1 00:00:01,080 --> 00:00:04,280 Speaker 1: How it Buddy, I I Radio WAP from ninety six 2 00:00:04,320 --> 00:00:08,560 Speaker 1: AIRFM to whereever you're listening today, This is Crazy and 3 00:00:08,640 --> 00:00:10,560 Speaker 1: Lisa's podcast coming. 4 00:00:10,360 --> 00:00:11,319 Speaker 2: Up on the podcast today. 5 00:00:11,400 --> 00:00:15,360 Speaker 3: Two great guests first of all, Chris Isaac and Harms. 6 00:00:15,920 --> 00:00:18,760 Speaker 4: He'll be right when he comes out of your shell. 7 00:00:19,160 --> 00:00:21,360 Speaker 2: We can only encourage him. We took your calls on 8 00:00:21,440 --> 00:00:23,919 Speaker 2: what you do with a gift you don't like? 9 00:00:25,160 --> 00:00:28,640 Speaker 4: And the Shot Report the Grammys wash Up, including Lisa 10 00:00:28,680 --> 00:00:31,640 Speaker 4: giving jay a Z to his report cast. 11 00:00:32,840 --> 00:00:35,200 Speaker 2: Chris Isaac is coming to town very soon. 12 00:00:35,320 --> 00:00:37,680 Speaker 3: You want to get your tickets through Ticketmaster for his 13 00:00:37,760 --> 00:00:41,239 Speaker 3: show in Kings Park on Thursday, April four, and he's 14 00:00:41,280 --> 00:00:41,800 Speaker 3: with us now. 15 00:00:41,800 --> 00:00:43,480 Speaker 2: Good morning, Chris, Chris. 16 00:00:43,240 --> 00:00:45,160 Speaker 5: Good morning. Should we start off with your theme song? 17 00:00:45,840 --> 00:00:46,560 Speaker 4: I think we should. 18 00:00:46,840 --> 00:00:52,839 Speaker 5: Clary and Lesa had ready your show. They brought the 19 00:00:52,880 --> 00:00:55,960 Speaker 5: good times wherever they go here they are. 20 00:00:58,120 --> 00:00:58,560 Speaker 6: Thank you. 21 00:00:59,480 --> 00:01:01,200 Speaker 2: Whatday phone us? 22 00:01:01,560 --> 00:01:03,840 Speaker 3: Last time you were here, you were this didn't happen 23 00:01:03,840 --> 00:01:05,680 Speaker 3: in Post because we don't have trams, but you were 24 00:01:05,680 --> 00:01:07,800 Speaker 3: busking on a tram somewhere in Australia. 25 00:01:07,880 --> 00:01:09,440 Speaker 2: So I'm I sure that's in your reputation. 26 00:01:09,680 --> 00:01:13,080 Speaker 5: You said we don't have trans No. 27 00:01:12,680 --> 00:01:15,480 Speaker 7: We don't have trash, and I was going, really, I 28 00:01:15,520 --> 00:01:18,320 Speaker 7: saw some people dressed. I was thinking, but maybe not. 29 00:01:18,480 --> 00:01:23,280 Speaker 7: I remember playing on a bus and people looking at 30 00:01:23,319 --> 00:01:27,520 Speaker 7: me like this guy looks dangerous because here we are. 31 00:01:27,520 --> 00:01:29,560 Speaker 7: We start just singing on a bus and people are 32 00:01:29,600 --> 00:01:30,400 Speaker 7: not used to that. 33 00:01:30,800 --> 00:01:32,360 Speaker 4: Yeah, no, that's true. 34 00:01:32,400 --> 00:01:35,800 Speaker 3: It's all just it's like being in an elevator straight ahead. 35 00:01:37,040 --> 00:01:39,680 Speaker 5: I've done that on an airplane. This is a true story. 36 00:01:39,720 --> 00:01:41,800 Speaker 7: One time we were on an airplane and the stewardess 37 00:01:41,800 --> 00:01:43,839 Speaker 7: came up and she said, oh, I love your music. 38 00:01:44,000 --> 00:01:46,000 Speaker 7: She said, I see you have your guitar. Will you 39 00:01:46,040 --> 00:01:46,639 Speaker 7: play something? 40 00:01:46,760 --> 00:01:47,440 Speaker 5: I go sure. 41 00:01:48,160 --> 00:01:50,640 Speaker 7: I said, hey, I'll play any song you want if 42 00:01:50,640 --> 00:01:52,920 Speaker 7: you let my buddy come up into first class. And 43 00:01:53,320 --> 00:01:56,800 Speaker 7: she said sure I will, And I said, you let 44 00:01:56,840 --> 00:01:59,720 Speaker 7: him up in first class. I'll serenade the whole plane. 45 00:02:00,040 --> 00:02:03,280 Speaker 7: And my buddy and I, Kenny and I walked down 46 00:02:03,280 --> 00:02:06,280 Speaker 7: the aisle and started singing Christmas songs. It was Christmas 47 00:02:06,280 --> 00:02:08,519 Speaker 7: time and people look frightened. 48 00:02:11,720 --> 00:02:14,079 Speaker 5: Exactly. I was like, why are you singing at me? 49 00:02:16,280 --> 00:02:19,680 Speaker 4: Speaking of Kenny dal Johnson, the legend himself. I remember 50 00:02:19,680 --> 00:02:22,119 Speaker 4: having a morning with you guys down there Scarborough Beach, 51 00:02:22,160 --> 00:02:24,240 Speaker 4: here in Perth many years ago, and it would have 52 00:02:24,240 --> 00:02:25,880 Speaker 4: been as much fun without you. You might one of 53 00:02:25,919 --> 00:02:28,480 Speaker 4: the great drummers of all time. But how is the 54 00:02:28,480 --> 00:02:30,239 Speaker 4: big man? How's he going doing great? 55 00:02:30,560 --> 00:02:32,840 Speaker 7: You know Kenny's one of those guys, well, Clairesy you 56 00:02:32,919 --> 00:02:35,519 Speaker 7: met him. Yeah, he's one of those guys that he 57 00:02:35,639 --> 00:02:38,200 Speaker 7: scares people and he's the nicest guy in the world. 58 00:02:38,360 --> 00:02:40,840 Speaker 5: Yeah, because he's a big, barrel chested. 59 00:02:40,440 --> 00:02:43,520 Speaker 7: Guy and he's got dark eyes and people look at 60 00:02:43,560 --> 00:02:45,880 Speaker 7: him and they go, oh, I don't want to fight him, 61 00:02:47,560 --> 00:02:49,880 Speaker 7: and I go, he's the nicest guy in the world. 62 00:02:49,919 --> 00:02:51,639 Speaker 7: It's the bass player. You got to watch out. 63 00:02:53,160 --> 00:02:55,680 Speaker 3: Have you the same band for a long time? Weren't 64 00:02:55,720 --> 00:02:58,160 Speaker 3: you in a rockabilly band with them? Originally? 65 00:02:58,400 --> 00:03:02,040 Speaker 7: I had a three piece band originally, and then somebody 66 00:03:02,080 --> 00:03:06,080 Speaker 7: pointed out, Chris, you're a lousy guitar player. Thanks, so 67 00:03:06,240 --> 00:03:09,280 Speaker 7: I said, okay, but I got a better guitar player. 68 00:03:09,320 --> 00:03:11,280 Speaker 7: We've had the same guys a long long time. You 69 00:03:11,320 --> 00:03:14,079 Speaker 7: know what's weird now is we go back to Australia. 70 00:03:14,520 --> 00:03:18,720 Speaker 7: My guitar player and my bass player are both married 71 00:03:18,720 --> 00:03:19,760 Speaker 7: to Australian women. 72 00:03:20,560 --> 00:03:24,200 Speaker 2: We had as effect on musicians. People come here and 73 00:03:24,240 --> 00:03:25,000 Speaker 2: they get married. 74 00:03:25,360 --> 00:03:28,520 Speaker 7: Look, I'm I'm you know, I'm still single, but like 75 00:03:28,960 --> 00:03:32,120 Speaker 7: I'll come there. I'm hoping somebody will show up to 76 00:03:32,160 --> 00:03:35,560 Speaker 7: the show and be single. If not, I might adopt 77 00:03:35,560 --> 00:03:36,000 Speaker 7: a pet. 78 00:03:37,120 --> 00:03:39,960 Speaker 4: Okay, well, we've got great pitts, some beautiful women. Yeah 79 00:03:40,080 --> 00:03:42,920 Speaker 4: here in the way. You might plenty of movies over 80 00:03:42,960 --> 00:03:45,240 Speaker 4: your time. But I love The Wonders. That Tom Hanks 81 00:03:45,280 --> 00:03:47,440 Speaker 4: was in it too, and that moment where the band, 82 00:03:47,680 --> 00:03:49,440 Speaker 4: I should say, that thing you do is the name 83 00:03:49,480 --> 00:03:51,040 Speaker 4: of the film. But the band the Wonder's got played 84 00:03:51,040 --> 00:03:53,360 Speaker 4: on the radio and though so excited hearing themselves. Do 85 00:03:53,440 --> 00:03:55,560 Speaker 4: you remember the first time you heard a song, a 86 00:03:55,680 --> 00:03:57,720 Speaker 4: Chris Ax song on the radio and what you were doing. 87 00:03:58,400 --> 00:04:01,160 Speaker 7: I had a sixty four Chevy and I still have it, 88 00:04:01,240 --> 00:04:05,080 Speaker 7: and I was driving back from San Francisco to my hometown, 89 00:04:05,080 --> 00:04:07,680 Speaker 7: which is like one hundred miles away of Farmtown, Stockton, 90 00:04:07,920 --> 00:04:09,760 Speaker 7: and I was going in the car and all of 91 00:04:09,800 --> 00:04:12,200 Speaker 7: a sudden I turned the radio and it was me playing, 92 00:04:12,360 --> 00:04:16,880 Speaker 7: and I was confused, Like no, I just thought, like 93 00:04:17,240 --> 00:04:20,880 Speaker 7: my first reaction was how did that happen? Because like, 94 00:04:21,200 --> 00:04:23,440 Speaker 7: how did I get my own voice on the radio? 95 00:04:23,520 --> 00:04:24,680 Speaker 7: And then I went they're. 96 00:04:24,480 --> 00:04:28,000 Speaker 5: Playing my Tho on the radio. Yeah, I'm all excited. 97 00:04:28,200 --> 00:04:29,320 Speaker 2: It must be surreal. 98 00:04:30,160 --> 00:04:33,920 Speaker 3: You know you mentioned your connection with movies in particular. 99 00:04:33,960 --> 00:04:36,839 Speaker 3: I've always been interested in your connection with the amazing 100 00:04:36,880 --> 00:04:41,280 Speaker 3: director David Lynch. I mean, he put your songs in 101 00:04:41,440 --> 00:04:43,560 Speaker 3: his film Wild at Heart, and then he cast you 102 00:04:43,600 --> 00:04:46,640 Speaker 3: in Twin Peaks Firewalk with Me, one of the greatest 103 00:04:46,680 --> 00:04:48,920 Speaker 3: television events of all time. 104 00:04:49,440 --> 00:04:51,159 Speaker 2: Are you still in contact with David Lynch? 105 00:04:51,520 --> 00:04:54,400 Speaker 7: I am occasionally in contact with David, and I love him. 106 00:04:54,920 --> 00:04:58,320 Speaker 7: You know, he was opening a movie and I saw 107 00:04:58,400 --> 00:04:59,800 Speaker 7: that it was gonna he was going to do a 108 00:05:00,080 --> 00:05:03,600 Speaker 7: like a premiere near San Francisco where I live. I 109 00:05:03,640 --> 00:05:05,719 Speaker 7: called him up and I said, David, I see you're 110 00:05:05,720 --> 00:05:08,640 Speaker 7: doing a premiere. I said, do you have live music 111 00:05:08,760 --> 00:05:12,520 Speaker 7: or anything there? He goes, no, No, we don't. And 112 00:05:12,560 --> 00:05:14,799 Speaker 7: I said, okay, well you do now. 113 00:05:15,400 --> 00:05:16,200 Speaker 5: And I said. 114 00:05:16,320 --> 00:05:18,080 Speaker 7: He goes, well, we don't have any money for that. 115 00:05:18,120 --> 00:05:19,840 Speaker 7: And I said, you don't need any money. You got 116 00:05:19,839 --> 00:05:22,920 Speaker 7: a microphone, don't you. He goes yeah. I said, I'm 117 00:05:22,960 --> 00:05:25,160 Speaker 7: coming over. I'll bring Kenny in a drum kit. We'll 118 00:05:25,160 --> 00:05:28,880 Speaker 7: play music. Wait, and we came over and played because 119 00:05:28,920 --> 00:05:32,000 Speaker 7: he's just I just like him. He's the funniest guy 120 00:05:32,040 --> 00:05:33,839 Speaker 7: because he's so straightforward. 121 00:05:34,080 --> 00:05:34,320 Speaker 8: Yeah. 122 00:05:34,600 --> 00:05:35,840 Speaker 5: Like somebody was talking to him. 123 00:05:35,839 --> 00:05:38,360 Speaker 7: We were sitting out at dinner and somebody just mentioned 124 00:05:38,400 --> 00:05:40,960 Speaker 7: they said, you know, Coca Cola no longer makes the 125 00:05:41,320 --> 00:05:44,560 Speaker 7: little tiny bottles. They weren't They stopped making the little 126 00:05:44,560 --> 00:05:47,640 Speaker 7: tiny coke bottles for a while. And David his face 127 00:05:47,800 --> 00:05:51,200 Speaker 7: just drops and he goes, no, that's no good. That's 128 00:05:51,279 --> 00:05:55,200 Speaker 7: no good. And I said, I said, well, why are 129 00:05:55,240 --> 00:05:58,040 Speaker 7: you excited? He goes, because I like those little coked 130 00:06:00,720 --> 00:06:03,720 Speaker 7: like a ten year old. Yeah. 131 00:06:03,800 --> 00:06:06,880 Speaker 2: Yeah, but from that comes absolute rights. Do you miss 132 00:06:06,920 --> 00:06:08,560 Speaker 2: doing the chat show? 133 00:06:09,160 --> 00:06:09,520 Speaker 5: I do? 134 00:06:10,040 --> 00:06:12,520 Speaker 7: That show was a lot of fun. I remember being 135 00:06:12,600 --> 00:06:18,080 Speaker 7: terrified because when the Australians talked fast, Yeah, it was 136 00:06:18,240 --> 00:06:20,720 Speaker 7: like I went, it was okay, I'll make a joke 137 00:06:20,760 --> 00:06:23,360 Speaker 7: out of myself that It was like, and we have Chris, Chris, 138 00:06:23,440 --> 00:06:28,960 Speaker 7: I can be advance. Yeah, no, not what I'm sorry. 139 00:06:28,560 --> 00:06:32,760 Speaker 7: It just sounded like, you know, because there'd be one 140 00:06:32,839 --> 00:06:38,679 Speaker 7: or two, you know, Budgy and fit Fiddy and Fizzy. 141 00:06:38,400 --> 00:06:41,680 Speaker 7: They you shortened words that we don't shorten, yes, and 142 00:06:41,720 --> 00:06:44,479 Speaker 7: then talk about and I was going, I can't and 143 00:06:44,560 --> 00:06:46,720 Speaker 7: I had to go excuse me, what did you say? 144 00:06:46,920 --> 00:06:48,359 Speaker 1: And you can't do that on TV. 145 00:06:48,680 --> 00:06:50,800 Speaker 5: I can't stop the show and go excuse me. 146 00:06:51,440 --> 00:06:54,839 Speaker 7: And finally I realized, oh, they have it scripted and 147 00:06:54,880 --> 00:06:57,839 Speaker 7: they're reading off a teleprompter. So while they talked, I 148 00:06:58,000 --> 00:07:00,320 Speaker 7: kept the glance of the teleprompter and then I would 149 00:07:00,320 --> 00:07:00,880 Speaker 7: be able. 150 00:07:00,640 --> 00:07:05,160 Speaker 4: To Yeah, what about Perth and Australia do not have 151 00:07:05,240 --> 00:07:08,640 Speaker 4: for you that love from Australian fans. You must absolutely 152 00:07:09,440 --> 00:07:11,040 Speaker 4: thrive on that when you need to come down under. 153 00:07:11,320 --> 00:07:14,320 Speaker 7: I just Australia is my favorite place to play. It's 154 00:07:14,360 --> 00:07:16,720 Speaker 7: the only place in the world that I could imagine 155 00:07:16,760 --> 00:07:21,360 Speaker 7: me moving too. In fact, my guitar players moving to Australia. 156 00:07:21,440 --> 00:07:25,720 Speaker 7: He asked my permission. I said, yeah you can. You 157 00:07:25,800 --> 00:07:27,720 Speaker 7: can still still, you can still be in my band. 158 00:07:27,720 --> 00:07:29,680 Speaker 7: We're just gonna have to play Australia more often. 159 00:07:29,800 --> 00:07:33,000 Speaker 2: Yeah, you're on the bass. Here wants his place. 160 00:07:33,120 --> 00:07:34,440 Speaker 4: He wants to be with his wife. I guess, so 161 00:07:34,720 --> 00:07:35,040 Speaker 4: there you go. 162 00:07:35,640 --> 00:07:36,840 Speaker 5: He wants to be with his wife. 163 00:07:37,240 --> 00:07:40,000 Speaker 7: And I think once one goes over there, I think 164 00:07:40,040 --> 00:07:42,080 Speaker 7: it's going to start a sly all be in. 165 00:07:42,600 --> 00:07:46,400 Speaker 3: Yeah, I think, right, we've got to let you go 166 00:07:46,520 --> 00:07:49,960 Speaker 3: you're a busy man, but we can't wait until Thursday, 167 00:07:49,960 --> 00:07:50,520 Speaker 3: April fourth. 168 00:07:50,560 --> 00:07:51,560 Speaker 2: You're going to play us out? 169 00:07:52,160 --> 00:07:52,600 Speaker 1: Is that right? 170 00:07:52,680 --> 00:07:56,280 Speaker 2: Little show Dune? Thank you Chris, Isaac it was on fire. 171 00:07:56,960 --> 00:08:02,080 Speaker 7: No one could see Clersey and Lisa. 172 00:08:03,760 --> 00:08:06,200 Speaker 5: Thinks better with Claricy and Lisa stuff in there. 173 00:08:06,680 --> 00:08:09,360 Speaker 4: I will take that man, Thank you, Chris. 174 00:08:09,400 --> 00:08:10,600 Speaker 2: I will see you in April. 175 00:08:10,840 --> 00:08:11,880 Speaker 4: Man, you did a good, good thing there. 176 00:08:11,880 --> 00:08:12,120 Speaker 5: Thank you. 177 00:08:12,200 --> 00:08:17,200 Speaker 1: See that more Lisa, more podcasts. 178 00:08:20,200 --> 00:08:22,000 Speaker 4: There's some new stats have come out. Some new numbers 179 00:08:22,040 --> 00:08:24,680 Speaker 4: have come out from an analyst at Ray White by 180 00:08:24,680 --> 00:08:29,800 Speaker 4: the name of Jemima White. I would imagine some relation. Yeah, 181 00:08:30,200 --> 00:08:32,240 Speaker 4: Jamim has come out with some numbers talking about I mean, 182 00:08:32,280 --> 00:08:35,600 Speaker 4: we love swimming pools in Perth. I love but you 183 00:08:35,640 --> 00:08:38,200 Speaker 4: and I both Yeah, funny how neither of us got 184 00:08:38,200 --> 00:08:39,400 Speaker 4: a pool, but we love pool so much. 185 00:08:39,840 --> 00:08:43,520 Speaker 8: We both had well we don't how much trouble, oh god, 186 00:08:43,800 --> 00:08:46,079 Speaker 8: but I do love it. We both had one once 187 00:08:46,160 --> 00:08:48,120 Speaker 8: upon a time. But yeah, Jamim has come out with 188 00:08:48,120 --> 00:08:50,240 Speaker 8: these numbers. Said though you would think that most of 189 00:08:50,280 --> 00:08:52,200 Speaker 8: the pools would be away from well away from the 190 00:08:52,240 --> 00:08:55,240 Speaker 8: beach in the hotter burbs, especially in the eastern part 191 00:08:55,280 --> 00:08:55,640 Speaker 8: of Perth. 192 00:08:55,679 --> 00:08:57,640 Speaker 3: But then no, you wouldn't, jemalmy, you think they were 193 00:08:57,679 --> 00:09:00,079 Speaker 3: where the money is. Of course, it was nothing a 194 00:09:00,160 --> 00:09:01,560 Speaker 3: thing surprising that they're on the gooes. 195 00:09:01,679 --> 00:09:03,920 Speaker 4: So they're saying a bunch of suburbs have come up 196 00:09:03,920 --> 00:09:05,839 Speaker 4: on the stats showing how you know, obviously because in 197 00:09:05,880 --> 00:09:08,520 Speaker 4: the real estate ads you will see swimming pool as 198 00:09:08,559 --> 00:09:11,320 Speaker 4: a feature and the suburbs come up top of the 199 00:09:11,320 --> 00:09:13,920 Speaker 4: Wazza with two hundred and eleven listings in the past 200 00:09:13,960 --> 00:09:16,200 Speaker 4: twelve months. Was done Craig with the most swimming pools 201 00:09:16,720 --> 00:09:18,480 Speaker 4: just to short drive the beach because that's where. 202 00:09:18,679 --> 00:09:20,680 Speaker 2: Such a great location done Craig. It was a really 203 00:09:20,679 --> 00:09:23,319 Speaker 2: great so you know it does so well's pretty. 204 00:09:23,040 --> 00:09:24,840 Speaker 4: Cool and I left there a few years ago now. 205 00:09:25,040 --> 00:09:27,400 Speaker 4: Second on the list was Allenbrook, which is quite the 206 00:09:27,440 --> 00:09:30,560 Speaker 4: opposite hell hot as hell, my god, you go to 207 00:09:30,600 --> 00:09:31,959 Speaker 4: the beach when you live in allen Brook and you 208 00:09:32,000 --> 00:09:33,360 Speaker 4: know you're hot when you're about a quarter of the 209 00:09:33,400 --> 00:09:33,920 Speaker 4: way back home. 210 00:09:33,960 --> 00:09:35,040 Speaker 2: You need to cut lunch together. 211 00:09:35,320 --> 00:09:38,560 Speaker 4: But along with dun Craig, Quinn's Rock Mindari, Ocean Reef 212 00:09:38,600 --> 00:09:40,960 Speaker 4: and Hillaries are all on the top ten lists place 213 00:09:41,080 --> 00:09:44,600 Speaker 4: with lots of swimming pools and those that you would 214 00:09:44,640 --> 00:09:47,200 Speaker 4: expect to be there, big, plenty pools. Maybe Thornleigh and 215 00:09:47,400 --> 00:09:49,079 Speaker 4: allen Brook are a long way away from the beach, 216 00:09:49,600 --> 00:09:53,720 Speaker 4: hell long way. Yeah, it's quite a drive. Do you 217 00:09:53,720 --> 00:09:56,680 Speaker 4: have a Paul as a kid? Yes, right, you're. 218 00:09:56,559 --> 00:09:58,920 Speaker 2: In les Murdy Oh god, you could want to pull 219 00:09:58,960 --> 00:09:59,160 Speaker 2: you know. 220 00:09:59,200 --> 00:10:01,000 Speaker 3: I mean you didn't have I know, the ocean existed 221 00:10:01,080 --> 00:10:06,079 Speaker 3: until you were eight. We had we got up this 222 00:10:06,920 --> 00:10:09,960 Speaker 3: but you know we had a pool. Yes, a lot 223 00:10:10,000 --> 00:10:12,960 Speaker 3: of people had a pool in les Moody as I remember, Yeah, 224 00:10:13,480 --> 00:10:14,520 Speaker 3: lots of pool. 225 00:10:14,280 --> 00:10:15,760 Speaker 4: When I was when I was a kid. Lace. I've 226 00:10:15,760 --> 00:10:18,320 Speaker 4: told you about this that we had a surprises. We 227 00:10:18,360 --> 00:10:20,560 Speaker 4: had a really lame pool which was one of the 228 00:10:20,559 --> 00:10:23,400 Speaker 4: ones you know the line of pools with the tin 229 00:10:23,480 --> 00:10:25,160 Speaker 4: around the outside, one of those round things. 230 00:10:25,559 --> 00:10:26,760 Speaker 2: I didn't last a silo. 231 00:10:27,000 --> 00:10:29,160 Speaker 4: Yeah, it's like it was a bit like that was 232 00:10:29,360 --> 00:10:30,520 Speaker 4: trying to be a farmer. Yea, it was a bit 233 00:10:30,559 --> 00:10:32,319 Speaker 4: like excited. It didn't last that long. You always get 234 00:10:32,320 --> 00:10:34,679 Speaker 4: punctures and all the rest holes in the line or 235 00:10:35,080 --> 00:10:37,400 Speaker 4: look at that so held water. When the folks broke up, 236 00:10:37,440 --> 00:10:39,480 Speaker 4: we moved to Hammersley, right and we had an under 237 00:10:39,559 --> 00:10:42,200 Speaker 4: a blowground pool. It was the greatest summer ever. But 238 00:10:42,240 --> 00:10:44,560 Speaker 4: then Mum, being the single mum, couldn't afford a new 239 00:10:44,559 --> 00:10:46,679 Speaker 4: filter when the filter died, so my brother and I 240 00:10:46,720 --> 00:10:48,679 Speaker 4: at fifteen and ten, had to fill the pool in 241 00:10:49,080 --> 00:10:52,360 Speaker 4: with rubbish and sand and the pool fence went in. 242 00:10:53,640 --> 00:10:55,800 Speaker 4: I still need therapy about having to fill the pool 243 00:10:55,800 --> 00:10:56,439 Speaker 4: in at fifteen. 244 00:10:56,679 --> 00:10:57,640 Speaker 1: Oh wow, it was. 245 00:10:57,640 --> 00:11:00,240 Speaker 4: That was the worst summer after the best summer. You know, 246 00:11:00,320 --> 00:11:02,319 Speaker 4: you can't you can't afford it. You can't afford it. 247 00:11:02,320 --> 00:11:04,600 Speaker 4: It's like, so that's why I think I love pool 248 00:11:04,640 --> 00:11:06,240 Speaker 4: so sad. I love pool so much. 249 00:11:06,280 --> 00:11:06,439 Speaker 6: Now. 250 00:11:06,600 --> 00:11:09,560 Speaker 4: You remember when I lived in that place in near 251 00:11:09,640 --> 00:11:11,840 Speaker 4: Lake munger and I said, I've got this tiny little 252 00:11:11,840 --> 00:11:13,360 Speaker 4: courtyard and I've got to go over to see if 253 00:11:13,400 --> 00:11:15,080 Speaker 4: you put a pool, and he goes, He goes, mate, 254 00:11:15,120 --> 00:11:18,600 Speaker 4: your your backyard is three by two meters. I can 255 00:11:18,640 --> 00:11:22,640 Speaker 4: do it. It'll cost your ninety grand. The smallest pool ever. 256 00:11:22,760 --> 00:11:24,840 Speaker 2: Still trying to work. Why did you have to fill 257 00:11:24,880 --> 00:11:25,600 Speaker 2: the pool in? 258 00:11:25,720 --> 00:11:28,480 Speaker 3: Why couldn't you just leave it so, you know, for 259 00:11:28,559 --> 00:11:31,280 Speaker 3: when you know, down the track, when you could get 260 00:11:31,280 --> 00:11:32,440 Speaker 3: a filter or sold the house. 261 00:11:33,040 --> 00:11:35,800 Speaker 4: Mum was a pessimist, not an optimist le getting rid 262 00:11:35,840 --> 00:11:39,920 Speaker 4: of a body or something. Well there was that didn't 263 00:11:40,000 --> 00:11:41,200 Speaker 4: like her boyfriends. 264 00:11:40,800 --> 00:11:42,679 Speaker 2: Didn't know what to do with an old Volkswagen. 265 00:11:42,760 --> 00:11:44,440 Speaker 4: But the problem problem is when you have to fill 266 00:11:44,440 --> 00:11:46,040 Speaker 4: a big space like that. A swimming pool is a 267 00:11:46,040 --> 00:11:48,240 Speaker 4: big pool that after a while all the junk you 268 00:11:48,280 --> 00:11:51,280 Speaker 4: put in there starts to go down, unless you're putting 269 00:11:51,320 --> 00:11:53,680 Speaker 4: soil in all a rubbish and that's go down. So 270 00:11:53,679 --> 00:11:55,520 Speaker 4: we had this big dip in the in the backyard. 271 00:11:55,520 --> 00:11:56,960 Speaker 4: It wasn't handy for paying cricket. 272 00:11:57,000 --> 00:11:59,040 Speaker 2: Well, it's quite the sink. Well, it's a hell of 273 00:11:59,040 --> 00:11:59,360 Speaker 2: a sink. 274 00:11:59,360 --> 00:12:03,360 Speaker 3: Well, oh my god, disco spectacular as is that Laru 275 00:12:03,440 --> 00:12:07,360 Speaker 3: Grand Laro Grand during Fringe from now to February eighteen. 276 00:12:07,440 --> 00:12:10,960 Speaker 3: Tickets through Fringe world dot com dot are you Hans? 277 00:12:11,280 --> 00:12:15,360 Speaker 1: Oh the Morgan. I'm here, I've got the glitter on 278 00:12:15,600 --> 00:12:18,720 Speaker 1: and I'm performing, yes in a venue that nobody in 279 00:12:18,800 --> 00:12:21,240 Speaker 1: Perth seems to know how to pronounce, which I love. 280 00:12:21,280 --> 00:12:25,199 Speaker 1: It is just me nobody. There's not a general consensus. 281 00:12:25,760 --> 00:12:29,400 Speaker 1: People are calling it the euro Grand there the euro Grand. 282 00:12:29,920 --> 00:12:33,280 Speaker 1: The Grand Dam was calling it the former meat factory 283 00:12:33,440 --> 00:12:37,960 Speaker 1: because it was another European wholesalers. Why would they be 284 00:12:38,000 --> 00:12:42,600 Speaker 1: in somewhere like that market exactly, not the first small 285 00:12:42,600 --> 00:12:45,120 Speaker 1: goods that have been in there, honey. For what a 286 00:12:45,320 --> 00:12:48,480 Speaker 1: thriller is to be back here. The acoustics are great 287 00:12:48,520 --> 00:12:50,679 Speaker 1: in there, and I've also been told that the air 288 00:12:50,720 --> 00:12:54,840 Speaker 1: conditioning has been upgrade. It has no worry. Last night 289 00:12:55,000 --> 00:12:59,640 Speaker 1: at the rehearsal, it was like cyclone tracing in there, honey, 290 00:13:00,120 --> 00:13:03,720 Speaker 1: that it was cranked up to power ranger. What if 291 00:13:03,720 --> 00:13:09,360 Speaker 1: it blows well exactly exactly. How are you too to 292 00:13:09,400 --> 00:13:12,520 Speaker 1: say happy New Year? 293 00:13:12,120 --> 00:13:12,480 Speaker 5: New year? 294 00:13:12,559 --> 00:13:13,840 Speaker 2: Isn't that we've seen you. 295 00:13:15,320 --> 00:13:15,920 Speaker 5: The new year? 296 00:13:16,160 --> 00:13:16,360 Speaker 2: Look? 297 00:13:16,880 --> 00:13:19,320 Speaker 1: I think it is the year of the Dragon, for 298 00:13:20,360 --> 00:13:25,600 Speaker 1: I don't know how to pronounce it. In fact, that's it, 299 00:13:25,720 --> 00:13:27,520 Speaker 1: that's one. That's it. Lovely. 300 00:13:27,760 --> 00:13:28,000 Speaker 4: Yeah. 301 00:13:28,080 --> 00:13:30,560 Speaker 1: I thought somebody was just abusing me when they said 302 00:13:30,559 --> 00:13:32,880 Speaker 1: that to me the first time, but they were wishing 303 00:13:32,880 --> 00:13:33,400 Speaker 1: me your sell. 304 00:13:34,440 --> 00:13:34,640 Speaker 9: Yeah. 305 00:13:34,679 --> 00:13:36,199 Speaker 1: Absolutely, it's lovely. 306 00:13:36,440 --> 00:13:38,720 Speaker 2: So you've had you've had a rehearsal. 307 00:13:38,800 --> 00:13:39,640 Speaker 1: I've had a rehearsal. 308 00:13:39,679 --> 00:13:41,080 Speaker 2: Conditioning as tickety booth. 309 00:13:41,200 --> 00:13:43,160 Speaker 1: Yes, I'm really selling it, aren't I? 310 00:13:43,520 --> 00:13:46,320 Speaker 2: It was the first show. Do you get nervous? 311 00:13:46,920 --> 00:13:50,000 Speaker 1: You know what I will say? The first night is definitely. 312 00:13:50,200 --> 00:13:52,720 Speaker 1: If ever there's nerves, it's always a little bit because 313 00:13:52,760 --> 00:13:55,880 Speaker 1: you know, you're thinking of like you're in a new venue. 314 00:13:56,080 --> 00:13:59,120 Speaker 1: It's a new audience. There's all of that's kind of unknown. 315 00:13:59,320 --> 00:14:02,000 Speaker 1: But that's also the thing that makes it exciting, you know, 316 00:14:02,160 --> 00:14:05,480 Speaker 1: because my show, believe it or not, I mean, it's 317 00:14:05,480 --> 00:14:08,760 Speaker 1: different every night. I've got to say it. I know 318 00:14:08,960 --> 00:14:11,719 Speaker 1: I've said we've had a rehearsal, but in terms of preparation, 319 00:14:13,080 --> 00:14:16,680 Speaker 1: I you know, a lot of what happens happens in 320 00:14:16,720 --> 00:14:20,480 Speaker 1: the room. It depends who's there. It depends what Basil's 321 00:14:20,480 --> 00:14:25,520 Speaker 1: implice has done that day, you know, always affects the show. 322 00:14:25,600 --> 00:14:27,480 Speaker 1: You know, you look around and I think that's the 323 00:14:27,520 --> 00:14:31,560 Speaker 1: beauty of the fringe. You know, everything's going and there's 324 00:14:31,600 --> 00:14:36,200 Speaker 1: been some amazing shows this you know which one. There's 325 00:14:36,240 --> 00:14:43,760 Speaker 1: a Cape Bush show. Fan A night without Cape Bush listen, 326 00:14:43,880 --> 00:14:47,560 Speaker 1: And it's rare for me to promote something that's not me, Lisa. 327 00:14:47,600 --> 00:14:50,520 Speaker 1: A night with that Cape Bush is beautiful. I think 328 00:14:50,560 --> 00:14:52,840 Speaker 1: even if you don't know anything about Kate Bush or 329 00:14:53,120 --> 00:14:55,640 Speaker 1: you're no bubbleshcubble. 330 00:14:55,360 --> 00:14:57,280 Speaker 3: Imagine I can imagine a bit of man with the 331 00:14:57,360 --> 00:14:58,200 Speaker 3: child in his eyes. 332 00:14:59,360 --> 00:15:04,560 Speaker 1: Show few of them, you know what, let me in 333 00:15:04,640 --> 00:15:09,160 Speaker 1: at your window. Kathy, it's me, It's Cliff. 334 00:15:10,200 --> 00:15:10,760 Speaker 4: I love a bit. 335 00:15:11,360 --> 00:15:14,560 Speaker 1: That's actually Kate Bushes the only bush I do love 336 00:15:15,720 --> 00:15:24,800 Speaker 1: soe stories. She loves me? You know which one? 337 00:15:25,200 --> 00:15:26,000 Speaker 2: Let us apart. 338 00:15:26,360 --> 00:15:29,760 Speaker 1: There's a song called Army Dreamers, Beautiful. 339 00:15:29,440 --> 00:15:34,360 Speaker 3: Dreamers, beautiful suspended in gaffer spend. 340 00:15:34,600 --> 00:15:37,160 Speaker 2: Hang on this, this woman's work. 341 00:15:36,920 --> 00:15:42,240 Speaker 1: This woman's work, yes, Nere, Now can we play this 342 00:15:42,360 --> 00:15:47,720 Speaker 1: woman's work? Some sort of doing? Me prep to put 343 00:15:47,720 --> 00:15:52,680 Speaker 1: on some What is the next song coming up? We 344 00:15:52,720 --> 00:15:58,920 Speaker 1: played everybody that was that was all right? Or piss 345 00:15:59,000 --> 00:15:59,400 Speaker 1: them off? 346 00:15:59,480 --> 00:16:02,200 Speaker 4: For God's sakes, I'm not sure what it is anyway. 347 00:16:03,120 --> 00:16:05,400 Speaker 1: Do we really need more hunters and collectors on a 348 00:16:05,480 --> 00:16:06,480 Speaker 1: Tuesday morning? 349 00:16:10,240 --> 00:16:10,880 Speaker 2: Any music? 350 00:16:11,080 --> 00:16:11,320 Speaker 1: Yes? 351 00:16:11,440 --> 00:16:12,600 Speaker 2: Did you watch the Grammys? 352 00:16:12,800 --> 00:16:13,720 Speaker 1: Did I ever. 353 00:16:16,320 --> 00:16:16,560 Speaker 10: That? 354 00:16:16,800 --> 00:16:17,000 Speaker 9: You know? 355 00:16:17,360 --> 00:16:21,000 Speaker 1: What do you think my people? Germans? You know, I 356 00:16:21,000 --> 00:16:23,880 Speaker 1: think should be the new We're looking for a new 357 00:16:23,920 --> 00:16:28,560 Speaker 1: anthem in this country. I think, you know, at the Olympics, 358 00:16:28,600 --> 00:16:34,560 Speaker 1: fabulous just comes on, you know, any fabulous? You know 359 00:16:34,960 --> 00:16:38,280 Speaker 1: people would love it. I think it would bring a 360 00:16:38,320 --> 00:16:39,240 Speaker 1: bit of a locationion. 361 00:16:40,960 --> 00:16:42,560 Speaker 2: IM going to complain about that at all. 362 00:16:43,120 --> 00:16:46,520 Speaker 1: Could you imagine all those footballers with one single tear 363 00:16:46,640 --> 00:16:47,960 Speaker 1: going down their cheek? 364 00:16:49,320 --> 00:16:51,800 Speaker 4: Starts playing, which is what any Lenox would you. 365 00:16:54,280 --> 00:16:54,360 Speaker 6: Know? 366 00:16:54,400 --> 00:16:57,040 Speaker 1: Which? You know which tribute? I did love that? Which 367 00:16:57,680 --> 00:17:02,960 Speaker 1: come on Fantasia singing around Mary And I think if 368 00:17:02,960 --> 00:17:05,760 Speaker 1: you thought well done, I think if you thought that 369 00:17:05,880 --> 00:17:08,800 Speaker 1: was good, get ready to see my Tina Turner tonight. 370 00:17:08,880 --> 00:17:12,119 Speaker 1: You know it's the kind of Tina Turner tribute that 371 00:17:12,200 --> 00:17:15,439 Speaker 1: will have you going what a loss Tina Turner was? 372 00:17:15,520 --> 00:17:20,920 Speaker 1: If only it was Tina Arena no listen, yes, yes, 373 00:17:21,560 --> 00:17:23,879 Speaker 1: but I thought the Grammys were great. And you know 374 00:17:25,160 --> 00:17:27,440 Speaker 1: Taylor Swift snubbing Celine Dion. 375 00:17:27,920 --> 00:17:31,919 Speaker 2: I know, not class, not class. 376 00:17:32,760 --> 00:17:35,520 Speaker 1: We're all too afraid to mention it in public because 377 00:17:35,560 --> 00:17:38,920 Speaker 1: the Swift is you know, they're the mark Tina Boppies. 378 00:17:39,359 --> 00:17:47,760 Speaker 3: They are they get You're Illuminati Swift ARTI They're crazy 379 00:17:48,359 --> 00:17:51,160 Speaker 3: And I really love that she you know, she used 380 00:17:51,200 --> 00:17:53,480 Speaker 3: that opportunity to promote her new album. 381 00:17:54,160 --> 00:17:57,760 Speaker 1: I thought that was a beautiful moment, marketing moment, Darling. 382 00:17:57,920 --> 00:18:01,440 Speaker 1: I mean, she's obvious, and which reminds me that tickets 383 00:18:01,480 --> 00:18:07,680 Speaker 1: are available at Han's Official for tonight seven pm. But yes, 384 00:18:07,760 --> 00:18:08,600 Speaker 1: the Grammy. 385 00:18:08,280 --> 00:18:10,159 Speaker 2: Is in all seriousness. 386 00:18:10,880 --> 00:18:14,280 Speaker 3: You know, it's not just the the air conditioning at 387 00:18:14,320 --> 00:18:17,280 Speaker 3: the show but we do have some hot days coming 388 00:18:17,320 --> 00:18:20,080 Speaker 3: up of a storage. I mean, everyone keeps going on 389 00:18:20,119 --> 00:18:22,400 Speaker 3: about it. I prefer they don't talk about it. I 390 00:18:22,440 --> 00:18:23,280 Speaker 3: would rather not know. 391 00:18:23,400 --> 00:18:26,760 Speaker 2: But how do you? How do you keep it? So? 392 00:18:27,720 --> 00:18:28,159 Speaker 1: Look at me? 393 00:18:28,240 --> 00:18:28,920 Speaker 2: So good? 394 00:18:29,480 --> 00:18:35,560 Speaker 1: Okay? Setting spray very important, very important for everybody. Even 395 00:18:35,720 --> 00:18:38,320 Speaker 1: you could do with a bit of setting spray, especially 396 00:18:38,560 --> 00:18:41,199 Speaker 1: if it doesn't have any I would just suggest that 397 00:18:41,280 --> 00:18:44,040 Speaker 1: you remember the black Schwartz cough hair spray. Just spray 398 00:18:44,080 --> 00:18:47,000 Speaker 1: that on your face. That's good, that's okay, jazz ballet 399 00:18:47,800 --> 00:18:53,680 Speaker 1: absolutely correct. Break the skin you can get a person 400 00:18:53,720 --> 00:18:59,000 Speaker 1: for travel, I would say cramp ease very important, very important. 401 00:18:59,040 --> 00:19:01,880 Speaker 1: And hydrolyte. That's my hot tip for all. 402 00:19:04,800 --> 00:19:06,320 Speaker 4: We just want to wrap our arms around you. When 403 00:19:06,320 --> 00:19:07,640 Speaker 4: we heard of it. I know it's a long time ago. 404 00:19:07,680 --> 00:19:10,160 Speaker 4: Now that's fall, but can I come to a gig 405 00:19:10,160 --> 00:19:11,359 Speaker 4: and just catch just in case? 406 00:19:11,440 --> 00:19:14,040 Speaker 1: You know, absolutely and I know it was a long time, 407 00:19:14,080 --> 00:19:15,919 Speaker 1: it wasn't. I don't think I won't be milking it 408 00:19:15,960 --> 00:19:19,000 Speaker 1: in this show. Milk cold content. As we know the 409 00:19:19,119 --> 00:19:25,399 Speaker 1: radio you earned that. I'll be popping them along the 410 00:19:25,480 --> 00:19:28,439 Speaker 1: cam tonight thinking a bit of an anti inflammatory, and 411 00:19:28,480 --> 00:19:32,400 Speaker 1: I'm ready to hit hit the you know high kicks again. 412 00:19:32,520 --> 00:19:32,920 Speaker 9: Very good? 413 00:19:33,040 --> 00:19:38,080 Speaker 2: Well with you cramp to get a crampy changed my life? 414 00:19:38,920 --> 00:19:43,639 Speaker 1: Yes, absolutely, it's a wonderful Yes for people just saying 415 00:19:43,680 --> 00:19:47,560 Speaker 1: magnesiums the thing crampies has got. I think a little 416 00:19:47,720 --> 00:19:48,840 Speaker 1: something extra. 417 00:19:48,600 --> 00:19:50,639 Speaker 4: Okay, not just a cork in the bed. I keep 418 00:19:50,680 --> 00:19:51,040 Speaker 4: hearing that. 419 00:19:50,960 --> 00:19:56,000 Speaker 3: One cork, says a soap, a bar of soap at 420 00:19:56,000 --> 00:19:59,440 Speaker 3: the end of the bed, under the sheet. Okay, mad 421 00:19:59,560 --> 00:20:01,440 Speaker 3: old you know Warvestyle. 422 00:20:01,960 --> 00:20:03,879 Speaker 1: Since to stop the lake cramps in the middle of 423 00:20:03,920 --> 00:20:08,000 Speaker 1: the more this, Oh my god, this is a very 424 00:20:08,119 --> 00:20:11,360 Speaker 1: ninety six f M conversation right now, isn't it. It's 425 00:20:11,520 --> 00:20:13,920 Speaker 1: very much. We are ready for our hunters and collector 426 00:20:14,040 --> 00:20:14,760 Speaker 1: on right now. 427 00:20:16,400 --> 00:20:19,240 Speaker 2: We gonna save you from a lake crap. We've done allround. 428 00:20:19,440 --> 00:20:22,879 Speaker 1: Interested about the cork in the bed my cock for 429 00:20:23,040 --> 00:20:26,199 Speaker 1: every that's good, that's the one I think I'm going 430 00:20:26,240 --> 00:20:28,679 Speaker 1: to track actually, and then I'll move on to the 431 00:20:28,760 --> 00:20:29,520 Speaker 1: lavender soap. 432 00:20:29,800 --> 00:20:33,400 Speaker 2: Yes, until February eighteen. 433 00:20:33,760 --> 00:20:40,679 Speaker 1: I'm here two weeks literal just it's on Francis Street. 434 00:20:40,840 --> 00:20:42,439 Speaker 1: It's the. 435 00:20:45,160 --> 00:20:48,600 Speaker 3: Tickets are through Fringe world dot com. Jot I you 436 00:20:49,320 --> 00:20:51,960 Speaker 3: the hands disco Spectacular. 437 00:20:52,920 --> 00:20:57,119 Speaker 1: Kid It's lovely to see you. More Crazy, more Lisa, 438 00:20:57,760 --> 00:20:59,280 Speaker 1: more podcasts. 439 00:21:02,480 --> 00:21:05,159 Speaker 3: Apparently, one in three Australians tell me if you one 440 00:21:05,160 --> 00:21:09,760 Speaker 3: of those clazy have returned a Christmas gift for a refund, 441 00:21:10,000 --> 00:21:12,280 Speaker 3: exchange or store credit. 442 00:21:12,800 --> 00:21:14,479 Speaker 2: I don't even need do you to answer this? 443 00:21:14,520 --> 00:21:16,720 Speaker 4: I know you have guilty as charged. 444 00:21:17,160 --> 00:21:17,760 Speaker 2: Just knew it. 445 00:21:18,320 --> 00:21:19,320 Speaker 4: There is an amnesty period. 446 00:21:19,440 --> 00:21:24,919 Speaker 3: Twenty percent twenty percent of planning two from this Gone 447 00:21:24,960 --> 00:21:31,159 Speaker 3: Christmas already have returned their twenty twenty three presents. According 448 00:21:31,200 --> 00:21:36,560 Speaker 3: to this university research at Monash University, Australians age twenty 449 00:21:36,560 --> 00:21:39,760 Speaker 3: five to thirty four are the most likely to do 450 00:21:39,840 --> 00:21:43,760 Speaker 3: a return forty three percent of them, followed by thirty 451 00:21:43,800 --> 00:21:45,760 Speaker 3: five to forty four year olds twenty eight percent of 452 00:21:45,800 --> 00:21:48,200 Speaker 3: them and twenty six percent of the rest of us. 453 00:21:48,600 --> 00:21:49,919 Speaker 4: A couple of you know me so well, and you 454 00:21:49,960 --> 00:21:50,720 Speaker 4: asked you bother. 455 00:21:50,600 --> 00:21:53,520 Speaker 2: To ask the question, what do you think I would? 456 00:21:54,920 --> 00:21:55,800 Speaker 4: I don't think so. 457 00:21:56,040 --> 00:21:56,680 Speaker 2: No, I can't. 458 00:21:56,920 --> 00:21:57,680 Speaker 1: You can't do it. 459 00:21:57,880 --> 00:22:00,879 Speaker 3: I can't do it, And look I think against people. 460 00:22:00,880 --> 00:22:02,840 Speaker 3: Do I get it? It's sensible if you didn't want 461 00:22:02,880 --> 00:22:05,639 Speaker 3: to take I just think if someone's gone to the 462 00:22:05,680 --> 00:22:09,080 Speaker 3: trouble of picking something for me even if I freaking 463 00:22:09,160 --> 00:22:09,560 Speaker 3: hate it. 464 00:22:10,600 --> 00:22:12,159 Speaker 2: I just can't, you know. 465 00:22:12,280 --> 00:22:14,160 Speaker 3: And there have been times whereeople have given me things 466 00:22:14,160 --> 00:22:15,480 Speaker 3: and I thought, do you even know me? 467 00:22:18,640 --> 00:22:20,920 Speaker 2: I just I just can't. I can't do it. 468 00:22:21,280 --> 00:22:23,840 Speaker 4: You have a shed with a whole unwanted junky, Yes, 469 00:22:23,960 --> 00:22:24,760 Speaker 4: I do, really do. 470 00:22:24,920 --> 00:22:27,960 Speaker 3: I feel a bit icky taking it back and going 471 00:22:28,560 --> 00:22:30,399 Speaker 3: just loip that across. Can I just have the money 472 00:22:30,400 --> 00:22:33,080 Speaker 3: for that instead? Or can I pick something different? 473 00:22:33,920 --> 00:22:36,520 Speaker 2: I just don't. I just I don't know. 474 00:22:37,280 --> 00:22:39,880 Speaker 4: If you feel it's not me? No, no, it's not good. 475 00:22:39,960 --> 00:22:41,400 Speaker 4: But you do have a cupboard, is it one? 476 00:22:41,920 --> 00:22:44,520 Speaker 2: I'm also lazy, so you know, there's a little bit 477 00:22:44,520 --> 00:22:44,840 Speaker 2: of that. 478 00:22:45,119 --> 00:22:48,280 Speaker 4: Self proclaimed So there is a certain shelf in your 479 00:22:48,400 --> 00:22:50,520 Speaker 4: shd or in the pantry or something. With all these 480 00:22:50,560 --> 00:22:52,280 Speaker 4: gifts are piling up. 481 00:22:52,640 --> 00:22:54,800 Speaker 3: I'm happy to say that most gifts I get, oh 482 00:22:54,960 --> 00:22:58,760 Speaker 3: very very well received. There's been the occasional thing I 483 00:22:58,880 --> 00:23:01,320 Speaker 3: just sort of put it away and pretended. 484 00:23:01,520 --> 00:23:02,760 Speaker 4: I can't wait till you have a garage. 485 00:23:03,520 --> 00:23:06,600 Speaker 3: And also there's also things around the place that I 486 00:23:06,680 --> 00:23:09,800 Speaker 3: don't necessarily love but don't have the heartily my mum 487 00:23:09,880 --> 00:23:10,280 Speaker 3: gave it to. 488 00:23:10,359 --> 00:23:12,320 Speaker 4: Yeah that's right. Yeah, what if it's a piece of 489 00:23:12,440 --> 00:23:14,639 Speaker 4: art from a family member or a close friend. 490 00:23:14,720 --> 00:23:16,960 Speaker 2: No, I'm sorry. Nothing's going on my wall that I 491 00:23:17,040 --> 00:23:17,520 Speaker 2: don't love. 492 00:23:17,600 --> 00:23:19,960 Speaker 4: Yeah, okay, because we've felt the pressure before. 493 00:23:19,760 --> 00:23:25,200 Speaker 3: There might be the occasional cho you know, little trinkety yeah, yeah, 494 00:23:25,720 --> 00:23:26,800 Speaker 3: but no, it's not. 495 00:23:26,800 --> 00:23:27,520 Speaker 2: Going on the wall. 496 00:23:28,680 --> 00:23:30,760 Speaker 4: It's funny. Doesn't matter how vulgar some of the things 497 00:23:30,760 --> 00:23:32,560 Speaker 4: the kids made me at school or gave me as 498 00:23:32,560 --> 00:23:37,560 Speaker 4: a gift. I've got everything, of course, doesn't matter how tech. 499 00:23:38,200 --> 00:23:41,920 Speaker 3: It's very wrong with you that would you exchange it 500 00:23:41,960 --> 00:23:44,600 Speaker 3: for anyway, some like some other kids, you know, probably 501 00:23:45,200 --> 00:23:45,600 Speaker 3: they made. 502 00:23:46,000 --> 00:23:48,679 Speaker 4: Yeah, but even kids when the kids we made, when 503 00:23:48,680 --> 00:23:50,240 Speaker 4: the kids were a little learned by your present, and 504 00:23:50,320 --> 00:23:53,320 Speaker 4: it was just it's not you. But you still keep 505 00:23:53,920 --> 00:23:55,040 Speaker 4: my mom. It's a different rule. 506 00:23:55,400 --> 00:23:59,760 Speaker 3: Mom still keeps her teapot on the little ceramic teapot 507 00:24:00,359 --> 00:24:03,479 Speaker 3: thing that I know not stand. But it's like a 508 00:24:03,520 --> 00:24:05,960 Speaker 3: match that I made for her in must have been 509 00:24:06,600 --> 00:24:09,040 Speaker 3: must have been KINDI yeah, she still got it. 510 00:24:09,640 --> 00:24:10,120 Speaker 2: Blessed. 511 00:24:11,359 --> 00:24:13,000 Speaker 4: Don't take stuff back at all, but not even after 512 00:24:13,040 --> 00:24:14,640 Speaker 4: a period of time, because I've done that. I've got 513 00:24:14,640 --> 00:24:16,920 Speaker 4: this horrible thing for the garden once, this ornament thing, 514 00:24:17,160 --> 00:24:20,960 Speaker 4: but I think we gave it three or four years really, Yeah, dragged. 515 00:24:20,680 --> 00:24:22,200 Speaker 2: It out when the person was coming over. 516 00:24:22,440 --> 00:24:24,239 Speaker 4: Yeah, and then yeah for a few years, and then 517 00:24:24,320 --> 00:24:25,960 Speaker 4: gave up. And I don't know where it ended up. 518 00:24:26,000 --> 00:24:28,159 Speaker 2: But what did you do with the gift you didn't like? 519 00:24:28,560 --> 00:24:29,640 Speaker 4: Have you got it on the shelf somewhere? 520 00:24:29,640 --> 00:24:31,520 Speaker 3: You might not have taken it back and exchanged it. 521 00:24:31,600 --> 00:24:34,160 Speaker 3: You might have turned it into something else. 522 00:24:34,440 --> 00:24:38,280 Speaker 4: Oh, you modified it, modifying someone's art place they made 523 00:24:38,280 --> 00:24:39,159 Speaker 4: for you. That'll be hideous. 524 00:24:39,400 --> 00:24:41,680 Speaker 3: Then of course there's the old givet you know, give 525 00:24:41,720 --> 00:24:44,600 Speaker 3: it on. Yes, that's not paying it forward, that's regifting. 526 00:24:44,800 --> 00:24:47,520 Speaker 4: Yeah, that is regifting, and regifting you have to be 527 00:24:47,640 --> 00:24:49,160 Speaker 4: very careful with because you get. 528 00:24:49,200 --> 00:24:53,680 Speaker 2: Oh yeah, that is always possibility, very nastily first. 529 00:24:53,440 --> 00:24:55,640 Speaker 4: That it came from. If you're not careful, Shane. 530 00:24:55,320 --> 00:24:58,240 Speaker 2: In wannaoo, what did you do or what do you 531 00:24:58,400 --> 00:24:59,720 Speaker 2: do with gifts you didn't like? 532 00:25:00,160 --> 00:25:03,159 Speaker 6: My missus got me a watch for Christmas. It was 533 00:25:03,200 --> 00:25:05,480 Speaker 6: a really nice watch, but it wasn't the one that 534 00:25:05,520 --> 00:25:08,920 Speaker 6: I wanted, so I took it back and got another one. 535 00:25:09,080 --> 00:25:10,600 Speaker 6: And she thinks it's the same one. 536 00:25:11,160 --> 00:25:13,000 Speaker 2: Oh, you didn't tell her you were taking it back. 537 00:25:13,680 --> 00:25:16,159 Speaker 6: No, I'm hoping she's not listening because I've been dropping 538 00:25:16,200 --> 00:25:17,119 Speaker 6: myself right in it. 539 00:25:17,160 --> 00:25:17,560 Speaker 11: At the moment. 540 00:25:18,080 --> 00:25:23,760 Speaker 4: Shane. It kind of been very different, Shane, if she 541 00:25:23,840 --> 00:25:26,480 Speaker 4: picked it out. Yeah, different, It wasn't. 542 00:25:26,840 --> 00:25:29,720 Speaker 6: It wasn't completely different, but it was different enough for 543 00:25:29,760 --> 00:25:31,760 Speaker 6: it to be. You know, I just got a link 544 00:25:31,840 --> 00:25:34,600 Speaker 6: take it. I went to the jewelry shop that she 545 00:25:34,640 --> 00:25:36,439 Speaker 6: got it from and got a link taken out and 546 00:25:37,040 --> 00:25:40,000 Speaker 6: supposedly got a link taken out. 547 00:25:40,560 --> 00:25:47,639 Speaker 3: Story amazing, What a difference that link made. That's, you know, 548 00:25:47,760 --> 00:25:50,480 Speaker 3: just exchanging it for That's still a watch that she 549 00:25:50,640 --> 00:25:52,480 Speaker 3: got you and thought. 550 00:25:52,640 --> 00:25:54,560 Speaker 2: I'm sure she'd want you to make sure it was 551 00:25:54,600 --> 00:25:55,560 Speaker 2: the one that you wanted. 552 00:25:56,280 --> 00:25:57,200 Speaker 6: Yeah, I'm sure she would. 553 00:25:59,000 --> 00:26:03,000 Speaker 2: Thank Shane, smart Man, you got what he wanted. 554 00:26:03,560 --> 00:26:05,080 Speaker 3: I mean, unusually when you give a gift like that, 555 00:26:05,119 --> 00:26:07,120 Speaker 3: you say, look, it's not exactly the one you want. 556 00:26:07,160 --> 00:26:08,000 Speaker 2: We can exchange it. 557 00:26:08,320 --> 00:26:10,720 Speaker 4: That's what are you doing after the show? To be 558 00:26:10,720 --> 00:26:13,640 Speaker 4: again on coming your place? Sing what you got? Kind 559 00:26:13,640 --> 00:26:18,119 Speaker 4: of rummage for you you shed if you don't taking it. 560 00:26:18,200 --> 00:26:24,359 Speaker 2: Back all right, Lisa's by swap and. 561 00:26:24,400 --> 00:26:27,480 Speaker 4: So yeah, no, just give your friends Gina. 562 00:26:27,200 --> 00:26:31,040 Speaker 2: And Morley, Hello, good morning, guard are you're a returner 563 00:26:31,160 --> 00:26:32,720 Speaker 2: or an exchanger or what do you do? 564 00:26:33,040 --> 00:26:38,200 Speaker 10: What I do is I regift for the Chris Twingles. 565 00:26:38,000 --> 00:26:41,200 Speaker 10: A family thing, and these things go round and round, 566 00:26:41,280 --> 00:26:45,760 Speaker 10: especially when you've got a sister who's into recycling, she 567 00:26:45,920 --> 00:26:50,080 Speaker 10: ends up receiving her gifts over and over again, these 568 00:26:50,119 --> 00:26:55,320 Speaker 10: things like soap, underwear, stop stak knives, you know, the old. 569 00:26:55,160 --> 00:26:56,679 Speaker 4: Ye have your cheap candles? 570 00:26:57,200 --> 00:27:00,680 Speaker 10: Yeah, and the old candle. Definitely, all of that sort 571 00:27:00,720 --> 00:27:02,960 Speaker 10: of thing. So, yeah, it gets we cycleed and just 572 00:27:03,040 --> 00:27:05,080 Speaker 10: keeps going round and round, and you have a bit 573 00:27:05,119 --> 00:27:09,200 Speaker 10: of a laugh when they don't recognize their presence. 574 00:27:10,160 --> 00:27:12,800 Speaker 2: It is when it becomes an institution. 575 00:27:13,080 --> 00:27:15,639 Speaker 3: Yeah, by the time you're getting the same soap on 576 00:27:15,680 --> 00:27:18,680 Speaker 3: a rope back that you gave someone in nineteen eighty nine, 577 00:27:20,000 --> 00:27:23,200 Speaker 3: it's exactly Yeah. 578 00:27:23,000 --> 00:27:25,040 Speaker 10: It is. And it's an air as well. 579 00:27:25,200 --> 00:27:26,520 Speaker 4: It is a family gag. 580 00:27:27,680 --> 00:27:32,199 Speaker 10: Hello, I Yeah, definitely. And the last one that we 581 00:27:32,240 --> 00:27:35,240 Speaker 10: did was an old what he called boiled egg holder, 582 00:27:35,280 --> 00:27:39,160 Speaker 10: which must be about sixty years old. Works a treat 583 00:27:39,240 --> 00:27:40,240 Speaker 10: black memory. 584 00:27:40,359 --> 00:27:44,359 Speaker 4: Yeah, laugh on your Jina. Do you say soap on 585 00:27:44,359 --> 00:27:50,080 Speaker 4: a rope rod? Someone to find it? You really don't 586 00:27:50,080 --> 00:27:51,240 Speaker 4: want to sapen the rope with here. 587 00:27:51,160 --> 00:27:55,639 Speaker 3: On on no got to still be wrapped in the 588 00:27:55,840 --> 00:27:59,760 Speaker 3: word elastic Cheryl and Clarkson, What do you do with a. 589 00:27:59,680 --> 00:28:00,520 Speaker 2: Gift didn't like? 590 00:28:00,600 --> 00:28:03,760 Speaker 9: Yeah, Lisa and Clarzy. Friend of mine gave me this 591 00:28:03,800 --> 00:28:06,320 Speaker 9: figur rain and she thought it was beautiful. I think 592 00:28:06,320 --> 00:28:08,000 Speaker 9: it was a bride and groom and either had like 593 00:28:08,040 --> 00:28:11,080 Speaker 9: a circle or a heart. And it was as dusty 594 00:28:11,119 --> 00:28:13,720 Speaker 9: as anything. It was bloody awful and then all the 595 00:28:13,840 --> 00:28:17,440 Speaker 9: diamanites or stones. Anyway, I sort of showed a friend 596 00:28:17,480 --> 00:28:20,160 Speaker 9: and she sort of, you know, didn't say too much, 597 00:28:20,200 --> 00:28:23,160 Speaker 9: but the look was enough. And anyway, it went straight 598 00:28:23,160 --> 00:28:28,920 Speaker 9: in the bin. You know where she got it from, 599 00:28:28,960 --> 00:28:30,919 Speaker 9: but it must have been in the shop or you know. 600 00:28:31,080 --> 00:28:33,879 Speaker 9: She Yeah, it was awful. Anyway, in the bin. 601 00:28:34,800 --> 00:28:37,920 Speaker 3: She can accidentally drop it and you know it breaks. Yeah, 602 00:28:38,320 --> 00:28:41,080 Speaker 3: oh blow, I've dropped it and it's broke. 603 00:28:46,320 --> 00:28:47,240 Speaker 9: It wasn't impressed. 604 00:28:48,520 --> 00:28:50,760 Speaker 4: You didn't have to know my late mum Muggy, did you. 605 00:28:51,360 --> 00:28:56,480 Speaker 3: She used to give her stay away from things like that. 606 00:28:56,600 --> 00:29:01,480 Speaker 2: That's a very personal personal pick. Thank you, Cheryon and Cheryl. 607 00:29:01,480 --> 00:29:02,160 Speaker 9: All right, thank you. 608 00:29:02,600 --> 00:29:04,120 Speaker 4: Cheryl's not sitting in the fence it's straight in the 609 00:29:04,160 --> 00:29:06,560 Speaker 4: mine of it's rubbish if she doesn't like it. Apart 610 00:29:06,600 --> 00:29:11,160 Speaker 4: from showing another friend again, there's sure report. 611 00:29:10,960 --> 00:29:16,320 Speaker 2: On ninety six airm. 612 00:29:14,600 --> 00:29:18,280 Speaker 3: The sixty six the Grammy Awards have been running one 613 00:29:18,440 --> 00:29:21,320 Speaker 3: Taylor Swift took home Album of the Year for Midnights. 614 00:29:21,600 --> 00:29:24,120 Speaker 3: She became the first artist to win Album of the 615 00:29:24,200 --> 00:29:29,520 Speaker 3: Year four times. She surpassed Frank Sinatra, Stevie Wonder and 616 00:29:29,560 --> 00:29:32,280 Speaker 3: Paul Simon, who've all won three times. Tell Us took 617 00:29:32,320 --> 00:29:34,880 Speaker 3: the opportunity to announce what will probably be her next 618 00:29:34,880 --> 00:29:35,400 Speaker 3: Grammy win. 619 00:29:35,560 --> 00:29:37,800 Speaker 6: I want to say thank you to the fans by 620 00:29:38,640 --> 00:29:42,440 Speaker 6: telling you a secret that I've been keeping from you for. 621 00:29:42,360 --> 00:29:44,880 Speaker 2: The last two years, which is. 622 00:29:44,800 --> 00:29:49,440 Speaker 11: That my brand new album comes out April nineteenth. 623 00:29:49,640 --> 00:29:52,800 Speaker 4: It's called The Torture Poets Department. 624 00:29:53,560 --> 00:29:55,360 Speaker 2: The Tortured Poets Department. 625 00:29:55,440 --> 00:29:55,840 Speaker 4: Here you go. 626 00:29:56,680 --> 00:29:59,600 Speaker 3: Miley Cyrus accepted the award for Record of the Year 627 00:29:59,640 --> 00:30:02,960 Speaker 3: for her song Flowers, whilst channeling Jane Fonda's hair from 628 00:30:03,040 --> 00:30:09,360 Speaker 3: nine to five. I love Miley Syrah, She's my secret pleasure. 629 00:30:09,640 --> 00:30:12,600 Speaker 3: But I thought she looked fantastic. But yes, the hair, 630 00:30:13,000 --> 00:30:14,360 Speaker 3: yeah very and. 631 00:30:14,480 --> 00:30:16,560 Speaker 4: I think she's done. Jane Fonda's old video works out, 632 00:30:17,120 --> 00:30:18,280 Speaker 4: It's in great. 633 00:30:18,000 --> 00:30:21,720 Speaker 3: Show, Victoria Money one Best New Artist and Billie Eilish 634 00:30:21,840 --> 00:30:22,920 Speaker 3: is what was I Made For? 635 00:30:23,000 --> 00:30:32,880 Speaker 2: From the Barbie Movie One Song of the Year, Whodos 636 00:30:33,200 --> 00:30:34,280 Speaker 2: was made for? 637 00:30:36,800 --> 00:30:39,120 Speaker 3: I was quite surprised at that one. I mean, look, 638 00:30:39,160 --> 00:30:41,560 Speaker 3: it's a it's a nice song, it's very sweet, but 639 00:30:41,640 --> 00:30:41,880 Speaker 3: is it. 640 00:30:41,880 --> 00:30:42,520 Speaker 2: Song of the Year? 641 00:30:42,760 --> 00:30:43,880 Speaker 4: Strong category to it? 642 00:30:44,000 --> 00:30:47,760 Speaker 3: It's Sonny about ninety seconds long. It beat Olivia Rodrigo's 643 00:30:47,840 --> 00:30:51,240 Speaker 3: Vampire and Taylor Swifts Santi Hero Swifty also won Best 644 00:30:51,360 --> 00:30:55,880 Speaker 3: Pop Vocal Album and Miley won Best Pop Solo Performance. 645 00:30:56,400 --> 00:30:59,560 Speaker 3: Kyli Minoga is still celebrating winning the first Grammy of 646 00:30:59,600 --> 00:31:02,160 Speaker 3: the Day Best Dance Recording for Pa Dump Pa Dump. 647 00:31:02,600 --> 00:31:05,280 Speaker 3: Troy Savanna and Dom Dolla missed out in their categories, 648 00:31:05,280 --> 00:31:08,200 Speaker 3: but Tommy Emmanuel one he got the Grammy for Best 649 00:31:08,280 --> 00:31:11,960 Speaker 3: Arrangement Instrumental or a Cappella with his remix of Johnny 650 00:31:11,960 --> 00:31:14,520 Speaker 3: Cash's Folsome Prison Blues. 651 00:31:27,400 --> 00:31:27,560 Speaker 9: Ah. 652 00:31:27,680 --> 00:31:30,200 Speaker 2: You still got a power Manuel Absolutely. 653 00:31:30,280 --> 00:31:33,920 Speaker 3: There wasn't really any controversial moments, but jay Z gave 654 00:31:33,960 --> 00:31:36,200 Speaker 3: it a bit of a guy when he accepted his 655 00:31:36,560 --> 00:31:39,200 Speaker 3: Doctor Dre Global Impact Award. He have a dig about 656 00:31:39,200 --> 00:31:42,120 Speaker 3: wife Beyonce having never won a Grammy for Best Album. 657 00:31:42,280 --> 00:31:44,479 Speaker 11: I'm just saying, we just we want you to get 658 00:31:44,520 --> 00:31:47,400 Speaker 11: it right. And obviously it's subjective because you know it's 659 00:31:47,520 --> 00:31:51,280 Speaker 11: music and his opinion bass, but you know some things. 660 00:31:51,520 --> 00:31:53,000 Speaker 4: I don't want to embarrass this young lady. 661 00:31:53,000 --> 00:31:55,120 Speaker 11: But she has more Grammys than everyone and never one 662 00:31:55,200 --> 00:31:57,600 Speaker 11: album of a year. So even by your own metrics, 663 00:31:57,600 --> 00:32:01,240 Speaker 11: that doesn't work. Think about that. The most Grammys, neumber 664 00:32:01,280 --> 00:32:02,120 Speaker 11: one album of a year. 665 00:32:02,280 --> 00:32:03,600 Speaker 4: That doesn't work. 666 00:32:03,720 --> 00:32:06,600 Speaker 2: He didn't say it was do better Grammy's look. 667 00:32:06,760 --> 00:32:09,840 Speaker 3: Beyonce makes great singles, but perhaps she's never made the 668 00:32:09,880 --> 00:32:13,480 Speaker 3: best whole album. Jay Z, that can work. You know, 669 00:32:13,520 --> 00:32:15,760 Speaker 3: I've always been a fan of jay Z, but it 670 00:32:15,800 --> 00:32:19,560 Speaker 3: wasn't impressed by him yesterday. Made quite a few really naky, 671 00:32:19,640 --> 00:32:23,120 Speaker 3: unnecessary comments. Just accept a special award with a bit 672 00:32:23,120 --> 00:32:26,160 Speaker 3: of class indignancy, mister Carter, and off you're dropped. On 673 00:32:26,320 --> 00:32:30,440 Speaker 3: a much more positive note, There were some great performances 674 00:32:30,520 --> 00:32:32,680 Speaker 3: during the show. The one I'm hearing people talk about 675 00:32:32,680 --> 00:32:35,440 Speaker 3: most is Tracy Chapman joining country singer Luke Coombs for 676 00:32:35,520 --> 00:32:36,760 Speaker 3: her classic fast car. 677 00:32:37,240 --> 00:32:40,600 Speaker 1: You got a fan car. It's fast enough so you 678 00:32:40,600 --> 00:32:41,480 Speaker 1: can fly away. 679 00:32:42,040 --> 00:32:46,120 Speaker 2: We gotta make the decision she deny to live and diet. 680 00:32:46,120 --> 00:32:50,120 Speaker 3: This way, they got a well deserved standing innovation and incredibly, 681 00:32:50,400 --> 00:32:54,600 Speaker 3: this is incredible. After the Grammy performance, Tracy Chapman's Fast 682 00:32:54,640 --> 00:32:57,400 Speaker 3: Car shot to number one on the US iTunes chart 683 00:32:57,640 --> 00:33:00,560 Speaker 3: thirty six years after its release. It is a reminder 684 00:33:00,760 --> 00:33:04,600 Speaker 3: to us just how brilliant Tracy's nineteen eighty eight debut 685 00:33:04,640 --> 00:33:08,360 Speaker 3: album was. I'm in Fast Car talking about a revolution, Baby, 686 00:33:08,400 --> 00:33:10,360 Speaker 3: Can I hold you? It had it all. It was 687 00:33:10,400 --> 00:33:13,440 Speaker 3: an incredible It was one of those you know every song. 688 00:33:13,720 --> 00:33:17,360 Speaker 2: Yeah, that's what makes a whole brilliant album. 689 00:33:17,480 --> 00:33:20,320 Speaker 4: Jason, did he need the bit where you shouldn't have 690 00:33:20,360 --> 00:33:21,760 Speaker 4: some of you shouldn't have been in the category? 691 00:33:21,920 --> 00:33:22,120 Speaker 8: Yes? 692 00:33:22,360 --> 00:33:24,240 Speaker 4: Really, I don't know. 693 00:33:24,600 --> 00:33:28,280 Speaker 3: Now Paul Beyonce has been embarrassed by Kanye when he 694 00:33:28,360 --> 00:33:31,080 Speaker 3: said she should have won something, and now by her 695 00:33:31,200 --> 00:33:33,520 Speaker 3: own husband who says, why hasn't she won this yet? 696 00:33:33,600 --> 00:33:35,440 Speaker 4: Even the kid, even their daughter was standing on stage 697 00:33:35,480 --> 00:33:38,400 Speaker 4: going right, Why is Dandy being so mean to people? 698 00:33:38,920 --> 00:33:40,760 Speaker 1: And Lisa Fus