WEBVTT - Julian Cress - THE BLOCK - Executive Producer

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. They might welcome back

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<v Speaker 1>guys to TV Reload. My name is Benjamin Norris and

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<v Speaker 1>this is your podcast to get all the inside goss

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<v Speaker 1>on the popular TV shows you may be watching from

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<v Speaker 1>around the world. Underniably, our TV sets are a major

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<v Speaker 1>part of our home entertainment, and yet very little is

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<v Speaker 1>known about how our favorite shows get made. So each

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<v Speaker 1>episode I've been finding guests that want to dive just

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<v Speaker 1>a little bit deeper to the shows they're currently making,

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<v Speaker 1>so that you can hear all their exclusive stories and

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<v Speaker 1>gain access to the biggest names in Australian television. I

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<v Speaker 1>want to thank you for downloading or subscribing to this

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<v Speaker 1>podcast however you've found me. I love hearing your feedback,

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<v Speaker 1>so make sure you leave a review or a comment

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<v Speaker 1>on your chosen podcast platform. On today's podcast, I have

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<v Speaker 1>Julian Crest, the executive producer of The Block Australia, which

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<v Speaker 1>starts Sunday week on Channel nine. The Block is a

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<v Speaker 1>huge show for Channel nine and it's the cornerstone of

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<v Speaker 1>their lineup every year. This season is set in the

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<v Speaker 1>family friendly Melbourne suburb of Hampton East. The new series

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<v Speaker 1>features five house is designed and built in the nineteen

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<v Speaker 1>fifties and located in the Aptlee name Charming Street. Julian

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<v Speaker 1>is one of my favorite TV producers in the country

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<v Speaker 1>and this season he's been told by Channel nine that yes,

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<v Speaker 1>it's the most explosive season yet in terms of drama.

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<v Speaker 1>I've been told it's a little bit like the nineties

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<v Speaker 1>Aarn Spelling series Melro's Place, which for me, I think

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<v Speaker 1>sounds pretty amazing. We will find out how the houses

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<v Speaker 1>are chosen, how the cast was chosen, and why they

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<v Speaker 1>have decided to build these five houses so close together.

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<v Speaker 1>Julian will tease us with his thoughts on the cast,

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<v Speaker 1>and we will find out who is Queen B and

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<v Speaker 1>why that might change as the series goes on. Plus,

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<v Speaker 1>we will get plenty of exclusives from behind the scenes

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<v Speaker 1>of The Block Australia, which premiere is on Sunday, the

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<v Speaker 1>sixth of July at seven thirty on Channel nine, and

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<v Speaker 1>then you'll be able to catch up on nine. Now anyway,

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<v Speaker 1>let's bring Julian into the podcast and I hope you

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<v Speaker 1>really enjoy this very revealing look at the Block for

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<v Speaker 1>twenty twenty three. Hey, Jules, how are you?

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<v Speaker 2>I am great, thank you, excited to be here.

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<v Speaker 1>I am so ready for this season of the block.

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<v Speaker 1>I feel like in Australia as it gets colder, we

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<v Speaker 1>need to be warmed back up by this show. Because

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<v Speaker 1>it's been on television for twenty years. That familiarity is

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<v Speaker 1>really important to us as viewers. It's nostalgic.

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<v Speaker 2>Yeah, it's kind of you to say that. I must

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<v Speaker 2>say that I'm as surprised as anybody that we're still

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<v Speaker 2>doing this show after twenty years. It's quite extraordinary really,

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<v Speaker 2>but we're thrilled to be bringing this series to the

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<v Speaker 2>screends soon because it really has been one of my

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<v Speaker 2>favorite shows to make.

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<v Speaker 1>I kind of imagine every year how you make the

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<v Speaker 1>decisions to change locations. I mean last year was the

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<v Speaker 1>tree change and then this year coming back to Hampton.

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<v Speaker 1>What sort of decisions get made? Is that something that

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<v Speaker 1>Channel nine decides? Is that something that you decide? Do

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<v Speaker 1>you have a team of people who chooses these locations.

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<v Speaker 2>I work really closely with one of my oldest friends,

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<v Speaker 2>Julian Brenchley, who is our architect. He's instrumental in finding

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<v Speaker 2>property for us through a network of contacts. We also

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<v Speaker 2>have people just randomly send us properties that they think

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<v Speaker 2>you could be suitable for the block, so we do

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<v Speaker 2>get to look at quite a few possibilities each year.

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<v Speaker 2>I think the thing that we're looking for is something

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<v Speaker 2>that sparks our interest because we haven't done it before,

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<v Speaker 2>you know. I think that's part of the secret to

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<v Speaker 2>the success. The longevity of the block and the fact

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<v Speaker 2>that we're still even here twenty years later is very

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<v Speaker 2>much because each and every series is so different from

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<v Speaker 2>the last, or anything that we've done. For example, just

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<v Speaker 2>going back over the last couple of series, as you mentioned,

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<v Speaker 2>last year was a tree Change series, which we did

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<v Speaker 2>because we felt and I think we were right that

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<v Speaker 2>people were generally talking about a tree change. You know,

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<v Speaker 2>before we brought that show to air, Australians were in

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<v Speaker 2>the wake of the pandemic talking about either doing a

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<v Speaker 2>tree change or at least discussing the kind of romance

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<v Speaker 2>of what that could look like for them if they

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<v Speaker 2>were to do it. The Block came on at the

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<v Speaker 2>right time to give them a chance to see what

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<v Speaker 2>that might look like. And I think that the reason

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<v Speaker 2>why we've pivoted back to what we're about to put

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<v Speaker 2>to air now with this new series is because of

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<v Speaker 2>all the properties we looked at, this one kind of

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<v Speaker 2>sparked our interest creatively because we think it taps into

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<v Speaker 2>another conversation that's happening now. It's the example I would

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<v Speaker 2>use is the couple who may have just renovated their

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<v Speaker 2>apartment in North Fitzroy or in Surrey Hills or Alexandria,

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<v Speaker 2>and now they've got two young children and they can't

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<v Speaker 2>live there anymore. They are looking to the suburbs. They're

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<v Speaker 2>looking to somewhere where are good schools, but they can't

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<v Speaker 2>afford to buy a renovated house. So they buy an old,

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<v Speaker 2>unrenovated nineteen fifties home that needs a full renovation, complete

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<v Speaker 2>makeover to turn it into a modern family house. And

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<v Speaker 2>they are going to then extend themselves to buy it.

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<v Speaker 2>And then they're going to roll up these sleeves and

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<v Speaker 2>they're going to start pulling it apart and pulling it

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<v Speaker 2>back together again with all of their blood, sweat and

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<v Speaker 2>tears into creating something special for themselves and their family.

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<v Speaker 2>And that's a story that just plays out across Australia

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<v Speaker 2>every day. People who are aspiring to do that or

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<v Speaker 2>in the middle of it, or who have done it

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<v Speaker 2>themselves and now want to watch a bunch of young,

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<v Speaker 2>hopeful people have a crack at it in a competition.

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<v Speaker 2>I think is something that will resonate with an audience,

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<v Speaker 2>and so that's what we're hoping for with this current series.

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<v Speaker 1>It's so bizarre because you're right, these are conversations we're

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<v Speaker 1>having every day. I spoke to one of my best

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<v Speaker 1>friends just before and they've just had a newborn and

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<v Speaker 1>they've realized that they're no longer can fit into their

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<v Speaker 1>apartment in Elwood, and can they buy a house in Elwood?

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<v Speaker 1>Not really the climate that it is now, but they

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<v Speaker 1>could look Corefield East, or they could look a little

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<v Speaker 1>bit further out and find some of those homes that

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<v Speaker 1>maybe our grandparents used to live in a good block

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<v Speaker 1>and a good location, but need to be done up.

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<v Speaker 1>I mean, this was a conversation I had today. So

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<v Speaker 1>you're on top of it.

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<v Speaker 2>Yeah, I hope.

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<v Speaker 1>So.

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<v Speaker 2>I mean, it's something that I've done a few times myself,

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<v Speaker 2>so I know what it's like. And walking into these

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<v Speaker 2>houses was just I knew immediately that this is where

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<v Speaker 2>we should make the block. The houses were literally untouched

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<v Speaker 2>it felt like Nana just passed on. They were still

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<v Speaker 2>decorated in the nineteen fifties, and I just thought, Wow,

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<v Speaker 2>this would be incredible for blockheads to come in. And

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<v Speaker 2>we did something that we haven't done before. We usually

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<v Speaker 2>spend a few months pulling these houses apart and getting

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<v Speaker 2>them ready for the renovation that will take place when

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<v Speaker 2>the contestants arrived, you know, doing structural works and that

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<v Speaker 2>kind of thing. These houses were so incredible to walk

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<v Speaker 2>through when we first found them that we made the

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<v Speaker 2>decision not to do anything to throw the entire renovation

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<v Speaker 2>onto the contestants and our builders in the twelve week

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<v Speaker 2>period from day one, so we didn't do any preparation

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<v Speaker 2>work that created this kind of full time walk vibe.

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<v Speaker 2>So the contestants don't walk into houses that present as

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<v Speaker 2>a building site, which is what you've often seen in

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<v Speaker 2>the history of our show. They walk into them exactly

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<v Speaker 2>like they were when I walked into them, and then

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<v Speaker 2>they have to kick off and start from there. And

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<v Speaker 2>that created a whole new level of content for the

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<v Speaker 2>show that's really exciting.

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<v Speaker 1>Another thing that you do very well is the cast.

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<v Speaker 1>And you know I because I'm talking television all the time.

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<v Speaker 1>I'm always talking to people who love television, who want

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<v Speaker 1>to be on television, and they asked me for tips,

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<v Speaker 1>and after we chat it last year, I kind of

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<v Speaker 1>tell you how many people wrote to me and said,

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<v Speaker 1>how do I get onto the block? Next time you

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<v Speaker 1>speak to Juliane, tell me what it is that I

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<v Speaker 1>need to do. I mean, you're not supposed to tell

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<v Speaker 1>people what to do. I always just say, be yourself.

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<v Speaker 1>What are some of those things that you're looking for

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<v Speaker 1>when people are sending in their videos? What kind of

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<v Speaker 1>personality types you're looking for?

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<v Speaker 2>Yeah, I think casting is just a really interesting subject

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<v Speaker 2>and it's endlessly fascinating to me because I know that

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<v Speaker 2>we've got it right often. But I can't tell you how.

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<v Speaker 2>I can tell you that we've got one of the

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<v Speaker 2>great casting directors working intelligent in Lucky Price, who is

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<v Speaker 2>also series producer on the show, so he is intimately

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<v Speaker 2>involved with what needs to happen. I mean, he's going

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<v Speaker 2>to be responsible for this cast. But he doesn't just

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<v Speaker 2>deliver them to us and walk away. He delivers them

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<v Speaker 2>to us and then comes to work to produce the show.

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<v Speaker 2>So he really can't afford to get it wrong because

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<v Speaker 2>it will make his day job a complete nightmare. But

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<v Speaker 2>I honestly, you know, while I give him enormous credit

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<v Speaker 2>for the choices that he makes in going through tens

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<v Speaker 2>of thousands of applications every year, I think that there's

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<v Speaker 2>a pure, definable science to it. I think it's a

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<v Speaker 2>bit of a gut feeling, you know when you've got

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<v Speaker 2>it right in casting. And I'll give you an example.

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<v Speaker 2>You know, the hottest film in the world right now

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<v Speaker 2>is Barbie, and people are lining up around the block

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<v Speaker 2>to see it, and a lot of that's to do

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<v Speaker 2>with Margo Robbie and Ryan Gosling and the chemistry between them. Now,

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<v Speaker 2>you could have chosen any number of great actors, even

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<v Speaker 2>Academy Award winners. You could have put Kathy Bates and

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<v Speaker 2>Gary Oldman in those roles. They're great actors, but that

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<v Speaker 2>film would have tanked. You just need to know, you

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<v Speaker 2>need to have a sense of who's right for the role.

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<v Speaker 2>And with the block, I think it's important to remember

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<v Speaker 2>that it's not a show about trade. He's going to work.

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<v Speaker 2>I mean, yes, we've had trades people in the show,

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<v Speaker 2>but we often pitch them against others who have little

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<v Speaker 2>to no renovating experience just aspire to doing it. It

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<v Speaker 2>resonates with people who are watching the show who have

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<v Speaker 2>no renovating experience to see people like Fill and Amity,

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<v Speaker 2>you know, have a crack at it, and I think

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<v Speaker 2>that that's part of the reason for the success. There's

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<v Speaker 2>always a couple doing the show that are a touch

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<v Speaker 2>stowne to somebody who's watching it. What we're looking for

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<v Speaker 2>is willpower, energy, enthusiasm, and a real competitive streak. We

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<v Speaker 2>are now in the fortunate position where we're often casting

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<v Speaker 2>people who have applied for the show many, many times

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<v Speaker 2>and not gotten on it. There's a couple in this

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<v Speaker 2>year's series, Kylin Lesley from Memory. I think they were

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<v Speaker 2>on their eighth and final application for the show and

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<v Speaker 2>finally got on. It's torture, right, But we're lucky enough

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<v Speaker 2>to have people like that who are applying for the

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<v Speaker 2>show over and over again, and eventually we go, well,

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<v Speaker 2>if these people have taken the time and effort to

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<v Speaker 2>apply to be on the block eight times, then they

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<v Speaker 2>must have something of a competitive spirit that they will

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<v Speaker 2>bring to this that will really help us make a

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<v Speaker 2>great program. And so we're like, all right, let's give

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<v Speaker 2>them a shot. Apart from the fact that when they

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<v Speaker 2>first applied, I think their children were babies, and now

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<v Speaker 2>their kids are in the application video literally begging us

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<v Speaker 2>to cast their parents so that they will stop making

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<v Speaker 2>these damn videos. So that worked for us too, but

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<v Speaker 2>we also mixed it up this year. One of our

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<v Speaker 2>contestants for the first time is an architect, and that's

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<v Speaker 2>a fascinating story. A young architect just sort of starting out,

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<v Speaker 2>but architects, people who study architecture, formed some pretty strong

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<v Speaker 2>views about what they think should work and what's right.

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<v Speaker 2>And of course this young architect came up against our

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<v Speaker 2>architect who'd already made some decisions and had some pretty

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<v Speaker 2>strong views about what it should be, and that made

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<v Speaker 2>for some great television as well over twelve weeks, as

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<v Speaker 2>you can imagine. And then, of course we've got two

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<v Speaker 2>young sisters from Melbourne, both single, who live together, share

0:12:05.559 --> 0:12:09.840
<v Speaker 2>a flat and have no renovating experience and no idea.

0:12:09.960 --> 0:12:12.880
<v Speaker 1>I've watched episode one spoiler alert, and I just thought

0:12:12.880 --> 0:12:14.640
<v Speaker 1>that was so funny when they both turned up and

0:12:14.640 --> 0:12:18.600
<v Speaker 1>they were like, we have no experience whatsoever. And then

0:12:18.640 --> 0:12:20.959
<v Speaker 1>even in the first challenge you can see that they

0:12:21.000 --> 0:12:23.720
<v Speaker 1>have no experience but that really speaks to my heart

0:12:23.840 --> 0:12:24.880
<v Speaker 1>because that would be me.

0:12:25.240 --> 0:12:27.920
<v Speaker 2>Yeah, and a lot of people, well you know, the

0:12:28.040 --> 0:12:31.160
<v Speaker 2>trolls will tell me when the episode goes on air,

0:12:31.200 --> 0:12:33.959
<v Speaker 2>how dare you put these people in this terrible position?

0:12:34.320 --> 0:12:37.200
<v Speaker 2>They're going to just fall flat on their face. But

0:12:37.320 --> 0:12:40.120
<v Speaker 2>let me ask you this, when you watched episode one,

0:12:40.600 --> 0:12:45.600
<v Speaker 2>were you interested to think about what might happen over

0:12:45.640 --> 0:12:49.320
<v Speaker 2>the next twelve weeks with these young women and how

0:12:49.320 --> 0:12:51.319
<v Speaker 2>they would respond to Absolutely.

0:12:51.679 --> 0:12:53.440
<v Speaker 1>I Again, I'm going to be really honest about this.

0:12:53.520 --> 0:12:55.280
<v Speaker 1>When I saw them turn up, I was like, I

0:12:55.320 --> 0:12:56.960
<v Speaker 1>can think of all of these people that live and

0:12:57.040 --> 0:13:00.400
<v Speaker 1>breathe building homes, and they're going to spew when these

0:13:00.440 --> 0:13:04.079
<v Speaker 1>women say this. However, in episode one, I was the

0:13:04.120 --> 0:13:08.080
<v Speaker 1>most interested and the most engaged with those two women,

0:13:08.559 --> 0:13:11.120
<v Speaker 1>and that would be because I relate to them. Not

0:13:11.200 --> 0:13:13.319
<v Speaker 1>everyone might relate to them, but I related to the

0:13:13.360 --> 0:13:16.640
<v Speaker 1>struggles that they were going through, and they were the

0:13:16.679 --> 0:13:17.439
<v Speaker 1>most engaging.

0:13:17.840 --> 0:13:22.480
<v Speaker 2>They're wonderful people. They really do have great personality and

0:13:22.559 --> 0:13:26.360
<v Speaker 2>a great competitive spirit, and not just they're not there

0:13:26.400 --> 0:13:29.240
<v Speaker 2>for the money. I mean that's the people who applied

0:13:29.240 --> 0:13:32.120
<v Speaker 2>to be on this series of the blog didn't do

0:13:32.280 --> 0:13:35.480
<v Speaker 2>it because They thought it was a chance to make

0:13:35.520 --> 0:13:39.920
<v Speaker 2>a lot of money because they watched really gifted renovators

0:13:40.160 --> 0:13:43.560
<v Speaker 2>in Tom and Sarah Jane last year make twenty grand,

0:13:43.760 --> 0:13:45.800
<v Speaker 2>and then they applied to be on the blog this year.

0:13:46.000 --> 0:13:49.079
<v Speaker 2>So of course, you know, i'mar and Oz made one

0:13:49.080 --> 0:13:51.920
<v Speaker 2>point seven million, so you know, of course there's a

0:13:52.040 --> 0:13:54.760
<v Speaker 2>chance of making life changing money. But I don't think

0:13:54.800 --> 0:13:57.280
<v Speaker 2>that's the reason why Elijah and Liberty wanted to be

0:13:57.360 --> 0:14:01.240
<v Speaker 2>on the block. They wanted to test them to see

0:14:01.240 --> 0:14:03.600
<v Speaker 2>if they could renovate, to see if they could build

0:14:03.600 --> 0:14:06.360
<v Speaker 2>a house, because they'd never done anything like that before

0:14:06.360 --> 0:14:12.200
<v Speaker 2>in their lives. They wanted to have a genuinely life

0:14:12.480 --> 0:14:17.800
<v Speaker 2>affirming situation thrust upon them as sisters and see how

0:14:17.840 --> 0:14:20.880
<v Speaker 2>they manage under that pressure. And that's the reason why

0:14:20.880 --> 0:14:23.840
<v Speaker 2>we put them on the show, because we were fascinated

0:14:24.160 --> 0:14:27.040
<v Speaker 2>to see how they would respond under those you know,

0:14:27.080 --> 0:14:32.040
<v Speaker 2>that enormous challenge of building a house from scratch. And

0:14:32.080 --> 0:14:34.880
<v Speaker 2>that's what was fascinating to me when we were filming

0:14:34.880 --> 0:14:37.120
<v Speaker 2>in those first few days in the episode that you saw,

0:14:37.400 --> 0:14:39.800
<v Speaker 2>and I was lucky enough to spend the next twelve

0:14:39.880 --> 0:14:42.880
<v Speaker 2>weeks you know, with them, watching to see how they

0:14:42.960 --> 0:14:46.680
<v Speaker 2>responded week in, week out, and the results are nothing

0:14:46.720 --> 0:14:49.920
<v Speaker 2>short of astonishing. And you will get to see all

0:14:50.080 --> 0:14:52.600
<v Speaker 2>that unfold in the coming months as well, And I

0:14:52.640 --> 0:14:56.840
<v Speaker 2>think it's incredibly exciting to watch. And yeah, I'm thrilled

0:14:56.840 --> 0:14:58.240
<v Speaker 2>with the way the series has turned out.

0:14:58.440 --> 0:15:01.200
<v Speaker 1>I always wonder what the effects of previous season does,

0:15:01.440 --> 0:15:03.680
<v Speaker 1>you know? And it's very interesting that you're talking about

0:15:03.760 --> 0:15:07.280
<v Speaker 1>how people saw that Tom and Sarah Jane didn't make

0:15:07.440 --> 0:15:09.880
<v Speaker 1>anything more than twenty K. What does that do? Do

0:15:09.880 --> 0:15:13.040
<v Speaker 1>you think that the viewers get frustrated and that you'll

0:15:13.120 --> 0:15:17.200
<v Speaker 1>change the reserves? The reserves? My god, you know, what

0:15:17.680 --> 0:15:20.360
<v Speaker 1>can you do? Like as in, because some viewers were

0:15:20.360 --> 0:15:22.240
<v Speaker 1>so upset about that last year, does that mean that

0:15:22.280 --> 0:15:24.840
<v Speaker 1>the reserves are going to be lower this year? Like?

0:15:24.880 --> 0:15:27.000
<v Speaker 1>Can you change that kind of stuff? Like how does

0:15:27.040 --> 0:15:27.440
<v Speaker 1>that work?

0:15:27.560 --> 0:15:30.400
<v Speaker 2>Well? Yeah, people say the reserves weren't right last year

0:15:30.400 --> 0:15:33.400
<v Speaker 2>because Tom and Sarah Jane made twenty but Amar and

0:15:33.400 --> 0:15:36.120
<v Speaker 2>I was made one point seven with the same reserve.

0:15:36.880 --> 0:15:40.160
<v Speaker 2>So that's real estate, right. I mean, I think that's

0:15:40.200 --> 0:15:45.200
<v Speaker 2>another reason that the show remains successful is because the

0:15:45.320 --> 0:15:50.560
<v Speaker 2>audience do understand that we have no control. You know,

0:15:50.840 --> 0:15:53.760
<v Speaker 2>this isn't a show that's been spoon fed to them

0:15:54.200 --> 0:15:59.200
<v Speaker 2>by producers who are manipulating everything behind the scenes. We've

0:15:59.200 --> 0:16:02.360
<v Speaker 2>got no bloody idea how it's going to turn out.

0:16:01.840 --> 0:16:06.240
<v Speaker 2>You look at Scott cam on auction day, you look

0:16:06.240 --> 0:16:10.560
<v Speaker 2>at his face, you can tell that he is petrified.

0:16:13.000 --> 0:16:16.400
<v Speaker 2>He gets physically ill, as do I, as do the

0:16:16.440 --> 0:16:19.600
<v Speaker 2>other uses on the day of the auction. And it's

0:16:19.640 --> 0:16:23.680
<v Speaker 2>not because we're worried about our jobs. We know when

0:16:23.680 --> 0:16:26.240
<v Speaker 2>we turn up on auction day that the show that

0:16:26.280 --> 0:16:30.080
<v Speaker 2>we're making on that day for tomorrow night is probably

0:16:30.120 --> 0:16:31.640
<v Speaker 2>going to be one of the highest rating shows of

0:16:31.680 --> 0:16:34.400
<v Speaker 2>the year. So our jobs are secure. So why are

0:16:34.400 --> 0:16:37.760
<v Speaker 2>we so nervous. We're nervous for the contestants because we

0:16:37.840 --> 0:16:40.000
<v Speaker 2>don't know how it's going to turn out, and we

0:16:40.120 --> 0:16:42.880
<v Speaker 2>have to stand right there with them. And these people

0:16:42.920 --> 0:16:45.600
<v Speaker 2>have become really important to us over three months of

0:16:45.680 --> 0:16:48.800
<v Speaker 2>working together. We just want them to do well because

0:16:48.880 --> 0:16:52.120
<v Speaker 2>we feel like they deserve a big reward for all

0:16:52.160 --> 0:16:55.360
<v Speaker 2>of their hard work. And when that doesn't happen, I

0:16:55.520 --> 0:17:00.160
<v Speaker 2>completely understand the audience saying, well, that's not fair, you

0:17:00.160 --> 0:17:04.240
<v Speaker 2>set the reserves to high. I'd get that because I

0:17:04.359 --> 0:17:07.320
<v Speaker 2>feel that at that time, as well, but when I'm

0:17:07.359 --> 0:17:10.600
<v Speaker 2>standing there watching one couple walk in and take one

0:17:10.640 --> 0:17:14.520
<v Speaker 2>point seven million dollars in cash above their reserve price,

0:17:14.760 --> 0:17:17.920
<v Speaker 2>and then the next couple only make twenty, I can't

0:17:17.960 --> 0:17:19.520
<v Speaker 2>really blame the reserve price.

0:17:19.880 --> 0:17:21.800
<v Speaker 1>And you know what I want you to know, because

0:17:21.840 --> 0:17:24.119
<v Speaker 1>I'll never forget being in my lunge room with the

0:17:24.160 --> 0:17:26.440
<v Speaker 1>amount of screaming that was happening. We had a room

0:17:26.520 --> 0:17:29.879
<v Speaker 1>full of people different ages that it invested in this show,

0:17:30.119 --> 0:17:32.520
<v Speaker 1>and I can't think of any other television that we

0:17:32.560 --> 0:17:35.360
<v Speaker 1>have at the moment that's appointment television like this, where

0:17:35.359 --> 0:17:39.520
<v Speaker 1>an audience literally feels like they're involved, like it's magical

0:17:39.560 --> 0:17:40.000
<v Speaker 1>in a way.

0:17:40.200 --> 0:17:43.360
<v Speaker 2>Yeah, I think that's right. I mean the other element

0:17:43.560 --> 0:17:45.919
<v Speaker 2>to the Block that makes it different, apart from the

0:17:45.960 --> 0:17:52.040
<v Speaker 2>fact that the endgame is impossible to manipulate, is that

0:17:52.200 --> 0:17:55.600
<v Speaker 2>we don't eliminate contestants. Put the Block up against every

0:17:55.600 --> 0:17:57.800
<v Speaker 2>other reality show that you can think of, you know,

0:17:58.280 --> 0:18:02.760
<v Speaker 2>Big Rather survivor the you know Everything. They eliminate, so

0:18:03.280 --> 0:18:06.879
<v Speaker 2>people that you really like or come to like and

0:18:07.000 --> 0:18:10.919
<v Speaker 2>enjoy watching aren't there next week because the judges have

0:18:11.119 --> 0:18:16.879
<v Speaker 2>decided that their kremberula wasn't quite up to par and

0:18:16.880 --> 0:18:19.840
<v Speaker 2>they're gone, and you're like, oh, that's a shame. I

0:18:19.880 --> 0:18:22.639
<v Speaker 2>really liked Ben and you know, I like watching him,

0:18:22.920 --> 0:18:26.679
<v Speaker 2>but with the block, which is why, you know, we

0:18:26.840 --> 0:18:29.560
<v Speaker 2>really do have to kind of get casting right. We

0:18:29.640 --> 0:18:33.080
<v Speaker 2>need to choose people who the audience wants to watch

0:18:33.080 --> 0:18:34.879
<v Speaker 2>for three months. But the reason why all those people

0:18:34.880 --> 0:18:37.199
<v Speaker 2>in that room at the end, we're you know, watching

0:18:37.240 --> 0:18:40.159
<v Speaker 2>the show with you were finding it were so engaged

0:18:40.680 --> 0:18:43.560
<v Speaker 2>was that they had spent three months watching Tom and

0:18:43.600 --> 0:18:46.720
<v Speaker 2>Sarah Jane build that house and they loved them. They

0:18:46.760 --> 0:18:49.879
<v Speaker 2>love Tom and Sarah Jane as I do. They're beautiful

0:18:49.960 --> 0:18:52.680
<v Speaker 2>people who deserve to make a million dollars and they

0:18:52.680 --> 0:18:57.320
<v Speaker 2>made twenty grand and they were so graceful about it

0:18:57.760 --> 0:19:01.280
<v Speaker 2>that it brought a tear to all of their eyes,

0:19:02.280 --> 0:19:04.040
<v Speaker 2>not only on the day but when the show went

0:19:04.080 --> 0:19:08.240
<v Speaker 2>to air and ever since, despite that experience, Tom and

0:19:08.280 --> 0:19:11.320
<v Speaker 2>Sarah Jane remained very close friends of all of ours.

0:19:11.600 --> 0:19:15.720
<v Speaker 2>And Tom was happy to come back, and he's a

0:19:15.800 --> 0:19:18.119
<v Speaker 2>significant part of this new series as well.

0:19:18.280 --> 0:19:20.480
<v Speaker 1>I'm obsessed with the two of them. I remember I

0:19:20.520 --> 0:19:23.480
<v Speaker 1>went for a set visit to the houses last year

0:19:23.640 --> 0:19:26.639
<v Speaker 1>and met them both and they were just as delightful

0:19:26.960 --> 0:19:29.480
<v Speaker 1>in real life as they were on camera, because you

0:19:29.600 --> 0:19:32.520
<v Speaker 1>do show people for who they are. I was devastated

0:19:32.520 --> 0:19:34.840
<v Speaker 1>when they didn't get to get all the money, but

0:19:35.359 --> 0:19:37.840
<v Speaker 1>I just thought, what an amazing couple to show that

0:19:37.880 --> 0:19:40.280
<v Speaker 1>they didn't let her get to them. And then what

0:19:40.600 --> 0:19:43.119
<v Speaker 1>then happened was the reward is they've been given a

0:19:43.160 --> 0:19:45.200
<v Speaker 1>job on the next season of the Block. Magnificent.

0:19:45.320 --> 0:19:49.399
<v Speaker 2>Yeah, no, they are bloody awesome and I think people

0:19:49.400 --> 0:19:52.119
<v Speaker 2>will be thrilled to see Tom by his trade in

0:19:52.160 --> 0:19:52.919
<v Speaker 2>this new series.

0:19:53.119 --> 0:19:55.879
<v Speaker 1>I also love that the houses are back closer together,

0:19:56.280 --> 0:19:59.399
<v Speaker 1>no offense to the tree change. Loved it. But with

0:19:59.520 --> 0:20:01.880
<v Speaker 1>the houses so far away, it wasn't like you could

0:20:01.920 --> 0:20:03.720
<v Speaker 1>just walk over to the other house and have a

0:20:03.720 --> 0:20:05.840
<v Speaker 1>guernsey and have a bit of a barney like. They

0:20:05.880 --> 0:20:08.680
<v Speaker 1>were so far away that sort of stopped that from happening.

0:20:08.840 --> 0:20:10.800
<v Speaker 1>Did you decide in a new way to bring them

0:20:11.000 --> 0:20:14.359
<v Speaker 1>much closer together so that it would escalate some of

0:20:14.359 --> 0:20:16.080
<v Speaker 1>the drama that we're used to seeing.

0:20:16.240 --> 0:20:21.359
<v Speaker 2>Yeah, very much so. These five houses, but they go

0:20:21.480 --> 0:20:25.720
<v Speaker 2>round a corner, and that meant that we were able

0:20:25.760 --> 0:20:29.240
<v Speaker 2>to pull down all of the fences in the backyards

0:20:29.480 --> 0:20:33.600
<v Speaker 2>and create one single backyard that they all had to share,

0:20:33.880 --> 0:20:38.680
<v Speaker 2>and the idea concept behind that was that it might

0:20:38.800 --> 0:20:42.959
<v Speaker 2>lead to know, to more interaction with the contestants and

0:20:43.040 --> 0:20:47.840
<v Speaker 2>therefore more dramatic moments in the show. But I could

0:20:47.880 --> 0:20:51.040
<v Speaker 2>never have predicted how much drama we would get out

0:20:51.040 --> 0:20:51.320
<v Speaker 2>of that.

0:20:52.359 --> 0:20:53.879
<v Speaker 1>You is, Julian, and I couldn't.

0:20:53.920 --> 0:20:54.159
<v Speaker 2>It is.

0:20:54.760 --> 0:20:59.399
<v Speaker 1>The show melrose Place was about these young people that

0:20:59.440 --> 0:21:02.040
<v Speaker 1>were incredible. They were living in a very close space

0:21:02.400 --> 0:21:04.280
<v Speaker 1>and I felt like as soon as I have turned

0:21:04.359 --> 0:21:06.840
<v Speaker 1>up on the set of the twenty twenty three series

0:21:06.840 --> 0:21:09.159
<v Speaker 1>of the show, I was like, oh my god, this

0:21:09.280 --> 0:21:11.399
<v Speaker 1>is going to be like Melro's Place. There's going to

0:21:11.400 --> 0:21:12.440
<v Speaker 1>be some drama going on.

0:21:12.560 --> 0:21:14.760
<v Speaker 2>It's funny you say that, because when David and I

0:21:14.880 --> 0:21:18.280
<v Speaker 2>pitched the show to the network that melrose Place was

0:21:18.280 --> 0:21:22.080
<v Speaker 2>the inspiration for the block. We said to the executives,

0:21:22.160 --> 0:21:27.199
<v Speaker 2>this show will be a cross between melrose Place and

0:21:27.640 --> 0:21:30.679
<v Speaker 2>Survivor I Love It and People. So that was the

0:21:30.720 --> 0:21:31.640
<v Speaker 2>show that we referenced.

0:21:32.000 --> 0:21:33.840
<v Speaker 1>Well, I feel like Ding ding Ding. I've won some

0:21:33.880 --> 0:21:36.480
<v Speaker 1>prizes here. But the thing that I heard about this

0:21:36.560 --> 0:21:38.720
<v Speaker 1>series as well was I heard that there is a

0:21:38.720 --> 0:21:40.800
<v Speaker 1>bit of tension between the women, So you got what

0:21:40.880 --> 0:21:44.240
<v Speaker 1>you wanted, But I heard that the Queen Bee's status

0:21:44.280 --> 0:21:48.800
<v Speaker 1>of the group kept changing, and the dynamics of who

0:21:48.880 --> 0:21:51.399
<v Speaker 1>was right and who was wrong was also changing. Am

0:21:51.440 --> 0:21:53.439
<v Speaker 1>I onto something here? Is this what we're going to

0:21:53.520 --> 0:21:54.359
<v Speaker 1>expect to see?

0:21:54.600 --> 0:21:59.160
<v Speaker 2>Yeah? Without giving too much away, what I found fascinating.

0:21:59.880 --> 0:22:03.760
<v Speaker 2>The block is such an intense pressure cooker environment. It's

0:22:03.840 --> 0:22:10.360
<v Speaker 2>such a heightened challenge and experience where what would normally

0:22:10.440 --> 0:22:15.000
<v Speaker 2>transpire in real life over two years, such as renovating

0:22:15.000 --> 0:22:18.880
<v Speaker 2>a house to this degree, would be probably an eighteen

0:22:19.040 --> 0:22:21.840
<v Speaker 2>month to two year project. The fact that we packed

0:22:21.880 --> 0:22:25.680
<v Speaker 2>that into twelve weeks. It's not just the renovation, it's

0:22:25.760 --> 0:22:27.800
<v Speaker 2>all of the other things that would happen over two

0:22:27.880 --> 0:22:31.399
<v Speaker 2>years in real life. So we have a situation with

0:22:31.480 --> 0:22:37.359
<v Speaker 2>this series where there are immediate bonds and friendships created

0:22:37.480 --> 0:22:41.520
<v Speaker 2>and alliances created between neighbors in the first two or

0:22:41.600 --> 0:22:44.760
<v Speaker 2>three weeks of the show, which then get completely flipped

0:22:44.760 --> 0:22:47.479
<v Speaker 2>on their head in the middle of the series, and

0:22:47.520 --> 0:22:51.840
<v Speaker 2>then completely flip around again before it's over. For that much,

0:22:52.119 --> 0:22:59.480
<v Speaker 2>for that much personal kind of connection to transpire that quickly,

0:23:00.040 --> 0:23:03.040
<v Speaker 2>you're best friends with somebody, and three weeks later you

0:23:03.040 --> 0:23:06.399
<v Speaker 2>were saying she's dead to me, and then three weeks

0:23:06.480 --> 0:23:10.439
<v Speaker 2>later they're trying to patch things up, and now she's saying, well,

0:23:10.600 --> 0:23:13.160
<v Speaker 2>I'm now best friends with her. Who makes best friends

0:23:13.200 --> 0:23:15.360
<v Speaker 2>in three weeks and then three weeks later says they're

0:23:15.359 --> 0:23:17.439
<v Speaker 2>dead to me. Only on the block is that going

0:23:17.480 --> 0:23:21.840
<v Speaker 2>to happen? It never ceases to amaze me what can

0:23:21.960 --> 0:23:25.439
<v Speaker 2>happen on the block, Which is why after twenty years,

0:23:25.640 --> 0:23:28.199
<v Speaker 2>I'm still excited to be making it. Otherwise, I mean,

0:23:28.240 --> 0:23:32.480
<v Speaker 2>if I honestly, if we were still making Big Brother

0:23:32.720 --> 0:23:35.359
<v Speaker 2>after twenty years, I think we would have walked away,

0:23:35.520 --> 0:23:38.080
<v Speaker 2>you know, it just the novelty would wear off. But

0:23:38.160 --> 0:23:40.399
<v Speaker 2>somehow with the Block, for us as producers, it just

0:23:40.440 --> 0:23:44.560
<v Speaker 2>doesn't wear off. You know. It's genuinely exciting for us

0:23:44.640 --> 0:23:47.199
<v Speaker 2>every year to be to meet all these new people

0:23:47.280 --> 0:23:50.399
<v Speaker 2>and to see how they go about renovating a house

0:23:50.680 --> 0:23:55.320
<v Speaker 2>and playing this big game of monopoly with real money

0:23:55.359 --> 0:24:00.040
<v Speaker 2>and real tools over twelve weeks. That we're addicted to

0:24:00.320 --> 0:24:04.200
<v Speaker 2>making the show, so we're thrilled that people still want

0:24:04.200 --> 0:24:06.520
<v Speaker 2>to watch it so that we can keep going around

0:24:06.640 --> 0:24:08.800
<v Speaker 2>year after year and making a new one.

0:24:08.880 --> 0:24:10.439
<v Speaker 1>But the thing I want to know from you is

0:24:10.840 --> 0:24:13.119
<v Speaker 1>when this kind of drama happens. Do you try and

0:24:13.119 --> 0:24:15.760
<v Speaker 1>work out who is right and wrong? Is it impossible

0:24:15.800 --> 0:24:17.560
<v Speaker 1>to pick sides or no?

0:24:17.800 --> 0:24:18.320
<v Speaker 2>Hell mae?

0:24:18.560 --> 0:24:21.600
<v Speaker 1>Do they try and get you guys to intermediate that.

0:24:22.520 --> 0:24:25.880
<v Speaker 2>My view is everybody's right and everybody's wrong. We try

0:24:25.880 --> 0:24:28.840
<v Speaker 2>and keep our fingerprints off the show as much as

0:24:28.840 --> 0:24:33.199
<v Speaker 2>we can. It's very much made in a documentary style.

0:24:33.520 --> 0:24:38.040
<v Speaker 2>There aren't that many constructs in the conceit of the show.

0:24:38.600 --> 0:24:40.600
<v Speaker 2>All you have to do is deliver a room on

0:24:40.640 --> 0:24:44.639
<v Speaker 2>Sunday and maybe go to a challenge each week. Apart

0:24:44.680 --> 0:24:47.040
<v Speaker 2>from that, the contestants run their own race. They make

0:24:47.040 --> 0:24:49.840
<v Speaker 2>their own decisions. They decide where they're going to go

0:24:49.880 --> 0:24:51.560
<v Speaker 2>and when they're going to go. We don't tell them

0:24:51.800 --> 0:24:56.439
<v Speaker 2>that they have to go and choose their tiles this morning.

0:24:56.800 --> 0:25:00.760
<v Speaker 2>We tell them that it would be sensible to do

0:25:00.920 --> 0:25:04.840
<v Speaker 2>that because they need to deliver a bathroom on Sunday.

0:25:05.320 --> 0:25:08.199
<v Speaker 2>But they make the decision about where they go and

0:25:08.240 --> 0:25:11.000
<v Speaker 2>when they go and how they do it, not us.

0:25:11.119 --> 0:25:14.760
<v Speaker 2>We just follow them with the cameras and if they

0:25:14.840 --> 0:25:18.359
<v Speaker 2>decide that somebody's dead to them, that's fine by us.

0:25:18.520 --> 0:25:21.320
<v Speaker 1>Oh Am, I laughing. I really missed this last year.

0:25:21.320 --> 0:25:23.720
<v Speaker 1>I felt like some of the drama was quite isolated

0:25:23.760 --> 0:25:26.840
<v Speaker 1>to the houses. Like we saw with Sharon, the drama

0:25:26.960 --> 0:25:29.679
<v Speaker 1>was sort of inside that house and it wasn't so

0:25:29.800 --> 0:25:33.040
<v Speaker 1>much with everyone else because I love the building, of course,

0:25:33.280 --> 0:25:35.400
<v Speaker 1>but I just love the juicy drama and what's wrong

0:25:35.440 --> 0:25:35.679
<v Speaker 1>with me?

0:25:36.240 --> 0:25:38.679
<v Speaker 2>Well, I'm glad you do, because there's a lot of

0:25:38.720 --> 0:25:39.960
<v Speaker 2>it coming your way.

0:25:41.160 --> 0:25:43.840
<v Speaker 1>How much of what we read or what we have

0:25:44.000 --> 0:25:48.359
<v Speaker 1>read about this season of the Block is true? Ah?

0:25:48.440 --> 0:25:51.960
<v Speaker 2>Well, that depends whether if you're reading the daily mail,

0:25:52.119 --> 0:25:55.640
<v Speaker 2>probably not much. But throw me something. What have you read?

0:25:55.760 --> 0:25:57.960
<v Speaker 2>I'll give you a true or fault.

0:25:58.400 --> 0:26:02.040
<v Speaker 1>Are you going to back some familiar faces this year

0:26:02.520 --> 0:26:05.840
<v Speaker 1>at the end of the season to celebrate twenty years

0:26:05.880 --> 0:26:07.480
<v Speaker 1>of the Block? Or are you going to wait till

0:26:07.560 --> 0:26:10.040
<v Speaker 1>next year for the twentieth season of the Block? What's

0:26:10.040 --> 0:26:10.800
<v Speaker 1>the clarity on that.

0:26:11.080 --> 0:26:14.320
<v Speaker 2>I think that we have so much content this year

0:26:14.520 --> 0:26:18.399
<v Speaker 2>with these people. By the end of this season, the

0:26:18.640 --> 0:26:22.400
<v Speaker 2>contestants from this year will be familiar faces. I don't

0:26:22.440 --> 0:26:26.920
<v Speaker 2>think that there's even room this year with these five

0:26:27.000 --> 0:26:32.120
<v Speaker 2>teams to fit anybody else in, because these five couples

0:26:32.400 --> 0:26:35.400
<v Speaker 2>can pretty much use all of the oxygen in any

0:26:35.480 --> 0:26:37.960
<v Speaker 2>room you put them in. So I think the answer

0:26:38.000 --> 0:26:40.879
<v Speaker 2>to that is we will wait for our twentieth season

0:26:40.920 --> 0:26:43.440
<v Speaker 2>of the show. If we're going to do something like that.

0:26:43.520 --> 0:26:47.160
<v Speaker 1>What about Scottiecam? Is there a possibility that this could

0:26:47.200 --> 0:26:48.440
<v Speaker 1>be Scotty Cam's last year?

0:26:48.720 --> 0:26:53.159
<v Speaker 2>Scott Cam is very committed to the block. It's become

0:26:53.200 --> 0:26:56.880
<v Speaker 2>a really important part of his life now. He loves

0:26:56.960 --> 0:27:01.440
<v Speaker 2>making the show and I think that he'll be there

0:27:01.480 --> 0:27:02.840
<v Speaker 2>for a few more years. Yet.

0:27:03.000 --> 0:27:04.680
<v Speaker 1>The last one I'll ask you, because we could do

0:27:04.720 --> 0:27:08.560
<v Speaker 1>this all day, is the next series locked into Dalesford

0:27:08.960 --> 0:27:09.640
<v Speaker 1>for next year.

0:27:09.840 --> 0:27:13.960
<v Speaker 2>The location of next year's series. If anybody tells you

0:27:14.040 --> 0:27:17.280
<v Speaker 2>that they know where it is, they're lying because I

0:27:17.320 --> 0:27:18.400
<v Speaker 2>don't know where it is yet.

0:27:19.080 --> 0:27:21.280
<v Speaker 1>It's just the ones that I was looking at today

0:27:22.040 --> 0:27:25.480
<v Speaker 1>and someone said, you know, Dalesford is happening, and you've

0:27:25.520 --> 0:27:28.080
<v Speaker 1>already locked it in. And the reason and you've locked

0:27:28.080 --> 0:27:32.000
<v Speaker 1>it in for January because you and the crew are

0:27:32.119 --> 0:27:34.920
<v Speaker 1>sick of working in the colder conditions.

0:27:34.960 --> 0:27:39.720
<v Speaker 2>It's a plausible story, right. I will say that if

0:27:39.760 --> 0:27:42.440
<v Speaker 2>we were going to go to Dalesfoud, we probably would

0:27:42.520 --> 0:27:46.120
<v Speaker 2>want to start earlier because that winter that we went

0:27:46.160 --> 0:27:49.560
<v Speaker 2>through in the Massidon Ranges last year was absolutely brutal.

0:27:49.760 --> 0:27:53.640
<v Speaker 2>It makes sense, it does ring true, it's just not true.

0:27:53.800 --> 0:27:55.760
<v Speaker 1>And do you get bothered by these stories? I mean,

0:27:55.840 --> 0:27:58.360
<v Speaker 1>is this just good publicity for the show because everyone's

0:27:58.400 --> 0:28:00.440
<v Speaker 1>talking about everyone's talking. Oh my god, this will be

0:28:00.480 --> 0:28:02.480
<v Speaker 1>the last time we see Scotty Cam. We've got to

0:28:02.520 --> 0:28:04.399
<v Speaker 1>tune in and watch this series because you won't be

0:28:04.440 --> 0:28:08.000
<v Speaker 1>here again. Is that good publicity? Or does that somehow

0:28:08.440 --> 0:28:09.760
<v Speaker 1>upset you guys in some way?

0:28:09.960 --> 0:28:12.919
<v Speaker 2>Why it doesn't hurt? I think Scott would find it

0:28:13.080 --> 0:28:16.000
<v Speaker 2>really amusing that you know, there's a story saying that

0:28:16.040 --> 0:28:20.439
<v Speaker 2>he's decided that this is it or he's resigned or whatever.

0:28:20.760 --> 0:28:23.280
<v Speaker 2>To be honest, I don't think it hurts. It's better

0:28:23.359 --> 0:28:27.760
<v Speaker 2>to be talked about in a very saturated media landscape

0:28:27.800 --> 0:28:32.280
<v Speaker 2>with so many opportunities to watch different shows and streaming

0:28:32.320 --> 0:28:36.880
<v Speaker 2>platforms and reruns and there's just so much going on

0:28:37.200 --> 0:28:41.000
<v Speaker 2>to have the level of interest from journalists that want

0:28:41.000 --> 0:28:43.840
<v Speaker 2>to even write these stories. Whether they're true or not,

0:28:44.280 --> 0:28:47.320
<v Speaker 2>I think is good doesn't matter to us. People will

0:28:47.360 --> 0:28:50.200
<v Speaker 2>just be pleasantly surprised next year when Scott Cam turns

0:28:50.280 --> 0:28:50.640
<v Speaker 2>up again.

0:28:51.560 --> 0:28:53.800
<v Speaker 1>Do you know what's really funny? And this sounds mean,

0:28:53.880 --> 0:28:55.760
<v Speaker 1>and I don't mean to be mean, but sometimes I

0:28:55.840 --> 0:28:58.600
<v Speaker 1>laugh at mean things. Is that another producer who works

0:28:58.640 --> 0:29:01.360
<v Speaker 1>on another show, another big friend that's been on television

0:29:01.400 --> 0:29:04.320
<v Speaker 1>for a long time, They were like, we can't get

0:29:04.320 --> 0:29:07.360
<v Speaker 1>people to talk about this series in the media, and

0:29:07.400 --> 0:29:09.200
<v Speaker 1>that's really interesting. That goes to show you where that

0:29:09.280 --> 0:29:13.000
<v Speaker 1>format is at that time, where the Block hasn't even started,

0:29:13.400 --> 0:29:16.360
<v Speaker 1>and there's so many stories out there, and you're right,

0:29:16.520 --> 0:29:19.520
<v Speaker 1>that comes down to public interest. You know, you kind

0:29:19.520 --> 0:29:20.520
<v Speaker 1>of want to be talked about.

0:29:20.720 --> 0:29:24.680
<v Speaker 2>Yeah, I mean, I can only guess that the editors

0:29:24.720 --> 0:29:28.480
<v Speaker 2>who are choosing what goes on their homepage are choosing

0:29:28.760 --> 0:29:31.600
<v Speaker 2>these stories about the block knowing that they may not

0:29:31.840 --> 0:29:35.160
<v Speaker 2>even be true. They're choosing it because they know that

0:29:35.160 --> 0:29:38.520
<v Speaker 2>that is clickbait. They know that there is a hunger

0:29:38.560 --> 0:29:41.720
<v Speaker 2>out there amongst their readers for stories about the Block.

0:29:42.160 --> 0:29:45.240
<v Speaker 2>That is a very encouraging thing for me to know.

0:29:45.680 --> 0:29:48.320
<v Speaker 2>You know, we love it. The more stories we read,

0:29:48.360 --> 0:29:50.440
<v Speaker 2>the more we realize that the editors are trying to

0:29:50.440 --> 0:29:53.640
<v Speaker 2>feed an audience that is interested in our show, and

0:29:53.760 --> 0:29:56.000
<v Speaker 2>that in and of itself is enough for me.

0:29:56.280 --> 0:29:58.520
<v Speaker 1>I also heard really early on that you know, we

0:29:58.520 --> 0:30:01.480
<v Speaker 1>were going to get a new You judge joining the show,

0:30:01.520 --> 0:30:05.440
<v Speaker 1>coming along with SHANEA. Blaze, Darren and I did hear

0:30:05.480 --> 0:30:08.800
<v Speaker 1>that Neil was taking the season off, So it took

0:30:08.840 --> 0:30:10.840
<v Speaker 1>a while for us to find out. It was Marty Fox,

0:30:11.200 --> 0:30:13.280
<v Speaker 1>who I think is a great choice from what I've

0:30:13.320 --> 0:30:15.520
<v Speaker 1>seen so far. What can you tell us about him

0:30:15.520 --> 0:30:17.440
<v Speaker 1>for this season? Like, is he going to offer something

0:30:17.440 --> 0:30:20.440
<v Speaker 1>completely different to Neil? Like what's going to happen here?

0:30:20.520 --> 0:30:23.080
<v Speaker 2>Of course he is, because you know, he and Neil

0:30:23.080 --> 0:30:26.360
<v Speaker 2>are very different people. Neil comes from our background of

0:30:26.440 --> 0:30:31.560
<v Speaker 2>being a very high profile editor of interior design magazines,

0:30:32.080 --> 0:30:36.520
<v Speaker 2>and Marty comes from selling houses. He's a very sharp,

0:30:37.040 --> 0:30:40.480
<v Speaker 2>very talented real estate agent. It's no reflection on Neil

0:30:40.480 --> 0:30:43.920
<v Speaker 2>that Matty's there. Marty's only there because Neil couldn't do

0:30:44.320 --> 0:30:47.600
<v Speaker 2>all of this series and called me and said that

0:30:47.760 --> 0:30:50.240
<v Speaker 2>he had, you know, for personal reasons. He just wasn't

0:30:50.280 --> 0:30:51.680
<v Speaker 2>going to be able to do it all when he

0:30:51.720 --> 0:30:54.800
<v Speaker 2>was really disappointed about that, as was I. But the

0:30:54.840 --> 0:30:58.120
<v Speaker 2>idea of Marty Fox coming in and feeling in for

0:30:58.240 --> 0:31:02.080
<v Speaker 2>Neil really came from looking back at where the show started.

0:31:02.640 --> 0:31:05.840
<v Speaker 2>You know, for the first three series of the block,

0:31:06.240 --> 0:31:09.280
<v Speaker 2>there was only one judge, and that was John McGrath,

0:31:09.640 --> 0:31:12.680
<v Speaker 2>a real estate agent. That's where the show began. It's

0:31:12.760 --> 0:31:15.719
<v Speaker 2>then evolved when we added Neil. It evolved further when

0:31:15.760 --> 0:31:20.360
<v Speaker 2>we added Darren and Shana as John McGrath wasn't able

0:31:20.560 --> 0:31:23.520
<v Speaker 2>to be the judge on the show once we'd moved

0:31:23.520 --> 0:31:27.280
<v Speaker 2>to Melbourne because his base was Sydney. So Marty seemed

0:31:27.320 --> 0:31:30.640
<v Speaker 2>like a natural choice because he reminds me a lot

0:31:30.760 --> 0:31:34.800
<v Speaker 2>of John McGrath. You know, he's super smart, he knows

0:31:34.840 --> 0:31:38.960
<v Speaker 2>real estate inside out. He's a specialist in this area

0:31:39.360 --> 0:31:42.920
<v Speaker 2>and nothing is going to get past him because he

0:31:43.080 --> 0:31:47.360
<v Speaker 2>is looking at these rooms each week purely from the

0:31:47.400 --> 0:31:50.600
<v Speaker 2>basis of whether they are going to appeal to the

0:31:50.640 --> 0:31:55.680
<v Speaker 2>buyer that he knows so well, and it was an

0:31:55.720 --> 0:32:01.680
<v Speaker 2>interesting perspective to add. And he's also a really fun, interesting,

0:32:02.120 --> 0:32:06.440
<v Speaker 2>opinionated guy, and I think that the audience is going

0:32:06.480 --> 0:32:07.840
<v Speaker 2>to absolutely love him on the show.

0:32:08.200 --> 0:32:11.720
<v Speaker 1>Did you notice, though, by changing the judges a difference?

0:32:12.080 --> 0:32:15.320
<v Speaker 1>Do you think we're getting a different result in your opinion? Only,

0:32:15.880 --> 0:32:17.960
<v Speaker 1>do you think by changing this judge we're get to

0:32:18.040 --> 0:32:18.960
<v Speaker 1>get a different outcome?

0:32:19.280 --> 0:32:24.680
<v Speaker 2>No, I don't. I have enormous respect for Neil I

0:32:24.720 --> 0:32:28.640
<v Speaker 2>think that you know, people say, oh, I have interior

0:32:28.640 --> 0:32:32.640
<v Speaker 2>design experts judging a real estate show, and I say, well,

0:32:33.160 --> 0:32:38.120
<v Speaker 2>Darren and Shana and Neil have all bought and sold property,

0:32:38.400 --> 0:32:41.320
<v Speaker 2>They've all renovated, They've all had to do it for themselves.

0:32:41.400 --> 0:32:44.520
<v Speaker 2>They've all had to take properties to market. They work

0:32:44.680 --> 0:32:47.920
<v Speaker 2>really hard and study the market that we're doing each year,

0:32:47.920 --> 0:32:52.000
<v Speaker 2>whether it's a tree change or Hampton, and their interest

0:32:52.160 --> 0:32:56.320
<v Speaker 2>when they're judging is about whether it's right for the market.

0:32:56.560 --> 0:32:59.680
<v Speaker 2>It's not whether it's just their own personal opinion. They

0:32:59.720 --> 0:33:05.280
<v Speaker 2>often and choose winning rooms that they personally wouldn't have

0:33:05.400 --> 0:33:09.440
<v Speaker 2>themselves or don't particularly like, but they feel that they're

0:33:09.480 --> 0:33:12.080
<v Speaker 2>right for the market. So I think that those the

0:33:12.160 --> 0:33:14.640
<v Speaker 2>judges that we've had have always done that really well.

0:33:14.840 --> 0:33:17.400
<v Speaker 2>But I think that Marty's involvement in the show has

0:33:17.440 --> 0:33:21.080
<v Speaker 2>brought a real fresh perspective to it, and it was

0:33:21.120 --> 0:33:24.960
<v Speaker 2>really interesting to hear some of his comments about what

0:33:25.120 --> 0:33:28.480
<v Speaker 2>is right for the market, and those comments different from

0:33:28.480 --> 0:33:31.440
<v Speaker 2>what Neil would say. Yeah, absolutely, Does it mean that

0:33:31.640 --> 0:33:36.040
<v Speaker 2>a different team is winning the rooms in the weeks

0:33:36.240 --> 0:33:39.680
<v Speaker 2>that Marty's there in place with Neil, I'm not sure

0:33:39.680 --> 0:33:40.160
<v Speaker 2>about that.

0:33:40.320 --> 0:33:42.120
<v Speaker 1>So One of the last things that I want to

0:33:42.160 --> 0:33:44.200
<v Speaker 1>quickly do with you is I want to get like

0:33:44.240 --> 0:33:47.960
<v Speaker 1>a sentence on how you describe these new teams. The

0:33:48.040 --> 0:33:50.520
<v Speaker 1>promos are out, and by the way, the promos are

0:33:50.600 --> 0:33:52.880
<v Speaker 1>very good this year. They literally make you feel like

0:33:52.920 --> 0:33:56.680
<v Speaker 1>you know these people within their thirty seconds. It's crazy,

0:33:56.760 --> 0:33:59.320
<v Speaker 1>but I'd love to know your little snapshot on them.

0:33:59.360 --> 0:34:02.320
<v Speaker 1>So if we start with Eliza and Liberty.

0:34:02.280 --> 0:34:06.320
<v Speaker 2>Just just really fun. You know, they came to it

0:34:06.400 --> 0:34:10.920
<v Speaker 2>with a sense of wonder. They were amazed that they

0:34:11.000 --> 0:34:15.719
<v Speaker 2>got chosen and were so grateful for the opportunity. They

0:34:15.880 --> 0:34:18.239
<v Speaker 2>really didn't know what they were getting themselves in for,

0:34:18.440 --> 0:34:22.080
<v Speaker 2>and that's immensely clear in the show, and I love

0:34:22.120 --> 0:34:22.680
<v Speaker 2>them for it.

0:34:23.000 --> 0:34:25.560
<v Speaker 1>Now, the two of them got a lot of experience with,

0:34:25.960 --> 0:34:29.120
<v Speaker 1>you know, being a producer themselves. Was there any issue

0:34:29.200 --> 0:34:31.480
<v Speaker 1>with them self editing? Like, were you worried about that

0:34:31.640 --> 0:34:33.759
<v Speaker 1>casting people who are producers in a show like this

0:34:34.160 --> 0:34:36.120
<v Speaker 1>or do you think because of the nature of the show,

0:34:36.160 --> 0:34:38.319
<v Speaker 1>being that it's twenty four hours a day, no one

0:34:38.719 --> 0:34:41.799
<v Speaker 1>could possibly keep up a facade or self edit like

0:34:41.800 --> 0:34:43.279
<v Speaker 1>that that eventually it would switch off.

0:34:43.320 --> 0:34:45.879
<v Speaker 2>Well, I mean, Sharon's a professional actor, do you think

0:34:45.920 --> 0:34:48.800
<v Speaker 2>that she was self editing. You can't do the Block

0:34:49.000 --> 0:34:51.840
<v Speaker 2>and spend three months pretending to be something that you're not.

0:34:52.080 --> 0:34:56.400
<v Speaker 2>It's just not possible. Nobody has the skills to manage

0:34:56.640 --> 0:35:00.200
<v Speaker 2>that pressure and be thinking about everything they're saying all

0:35:00.239 --> 0:35:02.880
<v Speaker 2>the time, and self edit can't happen.

0:35:03.200 --> 0:35:05.480
<v Speaker 1>Kyle and Leslie, what do you think about these two?

0:35:06.160 --> 0:35:08.800
<v Speaker 2>They're the team that tried eight times to get on

0:35:08.840 --> 0:35:12.800
<v Speaker 2>the block, so you know, it's fantastic that they got

0:35:12.800 --> 0:35:18.399
<v Speaker 2>that reward. But like everybody else, even after being dedicated

0:35:18.440 --> 0:35:21.680
<v Speaker 2>fans and watching every series and begging to come on

0:35:21.719 --> 0:35:24.520
<v Speaker 2>the show, when they got on the show after about

0:35:24.560 --> 0:35:27.720
<v Speaker 2>a week, they said to me, like everybody else does, Juels,

0:35:28.520 --> 0:35:30.680
<v Speaker 2>we knew this was going to be hard, but boy,

0:35:30.719 --> 0:35:32.200
<v Speaker 2>we didn't know it was going to be this hard.

0:35:32.440 --> 0:35:35.680
<v Speaker 2>There were there were moments, but to be to be fair,

0:35:36.200 --> 0:35:40.200
<v Speaker 2>everybody at some point twelve weeks said, I don't know

0:35:40.239 --> 0:35:43.000
<v Speaker 2>if I can handle this. I think I'm out.

0:35:43.320 --> 0:35:45.200
<v Speaker 1>I feel like they know you well enough to know

0:35:45.560 --> 0:35:48.360
<v Speaker 1>your face and I can see your face when people

0:35:48.400 --> 0:35:50.160
<v Speaker 1>say it to you that they're going to leave, and

0:35:50.200 --> 0:35:53.080
<v Speaker 1>your face just wouldn't change. You'd be like mm hmmm.

0:35:53.160 --> 0:35:55.279
<v Speaker 1>Because you know, just to sit and.

0:35:55.200 --> 0:35:57.760
<v Speaker 2>They go back to work, exactly right.

0:35:58.239 --> 0:36:01.680
<v Speaker 1>Okay, So Leah and Ash? What about these two?

0:36:02.000 --> 0:36:05.840
<v Speaker 2>Yeah, just larger than life couple. Really, they're just perfect

0:36:05.880 --> 0:36:09.680
<v Speaker 2>for our show. She I don't mean this in any

0:36:09.719 --> 0:36:12.959
<v Speaker 2>way to be critical, because I love Leah as much

0:36:13.200 --> 0:36:16.600
<v Speaker 2>as anybody I've ever had on the show before. Her

0:36:16.920 --> 0:36:21.040
<v Speaker 2>lack of a filter is just something to behold. She

0:36:21.680 --> 0:36:25.920
<v Speaker 2>thinks something and before she's even finished the thought, she

0:36:26.080 --> 0:36:30.320
<v Speaker 2>said it, and sometimes it really rubs people the wrong way,

0:36:30.560 --> 0:36:34.680
<v Speaker 2>but she owns what she says. And Ash is a

0:36:34.719 --> 0:36:41.240
<v Speaker 2>great knock about bloke. They're wonderful parents. They've got beautiful children.

0:36:41.760 --> 0:36:44.840
<v Speaker 2>They're made for each other. But you know they're noisy,

0:36:44.920 --> 0:36:46.239
<v Speaker 2>and noisy is good.

0:36:46.360 --> 0:36:49.120
<v Speaker 1>What about Christy? Christy and Brett?

0:36:49.560 --> 0:36:51.960
<v Speaker 2>Yeah, so they're really interesting to me, and I really

0:36:52.000 --> 0:36:54.680
<v Speaker 2>loved having them on the show. They're more of the

0:36:54.719 --> 0:36:58.600
<v Speaker 2>couple that they love to stir the ship. They think

0:36:58.600 --> 0:37:02.239
<v Speaker 2>it's hilarious to what how things they say may be

0:37:02.320 --> 0:37:07.239
<v Speaker 2>taken or may unfold, and that's fun. You know, I'm

0:37:07.280 --> 0:37:10.120
<v Speaker 2>going to call it. They're shit stirs in a really

0:37:10.160 --> 0:37:14.480
<v Speaker 2>fun way. And they were great. But they're also super bright,

0:37:14.719 --> 0:37:18.160
<v Speaker 2>you know, he's a safety officer, she's a project manager.

0:37:18.600 --> 0:37:21.839
<v Speaker 2>They're not to be trifled with, and they've got an

0:37:22.000 --> 0:37:25.319
<v Speaker 2>enormous amount of energy and competitive spirit, which is what

0:37:25.360 --> 0:37:28.640
<v Speaker 2>the book block always needs. They were fantastic on the show.

0:37:29.000 --> 0:37:33.000
<v Speaker 1>What state were they from again, South Australia. South Australia. Okay, yeah, I.

0:37:32.920 --> 0:37:34.520
<v Speaker 2>Don't know what they put in the water there, but

0:37:34.640 --> 0:37:39.680
<v Speaker 2>South Australia has thrown up Alisa in Lossandra and Christian.

0:37:40.200 --> 0:37:41.280
<v Speaker 2>That's fantastic.

0:37:41.520 --> 0:37:43.239
<v Speaker 1>I love that teas. I love the teas. And then

0:37:43.239 --> 0:37:45.960
<v Speaker 1>the last of all, we have Steph and Jim.

0:37:46.200 --> 0:37:51.200
<v Speaker 2>Yeah, so she's the architect. He's a super bright guy.

0:37:51.280 --> 0:37:55.440
<v Speaker 2>He's in tech startups. What is amazing about them is

0:37:55.480 --> 0:37:59.200
<v Speaker 2>that they're very young, but more importantly so, I think

0:37:59.200 --> 0:38:02.120
<v Speaker 2>they're twenty six going on twenty seven during you know,

0:38:02.200 --> 0:38:04.080
<v Speaker 2>I think they turned twenty seven in show, but they've

0:38:04.120 --> 0:38:07.120
<v Speaker 2>been together since they were thirteen. The strength of their

0:38:07.360 --> 0:38:12.960
<v Speaker 2>relationship together you wouldn't expect from people that young, you know,

0:38:13.160 --> 0:38:16.960
<v Speaker 2>because at twenty six, yes, they've only been married a year,

0:38:17.360 --> 0:38:22.040
<v Speaker 2>but they've been together for fourteen years already, and that's

0:38:22.239 --> 0:38:26.279
<v Speaker 2>a substantial amount of time. So what I loved about

0:38:26.360 --> 0:38:30.200
<v Speaker 2>them was that as a team. I think they people

0:38:30.280 --> 0:38:34.880
<v Speaker 2>would underestimate them, but they are as strong as any

0:38:34.960 --> 0:38:39.120
<v Speaker 2>team that we've had, just because they know each other

0:38:39.280 --> 0:38:43.000
<v Speaker 2>so well and they just they really present as a

0:38:43.120 --> 0:38:47.880
<v Speaker 2>united front, and they were very competitive and are in

0:38:47.920 --> 0:38:50.440
<v Speaker 2>the middle of some of the biggest stories that happened

0:38:50.480 --> 0:38:52.239
<v Speaker 2>across the series this year.

0:38:52.400 --> 0:38:54.680
<v Speaker 1>It's really funny that you say that, because Steph was

0:38:54.800 --> 0:38:58.640
<v Speaker 1>really lovely when I met her, but I loved her

0:38:58.880 --> 0:39:01.520
<v Speaker 1>like a radar on me. So she because we're coming

0:39:01.520 --> 0:39:04.480
<v Speaker 1>into her home right with the media, so she was like, oh, Hi, hey,

0:39:04.480 --> 0:39:06.880
<v Speaker 1>you going. She was on the surface being really lovely,

0:39:07.120 --> 0:39:10.200
<v Speaker 1>but I was like, she's the Amanda Woodward of Melrose Place. Here.

0:39:10.520 --> 0:39:12.879
<v Speaker 1>I feel like she's going to be the one to watch.

0:39:12.880 --> 0:39:16.520
<v Speaker 2>One hundred percent. Yeah, And being an architect, it's just

0:39:16.520 --> 0:39:19.319
<v Speaker 2>such an interesting thing for the audience to see how

0:39:19.360 --> 0:39:22.560
<v Speaker 2>an architect goes about doing a blog. It's completely different

0:39:22.640 --> 0:39:25.080
<v Speaker 2>to how a plumber goes about doing it.

0:39:25.160 --> 0:39:27.440
<v Speaker 1>Alrighty, last two questions I have for you is you

0:39:27.800 --> 0:39:31.040
<v Speaker 1>also are correcting or acknowledging some drama that was created

0:39:31.080 --> 0:39:34.320
<v Speaker 1>two years ago allowing them to see the plan aboard?

0:39:34.600 --> 0:39:37.239
<v Speaker 1>Are there other big changes like that that we're going

0:39:37.280 --> 0:39:39.360
<v Speaker 1>to see this season that you can talk about at

0:39:39.400 --> 0:39:39.840
<v Speaker 1>this stage.

0:39:40.840 --> 0:39:43.640
<v Speaker 2>I'll hint at one. I mean, I've told you about one,

0:39:43.640 --> 0:39:46.320
<v Speaker 2>which is that we didn't do anything before they started,

0:39:46.640 --> 0:39:51.759
<v Speaker 2>and that is why the promo has that time walk storyline,

0:39:52.120 --> 0:39:56.520
<v Speaker 2>because the houses are exactly like they were in nineteen fifty.

0:39:57.000 --> 0:40:00.520
<v Speaker 2>The other change that we made. The hint I will

0:40:00.520 --> 0:40:04.080
<v Speaker 2>give you about that is that Tom from Tom and

0:40:04.120 --> 0:40:08.600
<v Speaker 2>Sarah Jane figures prominently in this new series. So why

0:40:08.680 --> 0:40:10.080
<v Speaker 2>would that be.

0:40:10.040 --> 0:40:11.160
<v Speaker 1>Well, we'd have to give this to one of the

0:40:11.239 --> 0:40:13.680
<v Speaker 1>journalists that writes for the Daily Mail, because that'd probably

0:40:14.800 --> 0:40:17.640
<v Speaker 1>that'd probably weave that together faster than I would. I

0:40:17.680 --> 0:40:20.759
<v Speaker 1>can't even imagine. Is he personally involved or is it

0:40:20.800 --> 0:40:23.240
<v Speaker 1>to do with conflict over the build.

0:40:23.560 --> 0:40:29.960
<v Speaker 2>He is in the show as a regular character, this

0:40:30.120 --> 0:40:33.200
<v Speaker 2>series working force, and.

0:40:33.160 --> 0:40:34.840
<v Speaker 1>What a perfect person to do it. Some of my

0:40:34.920 --> 0:40:37.520
<v Speaker 1>favorite Tom moments of last year, you know, was when

0:40:37.520 --> 0:40:39.040
<v Speaker 1>he went sort of a wall and would just start

0:40:39.080 --> 0:40:42.600
<v Speaker 1>painting the fence and just being himself. He'd be outside

0:40:42.600 --> 0:40:45.080
<v Speaker 1>of that little caravan and his underpants. He was a

0:40:45.120 --> 0:40:47.480
<v Speaker 1>loose unit, like you know, he is that he is

0:40:47.560 --> 0:40:49.719
<v Speaker 1>who he is, and that's what makes good television. And

0:40:49.760 --> 0:40:52.520
<v Speaker 1>then also the first episode we get a Disney Plus theme.

0:40:52.560 --> 0:40:54.879
<v Speaker 1>Does that mean that you yourself have free Disney Plus

0:40:54.960 --> 0:40:55.360
<v Speaker 1>at home?

0:40:56.200 --> 0:40:59.600
<v Speaker 2>I wish, because with an eight and nine year old,

0:40:59.640 --> 0:41:03.440
<v Speaker 2>Disney Plus gets a proper workout in my house. I

0:41:03.520 --> 0:41:06.319
<v Speaker 2>go to say, it's become a pretty solid go to.

0:41:07.800 --> 0:41:10.799
<v Speaker 2>My nine year old and I are equally fans of

0:41:11.200 --> 0:41:16.120
<v Speaker 2>Star Wars and watch them regularly. So yeah, it was

0:41:16.239 --> 0:41:18.960
<v Speaker 2>wonderful to have Disney Plus come on as a sponsor

0:41:19.200 --> 0:41:24.040
<v Speaker 2>for this series. But no, it didn't. They didn't give

0:41:24.040 --> 0:41:24.640
<v Speaker 2>me a freebee.

0:41:24.760 --> 0:41:27.319
<v Speaker 1>I just thought it was fantastic, Jills. The last question

0:41:27.320 --> 0:41:29.200
<v Speaker 1>I ask you is something I asked everyone who joins

0:41:29.239 --> 0:41:32.080
<v Speaker 1>the podcast. Can you give us something of a behind

0:41:32.120 --> 0:41:34.959
<v Speaker 1>the scenes secret or maybe something we won't see, maybe

0:41:35.000 --> 0:41:38.960
<v Speaker 1>a funny anecdote from your experience this year of filming

0:41:39.000 --> 0:41:40.400
<v Speaker 1>The Block twenty twenty three.

0:41:40.520 --> 0:41:43.880
<v Speaker 2>For anybody who's watched The Block previously, they probably have

0:41:44.080 --> 0:41:49.080
<v Speaker 2>realized that whenever anything does happen behind the scenes, we

0:41:49.160 --> 0:41:52.719
<v Speaker 2>put it in the show. We tend to break that

0:41:52.880 --> 0:41:56.120
<v Speaker 2>fourth wall. If somebody falls over in the middle of,

0:41:56.280 --> 0:41:59.840
<v Speaker 2>you know, filming, it usually makes the cut. Anything that

0:42:00.080 --> 0:42:03.879
<v Speaker 2>makes us laugh or makes us cry, usually gets put

0:42:03.920 --> 0:42:06.880
<v Speaker 2>into the show and not ends up on the cutting

0:42:06.960 --> 0:42:07.440
<v Speaker 2>room floor.

0:42:07.719 --> 0:42:09.799
<v Speaker 1>That is the best. Can I just say that's thank

0:42:09.840 --> 0:42:11.680
<v Speaker 1>you so much for coming on the podcast and being

0:42:11.680 --> 0:42:14.359
<v Speaker 1>so generous with your time. Just as good a chat,

0:42:14.360 --> 0:42:16.560
<v Speaker 1>as good at that's not even a word, Just as

0:42:16.600 --> 0:42:18.600
<v Speaker 1>good as last year, like and you blew it out

0:42:18.600 --> 0:42:21.040
<v Speaker 1>of the park last year. It was very funny, very entertaining,

0:42:21.200 --> 0:42:21.800
<v Speaker 1>very insightful.

0:42:22.000 --> 0:42:25.479
<v Speaker 2>Thanks and appreciate it. I appreciate the support. I'm glad.

0:42:25.600 --> 0:42:27.839
<v Speaker 2>I'm glad for your interest in the show too. It's

0:42:27.920 --> 0:42:28.200
<v Speaker 2>great