1 00:00:00,200 --> 00:00:04,240 Speaker 1: The Christian O'Connell Breakfast Show Podcast Melbourn's Gold one oh 2 00:00:04,280 --> 00:00:08,960 Speaker 1: four point three Live from Level two twenty one to 3 00:00:09,119 --> 00:00:10,720 Speaker 1: thirty one, good Wood Street. 4 00:00:10,760 --> 00:00:13,160 Speaker 2: Wretchman, this is the. 5 00:00:13,240 --> 00:00:17,080 Speaker 1: Chris John o'conn all Breakfast Show on Melbourn's Gold one 6 00:00:17,120 --> 00:00:18,079 Speaker 1: oh four point three. 7 00:00:18,520 --> 00:00:21,400 Speaker 2: Good Morning, Happy Monday. It's the Christian O'Connell rackforst show 8 00:00:21,480 --> 00:00:23,360 Speaker 2: God one I four point three. Have you had a 9 00:00:23,440 --> 00:00:27,800 Speaker 2: brilliant weekend show? Number sixty four for us? Big stuff 10 00:00:27,800 --> 00:00:29,840 Speaker 2: happening on the show this week. Then coming up John 11 00:00:29,880 --> 00:00:32,080 Speaker 2: X half for now your chance to win another one 12 00:00:32,080 --> 00:00:35,120 Speaker 2: thousand dollars thanks to big new Johnny English movie coming out. 13 00:00:35,920 --> 00:00:39,440 Speaker 2: Also ten weeks of tickets starts this week on the show. 14 00:00:39,479 --> 00:00:42,639 Speaker 2: Every single morning at seven thirty you get tickets here 15 00:00:42,680 --> 00:00:45,440 Speaker 2: to the biggest shows in towns. I think you sold out. 16 00:00:45,479 --> 00:00:48,040 Speaker 2: Phil Collins sold out the Emy within five minutes. We 17 00:00:48,080 --> 00:00:50,600 Speaker 2: have a pair of tickets. Every single day this week 18 00:00:50,680 --> 00:00:53,520 Speaker 2: at seven thirty, the countdown is on. It is less 19 00:00:53,520 --> 00:00:56,320 Speaker 2: than two weeks to the Grand Final. We have a date, 20 00:00:56,520 --> 00:01:00,160 Speaker 2: we have a location, We have eighty two grands. We 21 00:01:00,200 --> 00:01:03,360 Speaker 2: get to one hundred the Deadliners this week we've got 22 00:01:03,400 --> 00:01:05,560 Speaker 2: a famous Nan on the phone as well, talking about 23 00:01:05,600 --> 00:01:10,400 Speaker 2: it this morning. Yesterday I did Postcars. Was Shane Crawford 24 00:01:10,400 --> 00:01:11,880 Speaker 2: who was in on Friday show. 25 00:01:11,760 --> 00:01:15,360 Speaker 3: Well you had a meteor on Slought yesterday Print TV. 26 00:01:15,680 --> 00:01:18,759 Speaker 2: Why didn't I totally forgot Postgirls was on yesterday? Right, 27 00:01:18,800 --> 00:01:21,440 Speaker 2: So Shane was in Friday talking about it. I walked 28 00:01:21,440 --> 00:01:23,920 Speaker 2: my dog's Saturday morning with my local park, Dndie Park, 29 00:01:24,000 --> 00:01:27,360 Speaker 2: and as I get onto the park, I hear my 30 00:01:27,480 --> 00:01:29,880 Speaker 2: name being called, but I can't see who's calling me. 31 00:01:29,959 --> 00:01:33,640 Speaker 2: I look around and then I see Shane Crawford with 32 00:01:33,760 --> 00:01:35,880 Speaker 2: two boys, and two boys that are clearly up a 33 00:01:35,959 --> 00:01:38,679 Speaker 2: tree and he's trying to coat them down. Now, the 34 00:01:38,720 --> 00:01:41,600 Speaker 2: reason I didn't recognize Shane Crawford is despite obviously filming 35 00:01:41,640 --> 00:01:45,000 Speaker 2: with the Days, he had that disguise that famous people wear, 36 00:01:45,520 --> 00:01:50,080 Speaker 2: mirrored sunglasses and a baseball capt Really yeah, and oh sorry, 37 00:01:50,080 --> 00:01:52,800 Speaker 2: Brad Pitt, I didn't recognize you because you're so. 38 00:01:52,920 --> 00:01:54,520 Speaker 3: Famous and he's hiding in the tree. 39 00:01:54,600 --> 00:01:57,280 Speaker 2: Well, those two boys are, he's trying to get them down. 40 00:01:57,320 --> 00:01:59,200 Speaker 2: Even it's Shane Crawford, right, it's a tough guy, he's 41 00:01:59,200 --> 00:02:02,200 Speaker 2: a legend. It's two young boys who are under ten 42 00:02:02,240 --> 00:02:05,080 Speaker 2: and not listening to the old man. He's like he 43 00:02:05,120 --> 00:02:08,799 Speaker 2: appeared to be shaking the tree as well. And then 44 00:02:08,800 --> 00:02:10,800 Speaker 2: he was like, hey, come down and meet this guy. 45 00:02:10,880 --> 00:02:12,400 Speaker 2: You know, he's the guy I was telling you about. 46 00:02:12,400 --> 00:02:14,320 Speaker 2: I was on the show yesterday and he's on TV 47 00:02:14,360 --> 00:02:16,080 Speaker 2: tour with me. And they went, They just looked at 48 00:02:16,080 --> 00:02:18,800 Speaker 2: me like sometheth coming down for that. No, then they 49 00:02:18,840 --> 00:02:21,440 Speaker 2: saw my dog, you know, which is an interesting looking dog. 50 00:02:21,480 --> 00:02:24,120 Speaker 2: It's a German shepherd. Off he's a beautiful They jumped 51 00:02:24,120 --> 00:02:25,799 Speaker 2: down from the tree and then they threw the ball 52 00:02:25,840 --> 00:02:29,320 Speaker 2: for half an hour, so Shane was please. His kids 53 00:02:29,320 --> 00:02:32,200 Speaker 2: got worn out playing catch with the dog. So I 54 00:02:32,240 --> 00:02:35,680 Speaker 2: missed postcards yesterday. I think the rual reason I forgot 55 00:02:35,720 --> 00:02:37,679 Speaker 2: it was on is because the kids ran about four 56 00:02:37,680 --> 00:02:40,919 Speaker 2: o'clock yesterday afternoon said we need to get some school supplies. 57 00:02:41,080 --> 00:02:46,799 Speaker 2: We need to go to and I went my wife, guys, 58 00:02:47,040 --> 00:02:48,560 Speaker 2: dad doesn't want to take you there now he's just 59 00:02:48,600 --> 00:02:51,480 Speaker 2: about to happen. Now went, I'll take them. Goes no, no, no, no, 60 00:02:51,560 --> 00:02:53,000 Speaker 2: you go and have a lot of nap on Sunday 61 00:02:53,000 --> 00:02:55,320 Speaker 2: afternoon and always have your nap on Sunday afternoon. I 62 00:02:55,400 --> 00:02:58,320 Speaker 2: will drive them to Office Works. We were an hour there. 63 00:02:58,520 --> 00:03:01,760 Speaker 2: I spent a fortune. Do you see that trolley I did? 64 00:03:01,960 --> 00:03:06,040 Speaker 3: I needed the trolley, used the trolley Office Works. You've 65 00:03:06,120 --> 00:03:06,839 Speaker 3: just up the game. 66 00:03:06,960 --> 00:03:09,120 Speaker 2: Got a brand new whiteboard that I cannot wait to 67 00:03:09,200 --> 00:03:11,239 Speaker 2: get back at home, like to day to use the 68 00:03:11,320 --> 00:03:11,799 Speaker 2: white board. 69 00:03:11,880 --> 00:03:13,120 Speaker 4: What's going on the white board. 70 00:03:13,600 --> 00:03:17,120 Speaker 2: Yeah, I'm just gonna write hello, whiteboard. That's what it is. 71 00:03:17,200 --> 00:03:19,519 Speaker 3: It's possibilities. You go through every l and you're like, 72 00:03:19,639 --> 00:03:22,720 Speaker 3: maybe I do one day. Maybe that's so I'm all 73 00:03:22,760 --> 00:03:24,720 Speaker 3: to go the nice because I don't have clipboard and 74 00:03:24,840 --> 00:03:25,480 Speaker 3: a white book. 75 00:03:25,520 --> 00:03:26,240 Speaker 5: That's what I need. 76 00:03:26,320 --> 00:03:28,840 Speaker 2: I've got all kinds of new post it notes as well, 77 00:03:28,919 --> 00:03:31,600 Speaker 2: including I didn't even know that the posted company did this. 78 00:03:32,040 --> 00:03:34,480 Speaker 2: They do a new super sized post it note that 79 00:03:34,680 --> 00:03:38,760 Speaker 2: is ya big, oh wow, like a four or it's 80 00:03:38,840 --> 00:03:41,680 Speaker 2: double the size of a four. The kids showed me 81 00:03:42,080 --> 00:03:42,600 Speaker 2: and I went. 82 00:03:42,560 --> 00:03:45,280 Speaker 3: Ah, yes, Now I can do extra. 83 00:03:46,560 --> 00:03:48,800 Speaker 2: Myself, because you know I can't write in small writing 84 00:03:48,840 --> 00:03:51,200 Speaker 2: and have to write block camels. At last, the post 85 00:03:51,240 --> 00:03:54,080 Speaker 2: it note where I can fit more with my oversized handwriting. 86 00:03:54,800 --> 00:03:56,680 Speaker 2: So I got that. I've got a load of a 87 00:03:56,880 --> 00:03:58,760 Speaker 2: four paper even tho I'm not sure we needed a 88 00:03:58,840 --> 00:04:01,040 Speaker 2: note of able paper. Kids were chucking stuff in the 89 00:04:01,080 --> 00:04:02,640 Speaker 2: trolley that was going under my stuff that I'm not 90 00:04:02,840 --> 00:04:05,360 Speaker 2: entirely sure we needed. Loi's got a load of new 91 00:04:05,600 --> 00:04:08,120 Speaker 2: glue for the slign factory. She's turning our home into 92 00:04:08,160 --> 00:04:08,640 Speaker 2: it at the moment. 93 00:04:08,840 --> 00:04:10,000 Speaker 4: Never enough glue in a house. 94 00:04:10,120 --> 00:04:11,840 Speaker 2: What is it that I even was looking at stuff 95 00:04:11,880 --> 00:04:15,600 Speaker 2: thinking maybe I do need that. We're looking get kid myself. 96 00:04:15,640 --> 00:04:18,200 Speaker 2: I'm going to get organized. I saw some perspect see 97 00:04:18,279 --> 00:04:23,560 Speaker 2: through brochure holders to the hotel. Might need more a dentist, receptionist? 98 00:04:24,000 --> 00:04:27,080 Speaker 2: Do we need some? On the show swing my lady 99 00:04:27,080 --> 00:04:28,960 Speaker 2: on today and getting all the way home up there 100 00:04:29,000 --> 00:04:31,880 Speaker 2: in high But do you get a real I actually 101 00:04:31,880 --> 00:04:34,239 Speaker 2: get a buzz of happiness when I walk into an office. 102 00:04:34,279 --> 00:04:38,160 Speaker 3: Woman made me feel like going to office. Our local 103 00:04:38,200 --> 00:04:40,240 Speaker 3: office works used to let you take a dog in. 104 00:04:40,560 --> 00:04:43,480 Speaker 3: We used to go there on mornings for fun. Really, 105 00:04:43,640 --> 00:04:45,560 Speaker 3: the three of us, we would walk around office works. 106 00:04:45,920 --> 00:04:48,440 Speaker 2: Honestly, your husband Chrissy works at one. He does. 107 00:04:48,600 --> 00:04:50,120 Speaker 4: Yeah, he's a business special. 108 00:04:50,240 --> 00:04:52,120 Speaker 2: What did they say no to? Because the one I 109 00:04:52,320 --> 00:04:54,280 Speaker 2: was in it just appears to have everything you'd need. 110 00:04:54,600 --> 00:04:57,839 Speaker 2: They do. I actually like a duck a giant drum, 111 00:04:58,000 --> 00:05:00,600 Speaker 2: a forty gallon drum of mentos. Yes, and they do 112 00:05:00,680 --> 00:05:05,919 Speaker 2: the pockela and ship chocolates, granulated coffee, coffee. Yeh, strip 113 00:05:06,120 --> 00:05:08,960 Speaker 2: sauce I could buy. I almost brought a thousand strip saws. 114 00:05:10,200 --> 00:05:11,920 Speaker 2: If the zombie a pocolypse happens. 115 00:05:11,720 --> 00:05:13,560 Speaker 4: It's like the costco of stationery. 116 00:05:14,120 --> 00:05:16,040 Speaker 2: Well yeah, but then there's strip saws as well. You've 117 00:05:16,080 --> 00:05:18,560 Speaker 2: got everything there. There are certain shops when you go 118 00:05:18,680 --> 00:05:20,960 Speaker 2: into that make you happy. You know, you might not 119 00:05:21,000 --> 00:05:23,279 Speaker 2: want to admit in public, but for us it's office works. 120 00:05:23,279 --> 00:05:24,200 Speaker 2: What's it for you, Pats? 121 00:05:24,360 --> 00:05:25,719 Speaker 3: Oh gosh, that's a good question. 122 00:05:25,880 --> 00:05:28,480 Speaker 4: I do like a Bunning's trip, Yeah, because you know 123 00:05:28,520 --> 00:05:30,200 Speaker 4: you get the sausage on the side, don't you. 124 00:05:30,320 --> 00:05:32,040 Speaker 2: It's a little bonus gin. Yeah. You know it's a 125 00:05:32,080 --> 00:05:34,520 Speaker 2: shopper's tree, isn't it. And also it's one of those 126 00:05:34,680 --> 00:05:36,440 Speaker 2: office works where you go in to buy just one, 127 00:05:36,640 --> 00:05:39,640 Speaker 2: maybe or two specific things and you'll leave with way more. 128 00:05:40,080 --> 00:05:44,480 Speaker 2: You'll always spend way more those stores. What's it for you, Melbourne? 129 00:05:44,480 --> 00:05:46,840 Speaker 2: What's the shop you get an irrational joy out of 130 00:05:46,920 --> 00:05:49,440 Speaker 2: when you get in there? It's off it with office works? 131 00:05:49,480 --> 00:05:52,240 Speaker 2: For me? I do get a buzz sometimes. You get 132 00:05:52,279 --> 00:05:53,360 Speaker 2: a little bit of a high when I walk in 133 00:05:53,360 --> 00:05:57,560 Speaker 2: a chemist's warehouse as well. Yeah, yeah, I mean that's 134 00:05:57,600 --> 00:05:59,000 Speaker 2: not wrong with me. But I might get some of 135 00:05:59,040 --> 00:06:00,599 Speaker 2: that now, just in case I do get. 136 00:06:00,520 --> 00:06:04,760 Speaker 3: That, and so I'll get five of those everything special, 137 00:06:04,880 --> 00:06:05,479 Speaker 3: that's the trick. 138 00:06:05,720 --> 00:06:09,120 Speaker 2: Yeah, A special athletic football, Yes, I might need that. 139 00:06:09,200 --> 00:06:10,520 Speaker 2: I'll put that in my basket as well. 140 00:06:10,680 --> 00:06:14,000 Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four 141 00:06:14,080 --> 00:06:14,520 Speaker 1: point three? 142 00:06:14,839 --> 00:06:18,040 Speaker 2: What shot? What store? When you wander in there makes 143 00:06:18,080 --> 00:06:20,480 Speaker 2: you feel happy when you think about it might even 144 00:06:20,480 --> 00:06:22,320 Speaker 2: been a question before, but you get a certain buzz 145 00:06:22,360 --> 00:06:24,040 Speaker 2: when you get in there. You actually look forward to 146 00:06:24,120 --> 00:06:27,280 Speaker 2: going on shopping trip there. I just remember some of 147 00:06:27,320 --> 00:06:31,440 Speaker 2: the other stuff I bought yesterday, office works. I really 148 00:06:31,480 --> 00:06:36,279 Speaker 2: went over the board. Actually there was even SIGNE found 149 00:06:36,320 --> 00:06:39,599 Speaker 2: an aisle where they do signs that you would only 150 00:06:39,720 --> 00:06:43,800 Speaker 2: need if you're running. Yeah, I didn't know it existed, Jack, 151 00:06:43,839 --> 00:06:46,520 Speaker 2: it was I found in you a higher level. It's 152 00:06:46,560 --> 00:06:49,280 Speaker 2: an aisle of signs you would only really need to 153 00:06:49,400 --> 00:06:52,039 Speaker 2: have any business to buy if you're an office manager. 154 00:06:52,560 --> 00:06:52,720 Speaker 6: Right. 155 00:06:53,200 --> 00:06:58,160 Speaker 3: So plastic stick is of things like Can's closet and 156 00:06:58,320 --> 00:07:02,000 Speaker 3: yeah for thees, the mail and email toilet, what are 157 00:07:02,000 --> 00:07:02,840 Speaker 3: you going to do with that? 158 00:07:03,200 --> 00:07:06,240 Speaker 2: Well? I got one I was putting up yesterday. Oh god, 159 00:07:06,640 --> 00:07:09,840 Speaker 2: this is my study at home and it just says private, 160 00:07:09,960 --> 00:07:11,920 Speaker 2: keep out and life. Went to me, that's the sort 161 00:07:11,960 --> 00:07:15,840 Speaker 2: of thing a teenage boy exactly what I saw it 162 00:07:15,880 --> 00:07:17,400 Speaker 2: this morning. I don't feel quite the same. 163 00:07:18,760 --> 00:07:21,160 Speaker 3: You're going to Skull and Crossbones one as well. They 164 00:07:21,320 --> 00:07:21,960 Speaker 3: do not enter. 165 00:07:23,400 --> 00:07:29,240 Speaker 2: It's a bit sad. A forty year I also though 166 00:07:29,280 --> 00:07:31,240 Speaker 2: I found I'm going to put it up there onto that. 167 00:07:31,320 --> 00:07:32,840 Speaker 2: The kids don't know about this one, right, but I've 168 00:07:32,840 --> 00:07:34,680 Speaker 2: got these two other ones for there. At the moment, 169 00:07:34,720 --> 00:07:37,160 Speaker 2: we're trying to obviously wean them off the drug. AI 170 00:07:37,320 --> 00:07:40,080 Speaker 2: was already here. Elil Musk's right. AI is our phones. 171 00:07:40,320 --> 00:07:42,239 Speaker 2: It's attached to our limb. Did you see his interview 172 00:07:42,280 --> 00:07:42,920 Speaker 2: with Joe Rogan. 173 00:07:43,120 --> 00:07:44,600 Speaker 3: I started listening to himself. 174 00:07:44,960 --> 00:07:48,520 Speaker 2: It's got everything. He's got everything on the interview. But anyway, 175 00:07:48,800 --> 00:07:51,680 Speaker 2: I'm trying to wean them off taking phones upstairs because 176 00:07:51,720 --> 00:07:53,240 Speaker 2: you don't then you don't know what they're up to, right, 177 00:07:53,320 --> 00:07:54,960 Speaker 2: But it's tough. They smug it up there and you've 178 00:07:54,960 --> 00:07:56,800 Speaker 2: got to do a sudden random raid on the room 179 00:07:56,920 --> 00:07:59,320 Speaker 2: and the country. Ben. Yeah. But otherwise they sneak it 180 00:07:59,400 --> 00:08:01,880 Speaker 2: up though. They're just too smart. Anyway. I found these 181 00:08:01,960 --> 00:08:04,160 Speaker 2: signs when I was office works, where it's like a 182 00:08:04,320 --> 00:08:08,440 Speaker 2: phone with a no entry. Yeah, thank you, Jack, that's 183 00:08:08,480 --> 00:08:10,280 Speaker 2: what I thought that I'll stop them. They see that 184 00:08:10,360 --> 00:08:13,280 Speaker 2: and go, oh, take that downstairs. This zone is no 185 00:08:13,520 --> 00:08:18,160 Speaker 2: phone because kids respects signs, don't they from office works? 186 00:08:18,640 --> 00:08:20,800 Speaker 2: All right? That's what store makes shot makes you happy 187 00:08:20,840 --> 00:08:24,240 Speaker 2: when you go in. Good morning, Kerry. Oh hi, spotlight 188 00:08:24,400 --> 00:08:27,360 Speaker 2: to me? Spotlight. Jack was just telling me about spotlight. 189 00:08:27,440 --> 00:08:29,400 Speaker 2: So what kind of stuff gets you excited in there? 190 00:08:29,960 --> 00:08:32,000 Speaker 7: I do not have a creative bone in my body, 191 00:08:32,120 --> 00:08:33,520 Speaker 7: but I just fight, prep. 192 00:08:33,720 --> 00:08:35,160 Speaker 2: Pay something in the mood to try it. 193 00:08:36,760 --> 00:08:38,920 Speaker 3: It goes back to that world of possibilities, doesn't it 194 00:08:39,000 --> 00:08:41,439 Speaker 3: carry potentially? I don't know if I need sequence and 195 00:08:41,520 --> 00:08:42,719 Speaker 3: fabrics yet, but I might. 196 00:08:43,000 --> 00:08:45,160 Speaker 2: I might become the person that needs ribbon. 197 00:08:46,480 --> 00:08:46,880 Speaker 7: Someday. 198 00:08:47,240 --> 00:08:49,920 Speaker 2: Yeah exactly, Kerry, Thank you very much for that one 199 00:08:50,000 --> 00:08:51,920 Speaker 2: spotlight for Kerry. Marty, what's it for you? 200 00:08:54,360 --> 00:08:54,400 Speaker 8: So? 201 00:08:54,559 --> 00:08:55,880 Speaker 2: Is that into your fishing tackle? 202 00:08:55,920 --> 00:08:56,200 Speaker 3: All that. 203 00:08:57,960 --> 00:09:00,559 Speaker 7: Went in there last week to spend about twenty. 204 00:09:00,320 --> 00:09:02,280 Speaker 6: Dollars and I came out seven hundred dollars for. 205 00:09:04,160 --> 00:09:06,199 Speaker 2: So break it down. Then, what what do you what? 206 00:09:06,240 --> 00:09:08,559 Speaker 2: Are you getting new casts and lines and rods. 207 00:09:09,200 --> 00:09:11,679 Speaker 6: I get new laws that I will never use. 208 00:09:11,800 --> 00:09:15,319 Speaker 7: I get extra hawks, I get fishing gear. 209 00:09:15,559 --> 00:09:18,959 Speaker 2: I get fishing rods, and the missus just says it's 210 00:09:18,960 --> 00:09:22,120 Speaker 2: an addiction, but I just won't admit it. Marty. 211 00:09:22,200 --> 00:09:24,440 Speaker 3: If you had to pinpoint one of the most pointless 212 00:09:24,480 --> 00:09:26,200 Speaker 3: things you bought last time you were there, what would 213 00:09:26,240 --> 00:09:26,360 Speaker 3: it be? 214 00:09:27,520 --> 00:09:29,920 Speaker 6: Fishing rod holders for a boat which I don't own. 215 00:09:35,720 --> 00:09:38,160 Speaker 2: See this, Marty, This is why I always envious of 216 00:09:38,240 --> 00:09:40,400 Speaker 2: you fishermen, because you get all that kind of gear 217 00:09:40,480 --> 00:09:43,000 Speaker 2: to go with it, even the kind of I've seen 218 00:09:43,080 --> 00:09:45,880 Speaker 2: those stores. Right, it's not even one type of chair 219 00:09:45,960 --> 00:09:47,640 Speaker 2: that you can sit by a river bank or something. 220 00:09:47,840 --> 00:09:50,199 Speaker 2: There's about thirty different chairs to choose from. 221 00:09:50,600 --> 00:09:55,040 Speaker 6: Yeah, well I've got I've got six, brilliant. 222 00:09:55,080 --> 00:09:56,840 Speaker 2: I love that, Marty. You have a great day. Thanks 223 00:09:56,880 --> 00:10:02,320 Speaker 2: for cooling here too, mate, Thank you. Good morning, Simon. 224 00:10:02,360 --> 00:10:05,240 Speaker 2: You sound like a spy. Simon Templestone is on the 225 00:10:05,320 --> 00:10:08,520 Speaker 2: line from c I five. Good morning, Simon Templestone. Here, 226 00:10:09,360 --> 00:10:10,880 Speaker 2: Simon Templestone what's it for you? 227 00:10:11,679 --> 00:10:16,400 Speaker 6: It's from temple Stone, Simon, Templeton. 228 00:10:17,880 --> 00:10:21,440 Speaker 2: Now you sound like an accountant. Hello, Templeton's accountants. How 229 00:10:21,480 --> 00:10:22,079 Speaker 2: can we help you? 230 00:10:23,280 --> 00:10:25,920 Speaker 6: I Kia for me, love and Ikea. 231 00:10:26,040 --> 00:10:28,280 Speaker 2: I don't know why. It's it's the meatballs. 232 00:10:28,480 --> 00:10:30,920 Speaker 6: It's the marketplace down below. 233 00:10:31,040 --> 00:10:32,760 Speaker 3: It's walking past all the room. 234 00:10:32,679 --> 00:10:35,040 Speaker 6: Setting to go. Why doesn't our house look like that? 235 00:10:35,760 --> 00:10:40,640 Speaker 6: It's find spaghetti strainers and rubber spaghetti strainers and more glasses. 236 00:10:40,760 --> 00:10:45,079 Speaker 2: Is just it's just it's it's Simon. What I listen. 237 00:10:45,200 --> 00:10:47,920 Speaker 2: I know obviously I can recognize the action with fellow pommies, 238 00:10:47,960 --> 00:10:49,800 Speaker 2: but I'm going to have to fall out here that 239 00:10:49,960 --> 00:10:52,600 Speaker 2: place there forget the meatballs. My balls shrink. It's hell 240 00:10:52,679 --> 00:10:55,880 Speaker 2: on Earth. I care awful, awful place. You don't get out, 241 00:10:56,080 --> 00:10:58,360 Speaker 2: Oh god, you know you're trapped in there for a 242 00:10:58,440 --> 00:11:00,520 Speaker 2: couple of hours. It's on earth. 243 00:11:01,679 --> 00:11:03,280 Speaker 6: It's an escape from reality. 244 00:11:05,440 --> 00:11:08,800 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 245 00:11:08,840 --> 00:11:09,320 Speaker 1: point three. 246 00:11:09,640 --> 00:11:13,400 Speaker 2: Yesterday I was flicking around making sure that my shows 247 00:11:13,400 --> 00:11:16,040 Speaker 2: that I want to record were going to be recorded yesterday, 248 00:11:16,080 --> 00:11:19,120 Speaker 2: because there are two for fight fans. Big Big day yesterday. 249 00:11:19,559 --> 00:11:22,520 Speaker 2: Great thing about The time difference here is it's Sunday 250 00:11:22,559 --> 00:11:24,880 Speaker 2: afternoon and you're watching live Vegas fights. 251 00:11:25,320 --> 00:11:26,360 Speaker 3: Is that there Saturday night? 252 00:11:26,640 --> 00:11:27,360 Speaker 1: Yeah? Yeah. 253 00:11:27,520 --> 00:11:30,520 Speaker 2: So in boxing there's a big fight last night, well 254 00:11:30,880 --> 00:11:33,640 Speaker 2: yesterday afternoon, but Saturday night in Vegas, and so I 255 00:11:33,720 --> 00:11:35,400 Speaker 2: was keen to be watching that. And then in UFC 256 00:11:35,520 --> 00:11:36,520 Speaker 2: there was big fights as well. 257 00:11:36,600 --> 00:11:38,080 Speaker 3: So do your wife and kids sit down and watch 258 00:11:38,120 --> 00:11:38,880 Speaker 3: the USA with you? 259 00:11:38,960 --> 00:11:40,800 Speaker 2: Or is this I have to record and watch it 260 00:11:40,880 --> 00:11:42,360 Speaker 2: later on when they're not around they come and they're like, 261 00:11:42,440 --> 00:11:44,160 Speaker 2: oh god, not this one again with Is this the 262 00:11:44,240 --> 00:11:46,640 Speaker 2: one with the men in the cage or is this boxing? 263 00:11:46,720 --> 00:11:48,320 Speaker 2: The boxing? They might watch a bit of that because 264 00:11:48,320 --> 00:11:50,440 Speaker 2: I'll break the action down for them. It's the kind 265 00:11:50,520 --> 00:11:53,559 Speaker 2: of interesting. Yeah, I know, it's good them through the action. However, 266 00:11:53,640 --> 00:11:56,320 Speaker 2: isn't flicking around the channels yesterday because there's so many 267 00:11:56,400 --> 00:11:59,160 Speaker 2: of them and you flick down one page which channel 268 00:11:59,200 --> 00:12:02,040 Speaker 2: is showing it? Who's got I see you've seen the 269 00:12:02,120 --> 00:12:05,800 Speaker 2: channel the channel Crime Investigation, love it. 270 00:12:06,280 --> 00:12:06,959 Speaker 3: I haven't seen it. 271 00:12:07,120 --> 00:12:08,960 Speaker 2: You know what. I had to make a guess, right 272 00:12:09,200 --> 00:12:10,800 Speaker 2: which one of you on the team would be into 273 00:12:10,840 --> 00:12:13,880 Speaker 2: that ebbipats because there's a lot of people now you know. 274 00:12:14,000 --> 00:12:16,679 Speaker 2: I mean, you've got the next week's documentary something you're 275 00:12:16,679 --> 00:12:19,720 Speaker 2: making a merger in staircase and that's kind of investigation 276 00:12:19,800 --> 00:12:22,840 Speaker 2: and stuff that. Then there's the grizzly end, which are 277 00:12:22,880 --> 00:12:25,240 Speaker 2: those channels twenty four to seven. They're churning out these 278 00:12:25,280 --> 00:12:28,600 Speaker 2: documentaries like Killer Kids. That was one of the shows 279 00:12:28,640 --> 00:12:31,880 Speaker 2: on yesterday evening, Killer Kids, another one when Women Snap, 280 00:12:33,640 --> 00:12:37,040 Speaker 2: And then I saw one yesterday their themed day serial 281 00:12:37,160 --> 00:12:41,080 Speaker 2: Killer Sundays. I love it on the Crime Investigation Channel. 282 00:12:41,559 --> 00:12:44,360 Speaker 2: Serial Killer Sundays. There's not other with R and B Friday, 283 00:12:44,400 --> 00:12:47,440 Speaker 2: but cereal Killer Sundays. Do you know what's up? 284 00:12:47,480 --> 00:12:47,599 Speaker 1: We have? 285 00:12:47,720 --> 00:12:49,360 Speaker 2: Means that this we've got a brainstorm and come up 286 00:12:49,360 --> 00:12:52,240 Speaker 2: with ideas. They must have had a brainstorm to come 287 00:12:52,320 --> 00:12:53,840 Speaker 2: up with serial Killer Sundays. 288 00:12:53,960 --> 00:12:55,640 Speaker 3: Yeah, and then someone gets patted on the back. They 289 00:12:55,720 --> 00:12:56,800 Speaker 3: might even get a raise for that. 290 00:12:57,120 --> 00:12:58,640 Speaker 2: Well, are they trying to come up with a whole 291 00:12:58,880 --> 00:13:02,640 Speaker 2: seven day theme of shows later on Mondays? Yeah? Where 292 00:13:02,640 --> 00:13:06,280 Speaker 2: are the body Wednesdays? You know? I mean, so perhaps 293 00:13:06,320 --> 00:13:07,360 Speaker 2: do you watch those shows? 294 00:13:07,400 --> 00:13:11,960 Speaker 4: Because I find them fascinating that any crash investigation what Yeah, 295 00:13:12,080 --> 00:13:15,640 Speaker 4: love following the story and what unfolds and the evidence 296 00:13:16,120 --> 00:13:16,400 Speaker 4: love it. 297 00:13:16,840 --> 00:13:18,640 Speaker 2: You didn't record them to you, because if I has 298 00:13:18,640 --> 00:13:21,000 Speaker 2: been Chris, I'd be terrified. I've started to go through 299 00:13:21,080 --> 00:13:24,280 Speaker 2: your you know you, or the shows you've got or something. Yeah, 300 00:13:24,320 --> 00:13:28,280 Speaker 2: those ones Women's That's Women, that Snap, That's Kid on Sundays, 301 00:13:28,320 --> 00:13:29,640 Speaker 2: and Patsy's recording them all. 302 00:13:29,600 --> 00:13:32,960 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 303 00:13:33,000 --> 00:13:33,480 Speaker 1: point three. 304 00:13:33,720 --> 00:13:36,040 Speaker 2: Maybe you were with someone like Pats. Maybe you know 305 00:13:36,240 --> 00:13:38,760 Speaker 2: someone like Pats look out for these people. I just 306 00:13:38,840 --> 00:13:40,559 Speaker 2: wanted now to see what was going on now after 307 00:13:40,640 --> 00:13:43,040 Speaker 2: she started just to chuck her ten thousand dollars away 308 00:13:43,440 --> 00:13:46,360 Speaker 2: and her career just gone. So where having Pats is 309 00:13:46,440 --> 00:13:48,360 Speaker 2: leaving do Friday. We need to have a little round. 310 00:13:48,480 --> 00:13:51,199 Speaker 2: I've really enjoyed working with you, Pats, but I think 311 00:13:51,240 --> 00:13:53,079 Speaker 2: I can't save you on that one. The old ten 312 00:13:53,160 --> 00:13:55,920 Speaker 2: thousand dollars Musco just randomly decided. 313 00:13:56,160 --> 00:13:58,040 Speaker 3: What is most dangerous though, Pats is now that we 314 00:13:58,200 --> 00:14:01,920 Speaker 3: know you'll like ron Bergen from Ankerman, you read whatever's 315 00:14:01,920 --> 00:14:03,160 Speaker 3: on the telegonsid true. 316 00:14:03,360 --> 00:14:05,520 Speaker 2: Yeah, and the thing is easy when people bring in 317 00:14:05,600 --> 00:14:07,960 Speaker 2: those coffee mugs from home, you don't really know what's 318 00:14:08,000 --> 00:14:10,760 Speaker 2: in the moment it sniff packs and there's no coffee that. 319 00:14:10,840 --> 00:14:13,400 Speaker 2: It's snaps again, it's peak snaps. I've told you about 320 00:14:13,400 --> 00:14:15,319 Speaker 2: the especially on a Monday madday. 321 00:14:15,880 --> 00:14:17,400 Speaker 3: You can find it. 322 00:14:18,200 --> 00:14:24,760 Speaker 9: The three song connection for the new Johnny English movie. 323 00:14:25,720 --> 00:14:28,040 Speaker 2: Hey early risers who only hear this part of the show, 324 00:14:28,080 --> 00:14:31,840 Speaker 2: we're looking after you. Thousand dollars today, Tomorrow, Wednesday and Thursday. 325 00:14:32,400 --> 00:14:35,720 Speaker 2: Rowan Atkinson is back. A comedy genius is back in 326 00:14:35,800 --> 00:14:39,680 Speaker 2: Johnny English. Third Johnny English movie. Great kids movies, very smart, 327 00:14:39,840 --> 00:14:42,920 Speaker 2: very funny. Kids are actually googling when they can go 328 00:14:43,080 --> 00:14:46,400 Speaker 2: and see it. We've got thousand dollars to give away 329 00:14:46,440 --> 00:14:48,480 Speaker 2: every single morning. Also got tickets to go to the 330 00:14:48,560 --> 00:14:51,560 Speaker 2: premiere as well. Jack, You've got a brand new three 331 00:14:51,640 --> 00:14:52,600 Speaker 2: song connection. Yep. 332 00:14:53,200 --> 00:14:56,240 Speaker 3: Easy. How it works is you listen to three clips 333 00:14:56,280 --> 00:14:56,960 Speaker 3: of three songs. 334 00:14:57,000 --> 00:14:58,920 Speaker 2: Oh, I think everyone in the world knows how this 335 00:14:59,080 --> 00:15:00,920 Speaker 2: radio feature worked. See this because up and. 336 00:15:00,960 --> 00:15:03,800 Speaker 3: Down the dial there will be a common word between 337 00:15:03,880 --> 00:15:07,920 Speaker 3: either the song title or the artist in all three songs. 338 00:15:08,280 --> 00:15:10,520 Speaker 2: And their themes because of the movie Johnny English. 339 00:15:10,600 --> 00:15:13,600 Speaker 3: Oh yes, they're all English bands for the rest of 340 00:15:13,640 --> 00:15:13,920 Speaker 3: the week. 341 00:15:14,000 --> 00:15:20,800 Speaker 2: All right, let's have a listen you again. There's a 342 00:15:20,840 --> 00:15:22,560 Speaker 2: bit nervous there. Pats was gonna say you can you 343 00:15:22,600 --> 00:15:25,680 Speaker 2: can win a billion or stuff like that. Flashbacks the 344 00:15:25,760 --> 00:15:35,360 Speaker 2: five minutes ago, the three songs you again, don't win 345 00:15:35,440 --> 00:15:40,040 Speaker 2: a Bentley as well? Passed? Alright, three songs guess the connection? 346 00:15:40,120 --> 00:15:46,720 Speaker 2: One thousand bucks? You again? What do you think it is? 347 00:15:46,840 --> 00:15:49,480 Speaker 2: Nine four one four one O four three one more time? 348 00:15:51,120 --> 00:15:55,680 Speaker 2: You again? All right, we'll take your guesses next on 349 00:15:55,800 --> 00:15:57,360 Speaker 2: nine four one four one O four three. 350 00:15:57,520 --> 00:16:01,400 Speaker 1: The Christian O'Connell Breakfast Show's got one four point three? 351 00:16:02,040 --> 00:16:04,640 Speaker 5: Do you think you can find it? 352 00:16:05,480 --> 00:16:08,120 Speaker 2: The three song connection. 353 00:16:08,320 --> 00:16:14,720 Speaker 9: For the new Johnny English movie Rowan Atkinson's Back and 354 00:16:14,960 --> 00:16:18,560 Speaker 9: Johnny English Strikes Again, out in cinema September the twentieth. 355 00:16:19,200 --> 00:16:22,040 Speaker 2: If you've not seen the previous two while worth, if 356 00:16:22,080 --> 00:16:24,520 Speaker 2: you've got kids, you're looking for a funny movie. Fairly 357 00:16:24,640 --> 00:16:26,960 Speaker 2: very good. My kids are super excited about this new 358 00:16:27,000 --> 00:16:29,440 Speaker 2: one coming out. With that, we have one thousand dollars 359 00:16:29,480 --> 00:16:32,600 Speaker 2: every single morning for you just gonna guess the English. 360 00:16:32,800 --> 00:16:34,960 Speaker 2: They're all English bands in the three songs. 361 00:16:34,880 --> 00:16:37,800 Speaker 3: That's right, and there is a common word between all 362 00:16:37,960 --> 00:16:41,400 Speaker 3: three songs. Ignore all the copycat games. This is the original. 363 00:16:41,800 --> 00:16:44,960 Speaker 2: The three song connection. Yeah, I hate those copy cats 364 00:16:44,960 --> 00:16:47,040 Speaker 2: that were there before you. You know, the worst kind 365 00:16:47,040 --> 00:16:49,080 Speaker 2: of copycats, aren't there? They do it before you do it. 366 00:16:49,880 --> 00:16:57,880 Speaker 2: Damn them you All right, then let's go to the lines. 367 00:16:58,840 --> 00:17:02,480 Speaker 2: Good morning, Nicole, Good morning. How are you pretty good? Nicole? 368 00:17:02,520 --> 00:17:03,240 Speaker 2: You have a nice weekend. 369 00:17:03,760 --> 00:17:04,800 Speaker 10: I did lovely weekend. 370 00:17:04,840 --> 00:17:08,399 Speaker 2: Thank you, gorgeous weather right saturday, was studying, It was 371 00:17:09,280 --> 00:17:11,719 Speaker 2: all right, Nicole. What's your three song guests? The connection? 372 00:17:12,600 --> 00:17:14,760 Speaker 10: I believe it's the word you. 373 00:17:15,880 --> 00:17:17,080 Speaker 3: What makes you think that, Nicole? 374 00:17:17,600 --> 00:17:19,000 Speaker 10: Oh, it's a bit of a blur. I think I 375 00:17:19,119 --> 00:17:22,240 Speaker 10: heard some Oasis, potentially all the Buggles, and I think 376 00:17:23,200 --> 00:17:24,120 Speaker 10: you again. 377 00:17:26,960 --> 00:17:29,760 Speaker 3: Actually there is you being said in two of those songs, 378 00:17:29,880 --> 00:17:32,560 Speaker 3: but it is not the common word today. 379 00:17:32,640 --> 00:17:38,040 Speaker 2: Thanks Nicole, Nicole, that was my first guest. Damium. There 380 00:17:38,080 --> 00:17:41,720 Speaker 2: you go pretty good. What's your guess Radios? 381 00:17:42,760 --> 00:17:43,800 Speaker 3: What makes you say that day? 382 00:17:45,080 --> 00:17:47,320 Speaker 6: I think radio is norm song titles. 383 00:17:49,800 --> 00:17:49,840 Speaker 2: You. 384 00:17:54,960 --> 00:18:00,320 Speaker 3: The second song title is Calma Police by radio Head, 385 00:18:00,440 --> 00:18:03,800 Speaker 3: and radio is in the other song titles demo You've done. 386 00:18:03,680 --> 00:18:08,120 Speaker 2: It Well down one thousand dollars, Buddy yep, the phone 387 00:18:08,160 --> 00:18:10,960 Speaker 2: just brought blue up them. But damos one thousand dollars 388 00:18:11,200 --> 00:18:14,000 Speaker 2: another chance to win tomorrow morning check out Johnny English 389 00:18:14,040 --> 00:18:16,720 Speaker 2: strikes again in cinemas. September the twentieth. 390 00:18:16,480 --> 00:18:20,280 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's gold one oh four point. 391 00:18:20,119 --> 00:18:23,480 Speaker 2: Three on Today's show then starts today ten weeks of 392 00:18:23,600 --> 00:18:26,600 Speaker 2: tickets only on this show from now on, every single 393 00:18:26,640 --> 00:18:29,280 Speaker 2: morning it's seven thirty tickets to go and see the 394 00:18:29,320 --> 00:18:32,639 Speaker 2: bigger shows this week. Sold out within about five minutes 395 00:18:32,680 --> 00:18:34,560 Speaker 2: last week when it went on sale. Phil connins at 396 00:18:34,600 --> 00:18:37,679 Speaker 2: the Amy Friday, the first of February, you can be there. 397 00:18:37,680 --> 00:18:39,359 Speaker 2: We've got a pair of tickets every single day this 398 00:18:39,440 --> 00:18:42,080 Speaker 2: week at seven thirty. This is going to be huge 399 00:18:42,160 --> 00:18:45,000 Speaker 2: looking forward to that. Also, we've got more on the 400 00:18:45,119 --> 00:18:48,280 Speaker 2: Grand Final, less than two weeks to go before Melbourne's 401 00:18:48,280 --> 00:18:50,400 Speaker 2: Grannies line up, see how far they can kick the ball. 402 00:18:50,880 --> 00:18:53,160 Speaker 2: And I mean, we're excited about today show. We're excited 403 00:18:53,200 --> 00:18:55,040 Speaker 2: to be here. Then I find out from Jat that 404 00:18:55,040 --> 00:18:57,000 Speaker 2: there's a team member who hasn't come in this morning 405 00:18:57,400 --> 00:19:02,040 Speaker 2: because she's wait for this, dislocated a thing, not laughing 406 00:19:02,040 --> 00:19:07,280 Speaker 2: at the injury, painful playing netball okay, however, and her 407 00:19:07,440 --> 00:19:10,760 Speaker 2: name names Sophie let's call her Sophie because that's her name. 408 00:19:11,960 --> 00:19:15,359 Speaker 2: She is in charge of social media and that means 409 00:19:15,400 --> 00:19:19,639 Speaker 2: you know, Facebook, Instagram, Twitter. Okay, if you've dissliccated a finger, 410 00:19:20,680 --> 00:19:23,960 Speaker 2: you can still dictate using Siri all kinds. 411 00:19:24,080 --> 00:19:26,800 Speaker 3: I really, you can still operate a phone with the thumbs. 412 00:19:27,200 --> 00:19:29,080 Speaker 3: So say, even if my hand was in a full 413 00:19:29,119 --> 00:19:32,200 Speaker 3: plaster cast, I've got my thumb. Yeah, still to bounce 414 00:19:32,200 --> 00:19:33,000 Speaker 3: around the letters. 415 00:19:33,520 --> 00:19:35,800 Speaker 2: Look or professor Stephen Hawkin, did you know? I mean 416 00:19:35,840 --> 00:19:39,680 Speaker 2: he wrote books? Okay, So, Sophie, you're really not coming 417 00:19:39,760 --> 00:19:42,119 Speaker 2: into work today. So she's not coming into work today 418 00:19:42,160 --> 00:19:46,680 Speaker 2: because she's dislocated a finger playing netball. What upset me 419 00:19:46,720 --> 00:19:48,920 Speaker 2: about this perats as well as when I said to Jack, 420 00:19:49,000 --> 00:19:50,960 Speaker 2: Sophie not around today. Jack goes to me, is if 421 00:19:50,960 --> 00:19:54,239 Speaker 2: it's a legit thing. She's desiccated a finger. Honestly, you too, 422 00:19:54,880 --> 00:19:58,080 Speaker 2: these millennials, any reason not to come to work, Jack 423 00:19:58,119 --> 00:20:00,160 Speaker 2: went me in tomorrow, just the thought that's a team 424 00:20:00,200 --> 00:20:02,880 Speaker 2: members hurt themselves. How can I work in these days? 425 00:20:04,160 --> 00:20:05,879 Speaker 2: I can't be creative with all this going on. 426 00:20:05,960 --> 00:20:09,440 Speaker 3: This in memory of Sophie's working fingers, I'll be taking 427 00:20:09,480 --> 00:20:11,480 Speaker 3: the rest of the week after, lest we never forget. 428 00:20:13,800 --> 00:20:17,080 Speaker 2: So this morning, what are the lame excuses you've given 429 00:20:17,200 --> 00:20:19,840 Speaker 2: or you've heard for not going into work? You know, 430 00:20:19,960 --> 00:20:22,359 Speaker 2: we've all tried various creative ones. If you want to 431 00:20:22,440 --> 00:20:24,680 Speaker 2: chuck a sickie, That's not what I'm talking about. Is 432 00:20:25,240 --> 00:20:27,280 Speaker 2: why have you actually what have you actually said and 433 00:20:27,320 --> 00:20:30,280 Speaker 2: picked up the phone to say, you know, I can't 434 00:20:30,320 --> 00:20:31,240 Speaker 2: come into work today? 435 00:20:31,359 --> 00:20:34,480 Speaker 3: Because where do you stand on not coming into work? 436 00:20:34,480 --> 00:20:36,760 Speaker 3: Be as it's somebody's birthday, which you hear from time 437 00:20:36,800 --> 00:20:38,840 Speaker 3: to time, Chris, that person's doing today. 438 00:20:38,840 --> 00:20:41,359 Speaker 2: It's the best. You're an adult. You're an adult, okay, 439 00:20:41,520 --> 00:20:43,560 Speaker 2: you go to work on your birth The kids every 440 00:20:43,640 --> 00:20:45,720 Speaker 2: year they go, oh, daddy, you can go to work. 441 00:20:45,720 --> 00:20:47,359 Speaker 2: And by the way, yeah that's right, because I'm a 442 00:20:47,440 --> 00:20:50,280 Speaker 2: grown up and I'm not getting excited about it being ten. 443 00:20:52,800 --> 00:20:53,560 Speaker 6: You go to work. 444 00:20:53,600 --> 00:20:55,720 Speaker 2: I company when people take an actual day off on 445 00:20:55,880 --> 00:20:57,679 Speaker 2: their birthday, you're a child. 446 00:20:58,480 --> 00:21:01,520 Speaker 3: This company gives a day off for birthdays. They've just 447 00:21:01,640 --> 00:21:02,040 Speaker 3: brought it in. 448 00:21:02,080 --> 00:21:05,359 Speaker 2: This not us. It doesn't I'm right, I guarantee we 449 00:21:05,480 --> 00:21:08,119 Speaker 2: are not. We're not part of that ruling. There's no 450 00:21:08,280 --> 00:21:10,080 Speaker 2: time off for me. It's about five years. 451 00:21:09,960 --> 00:21:12,560 Speaker 3: Time you were here on your birthday when you pass 452 00:21:13,600 --> 00:21:14,919 Speaker 3: and you had a great day. 453 00:21:15,119 --> 00:21:16,560 Speaker 4: Every single day. 454 00:21:16,960 --> 00:21:19,560 Speaker 2: Yeah that's right. Okay, So lame excuses for not coming 455 00:21:19,600 --> 00:21:22,280 Speaker 2: into work nine four one four one oh. 456 00:21:22,280 --> 00:21:25,840 Speaker 1: Four three The Christian O'Connell Breakfast Show, Melbourne's Gold one 457 00:21:25,880 --> 00:21:26,800 Speaker 1: oh four point three. 458 00:21:27,080 --> 00:21:28,560 Speaker 2: We are lucky to do this for a living, right, 459 00:21:28,600 --> 00:21:31,320 Speaker 2: It's barely a job really, you know, coming and doing this. 460 00:21:32,000 --> 00:21:35,760 Speaker 2: Sophie isn't coming into work today because she is dissilicated 461 00:21:35,800 --> 00:21:38,880 Speaker 2: her finger playing netball. Not just that I just found 462 00:21:38,880 --> 00:21:42,000 Speaker 2: out she took herself to any I mean, you can't 463 00:21:42,080 --> 00:21:45,920 Speaker 2: be taking up their busy time with actual cases of 464 00:21:46,240 --> 00:21:50,720 Speaker 2: emergency going to the emergency unit. Ah his fingers, but 465 00:21:51,000 --> 00:21:53,639 Speaker 2: I was w A or ga, I don't know, GK. 466 00:21:53,840 --> 00:21:56,760 Speaker 2: It's all, oh god, I'm going to get some candles 467 00:21:56,800 --> 00:21:58,960 Speaker 2: in a minute, guys, have a candle lit vigil for 468 00:21:59,119 --> 00:22:01,760 Speaker 2: Sophie's just la catered fingers. She can't come in today 469 00:22:02,040 --> 00:22:03,480 Speaker 2: to operate Instagram. 470 00:22:04,200 --> 00:22:06,840 Speaker 3: So really it's everybody's last because if you follow the 471 00:22:06,880 --> 00:22:10,159 Speaker 3: Gold accounts today, it's. 472 00:22:10,040 --> 00:22:12,159 Speaker 2: Not just that the Dow Jones has gone into turmoil 473 00:22:12,200 --> 00:22:14,480 Speaker 2: because of this as well. Do we need to get 474 00:22:14,520 --> 00:22:16,840 Speaker 2: sent sense some flowers round as well. We get I'm 475 00:22:16,880 --> 00:22:18,720 Speaker 2: actually going to bring a florist. It's dangerous for her 476 00:22:18,800 --> 00:22:21,639 Speaker 2: to handle the time. She can't according to complain about it. 477 00:22:21,760 --> 00:22:25,600 Speaker 2: We're saying right now she can't use her finger. If 478 00:22:25,640 --> 00:22:28,240 Speaker 2: you are listening, yeah, please get what'son. Hopefully I've seen 479 00:22:28,240 --> 00:22:34,720 Speaker 2: a couple of his time. All right, it's goes lame excuses. 480 00:22:34,760 --> 00:22:39,080 Speaker 2: You've not gone to work, Brad, Good morning, Good morning, Brad. 481 00:22:39,119 --> 00:22:42,240 Speaker 2: What's your lame excuse? I'm not going to work like the. 482 00:22:42,280 --> 00:22:42,800 Speaker 6: Works for me. 483 00:22:43,640 --> 00:22:46,120 Speaker 7: Told me he couldn't come in because his dog had 484 00:22:46,200 --> 00:22:48,200 Speaker 7: exma and he had to stay home and book cream 485 00:22:48,280 --> 00:22:48,720 Speaker 7: on it all. 486 00:22:48,680 --> 00:22:53,639 Speaker 2: Guy, there's got of amazing things about this. I didn't 487 00:22:53,680 --> 00:22:55,920 Speaker 2: know as a dog, Owing to myself, I've over fifteen years. 488 00:22:55,920 --> 00:22:58,680 Speaker 2: I didn't know dogs could get exma. I don't think 489 00:22:58,760 --> 00:23:02,639 Speaker 2: that can mate. Damn Jack might try that one. He's 490 00:23:02,640 --> 00:23:04,359 Speaker 2: got a dog as well. Question. I can't come with 491 00:23:04,440 --> 00:23:08,080 Speaker 2: the dog excells. 492 00:23:06,400 --> 00:23:07,840 Speaker 3: Got to apply it every half hour. 493 00:23:09,840 --> 00:23:12,400 Speaker 2: He's going to cream up his dog all day long. 494 00:23:12,520 --> 00:23:14,600 Speaker 2: That doesn't sound right, Brad, Thank you very much. 495 00:23:14,640 --> 00:23:14,800 Speaker 3: Nica. 496 00:23:14,920 --> 00:23:18,880 Speaker 2: That's a brilliant one. Mark, Hello, hello Mark. And lame 497 00:23:18,920 --> 00:23:22,320 Speaker 2: excuses for not going coming into work. What's yours? I 498 00:23:22,440 --> 00:23:25,480 Speaker 2: have to bury the cat? Yeah, I mean that's sad 499 00:23:25,520 --> 00:23:27,960 Speaker 2: you lose a pet. I get it. It's very, very upsetting. 500 00:23:28,920 --> 00:23:30,960 Speaker 2: But what the funeral was? Just happened to me on 501 00:23:31,000 --> 00:23:32,359 Speaker 2: a Monday to Friday. 502 00:23:32,119 --> 00:23:37,200 Speaker 6: Or Monday to look after the wave because she was upset. 503 00:23:38,400 --> 00:23:40,440 Speaker 3: Reason, Mike, I reckon, you get a past for that one. 504 00:23:43,320 --> 00:23:45,399 Speaker 2: Come on, I mean I remember being I was so 505 00:23:45,560 --> 00:23:47,720 Speaker 2: upset when my dog died three years ago. Okay, it 506 00:23:47,800 --> 00:23:49,800 Speaker 2: was really really upsetting. He's going to go to work. 507 00:23:50,280 --> 00:23:52,280 Speaker 3: I guess maybe you can do a half day mark 508 00:23:54,480 --> 00:23:55,360 Speaker 3: very in the morning than coming. 509 00:23:55,560 --> 00:23:57,399 Speaker 2: That's not me starting the breakfast show and then go 510 00:23:57,480 --> 00:23:59,359 Speaker 2: and listen, guys, I've got this far as eight o'clock, 511 00:23:59,440 --> 00:24:01,440 Speaker 2: but I've got to go back. You know, I just 512 00:24:01,520 --> 00:24:03,360 Speaker 2: can't do a full show with these guys today because 513 00:24:03,520 --> 00:24:08,320 Speaker 2: the dog's still dead. Kim, Hey, hey, Kim, that's right. 514 00:24:08,840 --> 00:24:11,080 Speaker 10: I want to a staff member ring in to say 515 00:24:11,119 --> 00:24:13,399 Speaker 10: that she couldn't possibly come into work that day because 516 00:24:13,440 --> 00:24:15,719 Speaker 10: she dubbed her toe getting out of the shower. 517 00:24:16,080 --> 00:24:17,879 Speaker 2: Oh, Kim, I didn't know that this is where Sophie 518 00:24:17,960 --> 00:24:19,400 Speaker 2: used to work before she joined that show. 519 00:24:21,640 --> 00:24:25,000 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 520 00:24:25,040 --> 00:24:25,520 Speaker 1: point three. 521 00:24:25,720 --> 00:24:27,840 Speaker 2: I hope you've been impressed to an hour and twenty 522 00:24:27,920 --> 00:24:29,399 Speaker 2: five and I have not even mentioned the D's win 523 00:24:29,480 --> 00:24:31,720 Speaker 2: Friday night, not said a thing about it. How was it? 524 00:24:32,119 --> 00:24:34,200 Speaker 2: Don't want to don't know. People get an upset thinking 525 00:24:34,240 --> 00:24:36,920 Speaker 2: I'm a bandwagon jumping down about my mighty D's when 526 00:24:37,040 --> 00:24:39,280 Speaker 2: that game. It's great fun to be there, so brilliant, 527 00:24:39,440 --> 00:24:41,560 Speaker 2: a brilliant time. How what's your three were, weekend Jack? 528 00:24:41,600 --> 00:24:42,639 Speaker 2: What have you been up to this weekend? 529 00:24:42,880 --> 00:24:46,760 Speaker 3: Mine would actually be thanking you. Slow cooker win. 530 00:24:47,320 --> 00:24:50,840 Speaker 2: This pleases me greatly if you've finally got a slow cooker. 531 00:24:50,960 --> 00:24:53,639 Speaker 3: We don't have the proper one. We just slow cooked 532 00:24:53,840 --> 00:24:56,479 Speaker 3: the old fashioned way I guess, which is like one 533 00:24:56,520 --> 00:24:59,760 Speaker 3: of those old cast iron looking tubs, and then cook 534 00:24:59,800 --> 00:25:01,320 Speaker 3: for a long long time. 535 00:25:02,160 --> 00:25:05,480 Speaker 2: It was so tasty, I tell you what. Welcome to 536 00:25:05,560 --> 00:25:10,400 Speaker 2: a brave new world, my friend. Slow cooking is easy, lazy. 537 00:25:10,600 --> 00:25:13,040 Speaker 2: You just chuck it all in, leave on during the 538 00:25:13,160 --> 00:25:15,439 Speaker 2: day and then you come back to it. It's all soft. 539 00:25:15,560 --> 00:25:18,400 Speaker 3: And when you said it, I was like, that's that's 540 00:25:18,400 --> 00:25:20,760 Speaker 3: gonna waste my time. And now well, this is what 541 00:25:20,880 --> 00:25:25,600 Speaker 3: I requested. We slow cook every Sunday. That's how I should. 542 00:25:25,600 --> 00:25:27,160 Speaker 3: We slow cook every Sunday. 543 00:25:27,240 --> 00:25:28,960 Speaker 2: So what did you have? What was your first meal? 544 00:25:29,000 --> 00:25:30,200 Speaker 2: And you slow cooked. 545 00:25:30,080 --> 00:25:33,360 Speaker 3: Pulled pork with like a barbecue sauce on it sounds amazing. 546 00:25:33,720 --> 00:25:35,360 Speaker 3: It was honestly delicious. 547 00:25:35,359 --> 00:25:37,280 Speaker 2: Did you chop some veggies and chuck that in as well? 548 00:25:37,400 --> 00:25:40,119 Speaker 3: Okay, I'm using a like a royal way when I 549 00:25:40,200 --> 00:25:41,520 Speaker 3: said we slow cooked. 550 00:25:46,080 --> 00:25:50,879 Speaker 2: Mummy slow cooked and little Sunny Jackie ate it. I 551 00:25:50,960 --> 00:25:53,879 Speaker 2: appreciate the honesty. You couldn't complete the. 552 00:25:54,080 --> 00:25:56,760 Speaker 3: Like well, there were too many questions about technically what 553 00:25:56,920 --> 00:25:57,960 Speaker 3: did I do and what he did? 554 00:25:58,040 --> 00:25:59,800 Speaker 2: It was idiot proof. I can do it. You know, 555 00:25:59,840 --> 00:26:02,399 Speaker 2: you just chuck everything in and it does it for you. 556 00:26:03,000 --> 00:26:05,080 Speaker 3: Wow, it's delicious. So now I'll take the time to 557 00:26:05,160 --> 00:26:08,920 Speaker 3: probably learn much to look but at. 558 00:26:08,840 --> 00:26:10,439 Speaker 2: Last now and I want to get you for Christmas, 559 00:26:10,480 --> 00:26:13,160 Speaker 2: sweet birthday. It's an actual sloko because they are amazing, 560 00:26:13,359 --> 00:26:15,240 Speaker 2: all right, and you what headlines on the way and 561 00:26:15,440 --> 00:26:18,640 Speaker 2: your Phil Conllins tickets sold out within five minutes. We've 562 00:26:18,640 --> 00:26:20,320 Speaker 2: got them every single day seven thirty. 563 00:26:20,359 --> 00:26:23,600 Speaker 1: This week, The Christian O'Connell Breakfast Show Melbourne's Gold one 564 00:26:23,680 --> 00:26:24,600 Speaker 1: oh four point three. 565 00:26:24,880 --> 00:26:26,560 Speaker 2: So this is time for the next few weeks on 566 00:26:26,640 --> 00:26:30,520 Speaker 2: the show ten weeks of tickets, the Christian O'Connell Breakfast Shows. 567 00:26:30,680 --> 00:26:33,400 Speaker 2: Ten weeks of tickets. Every morning at. 568 00:26:33,320 --> 00:26:35,440 Speaker 11: Seven thirty am your chance to win tickets to the 569 00:26:35,480 --> 00:26:36,640 Speaker 11: biggest shows in town. 570 00:26:39,119 --> 00:26:40,760 Speaker 2: Okay, so over the next couple of months you've got 571 00:26:40,800 --> 00:26:45,800 Speaker 2: some amazing artists coming here to Melbourne. Phil Collins tickets 572 00:26:45,840 --> 00:26:49,240 Speaker 2: won on sale last week, sold out within five minutes, 573 00:26:51,040 --> 00:26:53,920 Speaker 2: which is huge. We've got tickets every single morning this week. 574 00:26:54,040 --> 00:26:56,639 Speaker 2: Week one on ten weeks of tickets kicks off with 575 00:26:56,720 --> 00:26:59,480 Speaker 2: this over the next couple of weeks, sending you to 576 00:27:00,080 --> 00:27:03,240 Speaker 2: el John bon Jovi, Kevin Hart, all the big shows 577 00:27:03,320 --> 00:27:06,400 Speaker 2: in town. You can be there seven point thirty over 578 00:27:06,440 --> 00:27:09,000 Speaker 2: the next ten weeks. This week it's all about Phil 579 00:27:09,160 --> 00:27:12,119 Speaker 2: Collins this morning. Then this is how we're going to 580 00:27:12,160 --> 00:27:14,600 Speaker 2: give away these hot pawer to our Field Collins tickets. 581 00:27:15,680 --> 00:27:18,480 Speaker 2: We need you to be Phil Collins with your mouth. 582 00:27:18,840 --> 00:27:24,439 Speaker 2: We're looking form mouth drummer Oki this that that's all 583 00:27:24,480 --> 00:27:26,240 Speaker 2: you gotta do. I say all, but we will be 584 00:27:26,359 --> 00:27:30,200 Speaker 2: judging you. Okay. It's an amazing iconic drum intro drum 585 00:27:30,280 --> 00:27:37,080 Speaker 2: Phil a drum Phil Collins Reagan, thank you, another drummy 586 00:27:37,119 --> 00:27:41,440 Speaker 2: joke for you all there. So we need you to 587 00:27:41,520 --> 00:27:45,960 Speaker 2: do that. You do this, I don't play this. 588 00:27:47,560 --> 00:27:48,120 Speaker 1: And we see. 589 00:27:48,160 --> 00:27:48,679 Speaker 9: Hey, you get on. 590 00:27:51,280 --> 00:27:53,439 Speaker 2: Now, have a lot of practice because these are tickets 591 00:27:53,480 --> 00:27:56,000 Speaker 2: were sold out show. It's the only way you can 592 00:27:56,040 --> 00:28:01,400 Speaker 2: get a hold of tickets. It's right, it's really big. 593 00:28:01,480 --> 00:28:05,919 Speaker 2: It's more of a how would you do that? As 594 00:28:05,960 --> 00:28:13,400 Speaker 2: a resident musician on the show. Sorry, you have a seizure. 595 00:28:13,680 --> 00:28:19,080 Speaker 2: I don't get a norse shack warming up, folks? 596 00:28:19,440 --> 00:28:21,000 Speaker 3: Are you ready with my music on the other side? 597 00:28:21,000 --> 00:28:22,879 Speaker 2: I already we have music on the other side. Do 598 00:28:23,000 --> 00:28:32,240 Speaker 2: do Do Do Do Do Do Do Do do. I 599 00:28:32,280 --> 00:28:36,080 Speaker 2: don't think it's so yeah, it's more. 600 00:28:41,280 --> 00:28:41,760 Speaker 3: That's good. 601 00:28:42,000 --> 00:28:43,959 Speaker 2: Yeah, Pats, I reckon, you can do it. I think 602 00:28:43,960 --> 00:28:44,239 Speaker 2: it's more. 603 00:28:44,280 --> 00:28:49,360 Speaker 3: But you gotta put some guns into it. You know. 604 00:28:49,480 --> 00:28:51,200 Speaker 2: He's really banging those skins. 605 00:28:51,840 --> 00:28:52,520 Speaker 3: Give it to his pa. 606 00:28:52,760 --> 00:29:02,840 Speaker 2: Pats, do do do Do Do Do Do do? All right, 607 00:29:02,920 --> 00:29:04,920 Speaker 2: then thet's see how you go. I'm down my computer. 608 00:29:06,280 --> 00:29:10,160 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four point. 609 00:29:09,960 --> 00:29:13,480 Speaker 2: Three tomorrow our special guest he's co hosting the show 610 00:29:13,480 --> 00:29:15,000 Speaker 2: for an hour. Is it going to be Adam Hills? 611 00:29:15,080 --> 00:29:17,720 Speaker 2: Hillsy is on the show, very excited about that. He's 612 00:29:17,760 --> 00:29:20,280 Speaker 2: a lovely guy, very funny guy as well. Hills. He's over. 613 00:29:20,320 --> 00:29:22,200 Speaker 2: He's doing a live show as well, tom of the 614 00:29:22,240 --> 00:29:23,880 Speaker 2: fact that his new book is up. But he's hanging 615 00:29:23,880 --> 00:29:25,960 Speaker 2: out with us for an hour tomorrow from a am 616 00:29:26,360 --> 00:29:28,360 Speaker 2: right now. Though this starts today, running for the next 617 00:29:28,400 --> 00:29:28,920 Speaker 2: ten weeks. 618 00:29:29,960 --> 00:29:32,320 Speaker 11: The Christian O'Connell Breakfast shows ten. 619 00:29:32,320 --> 00:29:34,600 Speaker 3: Weeks of tickets every morning at. 620 00:29:34,480 --> 00:29:36,640 Speaker 2: Seven thirty am. Your chance to win tickets to the 621 00:29:36,680 --> 00:29:41,880 Speaker 2: biggest shows in town. That's right then starts this morning, 622 00:29:42,120 --> 00:29:44,160 Speaker 2: heavy day. This week it's all about Phil Collins. Sold 623 00:29:44,200 --> 00:29:45,840 Speaker 2: out in less than five minutes. We've got your Phil 624 00:29:45,920 --> 00:29:48,760 Speaker 2: Collins tickets. Judging by the reaction from the phone that's 625 00:29:48,800 --> 00:29:50,960 Speaker 2: being jammed the last ten minutes. You really want to 626 00:29:50,960 --> 00:29:53,320 Speaker 2: go and see Phil Collins, you can if you drum 627 00:29:53,480 --> 00:30:01,840 Speaker 2: like Phil Collins. You see your mouth that okay? And 628 00:30:01,920 --> 00:30:07,080 Speaker 2: then into come on to a friend of mine, Dylan. 629 00:30:07,120 --> 00:30:08,840 Speaker 2: He's trying to call him right now. He actually is 630 00:30:08,880 --> 00:30:10,960 Speaker 2: a musician. He's a big Phil Collins fan. He said, 631 00:30:11,240 --> 00:30:13,360 Speaker 2: everyone's trying to call him right now, can I do 632 00:30:13,480 --> 00:30:16,400 Speaker 2: mine over the text? And he's actually typed out, dun done, 633 00:30:17,080 --> 00:30:20,800 Speaker 2: dun done, dun done, dundun dunt dune. It's a good 634 00:30:21,360 --> 00:30:23,520 Speaker 2: we can't win. I'm afraid Toughlert. All right, let's go 635 00:30:23,600 --> 00:30:26,080 Speaker 2: to the lines to meet today's drummers. Sue, good morning, 636 00:30:26,640 --> 00:30:29,280 Speaker 2: Good morning, right, Sue? You ready to really give it 637 00:30:29,320 --> 00:30:30,479 Speaker 2: the drums like Phil Collins. 638 00:30:31,160 --> 00:30:34,040 Speaker 7: I'm in the bathroom for the a Tel six Yes, okay. 639 00:30:33,920 --> 00:30:36,320 Speaker 2: Got your own reverb there as well, a sound chamber. 640 00:30:36,440 --> 00:30:40,240 Speaker 2: I like it. Abby wrote studios now in your bathroom. Okay, 641 00:30:40,400 --> 00:30:45,200 Speaker 2: So this is what we need from you, so do that. 642 00:30:45,280 --> 00:30:56,520 Speaker 2: Off you go, Sue. Strong start. It's a strong start. Okay, 643 00:30:56,640 --> 00:31:00,560 Speaker 2: well done, Sue. Let's go to mel Hi. Hey going 644 00:31:00,720 --> 00:31:02,520 Speaker 2: pretty good. Mal. You're ready to be Phil Collins? 645 00:31:03,040 --> 00:31:04,000 Speaker 10: So ready go? 646 00:31:05,400 --> 00:31:09,680 Speaker 3: Boom boom boom boom. I don't know about the book. 647 00:31:09,960 --> 00:31:10,920 Speaker 3: I would go with the dirt. 648 00:31:11,040 --> 00:31:18,160 Speaker 2: I'm not hearing it nowhere near malt I know, I know. Sorry, 649 00:31:18,240 --> 00:31:23,400 Speaker 2: the standard's got to be high. Paul, oh, Paul, all right, okay, 650 00:31:23,600 --> 00:31:25,760 Speaker 2: show them how it's done. What's your Phil Collins? 651 00:31:31,760 --> 00:31:32,880 Speaker 5: Mad no, bab. 652 00:31:35,200 --> 00:31:38,240 Speaker 2: A little fast yeah, we're still missing the this this 653 00:31:38,560 --> 00:31:44,320 Speaker 2: all just pc ain't Russian. He's doing this in the 654 00:31:44,480 --> 00:31:46,400 Speaker 2: right time. Is powerful, but he's not rushing it is. 655 00:31:49,440 --> 00:31:55,760 Speaker 2: It's all right, Yess? 656 00:31:56,640 --> 00:31:59,719 Speaker 1: Yes, how are you perfect? 657 00:32:02,280 --> 00:32:04,080 Speaker 2: Hi? Perfect too? Just as perfect? 658 00:32:04,160 --> 00:32:08,440 Speaker 7: Everyone my steps, fairies over cereal going what the hell? 659 00:32:10,120 --> 00:32:14,479 Speaker 3: Ah? 660 00:32:14,680 --> 00:32:17,640 Speaker 2: That's great? Okay, all right then, so be you Phil Collins? 661 00:32:17,680 --> 00:32:23,120 Speaker 2: Off you go? Does you obviously got a lot of 662 00:32:23,200 --> 00:32:25,720 Speaker 2: going on there? Busy morning? Let's try it again? These 663 00:32:25,800 --> 00:32:28,120 Speaker 2: are for sold out tickets. That was I hope you 664 00:32:28,160 --> 00:32:32,479 Speaker 2: don't even being rude here, terrible think about the big 665 00:32:32,680 --> 00:32:34,760 Speaker 2: you know, it's a real big noise. He's banging the 666 00:32:34,840 --> 00:32:45,360 Speaker 2: dramas the skins. Off you go again? You want to 667 00:32:45,400 --> 00:32:49,480 Speaker 2: grab some of the boys cereals then, Jess, thanks for trying, mate. 668 00:32:49,760 --> 00:32:53,880 Speaker 7: Scotty, Hey, Christian, Hey, do that's how you doing. 669 00:32:54,080 --> 00:32:57,120 Speaker 2: We're all we're searching for a decent Phil Collins this morning. 670 00:32:57,440 --> 00:33:04,400 Speaker 2: Can it be you? Off you go? Powerful? 671 00:33:05,000 --> 00:33:05,520 Speaker 6: Powerful? 672 00:33:08,120 --> 00:33:10,280 Speaker 2: How do you feel about his timing? Was on? Yeah? 673 00:33:10,320 --> 00:33:12,440 Speaker 2: The pitch may be a bit high, yeah yeah, but 674 00:33:12,560 --> 00:33:18,120 Speaker 2: it was very very good. Scotty. Uh, Brooke, yeah yeah, Brooke, 675 00:33:18,160 --> 00:33:20,640 Speaker 2: come on down be Phil Collins, Off you go, trummy, 676 00:33:20,680 --> 00:33:21,040 Speaker 2: heart out. 677 00:33:25,000 --> 00:33:25,800 Speaker 5: I didn't mind that. 678 00:33:31,840 --> 00:33:33,239 Speaker 3: It was you need drum kid. 679 00:33:33,280 --> 00:33:35,440 Speaker 2: We've heard so far the boss are trying to work 680 00:33:35,480 --> 00:33:37,240 Speaker 2: out if we can do some kind of thing where 681 00:33:37,320 --> 00:33:39,920 Speaker 2: we interview Phil Collins and we invite listeners to come along. 682 00:33:40,440 --> 00:33:42,200 Speaker 2: I only want to do it for one reason. I'm 683 00:33:42,240 --> 00:33:43,880 Speaker 2: going to do this with him and have people line 684 00:33:44,000 --> 00:33:47,360 Speaker 2: up and have Phil judged this. I think that Phil 685 00:33:47,360 --> 00:33:49,640 Speaker 2: would really enjoy this as well. Alright, So so we 686 00:33:49,720 --> 00:33:51,440 Speaker 2: select to shall we get Brooke back? 687 00:33:51,800 --> 00:33:55,880 Speaker 3: And I think sue out the bathroom reaverb What about 688 00:33:55,920 --> 00:33:57,520 Speaker 3: the guy Scotty? 689 00:33:57,600 --> 00:34:00,600 Speaker 2: He was power. If you can low the pitch down, 690 00:34:00,640 --> 00:34:06,920 Speaker 2: give him another chance? Jack. All right, we got Scott's back. Hey, Christian, 691 00:34:07,640 --> 00:34:09,960 Speaker 2: I'm still good. Nothing's changing the last thirty seconds, but 692 00:34:10,280 --> 00:34:12,440 Speaker 2: thanks for asking. Mate. Now listen, I've had to fight 693 00:34:12,520 --> 00:34:14,400 Speaker 2: your corner here. I need you to work on a 694 00:34:14,480 --> 00:34:16,239 Speaker 2: pitch got a little bit deeper. But I think you 695 00:34:16,320 --> 00:34:19,360 Speaker 2: can do this, okay, all right, so lower lower the 696 00:34:19,400 --> 00:34:21,800 Speaker 2: voice and lower the voice, lower the voice, give it everything, 697 00:34:21,880 --> 00:34:23,840 Speaker 2: Scotty right in your own time, Scott, if you go. 698 00:34:33,640 --> 00:34:35,960 Speaker 5: Was it too much of Scotty? Let's see broke. 699 00:34:37,160 --> 00:34:39,560 Speaker 2: Yeah, you're back into lie drum off off you go 700 00:34:39,680 --> 00:34:52,080 Speaker 2: one more time, Scotty back somehow, Scotty. 701 00:34:53,560 --> 00:34:58,920 Speaker 1: Scotty Nobody, The Christian O'Connell Breakfast Show, Melbourne's Gold one 702 00:34:58,960 --> 00:34:59,840 Speaker 1: oh four point. 703 00:34:59,680 --> 00:35:02,239 Speaker 2: Three, Heymous Macgoblin come on the next hour. So we 704 00:35:02,320 --> 00:35:04,120 Speaker 2: get to talking about what happened over the weekend, what 705 00:35:04,200 --> 00:35:06,600 Speaker 2: could be happening in this weekend as well. We're going 706 00:35:06,680 --> 00:35:09,120 Speaker 2: finals and we're talking about our grand final of all 707 00:35:09,160 --> 00:35:11,920 Speaker 2: Melbourne's finest grannies less than two weeks now to find 708 00:35:11,920 --> 00:35:15,200 Speaker 2: out which granny can kick it the furthest my weekend 709 00:35:15,320 --> 00:35:19,120 Speaker 2: yesterday I was taking my kids through the history of 710 00:35:19,400 --> 00:35:22,319 Speaker 2: music formats. You really yet to be there, guys. It's 711 00:35:22,320 --> 00:35:24,960 Speaker 2: a wild time. And I was saying, how you know, 712 00:35:25,120 --> 00:35:26,719 Speaker 2: Vinyl's going through this big thing at the moment, and 713 00:35:26,920 --> 00:35:28,759 Speaker 2: if you want to listen to music, to actually listen 714 00:35:28,800 --> 00:35:30,839 Speaker 2: to it and feel it, that to me, I think 715 00:35:30,920 --> 00:35:33,840 Speaker 2: is an unbeatable format. You know, they love Spotify and 716 00:35:34,000 --> 00:35:36,400 Speaker 2: streamy music and I do that as well. And it's easy, 717 00:35:36,560 --> 00:35:38,880 Speaker 2: it's convenient, it's great, it's portable. You know. 718 00:35:39,400 --> 00:35:43,120 Speaker 3: However, so would they have even owned a CD? Probably not? 719 00:35:43,719 --> 00:35:46,120 Speaker 2: No, Yeah, when they were when they were all babies 720 00:35:46,120 --> 00:35:47,319 Speaker 2: and stuff, like that. We used to have to listen 721 00:35:47,320 --> 00:35:49,239 Speaker 2: to CDs in the car and lullabies and all that 722 00:35:49,320 --> 00:35:51,520 Speaker 2: on CDs. Yeah, they gone through, Yeah, you know, they've 723 00:35:51,520 --> 00:35:55,120 Speaker 2: gone through the whole of that into now being is formless, 724 00:35:55,120 --> 00:35:57,080 Speaker 2: isn't it. It's kind of invisible, yeap. 725 00:35:57,160 --> 00:35:59,840 Speaker 3: And so you took them back to before CD's tapes. 726 00:36:01,080 --> 00:36:03,600 Speaker 2: So I was saying through cassettes because I had a load. 727 00:36:03,719 --> 00:36:06,239 Speaker 2: There's just old cassettes and stuff like that, radio shows 728 00:36:06,239 --> 00:36:08,920 Speaker 2: I used to listen to, and one or two mixtapes 729 00:36:08,920 --> 00:36:12,479 Speaker 2: as well. Cassette for me will always have my heart, 730 00:36:12,960 --> 00:36:15,879 Speaker 2: and it was an art form to make the reason 731 00:36:15,920 --> 00:36:18,400 Speaker 2: why I love cassettes the most is because I love 732 00:36:18,440 --> 00:36:21,120 Speaker 2: listening to Vinyliss but actually stick cassetts. And it's because 733 00:36:21,120 --> 00:36:24,839 Speaker 2: they were so unwieldly and actually a very volatile piece 734 00:36:24,920 --> 00:36:27,759 Speaker 2: of recording which would let you down. You couldn't trust it, 735 00:36:28,239 --> 00:36:30,040 Speaker 2: you know, even if you brought an album on cassette 736 00:36:30,120 --> 00:36:32,319 Speaker 2: or you made a mixtape, it would be the tape 737 00:36:32,320 --> 00:36:34,240 Speaker 2: itself would become loose. You'd have to have a pencil 738 00:36:34,280 --> 00:36:36,640 Speaker 2: nearby to spoil it back in. Sometimes you listen to 739 00:36:36,719 --> 00:36:38,160 Speaker 2: it and it will just decide. On a car trip 740 00:36:38,200 --> 00:36:40,160 Speaker 2: for no reason, Nap, screw you. It's gonna eat it. 741 00:36:40,400 --> 00:36:43,560 Speaker 2: It's gonna eat it, or just fix that, just spit 742 00:36:43,640 --> 00:36:45,719 Speaker 2: it out of its mouth. You know, I would just 743 00:36:46,000 --> 00:36:48,800 Speaker 2: slow down. It was just eat it all so you couldn't. 744 00:36:48,880 --> 00:36:50,359 Speaker 2: You never really knew what you were going to get. 745 00:36:50,360 --> 00:36:52,440 Speaker 2: Whether you better listen to your favorite music. But the 746 00:36:52,520 --> 00:36:54,600 Speaker 2: joy for me was about making the mixtape. Now it's 747 00:36:54,640 --> 00:36:57,399 Speaker 2: even easier. You're dragging a file into a playlist that's 748 00:36:57,440 --> 00:37:00,759 Speaker 2: not the same. It took real effort and pass, you know, 749 00:37:01,040 --> 00:37:03,520 Speaker 2: and also trying to write down all of the track 750 00:37:03,560 --> 00:37:04,960 Speaker 2: listings on your mixtape, and. 751 00:37:04,960 --> 00:37:07,040 Speaker 3: You're making the whole thing in real time as well. 752 00:37:07,080 --> 00:37:07,600 Speaker 3: You've got to listen. 753 00:37:07,760 --> 00:37:10,320 Speaker 2: I never went for high speed dubbing. You could, you 754 00:37:10,360 --> 00:37:12,400 Speaker 2: could speed up twice. I never went for that. Always 755 00:37:12,400 --> 00:37:14,200 Speaker 2: thought I was a bit of a music purist. Yeah, 756 00:37:14,239 --> 00:37:16,440 Speaker 2: it was an artful to me. You had to put pause, 757 00:37:16,719 --> 00:37:18,879 Speaker 2: play and record it was you know, it would take 758 00:37:18,960 --> 00:37:21,920 Speaker 2: weeks to put anyway. I spent weeks nineteen eighty nine. 759 00:37:21,960 --> 00:37:24,000 Speaker 2: Let's go back to nineteen eighty nine. The summer of 760 00:37:24,080 --> 00:37:26,920 Speaker 2: eighty nine, I made a mixtape for a girl that 761 00:37:26,920 --> 00:37:29,640 Speaker 2: I'd fallen in love with and I thought, this is 762 00:37:29,880 --> 00:37:32,760 Speaker 2: this is it. It wasn't just a mixtape I was making. 763 00:37:32,960 --> 00:37:36,880 Speaker 2: It was what I hoped would become our songs anthem 764 00:37:37,480 --> 00:37:38,400 Speaker 2: make out mixtape. 765 00:37:39,800 --> 00:37:42,200 Speaker 3: Give us the flavor. What's what's some of the stuff. 766 00:37:43,280 --> 00:37:45,120 Speaker 2: Let me tell you why. It's very painful what I'm 767 00:37:45,120 --> 00:37:47,000 Speaker 2: about to say. And it feels like I'm about to 768 00:37:47,080 --> 00:37:51,200 Speaker 2: do open heart surgery on this radio show. She lived 769 00:37:51,320 --> 00:37:53,440 Speaker 2: quite a long way from me. It to me over 770 00:37:53,480 --> 00:37:56,920 Speaker 2: an hour to cycle to her house. I'm sixteen. 771 00:37:57,400 --> 00:37:58,880 Speaker 3: Yeah, I spent weeks. 772 00:37:59,400 --> 00:38:02,239 Speaker 2: I'd spent ten days making this mixtape. And Jack, I 773 00:38:02,400 --> 00:38:04,640 Speaker 2: really really thought long and hard about the track selection 774 00:38:04,760 --> 00:38:07,200 Speaker 2: on there. Yep, you know about the flow of the music. 775 00:38:07,480 --> 00:38:10,279 Speaker 2: It's on the A side, Oh imagining you know that. 776 00:38:10,560 --> 00:38:12,279 Speaker 2: I'm now, you know, around at hers and I'm now 777 00:38:12,440 --> 00:38:15,320 Speaker 2: getting out to casually saunter over from her beanbag to 778 00:38:15,400 --> 00:38:17,719 Speaker 2: put on the B side. I returned to B side 779 00:38:17,920 --> 00:38:20,680 Speaker 2: and more good times. That was never going to happen. 780 00:38:20,800 --> 00:38:23,399 Speaker 2: I didn't know this. I'm cycling out there thinking she's 781 00:38:23,400 --> 00:38:24,920 Speaker 2: going to see this tape and that this is going 782 00:38:25,000 --> 00:38:27,719 Speaker 2: to be it. I get there, is about fifteen k 783 00:38:28,040 --> 00:38:30,319 Speaker 2: to get there, so I'm huffing and puffing As arrived 784 00:38:30,320 --> 00:38:32,200 Speaker 2: at her house and Mum answered the door and obviously 785 00:38:32,239 --> 00:38:35,399 Speaker 2: realizes straight away there's a potential suitor, you know, goes 786 00:38:35,440 --> 00:38:37,839 Speaker 2: to get her. We have a chat on the front 787 00:38:37,880 --> 00:38:41,080 Speaker 2: doorstep a hand of the tape, and she hands the 788 00:38:41,120 --> 00:38:43,399 Speaker 2: tape straight back to me and is very very clear 789 00:38:43,440 --> 00:38:46,160 Speaker 2: that it's never going to happen, and I got beyond. 790 00:38:46,200 --> 00:38:48,560 Speaker 2: I had to cycle back broken hearted, and I realized 791 00:38:48,560 --> 00:38:50,600 Speaker 2: that in Avaluable listen, that woman can destroy your heart 792 00:38:50,680 --> 00:38:52,920 Speaker 2: and salt within nan new seconds. Now I don't know 793 00:38:53,000 --> 00:38:55,000 Speaker 2: what to this day upsets me more one that she 794 00:38:55,120 --> 00:38:57,759 Speaker 2: just casually broke my heart, but also the fact that 795 00:38:57,840 --> 00:38:59,920 Speaker 2: she never even listened to that mixtape because it was 796 00:39:00,280 --> 00:39:01,719 Speaker 2: an amazing mixtape. 797 00:39:02,440 --> 00:39:04,279 Speaker 3: I guess the bright side is you got to play 798 00:39:04,320 --> 00:39:05,120 Speaker 3: it when you got home. 799 00:39:05,400 --> 00:39:07,239 Speaker 2: No, I destroyed it. I stamped on it and I 800 00:39:07,520 --> 00:39:09,560 Speaker 2: brought it out. Yeah, and I never want to go 801 00:39:09,960 --> 00:39:12,239 Speaker 2: When I hear one of the songs, I now get 802 00:39:12,280 --> 00:39:14,960 Speaker 2: embarrassed thinking I opened with it. I know, I know 803 00:39:15,080 --> 00:39:16,520 Speaker 2: the song that opened with and I think I went 804 00:39:16,640 --> 00:39:17,480 Speaker 2: too big too soon? 805 00:39:18,200 --> 00:39:18,960 Speaker 3: Can we know it? 806 00:39:19,160 --> 00:39:20,400 Speaker 2: I just want to play a song and take a 807 00:39:20,400 --> 00:39:21,560 Speaker 2: little bit of time out to see if I've got 808 00:39:21,640 --> 00:39:22,879 Speaker 2: enough strength to deal with the pain. 809 00:39:23,719 --> 00:39:27,080 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 810 00:39:27,120 --> 00:39:27,799 Speaker 1: point three year. 811 00:39:27,840 --> 00:39:29,759 Speaker 2: So just talking about my love as the teenage of 812 00:39:29,840 --> 00:39:33,880 Speaker 2: making mixtapes, it's an intense process. You know, it's a 813 00:39:34,000 --> 00:39:35,960 Speaker 2: lot going on to make a mixtape. Then you got 814 00:39:36,040 --> 00:39:38,400 Speaker 2: to work about the did you design your artwork? What 815 00:39:38,560 --> 00:39:41,920 Speaker 2: did you call these little mixtapes? She you didn't do 816 00:39:42,000 --> 00:39:44,440 Speaker 2: any of this. She went straight too making the CDs, 817 00:39:44,480 --> 00:39:45,680 Speaker 2: which were great fun as well. 818 00:39:45,880 --> 00:39:48,080 Speaker 3: Yeah, I actually still have the memory of Mum and 819 00:39:48,200 --> 00:39:50,320 Speaker 3: dad teaching me how to make a cassette. Take a 820 00:39:50,400 --> 00:39:53,279 Speaker 3: cassette that's a real cassette as ugly kid Joe, and 821 00:39:53,480 --> 00:39:55,480 Speaker 3: tape over the top of it so that you could 822 00:39:55,520 --> 00:39:56,920 Speaker 3: record your own music onto it. 823 00:39:57,120 --> 00:39:57,520 Speaker 2: That's right. 824 00:39:57,640 --> 00:39:59,600 Speaker 3: But yeah, by the time I was in high school 825 00:39:59,680 --> 00:40:02,840 Speaker 3: making CDs for other people, it was yeah, drag and 826 00:40:02,920 --> 00:40:05,239 Speaker 3: drop it files and burn it onto a CD. A 827 00:40:05,360 --> 00:40:08,279 Speaker 3: friend of mine and I actually had tried to start 828 00:40:08,320 --> 00:40:10,719 Speaker 3: a business that was burning mix CDs and selling them 829 00:40:10,719 --> 00:40:12,840 Speaker 3: at school, but we only ever sold one copy. 830 00:40:13,440 --> 00:40:15,120 Speaker 2: He only sold one. And what would you do for 831 00:40:15,160 --> 00:40:16,919 Speaker 2: the artwork on the front? Because when I made those 832 00:40:17,000 --> 00:40:19,080 Speaker 2: mixed CDs, I would just get sharp and right on 833 00:40:19,239 --> 00:40:21,160 Speaker 2: the actual CD. We are. 834 00:40:21,280 --> 00:40:23,759 Speaker 3: So we had the printer paper that was like, well 835 00:40:23,800 --> 00:40:24,200 Speaker 3: you did that. 836 00:40:24,360 --> 00:40:26,360 Speaker 2: It was like really expensive and like that sort of 837 00:40:26,440 --> 00:40:27,280 Speaker 2: glossy paper. 838 00:40:27,360 --> 00:40:29,279 Speaker 3: That was the problem. We only Mum only bought us 839 00:40:29,320 --> 00:40:31,800 Speaker 3: one pack and it was really difficult to get it 840 00:40:32,160 --> 00:40:34,520 Speaker 3: to get the justification right on the printer. So if 841 00:40:34,560 --> 00:40:36,839 Speaker 3: you printed put the paper in upside down, it would 842 00:40:36,840 --> 00:40:38,800 Speaker 3: print the CD over to the side and your sticker 843 00:40:38,840 --> 00:40:41,760 Speaker 3: would be all skew. If but we tried, we probably 844 00:40:41,800 --> 00:40:44,800 Speaker 3: had one successful CD where we got the sticker perfectly 845 00:40:44,880 --> 00:40:46,960 Speaker 3: on the middle of the CD, perfectly printed. 846 00:40:47,880 --> 00:40:50,879 Speaker 2: I think it got Scott the line Scott's actually someone 847 00:40:50,880 --> 00:40:53,040 Speaker 2: who also used to make all right, we haven't well 848 00:40:53,040 --> 00:40:55,719 Speaker 2: getting up in. Scott's calling in. He's actually he used 849 00:40:55,719 --> 00:40:58,080 Speaker 2: to make mixtapes and he's still got some of his mixtapes. 850 00:40:58,080 --> 00:40:59,239 Speaker 3: Are we going to find out what some of the 851 00:40:59,280 --> 00:41:00,520 Speaker 3: songs on your love mix? 852 00:41:01,560 --> 00:41:04,520 Speaker 2: Well? I'm a bit nervous, right you may have. I 853 00:41:04,640 --> 00:41:06,120 Speaker 2: told Brian what's someone of the way right, who's a 854 00:41:06,160 --> 00:41:07,560 Speaker 2: producer on the show? And did you hear what? 855 00:41:07,680 --> 00:41:08,920 Speaker 3: He just him laughing at you? 856 00:41:09,080 --> 00:41:11,560 Speaker 2: He laughed and went Oh my god, I'm now worried. 857 00:41:12,360 --> 00:41:15,319 Speaker 3: You got to tell us the opening track? What are 858 00:41:15,360 --> 00:41:16,440 Speaker 3: they all love themed? 859 00:41:16,880 --> 00:41:18,960 Speaker 2: They weren't all? I mean there was some good stuff 860 00:41:18,960 --> 00:41:21,160 Speaker 2: on them, mate, because I got good tastes. You know. 861 00:41:21,280 --> 00:41:23,320 Speaker 2: There was a you know, blister and the sun is 862 00:41:23,400 --> 00:41:23,799 Speaker 2: on there. 863 00:41:23,880 --> 00:41:26,040 Speaker 3: May I walk around and have a look at your browser. 864 00:41:26,320 --> 00:41:30,160 Speaker 2: No, I'll tell you what, how do you sir? We 865 00:41:30,280 --> 00:41:31,920 Speaker 2: get on? Well? Not that well. Let me make your 866 00:41:31,960 --> 00:41:34,160 Speaker 2: mixtape first of all, set the mood right all right. 867 00:41:34,280 --> 00:41:36,960 Speaker 2: After this, i'll play you the song that it opened with. 868 00:41:37,880 --> 00:41:41,759 Speaker 2: Please don't laugh, because the pain is still there all 869 00:41:41,800 --> 00:41:44,359 Speaker 2: these years later. Right, the sixteen year old is still hurting. Okay, 870 00:41:44,880 --> 00:41:45,719 Speaker 2: promise not to laugh. 871 00:41:46,200 --> 00:41:46,880 Speaker 3: I can't promise. 872 00:41:47,080 --> 00:41:50,719 Speaker 1: What the Christian O'Connell breakfast show, Melbourne's Gold one oh 873 00:41:50,840 --> 00:41:51,480 Speaker 1: four point. 874 00:41:51,320 --> 00:41:54,320 Speaker 2: Three twenty minutes you're going to talking about the Grand Final? 875 00:41:54,800 --> 00:41:58,600 Speaker 2: We have an interest in Grand is actually the grand 876 00:41:58,680 --> 00:42:01,600 Speaker 2: the mum of an a our gun. I'll tell you 877 00:42:01,640 --> 00:42:04,320 Speaker 2: here in five minutes time. All right, So let me 878 00:42:04,360 --> 00:42:05,960 Speaker 2: take you back to nineteen eighty nine and make a 879 00:42:06,000 --> 00:42:08,960 Speaker 2: mixtape for a girl that I hope would be my girlfriend. 880 00:42:09,080 --> 00:42:12,160 Speaker 2: I cycled fifteen kilometers to her house. To give her 881 00:42:12,400 --> 00:42:13,040 Speaker 2: the mixtape. 882 00:42:13,480 --> 00:42:15,920 Speaker 3: Do you still have your dumb and dumber haircut at 883 00:42:15,920 --> 00:42:16,440 Speaker 3: this stage? 884 00:42:16,520 --> 00:42:19,480 Speaker 2: No, sixteen, no longer was my mum. Are you trying 885 00:42:19,520 --> 00:42:21,200 Speaker 2: to get some sort of image of what greeted this 886 00:42:21,320 --> 00:42:22,120 Speaker 2: girl on a doorstep? 887 00:42:22,160 --> 00:42:23,759 Speaker 3: I'm trying to figure out what you look like. Do 888 00:42:23,800 --> 00:42:27,040 Speaker 3: you have that Lloyd Christmas haircut? No, it's sadly, i'd 889 00:42:27,080 --> 00:42:29,160 Speaker 3: be luckily now it's been a few years since my mum. 890 00:42:29,640 --> 00:42:31,800 Speaker 3: My mum is no longer cutting my hair. Now at sixteen, 891 00:42:31,840 --> 00:42:34,200 Speaker 3: that would be even odder. So I give her the 892 00:42:34,239 --> 00:42:36,759 Speaker 3: mixtape and she tells me it's not going to happen. 893 00:42:36,800 --> 00:42:38,319 Speaker 3: And it's heartbreaking in two ways. 894 00:42:38,360 --> 00:42:40,759 Speaker 2: One, obviously she broke my heart to she never gave 895 00:42:40,840 --> 00:42:42,960 Speaker 2: that mixtape a chance, and it was a brilliant one. 896 00:42:43,200 --> 00:42:44,920 Speaker 3: Now did she give it back straight away or did 897 00:42:44,960 --> 00:42:48,719 Speaker 3: she peruse the catalog and go, hm, these songs out 898 00:42:48,760 --> 00:42:49,839 Speaker 3: for me, it's not going to happen. 899 00:42:49,960 --> 00:42:52,520 Speaker 2: There was. She definitely glanced down it and would have 900 00:42:52,600 --> 00:42:56,320 Speaker 2: seen in my very clear handwriting what the track listing was. 901 00:42:56,480 --> 00:42:59,799 Speaker 2: And I now worry that I went too big. 902 00:42:59,840 --> 00:43:03,520 Speaker 3: Two, so we finally get to hear what was track one? 903 00:43:03,719 --> 00:43:05,480 Speaker 2: Is this track one I've got one of the I've 904 00:43:05,480 --> 00:43:09,000 Speaker 2: got two tracks sit this featured on the A side, 905 00:43:14,520 --> 00:43:18,360 Speaker 2: beautiful song and all out of love. Right, it's a 906 00:43:18,520 --> 00:43:19,000 Speaker 2: nice song. 907 00:43:19,200 --> 00:43:22,560 Speaker 3: It's too heavy, I think for a start of a relationship, 908 00:43:23,040 --> 00:43:23,480 Speaker 3: too hard. 909 00:43:23,840 --> 00:43:27,360 Speaker 2: If you think that's heavy, just hear it, Just tell me, 910 00:43:27,880 --> 00:43:29,960 Speaker 2: just be honest. Okay. You notice how Brian, when he 911 00:43:30,000 --> 00:43:31,520 Speaker 2: knows what's going on, it's got his head in his hands. 912 00:43:31,600 --> 00:43:45,200 Speaker 2: Brace put impact, Harriet, you're the best. You're the best, 913 00:43:46,120 --> 00:43:49,879 Speaker 2: You're the best all around at school. You're the best. 914 00:43:49,960 --> 00:43:52,440 Speaker 3: And she didn't take that as a compliment that she's 915 00:43:52,440 --> 00:43:56,000 Speaker 3: an idiot. No, I don't know what happened. I don't 916 00:43:56,040 --> 00:43:56,720 Speaker 3: know what happened. 917 00:43:56,920 --> 00:43:58,200 Speaker 2: You think that's good as an opening one? 918 00:43:58,600 --> 00:44:03,320 Speaker 3: No hats I've never heard that song before? 919 00:44:03,600 --> 00:44:06,080 Speaker 2: Some oh is it? Yeah? 920 00:44:06,719 --> 00:44:07,720 Speaker 3: Obviously memorable? 921 00:44:09,239 --> 00:44:11,359 Speaker 2: What it is to be seen? A huge movie from 922 00:44:11,440 --> 00:44:16,000 Speaker 2: the eighties, Joey been Esposito, You're the best? 923 00:44:16,960 --> 00:44:18,719 Speaker 3: How many love songs did you have on there? What 924 00:44:18,880 --> 00:44:20,799 Speaker 3: was the mixture of love songs versus like best? 925 00:44:21,239 --> 00:44:24,399 Speaker 2: You the questions? Questions? Now, this heart's closing my cup. 926 00:44:24,680 --> 00:44:27,200 Speaker 2: You kicked it around. That's your fine? All right? Scottson Ling, 927 00:44:27,239 --> 00:44:31,080 Speaker 2: Good morning, Scotty pretty good. So you've actually got some 928 00:44:31,200 --> 00:44:34,200 Speaker 2: of your old mixtapes? I do, yeah, right now, you 929 00:44:34,239 --> 00:44:36,640 Speaker 2: send me a photo. I've seen some of these. I 930 00:44:36,719 --> 00:44:38,680 Speaker 2: love the way they like you. You've given them names 931 00:44:38,719 --> 00:44:42,000 Speaker 2: as well. Don't be late? What was that one around? 932 00:44:43,080 --> 00:44:44,320 Speaker 6: It was eighty eight songs. 933 00:44:44,560 --> 00:44:47,239 Speaker 7: It's just I just sort of rhymed it with either I. 934 00:44:47,239 --> 00:44:49,239 Speaker 3: Did eighty eight Don't be Late? 935 00:44:49,400 --> 00:44:52,919 Speaker 2: Got it? Eighty nine? Your Love is Mine? 936 00:44:53,560 --> 00:44:55,680 Speaker 6: That's so, this is good. 937 00:44:55,719 --> 00:44:57,840 Speaker 2: I like the catalog system. Do you mind if we 938 00:44:57,920 --> 00:45:00,640 Speaker 2: had what's on the track listening to eighties nine your 939 00:45:00,680 --> 00:45:02,760 Speaker 2: Lover is Mine? That is the year I made that mixtape. 940 00:45:02,760 --> 00:45:05,760 Speaker 2: Then it had Joey bean Espositos track one, the opener 941 00:45:05,840 --> 00:45:07,800 Speaker 2: for you the best? What was in your mixtape in 942 00:45:07,840 --> 00:45:09,879 Speaker 2: the same year, in the same year? 943 00:45:09,960 --> 00:45:12,720 Speaker 7: Well, I start actually started out with the Dell Breadthwait 944 00:45:12,760 --> 00:45:13,759 Speaker 7: one Summer yep. 945 00:45:14,200 --> 00:45:14,640 Speaker 2: Good song. 946 00:45:14,719 --> 00:45:21,520 Speaker 7: We went to Tucker's daughter with should a Eco over 947 00:45:21,600 --> 00:45:27,759 Speaker 7: Tomorrow yep? And we had like a prayer too many 948 00:45:27,760 --> 00:45:28,400 Speaker 7: broken hearts. 949 00:45:28,520 --> 00:45:30,399 Speaker 2: Let's just see if Jason Donovan. 950 00:45:31,719 --> 00:45:36,480 Speaker 6: Correct five hundred miles Beyond the Call. 951 00:45:36,640 --> 00:45:39,959 Speaker 2: Tnny sarnon coming asked, this is it's not a million 952 00:45:39,960 --> 00:45:42,080 Speaker 2: miles away from this radio station's playing list on any 953 00:45:42,080 --> 00:45:43,839 Speaker 2: give very good. 954 00:45:45,160 --> 00:45:48,160 Speaker 3: But how often do these get played? Like, are you 955 00:45:48,239 --> 00:45:49,759 Speaker 3: still rotating them? 956 00:45:50,800 --> 00:45:53,279 Speaker 6: I don't know as such. Well, actually, most a love 957 00:45:53,320 --> 00:45:54,880 Speaker 6: of a love of this stuft is actually on the 958 00:45:55,160 --> 00:45:58,360 Speaker 6: now on CD or or on my flash drives, So 959 00:45:58,640 --> 00:46:00,280 Speaker 6: I still listened to quite a lot of this stuff. 960 00:46:00,360 --> 00:46:03,160 Speaker 2: Is yeah, brilliant. You're so lucky that you still got 961 00:46:03,239 --> 00:46:05,040 Speaker 2: some of those old mixtapes you made from back in 962 00:46:05,080 --> 00:46:06,399 Speaker 2: the day that I mean, they're quite a few years 963 00:46:06,400 --> 00:46:07,960 Speaker 2: old now, nineteen eighty nine and eighty eight. 964 00:46:08,680 --> 00:46:09,240 Speaker 6: Oh definitely. 965 00:46:10,200 --> 00:46:11,400 Speaker 2: I mean what you should do for fine is go 966 00:46:11,440 --> 00:46:15,399 Speaker 2: on antiques roadshow and get them values used to use, 967 00:46:15,440 --> 00:46:17,720 Speaker 2: I believe the Turn of the nineteen eighties. 968 00:46:17,600 --> 00:46:20,960 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 969 00:46:21,040 --> 00:46:21,480 Speaker 1: point three. 970 00:46:21,640 --> 00:46:23,200 Speaker 2: You don't put your name on this text, but you 971 00:46:23,360 --> 00:46:26,840 Speaker 2: have healed my heart. Christian, my now husband put that 972 00:46:27,000 --> 00:46:29,600 Speaker 2: Karate Kid song on a mixtape for me back in 973 00:46:29,719 --> 00:46:34,800 Speaker 2: the day. It cemented my love for him. Isn't that lovely? 974 00:46:35,080 --> 00:46:37,320 Speaker 3: Who was it, Harriet that you tried to woo with 975 00:46:37,440 --> 00:46:38,080 Speaker 3: the same. 976 00:46:38,239 --> 00:46:41,640 Speaker 2: She obviously doesn't have the big pure heart that miserable Harriet, 977 00:46:41,719 --> 00:46:44,040 Speaker 2: compared to this lovely lady here listening to this show 978 00:46:44,080 --> 00:46:46,040 Speaker 2: with a nice big heart. She gets the beauty of 979 00:46:46,160 --> 00:46:49,160 Speaker 2: a gentleman, a young suitor putting that on a mixtape. 980 00:46:49,200 --> 00:46:51,440 Speaker 2: So look at that cemented her love for a husband, 981 00:46:51,600 --> 00:46:53,439 Speaker 2: all right? Then on the line right now, that's chat 982 00:46:53,480 --> 00:46:57,640 Speaker 2: to our friend Hamus McLaughlin, Good morning, Christian Jecko. Harriet. 983 00:46:57,960 --> 00:47:00,399 Speaker 2: I can't believe she didn't fall for that, Dums. That's 984 00:47:00,400 --> 00:47:03,040 Speaker 2: some believably disappointing Did you ever make mixtapes back in 985 00:47:03,080 --> 00:47:03,399 Speaker 2: the day? 986 00:47:04,360 --> 00:47:07,000 Speaker 8: Absolutely was the ultimate sign of your affection for the 987 00:47:07,120 --> 00:47:09,080 Speaker 8: other year eight student that you're going out with. And 988 00:47:09,400 --> 00:47:11,279 Speaker 8: if you really nailed the mixtape, you were going out 989 00:47:11,320 --> 00:47:13,760 Speaker 8: for at least six or seven weeks. Do you remember 990 00:47:13,800 --> 00:47:16,439 Speaker 8: any of the songs you put on a ham Yeah, 991 00:47:18,120 --> 00:47:21,400 Speaker 8: I'd never put karate Kid on, but I did. I 992 00:47:21,480 --> 00:47:25,160 Speaker 8: can't think of anything specifically, but it always sort of yeah, love, 993 00:47:25,680 --> 00:47:28,560 Speaker 8: I love you, don't leave me, you know, poison, that. 994 00:47:28,600 --> 00:47:31,000 Speaker 2: Sort of stuff, just your own boys in the mast around, 995 00:47:31,080 --> 00:47:33,560 Speaker 2: your best around the should be on any young man's mixtape. 996 00:47:34,080 --> 00:47:34,520 Speaker 3: I agree. 997 00:47:34,560 --> 00:47:36,800 Speaker 2: I might actually make one for so today and that 998 00:47:37,960 --> 00:47:40,239 Speaker 2: on repeat and in the midute of your mixtapes and 999 00:47:40,280 --> 00:47:42,839 Speaker 2: between the songs, were you like doing commentary? Yeah, i'd 1000 00:47:42,880 --> 00:47:47,280 Speaker 2: say that was now moving on? Or had you karate? 1001 00:47:47,440 --> 00:47:50,399 Speaker 2: Keep themsel on? You're the best, So take us see 1002 00:47:50,400 --> 00:47:52,480 Speaker 2: what happened over the weekend. Then what were your high lights? 1003 00:47:53,000 --> 00:47:55,480 Speaker 8: Well, Dustin Martin's goal in front of ninety one thousand 1004 00:47:55,600 --> 00:47:58,920 Speaker 8: on Thursday night to start things was extraordinary. They've got 1005 00:47:59,640 --> 00:48:01,320 Speaker 8: they've got the week off and they're in great shape. 1006 00:48:01,360 --> 00:48:04,239 Speaker 8: But I couldn't believe that your boys Melbourne had a 1007 00:48:04,320 --> 00:48:06,640 Speaker 8: bigger crowd on Friday night. Now, I know Thursday night 1008 00:48:06,760 --> 00:48:08,800 Speaker 8: was a school night, but Friday night there were a 1009 00:48:08,840 --> 00:48:11,360 Speaker 8: few hundred more night, ninety one thousand, seven hundred and 1010 00:48:11,400 --> 00:48:14,680 Speaker 8: sixty seven. I think my cats were very disappointing. But 1011 00:48:14,760 --> 00:48:16,239 Speaker 8: you guys got out of the blox quickly. 1012 00:48:16,320 --> 00:48:18,480 Speaker 2: You were there? Were you with a Friday night? Yeah? 1013 00:48:18,480 --> 00:48:20,960 Speaker 2: And like you said last week, the atmosphere is different 1014 00:48:20,960 --> 00:48:22,839 Speaker 2: at those big games, isn't it. Wow? I mean I've 1015 00:48:22,840 --> 00:48:24,000 Speaker 2: been to see them a couple of times. I have 1016 00:48:24,040 --> 00:48:26,080 Speaker 2: been the games at the Grand Fire, sorry at the MCG, 1017 00:48:26,239 --> 00:48:28,640 Speaker 2: but nothing like the atmosphere fridanight, the buzz in town 1018 00:48:28,800 --> 00:48:30,480 Speaker 2: two hours or four hand. I was having a few bears. 1019 00:48:30,600 --> 00:48:33,000 Speaker 2: My mate Jeff a game with me was noticeable. It 1020 00:48:33,080 --> 00:48:35,319 Speaker 2: was incredible, So it was felt like a summer's evening 1021 00:48:35,840 --> 00:48:37,600 Speaker 2: to me anyway. And then when I get in there, 1022 00:48:37,680 --> 00:48:41,400 Speaker 2: the buzz of excitement and seeing these fans like not 1023 00:48:41,600 --> 00:48:43,239 Speaker 2: like these fans like me. I've only been a fan 1024 00:48:43,320 --> 00:48:45,080 Speaker 2: for ten weeks. I mean proper fans who've been there 1025 00:48:45,080 --> 00:48:47,400 Speaker 2: over the last eleven or twelve years of frustration and 1026 00:48:47,440 --> 00:48:50,320 Speaker 2: setback after setback and misery. Seeing what it meant to 1027 00:48:50,400 --> 00:48:53,200 Speaker 2: them around me was amazing. And I don't think it's 1028 00:48:53,239 --> 00:48:54,600 Speaker 2: got the bomber and maybe could have been. It was 1029 00:48:54,640 --> 00:48:57,040 Speaker 2: still to me it was an amazing game. And seeing 1030 00:48:57,080 --> 00:48:59,160 Speaker 2: Jack Viney back and kicking like that, there were some 1031 00:48:59,320 --> 00:49:01,600 Speaker 2: real I thought it was amazing. I love watching it 1032 00:49:01,760 --> 00:49:03,279 Speaker 2: and the atmosphere afterwards was great. 1033 00:49:03,760 --> 00:49:05,840 Speaker 8: I think that's the point, is that how much football 1034 00:49:05,880 --> 00:49:08,400 Speaker 8: means to so many so twelve years since they've played 1035 00:49:08,440 --> 00:49:11,160 Speaker 8: in won a final. Nathan Jones was playing his seventh game, 1036 00:49:11,239 --> 00:49:14,520 Speaker 8: but on Friday night, a maid of mine who's Gary Lyon, 1037 00:49:14,600 --> 00:49:16,240 Speaker 8: who is a former captain of Melbourne. 1038 00:49:16,280 --> 00:49:18,440 Speaker 2: He was just standing by himself alone. 1039 00:49:18,520 --> 00:49:20,360 Speaker 8: His wife had decided to leave him just crying in 1040 00:49:20,440 --> 00:49:21,960 Speaker 8: the stands by himself, and there was a great shot 1041 00:49:22,040 --> 00:49:24,080 Speaker 8: Channel seven out of about a probably a thirty thirty 1042 00:49:24,120 --> 00:49:24,799 Speaker 8: five year old man. 1043 00:49:25,160 --> 00:49:25,879 Speaker 2: He was in tears. 1044 00:49:25,920 --> 00:49:27,239 Speaker 8: And then I rang a mate who I'm going to 1045 00:49:27,320 --> 00:49:29,640 Speaker 8: introduce you to at some point, Christian. 1046 00:49:30,000 --> 00:49:32,000 Speaker 2: He was born in World War One, fought in World 1047 00:49:32,040 --> 00:49:32,479 Speaker 2: War two. 1048 00:49:32,440 --> 00:49:34,439 Speaker 8: Prisoner of war for three years, three months, three weeks 1049 00:49:34,840 --> 00:49:37,200 Speaker 8: and three days. He's the oldest Melbourne supporter I know. 1050 00:49:37,280 --> 00:49:39,840 Speaker 8: He was one hundred last December. I rang him on 1051 00:49:40,520 --> 00:49:43,040 Speaker 8: Saturday morning and he was still sort of weeping, and 1052 00:49:43,560 --> 00:49:44,440 Speaker 8: I'm going to introduce you. 1053 00:49:44,440 --> 00:49:47,040 Speaker 2: To bris In at one hundred. It's the wins of. 1054 00:49:47,040 --> 00:49:48,960 Speaker 8: The demons are giving me that It's the most exciting 1055 00:49:49,040 --> 00:49:51,080 Speaker 8: theme in my life outside my family, because they're my 1056 00:49:51,160 --> 00:49:53,920 Speaker 8: extended family. So that was Friday night and then Swan's 1057 00:49:53,960 --> 00:49:56,680 Speaker 8: unbelievably disappointing Giants very good and the best of the 1058 00:49:56,760 --> 00:50:00,600 Speaker 8: four finals was Saturday night, huge crowd, eleven or twelve 1059 00:50:00,719 --> 00:50:02,640 Speaker 8: lead changes. Sadly the Pies didn't get it done, but 1060 00:50:03,000 --> 00:50:05,080 Speaker 8: they'll have another crack on Saturday Night against the Giants. 1061 00:50:05,120 --> 00:50:06,759 Speaker 8: But all in all, the best of the finals was 1062 00:50:06,800 --> 00:50:10,280 Speaker 8: the last Dustin Martin's goal was the best. Most emotional 1063 00:50:10,360 --> 00:50:12,759 Speaker 8: moment was the Demons, and yeah, I think that's fair 1064 00:50:13,440 --> 00:50:15,799 Speaker 8: sort of the weekend that wasn't Buddy Franklin, if you're 1065 00:50:15,800 --> 00:50:17,440 Speaker 8: sort of a stats man, he hasn't kicked a goal 1066 00:50:17,480 --> 00:50:19,200 Speaker 8: in the last ten quarters of finals and he's the 1067 00:50:19,239 --> 00:50:21,160 Speaker 8: best forward in the game in my view, so he's 1068 00:50:21,160 --> 00:50:22,080 Speaker 8: had a bit of. 1069 00:50:22,320 --> 00:50:25,320 Speaker 2: A lean patch. But week two we go. I just 1070 00:50:25,360 --> 00:50:27,880 Speaker 2: wanted to update you. You said, is my mum right 1071 00:50:27,960 --> 00:50:30,440 Speaker 2: to go? In terms of ourself, Yeah, she stood in 1072 00:50:30,520 --> 00:50:31,360 Speaker 2: trades some issues. 1073 00:50:32,719 --> 00:50:34,440 Speaker 8: We took half a dozen balls down to her and 1074 00:50:34,480 --> 00:50:35,920 Speaker 8: she goes out in the paddock in the morning and 1075 00:50:35,960 --> 00:50:37,920 Speaker 8: kicks him as far as she can. She's got hamstring 1076 00:50:37,960 --> 00:50:40,279 Speaker 8: awareness as they call it. At the moment she may 1077 00:50:40,400 --> 00:50:42,799 Speaker 8: well have done a hammy, so she's having a heap 1078 00:50:42,840 --> 00:50:44,879 Speaker 8: of treatment. We hope she's going to come up. It's 1079 00:50:44,920 --> 00:50:47,280 Speaker 8: the race against time, as often happens in the finals. 1080 00:50:47,640 --> 00:50:48,600 Speaker 2: She's seeing the very. 1081 00:50:48,520 --> 00:50:51,960 Speaker 8: Best people, but she's very, very keen because she's an 1082 00:50:52,000 --> 00:50:54,239 Speaker 8: extraordinary spender and she needs the ground. 1083 00:50:54,320 --> 00:50:56,040 Speaker 2: Can you not get the same sports dot so that 1084 00:50:56,160 --> 00:50:59,080 Speaker 2: Lance Armstrong had for years because we've made some of 1085 00:50:59,160 --> 00:51:01,520 Speaker 2: those injections we have made calls. 1086 00:51:02,680 --> 00:51:05,839 Speaker 8: We've got calf's blood from Germany, which she's twenty five 1087 00:51:06,280 --> 00:51:08,400 Speaker 8: all day long. But when she really winds up and 1088 00:51:08,440 --> 00:51:10,560 Speaker 8: she's done pilates and yoga in the morning, she can 1089 00:51:10,600 --> 00:51:13,560 Speaker 8: sort of get thirty three thirty four, but she does need. 1090 00:51:13,520 --> 00:51:14,319 Speaker 2: To breeze behind her. 1091 00:51:14,360 --> 00:51:15,920 Speaker 8: But as I said, with one hundred meters, if it's 1092 00:51:15,960 --> 00:51:18,759 Speaker 8: win persisted, it is questionable. Has an asterisk like those 1093 00:51:18,800 --> 00:51:21,879 Speaker 8: textile versus non textile suits in the swimming. But she's 1094 00:51:22,360 --> 00:51:24,759 Speaker 8: she's doing everything she can to get back. She's in 1095 00:51:24,800 --> 00:51:29,480 Speaker 8: a hyperbaric chamber today and we'll get her out on Thursday. Avid, 1096 00:51:29,520 --> 00:51:34,680 Speaker 8: I also, yeah, So what I'm hoping to do is 1097 00:51:34,760 --> 00:51:38,040 Speaker 8: continue to give you grans who have got proven track records, 1098 00:51:38,160 --> 00:51:41,600 Speaker 8: either through kicking beautifully themselves or producing children who have 1099 00:51:41,680 --> 00:51:42,320 Speaker 8: kicked beautifully. 1100 00:51:43,440 --> 00:51:43,960 Speaker 2: I've got to go. 1101 00:51:44,280 --> 00:51:47,520 Speaker 8: But someone who has produced a Brownlow medallist, and the 1102 00:51:47,560 --> 00:51:50,520 Speaker 8: Brownlow medallist has recently had a child is on the 1103 00:51:50,560 --> 00:51:53,080 Speaker 8: line shortly to speak to you about how she qualifies, 1104 00:51:53,120 --> 00:51:55,040 Speaker 8: what she needs to do, and what footwhear she can wear, 1105 00:51:55,080 --> 00:51:58,480 Speaker 8: and what's legal and not legal in this unbelievably ridiculous competition. 1106 00:51:58,560 --> 00:52:00,319 Speaker 8: We've got going, which I think is going to over 1107 00:52:00,320 --> 00:52:01,080 Speaker 8: one hundred entries. 1108 00:52:01,360 --> 00:52:04,040 Speaker 2: So who is who is the Sun? Then who's the Brownlow? 1109 00:52:04,120 --> 00:52:05,800 Speaker 2: Who's a grand you got on? His moment? Got on 1110 00:52:05,880 --> 00:52:06,279 Speaker 2: next for us? 1111 00:52:06,800 --> 00:52:09,960 Speaker 8: Patrick Dangerfield is the Sun. Jeanette Dangerfield is the Grench. 1112 00:52:10,000 --> 00:52:11,360 Speaker 8: He's ready to rock and roll, brilliant. 1113 00:52:11,360 --> 00:52:13,359 Speaker 2: Those those genes have got to come from somewhere. Hey, 1114 00:52:13,560 --> 00:52:15,319 Speaker 2: let me speak to a catchup lader on this week. 1115 00:52:15,680 --> 00:52:17,120 Speaker 2: So he goes by, You're the Best. 1116 00:52:17,000 --> 00:52:20,359 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's gold one oh four 1117 00:52:20,400 --> 00:52:21,080 Speaker 1: point three. 1118 00:52:21,239 --> 00:52:25,400 Speaker 11: The Christian O'Connell Breakfast Show's Grand Final, The Sad Brand 1119 00:52:25,480 --> 00:52:29,040 Speaker 11: You kicking, Yes, you g We're on the search for 1120 00:52:29,120 --> 00:52:31,520 Speaker 11: Melbourne's gren with the longest kicking. 1121 00:52:32,480 --> 00:52:35,560 Speaker 2: Are you Melbourne's Golden Grand Can you kick it further 1122 00:52:35,680 --> 00:52:38,680 Speaker 2: than any other Grand We have a location. It is 1123 00:52:38,880 --> 00:52:40,320 Speaker 2: the EJ. 1124 00:52:40,520 --> 00:52:44,360 Speaker 3: Winn Noble in foot Gray actually the VU the Victoria 1125 00:52:44,480 --> 00:52:45,520 Speaker 3: Uni Witt Noble. 1126 00:52:45,880 --> 00:52:50,200 Speaker 2: Just under two weeks time, a week Saturday, when where 1127 00:52:50,200 --> 00:52:52,120 Speaker 2: all the grannies will be in action trying to kick 1128 00:52:52,160 --> 00:52:54,440 Speaker 2: it as far as they can. Pancake Parler've got a 1129 00:52:54,560 --> 00:52:59,040 Speaker 2: Mortars Our official Grand Final sponsor for a limited dining. 1130 00:52:59,080 --> 00:53:01,960 Speaker 2: It's a free Kicks meal with any adult milk purchased 1131 00:53:01,960 --> 00:53:04,839 Speaker 2: at the pancake partner. So take advantage of that wild 1132 00:53:04,840 --> 00:53:06,680 Speaker 2: you can as soon as you can. All right, So 1133 00:53:06,719 --> 00:53:08,600 Speaker 2: we're looking for as many grands as possible. Still got 1134 00:53:08,640 --> 00:53:11,239 Speaker 2: time for your grant to get involved? Head online to 1135 00:53:11,360 --> 00:53:14,279 Speaker 2: gold one O four three dot com dot au. You 1136 00:53:14,440 --> 00:53:18,160 Speaker 2: find all the details there. We still need trophies. I 1137 00:53:18,239 --> 00:53:20,480 Speaker 2: want a really big oversized trophy. 1138 00:53:20,600 --> 00:53:22,720 Speaker 3: How big is really big? Human life size? 1139 00:53:22,880 --> 00:53:25,239 Speaker 2: Yeah? I want it to be as big as the 1140 00:53:25,360 --> 00:53:29,279 Speaker 2: grand like five foot at least five foot. Wouldn't you 1141 00:53:29,360 --> 00:53:31,120 Speaker 2: love one of those? They need help getting it into 1142 00:53:31,160 --> 00:53:36,600 Speaker 2: the car when they drive away with us. We need 1143 00:53:36,680 --> 00:53:39,120 Speaker 2: the banners. Is there one person that makes all the 1144 00:53:39,200 --> 00:53:40,720 Speaker 2: banners for the AFL games? 1145 00:53:40,920 --> 00:53:43,680 Speaker 3: Well, it's the cheers squad who makes the banners. We 1146 00:53:43,840 --> 00:53:46,040 Speaker 3: need cheers maybe the Bulldogs cheers squad. 1147 00:53:46,120 --> 00:53:48,400 Speaker 2: Could they're not involved at the moment? Are they? 1148 00:53:49,480 --> 00:53:49,879 Speaker 3: Free time? 1149 00:53:49,960 --> 00:53:51,719 Speaker 2: Yeah? And the bombus your team. They're not doing anything 1150 00:53:51,719 --> 00:53:53,560 Speaker 2: at the moment, are they. My de's are pretty busy 1151 00:53:53,560 --> 00:53:53,879 Speaker 2: at the moment. 1152 00:53:53,920 --> 00:53:55,840 Speaker 3: Get ready for the next big Well, if they're already 1153 00:53:55,840 --> 00:53:57,800 Speaker 3: making one betner for their game, they can make another 1154 00:53:57,840 --> 00:53:58,600 Speaker 3: banner on the side. 1155 00:53:58,719 --> 00:54:01,600 Speaker 2: Yeah, absolutely, all right, So on the line now then, 1156 00:54:01,640 --> 00:54:04,360 Speaker 2: who's just had Hamish mcgonchin. He was talking about Jeanette, 1157 00:54:04,360 --> 00:54:07,239 Speaker 2: who's an interested nan. She is actually the mother of 1158 00:54:07,920 --> 00:54:12,600 Speaker 2: a AFL Gunner brownlow Patrick Dangerfield. Good morning, Jeanette, Good 1159 00:54:12,680 --> 00:54:15,800 Speaker 2: morning Jeanette. Thank you very much for being interested in 1160 00:54:15,960 --> 00:54:18,279 Speaker 2: our grand final. First of all, Jeanette, what do you 1161 00:54:18,360 --> 00:54:20,520 Speaker 2: think of the idea trying to line up a load 1162 00:54:20,560 --> 00:54:22,839 Speaker 2: of Melbourne's finest grands to see how far they can 1163 00:54:22,920 --> 00:54:24,080 Speaker 2: kick the ball? Oh? 1164 00:54:24,120 --> 00:54:26,960 Speaker 10: I think it's a fantastic initiative and I'm sure those 1165 00:54:27,000 --> 00:54:29,000 Speaker 10: grandmothers are going to be very excited about it. 1166 00:54:29,440 --> 00:54:31,319 Speaker 2: Now, how far do you think you could kick one? 1167 00:54:31,360 --> 00:54:34,360 Speaker 2: Because obviously your son's pretty half decent, but what about you? 1168 00:54:34,480 --> 00:54:36,280 Speaker 2: Those genes must have come from somewhere. 1169 00:54:37,680 --> 00:54:37,919 Speaker 5: Yeah. 1170 00:54:38,040 --> 00:54:40,600 Speaker 10: I think with a good ball drop and follow through, 1171 00:54:40,680 --> 00:54:43,440 Speaker 10: I could probably kick it forty that with wind probably 1172 00:54:43,520 --> 00:54:45,640 Speaker 10: fifty meters, I don't think, j I don't. 1173 00:54:45,719 --> 00:54:48,000 Speaker 2: There's no way I'd kick it more than twenty. You 1174 00:54:48,040 --> 00:54:49,160 Speaker 2: where can you do forty? 1175 00:54:51,000 --> 00:54:54,120 Speaker 10: Well, you've got to use your imagination as well, and 1176 00:54:54,280 --> 00:54:56,560 Speaker 10: in my mind I'm probably kicking at forty. 1177 00:54:57,000 --> 00:54:59,160 Speaker 3: When's the last time you kicked the ball you reckon. 1178 00:54:59,040 --> 00:55:01,520 Speaker 10: Jeanette, probably two days ago. 1179 00:55:01,960 --> 00:55:05,000 Speaker 2: Oh, so you're in if you're in match fit secret 1180 00:55:05,080 --> 00:55:06,440 Speaker 2: training Jack, she's a hustler. 1181 00:55:07,480 --> 00:55:11,000 Speaker 10: Well, you have to entertain the grandson. Plus, we all 1182 00:55:11,160 --> 00:55:12,759 Speaker 10: like to have a kick of the footy anyway, And 1183 00:55:12,840 --> 00:55:17,239 Speaker 10: because Marty's Patrick's wife's been playing football, I'd like to 1184 00:55:17,320 --> 00:55:18,640 Speaker 10: have a kick and have a crack together. 1185 00:55:19,239 --> 00:55:22,440 Speaker 2: And so who was coaching the young Patrick dangerfield? Is 1186 00:55:22,480 --> 00:55:24,040 Speaker 2: that you? Your husband? Both of you? 1187 00:55:26,040 --> 00:55:26,160 Speaker 1: Oh? 1188 00:55:26,320 --> 00:55:28,839 Speaker 10: Mostly his father. But I'd like to say that when 1189 00:55:28,920 --> 00:55:33,200 Speaker 10: dad wasn't around, and he probably had some hots or hamstrings, 1190 00:55:33,239 --> 00:55:35,000 Speaker 10: I'd be the one that he'd take out on the road. 1191 00:55:35,000 --> 00:55:36,320 Speaker 10: And we have kicked to kick out. 1192 00:55:36,200 --> 00:55:36,640 Speaker 6: On the road. 1193 00:55:36,760 --> 00:55:38,640 Speaker 2: Yeah, you should be You've been too modest. You need 1194 00:55:38,680 --> 00:55:40,520 Speaker 2: to claim a lot more in your son's success. 1195 00:55:42,560 --> 00:55:44,800 Speaker 10: Oh, genetically, I could at least claim half of it, 1196 00:55:44,960 --> 00:55:45,279 Speaker 10: can't I? 1197 00:55:45,640 --> 00:55:47,520 Speaker 2: Yeah, of course you can. And tell me this then, 1198 00:55:47,719 --> 00:55:50,680 Speaker 2: how old was the young Patrick before you realize? Oh, 1199 00:55:50,760 --> 00:55:52,839 Speaker 2: actually he's really good. He could do this for a living. 1200 00:55:53,280 --> 00:55:54,920 Speaker 2: It as a teenager or earlier than that. 1201 00:55:56,120 --> 00:55:56,279 Speaker 1: Oh. 1202 00:55:57,080 --> 00:56:00,279 Speaker 10: I probably thought when he was about seven or that 1203 00:56:00,400 --> 00:56:02,879 Speaker 10: he was showing a bit of promise for football. Yeah, 1204 00:56:03,080 --> 00:56:04,480 Speaker 10: he's always been pretty athletic. 1205 00:56:05,080 --> 00:56:07,919 Speaker 2: Seven or eight, I had no discernible skills. I still 1206 00:56:07,920 --> 00:56:09,960 Speaker 2: don't now at forty five, but seven or eight was 1207 00:56:10,080 --> 00:56:11,000 Speaker 2: he was half decent. 1208 00:56:11,840 --> 00:56:15,719 Speaker 10: Yeah, he's half decent. He's been gifted with speed and 1209 00:56:15,840 --> 00:56:20,960 Speaker 10: he's always had that, so the ability to kick a ball, 1210 00:56:21,080 --> 00:56:23,120 Speaker 10: but yeah, just playing with balls from when he was 1211 00:56:23,200 --> 00:56:26,040 Speaker 10: really young. You know, we probably thought, oh, yeah, he's 1212 00:56:26,080 --> 00:56:26,680 Speaker 10: pretty good at this. 1213 00:56:27,320 --> 00:56:28,960 Speaker 2: How was it watching him? So you must have seen 1214 00:56:28,960 --> 00:56:31,200 Speaker 2: the game on Friday night? Do you get very stressful 1215 00:56:31,320 --> 00:56:33,399 Speaker 2: you shouting to you on the match when you're watching 1216 00:56:33,480 --> 00:56:34,080 Speaker 2: your son play. 1217 00:56:35,280 --> 00:56:39,400 Speaker 10: Ah, yes, I've been. I'm actually reasonably well behaved when 1218 00:56:39,400 --> 00:56:41,920 Speaker 10: I'm actually at the football, but if you catch me 1219 00:56:42,000 --> 00:56:43,560 Speaker 10: at home, I am disgusting. 1220 00:56:46,120 --> 00:56:48,200 Speaker 2: It's the swearing, high voltage. 1221 00:56:49,040 --> 00:56:51,600 Speaker 10: Oh yes, throwing the buds at the television. 1222 00:56:51,920 --> 00:56:53,279 Speaker 3: Yeah, nah, I go off. 1223 00:56:53,520 --> 00:56:54,560 Speaker 2: It was getting turned over. 1224 00:56:55,239 --> 00:56:57,520 Speaker 10: Yeah, you've got to be polite when you're in amongst 1225 00:56:57,560 --> 00:56:59,920 Speaker 10: the crowd and you've got other parents there and everything. 1226 00:57:00,000 --> 00:57:02,200 Speaker 2: It's got to be very aware, absolutely, But home you 1227 00:57:02,280 --> 00:57:03,440 Speaker 2: can say whatever you want. 1228 00:57:04,560 --> 00:57:07,200 Speaker 10: Yes, yes, I can do whatever I like at home. 1229 00:57:07,440 --> 00:57:09,600 Speaker 2: Well, hopefully you're going to turn up on the day 1230 00:57:09,719 --> 00:57:12,040 Speaker 2: and get involved with Jeannette for now. Thank you very 1231 00:57:12,120 --> 00:57:13,319 Speaker 2: much for having a chat this this morning. 1232 00:57:13,360 --> 00:57:16,280 Speaker 5: You enjoy your week, please all right, take you out. 1233 00:57:16,320 --> 00:57:17,479 Speaker 2: Thank you bye. 1234 00:57:17,880 --> 00:57:21,240 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 1235 00:57:21,280 --> 00:57:21,760 Speaker 1: point three. 1236 00:57:25,680 --> 00:57:28,360 Speaker 2: Good morning. Time for this morning's outwork tie wasted for you. 1237 00:57:30,640 --> 00:57:36,000 Speaker 2: The thing this morning is misspell a movie. I yesterday 1238 00:57:36,240 --> 00:57:39,680 Speaker 2: was stopping WhatsApp message with my dad to arrange a 1239 00:57:39,960 --> 00:57:42,880 Speaker 2: Skype chap our Sunday little Skype catch up. Yep, I 1240 00:57:43,000 --> 00:57:46,720 Speaker 2: can see where my dad is and don't know my 1241 00:57:46,800 --> 00:57:48,840 Speaker 2: glasses on. I don't know whether it's auto correct or 1242 00:57:49,040 --> 00:57:52,800 Speaker 2: human error, but I accidentally put a instead of chat 1243 00:57:53,040 --> 00:57:56,040 Speaker 2: to you at ten, I put a four head of 1244 00:57:56,440 --> 00:57:58,880 Speaker 2: bad word. I mean the worst word you can say. 1245 00:57:59,680 --> 00:58:03,000 Speaker 2: You know that four letter word? And that's all. I 1246 00:58:03,040 --> 00:58:03,960 Speaker 2: got a text to him from me. 1247 00:58:04,520 --> 00:58:06,040 Speaker 3: What did Daddy say back? 1248 00:58:06,080 --> 00:58:09,000 Speaker 2: He didn't. He never replied. I guess you see that coming. 1249 00:58:09,040 --> 00:58:14,840 Speaker 2: He's to think Australia has really changed myself. So today 1250 00:58:15,640 --> 00:58:18,520 Speaker 2: miss spell a movie? What are you looking at? Gold? 1251 00:58:18,560 --> 00:58:20,320 Speaker 2: Silver bronzes? What have you got? How are yours? Jack? 1252 00:58:20,640 --> 00:58:21,520 Speaker 3: You want me to go first? 1253 00:58:21,560 --> 00:58:23,200 Speaker 2: No, this is due as to how confident you feel 1254 00:58:23,240 --> 00:58:24,919 Speaker 2: unless you've been very quiet the last ten minutes. 1255 00:58:25,400 --> 00:58:27,760 Speaker 3: Silver plus Dirty. 1256 00:58:27,480 --> 00:58:36,800 Speaker 2: Barry's good, Bridget Jones's diarrhea, a fist called Wonder, the 1257 00:58:36,920 --> 00:58:42,000 Speaker 2: green milf, and sleeping with the enema. 1258 00:58:43,640 --> 00:58:45,120 Speaker 3: The green milk is a gold plus. 1259 00:58:45,320 --> 00:58:47,320 Speaker 2: Okay, I'm pleased to hear that. All right, What have 1260 00:58:47,440 --> 00:58:47,880 Speaker 2: you got. 1261 00:58:48,200 --> 00:58:50,800 Speaker 3: Instead of gangs of New York, I've got grands of 1262 00:58:50,880 --> 00:58:51,280 Speaker 3: New York. 1263 00:58:51,600 --> 00:58:52,120 Speaker 2: That's nice. 1264 00:58:54,600 --> 00:59:04,960 Speaker 3: Forrest Gimp, the Dark Knight rinses, yep, this rinsing himself. 1265 00:59:05,720 --> 00:59:07,840 Speaker 2: Maybe it is how Blue Rinse is getting a bit older. 1266 00:59:09,200 --> 00:59:12,920 Speaker 3: The god Fata not right. Hey, come on now, come on, 1267 00:59:13,440 --> 00:59:14,240 Speaker 3: I'll bear out there. 1268 00:59:14,240 --> 00:59:16,680 Speaker 2: Actually, come on you now, My one with Bridgie Joseph's 1269 00:59:16,680 --> 00:59:19,920 Speaker 2: diarrhea was so, you know, high brow. Come on, all right, 1270 00:59:19,960 --> 00:59:21,960 Speaker 2: then Jack can be marking them in ten minutes time. 1271 00:59:22,000 --> 00:59:24,640 Speaker 2: You text us on O four seven five O three 1272 00:59:24,920 --> 00:59:27,200 Speaker 2: one oh four three have you got a green milk 1273 00:59:27,280 --> 00:59:29,880 Speaker 2: in you? Let me know O four seven five O 1274 00:59:30,040 --> 00:59:33,240 Speaker 2: three one I four three. Also some spot prizes this week, 1275 00:59:33,360 --> 00:59:35,080 Speaker 2: got tickets going to this new movie, and I was 1276 00:59:35,160 --> 00:59:38,880 Speaker 2: raving about the moment. Disney's new movie, Christopher Robin, which 1277 00:59:38,960 --> 00:59:41,520 Speaker 2: comes out in cinemas on September thirteenth. We got a 1278 00:59:41,800 --> 00:59:46,200 Speaker 2: spot prize of that this morning as well. Text us 1279 00:59:46,240 --> 00:59:48,680 Speaker 2: on four seven five three one I four three will 1280 00:59:48,720 --> 00:59:49,840 Speaker 2: mark them in ten minutes time. 1281 00:59:49,920 --> 00:59:53,280 Speaker 1: Good luck The Christian O'Connell Breakfast Show Melbourne's Gold one 1282 00:59:53,320 --> 00:59:54,400 Speaker 1: oh four point three. 1283 00:59:58,080 --> 01:00:01,439 Speaker 2: Michael Jackson on God one four bay three nine twenty three. 1284 01:00:02,920 --> 01:00:05,920 Speaker 2: Perhaps you'll get this. So you remember a week and 1285 01:00:05,960 --> 01:00:08,480 Speaker 2: a half ago, wife and I have their photo shoot 1286 01:00:08,640 --> 01:00:11,800 Speaker 2: for the Herald's side interview with Hamishful. My wife is 1287 01:00:11,840 --> 01:00:15,720 Speaker 2: very excited. The hair done, iron ashes, yea, everything done 1288 01:00:16,760 --> 01:00:21,400 Speaker 2: comes out yesterday. Did you see little photo? It's a 1289 01:00:21,440 --> 01:00:25,240 Speaker 2: beautiful by little photo of her and I like and. 1290 01:00:25,280 --> 01:00:27,600 Speaker 3: The one that gets one of the dogs the dog. 1291 01:00:28,680 --> 01:00:30,000 Speaker 2: I saw a look at it, and you know those 1292 01:00:30,080 --> 01:00:32,960 Speaker 2: eyes that women get sometimes. I just stage steally. 1293 01:00:34,000 --> 01:00:37,040 Speaker 3: That show is too small really even to cut out 1294 01:00:37,080 --> 01:00:39,680 Speaker 3: and put on the fridge, because the magnet will be bigger. 1295 01:00:39,240 --> 01:00:41,960 Speaker 2: Than the where's the dog one? Wow? 1296 01:00:42,000 --> 01:00:43,080 Speaker 3: Wait, the dog's in the game. 1297 01:00:43,200 --> 01:00:44,000 Speaker 2: It's a huge one. 1298 01:00:44,040 --> 01:00:46,320 Speaker 3: And the second one of the dog too, my dad, Yeah, 1299 01:00:46,360 --> 01:00:46,720 Speaker 3: that's right. 1300 01:00:47,680 --> 01:00:49,680 Speaker 2: It's getting a lot of attention. All right then, So 1301 01:00:49,760 --> 01:00:52,480 Speaker 2: today's that work time wast is misspelled a movie. Jack, 1302 01:00:52,480 --> 01:00:52,920 Speaker 2: you're ready to. 1303 01:00:52,960 --> 01:00:58,280 Speaker 3: Mark, Yes, I'll be giving away Glodden Sorry Glooden glood Yeah, 1304 01:00:58,400 --> 01:01:01,800 Speaker 3: so misspelled gold. I wrote it down. I thought it 1305 01:01:01,880 --> 01:01:04,080 Speaker 3: was going to sound more. It would sound. 1306 01:01:05,280 --> 01:01:07,840 Speaker 2: Funny in print. When Harry met Gary. 1307 01:01:09,080 --> 01:01:11,720 Speaker 3: That's good, Silver Seaword. 1308 01:01:11,440 --> 01:01:15,680 Speaker 2: Last Mango in Paris. We love a mango sil plus 1309 01:01:16,960 --> 01:01:20,840 Speaker 2: Grand Hot dag ground Dad. 1310 01:01:21,760 --> 01:01:22,680 Speaker 3: That not funny. 1311 01:01:22,880 --> 01:01:26,240 Speaker 2: Bronze, Sorry Channing off, Paul leam mout. It's nice to 1312 01:01:26,480 --> 01:01:28,600 Speaker 2: have a listener to just be named and shaned on air. 1313 01:01:28,960 --> 01:01:30,720 Speaker 2: Butch Cassidy in the sun, Burnt. 1314 01:01:30,520 --> 01:01:32,240 Speaker 3: Kid, that's funnier. 1315 01:01:32,840 --> 01:01:37,000 Speaker 2: Civil Plus they'row in Croydon, Northwold, lamb Shank Redemption. 1316 01:01:37,240 --> 01:01:40,680 Speaker 3: Better get creeping towards the Gold, The. 1317 01:01:40,760 --> 01:01:47,960 Speaker 2: Germinator, Civil plus Mortal Woe Bat that's my favorite so far. 1318 01:01:48,160 --> 01:01:49,320 Speaker 3: That's a glotting plus. 1319 01:01:49,560 --> 01:01:52,600 Speaker 2: I want that movie to be made about a mortal 1320 01:01:52,800 --> 01:01:55,520 Speaker 2: woe Bat. Shane. That's so good. 1321 01:01:55,640 --> 01:01:59,200 Speaker 3: The Beer Hunter, Civil plus a. 1322 01:01:59,280 --> 01:02:03,160 Speaker 2: Dish cool a dishc n it's robbist Star Wars. 1323 01:02:05,120 --> 01:02:10,000 Speaker 3: That can have a gold. Bogey Knights Bogey Knights, Nah, 1324 01:02:10,200 --> 01:02:11,160 Speaker 3: not good enough. Bronze. 1325 01:02:11,240 --> 01:02:13,120 Speaker 2: All right, what's your best one today? I'm going more 1326 01:02:13,160 --> 01:02:13,560 Speaker 2: to one. 1327 01:02:13,520 --> 01:02:17,080 Speaker 3: Bat More to one, bat leaps and bounds ahead of 1328 01:02:17,280 --> 01:02:18,000 Speaker 3: the competitors. 1329 01:02:18,320 --> 01:02:20,000 Speaker 2: Shane, you get the tickets to go and see the 1330 01:02:20,160 --> 01:02:22,240 Speaker 2: big New Disney movie, the Christopher Robin movie. 1331 01:02:22,280 --> 01:02:25,640 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1332 01:02:25,680 --> 01:02:26,160 Speaker 1: point three. 1333 01:02:26,520 --> 01:02:29,200 Speaker 2: Mark on our team. You know, Mark works very hard. Okay, 1334 01:02:29,400 --> 01:02:32,320 Speaker 2: it's our head of audio here. He was telling me 1335 01:02:32,800 --> 01:02:36,000 Speaker 2: Thursday night in the pub how he paid for a 1336 01:02:36,120 --> 01:02:38,480 Speaker 2: meet and Greek And I've always wondered what this is like, 1337 01:02:38,800 --> 01:02:40,360 Speaker 2: you know, where you pay for a meet and greet, 1338 01:02:40,440 --> 01:02:42,760 Speaker 2: hang out with a big star, such a big start, 1339 01:02:42,840 --> 01:02:44,800 Speaker 2: you have to pay to meet and greet them. 1340 01:02:44,920 --> 01:02:45,760 Speaker 3: Where do you even go? 1341 01:02:46,520 --> 01:02:46,560 Speaker 2: Like? 1342 01:02:46,720 --> 01:02:48,280 Speaker 3: Is there a website for that kind of thing? 1343 01:02:48,400 --> 01:02:50,040 Speaker 2: Yeah? Is there? Yeah? Oh god? Yeah? 1344 01:02:50,080 --> 01:02:52,520 Speaker 3: So you type in the celebrity you won. Ye think 1345 01:02:52,600 --> 01:02:54,680 Speaker 3: I could go Christian O'Connell and there'll be like five 1346 01:02:54,800 --> 01:02:56,360 Speaker 3: hundred dollars meet and if. 1347 01:02:56,320 --> 01:02:58,720 Speaker 2: You prepared to do that, I'll give you a cash discount. 1348 01:02:59,080 --> 01:03:04,280 Speaker 2: Right now, I'm not on there. But anyway, he did 1349 01:03:04,320 --> 01:03:07,320 Speaker 2: a meet and Greek for his fortieth for Britney Spears. 1350 01:03:08,240 --> 01:03:12,080 Speaker 2: How much do you think for Britney Spears? Was she 1351 01:03:12,240 --> 01:03:14,760 Speaker 2: out here or was in Vegas. Went to Vegas. You 1352 01:03:14,800 --> 01:03:16,720 Speaker 2: know she's been doing a residency. Yeah, were they there? 1353 01:03:16,760 --> 01:03:19,440 Speaker 2: They make a fortune, So she didn't want to do 1354 01:03:19,520 --> 01:03:22,840 Speaker 2: two of these a week. And he was told he 1355 01:03:22,880 --> 01:03:24,760 Speaker 2: couldn't touch her. And it's just a couple of seconds, 1356 01:03:24,800 --> 01:03:26,800 Speaker 2: and he said it really was bad. Even two or 1357 01:03:26,840 --> 01:03:29,200 Speaker 2: three seconds not worth them? 1358 01:03:29,240 --> 01:03:29,560 Speaker 3: Whatever? 1359 01:03:29,640 --> 01:03:32,600 Speaker 4: It is not worth say two GRANDSI what? 1360 01:03:33,160 --> 01:03:35,360 Speaker 2: Yeah, what do you reckon? 1361 01:03:35,640 --> 01:03:38,040 Speaker 3: Okay, well, I guess it's got to be a ludicrous 1362 01:03:38,040 --> 01:03:41,120 Speaker 3: amount for the formation of a game a couple of 1363 01:03:41,360 --> 01:03:43,760 Speaker 3: I just think, like, what would actually, what would he pay? 1364 01:03:43,880 --> 01:03:46,680 Speaker 3: Three thousand and five hundred is too much? 1365 01:03:46,920 --> 01:03:48,080 Speaker 2: Two thousand? Oh? 1366 01:03:48,400 --> 01:03:49,240 Speaker 4: Bang on the knocker. 1367 01:03:49,440 --> 01:03:52,920 Speaker 2: Yeah two, I didn't get to touch that. Now chuck 1368 01:03:53,000 --> 01:03:53,720 Speaker 2: an extra five? 1369 01:03:56,280 --> 01:03:58,400 Speaker 3: So what do you get? What do you get? You 1370 01:03:58,560 --> 01:04:01,000 Speaker 3: just get a photo of her that In. 1371 01:04:01,040 --> 01:04:04,880 Speaker 2: The photo she looks terrified. She looks absolutely terrified. I 1372 01:04:04,920 --> 01:04:07,320 Speaker 2: don't think that's how she. Gnormous is what he's wearing, 1373 01:04:07,360 --> 01:04:11,520 Speaker 2: A top hat, face glitter. I've seen him, you know 1374 01:04:11,560 --> 01:04:15,840 Speaker 2: when people it looks amazing, right, But Brittany is startled 1375 01:04:15,840 --> 01:04:17,840 Speaker 2: because apparently he was like at the front of the line, 1376 01:04:17,960 --> 01:04:19,880 Speaker 2: and he's an intense guy. He's a very excited man. 1377 01:04:20,240 --> 01:04:22,160 Speaker 2: She walked around the corner. No one has said, by 1378 01:04:22,160 --> 01:04:26,080 Speaker 2: the way, the lead guy is is caffeinated, and she went, 1379 01:04:26,160 --> 01:04:30,360 Speaker 2: oh my god. As he was in a secret top hat. 1380 01:04:30,440 --> 01:04:31,360 Speaker 2: He looked awesome. 1381 01:04:31,960 --> 01:04:34,200 Speaker 3: But to be fair to him, they're the kind of people. 1382 01:04:34,320 --> 01:04:36,200 Speaker 3: Surely they're the kind of people who pay for meat 1383 01:04:36,240 --> 01:04:41,720 Speaker 3: and grieved that are outlandish. Yeah, in look and so 1384 01:04:41,960 --> 01:04:44,160 Speaker 3: she shouldn't be shocked. She should actually go, Okay, that's 1385 01:04:44,200 --> 01:04:45,600 Speaker 3: the kind of fan that I'm attracted. 1386 01:04:45,680 --> 01:04:47,800 Speaker 2: Do you think as she's walking round the corner before 1387 01:04:47,880 --> 01:04:49,400 Speaker 2: she meets the people have done this and you know 1388 01:04:49,480 --> 01:04:51,480 Speaker 2: she's just doing it for cash. Let's be honest that 1389 01:04:51,600 --> 01:04:53,520 Speaker 2: she's repeating some kind of mattress because she got we 1390 01:04:53,600 --> 01:04:55,520 Speaker 2: cannot even need the money. Why would you put yourself 1391 01:04:55,560 --> 01:04:57,200 Speaker 2: through that if you're only going to give them a 1392 01:04:57,200 --> 01:04:59,920 Speaker 2: couple of seconds? I reckon she's got like hands sanata 1393 01:05:00,240 --> 01:05:01,640 Speaker 2: the moment she gets out of there as well. 1394 01:05:01,720 --> 01:05:03,600 Speaker 3: But if you can make ten grand, how many people 1395 01:05:03,960 --> 01:05:06,840 Speaker 3: in there, you make twenty grand, fifty grand maybe in 1396 01:05:07,080 --> 01:05:08,800 Speaker 3: forty seconds minute. 1397 01:05:08,640 --> 01:05:11,040 Speaker 2: Just walking a line. Who would you would you pay 1398 01:05:11,320 --> 01:05:13,320 Speaker 2: for a meet and greet if you had the money 1399 01:05:13,360 --> 01:05:14,120 Speaker 2: to do such a thing. 1400 01:05:16,560 --> 01:05:17,680 Speaker 3: Exactly who would right? 1401 01:05:18,040 --> 01:05:18,800 Speaker 2: Who would it be? For you? 1402 01:05:19,160 --> 01:05:21,720 Speaker 3: I would go the leading of Green Day. 1403 01:05:21,840 --> 01:05:27,280 Speaker 9: Oh that's so sad, I know it's so sad, putting 1404 01:05:27,280 --> 01:05:29,200 Speaker 9: his arm around you like a competition winner. 1405 01:05:29,320 --> 01:05:32,400 Speaker 1: The Christian Who Connall Breakfast Show, Melbourne's Gold one oh 1406 01:05:32,480 --> 01:05:33,160 Speaker 1: four point three. 1407 01:05:33,400 --> 01:05:35,360 Speaker 2: All right, that's the show from us. We are back 1408 01:05:35,400 --> 01:05:37,840 Speaker 2: tomorrow morning. Our special guest is coming in for an 1409 01:05:38,000 --> 01:05:40,280 Speaker 2: hour is Hillsy Adam Hills is on the show. We 1410 01:05:40,360 --> 01:05:43,600 Speaker 2: got five topic Tuesday, another one thousand dollars to be 1411 01:05:43,640 --> 01:05:46,880 Speaker 2: one as well, thanks new Johnny English Movie. And we 1412 01:05:47,000 --> 01:05:49,800 Speaker 2: got Phield Collins tickets every single day this week at 1413 01:05:49,960 --> 01:05:54,800 Speaker 2: seven thirty. Title of today's show is the Dogs Got Exma. 1414 01:05:55,400 --> 01:05:57,200 Speaker 2: Huggy's coming up next to speak you to my morning. 1415 01:05:57,240 --> 01:05:58,440 Speaker 2: I have a great day, Thanks for listening. 1416 01:05:58,560 --> 01:06:01,600 Speaker 1: The Christian Who Connall Breakfast Show, Melbourne's Gold one oh 1417 01:06:01,720 --> 01:06:02,480 Speaker 1: four point three,