1 00:00:00,080 --> 00:00:01,760 Speaker 1: Well, what a show, Frye. 2 00:00:02,600 --> 00:00:05,360 Speaker 2: You've been away for the first two days of this week, 3 00:00:05,400 --> 00:00:07,960 Speaker 2: but you action packed it this. 4 00:00:07,880 --> 00:00:10,360 Speaker 3: Particular podcast, did I Brendan. 5 00:00:10,119 --> 00:00:11,440 Speaker 1: Action packed it all the way? 6 00:00:11,720 --> 00:00:12,480 Speaker 3: Action packed it. 7 00:00:12,520 --> 00:00:13,200 Speaker 1: That's a new word. 8 00:00:13,360 --> 00:00:15,760 Speaker 3: Fight for your flashback. We had fight for your flashback one. 9 00:00:15,880 --> 00:00:16,840 Speaker 3: Let me remember I did. 10 00:00:17,200 --> 00:00:18,840 Speaker 1: That's that's very unattractive. 11 00:00:18,840 --> 00:00:20,200 Speaker 3: This is what we put to the pub test. A 12 00:00:20,280 --> 00:00:23,479 Speaker 3: French runner won a gold medal at the Olympics of 13 00:00:23,760 --> 00:00:27,200 Speaker 3: Paris Games. Sorry, she ran over to where the crowd was, 14 00:00:27,960 --> 00:00:31,560 Speaker 3: saw her boyfriend and proposed to him. The comment underneath 15 00:00:31,600 --> 00:00:36,080 Speaker 3: that photo was how carstrating that is for me? Okay, 16 00:00:36,240 --> 00:00:38,400 Speaker 3: some people are really harsh. So I'd like to know 17 00:00:38,440 --> 00:00:40,080 Speaker 3: what you think about women proposing to men. 18 00:00:40,200 --> 00:00:41,440 Speaker 1: We'll put that to the pub test. 19 00:00:41,640 --> 00:00:44,400 Speaker 2: Belinda Karla, we caught up with her on the zoom 20 00:00:44,479 --> 00:00:46,960 Speaker 2: chat and the week that was. Jim My Rise, Jibby 21 00:00:47,000 --> 00:00:58,720 Speaker 2: Jabber all coming up in this podcast. 22 00:00:58,720 --> 00:01:01,520 Speaker 1: A miracle of recording. Have so many requests for them 23 00:01:01,520 --> 00:01:02,120 Speaker 1: to do it again. 24 00:01:02,240 --> 00:01:05,479 Speaker 3: Mistress Amanda and Miss Killer Amanda. 25 00:01:05,040 --> 00:01:10,600 Speaker 1: Doesn't work alone. Friend making the tools of the train. 26 00:01:10,720 --> 00:01:13,480 Speaker 2: I've heard them describe him as a drunken idiot. 27 00:01:14,040 --> 00:01:18,840 Speaker 1: I've been a legendary part. Jonesy and Amanda the Actress. 28 00:01:18,920 --> 00:01:22,560 Speaker 3: Congratulations, man, you're the ready right now. Jersey and Amanda, 29 00:01:22,640 --> 00:01:23,680 Speaker 3: you're doing a great job. 30 00:01:26,920 --> 00:01:28,839 Speaker 4: Now good radio. 31 00:01:29,120 --> 00:01:32,720 Speaker 2: Sorry, but of a tongue tongue twist set an idiot 32 00:01:33,080 --> 00:01:34,280 Speaker 2: and Amanda. 33 00:01:34,920 --> 00:01:38,400 Speaker 1: Shoot Timy, we're on the air of the morning to you, 34 00:01:38,440 --> 00:01:41,720 Speaker 1: missus mounts Now. You get trouble with your headphones. 35 00:01:42,080 --> 00:01:44,200 Speaker 2: I've go away for a week and after well, we 36 00:01:44,280 --> 00:01:46,200 Speaker 2: got you some new headphones. 37 00:01:46,080 --> 00:01:48,680 Speaker 3: Jammed, Ryan, can you fix my headphones? I can talk 38 00:01:48,680 --> 00:01:49,360 Speaker 3: in the meantime. 39 00:01:49,440 --> 00:01:51,840 Speaker 2: Yeah, we went down to JB High five and got 40 00:01:51,840 --> 00:01:52,920 Speaker 2: you some new headphones. 41 00:01:53,040 --> 00:01:54,600 Speaker 3: Well, are you trying to sabotage me? 42 00:01:54,840 --> 00:01:58,960 Speaker 2: Not at all, They're brand new. Ryan's back from sickness. 43 00:01:59,000 --> 00:02:00,160 Speaker 2: You are right there, mate. 44 00:02:00,200 --> 00:02:01,520 Speaker 5: Yeah, I'm not feeling that great. 45 00:02:02,680 --> 00:02:05,480 Speaker 1: What did you have, je Did you pull a heart lench? 46 00:02:08,600 --> 00:02:08,799 Speaker 6: Yeah? 47 00:02:08,880 --> 00:02:10,600 Speaker 3: I could have brought you a snow globe, but no, 48 00:02:10,800 --> 00:02:12,240 Speaker 3: I got you some dip theory. 49 00:02:13,600 --> 00:02:14,200 Speaker 1: What's the matter. 50 00:02:14,280 --> 00:02:17,000 Speaker 3: My dip theory is not going to kill you. 51 00:02:17,000 --> 00:02:17,920 Speaker 1: You'll be fine. 52 00:02:18,160 --> 00:02:20,320 Speaker 3: You know how Jack was on the show a few 53 00:02:20,400 --> 00:02:24,239 Speaker 3: days ago, and was he telling you about his wisdom teeth. 54 00:02:25,040 --> 00:02:27,040 Speaker 3: I've had my wisdom teeth out when I was about 55 00:02:27,080 --> 00:02:30,040 Speaker 3: sixteen seventeen, and I still remember the trauma of it. Horrendous. 56 00:02:30,840 --> 00:02:33,880 Speaker 3: Liam about two years ago had to have his out, 57 00:02:34,120 --> 00:02:36,560 Speaker 3: and Jack's just discovered he has to have his out. 58 00:02:36,720 --> 00:02:39,520 Speaker 3: But he's also there's something in the front one of 59 00:02:39,520 --> 00:02:41,640 Speaker 3: his front teeth after years of in visi line that 60 00:02:41,680 --> 00:02:44,839 Speaker 3: wo worn haphazardly. Didn't want a little braces, he said, 61 00:02:44,840 --> 00:02:48,160 Speaker 3: I'll go in visi line instead. Things are moving again 62 00:02:48,760 --> 00:02:50,600 Speaker 3: and something at the front he has to have. He 63 00:02:50,600 --> 00:02:52,560 Speaker 3: couldn't explain it very well, but he's going to see 64 00:02:52,720 --> 00:02:56,160 Speaker 3: someone about it. Maybe a fake front tooth or something 65 00:02:56,360 --> 00:02:58,360 Speaker 3: a fake I don't know, but this is the text 66 00:02:58,400 --> 00:03:01,919 Speaker 3: I got from him yesterday. Would you give permission if 67 00:03:01,960 --> 00:03:05,240 Speaker 3: I had to get a denture to get a golden tooth? 68 00:03:06,080 --> 00:03:10,960 Speaker 3: I think it would be funny and cool. My answer 69 00:03:11,200 --> 00:03:15,639 Speaker 3: is very plain. I said no. I assume you're joking. 70 00:03:16,280 --> 00:03:18,200 Speaker 1: What's he getting a denture for. 71 00:03:18,840 --> 00:03:23,560 Speaker 3: Dentures of funny words golden tooth? As if imagine that? 72 00:03:25,840 --> 00:03:27,960 Speaker 2: No, because in the old days they used to rip 73 00:03:28,000 --> 00:03:28,560 Speaker 2: their teeth out. 74 00:03:28,600 --> 00:03:29,800 Speaker 1: They just ripped all to each other. 75 00:03:30,360 --> 00:03:32,280 Speaker 3: Her dad was a dentist. Mum at the age of 76 00:03:32,919 --> 00:03:35,040 Speaker 3: twenty six, I remember it happening. One of my first 77 00:03:35,040 --> 00:03:36,920 Speaker 3: memories is when my mad all the teeth taken out 78 00:03:37,240 --> 00:03:39,320 Speaker 3: because your teeth weren't perfect, you had them all ripped out. 79 00:03:39,680 --> 00:03:42,560 Speaker 3: And people would get dentures for their twenty first birthday. 80 00:03:42,600 --> 00:03:45,720 Speaker 3: They were given as gifts as presents. But you know 81 00:03:45,920 --> 00:03:48,720 Speaker 3: so painful, my mom. You know, every time you'd get 82 00:03:48,720 --> 00:03:51,200 Speaker 3: a new denture, it would rub, it didn't give in 83 00:03:51,200 --> 00:03:52,920 Speaker 3: your mouth. You had to get them resized as you 84 00:03:52,960 --> 00:03:56,240 Speaker 3: got older. What a terrible thing to put Pepa, did. 85 00:03:56,120 --> 00:03:57,600 Speaker 1: Your mam ever have a golden tooth? 86 00:03:57,760 --> 00:04:00,800 Speaker 3: No, she didn't, but she did have like a face golden, 87 00:04:01,280 --> 00:04:05,080 Speaker 3: like a corner on it, like it was a gold filling. 88 00:04:06,280 --> 00:04:07,840 Speaker 1: What to make it look more authentic? 89 00:04:07,960 --> 00:04:10,720 Speaker 3: Yeah, because in those days pre fluoride and it's Brisbane, 90 00:04:10,720 --> 00:04:12,560 Speaker 3: they never had they got it now. 91 00:04:12,760 --> 00:04:15,200 Speaker 1: They got fluoride in the nineties. 92 00:04:15,360 --> 00:04:15,720 Speaker 3: Yeah. 93 00:04:16,080 --> 00:04:19,080 Speaker 1: I think they got sewerage in the sixties and. 94 00:04:19,000 --> 00:04:21,520 Speaker 3: Then they did terrible things to your teeth in sixty eight. 95 00:04:21,360 --> 00:04:23,719 Speaker 1: They got sewerage and then in the nineties they got fluid. 96 00:04:23,920 --> 00:04:26,320 Speaker 1: They came on board. Yeah. 97 00:04:26,360 --> 00:04:28,159 Speaker 3: I'm a child of having grown up in Brisbane. 98 00:04:28,240 --> 00:04:28,480 Speaker 7: Yep. 99 00:04:28,800 --> 00:04:30,679 Speaker 3: Every time I went to the dandist's holes in my teeth, 100 00:04:30,839 --> 00:04:32,400 Speaker 3: My lad mine didn't all get ripped out. 101 00:04:32,600 --> 00:04:34,800 Speaker 1: My great well a guy grew up in Sydney. 102 00:04:34,920 --> 00:04:38,680 Speaker 2: Mum was taking fluoride tablets drinking milk and they put 103 00:04:38,720 --> 00:04:41,760 Speaker 2: fluoride in the water when I was in utero. 104 00:04:42,240 --> 00:04:44,040 Speaker 1: So my teeth, I don't have any feelings. 105 00:04:44,400 --> 00:04:46,599 Speaker 3: But didn't you also, weren't you born with teeth? 106 00:04:46,960 --> 00:04:49,320 Speaker 1: I had a full set of choppers when I. 107 00:04:49,240 --> 00:04:51,440 Speaker 3: Was born, and were you breastfed out? 108 00:04:51,960 --> 00:04:54,760 Speaker 2: But the problem was I knocked my front teeth out 109 00:04:54,800 --> 00:04:56,719 Speaker 2: when I was five, so I had to get like 110 00:04:57,120 --> 00:04:58,720 Speaker 2: these teeth put in. 111 00:04:58,880 --> 00:05:01,200 Speaker 1: And that's my great regret. When I met your mum, 112 00:05:01,520 --> 00:05:03,279 Speaker 1: I always had terrible teeth. 113 00:05:03,279 --> 00:05:06,120 Speaker 3: Well, mum is the daughter of a dentist. Evacuated everyone by. 114 00:05:06,080 --> 00:05:08,440 Speaker 2: And then she passed away before I got my teeth fixed. 115 00:05:08,520 --> 00:05:09,880 Speaker 1: I got these veneers at the front. 116 00:05:10,120 --> 00:05:12,600 Speaker 3: If I ever go and see John Edward and some 117 00:05:12,680 --> 00:05:15,520 Speaker 3: kind of medium and Mum talks to me, I know 118 00:05:15,600 --> 00:05:16,400 Speaker 3: that's what she'll meant. 119 00:05:16,480 --> 00:05:22,320 Speaker 1: She say, Oh, Jonesy's good. You pass on Jonesy's teeth 120 00:05:22,320 --> 00:05:27,560 Speaker 1: look good. Happy for that. It's Friday. It's a great 121 00:05:27,600 --> 00:05:30,599 Speaker 1: shade to day before Friday. Five for your flashbag, makes 122 00:05:30,680 --> 00:05:33,960 Speaker 1: us return. Instagram is coming up as well, and do. 123 00:05:33,960 --> 00:05:37,680 Speaker 3: You want to win some fabulous prizes with the magnificence cetera? 124 00:05:37,680 --> 00:05:38,039 Speaker 1: What do you do? 125 00:05:38,360 --> 00:05:41,480 Speaker 3: Question one? In which hemisphere would you find Antarctica? 126 00:05:42,600 --> 00:05:45,359 Speaker 2: We have for you the magnificent seven seven questions? Can 127 00:05:45,440 --> 00:05:47,479 Speaker 2: you go all the way and answer all seven questions correctly? 128 00:05:47,640 --> 00:05:48,720 Speaker 2: If you do that, Amanda will say. 129 00:05:48,800 --> 00:05:51,039 Speaker 3: I want to say, and this is boring, It's about me. 130 00:05:51,480 --> 00:05:53,120 Speaker 3: Is that I feel for the first time this week, 131 00:05:53,160 --> 00:05:55,240 Speaker 3: I've come out of the fog of having that cold. 132 00:05:55,760 --> 00:05:59,080 Speaker 3: I haven't taken any cold medications today. I'm feeling great. 133 00:05:59,160 --> 00:06:02,760 Speaker 3: Thank you for us on you. Hello, Dale and Waterloo. 134 00:06:02,800 --> 00:06:03,360 Speaker 3: How are you? 135 00:06:04,560 --> 00:06:05,040 Speaker 7: How you guys? 136 00:06:05,160 --> 00:06:10,960 Speaker 3: Very well? In which hemisphere would you find Antarctica? And 137 00:06:11,000 --> 00:06:15,120 Speaker 3: I'm saying Antarctica because it drives me crazy when journalists 138 00:06:15,160 --> 00:06:21,520 Speaker 3: on the TV say Antarctica Antarctica and anti Antarctica Antarctica. 139 00:06:21,120 --> 00:06:23,960 Speaker 1: Or whether people say there's a real Arctic blast coming 140 00:06:23,960 --> 00:06:26,200 Speaker 1: through Arctic, that's what it is, but no, it's not. 141 00:06:26,279 --> 00:06:31,680 Speaker 1: It's Antarctic blast. Arctic is the other one? The circle up. 142 00:06:31,640 --> 00:06:34,760 Speaker 3: The top true or false? My cousin last year went 143 00:06:34,800 --> 00:06:39,719 Speaker 3: to the Arctic Circle and Antarctica. Wow, she spanned the globe. 144 00:06:39,480 --> 00:06:42,320 Speaker 1: On an explode. Who is this go getting so amazing? 145 00:06:43,160 --> 00:06:43,800 Speaker 1: What's their name? 146 00:06:44,560 --> 00:06:49,080 Speaker 3: Katrina? She lives in South Australia. Her husband with fabulous 147 00:06:49,240 --> 00:06:51,640 Speaker 3: vet a country Vetty passed away a few years ago 148 00:06:51,839 --> 00:06:55,039 Speaker 3: and she does this really intrepid traveling. She was out 149 00:06:55,040 --> 00:06:58,160 Speaker 3: of Hebrides and she doesn't in credit Argentina. I'm making things. 150 00:06:58,279 --> 00:06:59,600 Speaker 1: Did you go to the Inner Hebrides? 151 00:07:00,400 --> 00:07:02,479 Speaker 3: I don't know. That's probably still on her list in here. 152 00:07:02,680 --> 00:07:03,919 Speaker 2: I'm one of those people that just want to go 153 00:07:03,960 --> 00:07:06,240 Speaker 2: to the good places with good plumbing and good food 154 00:07:06,360 --> 00:07:08,520 Speaker 2: and gangs on the streets. 155 00:07:08,760 --> 00:07:09,320 Speaker 1: That's just me. 156 00:07:09,520 --> 00:07:12,120 Speaker 3: I wants you to stay home. Question number two for 157 00:07:12,200 --> 00:07:16,000 Speaker 3: you Dale, True or false? The Beatles song Yesterday was 158 00:07:16,040 --> 00:07:18,120 Speaker 3: originally titled Scrambled Eggs. 159 00:07:22,080 --> 00:07:23,400 Speaker 7: I'm going to say true, yeah, true. 160 00:07:23,880 --> 00:07:26,160 Speaker 3: It was They needed a three syllable word that Paul 161 00:07:26,200 --> 00:07:30,200 Speaker 3: could use until he wrote the lyrics scrambled scrambled. 162 00:07:31,800 --> 00:07:35,480 Speaker 1: George Martin said, you know, perhaps boys get off the 163 00:07:35,560 --> 00:07:36,200 Speaker 1: LSD and. 164 00:07:36,960 --> 00:07:41,360 Speaker 2: Yesterday anybody could be hang on. 165 00:07:41,320 --> 00:07:44,520 Speaker 1: Hold, what what's happened here? We're doing lyrical assassin? 166 00:07:46,720 --> 00:07:48,400 Speaker 3: Now I'm confused by lyrical assassin. 167 00:07:48,520 --> 00:07:51,240 Speaker 1: This is where we quote the lyrics from a Songdale. 168 00:07:50,680 --> 00:07:51,560 Speaker 3: And sing them. 169 00:07:51,640 --> 00:07:54,000 Speaker 2: Work out where those lyrics have come from, as in 170 00:07:54,040 --> 00:07:58,320 Speaker 2: a conversational tone. Anybody could be that guy. Night is 171 00:07:58,360 --> 00:08:02,120 Speaker 2: young and the music is high Dale, It's Friday. 172 00:08:02,120 --> 00:08:02,400 Speaker 7: You know what? 173 00:08:04,040 --> 00:08:04,240 Speaker 2: Howver? 174 00:08:04,840 --> 00:08:12,400 Speaker 3: Yeah, sing it in your head, Jesus. 175 00:08:14,360 --> 00:08:15,920 Speaker 7: Daisy Quentin, it is day. 176 00:08:16,040 --> 00:08:23,880 Speaker 1: Queen Ryan's finger was forced over the buzzer. There you're 177 00:08:23,880 --> 00:08:24,720 Speaker 1: about to get the shirt. 178 00:08:24,960 --> 00:08:28,880 Speaker 3: Here's multiple choice for you, set in nineteen ninety six. 179 00:08:28,960 --> 00:08:31,880 Speaker 3: How far is the current world record javelin throw gee? 180 00:08:31,920 --> 00:08:34,240 Speaker 3: We haven't broken since ninety ninety six? Is it a 181 00:08:34,760 --> 00:08:37,679 Speaker 3: sixty one point two meters b one hundred and twenty 182 00:08:37,720 --> 00:08:42,559 Speaker 3: one meters or c ninety eight point four eight meters? 183 00:08:43,600 --> 00:08:45,280 Speaker 7: Say ninety eight? 184 00:08:45,720 --> 00:08:48,319 Speaker 8: Queen ye for whatever. 185 00:08:48,440 --> 00:08:52,160 Speaker 3: It is pers nearly? How long is that footy field 186 00:08:52,400 --> 00:08:55,000 Speaker 3: measure throwing a jar? On that far? Amazing? 187 00:08:55,320 --> 00:08:58,559 Speaker 1: An animal without a backbone is called a what dale. 188 00:09:00,120 --> 00:09:07,000 Speaker 3: A I was going to say, an animal without a 189 00:09:07,040 --> 00:09:11,600 Speaker 3: backbone is called or what podcast? 190 00:09:11,960 --> 00:09:14,360 Speaker 1: Under the magnificent seven we have to question three. It's 191 00:09:14,440 --> 00:09:15,400 Speaker 1: lyrical assassin. 192 00:09:17,400 --> 00:09:19,160 Speaker 3: No, we are We're sorry. 193 00:09:19,200 --> 00:09:19,960 Speaker 1: We questioned five. 194 00:09:20,080 --> 00:09:24,079 Speaker 3: Jeffrees in King's partner, Jeffrey, how are you going very well? 195 00:09:24,320 --> 00:09:27,680 Speaker 3: Question five? Not three? Is an animal without a backbone. 196 00:09:27,880 --> 00:09:30,400 Speaker 7: It's called what it's an invert rate. 197 00:09:30,520 --> 00:09:31,240 Speaker 3: It is well done. 198 00:09:31,440 --> 00:09:35,000 Speaker 2: Los Polos Hermanus is the name of a fast food 199 00:09:35,080 --> 00:09:36,480 Speaker 2: front in which. 200 00:09:36,280 --> 00:09:37,359 Speaker 1: TV show. 201 00:09:39,120 --> 00:09:45,400 Speaker 3: Oh No idea, Breaking Bad? Yes it is. It's Breaking bad. Jeffrey. 202 00:09:45,840 --> 00:09:47,840 Speaker 3: Maybe you've got a secret meth lab that even you 203 00:09:47,880 --> 00:09:48,640 Speaker 3: don't know about. 204 00:09:49,600 --> 00:09:53,280 Speaker 1: Do you have a secret meth lab? Unfortunately not know 205 00:09:53,520 --> 00:09:54,559 Speaker 1: because Amanda. 206 00:09:54,280 --> 00:09:57,480 Speaker 3: Was just asking, just asking for a friend. Question seven, 207 00:09:57,559 --> 00:09:58,880 Speaker 3: Here we go, this is where you win it all. 208 00:09:59,400 --> 00:10:06,040 Speaker 3: The Aussie Stingers play which sport? The Stingers you know 209 00:10:06,120 --> 00:10:08,480 Speaker 3: this have a successful Yes? 210 00:10:09,200 --> 00:10:12,040 Speaker 2: What can I give a shout out to Angus my 211 00:10:12,120 --> 00:10:15,800 Speaker 2: neighbor across the road, Ray and Jackie that's their son. 212 00:10:15,960 --> 00:10:19,920 Speaker 3: Realist As Stingers just beat the Us in the semi 213 00:10:20,000 --> 00:10:22,000 Speaker 3: so they're going to be in a gold medal match. 214 00:10:22,640 --> 00:10:25,320 Speaker 3: This is amazing. That would be one of the hardest sports. 215 00:10:25,360 --> 00:10:27,440 Speaker 3: The physical fitness it will take to be a water 216 00:10:27,520 --> 00:10:28,760 Speaker 3: polo player. Amazing. 217 00:10:29,000 --> 00:10:31,280 Speaker 1: Cronulla is going crazy for Angus as a mural. 218 00:10:31,320 --> 00:10:35,160 Speaker 2: Ironically, there's a mural on a wall in Cronulla where 219 00:10:35,200 --> 00:10:38,120 Speaker 2: I actually painted a mural. Mean when I was doing 220 00:10:38,120 --> 00:10:40,520 Speaker 2: a sign writing that was your mural, I did Jolly 221 00:10:40,600 --> 00:10:42,680 Speaker 2: Rogers sound cabin on the side. 222 00:10:42,760 --> 00:10:45,360 Speaker 1: It used to be a record bar. Jolly Rogers s. 223 00:10:45,679 --> 00:10:46,240 Speaker 3: A picture of it. 224 00:10:46,720 --> 00:10:50,760 Speaker 1: No no, I never, I never, but I will say this. 225 00:10:50,960 --> 00:10:53,880 Speaker 2: There was a like a skull and crossbones and wearing 226 00:10:53,960 --> 00:10:55,199 Speaker 2: like a slash hat. 227 00:10:56,200 --> 00:10:57,440 Speaker 3: But all I do your design? 228 00:10:57,760 --> 00:11:00,440 Speaker 2: No no, no, it being an old design and faded, 229 00:11:00,520 --> 00:11:02,680 Speaker 2: so Roger got me to pay it over the top 230 00:11:03,040 --> 00:11:05,920 Speaker 2: of that. But then I did an original version of 231 00:11:05,920 --> 00:11:08,079 Speaker 2: it my own at the front of the shop that 232 00:11:08,160 --> 00:11:11,480 Speaker 2: I didn't claim the big sidement. But Angus is he's 233 00:11:11,520 --> 00:11:13,199 Speaker 2: on the side of the building now hapulous. 234 00:11:13,240 --> 00:11:14,120 Speaker 3: I love this stuff. 235 00:11:14,200 --> 00:11:15,200 Speaker 1: It looks fantastic. 236 00:11:15,240 --> 00:11:16,319 Speaker 3: I'm all done to you. Jeffrey. 237 00:11:16,360 --> 00:11:18,640 Speaker 1: Well I you Jeffrey, Congratulations you won the jam package. 238 00:11:18,640 --> 00:11:20,480 Speaker 2: All coming away at two hundred and fifty dollars out 239 00:11:20,480 --> 00:11:23,079 Speaker 2: you at a Holy Moly golf club like golf but fun. 240 00:11:22,920 --> 00:11:24,280 Speaker 1: Two hundred dollars to spend at home. 241 00:11:24,320 --> 00:11:27,760 Speaker 2: Beautiful shop, your new favorite online shopping destination for trending 242 00:11:27,840 --> 00:11:31,120 Speaker 2: Homewar's art and interiors and Jonesy demanded character too is 243 00:11:31,120 --> 00:11:32,840 Speaker 2: for you to go in and stand up pencils, Jeffrey, 244 00:11:32,880 --> 00:11:35,640 Speaker 2: anything you'd like to add to this, No, that's wonderful. 245 00:11:35,679 --> 00:11:36,880 Speaker 8: I'm I'm amazed. 246 00:11:36,920 --> 00:11:37,960 Speaker 9: I got those questions right. 247 00:11:38,000 --> 00:11:40,319 Speaker 3: To be honest, I know, maybe going by lottery ticket 248 00:11:40,440 --> 00:11:42,720 Speaker 3: and guessing is going your way to a meth For 249 00:11:42,800 --> 00:11:46,000 Speaker 3: Amanda Jonesy and Amanda. 250 00:11:46,679 --> 00:11:54,840 Speaker 5: Podcast, I was born really ready, okay. 251 00:11:54,840 --> 00:11:56,240 Speaker 1: I just wanted to make sure that I. 252 00:11:56,240 --> 00:11:59,360 Speaker 2: Was ready ready coming through the Germanack our Big Book 253 00:11:59,360 --> 00:12:01,600 Speaker 2: of Musical Facts on this day. In nineteen seventy five, 254 00:12:01,720 --> 00:12:05,559 Speaker 2: the Biggis released their hit Jive Tour seventy five. 255 00:12:05,440 --> 00:12:06,560 Speaker 1: Nineteen seventy five. 256 00:12:06,960 --> 00:12:09,360 Speaker 2: In twenty twenty, they re released it again, but this 257 00:12:09,400 --> 00:12:10,600 Speaker 2: time with a different flavor. 258 00:12:10,920 --> 00:12:13,240 Speaker 1: Barry Gibb re released it on Green Fields. 259 00:12:13,360 --> 00:12:17,360 Speaker 2: This was an album that contained various Beg's tracks reimagined 260 00:12:17,520 --> 00:12:20,160 Speaker 2: as country songs with country music singers. 261 00:12:21,240 --> 00:12:25,040 Speaker 1: This this is country music singing. This this is Mary. 262 00:12:24,880 --> 00:12:29,040 Speaker 2: Lambert and JB K like it. 263 00:12:29,720 --> 00:12:31,720 Speaker 3: You still where your pants type while you do it? 264 00:12:32,640 --> 00:12:35,959 Speaker 1: I think, so that's the look I like. And you're 265 00:12:36,000 --> 00:12:42,480 Speaker 1: blowing a jug that's what country music people do. You know, 266 00:12:42,600 --> 00:12:44,120 Speaker 1: you just had a bit of banjo and there you. 267 00:12:44,160 --> 00:12:46,480 Speaker 3: Go to a yeehah yeehah. I might look up that 268 00:12:46,559 --> 00:12:47,600 Speaker 3: album Greenfields. 269 00:12:47,640 --> 00:12:49,800 Speaker 2: I like it, Okay, But in the meantime, let's play 270 00:12:49,840 --> 00:12:52,760 Speaker 2: the og Let's do it GM do all? There someone 271 00:12:52,800 --> 00:12:53,320 Speaker 2: at the door. 272 00:12:55,480 --> 00:12:57,280 Speaker 1: Hello, it's Julia. 273 00:12:58,640 --> 00:13:01,680 Speaker 3: I mean to say, I think I logies. Don't vote 274 00:13:01,720 --> 00:13:02,480 Speaker 3: for me, vote for me. 275 00:13:02,559 --> 00:13:02,959 Speaker 6: I don't know. 276 00:13:03,160 --> 00:13:03,720 Speaker 4: I don't care. 277 00:13:04,200 --> 00:13:05,439 Speaker 1: It's on. I think is it on? 278 00:13:05,559 --> 00:13:06,400 Speaker 3: I'm not sure it's on. 279 00:13:06,840 --> 00:13:07,120 Speaker 1: It's on? 280 00:13:07,280 --> 00:13:11,000 Speaker 3: Now, do you not doctor Robert? Robert and me? I 281 00:13:11,080 --> 00:13:11,640 Speaker 3: don't vote? 282 00:13:11,760 --> 00:13:12,079 Speaker 5: Or do it? 283 00:13:12,320 --> 00:13:12,520 Speaker 9: Do it? 284 00:13:12,640 --> 00:13:13,559 Speaker 3: I'm gold don't. 285 00:13:14,040 --> 00:13:15,880 Speaker 1: I'm I'm going to vote for you. 286 00:13:16,240 --> 00:13:17,640 Speaker 3: I am too, Julia, I love you. 287 00:13:17,800 --> 00:13:18,680 Speaker 4: I don't, no, don't. 288 00:13:18,840 --> 00:13:21,240 Speaker 3: I don't even know when they're on, they're on? Vote don't. 289 00:13:21,480 --> 00:13:23,040 Speaker 1: What would you like? Would you would you like us 290 00:13:23,080 --> 00:13:23,559 Speaker 1: to vote for you? 291 00:13:23,760 --> 00:13:24,240 Speaker 2: Of course? 292 00:13:24,480 --> 00:13:26,920 Speaker 3: Yes, No, don't. Yeah, I don't care. 293 00:13:28,000 --> 00:13:28,360 Speaker 2: Feel up. 294 00:13:28,360 --> 00:13:29,520 Speaker 1: We're going around in circles. 295 00:13:29,640 --> 00:13:32,640 Speaker 3: Oh, circles, circles. I'll give you some circles. 296 00:13:32,760 --> 00:13:36,640 Speaker 1: Circles, Okay, A vote. 297 00:13:36,400 --> 00:13:37,040 Speaker 4: Don't don't. 298 00:13:37,160 --> 00:13:42,439 Speaker 3: I don't know sign it, I don't care. Doodles. I 299 00:13:42,600 --> 00:13:46,160 Speaker 3: saw je. Julie is mad and I love her. I 300 00:13:46,240 --> 00:13:49,400 Speaker 3: saw her socials yesterday and she's mad as a cut 301 00:13:49,480 --> 00:13:51,840 Speaker 3: snake and she's just fabulous. Vote for Julia. 302 00:13:54,160 --> 00:13:56,680 Speaker 1: Uh management, right city to serve this Sunday? 303 00:13:57,960 --> 00:14:00,880 Speaker 3: Doesn't that come up? Let's do team run? 304 00:14:00,960 --> 00:14:01,480 Speaker 1: Why don't we all? 305 00:14:01,559 --> 00:14:03,000 Speaker 3: I was in Africa, I've had the team run. 306 00:14:03,120 --> 00:14:04,599 Speaker 1: Now, why don't we all dressed up like gorillas and 307 00:14:04,679 --> 00:14:05,720 Speaker 1: run in the city to run? 308 00:14:05,800 --> 00:14:06,959 Speaker 3: I have shaved my legs. Thank you? 309 00:14:07,120 --> 00:14:07,800 Speaker 1: Are we on board? 310 00:14:07,920 --> 00:14:07,959 Speaker 6: No? 311 00:14:08,360 --> 00:14:11,360 Speaker 3: No, nor me, but good luck to everyone who's going 312 00:14:11,400 --> 00:14:11,520 Speaker 3: to me. 313 00:14:11,640 --> 00:14:13,320 Speaker 1: If I just run by myself, it's a gorilla. 314 00:14:13,360 --> 00:14:16,400 Speaker 3: No, it's interesting. With all the stuff of the Olympics, 315 00:14:16,440 --> 00:14:17,800 Speaker 3: this is just snuck up, hasn't it. 316 00:14:17,880 --> 00:14:20,480 Speaker 2: Yeah, yeah, yeah, Today's five few flashback running songs. Play 317 00:14:20,520 --> 00:14:21,200 Speaker 2: well the management. 318 00:14:22,320 --> 00:14:23,840 Speaker 3: It's a couple of goodies I can think of. 319 00:14:24,040 --> 00:14:31,800 Speaker 1: I've got a ripper o there ye jam nation right 320 00:14:31,920 --> 00:14:34,479 Speaker 1: now it's free instance. 321 00:14:37,200 --> 00:14:38,400 Speaker 3: And Amanda's. 322 00:14:39,680 --> 00:14:42,360 Speaker 2: Keep on running. Ten questions sixty seconds on the clock. 323 00:14:42,400 --> 00:14:43,880 Speaker 2: You can pass if you don't know an answer. We'll 324 00:14:43,920 --> 00:14:45,960 Speaker 2: come back to that question of time permits. You get 325 00:14:45,960 --> 00:14:48,160 Speaker 2: all the questions right, one thousand dollars. 326 00:14:48,200 --> 00:14:49,960 Speaker 3: You want to make it two thousand dollars, of course 327 00:14:50,000 --> 00:14:52,840 Speaker 3: you do. But there's some jeopardy one extra bonus question. 328 00:14:53,000 --> 00:14:56,680 Speaker 3: I'm looking at it now, but it's double or nothing. 329 00:14:57,560 --> 00:14:58,400 Speaker 1: Zoey's in Gordon. 330 00:14:58,480 --> 00:15:01,960 Speaker 3: Hello, Zoe, Hi, good morning, good morning. Let's see what 331 00:15:02,000 --> 00:15:03,960 Speaker 3: we can do for you today. We've got ten questions. 332 00:15:04,000 --> 00:15:06,600 Speaker 3: We've got sixty seconds. We always say this. If you're 333 00:15:06,640 --> 00:15:08,600 Speaker 3: not sure, say passed because you might have time to 334 00:15:08,640 --> 00:15:12,040 Speaker 3: come back. Okay, okay, don't blow it too early. Here 335 00:15:12,080 --> 00:15:14,480 Speaker 3: we go, Zoey, good luck. Here is question number one? 336 00:15:14,920 --> 00:15:16,360 Speaker 3: How many months are there in a year? 337 00:15:17,440 --> 00:15:17,760 Speaker 7: Twelve? 338 00:15:18,080 --> 00:15:20,280 Speaker 3: Question two? Pickles are made from what vegetable? 339 00:15:21,640 --> 00:15:22,200 Speaker 7: Cucumbers? 340 00:15:22,480 --> 00:15:27,640 Speaker 3: Question three? Which African animal is known for its good memory? Ellison? 341 00:15:28,000 --> 00:15:30,680 Speaker 3: Question four? A trucker's hitch is a type of what. 342 00:15:32,200 --> 00:15:32,720 Speaker 8: October? 343 00:15:34,960 --> 00:15:41,680 Speaker 3: It's a not not. Oh, Zoey, we may thank you 344 00:15:41,880 --> 00:15:43,760 Speaker 3: one hundred bucks to be getting on with what's happened 345 00:15:43,760 --> 00:15:44,040 Speaker 3: to us. 346 00:15:44,040 --> 00:15:46,160 Speaker 1: Slowly, we're just not getting past question four. 347 00:15:46,280 --> 00:15:48,320 Speaker 3: Oh thank you, Zoe. I thought you've got to get that. 348 00:15:48,560 --> 00:15:49,600 Speaker 1: I thought it was going to happen. 349 00:15:50,080 --> 00:15:53,280 Speaker 3: Oh we tried again. Monday, Hey, jam Na said. 350 00:15:59,480 --> 00:16:03,320 Speaker 2: Fight for your flashback two songs into one song, leave 351 00:16:03,400 --> 00:16:06,800 Speaker 2: city to surf This Sunday, I suggested us as a 352 00:16:06,840 --> 00:16:08,520 Speaker 2: team go dressed as gorillas. 353 00:16:08,640 --> 00:16:10,240 Speaker 3: That was shouted down very quickly. 354 00:16:10,600 --> 00:16:12,240 Speaker 1: But I can't go by myself as a gorilla. You 355 00:16:12,280 --> 00:16:14,520 Speaker 1: can't be a lone gorilla. You're gonna have a phalanx 356 00:16:14,560 --> 00:16:15,160 Speaker 1: of gorillas. 357 00:16:15,600 --> 00:16:18,760 Speaker 3: You could be old Silverback. Just wear your speedos. 358 00:16:19,520 --> 00:16:22,440 Speaker 2: Today's five for your flashback running songs. Play well the management. 359 00:16:22,960 --> 00:16:26,800 Speaker 2: Last week les Alice Ellis Liz Ellis one for You, 360 00:16:27,240 --> 00:16:29,760 Speaker 2: the week before I Beat, I wiped the floor of 361 00:16:29,840 --> 00:16:30,680 Speaker 2: Angela Bishop. 362 00:16:30,800 --> 00:16:33,320 Speaker 1: Okay, so we're one from one while you were away. 363 00:16:33,320 --> 00:16:36,320 Speaker 3: All right, Well, let's clear the slate. I'll go first, Shallow, 364 00:16:36,840 --> 00:16:38,760 Speaker 3: if you would like to, I've gone with a song 365 00:16:39,120 --> 00:16:41,400 Speaker 3: that I have love for Yous was released in nineteen 366 00:16:41,440 --> 00:16:43,640 Speaker 3: seventy seven. I had a huge crush on this guy 367 00:16:43,720 --> 00:16:46,600 Speaker 3: with his big gooey eyes, his big brown eyes. I 368 00:16:46,760 --> 00:16:49,000 Speaker 3: loved him. I love Jackson Brown, and I love this 369 00:16:49,120 --> 00:16:51,080 Speaker 3: song running on him. 370 00:16:51,960 --> 00:17:09,120 Speaker 2: I see where you're going. Great start, And in Forrest Gump, 371 00:17:09,200 --> 00:17:09,960 Speaker 2: your favorite movie. 372 00:17:10,080 --> 00:17:13,280 Speaker 3: It was in Forrest Gump. It's been in the film Blow, 373 00:17:13,400 --> 00:17:16,119 Speaker 3: It's been in the Simpsons, it's been a supernatural. That 374 00:17:18,760 --> 00:17:19,600 Speaker 3: such a good sluck. 375 00:17:21,200 --> 00:17:24,600 Speaker 2: What have you got the in top that bend, I'll 376 00:17:24,720 --> 00:17:27,080 Speaker 2: see you're running on empty and I'll raise you with 377 00:17:27,400 --> 00:17:27,960 Speaker 2: run run. 378 00:17:27,960 --> 00:17:29,200 Speaker 1: Away, Slave. 379 00:17:29,440 --> 00:17:30,720 Speaker 3: I love Slave. 380 00:17:32,960 --> 00:17:44,520 Speaker 1: The comebacks on of nineteen eighty four eighty four It's 381 00:17:44,560 --> 00:17:45,440 Speaker 1: Got Everything You Need. 382 00:17:46,359 --> 00:17:49,440 Speaker 3: That's a documentary on YouTube recently that had Natty Holder 383 00:17:49,760 --> 00:17:56,280 Speaker 3: yep from Slave. I what a smart lovely man because 384 00:17:56,280 --> 00:17:57,240 Speaker 3: they look so kooky. 385 00:17:57,520 --> 00:18:00,760 Speaker 1: So that's nice menty water hack Yeah as. 386 00:18:00,640 --> 00:18:02,480 Speaker 3: Another guy that had a haircut like a coconut. 387 00:18:05,960 --> 00:18:07,440 Speaker 1: Oh yeah, good song. 388 00:18:08,040 --> 00:18:09,200 Speaker 3: That's a fir mine of course. 389 00:18:09,280 --> 00:18:11,440 Speaker 1: Why I prefer mine much more than would you like 390 00:18:11,560 --> 00:18:11,840 Speaker 1: to hear? 391 00:18:12,040 --> 00:18:14,280 Speaker 3: Give us a call thirteen WSFM, or you can vide 392 00:18:14,280 --> 00:18:16,120 Speaker 3: on an Instagram story at Jones and Amanda. 393 00:18:16,240 --> 00:18:18,200 Speaker 1: Five for your flashback if you're a man of the match, 394 00:18:18,320 --> 00:18:19,880 Speaker 1: a High eight Highatt. 395 00:18:19,560 --> 00:18:23,120 Speaker 2: Regency staycation package which includes the Harbor of You Kingraom. 396 00:18:23,200 --> 00:18:25,320 Speaker 1: We've been in that room. How good is it? The 397 00:18:25,440 --> 00:18:27,320 Speaker 1: buffet breakfast in the sale Maker. 398 00:18:27,160 --> 00:18:29,040 Speaker 3: Restaurant is georgeous hotel. You'll love it. 399 00:18:29,160 --> 00:18:34,800 Speaker 1: We only stay at Highatt Regency. Sham Notion podcast where 400 00:18:34,840 --> 00:18:36,080 Speaker 1: into you fight for your flashback? 401 00:18:36,160 --> 00:18:39,480 Speaker 2: City to Serve Sunday Today's five for your flashback Running 402 00:18:39,560 --> 00:18:40,679 Speaker 2: songs play Wilder management. 403 00:18:40,880 --> 00:18:43,119 Speaker 3: Have you gone with? One of my favorite songs? It's 404 00:18:43,200 --> 00:18:46,080 Speaker 3: Jackson Brown from seventy seven Running on empty. 405 00:18:52,280 --> 00:18:54,080 Speaker 1: From your favorite movie Forrest Gun. 406 00:18:54,560 --> 00:18:57,280 Speaker 3: I didn't like that film, and I love my film. 407 00:18:57,560 --> 00:18:59,680 Speaker 3: What's been going through something in my life that maybe 408 00:18:59,760 --> 00:19:00,919 Speaker 3: not I can I can't remember. 409 00:19:02,880 --> 00:19:03,280 Speaker 1: I've gone. 410 00:19:03,359 --> 00:19:04,840 Speaker 3: I'm going to talk through your song. Now, what are 411 00:19:04,880 --> 00:19:05,280 Speaker 3: you going with? 412 00:19:06,200 --> 00:19:09,320 Speaker 1: What would be just the usual thing, wouldn't it, rigod Assula, 413 00:19:10,040 --> 00:19:13,000 Speaker 1: I've gone and Slade and run run Away. 414 00:19:16,800 --> 00:19:17,119 Speaker 6: Slave. 415 00:19:20,280 --> 00:19:22,320 Speaker 3: This makes me think of my friend Janet. She passed 416 00:19:22,359 --> 00:19:25,280 Speaker 3: away the age of forty one with a brains best 417 00:19:25,359 --> 00:19:28,639 Speaker 3: friend years when we grew up, she introduced me to Slade. 418 00:19:28,680 --> 00:19:30,880 Speaker 3: She loved Slaye. I think of her every time. 419 00:19:31,040 --> 00:19:34,480 Speaker 1: So really, the spirit of Janet, vote for my song. 420 00:19:34,760 --> 00:19:37,040 Speaker 3: She would have you also loved Jackson brown. 421 00:19:37,119 --> 00:19:39,600 Speaker 2: Us dressed as gorillas running in the city to serve 422 00:19:40,240 --> 00:19:41,840 Speaker 2: with that blaring out through. 423 00:19:41,760 --> 00:19:42,720 Speaker 1: Our ui booms. 424 00:19:42,840 --> 00:19:46,000 Speaker 3: Imagine Brendon Jean's in stan Hope, gud Hello Dean, fight 425 00:19:46,080 --> 00:19:46,879 Speaker 3: for your flashback. 426 00:19:48,000 --> 00:19:52,680 Speaker 6: Good morning Jonesy, Good morning Amanda. Welcome back to have 427 00:19:52,840 --> 00:19:56,520 Speaker 6: a level of professionalism back on morning radio with you 428 00:19:56,680 --> 00:19:57,879 Speaker 6: back in the Amanda. 429 00:20:00,359 --> 00:20:07,200 Speaker 7: But he didn't do a good job either, mate, Jonesy. 430 00:20:09,440 --> 00:20:10,920 Speaker 7: Look I've got to go with you, Amanda. 431 00:20:11,359 --> 00:20:15,200 Speaker 3: Dean, thank you on all levels. I appreciate Paul's in 432 00:20:15,240 --> 00:20:17,400 Speaker 3: Alfred's point Illo, Paul, fight for your flashback. 433 00:20:18,320 --> 00:20:20,760 Speaker 9: Hi, guys, Hi, welcome back, Amanda, Thank you. 434 00:20:21,080 --> 00:20:24,080 Speaker 6: Okay, I've got to go for the loudest band of 435 00:20:24,119 --> 00:20:26,480 Speaker 6: the world live they weren't. 436 00:20:26,040 --> 00:20:27,879 Speaker 1: They the loudest band? And what I was it was 437 00:20:28,720 --> 00:20:31,119 Speaker 1: deep purple but no slave. Thank you. 438 00:20:31,200 --> 00:20:31,440 Speaker 10: Paul. 439 00:20:31,840 --> 00:20:35,119 Speaker 3: Myleen is in Kingswood him my Leen Fight for your flashback. Hi. 440 00:20:35,720 --> 00:20:38,200 Speaker 4: I was dying before you even finished, Amanda. 441 00:20:38,600 --> 00:20:40,520 Speaker 10: Of course it's running on empty. That was my cleaning 442 00:20:40,600 --> 00:20:42,800 Speaker 10: song and my gym song, popping in the cassette player 443 00:20:42,840 --> 00:20:43,440 Speaker 10: and off our way. 444 00:20:43,680 --> 00:20:46,840 Speaker 1: I love you, so you don't clean or do jim anymore? 445 00:20:51,520 --> 00:20:53,720 Speaker 3: Fabulous We take more of your calls. You can vote 446 00:20:53,720 --> 00:20:56,439 Speaker 3: on double thirteen WSFM or on an Instagram story at 447 00:20:56,520 --> 00:20:59,360 Speaker 3: Jonesy and Amanda Jonesy and Amanda. 448 00:21:00,119 --> 00:21:13,080 Speaker 11: Podcast Fight for Your Flashback two songs and to one 449 00:21:13,200 --> 00:21:16,200 Speaker 11: song leaves management roade this morning city to serve this Sunday. 450 00:21:16,240 --> 00:21:18,560 Speaker 1: Today's Fight for Your Flashback. I'm disappointed that we're not 451 00:21:18,760 --> 00:21:21,040 Speaker 1: dressing as gorillas and running in the sea to serve 452 00:21:21,119 --> 00:21:21,639 Speaker 1: on Sunday. 453 00:21:21,840 --> 00:21:24,320 Speaker 3: I'd have to shave my legs. I can't go there, 454 00:21:24,880 --> 00:21:25,840 Speaker 3: so they're more airy. 455 00:21:26,280 --> 00:21:28,520 Speaker 1: Because one gorilla is not funny. 456 00:21:28,960 --> 00:21:31,000 Speaker 3: She was a giant silver bag running in your speed. 457 00:21:31,080 --> 00:21:33,240 Speaker 2: What about if Ryan and I scow as gorillas and 458 00:21:33,359 --> 00:21:36,080 Speaker 2: you go a Sigourney Weaver and like where gorilla's in 459 00:21:36,119 --> 00:21:37,840 Speaker 2: the mist, and I'll get Brian Brown in. 460 00:21:38,160 --> 00:21:39,000 Speaker 1: He'll have a go. 461 00:21:39,200 --> 00:21:41,800 Speaker 3: Have you ever seen me run? It's not going to happen, 462 00:21:41,880 --> 00:21:44,440 Speaker 3: But I support everyone who's doing this on Sunday, Well done, 463 00:21:44,960 --> 00:21:47,520 Speaker 3: So songs about running, songs about run. I have gone 464 00:21:47,560 --> 00:21:50,480 Speaker 3: with this fabulous song from nineteen seventy seven from my 465 00:21:50,520 --> 00:22:05,240 Speaker 3: big crushy Jackson Brown. What a song? What have you got? 466 00:22:06,200 --> 00:22:07,560 Speaker 2: Well, I've gone with a great song. And if you 467 00:22:07,680 --> 00:22:10,200 Speaker 2: dressed this a gorilla, this is going to spurn you 468 00:22:10,359 --> 00:22:13,399 Speaker 2: on to do great things. I give you slade and 469 00:22:13,520 --> 00:22:23,600 Speaker 2: run run away. I just stabbed myself in the face 470 00:22:23,680 --> 00:22:24,160 Speaker 2: of the peak. 471 00:22:24,359 --> 00:22:26,119 Speaker 3: So he also said spurn you on. I think you 472 00:22:26,200 --> 00:22:30,200 Speaker 3: means spur you on. Spur Yeah, Well, those are our songs. 473 00:22:30,240 --> 00:22:31,040 Speaker 3: What would you like to hear? 474 00:22:31,200 --> 00:22:31,400 Speaker 1: Hello? 475 00:22:31,520 --> 00:22:33,520 Speaker 3: Li and fight for your flashback? 476 00:22:34,320 --> 00:22:35,720 Speaker 7: Good morning, Amanda, how are you? 477 00:22:36,000 --> 00:22:36,360 Speaker 3: I'm well? 478 00:22:36,440 --> 00:22:42,000 Speaker 6: Thank you too, Jaz, Thanks Lee. Look, I don't like 479 00:22:42,119 --> 00:22:46,520 Speaker 6: your songs. Jazzy, but I'm always running on empty soul. Mandy, 480 00:22:46,560 --> 00:22:47,080 Speaker 6: You've got. 481 00:22:47,000 --> 00:22:47,960 Speaker 8: My vote this morning. 482 00:22:47,960 --> 00:22:51,080 Speaker 3: I love it. Thank you, Lee, Kathleen, Kathleen's in Campsy. 483 00:22:51,160 --> 00:22:56,479 Speaker 3: Fight for your flashback. Welcome back, Amanda. Thank you if 484 00:22:56,560 --> 00:22:59,040 Speaker 3: you're Vanda, your song is great, better than the James. 485 00:22:59,240 --> 00:23:00,960 Speaker 3: People seem to like my song today. 486 00:23:01,040 --> 00:23:03,320 Speaker 1: I don't think we need sort of editor. I think 487 00:23:03,359 --> 00:23:06,360 Speaker 1: maybe we do. Fraser is with us in Wilton. Hi Fraser, 488 00:23:07,480 --> 00:23:10,200 Speaker 1: Hey guys, venge you Jones good Man. 489 00:23:10,160 --> 00:23:13,479 Speaker 2: Fraser the voice of the youth speaking a song from 490 00:23:13,560 --> 00:23:14,400 Speaker 2: nineteen eighty four. 491 00:23:14,600 --> 00:23:16,520 Speaker 1: Thank you the youth on my side. 492 00:23:16,680 --> 00:23:18,720 Speaker 3: Robertson ridle me a fight for your flashback? 493 00:23:20,160 --> 00:23:23,800 Speaker 4: Hell sorry, Jonesy, It's got to be Amanda. 494 00:23:23,440 --> 00:23:26,919 Speaker 3: All the way, running on empty. We've got one more call, though, Carolyn, 495 00:23:27,040 --> 00:23:29,800 Speaker 3: Carolyn Milperra is going to tell us who is the 496 00:23:29,880 --> 00:23:32,440 Speaker 3: winner today. Over to you, Carolyn, fight for your flashback. 497 00:23:32,600 --> 00:23:36,720 Speaker 9: Oh well, while I love flight jack a Brown song 498 00:23:36,880 --> 00:23:38,119 Speaker 9: was the first one I thought of. 499 00:23:38,200 --> 00:23:39,199 Speaker 8: And if I was doing that. 500 00:23:41,480 --> 00:23:44,280 Speaker 7: City to surf, I would definitely be sucking on those 501 00:23:44,359 --> 00:23:46,800 Speaker 7: gel packs because I would be running on empty. 502 00:23:47,280 --> 00:23:47,879 Speaker 3: Let's hear it. 503 00:23:48,000 --> 00:23:50,160 Speaker 1: And would you be dressed as a Gorilla Carolyn. 504 00:23:51,280 --> 00:23:54,960 Speaker 3: No, no, I wouldn't a menopausal I'd get way too 505 00:23:55,040 --> 00:23:56,960 Speaker 3: hot in that. Yeah, it's a big way to overheat it. 506 00:23:57,080 --> 00:23:59,880 Speaker 2: Maybe maybe a borat costume would lck to everyone's sat 507 00:24:00,040 --> 00:24:00,919 Speaker 2: on the Joel packs. 508 00:24:01,400 --> 00:24:02,920 Speaker 3: Here is today's winning song. 509 00:24:03,080 --> 00:24:04,080 Speaker 1: Congratulates you. 510 00:24:04,400 --> 00:24:06,760 Speaker 3: Here we go Jackson Brown running on Him. 511 00:24:09,280 --> 00:24:11,800 Speaker 1: Podcast. Let's get down to the jokes. No matter as 512 00:24:11,960 --> 00:24:12,359 Speaker 1: the pub. 513 00:24:12,280 --> 00:24:16,399 Speaker 3: Test, do you sy one today? Women proposing to men? 514 00:24:16,480 --> 00:24:18,560 Speaker 3: Does it pass the pub test? I saw something at 515 00:24:18,560 --> 00:24:23,000 Speaker 3: the Olympics at a French runner, Alice pitp Finl. She 516 00:24:23,160 --> 00:24:27,639 Speaker 3: helped break the European women's seeple chase record and then 517 00:24:27,840 --> 00:24:31,199 Speaker 3: ran to where the crowd was and proposed to her 518 00:24:31,359 --> 00:24:34,480 Speaker 3: longtime boyfriend, a Spanish triathlete. Doesn't get sexier than that. 519 00:24:34,640 --> 00:24:35,159 Speaker 1: That's sexy. 520 00:24:35,240 --> 00:24:37,119 Speaker 3: But I saw a co and people go through this wonderful? 521 00:24:37,160 --> 00:24:41,080 Speaker 3: Isn't this great? A comment? Underneath? It made me wonder 522 00:24:41,119 --> 00:24:44,920 Speaker 3: what people think if your girl proposes to you, especially 523 00:24:45,000 --> 00:24:49,080 Speaker 3: during the Olympics, You're cooked. There's nothing more emasculating than 524 00:24:49,119 --> 00:24:53,840 Speaker 3: a woman proposing. Is that how men really think? Is 525 00:24:53,920 --> 00:24:54,680 Speaker 3: that how women think? 526 00:24:54,720 --> 00:24:54,960 Speaker 8: For me? 527 00:24:54,960 --> 00:24:55,520 Speaker 1: A bit simp? 528 00:24:56,480 --> 00:24:56,960 Speaker 3: What's simple? 529 00:24:58,440 --> 00:24:59,000 Speaker 1: You're a simp? 530 00:24:59,520 --> 00:25:04,000 Speaker 3: Well, that's explanation simp. You're as simp's simp. 531 00:25:04,600 --> 00:25:06,040 Speaker 5: I think it's like a simpleton. 532 00:25:06,600 --> 00:25:07,480 Speaker 1: I'm not a simple name. 533 00:25:07,720 --> 00:25:10,199 Speaker 3: It's simply that you're is simp. That you've had your 534 00:25:10,320 --> 00:25:11,080 Speaker 3: esticles taken up? 535 00:25:11,119 --> 00:25:13,399 Speaker 1: Yeah, pretty much, you're like, you know, you're whipped. 536 00:25:14,040 --> 00:25:16,760 Speaker 3: Well, it's interesting because deep down this is one of 537 00:25:16,840 --> 00:25:22,680 Speaker 3: the big traditions that traditionally men propose and women. It 538 00:25:22,800 --> 00:25:24,439 Speaker 3: goes to the base of stuff, doesn't it. You can 539 00:25:24,480 --> 00:25:26,560 Speaker 3: be a big feminist and still think you want to 540 00:25:26,600 --> 00:25:29,119 Speaker 3: be proposed to. But you look at the stats. I mean, 541 00:25:29,200 --> 00:25:32,200 Speaker 3: only two percent of women proposed to men, But this 542 00:25:32,359 --> 00:25:35,320 Speaker 3: recent study found that seventy percent of men would be 543 00:25:35,400 --> 00:25:38,719 Speaker 3: excited if a woman proposed. Ninety five percent of men 544 00:25:38,760 --> 00:25:42,320 Speaker 3: are open to women proposing making the first move in relationships. 545 00:25:42,359 --> 00:25:43,639 Speaker 3: So maybe we're moving on and it. 546 00:25:43,680 --> 00:25:46,040 Speaker 1: Depends is doing the proposing. If it was like Blake 547 00:25:46,240 --> 00:25:49,000 Speaker 1: Lively live what's the name Lively? 548 00:25:49,280 --> 00:25:51,520 Speaker 2: Yeah it was her or Sidney Sweeney proposing to me, 549 00:25:51,560 --> 00:25:52,560 Speaker 2: I'd probably go yeah, right. 550 00:25:52,600 --> 00:25:55,159 Speaker 3: Yeah, No, you're missing the point. It's not who you 551 00:25:55,480 --> 00:25:59,639 Speaker 3: who you're fantasizing about it. It's if your relationship focus 552 00:26:00,000 --> 00:26:01,640 Speaker 3: and I'm trying. 553 00:26:01,480 --> 00:26:03,320 Speaker 1: To I'm trying to work out how old I am 554 00:26:03,920 --> 00:26:05,400 Speaker 1: compet Would. 555 00:26:05,280 --> 00:26:11,200 Speaker 3: You like a woman to propose to you? How would 556 00:26:11,240 --> 00:26:14,360 Speaker 3: you feel? Would you feel emasculated. 557 00:26:13,760 --> 00:26:17,400 Speaker 2: Because men men? If you left like men don't want 558 00:26:17,400 --> 00:26:18,919 Speaker 2: to get married, I think what happens. 559 00:26:18,920 --> 00:26:19,600 Speaker 3: I don't believe that. 560 00:26:19,840 --> 00:26:22,280 Speaker 1: Women the woman if they propose, the men's going to 561 00:26:22,320 --> 00:26:24,040 Speaker 1: go oh no, no, that's a no. For me, that's 562 00:26:24,080 --> 00:26:24,560 Speaker 1: a hard no. 563 00:26:25,040 --> 00:26:27,439 Speaker 3: So that's the that's why they're why men propose, They 564 00:26:27,480 --> 00:26:27,879 Speaker 3: don't want to. 565 00:26:27,840 --> 00:26:30,520 Speaker 2: Get Eventually, men just take a long time to get 566 00:26:30,640 --> 00:26:33,600 Speaker 2: round to them, you know, they just take a long time. 567 00:26:33,640 --> 00:26:35,440 Speaker 1: You look at all the single guys that we know 568 00:26:35,560 --> 00:26:38,600 Speaker 1: that aren't married, and all the people we know who are. Yeah, 569 00:26:38,600 --> 00:26:40,880 Speaker 1: I know. But what I'm saying is some guys are saying. 570 00:26:40,720 --> 00:26:43,200 Speaker 3: Well, I don't think that's right that only women want 571 00:26:43,240 --> 00:26:46,040 Speaker 3: to get married. Otherwise all women would be proposing and 572 00:26:46,119 --> 00:26:46,879 Speaker 3: men to be saying no. 573 00:26:47,480 --> 00:26:48,840 Speaker 1: This is why we're in the pub. This is the 574 00:26:48,880 --> 00:26:49,320 Speaker 1: pub test. 575 00:26:49,359 --> 00:26:54,320 Speaker 3: You've said nothing, how old am I? Women proposing to men? 576 00:26:55,160 --> 00:26:56,239 Speaker 3: Does it pass the pub teme? 577 00:26:56,280 --> 00:26:57,639 Speaker 1: We'd love to hear from you. We'll have that for 578 00:26:57,720 --> 00:26:58,880 Speaker 1: you at eight o'clock. 579 00:27:00,160 --> 00:27:03,399 Speaker 2: Summer sporting event over there in Paris is continuing on 580 00:27:03,520 --> 00:27:04,840 Speaker 2: and I'm just enjoying it. 581 00:27:05,080 --> 00:27:08,280 Speaker 3: Well, it's interesting that normally Australia's dropped out of the 582 00:27:08,320 --> 00:27:11,119 Speaker 3: metal tally by now, but we haven't. And normally this 583 00:27:11,160 --> 00:27:13,960 Speaker 3: is where we start talking about per capita. But this 584 00:27:14,080 --> 00:27:14,960 Speaker 3: is the best we've ever had. 585 00:27:15,080 --> 00:27:16,040 Speaker 1: Are we going? Can we? 586 00:27:16,200 --> 00:27:18,760 Speaker 3: Well, I'll tell you we are coming third overall, which 587 00:27:18,800 --> 00:27:21,760 Speaker 3: is extraordinary when you do boil it down to per capita. 588 00:27:22,119 --> 00:27:26,520 Speaker 3: This is a gold medal tally per capita. We are 589 00:27:26,560 --> 00:27:28,960 Speaker 3: the lead Olympic country with the most medals per capita. 590 00:27:29,080 --> 00:27:32,400 Speaker 3: Let me just say this. Australia has one gold per 591 00:27:32,600 --> 00:27:34,119 Speaker 3: one point four million people. 592 00:27:34,400 --> 00:27:35,040 Speaker 1: That's pretty good. 593 00:27:35,320 --> 00:27:38,919 Speaker 3: USA, who's coming first, has one gold medal per twelve 594 00:27:39,040 --> 00:27:43,760 Speaker 3: point three million people. China, yep is coming second, has 595 00:27:43,880 --> 00:27:47,359 Speaker 3: one gold per fifty six million people. Listen to it 596 00:27:47,440 --> 00:27:49,879 Speaker 3: in this context, For China to beat Australia's score of 597 00:27:49,960 --> 00:27:54,160 Speaker 3: medals per capita, they would need to win almost thirteen 598 00:27:54,680 --> 00:27:58,280 Speaker 3: hundred more medals, more than are available at any given game. Well, 599 00:27:58,400 --> 00:27:59,960 Speaker 3: in your face, are we amazed? 600 00:28:00,200 --> 00:28:00,680 Speaker 1: We're good? 601 00:28:00,920 --> 00:28:03,239 Speaker 3: And let's look at the gender breakdown. Women have won 602 00:28:03,359 --> 00:28:04,879 Speaker 3: thirteen of the eighteen gold medals. 603 00:28:04,880 --> 00:28:06,000 Speaker 1: So do you give it up for the girls? 604 00:28:06,480 --> 00:28:09,040 Speaker 3: Yeah, maybe we should. You know women's sport. Isn't it 605 00:28:09,119 --> 00:28:10,280 Speaker 3: interesting that people love it well? 606 00:28:10,320 --> 00:28:11,200 Speaker 1: The artistic swimming. 607 00:28:13,280 --> 00:28:15,240 Speaker 3: Have you seen some of those pictures of those costumes. 608 00:28:15,280 --> 00:28:17,560 Speaker 2: I've seen them. Who's doing the camera angles on that? 609 00:28:17,800 --> 00:28:20,800 Speaker 2: Like the cameraman from the eighties from Channel nine cricket. 610 00:28:22,160 --> 00:28:25,760 Speaker 3: Half the time, half is in there. I've seen some 611 00:28:25,920 --> 00:28:29,960 Speaker 3: pictures where you go, that would hurt. That's right up there, 612 00:28:30,040 --> 00:28:33,760 Speaker 3: that's right up there. Their bodies are extraordinary. There's no 613 00:28:34,160 --> 00:28:41,480 Speaker 3: unnecessary mounds. It's just full athletic body. It's like surface late. 614 00:28:41,960 --> 00:28:43,160 Speaker 1: It's the best mound you want to say. 615 00:28:44,120 --> 00:28:47,840 Speaker 3: There's hardly any mound. It's amazing. Do you know in 616 00:28:48,000 --> 00:28:51,320 Speaker 3: the in the beach volleyball, let's get to that a 617 00:28:51,400 --> 00:28:53,560 Speaker 3: lot of people are enjoying that. Do you know why 618 00:28:53,600 --> 00:28:55,880 Speaker 3: the sand doesn't stick to them? Because it's a very 619 00:28:56,040 --> 00:28:58,120 Speaker 3: specific kind of sand. It's not just sand you get 620 00:28:58,160 --> 00:29:01,840 Speaker 3: at Bondo Beach. There are categories for the sand to 621 00:29:02,120 --> 00:29:06,560 Speaker 3: pass for them to be in an Olympic event. So 622 00:29:06,880 --> 00:29:12,120 Speaker 3: the International Volleyball Federation has very strict specifications, so the 623 00:29:12,200 --> 00:29:14,600 Speaker 3: sand has to be sieved so it's not too coarse 624 00:29:15,440 --> 00:29:18,160 Speaker 3: or so it can't be too fine because it would 625 00:29:18,160 --> 00:29:20,720 Speaker 3: stick to them. It has to be naturally weathered to 626 00:29:20,800 --> 00:29:24,720 Speaker 3: give rounded edges that aid flow and drainage. This is 627 00:29:24,800 --> 00:29:27,680 Speaker 3: what they stated from the Tokyo Games. If it's too small, 628 00:29:27,800 --> 00:29:31,000 Speaker 3: the sand becomes dusty and compacts over the course of 629 00:29:31,040 --> 00:29:34,120 Speaker 3: a match. If it's too large, it scrapes the player's 630 00:29:34,240 --> 00:29:37,920 Speaker 3: skin when they dive. So under these regulations, the sand 631 00:29:37,960 --> 00:29:41,840 Speaker 3: has to be forty centimeters deep across all cords. It 632 00:29:42,000 --> 00:29:44,720 Speaker 3: has to ensure that up to ninety two percent of 633 00:29:44,800 --> 00:29:49,120 Speaker 3: the sand granules are coarse or medium grade, so that 634 00:29:49,200 --> 00:29:51,880 Speaker 3: the smoother grains in the sand can touch the person's 635 00:29:51,920 --> 00:29:55,200 Speaker 3: skin without sticking to it. And the colour has to 636 00:29:55,240 --> 00:29:59,600 Speaker 3: be esthetically pleasing. And all organic material like pebbles, shells 637 00:29:59,640 --> 00:30:02,080 Speaker 3: and seas we sifted out. They sed it was in Sydney. 638 00:30:02,080 --> 00:30:04,280 Speaker 3: You'd have a lot of broken glass cigarette buttson sing. 639 00:30:04,480 --> 00:30:06,200 Speaker 1: The odd syringe and the odd syringe. 640 00:30:07,560 --> 00:30:11,000 Speaker 3: No you don't, Brendan, you do not. So I love 641 00:30:11,040 --> 00:30:13,640 Speaker 3: all these extra little stories we're getting from the Olympics, 642 00:30:13,640 --> 00:30:15,840 Speaker 3: and how good are we? And stop looking at the pictures, 643 00:30:15,880 --> 00:30:23,240 Speaker 3: Brendan close up, stop zooming in the Zooming Shit podcast, 644 00:30:23,760 --> 00:30:25,120 Speaker 3: When God. 645 00:30:26,960 --> 00:30:27,520 Speaker 7: Right now. 646 00:30:30,200 --> 00:30:34,680 Speaker 1: Windows, stick your head out and yell hell. 647 00:30:37,320 --> 00:30:39,520 Speaker 2: Down to the matter of arms for the pub test 648 00:30:39,760 --> 00:30:41,360 Speaker 2: women proposing to men? 649 00:30:41,480 --> 00:30:42,840 Speaker 1: Does this pass the pub test? 650 00:30:42,920 --> 00:30:46,760 Speaker 3: French runner Alice Finot won a gold medal, runs over 651 00:30:46,840 --> 00:30:50,560 Speaker 3: to the side where her family are waiting and proposes 652 00:30:50,640 --> 00:30:54,120 Speaker 3: to her boyfriend. The comment underneath I thought was very interesting. 653 00:30:54,240 --> 00:30:57,360 Speaker 3: Someone said, if your girl proposes to you, especially during 654 00:30:57,360 --> 00:31:00,479 Speaker 3: the Olympics, you're cooked. Nothing is more a masculine. Then 655 00:31:00,520 --> 00:31:03,479 Speaker 3: a woman proposed, does she come with a ring? An 656 00:31:03,480 --> 00:31:04,719 Speaker 3: Olympic pin she gave him? 657 00:31:05,040 --> 00:31:08,400 Speaker 1: Okay, so then buy a ring. How good is that 658 00:31:09,080 --> 00:31:10,120 Speaker 1: he's off the hook with the ring. 659 00:31:10,240 --> 00:31:12,560 Speaker 3: No, it's not about that. It's about the feeling. How 660 00:31:12,640 --> 00:31:16,280 Speaker 3: do men feel and women feel if the roles are switched. 661 00:31:16,440 --> 00:31:19,600 Speaker 3: Traditionally men have done the proposing women like a gesture. 662 00:31:20,040 --> 00:31:22,240 Speaker 3: And I can see why you think I want to 663 00:31:22,280 --> 00:31:25,040 Speaker 3: be loved so much that he proposed and the minute 664 00:31:25,080 --> 00:31:28,480 Speaker 3: you're born that's made you see in every popular cultured trope. 665 00:31:28,400 --> 00:31:30,680 Speaker 1: What about the young jem I rae You're in a relationship. 666 00:31:33,280 --> 00:31:35,920 Speaker 1: So if Alessia, yeah, she proposed to me, I think 667 00:31:35,920 --> 00:31:36,440 Speaker 1: I'd say no. 668 00:31:37,560 --> 00:31:41,520 Speaker 3: Oh, I hope she's listening, so it doesn't change the 669 00:31:41,560 --> 00:31:43,280 Speaker 3: feelings you have about her. But you want to do 670 00:31:43,360 --> 00:31:43,920 Speaker 3: the proposal? 671 00:31:44,000 --> 00:31:46,120 Speaker 1: Yeah, I want to do propose to it? No, we 672 00:31:46,200 --> 00:31:46,840 Speaker 1: want to do it now? 673 00:31:48,040 --> 00:31:50,000 Speaker 3: How do you feel women proposing to men? Let's move 674 00:31:50,040 --> 00:31:52,760 Speaker 3: on from this awkwardness women proposing to men? Does it 675 00:31:52,800 --> 00:31:53,680 Speaker 3: passed the pub test? 676 00:31:54,120 --> 00:31:55,280 Speaker 7: After equal right and. 677 00:31:57,160 --> 00:31:59,959 Speaker 6: A woman to propose to a man and the sacred 678 00:32:00,040 --> 00:32:02,520 Speaker 6: reare off the men raising all the those I think yes, 679 00:32:02,640 --> 00:32:05,160 Speaker 6: I think it is accessible absolutely. 680 00:32:05,520 --> 00:32:05,880 Speaker 5: Why not? 681 00:32:06,680 --> 00:32:07,840 Speaker 4: Why should a man get all the. 682 00:32:08,680 --> 00:32:09,680 Speaker 12: All the same everything? 683 00:32:09,760 --> 00:32:10,640 Speaker 7: It's got a man. 684 00:32:10,760 --> 00:32:12,800 Speaker 6: A man's got to stand up, he's got a backbone, 685 00:32:12,840 --> 00:32:14,080 Speaker 6: he's going to have her? 686 00:32:14,280 --> 00:32:16,160 Speaker 7: Or is it's going to be a lapsole? It does, 687 00:32:16,280 --> 00:32:18,240 Speaker 7: but on a little bit of a traditionalist and I 688 00:32:18,280 --> 00:32:20,920 Speaker 7: think it's more romantic that a guy proposes. 689 00:32:21,240 --> 00:32:23,800 Speaker 12: But also in the times that we live in, a 690 00:32:23,880 --> 00:32:24,440 Speaker 12: girl got. 691 00:32:24,360 --> 00:32:26,840 Speaker 7: Her voice and her opinion is valid, So yes, it 692 00:32:26,920 --> 00:32:29,320 Speaker 7: does pup the puppet. Oh look, it's a tough. 693 00:32:29,200 --> 00:32:32,240 Speaker 12: One because I can see the comments about how it 694 00:32:32,360 --> 00:32:36,160 Speaker 12: can seem emasculating. However, in a world where we're trying 695 00:32:36,200 --> 00:32:39,160 Speaker 12: to make everything equal and women get equal pay, why 696 00:32:39,240 --> 00:32:42,680 Speaker 12: can't they propose we're action people. We get shipped done. 697 00:32:43,160 --> 00:32:48,080 Speaker 1: Let us do it right on, right on, and Ryan. 698 00:32:47,960 --> 00:32:49,720 Speaker 3: If you would like to make a little proposal to 699 00:32:50,280 --> 00:32:54,080 Speaker 3: you know, you're a piece of work. Brendon Johnson, Thank you. 700 00:32:54,480 --> 00:32:58,360 Speaker 3: Jam Well an nexcust is known for a string of 701 00:32:58,480 --> 00:32:59,920 Speaker 3: classic pop hits. To take us straight? 702 00:33:00,280 --> 00:33:02,120 Speaker 1: Can I say sleugh a slew? 703 00:33:02,720 --> 00:33:05,800 Speaker 3: And we still can't get enough of Belinda Carlisle Well, 704 00:33:05,880 --> 00:33:08,200 Speaker 3: the Rock and Roll Hall of Fame inductee, is bringing 705 00:33:08,240 --> 00:33:11,080 Speaker 3: her hit songs to her Australian fans with a brand 706 00:33:11,120 --> 00:33:14,080 Speaker 3: new Decades tour. We are thrilled to have her with 707 00:33:14,200 --> 00:33:17,719 Speaker 3: us on Zoom. Belinda, Hello, she is, I'm fine. How 708 00:33:17,760 --> 00:33:20,560 Speaker 3: are you? We are great? How long is it since 709 00:33:20,600 --> 00:33:21,080 Speaker 3: you were here? 710 00:33:22,640 --> 00:33:25,840 Speaker 8: Well, I think it's twenty eighteen, so it's been a while. 711 00:33:26,760 --> 00:33:30,360 Speaker 8: Is this tours? It's the fourth time. It's been scheduled 712 00:33:30,760 --> 00:33:34,720 Speaker 8: twice because of COVID. It was canceled once because last 713 00:33:34,800 --> 00:33:37,600 Speaker 8: year was cancer, because of my knee. I messed up 714 00:33:37,600 --> 00:33:40,360 Speaker 8: my knee and needed a knee replacement. And now I'm 715 00:33:40,400 --> 00:33:42,640 Speaker 8: coming it's September with my new knee. 716 00:33:43,000 --> 00:33:45,040 Speaker 3: Well, good luck going through the airport with that. I've 717 00:33:45,080 --> 00:33:47,160 Speaker 3: had a couple of hip replacements and you get pat 718 00:33:47,240 --> 00:33:48,320 Speaker 3: downs all over the place. 719 00:33:48,840 --> 00:33:52,000 Speaker 2: Yeah, I know, I know, and read did you have 720 00:33:52,120 --> 00:33:55,520 Speaker 2: the full knee reconstruction, because that's a that's a brutal operation. 721 00:33:56,360 --> 00:33:57,960 Speaker 3: It was real. I don't know what I was thinking. 722 00:33:58,000 --> 00:33:59,760 Speaker 8: I was making plans for the next week to go. 723 00:34:00,920 --> 00:34:05,040 Speaker 8: It's nothing, and I got a rude awaken. 724 00:34:04,800 --> 00:34:07,320 Speaker 3: And it was hardcore hardcore. 725 00:34:07,560 --> 00:34:10,120 Speaker 1: They pretty much shop, They pretty much chop your leg off. 726 00:34:10,200 --> 00:34:12,440 Speaker 3: It's not they do, and they reattach it you do. 727 00:34:12,680 --> 00:34:13,120 Speaker 1: It's extreme. 728 00:34:13,320 --> 00:34:16,319 Speaker 3: Do they do? You would normally have to prepare I'm 729 00:34:16,360 --> 00:34:19,239 Speaker 3: sure for a tour anyway, But with your new new knee, 730 00:34:19,360 --> 00:34:22,520 Speaker 3: have you had to sort of rehab your stage moves 731 00:34:22,600 --> 00:34:23,040 Speaker 3: and things. 732 00:34:23,440 --> 00:34:23,640 Speaker 1: Yes. 733 00:34:23,840 --> 00:34:27,400 Speaker 8: Actually I'm doing karaoke dancing now and with my with 734 00:34:27,520 --> 00:34:30,960 Speaker 8: my physiotherapist, and it's not easy. It's harder than being 735 00:34:31,040 --> 00:34:34,120 Speaker 8: on stage. But yes, trying to figure out what works 736 00:34:34,160 --> 00:34:36,239 Speaker 8: and what doesn't work. I mean I'm about ninety five 737 00:34:36,280 --> 00:34:40,200 Speaker 8: percent so, but there's certain things I can't do yet 738 00:34:40,440 --> 00:34:40,799 Speaker 8: I will. 739 00:34:41,120 --> 00:34:43,759 Speaker 2: Are you are you much of a dancer on I'm 740 00:34:43,800 --> 00:34:45,960 Speaker 2: thinking of what I see you on film clips and stuff. 741 00:34:46,680 --> 00:34:50,040 Speaker 2: I've seen you dance, but are you would you say 742 00:34:50,080 --> 00:34:52,480 Speaker 2: that that you'll you really work on the dance when 743 00:34:52,520 --> 00:34:53,200 Speaker 2: you're on stage. 744 00:34:54,080 --> 00:34:57,520 Speaker 8: No, no, no, I mean it's it's never nothing's ever choreograph. 745 00:34:57,560 --> 00:34:59,520 Speaker 1: I just move a lot and dance a lot. 746 00:35:00,120 --> 00:35:04,359 Speaker 8: But and that's just part of it. But but it's 747 00:35:04,400 --> 00:35:08,560 Speaker 8: not like choreograph and not like Janna Jackson. 748 00:35:08,800 --> 00:35:11,399 Speaker 1: Yeah no, no, no, not at all. 749 00:35:11,840 --> 00:35:14,440 Speaker 8: But but I still have to be in shape for that. 750 00:35:14,640 --> 00:35:16,400 Speaker 3: And and just you know, know my limits. 751 00:35:16,680 --> 00:35:18,800 Speaker 1: Yeah. Well, because it's like when you see Billy Joel. 752 00:35:19,040 --> 00:35:21,360 Speaker 2: You know, when Billy Joel gets up there and he's performing, 753 00:35:21,760 --> 00:35:25,160 Speaker 2: and then that film clip for Uptown Girl, you're Christie Brinkley, 754 00:35:25,440 --> 00:35:28,400 Speaker 2: Billy's dancing better than Christie in the in the film 755 00:35:28,840 --> 00:35:29,279 Speaker 2: Uptown Go. 756 00:35:29,480 --> 00:35:32,040 Speaker 3: Yeah, it's not every it's not everyone's special. 757 00:35:32,160 --> 00:35:32,600 Speaker 1: That's what I mean. 758 00:35:32,640 --> 00:35:34,759 Speaker 2: You could be a really great singer, and that's why 759 00:35:34,880 --> 00:35:37,040 Speaker 2: sometimes I think that's why singers bring stools out on 760 00:35:37,120 --> 00:35:37,520 Speaker 2: the stage. 761 00:35:37,760 --> 00:35:41,680 Speaker 1: They're not going to do any day stools. Yeah, exactly, exactly. 762 00:35:42,520 --> 00:35:45,920 Speaker 3: So this is your Decades tour. What an incredible career 763 00:35:45,960 --> 00:35:48,600 Speaker 3: you've had. Are the sliding doors from the go gos? 764 00:35:48,960 --> 00:35:51,880 Speaker 3: What helped you pivot from that to this long career. 765 00:35:54,160 --> 00:35:56,640 Speaker 8: I didn't really to be honest, it was not planned 766 00:35:56,680 --> 00:35:59,719 Speaker 8: it on. I just kind of wind it and I thought, 767 00:35:59,800 --> 00:36:01,640 Speaker 8: was the only thing I know how to do is sing. 768 00:36:02,000 --> 00:36:05,240 Speaker 8: So I had the opportunity to make a solo album, 769 00:36:06,000 --> 00:36:08,560 Speaker 8: and I knew it was like fifty to fifty maybe 770 00:36:08,800 --> 00:36:15,200 Speaker 8: you know that, and so I just nothing was ever contrived, 771 00:36:15,719 --> 00:36:18,040 Speaker 8: and nothing ever has been contrived actually through the years. 772 00:36:18,120 --> 00:36:24,560 Speaker 8: So yeah, I just kind of winged it and it happened. Well, Yeah, 773 00:36:24,600 --> 00:36:25,200 Speaker 8: it worked out. 774 00:36:25,120 --> 00:36:27,520 Speaker 2: For because the guy guys, you would have thought, well, 775 00:36:27,920 --> 00:36:29,520 Speaker 2: you know, that was a that was a huge super 776 00:36:29,840 --> 00:36:32,640 Speaker 2: group and a pioneering group of the time. 777 00:36:32,920 --> 00:36:34,680 Speaker 1: It would have been scary to break out there and 778 00:36:34,840 --> 00:36:36,160 Speaker 1: just do your own Soliz stuff. 779 00:36:37,320 --> 00:36:39,440 Speaker 8: Yeah. I mean I wasn't really scared until I got 780 00:36:39,480 --> 00:36:40,520 Speaker 8: on stage for the first time. 781 00:36:40,560 --> 00:36:41,920 Speaker 3: I thought it would have I done, but it was 782 00:36:41,960 --> 00:36:42,439 Speaker 3: too late. 783 00:36:43,800 --> 00:36:45,480 Speaker 1: I bet I better get dancing. 784 00:36:45,600 --> 00:36:48,160 Speaker 3: Yeah, yeah, me and get it. 785 00:36:48,960 --> 00:36:50,840 Speaker 2: Well, Belinda, it's great, it's great to talk to. You 786 00:36:50,960 --> 00:36:53,560 Speaker 2: can get your teas to see Belinda Kyla live at 787 00:36:53,680 --> 00:36:56,080 Speaker 2: live nation dot com dot you Happy birthday. 788 00:36:56,160 --> 00:37:00,399 Speaker 1: What next week is your birthday? Yeah? Some sixties sex 789 00:37:00,800 --> 00:37:01,600 Speaker 1: it's good as. 790 00:37:01,480 --> 00:37:02,800 Speaker 3: You look incredible. 791 00:37:02,920 --> 00:37:04,040 Speaker 1: No, sixty sex is good. 792 00:37:04,640 --> 00:37:06,799 Speaker 8: Actually, it's amazing and I'm so lucky to be here 793 00:37:06,880 --> 00:37:08,480 Speaker 8: and I'm blessed, you know when I think about my 794 00:37:08,520 --> 00:37:11,400 Speaker 8: friends that aren't here. So yeah, absolutely it's amazing. 795 00:37:11,680 --> 00:37:13,719 Speaker 3: But we look forward to seeing you and your new knee. 796 00:37:14,880 --> 00:37:17,279 Speaker 8: Yes, it's excited too. 797 00:37:17,680 --> 00:37:19,960 Speaker 1: We want some dancing. I paid to see a dancing act. 798 00:37:20,000 --> 00:37:21,479 Speaker 1: Don't want to seize me a dancing act. 799 00:37:21,920 --> 00:37:26,080 Speaker 8: Better be good, Glinda, thank you, thank you so much. 800 00:37:26,160 --> 00:37:29,960 Speaker 3: Thank you. Jonesie and Amanda podcast. 801 00:37:35,040 --> 00:37:36,640 Speaker 1: She glad we're not the only ones up at this 802 00:37:36,800 --> 00:37:37,680 Speaker 1: ungodly hour. 803 00:37:38,120 --> 00:37:40,480 Speaker 2: While you're away, I could have stepped into your shoes 804 00:37:40,560 --> 00:37:42,960 Speaker 2: and filled in on Double a Chattery, your podcast with 805 00:37:43,040 --> 00:37:43,880 Speaker 2: Anita McGregor. 806 00:37:44,080 --> 00:37:46,760 Speaker 3: No, we recorded one in advance, so there was one dropping. 807 00:37:47,480 --> 00:37:50,160 Speaker 2: Peter and I have We have good chats and I 808 00:37:50,360 --> 00:37:52,440 Speaker 2: just like listening to her Canadian lilt. 809 00:37:52,640 --> 00:37:54,879 Speaker 3: Well today on Double a Chattery, all the one that's 810 00:37:54,920 --> 00:37:57,120 Speaker 3: dropped this week. We're looking at transitions. This is something 811 00:37:57,120 --> 00:37:59,719 Speaker 3: that you and I spoke about it men becoming women, women, 812 00:38:00,440 --> 00:38:03,800 Speaker 3: the small transitions that you do sometimes every day, but 813 00:38:03,880 --> 00:38:06,279 Speaker 3: at big junctions in your life. And I was talking 814 00:38:06,320 --> 00:38:10,440 Speaker 3: about the idea that of driveway time, where women specifically 815 00:38:10,920 --> 00:38:13,320 Speaker 3: seem to sit in the driveway for a minute to 816 00:38:14,400 --> 00:38:17,440 Speaker 3: reconfigure their heads. You've had a busy day somewhere. You're 817 00:38:17,440 --> 00:38:19,320 Speaker 3: about to go inside with his other things to do. 818 00:38:19,840 --> 00:38:21,600 Speaker 3: That is your quiet time. And I think men have 819 00:38:21,760 --> 00:38:24,520 Speaker 3: toilet time, which is their transition time. I remember in 820 00:38:24,560 --> 00:38:26,440 Speaker 3: the old days, it was always that dad came home 821 00:38:26,480 --> 00:38:29,279 Speaker 3: from work. Kids don't talk to dad, let him sit 822 00:38:29,360 --> 00:38:30,960 Speaker 3: down and have half an hour, and you'd drink a 823 00:38:31,000 --> 00:38:34,240 Speaker 3: scotch and you'd read the paper. These we don't allow 824 00:38:34,280 --> 00:38:37,400 Speaker 3: ourselves these transition times so much anymore. So we look 825 00:38:37,400 --> 00:38:40,919 Speaker 3: at the nature of transitions, because transitions are good and bad. 826 00:38:41,239 --> 00:38:44,000 Speaker 3: You can be going to a great transition, you could 827 00:38:44,000 --> 00:38:47,080 Speaker 3: be going on holidays, but there are still stresses associated 828 00:38:47,160 --> 00:38:49,440 Speaker 3: with it. Because there's good stresses. Use stress. Have you 829 00:38:49,440 --> 00:38:52,080 Speaker 3: ever heard of you stress? Use stress is the opposite 830 00:38:52,120 --> 00:38:54,200 Speaker 3: of distress. But we all need a bit of stress 831 00:38:54,200 --> 00:38:57,160 Speaker 3: in our lives, or else we'd be You wouldn't be motivated. 832 00:38:56,680 --> 00:38:58,799 Speaker 1: To use stress. Just stress the stress. 833 00:38:58,960 --> 00:39:02,239 Speaker 3: It's good stress, not necessarily bad. But sometimes you're not 834 00:39:02,360 --> 00:39:04,360 Speaker 3: aware that that's what you're feeling, so you've got some 835 00:39:04,480 --> 00:39:07,239 Speaker 3: anxiety around it. So we talk about how to look 836 00:39:07,320 --> 00:39:10,359 Speaker 3: at these changes in your life and how to see 837 00:39:10,400 --> 00:39:12,960 Speaker 3: what the transitions are and how to work your way 838 00:39:13,000 --> 00:39:15,600 Speaker 3: through them without adding to negative stress. 839 00:39:15,920 --> 00:39:18,000 Speaker 1: So it's a good one, right, Well, I yell at 840 00:39:18,040 --> 00:39:18,920 Speaker 1: you it's not stress. 841 00:39:19,239 --> 00:39:21,719 Speaker 5: It is stress and not stress control free. 842 00:39:23,200 --> 00:39:25,000 Speaker 3: We don't cover any of that kind of stuff, just 843 00:39:25,080 --> 00:39:27,279 Speaker 3: so you know. That's why I have a podcast. It's 844 00:39:27,320 --> 00:39:29,480 Speaker 3: called double a Chattery. You can get it wherever your 845 00:39:29,480 --> 00:39:31,279 Speaker 3: podcasts or at double a Chattery dot com. 846 00:39:31,440 --> 00:39:36,080 Speaker 1: Get it on the iHeartRadio app, Share notion podcast. 847 00:39:45,000 --> 00:39:48,040 Speaker 3: Thanks to hair Informs, machinery House your one stop machinery shop. 848 00:39:48,080 --> 00:39:49,960 Speaker 3: You can visit them at machinery house dot com dot a. 849 00:39:50,080 --> 00:39:53,160 Speaker 3: You you can win twenty thousand dollars for our favorite 850 00:39:53,160 --> 00:39:54,560 Speaker 3: goolie of Theoh. 851 00:39:54,400 --> 00:39:55,400 Speaker 1: What have we got today? 852 00:39:57,040 --> 00:39:57,440 Speaker 12: AMNGA. 853 00:39:57,640 --> 00:40:01,160 Speaker 9: I know what really gets my goolies saying people cross 854 00:40:01,239 --> 00:40:04,800 Speaker 9: the road and they don't look where they're going because 855 00:40:04,840 --> 00:40:09,839 Speaker 9: they're too busy on their phone, especially children, Like thank god, 856 00:40:10,000 --> 00:40:13,120 Speaker 9: I look out for them, and I hope other motorists 857 00:40:13,200 --> 00:40:16,000 Speaker 9: do too, like get off your phone when you're crossing 858 00:40:16,120 --> 00:40:18,879 Speaker 9: the road. It's called common sense. 859 00:40:18,920 --> 00:40:19,160 Speaker 1: It is. 860 00:40:19,360 --> 00:40:21,600 Speaker 3: That's what gets my girls. Then you have to be 861 00:40:21,680 --> 00:40:23,520 Speaker 3: aware of their safety because they're aware of their own. 862 00:40:23,680 --> 00:40:26,960 Speaker 1: They should bring back Hector. Remember Hector the traffic protector 863 00:40:28,080 --> 00:40:30,320 Speaker 1: said his name. Stop at the curve, Stop. 864 00:40:30,280 --> 00:40:35,320 Speaker 3: The girl a giraffe that was healthy, Harold, Yeah, giraffe 865 00:40:35,320 --> 00:40:36,120 Speaker 3: shouldn't be smoking. 866 00:40:36,160 --> 00:40:38,480 Speaker 1: By the way, Hector was like some sort of crazy cat. 867 00:40:38,600 --> 00:40:41,560 Speaker 1: And it was a cat. Was the cat? Anyway? Told 868 00:40:41,640 --> 00:40:43,200 Speaker 1: kids not to get run over by a car. 869 00:40:43,400 --> 00:40:44,680 Speaker 3: Well what should tell adults? 870 00:40:44,800 --> 00:40:45,480 Speaker 1: Didn't want me? 871 00:40:45,560 --> 00:40:47,600 Speaker 2: I got run over by a car four times by 872 00:40:47,640 --> 00:40:50,759 Speaker 2: the time I was fourteen, so that fell on death. 873 00:40:51,480 --> 00:40:54,200 Speaker 1: Don't like you very much, my mum in the same car. 874 00:40:54,680 --> 00:40:55,480 Speaker 1: What else do we got? 875 00:40:56,200 --> 00:40:56,880 Speaker 3: My girlies? 876 00:40:57,040 --> 00:41:01,600 Speaker 10: Cold back checks, a crazy get up through the night 877 00:41:01,680 --> 00:41:04,279 Speaker 10: when it's freezing cold, to go to the bathroom. Come 878 00:41:04,400 --> 00:41:06,040 Speaker 10: back and your partner screens. 879 00:41:07,640 --> 00:41:08,160 Speaker 6: What did you do? 880 00:41:08,560 --> 00:41:11,640 Speaker 10: Put your body but in the freezer. Get away from 881 00:41:11,680 --> 00:41:16,839 Speaker 10: me until those butt cheeks warm up. But bonus tip, 882 00:41:17,000 --> 00:41:19,480 Speaker 10: anything that comes near butt cheeks shrinks. 883 00:41:22,719 --> 00:41:23,680 Speaker 3: That's a mixed messages. 884 00:41:23,960 --> 00:41:29,920 Speaker 1: So that's true. You go to cold butt cheeks and yeah, well. 885 00:41:30,280 --> 00:41:31,279 Speaker 3: Where do we go from there? 886 00:41:31,640 --> 00:41:34,040 Speaker 2: We take all duelis and we love the Hector the 887 00:41:34,080 --> 00:41:37,200 Speaker 2: traffic protector. How but the battery with the good If 888 00:41:37,200 --> 00:41:38,960 Speaker 2: you did doubt you can always contact us via the 889 00:41:39,040 --> 00:41:40,080 Speaker 2: iHeartRadio app. 890 00:41:40,160 --> 00:41:42,080 Speaker 1: It's been quite the week. Jem My Rye had a 891 00:41:42,200 --> 00:41:42,960 Speaker 1: day yesterday. 892 00:41:43,719 --> 00:41:45,880 Speaker 5: I was sick whatever Amanda had. 893 00:41:46,000 --> 00:41:48,960 Speaker 1: Yeah, but she came into work, didn't she. I don't 894 00:41:49,000 --> 00:41:52,560 Speaker 1: know about your generation anyway, Gems jam. 895 00:41:52,560 --> 00:41:55,320 Speaker 2: Nason, Jimi Rye has been working harder than me, getting 896 00:41:55,320 --> 00:41:58,240 Speaker 2: on the bandwagon supporting our water polo side the sharks. 897 00:41:58,280 --> 00:42:01,680 Speaker 3: How you called the mail team misting I misspoke? Is 898 00:42:01,719 --> 00:42:03,640 Speaker 3: that because you're alarmed when sharks get in the pool. 899 00:42:03,800 --> 00:42:06,239 Speaker 3: We should all be sharks in the pool do all right? 900 00:42:06,680 --> 00:42:08,359 Speaker 1: And I do it. Our side will do all right 901 00:42:08,440 --> 00:42:08,759 Speaker 1: as well. 902 00:42:08,880 --> 00:42:13,520 Speaker 3: Outside absolute he's my Neighborina, you know, since when have 903 00:42:13,600 --> 00:42:14,880 Speaker 3: you said the word Neighbourina? 904 00:42:16,000 --> 00:42:16,040 Speaker 12: What? 905 00:42:16,120 --> 00:42:20,200 Speaker 3: I v Barberino and he's. 906 00:42:20,040 --> 00:42:23,160 Speaker 1: Come up with this, Jen White Rice, Jimmy jab. 907 00:42:25,840 --> 00:42:31,839 Speaker 5: But I'm convalescing. Amanda's back from holiday the assignment after 908 00:42:31,920 --> 00:42:34,160 Speaker 5: a week and a half of special guest hosts. The 909 00:42:34,280 --> 00:42:37,080 Speaker 5: last one was Amanda's youngest son Jack. I bet he 910 00:42:37,280 --> 00:42:40,760 Speaker 5: was just loving his time with old blabbermouth Jonesy. 911 00:42:41,000 --> 00:42:43,280 Speaker 2: What about all those years later on my own son's 912 00:42:43,320 --> 00:42:46,360 Speaker 2: twenty first birthday, Thank you for that hospital pass? 913 00:42:46,520 --> 00:42:48,840 Speaker 1: Yes, I said, how was your gap year overseas? And 914 00:42:48,880 --> 00:42:50,880 Speaker 1: you said, don't till mumal Dad. But I got a 915 00:42:50,920 --> 00:42:52,520 Speaker 1: tattoo and then I had to. 916 00:42:52,600 --> 00:42:53,080 Speaker 2: Sit on that. 917 00:42:53,360 --> 00:42:54,839 Speaker 1: Yeah, so I hope she's not listening now. 918 00:42:54,920 --> 00:42:56,239 Speaker 3: It's the first time she'd be hearing. 919 00:42:56,640 --> 00:42:57,400 Speaker 1: Let's say she doesn't know. 920 00:42:58,960 --> 00:43:00,880 Speaker 3: I hinted at it to get it off my conscience 921 00:43:00,920 --> 00:43:01,840 Speaker 3: and that's as far as it go. 922 00:43:02,080 --> 00:43:05,000 Speaker 1: You're hinto So now I've have worn me? 923 00:43:05,120 --> 00:43:07,800 Speaker 5: Yes, can we cut that bit out because she's probably 924 00:43:07,920 --> 00:43:10,200 Speaker 5: listening fresh off a flight from Africa. 925 00:43:10,600 --> 00:43:14,040 Speaker 3: Amanda heard it all and guess she's joined us, Jack. 926 00:43:15,200 --> 00:43:18,000 Speaker 1: Kiss, she is Your mom's on the line. Hello, Amanda, 927 00:43:18,200 --> 00:43:18,840 Speaker 1: home mom. 928 00:43:18,880 --> 00:43:21,880 Speaker 3: Hello, Hello Jack. I've been listening all morning. 929 00:43:21,920 --> 00:43:23,200 Speaker 9: You're doing such a good job. 930 00:43:23,680 --> 00:43:23,960 Speaker 1: Thank you. 931 00:43:24,239 --> 00:43:28,000 Speaker 3: Great stories and content about the tattoo. What an interesting 932 00:43:28,040 --> 00:43:28,759 Speaker 3: way to find out. 933 00:43:29,000 --> 00:43:31,080 Speaker 5: Yes, I hope the jet lag has made it just 934 00:43:31,160 --> 00:43:33,000 Speaker 5: feel like a hallucination. 935 00:43:34,680 --> 00:43:37,080 Speaker 6: Gone rock set right across the neck, Yeah. 936 00:43:36,920 --> 00:43:39,120 Speaker 1: Across the front. Drew Barrymore was in the country. 937 00:43:39,440 --> 00:43:42,800 Speaker 5: Much has been made of her cringey interview style, Although 938 00:43:43,080 --> 00:43:47,080 Speaker 5: it did remind Amanda of someone else's interview style, a 939 00:43:47,160 --> 00:43:48,920 Speaker 5: lot of people absolutely. 940 00:43:48,520 --> 00:43:50,680 Speaker 3: Love her for it because she's very open and gushy. 941 00:43:50,880 --> 00:43:53,840 Speaker 3: Others find it a little confronting. This made people uncomfortable. 942 00:43:53,840 --> 00:43:55,480 Speaker 3: It was an incredible interview and it did a lot 943 00:43:55,600 --> 00:44:00,359 Speaker 3: for transactivist and TikTok sensation Dylan mulvaney. Drew has gone 944 00:44:00,400 --> 00:44:04,160 Speaker 3: on to her knees to hold Dylan's hands, and then 945 00:44:04,239 --> 00:44:06,560 Speaker 3: Dylan goes onto the floor and they hug each other. 946 00:44:08,360 --> 00:44:12,719 Speaker 3: And I haven't heard such an uncomfortable interview since your 947 00:44:12,760 --> 00:44:15,160 Speaker 3: first interview was Peter Garrett in nineteen ninety one. 948 00:44:15,440 --> 00:44:18,040 Speaker 1: Come, I thank you very much. 949 00:44:18,080 --> 00:44:19,640 Speaker 6: Since time, it's been an experience for me. 950 00:44:20,880 --> 00:44:24,840 Speaker 3: Would you slide onto the ground together, spooning on the floor? 951 00:44:29,440 --> 00:44:29,759 Speaker 3: Thank you. 952 00:44:30,160 --> 00:44:34,360 Speaker 5: Speaking of Cringey, you reminded Dan McPherson, who's currently on 953 00:44:34,480 --> 00:44:37,080 Speaker 5: stage performing in The Woman in Black, of his time 954 00:44:37,160 --> 00:44:39,919 Speaker 5: with Mark Holden on that dancing show. 955 00:44:40,080 --> 00:44:43,680 Speaker 2: What was more scary the Woman in Black or Mark 956 00:44:43,760 --> 00:44:44,920 Speaker 2: Holden as a clown? 957 00:44:45,200 --> 00:44:49,319 Speaker 1: When you are hosting, you. 958 00:44:49,320 --> 00:44:52,480 Speaker 7: Will ever surpart Mark Holden as a clown? That was 959 00:44:52,560 --> 00:44:55,360 Speaker 7: a real That was an era of Australian television. 960 00:44:55,360 --> 00:44:57,439 Speaker 1: I tell you we were right there the cold face. 961 00:44:57,719 --> 00:45:04,840 Speaker 1: If you heard like not really, I could get you 962 00:45:04,960 --> 00:45:06,360 Speaker 1: a b loo daddy. 963 00:45:07,719 --> 00:45:08,240 Speaker 6: Oh done? 964 00:45:10,480 --> 00:45:14,200 Speaker 5: A visual reaction with the tribal drama was beating. After 965 00:45:14,280 --> 00:45:16,920 Speaker 5: that South Korean asher I had his moment ruined by 966 00:45:16,920 --> 00:45:20,160 Speaker 5: an errand B listener. Belinda had her own moment with 967 00:45:20,239 --> 00:45:23,720 Speaker 5: Paul McCartney ruined not buy a bee but a dodgy 968 00:45:23,960 --> 00:45:24,520 Speaker 5: Tom Tom. 969 00:45:24,760 --> 00:45:28,360 Speaker 4: I've had a lifelong dream to meet Sir Paul McCartney, 970 00:45:28,560 --> 00:45:32,120 Speaker 4: So when he came to Sydney last time, I decided 971 00:45:32,280 --> 00:45:35,760 Speaker 4: to get a part time job's second job stacking shelves 972 00:45:36,280 --> 00:45:39,240 Speaker 4: so I can buy the VIP ticket two thousand dollars 973 00:45:39,640 --> 00:45:42,640 Speaker 4: just to meet him. And when it came time to 974 00:45:42,880 --> 00:45:46,440 Speaker 4: go backstage and meet him, my dummy just started. I 975 00:45:46,520 --> 00:45:49,040 Speaker 4: think it was a nerve, and I said to the usher, 976 00:45:49,600 --> 00:45:51,360 Speaker 4: I said, I need to go the toilet. 977 00:45:51,400 --> 00:45:52,480 Speaker 3: I'm going to poot my pitch. 978 00:45:52,719 --> 00:45:56,120 Speaker 4: I don't want to miss meeting him anyway, So heshered 979 00:45:56,200 --> 00:45:58,960 Speaker 4: me to the toilets and I ran and I bolted 980 00:45:59,000 --> 00:46:00,880 Speaker 4: and I did my business event By the time I 981 00:46:00,920 --> 00:46:06,440 Speaker 4: came back, Paul McCartney. 982 00:46:07,360 --> 00:46:09,960 Speaker 6: To this day, I'm absolutely devastated. 983 00:46:10,440 --> 00:46:13,480 Speaker 5: This opened up a broader discussion. What would you do 984 00:46:13,640 --> 00:46:14,880 Speaker 5: in this situation. 985 00:46:14,680 --> 00:46:17,320 Speaker 3: If you're lining up to meet Sir Paul Mike he 986 00:46:17,600 --> 00:46:19,800 Speaker 3: is my hero, My dignity is everything. 987 00:46:19,920 --> 00:46:21,520 Speaker 1: I'm going to do it. I'm going ahead with it 988 00:46:21,960 --> 00:46:23,880 Speaker 1: because it's going to be over before you even know. 989 00:46:24,160 --> 00:46:26,640 Speaker 3: Yeah, well, but they will linger with him for some time. 990 00:46:27,400 --> 00:46:29,120 Speaker 2: Well you always remember, you won't he This is how 991 00:46:29,160 --> 00:46:29,799 Speaker 2: we're phrasing him. 992 00:46:29,840 --> 00:46:31,840 Speaker 6: Go to the toilet or meet him. 993 00:46:31,719 --> 00:46:34,400 Speaker 3: Regardless, alle go, you go through it. 994 00:46:34,480 --> 00:46:35,920 Speaker 7: You never make the truth get in the way. 995 00:46:35,760 --> 00:46:36,480 Speaker 4: Of a good story. 996 00:46:37,040 --> 00:46:40,440 Speaker 6: I pa my Pants and a Rolling Stone concert, so 997 00:46:41,040 --> 00:46:43,279 Speaker 6: there's a Paul McCartney a big impression in that. 998 00:46:44,600 --> 00:46:48,479 Speaker 12: Remember you've got emotional support dogs that you can blame 999 00:46:48,560 --> 00:46:49,239 Speaker 12: the snell on. 1000 00:46:49,600 --> 00:46:50,640 Speaker 1: I'm going to the roommate. 1001 00:46:50,800 --> 00:46:53,560 Speaker 5: Diane had the final word on the subject, though Diane 1002 00:46:53,600 --> 00:46:54,160 Speaker 5: has joined us. 1003 00:46:54,160 --> 00:46:56,279 Speaker 3: I Diane, what do you think? What would you do? 1004 00:46:56,880 --> 00:46:57,040 Speaker 2: Oh? 1005 00:46:57,800 --> 00:47:00,759 Speaker 9: Look, I definitely go to the toilet. My son gave 1006 00:47:00,840 --> 00:47:02,320 Speaker 9: me a really strong coffee. 1007 00:47:02,400 --> 00:47:03,600 Speaker 11: And I was at the station. 1008 00:47:04,120 --> 00:47:06,359 Speaker 9: This woman that worked for your said, are there any 1009 00:47:06,440 --> 00:47:07,200 Speaker 9: toilets around? 1010 00:47:07,680 --> 00:47:07,840 Speaker 10: You know? 1011 00:47:08,080 --> 00:47:10,520 Speaker 7: There's one over there, and I said, I think you're closed. 1012 00:47:10,840 --> 00:47:11,560 Speaker 3: I ran over there. 1013 00:47:11,600 --> 00:47:12,960 Speaker 4: There was only a mense toilet. 1014 00:47:13,239 --> 00:47:13,640 Speaker 10: I ran in. 1015 00:47:13,760 --> 00:47:15,560 Speaker 9: There was no toilet paper or anything. 1016 00:47:16,440 --> 00:47:18,600 Speaker 1: I said, Oh my god, I. 1017 00:47:18,640 --> 00:47:21,040 Speaker 9: Said to my son, I was I'm glad to get 1018 00:47:21,120 --> 00:47:21,640 Speaker 9: out of there. 1019 00:47:22,520 --> 00:47:24,440 Speaker 2: Diane kn't of take yourself topic a bit there, but 1020 00:47:24,840 --> 00:47:26,959 Speaker 2: I think would you rather meet Pulm? 1021 00:47:27,520 --> 00:47:28,759 Speaker 1: Would meet him with you? 1022 00:47:29,000 --> 00:47:30,120 Speaker 7: I'd rather have a ship. 1023 00:47:36,680 --> 00:47:37,320 Speaker 3: We asked for that. 1024 00:47:40,280 --> 00:47:43,440 Speaker 5: All right, I'm off to Sick Bay. This has been 1025 00:47:43,560 --> 00:47:44,319 Speaker 5: jen y Ries. 1026 00:47:47,040 --> 00:47:49,080 Speaker 3: I've been figgling at that for a couple of days 1027 00:47:49,239 --> 00:47:51,360 Speaker 3: now in my radio career. 1028 00:47:52,560 --> 00:47:55,279 Speaker 1: Thanks to missus Philpott. I think that's my favorite thing. 1029 00:47:55,680 --> 00:47:58,600 Speaker 3: Our favorite caller email or Facebook friend wins. Actually one 1030 00:47:58,680 --> 00:48:01,200 Speaker 3: man of the match yesterday, but today, Who's going to 1031 00:48:01,280 --> 00:48:04,479 Speaker 3: win a Hegh Regency staycation package which includes the Harbor 1032 00:48:04,480 --> 00:48:07,600 Speaker 3: of You, king Room, buffet, Bricky in the cell Maker Restaurant. 1033 00:48:07,680 --> 00:48:10,480 Speaker 3: This is a Heart Regency Sydney five star elegance in 1034 00:48:10,520 --> 00:48:11,280 Speaker 3: the Heart of Sydney. 1035 00:48:11,320 --> 00:48:14,080 Speaker 2: You're a going to Jonsey, Demanda Tetail and Kearring every Friday. 1036 00:48:14,120 --> 00:48:16,160 Speaker 2: We played five for Your Flashback this week in honor 1037 00:48:16,200 --> 00:48:19,840 Speaker 2: of this weekend city to Serve. We had songs about running. 1038 00:48:20,040 --> 00:48:24,040 Speaker 2: I had Slade this one run right away. 1039 00:48:25,280 --> 00:48:30,200 Speaker 3: I had this one by Jackson Brown. So who was 1040 00:48:30,280 --> 00:48:33,080 Speaker 3: going to win? Fight for Your Flashback? Dean from Stanhope 1041 00:48:33,320 --> 00:48:34,160 Speaker 3: came out swinging. 1042 00:48:34,760 --> 00:48:39,440 Speaker 6: Good morning Jonesy, Good morning Amanda, welcome back to have 1043 00:48:39,560 --> 00:48:43,239 Speaker 6: a level of professionalism back on morning radio with you 1044 00:48:43,440 --> 00:48:47,719 Speaker 6: back in the sand Amanda job, but he didn't do 1045 00:48:47,800 --> 00:48:48,600 Speaker 6: a good job either. 1046 00:48:48,920 --> 00:48:51,160 Speaker 1: Just the vote will be fine, Thanks Dean, Frida a 1047 00:48:51,280 --> 00:48:51,640 Speaker 1: U two. 1048 00:48:52,120 --> 00:48:54,560 Speaker 3: That's enough. Well, check out the stuff that didn't make 1049 00:48:54,600 --> 00:48:56,440 Speaker 3: it to the show today. We will record that for 1050 00:48:56,560 --> 00:48:58,799 Speaker 3: Jones and Amanda's coming law podcast on. 1051 00:48:58,800 --> 00:49:00,640 Speaker 2: Your heart radio and we'll be back from six tonight 1052 00:49:00,680 --> 00:49:01,279 Speaker 2: for jam Nation. 1053 00:49:01,600 --> 00:49:04,359 Speaker 1: Then good day to you. Well, thank god that's over. 1054 00:49:04,480 --> 00:49:08,400 Speaker 4: Good bite, good bite, wipe the two. 1055 00:49:08,400 --> 00:49:11,680 Speaker 3: Baby from You're right. You catch Jonesy and Amanda's podcast 1056 00:49:11,760 --> 00:49:14,919 Speaker 3: on the iHeartRadio app or wherever you get your podcasts. 1057 00:49:24,040 --> 00:49:28,600 Speaker 3: Jones catch up on what you've missed on the free 1058 00:49:28,719 --> 00:49:29,879 Speaker 3: iHeartRadio app