oh, look, you know it's always an option. We're always

1295
00:57:30,680 --> 00:57:33,960
Speaker 8: looking to save taxpayer dollars. But I definitely think people

1296
00:57:33,960 --> 00:57:36,920
Speaker 8: are very proud of their stage and they should be

1297
00:57:37,120 --> 00:57:38,800
Speaker 8: and we need to keep the New South Wales flag.

1298
00:57:38,840 --> 00:57:41,400
Speaker 8: There's not an option to meet that because this is

1299
00:57:41,440 --> 00:57:44,160
Speaker 8: a bigger stage with a state that performed best through COVID.

1300
00:57:44,440 --> 00:57:47,560
Speaker 8: We produce more Test cricketers than any other, we produce

1301
00:57:47,640 --> 00:57:49,480
Speaker 8: more prime ministers in the other stage. I think we

1302
00:57:49,480 --> 00:57:51,120
Speaker 8: should be proud of our state and part of that

1303
00:57:51,320 --> 00:57:53,680
Speaker 8: is having our flag for New South Wales flying on

1304
00:57:53,720 --> 00:57:55,560
Speaker 8: the bridge. And I quite liked your caller that said,

1305
00:57:55,760 --> 00:57:57,600
Speaker 8: what are we going to do about origin? And we've

1306
00:57:57,600 --> 00:57:59,760
Speaker 8: got to have that New South Wales flag there, so

1307
00:57:59,800 --> 00:58:02,160
Speaker 8: that that's something we absolutely must be proud of it.

1308
00:58:02,200 --> 00:58:04,080
Speaker 1: If we lose and then we don't have to have

1309
00:58:04,120 --> 00:58:06,840
Speaker 1: it there, So that's a good thing.

1310
00:58:07,240 --> 00:58:09,680
Speaker 8: You see what I'm saying, Well, we better not lose origin,

1311
00:58:09,760 --> 00:58:11,800
Speaker 8: that's the point. I mean, We've got to be proud

1312
00:58:11,840 --> 00:58:13,960
Speaker 8: of our state. That's something that we really are keen

1313
00:58:14,040 --> 00:58:16,240
Speaker 8: to keep in place. And I think that that's not

1314
00:58:16,280 --> 00:58:18,040
Speaker 8: an option for us. But what we're keen to do

1315
00:58:18,120 --> 00:58:21,760
Speaker 8: is really progress this ender and embrace our Aboriginal heritage

1316
00:58:21,760 --> 00:58:24,320
Speaker 8: by having that fairs fake up. Fair so great suggestion,

1317
00:58:24,440 --> 00:58:26,320
Speaker 8: but probably not on the table for us.

1318
00:58:27,680 --> 00:58:28,080
Speaker 1: Reasonable.

1319
00:58:28,480 --> 00:58:29,760
Speaker 3: How have you felt, Natalie?

1320
00:58:29,920 --> 00:58:33,600
Speaker 2: Listening to people, Usually men say mate, I know how

1321
00:58:33,640 --> 00:58:36,120
Speaker 2: much it costs to put up a new flagpole, I'll

1322
00:58:36,120 --> 00:58:37,919
Speaker 2: do it all that's too much, or I've got a bloke,

1323
00:58:37,960 --> 00:58:40,720
Speaker 2: he'll do it. It's exhausting, isn't it.

1324
00:58:41,160 --> 00:58:44,520
Speaker 8: Everyone's an expert. Great to have the feedback, it's fantastic.

1325
00:58:44,680 --> 00:58:47,040
Speaker 8: Can I say, look, I said the same thing when

1326
00:58:47,040 --> 00:58:48,480
Speaker 8: I was first told. I was like, what do you mean?

1327
00:58:48,520 --> 00:58:51,000
Speaker 8: It's twenty five mil? Can't I just pop down to

1328
00:58:51,040 --> 00:58:53,080
Speaker 8: Bunnings get one and bung it up? But how hard

1329
00:58:53,160 --> 00:58:55,840
Speaker 8: is it? I must confess I did exactly the same thing.

1330
00:58:56,160 --> 00:58:58,560
Speaker 8: But it's really complex, it's not easy to do. And

1331
00:58:58,720 --> 00:59:01,280
Speaker 8: appreciate everyone's feedback. We will certainly look at ways to

1332
00:59:01,280 --> 00:59:04,080
Speaker 8: make it cheaper, but can I say, it's not that simple.

1333
00:59:04,440 --> 00:59:06,880
Speaker 8: This is on top of a bridge, on top of

1334
00:59:06,920 --> 00:59:11,520
Speaker 8: one of the busiest roadways in Australia, across a harbor.

1335
00:59:11,680 --> 00:59:14,280
Speaker 8: You know this is a really complex project. It's also

1336
00:59:14,600 --> 00:59:17,240
Speaker 8: a really big engineering project. I'm no excert at that stuff,

1337
00:59:17,280 --> 00:59:19,440
Speaker 8: but they tell me because it's heritage, we've got to

1338
00:59:19,480 --> 00:59:22,520
Speaker 8: make sure that all the engineering and structural stuff is right.

1339
00:59:22,640 --> 00:59:26,440
Speaker 8: And so there's also massive winds up there and we're exposure,

1340
00:59:26,480 --> 00:59:28,280
Speaker 8: so we're going to make sure the thing is structurally sound.

1341
00:59:28,320 --> 00:59:31,040
Speaker 8: I don't want to be responsible for any problems arising

1342
00:59:31,040 --> 00:59:32,480
Speaker 8: once we get it in place. So it's actually a

1343
00:59:32,520 --> 00:59:35,480
Speaker 8: really complex project. We've going to lift it into place.

1344
00:59:35,640 --> 00:59:38,360
Speaker 8: Is that transport corridor? You know, anyone that's done bridge

1345
00:59:38,400 --> 00:59:40,560
Speaker 8: climbers seen you know how complex it is up there.

1346
00:59:40,600 --> 00:59:42,600
Speaker 8: So it really is not as simple as that. And

1347
00:59:42,760 --> 00:59:45,320
Speaker 8: I have to say I'm coming to appreciate the complexity

1348
00:59:45,320 --> 00:59:45,840
Speaker 8: of it as well.

1349
00:59:46,080 --> 00:59:48,040
Speaker 1: But it doesn't have to be that complex, Natalie. We

1350
00:59:48,160 --> 00:59:50,560
Speaker 1: just pull that fla like that. I don't understand, honestly,

1351
00:59:51,040 --> 00:59:52,959
Speaker 1: I don't know. You guys live in a different world

1352
00:59:52,960 --> 00:59:56,560
Speaker 1: to me, obviously, because I was joined to Amanda about

1353
00:59:56,560 --> 00:59:58,200
Speaker 1: this this morning. Amanda had no idea what the new

1354
00:59:58,240 --> 01:00:01,360
Speaker 1: South Walest flag looked like. People to me would not,

1355
01:00:01,480 --> 01:00:03,480
Speaker 1: I reckon, if you ask the man on the street,

1356
01:00:03,720 --> 01:00:05,160
Speaker 1: how do you feel about we just have the new

1357
01:00:05,200 --> 01:00:07,760
Speaker 1: South Wales flag outside Government House? What don't you put

1358
01:00:07,760 --> 01:00:10,080
Speaker 1: outside whether you politicians can look at it and then

1359
01:00:10,080 --> 01:00:11,560
Speaker 1: we save twenty five million dollars?

1360
01:00:11,640 --> 01:00:12,760
Speaker 3: Can I pitch you here though?

1361
01:00:13,040 --> 01:00:15,720
Speaker 1: It's just the new southwis state flag. Flag to me

1362
01:00:15,960 --> 01:00:19,040
Speaker 1: looks like the Australian flag. It looks exactly the same,

1363
01:00:19,080 --> 01:00:20,400
Speaker 1: but it's up on the top of the bridge.

1364
01:00:20,440 --> 01:00:23,080
Speaker 2: I think you'll like the people who don't like money

1365
01:00:23,080 --> 01:00:25,760
Speaker 2: being spent on stuff that they don't particularly like, like

1366
01:00:25,800 --> 01:00:27,760
Speaker 2: people saying you twenty five million is a lot for

1367
01:00:27,800 --> 01:00:29,680
Speaker 2: a flag. They're the same people that say I don't

1368
01:00:29,680 --> 01:00:31,480
Speaker 2: think we should spend that much money on the Australian

1369
01:00:31,520 --> 01:00:33,800
Speaker 2: Ballet or whatever, because it doesn't speak to you to

1370
01:00:33,960 --> 01:00:34,480
Speaker 2: just meet.

1371
01:00:34,320 --> 01:00:37,080
Speaker 1: It on the bridge as well. You're putting three flag

1372
01:00:37,120 --> 01:00:38,720
Speaker 1: piles on top of the bridge. Has never had three

1373
01:00:38,720 --> 01:00:40,480
Speaker 1: flagpoles on the top of the bridge before, so what

1374
01:00:40,480 --> 01:00:40,800
Speaker 1: did we do?

1375
01:00:40,840 --> 01:00:43,200
Speaker 2: That's why you have to have some work. So you're

1376
01:00:43,240 --> 01:00:45,240
Speaker 2: saying because I hasn't been there before, we shouldn't do it.

1377
01:00:45,320 --> 01:00:46,680
Speaker 3: Yes, well, why don't we go back to that.

1378
01:00:46,680 --> 01:00:48,160
Speaker 2: You're not allowed to climb over the bridge. You have

1379
01:00:48,200 --> 01:00:50,080
Speaker 2: to take a horse and cart across the bridge. At

1380
01:00:50,120 --> 01:00:52,560
Speaker 2: some point there's there are new things you can do.

1381
01:00:52,720 --> 01:00:54,880
Speaker 1: I just find that I'm maybe I'm in just one

1382
01:00:54,920 --> 01:00:57,160
Speaker 1: of those crazy worlds when I'm just the only normal

1383
01:00:57,200 --> 01:00:59,040
Speaker 1: person and everyone's gone crazy.

1384
01:00:59,160 --> 01:01:01,120
Speaker 3: This must be an exhaust a few days for you here,

1385
01:01:01,200 --> 01:01:02,080
Speaker 3: Natalie's terrible.

1386
01:01:02,680 --> 01:01:05,280
Speaker 8: Oh look at you know, it's a real pleasure. And

1387
01:01:05,480 --> 01:01:08,800
Speaker 8: I say, this isn't about removing flags. It's about recognizing

1388
01:01:09,000 --> 01:01:11,840
Speaker 8: the importance of the Aboriginal flag to original people and

1389
01:01:12,240 --> 01:01:14,880
Speaker 8: our history and recognizing that by flying it alongside the

1390
01:01:14,920 --> 01:01:17,600
Speaker 8: Australian and the New South Past flag, we recognize that

1391
01:01:17,640 --> 01:01:20,240
Speaker 8: contribution of our original people to both our nation and

1392
01:01:20,320 --> 01:01:22,400
Speaker 8: our state. But also, you know, this is the iconic

1393
01:01:22,400 --> 01:01:24,440
Speaker 8: Sydney Harbor Bridge. This is the first place that you

1394
01:01:24,480 --> 01:01:27,120
Speaker 8: see nears E've come in around the world when we

1395
01:01:27,160 --> 01:01:29,800
Speaker 8: watch the fireworks. So this is an iconic landmark and

1396
01:01:30,040 --> 01:01:34,360
Speaker 8: this will be part of our significant milestone towards reconciliation.

1397
01:01:34,440 --> 01:01:36,960
Speaker 8: It's going to be a huge moment in Australian history.

1398
01:01:37,400 --> 01:01:39,080
Speaker 8: And you know, we should be really proud of that

1399
01:01:39,160 --> 01:01:41,840
Speaker 8: decision and really proud of taking that step. And I

1400
01:01:41,840 --> 01:01:44,400
Speaker 8: think in time, like the building of the bridge itself,

1401
01:01:44,440 --> 01:01:46,480
Speaker 8: which was mid and controversy at the time, and they

1402
01:01:46,480 --> 01:01:49,280
Speaker 8: said it was too expensive. Now we couldn't imagine Sydney

1403
01:01:49,280 --> 01:01:51,120
Speaker 8: without the Sydney Harbor Bridge. And I think in time

1404
01:01:51,320 --> 01:01:53,320
Speaker 8: we'll say the same about the flag. It's important that

1405
01:01:53,360 --> 01:01:55,040
Speaker 8: it's there and we need to get on and get

1406
01:01:55,040 --> 01:01:56,800
Speaker 8: this done. But I will certainly look at the costs.

1407
01:01:56,880 --> 01:01:58,560
Speaker 1: Can you run it past? Dom'm running past and just

1408
01:01:58,640 --> 01:02:00,919
Speaker 1: Natalie just go in there and say, look, delemontates mine.

1409
01:02:00,960 --> 01:02:03,040
Speaker 3: Does you have to run it past the men because

1410
01:02:03,040 --> 01:02:06,040
Speaker 3: he's the premier. He's the Premier, isn't it or Natalie

1411
01:02:06,080 --> 01:02:06,800
Speaker 3: is the minister for this?

1412
01:02:06,880 --> 01:02:10,640
Speaker 1: Well, okay past the guys. Just spitball and say, hey, guys,

1413
01:02:10,960 --> 01:02:13,439
Speaker 1: I know and you know when the PowerPoint presentation is going,

1414
01:02:13,520 --> 01:02:15,640
Speaker 1: what about we don't put up the third pole and

1415
01:02:15,720 --> 01:02:17,760
Speaker 1: we just take down the New South Wales put out

1416
01:02:17,800 --> 01:02:20,520
Speaker 1: front of the Government House. We all appreciate New South

1417
01:02:20,560 --> 01:02:24,120
Speaker 1: Wales and then we got the two flags boom money.

1418
01:02:23,960 --> 01:02:26,040
Speaker 3: Saying well Natalie, now you see what I have to

1419
01:02:26,080 --> 01:02:26,720
Speaker 3: work with every.

1420
01:02:26,640 --> 01:02:30,560
Speaker 2: Day and I appreciate your time, common sense, I see,

1421
01:02:30,600 --> 01:02:32,600
Speaker 2: I see and look, you know, I love the blokes

1422
01:02:32,600 --> 01:02:34,920
Speaker 2: having a say we all want to I want everyone

1423
01:02:34,920 --> 01:02:35,320
Speaker 2: out there.

1424
01:02:35,440 --> 01:02:37,320
Speaker 8: But you know, I think the people that know how

1425
01:02:37,360 --> 01:02:38,520
Speaker 8: to do this should do it.

1426
01:02:39,400 --> 01:02:41,760
Speaker 3: Natalie.

1427
01:02:43,360 --> 01:02:46,600
Speaker 1: One question, that's this one question before you go though.

1428
01:02:47,040 --> 01:02:49,320
Speaker 1: This morning I was talking to Amanda about Back to

1429
01:02:49,440 --> 01:02:53,040
Speaker 1: the Future. What was the time traveling device in Back

1430
01:02:53,080 --> 01:02:54,360
Speaker 1: to the Future the movie?

1431
01:02:54,920 --> 01:02:57,920
Speaker 8: The car, the or some car? Yeah, what type of

1432
01:02:57,920 --> 01:02:58,560
Speaker 8: car was it was that?

1433
01:02:58,720 --> 01:02:59,600
Speaker 1: No, it doesn't matter.

1434
01:03:00,160 --> 01:03:01,800
Speaker 3: I have forgotten or didn't know.

1435
01:03:02,000 --> 01:03:03,640
Speaker 8: The skateboard. I always want to have a go on

1436
01:03:03,680 --> 01:03:05,320
Speaker 8: the skate I thought that was awesome. I still want

1437
01:03:05,360 --> 01:03:06,160
Speaker 8: one of those. It's like a.

1438
01:03:06,120 --> 01:03:08,800
Speaker 1: Horrible Amanda said this morning, just trying to shame me.

1439
01:03:08,880 --> 01:03:11,840
Speaker 1: Amanda said this morning, was that a time traveling Was

1440
01:03:11,840 --> 01:03:13,080
Speaker 1: that a time traveling device?

1441
01:03:13,200 --> 01:03:14,480
Speaker 3: I didn't know the car was?

1442
01:03:14,520 --> 01:03:16,480
Speaker 1: I said, what it's like watching Top Gun and saying

1443
01:03:16,480 --> 01:03:19,640
Speaker 1: are their planes in it? I don't understand. And this

1444
01:03:19,680 --> 01:03:22,200
Speaker 1: is your people that want the twenty five million dollar flag.

1445
01:03:22,440 --> 01:03:23,040
Speaker 1: So it's not me.

1446
01:03:23,720 --> 01:03:26,680
Speaker 3: Natalie. Thank you so much. We do appreciate this budget day.

1447
01:03:26,800 --> 01:03:28,000
Speaker 3: Thank you for your time this morning.

1448
01:03:28,240 --> 01:03:29,360
Speaker 1: Again very much.

1449
01:03:29,440 --> 01:03:30,400
Speaker 13: Thank you very much.

1450
01:03:30,440 --> 01:03:31,880
Speaker 8: To Pressure, thanks for bye.

1451
01:03:32,280 --> 01:03:33,160
Speaker 1: Thank you and me too.

1452
01:03:33,400 --> 01:03:37,760
Speaker 3: No, you've just bullied everybody. You bullied everybody. Anyone, go

1453
01:03:37,800 --> 01:03:39,080
Speaker 3: and run it. Past the men.

1454
01:03:39,240 --> 01:03:42,160
Speaker 1: Said, I said, past, Tom. He's the boss man, He's

1455
01:03:42,200 --> 01:03:48,000
Speaker 1: the premiere, all breeze. I don't know why you're defending

1456
01:03:48,040 --> 01:03:48,520
Speaker 1: this hill.

1457
01:03:59,040 --> 01:04:00,919
Speaker 2: We have a Goolies hot line number nine oh six

1458
01:04:00,960 --> 01:04:02,520
Speaker 2: one seven nine to eight four. You can call it

1459
01:04:02,560 --> 01:04:04,480
Speaker 2: any time in our favorite Goolie of the year. We're

1460
01:04:04,480 --> 01:04:08,680
Speaker 2: in twenty thousand dollars cash. Maybe put your own flag poles,

1461
01:04:09,040 --> 01:04:09,600
Speaker 2: and you can.

1462
01:04:09,480 --> 01:04:12,200
Speaker 1: Also thousand dollars a year's supply.

1463
01:04:11,880 --> 01:04:14,640
Speaker 3: Of chocolate from Darryl Lee. What are they coming here

1464
01:04:14,640 --> 01:04:15,040
Speaker 3: and get here?

1465
01:04:15,280 --> 01:04:17,680
Speaker 1: Bashed about it? Going on the phone?

1466
01:04:18,000 --> 01:04:20,320
Speaker 3: You know what I do? I get some million plugs

1467
01:04:20,480 --> 01:04:21,560
Speaker 3: worth to work in here?

1468
01:04:21,720 --> 01:04:24,200
Speaker 1: What have we got, hey, gay man?

1469
01:04:24,240 --> 01:04:26,120
Speaker 6: And what it really gets my goolies is when I

1470
01:04:26,160 --> 01:04:28,840
Speaker 6: line up to go to mcdunnel's, and I'm at the

1471
01:04:28,840 --> 01:04:30,439
Speaker 6: back of the line, and when the person in front

1472
01:04:30,440 --> 01:04:32,040
Speaker 6: of me gets to the line, they decide to look

1473
01:04:32,040 --> 01:04:32,919
Speaker 6: and what they're going to order.

1474
01:04:33,040 --> 01:04:35,800
Speaker 11: They stand there and go, oh, well, I get I

1475
01:04:35,880 --> 01:04:38,160
Speaker 11: get that they've been standing in a line for five minutes.

1476
01:04:38,240 --> 01:04:39,840
Speaker 12: I think they would have decided before they got to

1477
01:04:39,920 --> 01:04:42,040
Speaker 12: the front of the line making decisions.

1478
01:04:42,680 --> 01:04:43,160
Speaker 3: It's funny.

1479
01:04:43,200 --> 01:04:45,280
Speaker 2: Something happens to your brain when you're in there your

1480
01:04:45,320 --> 01:04:47,280
Speaker 2: brain because you just look at the smells.

1481
01:04:47,280 --> 01:04:49,120
Speaker 3: You look at every look at the smells.

1482
01:04:49,720 --> 01:04:53,080
Speaker 2: Your smell the smells, and you just look around and think, oh,

1483
01:04:53,120 --> 01:04:53,640
Speaker 2: this is nice.

1484
01:04:53,640 --> 01:04:56,400
Speaker 3: And suddenly at the front of the counter, I.

1485
01:04:56,000 --> 01:05:00,160
Speaker 1: Have my order quarter a pounder and it's large flop fries.

1486
01:05:00,240 --> 01:05:01,920
Speaker 1: And I'm standing and that's in my mind. And then

1487
01:05:01,960 --> 01:05:03,720
Speaker 1: I get there and I go and I was, oh, no,

1488
01:05:03,840 --> 01:05:05,800
Speaker 1: maybe I want to live the cheeseburger. So that's what

1489
01:05:05,880 --> 01:05:08,120
Speaker 1: happens to me. What else have we got?

1490
01:05:08,960 --> 01:05:12,000
Speaker 6: We goolie is people who don't pick up after their

1491
01:05:12,080 --> 01:05:15,840
Speaker 6: pets are living a large tenhouse conflict. We got people

1492
01:05:15,840 --> 01:05:20,080
Speaker 6: who walk through it through private property and they don't

1493
01:05:20,120 --> 01:05:23,280
Speaker 6: pick up after their pets through their business. That really

1494
01:05:23,400 --> 01:05:24,360
Speaker 6: gets live.

1495
01:05:24,920 --> 01:05:26,120
Speaker 1: After they've done their business.

1496
01:05:26,120 --> 01:05:26,960
Speaker 3: That is a terrible one.

1497
01:05:27,080 --> 01:05:28,479
Speaker 1: Negotiated a flag deal.

1498
01:05:31,400 --> 01:05:34,560
Speaker 2: Dog cuts in an email. It's got a postable sum jonesy.

1499
01:05:34,680 --> 01:05:37,600
Speaker 1: Twenty five million bucks out of the batting with the

1500
01:05:37,640 --> 01:05:39,040
Speaker 1: good If you did that, does many you got AWAYE

1501
01:05:39,080 --> 01:05:41,480
Speaker 1: call us nine oh six one seven, nine eighty four.

1502
01:05:43,640 --> 01:05:45,640
Speaker 2: I'll say the caller email of Facebook friend, when's the

1503
01:05:45,680 --> 01:05:48,520
Speaker 2: double past to see crowded house live crowded house Dreamers

1504
01:05:48,520 --> 01:05:50,400
Speaker 2: are waiting tour. This is at a were super thitter

1505
01:05:50,440 --> 01:05:53,040
Speaker 2: November nine. You can't get tickets at live Nation dot com,

1506
01:05:53,040 --> 01:05:53,240
Speaker 2: dot a.

1507
01:05:53,320 --> 01:05:55,600
Speaker 1: You you also get that Jonesy demand a fridge, magnet

1508
01:05:55,640 --> 01:05:56,680
Speaker 1: and branded tea tawl.

1509
01:05:57,000 --> 01:05:58,040
Speaker 2: I was in a car on the way to the

1510
01:05:58,040 --> 01:06:02,440
Speaker 2: airport on the Gold Coast. Who book mcclimont. Well, she

1511
01:06:02,480 --> 01:06:04,080
Speaker 2: was sitting next to me and.

1512
01:06:04,200 --> 01:06:05,800
Speaker 1: She's saying to people. I was in a car with

1513
01:06:05,800 --> 01:06:06,440
Speaker 1: a Manela.

1514
01:06:07,200 --> 01:06:11,600
Speaker 2: We drove past the Currumbin Bird Sanctuary where we all

1515
01:06:11,640 --> 01:06:14,440
Speaker 2: had kids photos and we were kids of our arms

1516
01:06:14,480 --> 01:06:20,120
Speaker 2: covered in Laura Keats her flashback was slightly different. So

1517
01:06:20,280 --> 01:06:22,520
Speaker 2: she said that she went up to Mark Gable and said,

1518
01:06:22,560 --> 01:06:25,440
Speaker 2: I love your song currumbin Paradise. He said, what are

1519
01:06:25,440 --> 01:06:28,760
Speaker 2: you talking about? She's talking about this song. She thought

1520
01:06:28,760 --> 01:06:33,840
Speaker 2: it was curumbin Paradise which tribal drums beating for Mishurd

1521
01:06:33,920 --> 01:06:36,360
Speaker 2: song lyric is alex Cecil.

1522
01:06:37,000 --> 01:06:39,280
Speaker 3: He's Karen from Mount Anna and my husband.

1523
01:06:39,480 --> 01:06:42,160
Speaker 13: He used to think Devil inside I Excess with seven

1524
01:06:42,200 --> 01:06:44,880
Speaker 13: A side were playing netball.

1525
01:06:51,520 --> 01:06:56,960
Speaker 3: Strange songs. The topic to write a song about could

1526
01:06:57,000 --> 01:06:59,919
Speaker 3: be a thing Friday year t that's enough.

1527
01:07:00,040 --> 01:07:01,840
Speaker 2: Well, look, this is your last week to get on

1528
01:07:01,880 --> 01:07:03,600
Speaker 2: the standby this for trip of a lifetime. We are

1529
01:07:03,680 --> 01:07:06,320
Speaker 2: calling the winner on Friday. We're very excited.

1530
01:07:06,440 --> 01:07:08,160
Speaker 1: Could be you. We'll be back from six to night

1531
01:07:08,200 --> 01:07:08,840
Speaker 1: for jam nation.

1532
01:07:08,960 --> 01:07:10,120
Speaker 3: See you then, good day to you.

1533
01:07:10,440 --> 01:07:12,200
Speaker 1: Well, thank god, that's over.

1534
01:07:12,360 --> 01:07:16,240
Speaker 8: Good bite, good bite, wipe the two.

1535
01:07:17,000 --> 01:07:17,600
Speaker 3: From You're right.

1536
01:07:17,840 --> 01:07:21,200
Speaker 8: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1537
01:07:21,240 --> 01:07:22,720
Speaker 8: wherever you get your podcasts.

1538
01:07:30,160 --> 01:07:33,959
Speaker 3: Jonesy and Amanda Podcast. Catch up on what you've missed

1539
01:07:34,040 --> 01:07:35,800
Speaker 3: on the free iHeartRadio app.