1 00:00:04,400 --> 00:00:07,080 Speaker 1: Welcome to How I Work, a show about the tactics 2 00:00:07,160 --> 00:00:09,560 Speaker 1: used by leading innovators to get so much out of 3 00:00:09,600 --> 00:00:12,719 Speaker 1: their day. I'm your host, doctor Amatha Inba. I'm an 4 00:00:12,760 --> 00:00:16,800 Speaker 1: organizational psychologist, the CEO of Inventium, and I'm obsessed with 5 00:00:16,840 --> 00:00:20,680 Speaker 1: finding ways to optimize my work day. This episode is 6 00:00:20,720 --> 00:00:25,800 Speaker 1: another my favorite Tip episode. The title's probably pretty self explanatory. 7 00:00:26,079 --> 00:00:28,760 Speaker 1: It's about my favorite tip from each of the interviews 8 00:00:28,800 --> 00:00:32,880 Speaker 1: I conduct. I use this format because I sometimes feel 9 00:00:32,920 --> 00:00:35,320 Speaker 1: myself as a podcast listener that I just want to 10 00:00:35,360 --> 00:00:38,840 Speaker 1: get in, get the most amount of value from an episode, 11 00:00:38,880 --> 00:00:41,600 Speaker 1: and then get out. So in this format, I try 12 00:00:41,640 --> 00:00:45,200 Speaker 1: to do just that. My guest today is New York 13 00:00:45,280 --> 00:00:50,440 Speaker 1: Times journalist Nelly Bowls. Nellie covers tech and internet culture 14 00:00:50,479 --> 00:00:53,559 Speaker 1: for The Times. Before joining the Time, she was a 15 00:00:53,600 --> 00:00:57,800 Speaker 1: correspondent for Vice News Tonight, and she's also written for Recode, 16 00:00:57,840 --> 00:01:00,720 Speaker 1: The Guardian, and started her writing career at the San 17 00:01:00,800 --> 00:01:06,399 Speaker 1: Francisco Chronicle. In this excerpt about full interview, Nelly talks 18 00:01:06,400 --> 00:01:10,080 Speaker 1: about two really practical tips for being a better writer. 19 00:01:10,520 --> 00:01:14,080 Speaker 1: So on that note, over to Nelly, I don't. 20 00:01:13,920 --> 00:01:15,319 Speaker 2: Know how I learned to write. How do you like? 21 00:01:15,720 --> 00:01:17,080 Speaker 2: You just purchased, and you read a lot and you 22 00:01:17,120 --> 00:01:20,240 Speaker 2: try to copy people. And I like read a lot 23 00:01:20,280 --> 00:01:22,480 Speaker 2: of Joan Gideon over and over and over again and 24 00:01:22,560 --> 00:01:25,520 Speaker 2: tried my best just to copy that sound. Or I 25 00:01:25,640 --> 00:01:29,440 Speaker 2: read a lot of ellen Berry's column was an amazing 26 00:01:29,480 --> 00:01:32,319 Speaker 2: coun corespondent for the time, over and over again, trying 27 00:01:32,319 --> 00:01:37,760 Speaker 2: my best to mirror that or whatever. I kind of 28 00:01:37,760 --> 00:01:43,319 Speaker 2: would pick people and try to write in conversation with 29 00:01:43,360 --> 00:01:46,479 Speaker 2: them a little bit. And it's like the only thing 30 00:01:46,480 --> 00:01:49,840 Speaker 2: that suits my temperament too, because like I don't have 31 00:01:49,880 --> 00:01:53,640 Speaker 2: a very good attention span. I really have trouble of 32 00:01:53,680 --> 00:02:00,440 Speaker 2: authority figures, which was horrid in school. I yeah, I know, 33 00:02:00,560 --> 00:02:02,400 Speaker 2: like to write, so really not a good attention to 34 00:02:02,400 --> 00:02:05,560 Speaker 2: stand trouble authority figures and likes to write during work 35 00:02:05,680 --> 00:02:10,680 Speaker 2: is like the only career path that's open to you. Yeah, 36 00:02:10,880 --> 00:02:11,359 Speaker 2: I got. 37 00:02:12,639 --> 00:02:14,440 Speaker 3: I want to know, like when you're trying to emulate 38 00:02:15,040 --> 00:02:17,360 Speaker 3: a writer, which I feel in and of itself, like 39 00:02:17,440 --> 00:02:19,760 Speaker 3: thinking that might seem completely normal, but I feel like 40 00:02:20,680 --> 00:02:22,720 Speaker 3: solutions out there that are not writers. I think that's 41 00:02:22,720 --> 00:02:25,440 Speaker 3: a really interesting concept, Like what are the sort of 42 00:02:25,480 --> 00:02:29,160 Speaker 3: things that you're looking for when like when you've tried 43 00:02:29,160 --> 00:02:32,799 Speaker 3: to emulate other people's dials, like what are those key 44 00:02:32,840 --> 00:02:36,160 Speaker 3: things that you're trying to I guess you know, kind 45 00:02:36,160 --> 00:02:41,639 Speaker 3: of copy in your way For me, I will. 46 00:02:41,760 --> 00:02:44,680 Speaker 2: Recently, I really like whether let's they're getting. I will 47 00:02:45,080 --> 00:02:48,799 Speaker 2: often read it aloud to myself, like to read a 48 00:02:48,840 --> 00:02:51,800 Speaker 2: paragraph allowed just to get her voice in her rhythm. 49 00:02:52,280 --> 00:02:54,760 Speaker 2: And then when I'm writing my own story, I usually 50 00:02:54,800 --> 00:02:56,840 Speaker 2: as I'm writing task got large to myself or I 51 00:02:56,880 --> 00:03:00,560 Speaker 2: read it out loud to myself. And if I don't 52 00:03:00,560 --> 00:03:02,400 Speaker 2: do that, it's usually a worst story. It usually means 53 00:03:02,400 --> 00:03:04,919 Speaker 2: and it's not saying that much attention to the writing. 54 00:03:04,919 --> 00:03:06,760 Speaker 2: But if I'm trying to like write something really pretty, 55 00:03:07,040 --> 00:03:11,399 Speaker 2: I want it to be Yeah, I speak it out loud. 56 00:03:11,480 --> 00:03:12,760 Speaker 2: And so if I'm trying to anulay a writer, I 57 00:03:12,840 --> 00:03:14,840 Speaker 2: kind of like try to get their ridden their voice. 58 00:03:15,960 --> 00:03:20,799 Speaker 2: It's I'm probably sounding crazy, not at all nic and 59 00:03:21,480 --> 00:03:23,480 Speaker 2: I sound like I'm like a nightmare coworker, and I 60 00:03:23,480 --> 00:03:28,079 Speaker 2: am a really a coworker. I'm talking out loud a lot, 61 00:03:28,400 --> 00:03:30,440 Speaker 2: But I don't think it's like every day. It's not 62 00:03:30,480 --> 00:03:32,960 Speaker 2: like I'm like sitting there like reading a writer and 63 00:03:32,960 --> 00:03:36,000 Speaker 2: then writing a sentence like I'll try to absorb as 64 00:03:36,080 --> 00:03:37,880 Speaker 2: much as I can, Like right now, I just read 65 00:03:38,240 --> 00:03:40,560 Speaker 2: I just finished Marjorie Williams's book, and she's a writer 66 00:03:40,640 --> 00:03:42,680 Speaker 2: who lies. She was a writer for the Washington Post 67 00:03:42,680 --> 00:03:46,120 Speaker 2: who wrote some of the most beautiful profiles of people 68 00:03:46,160 --> 00:03:51,720 Speaker 2: in DC for much of the nineties. And I write 69 00:03:51,760 --> 00:03:54,920 Speaker 2: a book, I you know, certain paragraphs would really pull 70 00:03:54,960 --> 00:03:56,560 Speaker 2: out for me, and so I would just say them 71 00:03:56,560 --> 00:03:59,360 Speaker 2: out loud and then try to incorporate some of that 72 00:04:00,160 --> 00:04:02,440 Speaker 2: into my story. So I she has this one sentence, 73 00:04:03,120 --> 00:04:04,360 Speaker 2: I'm going to give it a little bit wrong, but 74 00:04:04,760 --> 00:04:09,560 Speaker 2: it's like he had a smile, like a lot of 75 00:04:09,600 --> 00:04:13,600 Speaker 2: cash And I just loved that sentence and I love 76 00:04:13,720 --> 00:04:15,880 Speaker 2: the like santity of it, and so I've tried to 77 00:04:15,920 --> 00:04:21,120 Speaker 2: sort of incorporate more sentences that solf. Yeah, I think 78 00:04:21,160 --> 00:04:21,520 Speaker 2: that's great. 79 00:04:21,520 --> 00:04:25,400 Speaker 4: It's interesting, the idea of reading out loud. I recently 80 00:04:25,400 --> 00:04:28,400 Speaker 4: interviewed Dan Pink's for the show, and he said the 81 00:04:28,440 --> 00:04:32,640 Speaker 4: exact same thing. He like, will literally read or ask 82 00:04:32,720 --> 00:04:35,360 Speaker 4: his wife to read his entire book out loud. 83 00:04:37,120 --> 00:04:40,680 Speaker 2: Really good to do. Yeah, there are a lot of 84 00:04:40,760 --> 00:04:45,240 Speaker 2: really smart people who can articulate arguments really beautifully. And 85 00:04:45,560 --> 00:04:47,680 Speaker 2: you see them right, and they get all tangled up 86 00:04:47,680 --> 00:04:50,480 Speaker 2: in themselves and so and I find myself I get 87 00:04:50,520 --> 00:04:52,760 Speaker 2: all tangled up sometimes in my writing. And if you 88 00:04:52,920 --> 00:04:55,520 Speaker 2: just take it away and just like speak the story, 89 00:04:55,640 --> 00:04:59,120 Speaker 2: like say what you want, everything becomes very clear. I 90 00:04:59,120 --> 00:05:02,520 Speaker 2: think that's like a bait writing. I'm not discovering that, 91 00:05:02,640 --> 00:05:05,600 Speaker 2: but it really does help. Hi. 92 00:05:05,760 --> 00:05:09,000 Speaker 1: There, it's me again. I hope you found that useful. 93 00:05:09,160 --> 00:05:11,440 Speaker 1: I must say, I find the tip of emulating a 94 00:05:11,480 --> 00:05:15,520 Speaker 1: writer that you really like really interesting. I remember back, 95 00:05:15,680 --> 00:05:18,359 Speaker 1: maybe when I was a teenager, my mom gave me 96 00:05:18,480 --> 00:05:21,920 Speaker 1: really similar advice, and I should at this point say 97 00:05:21,920 --> 00:05:24,919 Speaker 1: my mom is a psychologist and a writer kind of 98 00:05:24,960 --> 00:05:29,200 Speaker 1: like me. She's written about ten books I think at 99 00:05:29,279 --> 00:05:34,360 Speaker 1: last count or something like that, and she said if 100 00:05:34,400 --> 00:05:36,520 Speaker 1: I spent more time reading great writers, it would help 101 00:05:36,560 --> 00:05:40,479 Speaker 1: me be a better writer. So when I'm writing now 102 00:05:40,760 --> 00:05:44,120 Speaker 1: in my adult life. A couple of my favorite writers 103 00:05:44,160 --> 00:05:47,679 Speaker 1: in the sort of business nonfiction genre are the Heath brothers, 104 00:05:47,720 --> 00:05:51,000 Speaker 1: Chip and Dan Heath. I think that they have such 105 00:05:51,080 --> 00:05:55,200 Speaker 1: great skill in dissecting complex research and turning it into 106 00:05:55,320 --> 00:05:59,400 Speaker 1: really practical and memorable ideas and frameworks, and are also 107 00:05:59,480 --> 00:06:03,360 Speaker 1: amazing storytellers and so on the occasions where I've been 108 00:06:03,640 --> 00:06:06,120 Speaker 1: writing a book or maybe feeling a bit stuck with 109 00:06:06,160 --> 00:06:08,320 Speaker 1: my writing, I'll pick up one of their books and 110 00:06:08,839 --> 00:06:10,800 Speaker 1: I'll maybe read a chapter or two to help get 111 00:06:10,839 --> 00:06:14,240 Speaker 1: their voice in their head. And then, of course, when 112 00:06:14,240 --> 00:06:16,320 Speaker 1: I get back to the computer to writing, trying to 113 00:06:16,320 --> 00:06:19,200 Speaker 1: still use my own voice too. I'm not sure if 114 00:06:19,200 --> 00:06:20,880 Speaker 1: that sounds a bit weird, but it's something I do 115 00:06:20,920 --> 00:06:24,320 Speaker 1: and I find it really really helpful just getting as 116 00:06:24,320 --> 00:06:27,560 Speaker 1: many great writing voices into my head. This kind of 117 00:06:27,560 --> 00:06:30,239 Speaker 1: helps me get into the mood and get into flow. 118 00:06:31,240 --> 00:06:33,960 Speaker 1: So that is it for today's show. If you liked 119 00:06:34,000 --> 00:06:36,320 Speaker 1: this excerpt, you might want to listen to my full 120 00:06:36,400 --> 00:06:38,680 Speaker 1: chat with Nelly, which I link to in the show notes. 121 00:06:39,200 --> 00:06:43,400 Speaker 1: And if you don't currently subscribe to How I Work 122 00:06:43,440 --> 00:06:45,320 Speaker 1: but you enjoy it today's show, why not hit the 123 00:06:45,360 --> 00:06:48,039 Speaker 1: subscribe button wherever you listen to your podcasts and you 124 00:06:48,040 --> 00:06:52,320 Speaker 1: will get alerted whenever a new episode arrives. So that's 125 00:06:52,360 --> 00:06:54,280 Speaker 1: it for today, and I'll see you next time.