1 00:00:05,160 --> 00:00:11,840 Speaker 1: Woods, the one and only Kelly Roland. Get it, Kel, 2 00:00:13,680 --> 00:00:19,280 Speaker 1: get it Kel absolutely spat the dummy on the can 3 00:00:19,360 --> 00:00:20,840 Speaker 1: Film Festival red carpet. 4 00:00:20,920 --> 00:00:21,960 Speaker 2: Not sure if you're across this. 5 00:00:22,200 --> 00:00:22,720 Speaker 3: What about? 6 00:00:22,960 --> 00:00:25,600 Speaker 2: Oh, she just cracked it. Because she cracked it one 7 00:00:25,600 --> 00:00:29,360 Speaker 2: of the security guards on the way up the stairs, 8 00:00:30,680 --> 00:00:33,919 Speaker 2: because apparently they guided her the wrong way and then 9 00:00:33,960 --> 00:00:37,440 Speaker 2: said something to her. She flipped it, said it wasn't right. 10 00:00:38,000 --> 00:00:42,159 Speaker 2: Oh yeah, and I kind of liked the I'm not 11 00:00:42,159 --> 00:00:44,560 Speaker 2: sure exactly what transpired. I think they're deliberately trying to 12 00:00:44,640 --> 00:00:48,000 Speaker 2: keep those details and secure. But but it's I think 13 00:00:48,000 --> 00:00:52,400 Speaker 2: it's just an important professional skill to have that. 14 00:00:52,920 --> 00:00:55,680 Speaker 3: Gear where you can flip disagree. 15 00:00:55,920 --> 00:00:58,960 Speaker 2: Yeah, I know you do, and I think it's doing 16 00:00:58,960 --> 00:00:59,440 Speaker 2: you hum. 17 00:00:59,600 --> 00:01:03,120 Speaker 3: It's not it meet all situations with kindness and understanding 18 00:01:03,160 --> 00:01:04,800 Speaker 3: and empathy. That's what a loser would say. 19 00:01:04,959 --> 00:01:09,520 Speaker 2: So what I think that this is a string that 20 00:01:09,560 --> 00:01:11,240 Speaker 2: you need to have to your bow. And I don't 21 00:01:11,280 --> 00:01:13,280 Speaker 2: mean it in a personal sense. Don't worry about it. 22 00:01:13,280 --> 00:01:15,840 Speaker 2: But this is business where dogs in a dog world. 23 00:01:15,959 --> 00:01:17,520 Speaker 3: That's why we when we need to do that, we 24 00:01:17,600 --> 00:01:19,600 Speaker 3: send in you. You're the pit bull, I'm the b 25 00:01:19,720 --> 00:01:21,880 Speaker 3: seon freeze and we need cuteness, we send in there. Yeah, 26 00:01:21,880 --> 00:01:23,160 Speaker 3: I need hardess. We send in you. 27 00:01:23,720 --> 00:01:26,720 Speaker 2: Pitbull, he died, big boy. 28 00:01:26,880 --> 00:01:27,759 Speaker 3: Pitbull died. 29 00:01:27,959 --> 00:01:33,120 Speaker 2: Pit tired. Pitball tired. So you need the beeon to 30 00:01:33,160 --> 00:01:34,560 Speaker 2: step back. I think the bon's got to get a 31 00:01:34,560 --> 00:01:36,360 Speaker 2: little bit more bite to its bark. And what I 32 00:01:36,360 --> 00:01:38,280 Speaker 2: would like, what I would like now, is just to 33 00:01:38,280 --> 00:01:40,560 Speaker 2: try and put that to the test. This is a 34 00:01:40,560 --> 00:01:43,640 Speaker 2: safe space. Let's start low. We're going to start high. 35 00:01:43,959 --> 00:01:45,400 Speaker 3: That's a shocking idea. 36 00:01:45,560 --> 00:01:48,840 Speaker 2: Look, I think what we've learned over the last two 37 00:01:48,920 --> 00:01:51,440 Speaker 2: or three minutes is that your maxims are soft. We're 38 00:01:51,440 --> 00:01:53,640 Speaker 2: going to go hard. We're going to got angry and 39 00:01:53,680 --> 00:01:56,360 Speaker 2: when you go for the top dog. So I think 40 00:01:56,400 --> 00:01:57,840 Speaker 2: this is going to be great training for you, and 41 00:01:57,880 --> 00:02:00,760 Speaker 2: I think you're going to thank me afterwards. All I 42 00:02:00,800 --> 00:02:03,880 Speaker 2: want you to do, I want you to be angry, 43 00:02:05,120 --> 00:02:07,360 Speaker 2: very hard. But go on for thirty seconds. 44 00:02:07,840 --> 00:02:09,680 Speaker 3: It feels like a long it's a long time. 45 00:02:09,760 --> 00:02:10,800 Speaker 2: It is a long time. 46 00:02:10,639 --> 00:02:12,800 Speaker 3: Within that thirty If I ever do lose my call, 47 00:02:13,360 --> 00:02:16,560 Speaker 3: I've done fourteen jokes to lighten the mood. 48 00:02:16,639 --> 00:02:19,920 Speaker 2: No jokes within, no jokes allowed. This is thirty seconds 49 00:02:19,919 --> 00:02:21,160 Speaker 2: of sheer anger. 50 00:02:21,280 --> 00:02:23,520 Speaker 3: What can I possibly be angry about that. We need 51 00:02:23,520 --> 00:02:25,680 Speaker 3: to help me there because I'm not about any studio, 52 00:02:25,720 --> 00:02:26,640 Speaker 3: but I'm not. 53 00:02:26,800 --> 00:02:29,360 Speaker 2: You don't like the fact that this desk isn't tilted appropriately. 54 00:02:29,440 --> 00:02:31,440 Speaker 3: Oh that's actually fair, but they did tilt it slightly, 55 00:02:31,520 --> 00:02:33,200 Speaker 3: and we need some extra screens in here. 56 00:02:34,200 --> 00:02:37,400 Speaker 2: And the person we're going to call is our boss, 57 00:02:37,919 --> 00:02:44,560 Speaker 2: which one dB no, no, yeah, no, yeah, No. 58 00:02:45,160 --> 00:02:47,639 Speaker 3: I think I've got a good relationship with him. We 59 00:02:47,680 --> 00:02:48,679 Speaker 3: have a great relationship. 60 00:02:48,800 --> 00:02:50,079 Speaker 2: You just told me you haven't caught him in six 61 00:02:50,080 --> 00:02:51,200 Speaker 2: months because you're scared of him. 62 00:02:51,280 --> 00:02:51,560 Speaker 4: No. 63 00:02:51,560 --> 00:02:53,120 Speaker 3: No, I think that's a sign of a good relationship. Is 64 00:02:53,400 --> 00:02:58,120 Speaker 3: no communication. Everything's going well, he's going well. But also 65 00:02:58,160 --> 00:03:02,040 Speaker 3: like he's just just you know, is intimidating. He is intimidating. 66 00:03:02,080 --> 00:03:03,160 Speaker 3: He's slightly intimidating. 67 00:03:03,919 --> 00:03:07,040 Speaker 2: He is, I know, And that's why why I don't 68 00:03:07,080 --> 00:03:10,000 Speaker 2: find him intimidating, right, And I think I'm going to 69 00:03:10,040 --> 00:03:10,680 Speaker 2: help you through this. 70 00:03:10,720 --> 00:03:12,800 Speaker 3: He dominates me, like, and I think he knows that. 71 00:03:14,040 --> 00:03:16,600 Speaker 3: But everyone knows that. No what hang on? What every 72 00:03:16,680 --> 00:03:21,000 Speaker 3: I'm everyone everyone's not in outside. Okay, So what. 73 00:03:20,960 --> 00:03:22,200 Speaker 2: We're gonna do, because I think this is good for 74 00:03:22,240 --> 00:03:24,480 Speaker 2: your professional development, is you're gonna get angry at him. 75 00:03:24,480 --> 00:03:25,119 Speaker 2: You're gonna get angry. 76 00:03:25,120 --> 00:03:26,680 Speaker 3: I don't need to be angry for thirty seconds. Does 77 00:03:26,720 --> 00:03:27,440 Speaker 3: that mean yelling? 78 00:03:27,840 --> 00:03:30,480 Speaker 2: I think so. I think you've got to get sufficiently angry. 79 00:03:30,800 --> 00:03:33,280 Speaker 2: I think so. Yeah, do you want to do a 80 00:03:33,280 --> 00:03:35,120 Speaker 2: little bit of a test for me now, because we 81 00:03:35,200 --> 00:03:37,000 Speaker 2: decided that you're going to get angry about the state 82 00:03:37,040 --> 00:03:40,120 Speaker 2: of the studio, about the desk here in the studio to. 83 00:03:40,200 --> 00:03:42,320 Speaker 3: Really pull the curtain down. I like the idea of 84 00:03:42,360 --> 00:03:45,520 Speaker 3: the desk in here twisted a little bit so I 85 00:03:45,560 --> 00:03:49,000 Speaker 3: can see better outside. Yeah, now, I know that's. 86 00:03:48,880 --> 00:03:51,920 Speaker 2: That's a that's a genuine gripe. Yeah, but you'd never 87 00:03:52,000 --> 00:03:53,280 Speaker 2: express that ordinarily. 88 00:03:53,360 --> 00:03:55,800 Speaker 3: I have very gently. But that's been ongoing for the 89 00:03:55,840 --> 00:03:56,640 Speaker 3: last five years. 90 00:03:56,720 --> 00:03:59,000 Speaker 2: Yeah. So I think I think you suggested it gently 91 00:03:59,040 --> 00:04:01,600 Speaker 2: when you found out that on Jack Here's the windows 92 00:04:01,800 --> 00:04:04,640 Speaker 2: in their studio were two hundred and fifty thousand dollars. Yes, 93 00:04:04,680 --> 00:04:06,000 Speaker 2: And then we were like, can we just get a 94 00:04:06,000 --> 00:04:09,160 Speaker 2: desk tilt? And they were like, yeah, well no. So look, 95 00:04:09,200 --> 00:04:10,880 Speaker 2: I think this is the thing. This is a real thing. 96 00:04:11,000 --> 00:04:11,640 Speaker 3: That's good. 97 00:04:11,640 --> 00:04:14,040 Speaker 2: We're going to ground this in some sort some sort 98 00:04:14,040 --> 00:04:16,760 Speaker 2: of authenticity that you want the desk tilted in the studio. 99 00:04:17,200 --> 00:04:20,120 Speaker 2: You need to get angry for thirty for thirty seconds 100 00:04:20,360 --> 00:04:20,839 Speaker 2: about that? 101 00:04:20,960 --> 00:04:22,800 Speaker 3: Yeah? Sure? My bit Okay, My bit is though, how 102 00:04:22,839 --> 00:04:24,400 Speaker 3: do you? I don't know how to get to yell? 103 00:04:24,480 --> 00:04:26,000 Speaker 2: Like what do I? So it's just got to be 104 00:04:26,000 --> 00:04:27,640 Speaker 2: a bit of an ascension, but angry at the start. 105 00:04:27,760 --> 00:04:28,120 Speaker 3: Listen to this? 106 00:04:28,240 --> 00:04:29,800 Speaker 2: Yeah, look bad. I just I'm just starting to think 107 00:04:29,839 --> 00:04:32,000 Speaker 2: about it. And then the more I think, I can 108 00:04:32,040 --> 00:04:34,120 Speaker 2: you tilt the desk? Right? 109 00:04:34,200 --> 00:04:35,400 Speaker 3: Yeah? Nice, that's real. 110 00:04:35,520 --> 00:04:37,360 Speaker 2: I like that, right, But so I just want to 111 00:04:37,360 --> 00:04:39,000 Speaker 2: like just build a little bit. 112 00:04:39,279 --> 00:04:42,120 Speaker 3: But I call and go, hey mate, hey you going, Yeah, 113 00:04:42,200 --> 00:04:42,560 Speaker 3: I'm going. 114 00:04:42,520 --> 00:04:44,400 Speaker 2: To be in charge of the angry clock and you've 115 00:04:44,400 --> 00:04:45,880 Speaker 2: got to do it for thirty seconds. But I'm not 116 00:04:45,960 --> 00:04:48,240 Speaker 2: starting the thirty second clock until I feel as if 117 00:04:48,279 --> 00:04:49,240 Speaker 2: you're actually angry. 118 00:04:49,240 --> 00:04:49,960 Speaker 3: He's going to find me. 119 00:04:50,480 --> 00:04:53,520 Speaker 2: He's not going to find me, right, right, we're contracted. Now, 120 00:04:53,960 --> 00:04:55,360 Speaker 2: do you want to just give me a little bit 121 00:04:55,360 --> 00:04:57,440 Speaker 2: of a test. Just give me your angriest, all right, 122 00:04:57,560 --> 00:04:58,640 Speaker 2: give me here, give me your angry. 123 00:04:59,240 --> 00:05:02,680 Speaker 3: I'm just I'm I'm seriously angry about the Sorry because 124 00:05:02,680 --> 00:05:04,400 Speaker 3: I start and what happens I start laughing because I 125 00:05:04,400 --> 00:05:06,160 Speaker 3: realized the confrontation, and then I laugh to get out. 126 00:05:06,200 --> 00:05:06,800 Speaker 3: Oh but I can't. 127 00:05:06,880 --> 00:05:08,560 Speaker 2: We don't look at me, don't look at me, turn 128 00:05:08,600 --> 00:05:09,080 Speaker 2: away from me. 129 00:05:09,600 --> 00:05:12,400 Speaker 3: I'm just really, I'm I'm furious about the desk and 130 00:05:12,440 --> 00:05:14,040 Speaker 3: I feel like I've been asking for it for the 131 00:05:14,120 --> 00:05:20,000 Speaker 3: last three years. Good goo, there it is. We go. 132 00:05:20,279 --> 00:05:22,320 Speaker 2: That's what I was laughter. Oh you've got thirty seconds 133 00:05:22,360 --> 00:05:24,640 Speaker 2: of that. You got thirty seconds at that temperature. 134 00:05:24,760 --> 00:05:26,120 Speaker 3: Okay, okay, here we go, Here we go. 135 00:05:26,120 --> 00:05:27,400 Speaker 2: Good look, good luck, here we go. 136 00:05:27,520 --> 00:05:32,040 Speaker 3: Thank you? Oh my god, I'm not here issue? Are 137 00:05:32,800 --> 00:05:37,440 Speaker 3: I made? Hay you going? How are you to be honest? 138 00:05:37,560 --> 00:05:37,640 Speaker 2: Not? 139 00:05:37,680 --> 00:05:37,960 Speaker 3: Great? 140 00:05:38,680 --> 00:05:39,679 Speaker 5: Oh? What's happening? 141 00:05:40,480 --> 00:05:44,800 Speaker 3: Well, I was just the desk situation, the desk in 142 00:05:44,839 --> 00:05:47,040 Speaker 3: the studio situation. I just wanted to quickly talk to 143 00:05:47,040 --> 00:05:50,479 Speaker 3: you about. Oh yeah, yep, because I really wanted to 144 00:05:50,520 --> 00:05:52,120 Speaker 3: be moved. 145 00:05:52,040 --> 00:05:53,560 Speaker 4: Right, have you? 146 00:05:54,400 --> 00:05:56,040 Speaker 5: And this is all about the angle. 147 00:05:55,800 --> 00:05:58,400 Speaker 3: Right yeah? Well yes, and I just I just I 148 00:05:58,480 --> 00:06:01,640 Speaker 3: just I feel like i've just been We've had this conversation, 149 00:06:02,160 --> 00:06:03,840 Speaker 3: and I would just really like it to be done 150 00:06:05,000 --> 00:06:06,080 Speaker 3: as soon as possible. 151 00:06:07,560 --> 00:06:08,320 Speaker 6: Are you all right? 152 00:06:08,640 --> 00:06:08,800 Speaker 2: Well? 153 00:06:08,920 --> 00:06:11,719 Speaker 3: No, I'm not, I'm not. I'm sorry. I'm sorry for 154 00:06:11,760 --> 00:06:14,560 Speaker 3: losing my temper. But I am, I am very angry 155 00:06:14,560 --> 00:06:16,680 Speaker 3: about this, and I just I would just like to 156 00:06:16,720 --> 00:06:20,040 Speaker 3: see just a just a little bit of a response. 157 00:06:22,160 --> 00:06:24,440 Speaker 5: Yeah, I mean, it's not an easy job. But I 158 00:06:24,480 --> 00:06:26,479 Speaker 5: thought you and were looking at it and talking to 159 00:06:26,560 --> 00:06:29,200 Speaker 5: the engineering department because of all the wires and stuff 160 00:06:29,200 --> 00:06:31,440 Speaker 5: that need to you know, because it's not as simple 161 00:06:31,440 --> 00:06:33,599 Speaker 5: as just picking it up and spinning it around. 162 00:06:33,880 --> 00:06:34,040 Speaker 2: Yeah. 163 00:06:34,080 --> 00:06:36,279 Speaker 3: I get that, but I wanted to happen now. 164 00:06:38,240 --> 00:06:39,680 Speaker 2: This is not funny. 165 00:06:41,000 --> 00:06:43,680 Speaker 5: This doesn't sound like the very racking or woody that 166 00:06:43,720 --> 00:06:44,719 Speaker 5: I'm mixed to dealing with. 167 00:06:45,000 --> 00:06:47,799 Speaker 2: Well, he's gone the woody that's. 168 00:06:47,680 --> 00:06:50,279 Speaker 5: Scared to raise his voice, you know, and gets everyone 169 00:06:50,360 --> 00:06:52,039 Speaker 5: else to do the work. 170 00:06:52,360 --> 00:06:59,920 Speaker 3: Nice, that's not true, But let me send in my bulldog. 171 00:07:00,120 --> 00:07:09,240 Speaker 2: Well, did you buy it for a second, DV? Did 172 00:07:09,279 --> 00:07:11,360 Speaker 2: you like for a second like is he he's actually 173 00:07:11,400 --> 00:07:12,440 Speaker 2: probably angry? 174 00:07:12,800 --> 00:07:15,200 Speaker 5: No, I mean I bought it for a second when 175 00:07:15,200 --> 00:07:16,840 Speaker 5: he bought the issue up because I thought he would 176 00:07:16,880 --> 00:07:20,720 Speaker 5: go to finally come around again, what do you issue? 177 00:07:20,760 --> 00:07:22,400 Speaker 2: Because the desk certainly hasn't come around. 178 00:07:22,480 --> 00:07:31,000 Speaker 6: I can tell you that much. I'm I took it 179 00:07:31,000 --> 00:07:33,080 Speaker 6: all out of you. I hated that well, done that. 180 00:07:33,120 --> 00:07:35,680 Speaker 2: Great job. Great job. I do feel like, given that 181 00:07:35,720 --> 00:07:37,320 Speaker 2: you have had a crack at it, though you are 182 00:07:37,440 --> 00:07:39,720 Speaker 2: now even more of a bitch than you were. 183 00:07:39,880 --> 00:07:41,960 Speaker 3: Definitely, don't worry about the desk days. By the way, 184 00:07:42,000 --> 00:07:44,720 Speaker 3: that's off the table. That's off the table. It's fine. 185 00:07:47,200 --> 00:07:50,440 Speaker 2: Well. Do you see a lot of these planes recently 186 00:07:50,640 --> 00:07:53,800 Speaker 2: that have struck turbulence? Obviously the first one a little 187 00:07:53,800 --> 00:07:55,720 Speaker 2: while ago was the Singer prareer Lines one. 188 00:07:56,280 --> 00:07:58,600 Speaker 3: I saw one recently as well, in Dublin. Was it 189 00:07:58,880 --> 00:08:01,160 Speaker 3: heading for Dublin, could have. 190 00:08:01,120 --> 00:08:03,960 Speaker 2: Been could have been in Dublin, could have been anything 191 00:08:04,200 --> 00:08:05,200 Speaker 2: Dublin was involved. 192 00:08:05,520 --> 00:08:06,960 Speaker 3: You might have been involved somewhere. 193 00:08:07,280 --> 00:08:11,560 Speaker 2: It was a European plane anyway, that sounds hectic. I 194 00:08:11,600 --> 00:08:13,840 Speaker 2: mean I was in Singapore Airlines one was tragic in 195 00:08:13,880 --> 00:08:16,960 Speaker 2: the end, but it kind of also terrifies me a 196 00:08:16,960 --> 00:08:18,920 Speaker 2: little bit because I always feel as if the word 197 00:08:18,920 --> 00:08:22,960 Speaker 2: turbulence has been quite easily downplayed by cabin crew. 198 00:08:23,160 --> 00:08:24,960 Speaker 3: They definitely do use it to calm you down. They 199 00:08:25,000 --> 00:08:26,600 Speaker 3: always say, it's just a bit of turbulence. 200 00:08:26,720 --> 00:08:29,200 Speaker 2: That's exactly right, It's exactly right. It's the first thing 201 00:08:29,200 --> 00:08:31,240 Speaker 2: they say, just a bit of terrible. Its fuck yeah, 202 00:08:32,480 --> 00:08:37,600 Speaker 2: a good place. And I have always cabin crew. By 203 00:08:37,640 --> 00:08:39,960 Speaker 2: the way, there's an end in there, dickhead, like, what 204 00:08:40,040 --> 00:08:42,160 Speaker 2: gives them the right? Just he just cabin slash cruise 205 00:08:42,160 --> 00:08:45,360 Speaker 2: it Kevin Crewe. Oh no, it's the cabin crew. It's 206 00:08:45,400 --> 00:08:48,480 Speaker 2: the cabin crew. Sorry, I thought it was Kevin's you. 207 00:08:48,520 --> 00:08:50,880 Speaker 3: I want apology to all pilots. I thinking they were 208 00:08:50,960 --> 00:08:54,080 Speaker 3: dropping the end. They weren't talking to the whole life. 209 00:08:54,200 --> 00:08:55,520 Speaker 3: You thought they were talking to you, But. 210 00:08:55,640 --> 00:08:58,680 Speaker 2: No, my whole life. I thought he was saying cabin 211 00:08:58,760 --> 00:08:59,320 Speaker 2: and crew. 212 00:08:59,640 --> 00:09:02,120 Speaker 3: Yeah, you thought he was directing messages to you the 213 00:09:02,160 --> 00:09:09,319 Speaker 3: cabin and then safety. You're always like, you're going to 214 00:09:09,360 --> 00:09:11,800 Speaker 3: get it or should I get it? I'm able to represent. 215 00:09:14,760 --> 00:09:14,800 Speaker 5: It. 216 00:09:14,840 --> 00:09:16,920 Speaker 2: Turns out that's just the crew in the cabin, which 217 00:09:16,920 --> 00:09:20,280 Speaker 2: makes a lot more sense. But they always say just 218 00:09:20,320 --> 00:09:21,120 Speaker 2: a bit of turbulence. 219 00:09:21,200 --> 00:09:23,040 Speaker 3: As you said, It's funny how we all go like 220 00:09:23,880 --> 00:09:25,760 Speaker 3: without knowing what actually turbulence is. 221 00:09:26,040 --> 00:09:27,680 Speaker 2: We all go, I think you know what turbulence is. 222 00:09:27,720 --> 00:09:29,400 Speaker 2: It means the plane's going to be turbulent. 223 00:09:29,640 --> 00:09:31,280 Speaker 3: Oh, is that all turbul I thought it was like 224 00:09:31,320 --> 00:09:31,840 Speaker 3: a weather thing. 225 00:09:31,880 --> 00:09:36,880 Speaker 2: We're all having our minds blood turbulence was like, we've 226 00:09:36,920 --> 00:09:40,240 Speaker 2: hit a turbul No, it's just a what is a 227 00:09:40,240 --> 00:09:41,400 Speaker 2: turbulentce like a tornado? 228 00:09:41,559 --> 00:09:44,080 Speaker 3: Like a windy, like a windy little scroll? 229 00:09:45,240 --> 00:09:49,520 Speaker 2: Do you mean a school squawl? Just just sorry, folks, 230 00:09:49,960 --> 00:09:51,760 Speaker 2: flying patch of pastries coming in. 231 00:09:52,360 --> 00:09:55,320 Speaker 3: I thought like you're hitting a squall. So turbulence is 232 00:09:55,400 --> 00:09:58,280 Speaker 3: these these these air squalls squalls? 233 00:09:58,960 --> 00:09:59,960 Speaker 2: Squall is it's. 234 00:09:59,800 --> 00:10:00,840 Speaker 3: Like a little tornado. 235 00:10:01,120 --> 00:10:06,320 Speaker 2: No. I don't really get weather, but evidently turbulence just 236 00:10:06,360 --> 00:10:12,480 Speaker 2: noting to really get cabin cruiz. Turbulence just explains that 237 00:10:12,559 --> 00:10:14,400 Speaker 2: what is it we're hitting a bit of turbulences in 238 00:10:14,440 --> 00:10:16,079 Speaker 2: that we're going to be hitting something which is going 239 00:10:16,120 --> 00:10:18,480 Speaker 2: to be turbulent. What are we hitting? I don't know 240 00:10:18,559 --> 00:10:21,160 Speaker 2: this for certain, but I imagine it's like rises in air 241 00:10:21,640 --> 00:10:23,640 Speaker 2: that the plane has to go over. So hot air 242 00:10:23,679 --> 00:10:28,520 Speaker 2: obviously rises, they can forecast that updrafts, these sorts of things, 243 00:10:28,840 --> 00:10:31,400 Speaker 2: and that's going to affect the wings of the plane. 244 00:10:31,480 --> 00:10:33,319 Speaker 2: I'm just going to make it turbulent, up. 245 00:10:33,280 --> 00:10:35,360 Speaker 3: And down, up and down, up and down. Yeah, okay, 246 00:10:35,480 --> 00:10:36,560 Speaker 3: got it. Good to know. 247 00:10:37,520 --> 00:10:39,800 Speaker 2: How did you you thought it was a weather condition? 248 00:10:40,000 --> 00:10:42,679 Speaker 2: I thought you were going on a Sunday night being like, 249 00:10:42,679 --> 00:10:44,920 Speaker 2: all right, guy's got a cold front patch of turbulence. 250 00:10:45,520 --> 00:10:49,679 Speaker 3: Yes, did you find this weekend a couple of turbulence 251 00:10:49,760 --> 00:10:53,920 Speaker 3: are going to be potentially impacting that route. The way 252 00:10:53,960 --> 00:10:56,280 Speaker 3: they say it though, just a bit of turbulence, I 253 00:10:56,360 --> 00:10:57,319 Speaker 3: thought they were always. 254 00:10:57,080 --> 00:11:00,880 Speaker 2: Explaining what's going on outside the plane, it is going 255 00:11:00,920 --> 00:11:01,640 Speaker 2: to be turbulent. 256 00:11:01,800 --> 00:11:03,640 Speaker 3: I don't say that though. If I said that, I'd 257 00:11:03,640 --> 00:11:08,640 Speaker 3: get it. Turbulence yeah, fair enough. But when else do 258 00:11:08,720 --> 00:11:09,240 Speaker 3: you use that? 259 00:11:09,440 --> 00:11:11,520 Speaker 2: Because I think that because what you gonna say, Oh, 260 00:11:11,520 --> 00:11:13,720 Speaker 2: I've got a bit of an updraft coming through followed 261 00:11:13,720 --> 00:11:16,160 Speaker 2: by cold draft, which is creating a bit of. 262 00:11:16,880 --> 00:11:19,319 Speaker 3: Up you down? Yeah, I would prefer that. No, you 263 00:11:19,520 --> 00:11:22,120 Speaker 3: wouldn't you know what it is now or now? 264 00:11:22,200 --> 00:11:22,400 Speaker 5: Yeah? 265 00:11:22,400 --> 00:11:26,520 Speaker 2: Now I know. So this term hitting a bit of 266 00:11:26,559 --> 00:11:31,520 Speaker 2: turbulence that is used to downplay that situation. Yes, whereas 267 00:11:31,520 --> 00:11:34,599 Speaker 2: these days it is like now if I hear a 268 00:11:34,640 --> 00:11:36,839 Speaker 2: bit of turbulence, I'm like, gee whiz, Maybe I should 269 00:11:36,880 --> 00:11:37,880 Speaker 2: be more scared of that. 270 00:11:37,960 --> 00:11:40,439 Speaker 3: True, because it's been there's been some negativity around turbulence 271 00:11:40,440 --> 00:11:40,840 Speaker 3: in the news. 272 00:11:41,080 --> 00:11:47,280 Speaker 2: Absolutely, now Woods, Yes, you and our button pusher Tom. 273 00:11:47,320 --> 00:11:50,080 Speaker 3: A too dynamic duo. Here we go. We can solve anything. 274 00:11:50,160 --> 00:11:53,160 Speaker 2: Two of the great hypochondriacs and warriors I have ever 275 00:11:53,200 --> 00:11:54,360 Speaker 2: met in my life disagree. 276 00:11:54,360 --> 00:11:57,520 Speaker 3: We've got genuine issues. Now he's got monkey pox and 277 00:11:57,960 --> 00:12:00,400 Speaker 3: shingles at the moment. At the same time, let's get 278 00:12:00,440 --> 00:12:00,760 Speaker 3: into it. 279 00:12:01,200 --> 00:12:04,040 Speaker 2: What what what do you? What do other people downplay 280 00:12:04,080 --> 00:12:05,600 Speaker 2: that you think shouldn't be? 281 00:12:06,160 --> 00:12:06,319 Speaker 3: Well? 282 00:12:06,480 --> 00:12:07,560 Speaker 2: Can I start? Would you? 283 00:12:07,679 --> 00:12:10,600 Speaker 7: I don't know if you take like hydrault sometimes if 284 00:12:10,640 --> 00:12:11,760 Speaker 7: you're feeling like I. 285 00:12:11,760 --> 00:12:14,000 Speaker 3: Take it if I've been drinking responsibly. 286 00:12:14,440 --> 00:12:16,760 Speaker 2: Also, but you've got you have another effervescent tablet that 287 00:12:16,760 --> 00:12:17,640 Speaker 2: you take care at work. 288 00:12:18,760 --> 00:12:21,400 Speaker 3: Well, that's that's a high performance boost. 289 00:12:22,120 --> 00:12:22,760 Speaker 2: And they're different. 290 00:12:23,000 --> 00:12:24,839 Speaker 3: So that is very different. That's that's to get me 291 00:12:24,920 --> 00:12:27,440 Speaker 3: up and about. It's vitamin b's and whatnot. And then 292 00:12:27,480 --> 00:12:30,439 Speaker 3: I have a magnesium boost when I wake up. And 293 00:12:30,480 --> 00:12:31,200 Speaker 3: they're very different. 294 00:12:31,720 --> 00:12:35,319 Speaker 2: I find that some Sorry, you have two effervescent tablets today. 295 00:12:35,400 --> 00:12:37,960 Speaker 3: Now I very rarely use the high performance that's that's 296 00:12:38,080 --> 00:12:41,600 Speaker 3: like that's a real break the emergency glass. But I 297 00:12:41,600 --> 00:12:43,120 Speaker 3: have a magnesium tablet every morning. 298 00:12:43,600 --> 00:12:46,000 Speaker 7: I just find if I'm dehydrated, I'll have hydrault. But 299 00:12:46,040 --> 00:12:48,080 Speaker 7: I know that you shouldn't you shouldn't scull it like 300 00:12:48,240 --> 00:12:50,040 Speaker 7: you're not you're not allowed to scull it. It says 301 00:12:50,080 --> 00:12:52,880 Speaker 7: on the thing you have to sip it, and you sip. 302 00:12:52,640 --> 00:12:53,200 Speaker 2: It with water. 303 00:12:53,520 --> 00:12:54,160 Speaker 3: It doesn't work. 304 00:12:54,280 --> 00:12:56,120 Speaker 2: Why apparently it doesn't. 305 00:12:56,520 --> 00:12:58,920 Speaker 7: The hydration doesn't work as well, so I only sip 306 00:12:59,000 --> 00:13:00,840 Speaker 7: it and then I must have water with it. And 307 00:13:00,840 --> 00:13:02,880 Speaker 7: I always tell my partner Seth that you can't just 308 00:13:02,920 --> 00:13:03,280 Speaker 7: scull it. 309 00:13:03,200 --> 00:13:07,520 Speaker 3: It doesn't work. What is the science there, Well, because 310 00:13:07,520 --> 00:13:08,240 Speaker 3: I'm a sculler. 311 00:13:08,480 --> 00:13:10,960 Speaker 7: Yeah, you shouldn't scull it. You should just sip it 312 00:13:11,000 --> 00:13:11,440 Speaker 7: with water. 313 00:13:11,640 --> 00:13:14,400 Speaker 3: You can't sell a hyperchondriact ma. It's not working. 314 00:13:14,600 --> 00:13:16,640 Speaker 7: Also with the hydraulight that says you can't leave it 315 00:13:16,679 --> 00:13:19,440 Speaker 7: for longer than two hours. Why you have to discard 316 00:13:19,480 --> 00:13:19,960 Speaker 7: the solution? 317 00:13:20,800 --> 00:13:26,560 Speaker 2: Oh kid, I chuck it out if I are you joking? No, 318 00:13:26,600 --> 00:13:26,880 Speaker 2: I'm not. 319 00:13:27,520 --> 00:13:30,679 Speaker 7: I only have a fresh hydrault, the freshest of the 320 00:13:30,760 --> 00:13:31,840 Speaker 7: hydra line. 321 00:13:32,160 --> 00:13:34,760 Speaker 3: So it's interesting. I think we're quite different, HYPERC. I 322 00:13:34,800 --> 00:13:37,680 Speaker 3: feel like you care more about like used by dates 323 00:13:37,720 --> 00:13:41,040 Speaker 3: and staff and like things going off and doing things appropriately. 324 00:13:41,080 --> 00:13:43,319 Speaker 3: I just think there's a lot wrong with me. I mean, 325 00:13:43,320 --> 00:13:44,120 Speaker 3: despite you mean. 326 00:13:44,080 --> 00:13:46,000 Speaker 2: You have He's got two sorts of rashes at that 327 00:13:46,160 --> 00:13:49,360 Speaker 2: you do have like for me and he's birashed. 328 00:13:50,200 --> 00:13:52,440 Speaker 3: But yeah, but first time the world has ever seen 329 00:13:52,440 --> 00:13:55,680 Speaker 3: monkey pocks and shingles at the same time. Floaters in 330 00:13:55,679 --> 00:13:57,360 Speaker 3: my knees. So I've got floaters in my knees now, 331 00:13:57,360 --> 00:13:59,079 Speaker 3: which is a bit of a concern. Maybe need surgery, 332 00:13:59,120 --> 00:14:01,440 Speaker 3: which is basically just like cartlage is breaking off in 333 00:14:01,480 --> 00:14:03,960 Speaker 3: my knees. Most people would say, just get on with note. 334 00:14:03,960 --> 00:14:06,280 Speaker 3: But how do you know that, I'm gonna tell you 335 00:14:06,280 --> 00:14:08,480 Speaker 3: haven't been I haven't been told, but i've you know, 336 00:14:08,840 --> 00:14:10,800 Speaker 3: fat surgery there before, there are fighters in there. Well, 337 00:14:11,400 --> 00:14:14,280 Speaker 3: I've got enamel ware currently in my teeth. I brushed 338 00:14:14,320 --> 00:14:16,280 Speaker 3: you hard. I don't know where that's leading. That's a 339 00:14:16,320 --> 00:14:19,320 Speaker 3: concern diminishing gums you have. 340 00:14:19,360 --> 00:14:22,560 Speaker 2: Been and everyone's gums diminishing. I don't know if you 341 00:14:22,600 --> 00:14:24,440 Speaker 2: are a hard brusher. By the way I've seen your 342 00:14:24,480 --> 00:14:27,040 Speaker 2: I've seen your teeth. The head goes it's like it's 343 00:14:27,440 --> 00:14:29,480 Speaker 2: you wear that you wear the toothbrush down to a nub. 344 00:14:29,960 --> 00:14:33,240 Speaker 3: Yes, So that's a problem. I don't jump in jummy 345 00:14:33,280 --> 00:14:34,880 Speaker 3: if you If you, I've. 346 00:14:34,720 --> 00:14:36,800 Speaker 7: Got another supplement. But I just worry that I'm taking 347 00:14:36,840 --> 00:14:37,920 Speaker 7: too many supplement. 348 00:14:38,000 --> 00:14:39,360 Speaker 2: How many supplements do you take your down? 349 00:14:39,360 --> 00:14:40,920 Speaker 7: Well, I'm just worried that if I have too much, 350 00:14:41,000 --> 00:14:42,640 Speaker 7: like vitamin C, Like if I have a vitamin C 351 00:14:42,760 --> 00:14:44,760 Speaker 7: tablet and then have an orange, then I'm going to 352 00:14:44,840 --> 00:14:45,760 Speaker 7: overdo it. 353 00:14:45,760 --> 00:14:47,680 Speaker 3: That's my pressure on your kidneys, right, Yeah, No, it 354 00:14:47,720 --> 00:14:48,160 Speaker 3: does you. 355 00:14:50,120 --> 00:14:50,640 Speaker 2: Exhausted. 356 00:14:51,560 --> 00:14:53,320 Speaker 3: No, it's great way to live. What would be exhausted 357 00:14:53,440 --> 00:14:57,680 Speaker 3: is not worrying about these things. Okay, okay, a few 358 00:14:57,720 --> 00:15:01,520 Speaker 3: sous miles or were always got to at all times? 359 00:15:01,640 --> 00:15:05,800 Speaker 3: I think I've got an allergy right where just pick anything, 360 00:15:05,840 --> 00:15:07,920 Speaker 3: just name an item, just say anything, whether it's a 361 00:15:07,960 --> 00:15:12,000 Speaker 3: food or a fabric. Pineapple, okay, pineapple. If I go 362 00:15:12,120 --> 00:15:14,640 Speaker 3: through a period of my life over say a couple 363 00:15:14,640 --> 00:15:16,840 Speaker 3: of weeks, where I have lots and lots and lots 364 00:15:16,880 --> 00:15:20,920 Speaker 3: of pineapple, eventually I will become allergic to it. Isn't 365 00:15:20,960 --> 00:15:24,680 Speaker 3: that the same for everyone? Really? Well, I assume so. 366 00:15:25,000 --> 00:15:26,920 Speaker 3: But I'll give you a few examples. I used to 367 00:15:26,920 --> 00:15:29,680 Speaker 3: wear elastic bands on my wrist every single day. It 368 00:15:29,720 --> 00:15:31,960 Speaker 3: was an anxiety thing. So when you feel an anxious 369 00:15:32,000 --> 00:15:33,720 Speaker 3: you slap it. You slap it on your wrist and 370 00:15:33,760 --> 00:15:36,080 Speaker 3: you start thinking overthinking things. I got allerg you to 371 00:15:36,080 --> 00:15:36,600 Speaker 3: elastic bands. 372 00:15:36,640 --> 00:15:38,240 Speaker 2: Very sure. If I had an elastic band of my 373 00:15:38,280 --> 00:15:40,480 Speaker 2: wrist every day, I would have some sort of reaction 374 00:15:40,520 --> 00:15:40,880 Speaker 2: to it and. 375 00:15:40,880 --> 00:15:42,480 Speaker 3: Give you another one. I used to have four apples 376 00:15:42,480 --> 00:15:45,400 Speaker 3: a day as a child. Yeah, I can't have apples now. 377 00:15:45,960 --> 00:15:47,360 Speaker 3: Can't makes me seek immediately. 378 00:15:48,440 --> 00:15:49,880 Speaker 2: I don't think that's the apples. 379 00:15:50,160 --> 00:15:52,320 Speaker 7: Like I have milk every day for breakfast, and like 380 00:15:52,360 --> 00:15:53,160 Speaker 7: I'm fine with that. 381 00:15:53,360 --> 00:15:55,920 Speaker 3: No, I'm saying, like I have a very specific You're 382 00:15:56,000 --> 00:15:59,960 Speaker 3: a normy. You're what I call normies. I if I. 383 00:16:00,200 --> 00:16:01,520 Speaker 2: But what about something that you have every day? 384 00:16:01,600 --> 00:16:01,840 Speaker 5: Right now? 385 00:16:01,840 --> 00:16:03,680 Speaker 2: You have carrots every day? You're not allergic to carrots? 386 00:16:03,720 --> 00:16:05,360 Speaker 3: I think I am. You've said my skin tone. It's true. 387 00:16:05,360 --> 00:16:10,920 Speaker 2: You are very you are very No, no, no, I'm 388 00:16:10,920 --> 00:16:14,440 Speaker 2: not accepting this. You have beatruth every day. 389 00:16:15,200 --> 00:16:16,760 Speaker 3: Well I haven't done that for long enough. That's a 390 00:16:16,760 --> 00:16:19,320 Speaker 3: new thing, because that was off my you have You have. 391 00:16:19,320 --> 00:16:22,840 Speaker 2: Cucumber every day, You have water every day. 392 00:16:23,320 --> 00:16:24,760 Speaker 3: Yeah, this is a worry. It could be coming. What 393 00:16:24,800 --> 00:16:25,840 Speaker 3: do I do when I become allergic? 394 00:16:25,920 --> 00:16:29,280 Speaker 2: Piss off? It's Will and moody and it's secrets week, 395 00:16:32,560 --> 00:16:34,480 Speaker 2: week of secrets. 396 00:16:36,240 --> 00:16:40,400 Speaker 3: And today Will we are focusing on secrets from the grave. 397 00:16:41,280 --> 00:16:43,640 Speaker 3: It's this bloke. I mean, I'm obsessed with this. 398 00:16:43,760 --> 00:16:45,920 Speaker 2: We're talking actual secrets from the grave. By the way, 399 00:16:46,280 --> 00:16:50,440 Speaker 2: that we're not talking about ghosts, just to clarify, No, 400 00:16:50,680 --> 00:16:55,360 Speaker 2: we're actually talking about things that people confess to a 401 00:16:55,520 --> 00:16:59,160 Speaker 2: very specific person before they die so that they can 402 00:16:59,240 --> 00:17:02,120 Speaker 2: reveal that at their funeral. 403 00:17:02,520 --> 00:17:04,600 Speaker 3: Yes, and the person who does that is known as 404 00:17:04,640 --> 00:17:07,879 Speaker 3: the coffin confessor aka Bill Edgar. He joins us on 405 00:17:07,880 --> 00:17:09,320 Speaker 3: the phone right now, Hello. 406 00:17:09,160 --> 00:17:12,240 Speaker 4: Bell, yet, Hey, Will and Mordie. How are you guys going. 407 00:17:12,119 --> 00:17:12,720 Speaker 3: To hear boys? 408 00:17:12,720 --> 00:17:12,960 Speaker 7: Bill? 409 00:17:13,200 --> 00:17:17,200 Speaker 3: Now? Bill, tell us, mate, have there been any exciting 410 00:17:17,280 --> 00:17:19,000 Speaker 3: I'm not sure if exciting is the right word, but 411 00:17:19,040 --> 00:17:23,520 Speaker 3: have there been any memorable reveals at funerals that someone 412 00:17:23,560 --> 00:17:25,440 Speaker 3: who's past has told you to say? Oh? 413 00:17:25,560 --> 00:17:28,760 Speaker 4: Mate, I'd say the latest one's been the best is 414 00:17:29,520 --> 00:17:32,280 Speaker 4: you know, a gentleman confessed to him and he's my bait. 415 00:17:32,760 --> 00:17:34,920 Speaker 4: We're in a nursing home and for the last three 416 00:17:35,000 --> 00:17:37,680 Speaker 4: years they've been escaping the nursing home and going into 417 00:17:37,800 --> 00:17:41,880 Speaker 4: town and watching live shows and smoking and drinking, having 418 00:17:42,000 --> 00:17:43,000 Speaker 4: the time in their lives. 419 00:17:43,280 --> 00:17:47,320 Speaker 3: Oh god, So, so who told you to reveal that? 420 00:17:47,359 --> 00:17:48,000 Speaker 3: At the funeral. 421 00:17:48,000 --> 00:17:50,640 Speaker 4: Then, yeah, so one of the men died three months ago, 422 00:17:51,320 --> 00:17:53,359 Speaker 4: the other one died three four weeks ago. 423 00:17:53,440 --> 00:17:57,440 Speaker 3: Now yeah, and they told you before they passed away, 424 00:17:57,600 --> 00:17:59,560 Speaker 3: we want you to come to our funeral and reveal 425 00:17:59,640 --> 00:18:02,560 Speaker 3: to the end entire family that we've been sneaking out 426 00:18:02,600 --> 00:18:05,760 Speaker 3: of the retirement home and getting or partying in the 427 00:18:05,760 --> 00:18:06,560 Speaker 3: city effectively. 428 00:18:06,760 --> 00:18:08,639 Speaker 4: Well, not only at their funeral, but they wanted me 429 00:18:08,720 --> 00:18:11,760 Speaker 4: to go to the student the home where they were, 430 00:18:11,840 --> 00:18:15,400 Speaker 4: where they were staying, and exactly show them how they 431 00:18:15,440 --> 00:18:19,359 Speaker 4: actually escaped from what they did and all the fun 432 00:18:19,400 --> 00:18:19,760 Speaker 4: they had. 433 00:18:19,880 --> 00:18:23,080 Speaker 2: So yeah, how they escape how and how old were 434 00:18:23,080 --> 00:18:24,800 Speaker 2: they before they before they died. 435 00:18:25,200 --> 00:18:26,920 Speaker 4: They were in their eighties, okay, And. 436 00:18:26,880 --> 00:18:30,160 Speaker 2: So these two guys going straight out in the city 437 00:18:30,240 --> 00:18:33,120 Speaker 2: getting lit, how are they escaping the nursing home. 438 00:18:33,440 --> 00:18:37,159 Speaker 4: Well, they'd stolen one of the carts. And believe it 439 00:18:37,240 --> 00:18:40,000 Speaker 4: or not, one of the guys is that he worked 440 00:18:40,000 --> 00:18:42,240 Speaker 4: like thirty five years as a locksmith, so you could 441 00:18:42,240 --> 00:18:43,360 Speaker 4: never kick him in anywhere. 442 00:18:45,280 --> 00:18:46,879 Speaker 2: And how did it go down at the at the 443 00:18:46,920 --> 00:18:48,320 Speaker 2: funeral and then at the nursing home. 444 00:18:48,680 --> 00:18:51,639 Speaker 4: Oh, look, people know they was just funny as you know, 445 00:18:51,720 --> 00:18:53,840 Speaker 4: they lived like to the fullest. They even got me 446 00:18:53,920 --> 00:18:55,680 Speaker 4: to speak with one of the ladies of the night 447 00:18:55,720 --> 00:18:58,080 Speaker 4: that they used to meet, and yeah, a little bit 448 00:18:58,080 --> 00:18:58,560 Speaker 4: of pleasure. 449 00:19:00,160 --> 00:19:03,119 Speaker 2: So Bill, that's one end of the spectrum, mate, I 450 00:19:03,160 --> 00:19:05,639 Speaker 2: mean recently once the other end of the spectrum in 451 00:19:05,760 --> 00:19:07,600 Speaker 2: terms of some of the stuff that you've had to 452 00:19:08,240 --> 00:19:11,720 Speaker 2: reveal his funeral life with the deceased behalf. 453 00:19:11,880 --> 00:19:14,440 Speaker 4: A lady that's been a teacher for over thirty five 454 00:19:14,520 --> 00:19:17,280 Speaker 4: years actually stole the identity of her best friend who 455 00:19:17,359 --> 00:19:19,520 Speaker 4: died thirty five years ago and was a teacher. And 456 00:19:19,520 --> 00:19:21,879 Speaker 4: this lady was never a teacher, but talked for thirty 457 00:19:21,880 --> 00:19:22,480 Speaker 4: five years. 458 00:19:22,800 --> 00:19:24,600 Speaker 2: Oh god. 459 00:19:25,440 --> 00:19:28,680 Speaker 4: She never went to college, university. She actually didn't even 460 00:19:28,800 --> 00:19:32,600 Speaker 4: finish high school, but she became a phenomenal teacher for 461 00:19:33,040 --> 00:19:36,879 Speaker 4: children days five to eleven. That was her big secret. 462 00:19:37,359 --> 00:19:39,480 Speaker 3: And who did you reveal that secret to, Bill. 463 00:19:39,760 --> 00:19:43,520 Speaker 4: Well, basically everybody except the education department who was trying 464 00:19:43,560 --> 00:19:44,000 Speaker 4: to find out. 465 00:19:46,359 --> 00:19:49,360 Speaker 2: And that's the thing, isn't it. You've got a contract 466 00:19:49,840 --> 00:19:53,840 Speaker 2: with this dead person which you would rather die yourself 467 00:19:53,880 --> 00:19:54,320 Speaker 2: than breach. 468 00:19:54,320 --> 00:19:55,760 Speaker 3: I know you take your job very seriously. 469 00:19:55,800 --> 00:19:58,080 Speaker 4: Bill, Oh yeah, yeah, yeah, my integrity is everything. I 470 00:19:58,160 --> 00:19:59,240 Speaker 4: wain't breach that at all? 471 00:19:59,359 --> 00:20:01,320 Speaker 3: How many secret what are you sitting on right now? Bill? 472 00:20:01,400 --> 00:20:03,120 Speaker 3: So people who have told you a secret but haven't 473 00:20:03,160 --> 00:20:03,880 Speaker 3: yet passed away. 474 00:20:04,720 --> 00:20:06,840 Speaker 4: I couldn't tell im mate the thousands. So I mean 475 00:20:06,880 --> 00:20:10,120 Speaker 4: I've got you know, there's a last count. I mean 476 00:20:10,240 --> 00:20:13,720 Speaker 4: I think it's fifteen sixteen thousand people have reached out 477 00:20:13,800 --> 00:20:17,800 Speaker 4: and written to me in secrets and told me what 478 00:20:17,880 --> 00:20:20,880 Speaker 4: they want, and they put deposits down, and I mean 479 00:20:20,880 --> 00:20:23,720 Speaker 4: it's just insane. I mean, one gentleman only tonight, like 480 00:20:23,800 --> 00:20:26,639 Speaker 4: half an hour before your core. I just agreed to 481 00:20:26,680 --> 00:20:30,320 Speaker 4: a gentleman's request, and he wants me to place his 482 00:20:30,400 --> 00:20:33,359 Speaker 4: wheelchair at the foreshore of the ocean. 483 00:20:33,840 --> 00:20:37,040 Speaker 2: Oh that's so nice, lovely. 484 00:20:37,440 --> 00:20:40,320 Speaker 4: Well it's for two reasons. And I thought, oh that'd 485 00:20:40,359 --> 00:20:42,800 Speaker 4: be nice and love me and everything else. But because 486 00:20:42,920 --> 00:20:45,280 Speaker 4: he's got such a horrible family, he wants him to 487 00:20:45,320 --> 00:20:47,600 Speaker 4: know that he's just stave in the ocean. He's gone. 488 00:20:51,119 --> 00:20:54,920 Speaker 3: You're efectually part of a prank or a fake, that's what. 489 00:20:57,560 --> 00:21:00,399 Speaker 2: So he's going to die, and then he's he's in 490 00:21:00,440 --> 00:21:03,199 Speaker 2: a die of natural causes of however it is. And 491 00:21:03,200 --> 00:21:05,760 Speaker 2: then you're not going to tell anyone. You're going to 492 00:21:05,800 --> 00:21:07,879 Speaker 2: get notified first, because I imagine he's got that in 493 00:21:07,920 --> 00:21:10,040 Speaker 2: his will and testimony. And then you're going to take 494 00:21:10,040 --> 00:21:11,600 Speaker 2: his wheelchair and put it in front of the water, 495 00:21:11,800 --> 00:21:13,800 Speaker 2: so everyone's going to think that he went for a swim. 496 00:21:13,920 --> 00:21:16,560 Speaker 4: You got it. Wow, that's what he wants. 497 00:21:16,840 --> 00:21:18,880 Speaker 3: Hey Bill, this is a rude question. 498 00:21:19,240 --> 00:21:19,800 Speaker 2: Wow. 499 00:21:19,880 --> 00:21:21,919 Speaker 3: How much money are people paying you to do this 500 00:21:22,040 --> 00:21:22,720 Speaker 3: service for them? 501 00:21:22,840 --> 00:21:25,080 Speaker 4: Oh? Look, I get paid between two and ten thousand 502 00:21:25,119 --> 00:21:27,359 Speaker 4: dollars a gig. But like I've always said, they don't 503 00:21:27,359 --> 00:21:29,240 Speaker 4: need the money where they're going, and I never get 504 00:21:29,240 --> 00:21:29,800 Speaker 4: a complaint. 505 00:21:31,840 --> 00:21:35,720 Speaker 3: The perfect business model. It is the perfect business model. Bill. 506 00:21:35,920 --> 00:21:38,280 Speaker 3: Hey Bill, quick question. I don't know if you've got 507 00:21:38,280 --> 00:21:40,560 Speaker 3: a protege or something, Bill, but have you got a 508 00:21:40,600 --> 00:21:44,119 Speaker 3: secret that's going to be revealed by someone when you die? 509 00:21:44,520 --> 00:21:48,040 Speaker 4: I do? I do, And obviously I'm not going to 510 00:21:48,040 --> 00:21:51,160 Speaker 4: say it now, but look, I'll leave it. There's actually 511 00:21:51,160 --> 00:21:52,960 Speaker 4: parts in the new book that I've put out there 512 00:21:52,960 --> 00:21:55,120 Speaker 4: that people can make their own minds up about. And 513 00:21:55,680 --> 00:21:57,840 Speaker 4: there'll be things in there that you're thinking, oh is 514 00:21:57,880 --> 00:22:01,080 Speaker 4: that Yeah, I don't know what's happening here. Some people 515 00:22:01,280 --> 00:22:05,640 Speaker 4: that have read it already, you know, editors and that said, Look, 516 00:22:05,720 --> 00:22:08,720 Speaker 4: is this your eulogy? And it's not okay. I can 517 00:22:08,800 --> 00:22:10,320 Speaker 4: understand how they think it might be. 518 00:22:10,440 --> 00:22:11,640 Speaker 3: Okay, bloody hell. 519 00:22:11,760 --> 00:22:13,120 Speaker 2: Bill. All right, if you want to go and check 520 00:22:13,119 --> 00:22:16,840 Speaker 2: out the new book, it's called The Afterlife Confessional, available 521 00:22:16,840 --> 00:22:20,880 Speaker 2: worldwide July second, Bill Edgar dot com dot au Bill 522 00:22:21,000 --> 00:22:24,840 Speaker 2: the Coffin Confessor. It is always the most amazing chat. 523 00:22:24,880 --> 00:22:27,120 Speaker 2: Thanks for joining us here on Secrets Week for Secrets 524 00:22:27,119 --> 00:22:29,359 Speaker 2: Beyond the Grave. So nice to talk to you, mate. 525 00:22:29,840 --> 00:22:32,200 Speaker 4: Thanks so much for having me. Will Woody and find 526 00:22:32,240 --> 00:22:35,399 Speaker 4: all your listeners and stay safe and living. 527 00:22:42,560 --> 00:22:44,960 Speaker 3: Well. I don't know anything about this, no, but you 528 00:22:45,119 --> 00:22:47,760 Speaker 3: do know about the fact that you revealed your naked 529 00:22:47,800 --> 00:22:53,120 Speaker 3: body to a room off wow hundred people. Yeah you did. 530 00:22:53,480 --> 00:22:57,840 Speaker 2: Now when you say you mean I had it stolen 531 00:22:58,320 --> 00:23:01,760 Speaker 2: my intellectual property that is mobile, Yeah, I was photographed 532 00:23:01,760 --> 00:23:05,200 Speaker 2: through my bathroom window by someone who's snuck in through 533 00:23:05,240 --> 00:23:08,240 Speaker 2: my side gate, opened my window and photograph me in 534 00:23:08,240 --> 00:23:08,679 Speaker 2: the shower. 535 00:23:09,440 --> 00:23:12,440 Speaker 3: Now I am certainly standing sick here you are talking 536 00:23:12,480 --> 00:23:14,800 Speaker 3: about me. So I think I've made that very clear. 537 00:23:15,119 --> 00:23:17,480 Speaker 2: If I really wanted to push charges here, I could 538 00:23:17,760 --> 00:23:18,320 Speaker 2: and I would. 539 00:23:18,400 --> 00:23:21,960 Speaker 3: But look, Will we hosted a corporate gig this corporate 540 00:23:22,040 --> 00:23:24,639 Speaker 3: gig was for HIA, the housing industry, and basically there 541 00:23:24,680 --> 00:23:26,720 Speaker 3: was an award Bathroom of the Year, and I thought, 542 00:23:26,720 --> 00:23:28,680 Speaker 3: funny gag at the start, I'm going to say, there's 543 00:23:28,680 --> 00:23:30,720 Speaker 3: a late entry into the bathroom of the Year. And yes, 544 00:23:30,800 --> 00:23:33,119 Speaker 3: I did sneakily take a photo of you naked in 545 00:23:33,200 --> 00:23:36,399 Speaker 3: your own bathroom, but in an extraordinary twist. 546 00:23:36,200 --> 00:23:37,679 Speaker 2: Bathroom had just been done, by the way, so it 547 00:23:37,680 --> 00:23:38,400 Speaker 2: looked good. 548 00:23:38,400 --> 00:23:40,639 Speaker 3: It did look amazing in an amazing twist. 549 00:23:40,680 --> 00:23:40,880 Speaker 5: Though. 550 00:23:41,080 --> 00:23:43,080 Speaker 2: I thank God him. It was at the Housing Awards, 551 00:23:43,160 --> 00:23:43,840 Speaker 2: of course, you know. 552 00:23:43,800 --> 00:23:45,760 Speaker 3: It would have been embarrassing to have a shocking bathroom. 553 00:23:46,160 --> 00:23:47,439 Speaker 2: I'm just glad you got the tarato in. 554 00:23:47,480 --> 00:23:49,840 Speaker 3: That's all I want to say. And your tush because 555 00:23:50,280 --> 00:23:52,840 Speaker 3: the room, the feeling in the room was that's that's 556 00:23:52,880 --> 00:23:54,760 Speaker 3: one of the best naked bodies we've ever seen. That 557 00:23:54,920 --> 00:23:58,040 Speaker 3: wasn't And I can say that with confidence because I 558 00:23:58,200 --> 00:24:00,960 Speaker 3: then got the photo of you naked in your shower framed, 559 00:24:01,080 --> 00:24:03,320 Speaker 3: and I thought, let's do a good thing. Here, can I. 560 00:24:03,280 --> 00:24:05,720 Speaker 2: Say, just before you go on, you got you sent, 561 00:24:05,800 --> 00:24:07,159 Speaker 2: so you took the photo of me in the shower. 562 00:24:07,280 --> 00:24:10,119 Speaker 2: You sent it to the event's team that were running 563 00:24:10,160 --> 00:24:13,000 Speaker 2: the event before I got there. So when I got 564 00:24:13,000 --> 00:24:14,560 Speaker 2: there to meet everyone and shake you their hands, they 565 00:24:14,560 --> 00:24:18,400 Speaker 2: were all like a weirdly smiling at me. I had 566 00:24:18,520 --> 00:24:22,360 Speaker 2: no idea that that's what was going on. 567 00:24:22,920 --> 00:24:25,760 Speaker 3: I mean, it's almost bullying as well harassment. Look, I've 568 00:24:25,760 --> 00:24:28,880 Speaker 3: broken a whole bunch of codes and rules as friendship 569 00:24:28,920 --> 00:24:32,440 Speaker 3: and the whole the entire conference the photo of me. Yes, 570 00:24:32,480 --> 00:24:35,080 Speaker 3: I did. And then I framed that photo and snuck 571 00:24:35,119 --> 00:24:37,400 Speaker 3: it into the silent auction. Now, the most amazing thing 572 00:24:37,400 --> 00:24:40,920 Speaker 3: about all of this is that a man, a man. 573 00:24:41,520 --> 00:24:44,800 Speaker 3: That event is amazing, No, it's extraordinary. A man called 574 00:24:44,880 --> 00:24:50,200 Speaker 3: Markers paid one thousand dollars for the framed. 575 00:24:49,880 --> 00:24:54,240 Speaker 2: Photo of you, and then hilariously sent another woman on 576 00:24:54,280 --> 00:24:55,720 Speaker 2: his table up to come and accept it because he 577 00:24:55,720 --> 00:24:57,040 Speaker 2: didn't want to look like I. 578 00:24:56,960 --> 00:24:59,920 Speaker 3: Think that was his wife. We asked the man him 579 00:25:00,359 --> 00:25:06,160 Speaker 3: because he joins, I'm on the radio show Marcus. Hello mate, 580 00:25:06,480 --> 00:25:10,040 Speaker 3: he boys, how are you going? Another guy I expected 581 00:25:10,080 --> 00:25:14,200 Speaker 3: you to be? Now, Markers, I think we're all wondering. 582 00:25:14,240 --> 00:25:16,600 Speaker 3: I mean I certainly was wondering when you offered to 583 00:25:16,600 --> 00:25:19,480 Speaker 3: pay a thousand dollars for this photo? Why did you 584 00:25:19,520 --> 00:25:20,960 Speaker 3: buy the nude of will. 585 00:25:21,119 --> 00:25:23,359 Speaker 8: I thought myself, well, we're going to walk away with something. 586 00:25:23,359 --> 00:25:25,960 Speaker 8: We're going to walk away with some awards. So obviously 587 00:25:25,960 --> 00:25:28,920 Speaker 8: we walked away with the Arts of the Year from 588 00:25:29,119 --> 00:25:34,159 Speaker 8: Bassroom the Year and I didn't know whether or not 589 00:25:34,280 --> 00:25:37,560 Speaker 8: it was was a piece of art or a piece 590 00:25:37,600 --> 00:25:41,040 Speaker 8: of art. Yeah, I thought all round I could hang 591 00:25:41,119 --> 00:25:44,520 Speaker 8: that because there's a bit blurre. It's like an abstract 592 00:25:44,680 --> 00:25:45,120 Speaker 8: type thing. 593 00:25:45,600 --> 00:25:47,119 Speaker 3: I had to be quick, so I had to be 594 00:25:47,240 --> 00:25:49,280 Speaker 3: very quick. That's why the photo was a bit blurred 595 00:25:49,280 --> 00:25:51,520 Speaker 3: because I had to pop up from the window, take 596 00:25:51,520 --> 00:25:53,200 Speaker 3: the snap and then get the hell out of there. 597 00:25:53,240 --> 00:25:55,000 Speaker 3: So I apologize that it is a little bit blurry. 598 00:25:55,000 --> 00:25:56,240 Speaker 4: Man, No, that's that's fined. 599 00:25:58,440 --> 00:26:00,600 Speaker 8: Then in our office, I was love that they can 600 00:26:00,640 --> 00:26:01,119 Speaker 8: have that crowd. 601 00:26:01,400 --> 00:26:03,840 Speaker 2: He's going to say, where is it? Where is it? 602 00:26:03,880 --> 00:26:04,719 Speaker 2: Where have you put it? 603 00:26:04,960 --> 00:26:08,479 Speaker 8: It is in the office next to our Australian Champion 604 00:26:08,520 --> 00:26:10,800 Speaker 8: of the Year awards. It's sitting proud there in the 605 00:26:10,840 --> 00:26:15,520 Speaker 8: office itself, taking pride and plates. Yeah, we were probably 606 00:26:15,520 --> 00:26:18,200 Speaker 8: breaking all the rules in the office itself having an 607 00:26:18,240 --> 00:26:21,760 Speaker 8: exposed man on the wall. But you know it's better 608 00:26:21,960 --> 00:26:23,359 Speaker 8: better Woody than me. 609 00:26:23,640 --> 00:26:25,239 Speaker 2: I suppose that's ard. 610 00:26:25,359 --> 00:26:26,920 Speaker 3: I mean, that's just art. Markets. At the end of 611 00:26:26,960 --> 00:26:29,320 Speaker 3: the day, the naked body is art, especially when it's 612 00:26:29,359 --> 00:26:33,480 Speaker 3: Will's naked body. Since it's been up, there have there 613 00:26:33,520 --> 00:26:35,040 Speaker 3: been any comments markers. 614 00:26:35,400 --> 00:26:40,600 Speaker 8: No, everyone loves it. They're happy obviously. Look, Jake Side 615 00:26:40,640 --> 00:26:42,480 Speaker 8: went to a good course in terms of the money. 616 00:26:42,200 --> 00:26:44,639 Speaker 3: For mental health, mental. 617 00:26:44,359 --> 00:26:47,240 Speaker 8: Health and and so forth, so we're happy to throw 618 00:26:47,280 --> 00:26:50,320 Speaker 8: it and couldn't I had to pay four figures because 619 00:26:50,359 --> 00:26:52,400 Speaker 8: at least, I mean, you can say my ass went 620 00:26:52,440 --> 00:26:56,760 Speaker 8: for four figures. That's whatever that amount is. 621 00:26:56,800 --> 00:26:57,200 Speaker 2: You can. 622 00:26:58,640 --> 00:27:01,240 Speaker 3: Who are you very funny man? 623 00:27:01,640 --> 00:27:11,760 Speaker 2: Thanks for joining us, mate on your market. 624 00:27:07,840 --> 00:27:10,800 Speaker 3: On your late unreal I mean, there's something here, Will, 625 00:27:11,480 --> 00:27:12,640 Speaker 3: I'm thinking nerd calendar. 626 00:27:12,720 --> 00:27:19,639 Speaker 2: All right. Look, I absolutely scolded you on this radio 627 00:27:19,760 --> 00:27:21,320 Speaker 2: show a few weeks ago. 628 00:27:21,160 --> 00:27:25,840 Speaker 3: Now which one I enlisted. 629 00:27:26,200 --> 00:27:31,720 Speaker 2: I enlisted the help of our listeners to perpetrate the 630 00:27:31,720 --> 00:27:35,920 Speaker 2: scorch for me as well. Everyone got involved small bee bullying. Sure, 631 00:27:36,359 --> 00:27:38,520 Speaker 2: but at the end of the day, you came on 632 00:27:38,560 --> 00:27:41,040 Speaker 2: the show and you told everyone that you like sniffing 633 00:27:41,119 --> 00:27:45,480 Speaker 2: your jocks after you go for a run. 634 00:27:46,160 --> 00:27:48,840 Speaker 3: I think we can all agree if anything passes a 635 00:27:48,880 --> 00:27:51,560 Speaker 3: sniff test, and there is no need to chuck it 636 00:27:51,560 --> 00:27:52,639 Speaker 3: in the laundry basket. 637 00:27:52,720 --> 00:27:56,080 Speaker 2: You said that you really like smelling your sweaty workout 638 00:27:56,160 --> 00:27:57,280 Speaker 2: jocks after you've been in them. 639 00:27:57,320 --> 00:27:59,160 Speaker 3: Well, not just my workout jocks, but any jocks. 640 00:27:59,359 --> 00:28:01,120 Speaker 2: I like bury your nose in them. 641 00:28:01,160 --> 00:28:02,520 Speaker 3: I like to sniff my jocks at the end of 642 00:28:02,520 --> 00:28:05,160 Speaker 3: the day because it makes me go, yeah, you've worked hard. 643 00:28:05,200 --> 00:28:07,840 Speaker 2: That's disgusting, but sometimes disgusting. 644 00:28:07,440 --> 00:28:10,359 Speaker 3: Its great indication. It's a really good indication of good. 645 00:28:10,400 --> 00:28:11,920 Speaker 3: Good boy, you're good. 646 00:28:12,240 --> 00:28:14,399 Speaker 2: You're not a dog mate, You're not a dog. No, 647 00:28:14,560 --> 00:28:14,919 Speaker 2: I don't know. 648 00:28:15,680 --> 00:28:18,639 Speaker 3: No, you like that. 649 00:28:18,640 --> 00:28:19,600 Speaker 2: That wasn't a compliment. 650 00:28:20,119 --> 00:28:23,720 Speaker 3: Taking this one, definitely taking his one. How can I 651 00:28:23,720 --> 00:28:25,879 Speaker 3: possibly know if I've worked hard unless I smell my jokes? 652 00:28:25,920 --> 00:28:29,879 Speaker 3: How can I possibly know sweat mental fatigue? But sweat 653 00:28:30,000 --> 00:28:33,119 Speaker 3: is general fatigue. Sweat is measured through the smell of 654 00:28:33,119 --> 00:28:33,760 Speaker 3: your underwear. 655 00:28:33,800 --> 00:28:38,680 Speaker 2: No, no, no scientists will tell you. Any scientists measured 656 00:28:38,920 --> 00:28:42,360 Speaker 2: how much you perspire from your paws. No fluid is 657 00:28:42,400 --> 00:28:43,800 Speaker 2: generated out of your out of. 658 00:28:43,720 --> 00:28:44,320 Speaker 3: Your sweat pots. 659 00:28:44,640 --> 00:28:48,840 Speaker 2: Anyway, Look, we had this chat on our Share My 660 00:28:48,920 --> 00:28:52,600 Speaker 2: Mood podcast recently with Poling now selling jogs. Quite of No, 661 00:28:52,640 --> 00:28:54,800 Speaker 2: we didn't, we didn't bring it up with both. We 662 00:28:54,840 --> 00:28:57,440 Speaker 2: didn't bring it up with both. But one of the 663 00:28:57,440 --> 00:28:59,360 Speaker 2: things that she brought up on the Shame my mood 664 00:28:59,360 --> 00:29:03,160 Speaker 2: pod was this sense of curiosity and like, how you 665 00:29:03,200 --> 00:29:06,200 Speaker 2: know you're happier? That makes her Yes, this makes it 666 00:29:06,280 --> 00:29:08,560 Speaker 2: more playful, makes it more interested, less closed. 667 00:29:09,160 --> 00:29:09,880 Speaker 3: So I sort of had this. 668 00:29:09,840 --> 00:29:11,160 Speaker 2: Banging around in my head just to be a little 669 00:29:11,160 --> 00:29:14,400 Speaker 2: bit more curious with my life. You did it, And 670 00:29:14,440 --> 00:29:15,120 Speaker 2: I went from run. 671 00:29:15,040 --> 00:29:16,480 Speaker 3: This morning, Oh my god, you did it. 672 00:29:17,040 --> 00:29:19,760 Speaker 2: And I got on the door and you know, I 673 00:29:19,800 --> 00:29:21,160 Speaker 2: was about to get in the shower. I've got the 674 00:29:21,200 --> 00:29:24,840 Speaker 2: dirty mospeedos, always running speeders, got them in my hand. 675 00:29:25,360 --> 00:29:28,480 Speaker 3: Here we go and probably thinking yourself, wonder how hard 676 00:29:28,480 --> 00:29:30,760 Speaker 3: I worked on that run. 677 00:29:30,040 --> 00:29:35,400 Speaker 2: I didn't need. No, no, I'm not a dog. I'm 678 00:29:35,400 --> 00:29:37,320 Speaker 2: not like you. No no, no, that didn't happen. But 679 00:29:37,360 --> 00:29:39,200 Speaker 2: what did happen was this moment where I was like, 680 00:29:40,320 --> 00:29:42,560 Speaker 2: I'm as welways, give a guy like I may as 681 00:29:42,600 --> 00:29:45,479 Speaker 2: well like what am I? What am I? What am I? 682 00:29:45,520 --> 00:29:46,520 Speaker 2: What am I going to be afraid of? 683 00:29:46,520 --> 00:29:46,680 Speaker 4: Here? 684 00:29:46,680 --> 00:29:47,600 Speaker 3: Welcome to the real world. 685 00:29:47,880 --> 00:29:50,880 Speaker 2: Anyway. Now, I'm not sure if we've got any music 686 00:29:50,920 --> 00:29:52,760 Speaker 2: which is going to be remotely appropriate for this. But 687 00:29:53,080 --> 00:29:54,840 Speaker 2: I don't know what song is going to be appropriate 688 00:29:54,920 --> 00:30:01,440 Speaker 2: for this, but maybe he let the dogs out I 689 00:30:01,480 --> 00:30:04,640 Speaker 2: And it's such a rank idea, Like I'm well within 690 00:30:04,680 --> 00:30:06,520 Speaker 2: my rights to have been disgusted by it, because like 691 00:30:06,560 --> 00:30:09,480 Speaker 2: your jocks are like wet with sweat, like your speedo's 692 00:30:09,520 --> 00:30:11,480 Speaker 2: are wet with sweat, Like it is disgusting. 693 00:30:11,520 --> 00:30:13,160 Speaker 3: But I was like, I withheld that. 694 00:30:13,280 --> 00:30:16,000 Speaker 2: I withheld that, And I was like, dude, just be curious, 695 00:30:16,440 --> 00:30:19,840 Speaker 2: just just try who knows? Yes, so I sniffed him. 696 00:30:20,120 --> 00:30:22,520 Speaker 3: Yes, it's really good. 697 00:30:22,720 --> 00:30:23,120 Speaker 2: Yes, it. 698 00:30:25,360 --> 00:30:28,600 Speaker 3: Smells like hard work, and it's you. It's your musk, 699 00:30:29,480 --> 00:30:33,600 Speaker 3: it's your mask. Are you gonna do it every time? 700 00:30:34,440 --> 00:30:40,520 Speaker 3: Isn't it the best? It's satisfying. It's actually satisfying. That 701 00:30:40,800 --> 00:30:42,200 Speaker 3: is what it means to be humans. 702 00:30:44,200 --> 00:30:48,440 Speaker 2: Yes, it does, Yes it is. 703 00:30:49,080 --> 00:30:51,080 Speaker 3: Yes, it makes you real, It makes you human.