1 00:00:00,400 --> 00:00:03,640 Speaker 1: Jum mission with Jones and amandas have. 2 00:00:03,640 --> 00:00:06,880 Speaker 2: Tuned into Swoon of a. Roger Cours are playing the 3 00:00:07,080 --> 00:00:10,800 Speaker 2: bad boy country doctor today. I'm doing so in person. 4 00:00:10,560 --> 00:00:12,600 Speaker 3: High how are Roger morning? Good morning? 5 00:00:13,119 --> 00:00:16,000 Speaker 2: That is in TV terms? This is the fifth season? 6 00:00:16,040 --> 00:00:16,440 Speaker 2: Is that right? 7 00:00:16,480 --> 00:00:16,520 Speaker 1: On? 8 00:00:16,640 --> 00:00:16,720 Speaker 4: It? 9 00:00:17,120 --> 00:00:17,800 Speaker 3: Five? Yeah? 10 00:00:18,079 --> 00:00:21,680 Speaker 1: Since well, I mean Ashua had a good go with Offspring, but. 11 00:00:21,680 --> 00:00:22,880 Speaker 2: That was rare too, wasn't it. 12 00:00:22,920 --> 00:00:25,239 Speaker 1: Well, it's different. It's a different landscape now. I mean 13 00:00:25,400 --> 00:00:30,480 Speaker 1: there's it's dwindling returns. I think the market's so wide now, 14 00:00:30,560 --> 00:00:32,960 Speaker 1: you know, there's so many streamers and stuff to yes, 15 00:00:33,000 --> 00:00:35,720 Speaker 1: so we do feel very privileged to have a fifth season. 16 00:00:35,600 --> 00:00:38,000 Speaker 2: And I think we should be celebrating Australian free to 17 00:00:38,040 --> 00:00:39,960 Speaker 2: wear television. This is the thing we all, you know, 18 00:00:40,240 --> 00:00:43,560 Speaker 2: through the whole coronavirus on. Let's all watch Netflix, let's 19 00:00:43,600 --> 00:00:46,320 Speaker 2: stream this, stream that. But they're not our local voices, 20 00:00:46,520 --> 00:00:49,760 Speaker 2: they're not our local productions, they're not our local employers necessarily. 21 00:00:50,000 --> 00:00:52,200 Speaker 1: There's a little bit and that's what I think, that's 22 00:00:52,280 --> 00:00:54,480 Speaker 1: you know, that's what we're actually we're hoping and that 23 00:00:54,600 --> 00:00:57,319 Speaker 1: because the media landscape has changed, we're hoping to get 24 00:00:57,320 --> 00:01:00,240 Speaker 1: some quotas put into two streamers and and you know 25 00:01:00,320 --> 00:01:03,200 Speaker 1: have a small percentage of the production that they produce 26 00:01:04,080 --> 00:01:08,840 Speaker 1: be local and our stories. Because the media platform changed 27 00:01:08,880 --> 00:01:11,559 Speaker 1: that the rules didn't cover it, haven't covered it because 28 00:01:11,640 --> 00:01:13,240 Speaker 1: only the Freedom Wears have the quotas. 29 00:01:13,959 --> 00:01:16,120 Speaker 3: So there's a bit standards a little bit. 30 00:01:16,160 --> 00:01:19,880 Speaker 1: And you know there's a new Paramount plus is coming 31 00:01:19,880 --> 00:01:22,440 Speaker 1: out in five Bedrooms, which I'm also in. 32 00:01:23,920 --> 00:01:25,640 Speaker 2: The cock had a break for a while. 33 00:01:25,640 --> 00:01:27,160 Speaker 4: I liked that show. That was a good show. But 34 00:01:27,800 --> 00:01:30,280 Speaker 4: it's not about those shows. It's about Doctor. Is about 35 00:01:30,280 --> 00:01:32,679 Speaker 4: your star turn on this show. And I must say 36 00:01:32,760 --> 00:01:35,640 Speaker 4: I liked watching you get blown up because you did 37 00:01:35,680 --> 00:01:36,880 Speaker 4: it so well. 38 00:01:36,880 --> 00:01:39,920 Speaker 3: Well on the Primo. Yeah you know what you did 39 00:01:39,959 --> 00:01:42,400 Speaker 3: the straight platoon. 40 00:01:42,720 --> 00:01:44,640 Speaker 1: Yeah it is a little bit like but but but 41 00:01:44,760 --> 00:01:48,800 Speaker 1: far less masculine if you if you see I look 42 00:01:49,000 --> 00:01:51,760 Speaker 1: like like a lame swan being being shot or something 43 00:01:51,800 --> 00:01:53,520 Speaker 1: like that. They was two takes because you know, we 44 00:01:53,520 --> 00:01:56,120 Speaker 1: can't afford you know, fifty explosions. 45 00:01:55,160 --> 00:01:58,600 Speaker 3: And the first one, as you can tell, which they use, 46 00:01:58,720 --> 00:01:59,680 Speaker 3: caught me my surprise. 47 00:02:03,000 --> 00:02:05,040 Speaker 1: The second one I got a second take and I 48 00:02:05,120 --> 00:02:07,920 Speaker 1: literally did I did, like, didn't flinch at all. They 49 00:02:07,920 --> 00:02:08,560 Speaker 1: didn't use that. 50 00:02:09,160 --> 00:02:11,280 Speaker 3: I tried to be too cool to Bruce Willis, do. 51 00:02:11,280 --> 00:02:14,200 Speaker 4: You so did you feel the concussion from the explosion 52 00:02:14,320 --> 00:02:15,600 Speaker 4: or was it just like, oh geez, what the hell 53 00:02:15,720 --> 00:02:16,000 Speaker 4: was that? 54 00:02:16,840 --> 00:02:20,160 Speaker 1: Well, the guy, the the special effects guy came in 55 00:02:20,200 --> 00:02:22,200 Speaker 1: and everyone said, oh, I can't remember his name, but 56 00:02:22,480 --> 00:02:25,239 Speaker 1: it was you know, Maca or whatever. And they go 57 00:02:25,320 --> 00:02:27,160 Speaker 1: and Macha and he goes, oh, Maca will say, look, 58 00:02:27,360 --> 00:02:29,840 Speaker 1: the fireball will be this big and whatever Maca says. 59 00:02:30,360 --> 00:02:34,040 Speaker 1: When it happens, it's double, which is not what you 60 00:02:34,160 --> 00:02:39,320 Speaker 1: always want to hear with this, you know, the special effects. 61 00:02:39,480 --> 00:02:40,920 Speaker 3: Where do I stand that I'm not going to get 62 00:02:40,919 --> 00:02:43,440 Speaker 3: burnt ut? We know at Michael Jackson's situation, No, you 63 00:02:43,480 --> 00:02:45,480 Speaker 3: want the pepsi ad, wasn't it when his. 64 00:02:45,560 --> 00:02:48,560 Speaker 4: Haircut on fire? But you're really good in it and 65 00:02:47,840 --> 00:02:52,760 Speaker 4: the stunts on shows it's very hard to do, i'd imagine, 66 00:02:52,800 --> 00:02:54,120 Speaker 4: and because you've got to be believable, so you're going 67 00:02:54,200 --> 00:02:55,520 Speaker 4: to put it everything in there. And then you look 68 00:02:55,520 --> 00:02:58,120 Speaker 4: at someone like Tom Cruise, He's hanging off a plane. 69 00:02:58,160 --> 00:02:59,120 Speaker 3: Do you do all that stuff? 70 00:02:59,200 --> 00:03:01,680 Speaker 1: And well, he's it's just silly, isn't he Like he 71 00:03:01,880 --> 00:03:04,640 Speaker 1: jumps from building the building and breaks ankles. And goes 72 00:03:04,680 --> 00:03:07,320 Speaker 1: up in spaceships and free falls and does all that. 73 00:03:07,320 --> 00:03:10,800 Speaker 2: That's having said that, considering this is a small town, 74 00:03:10,919 --> 00:03:12,519 Speaker 2: a lot happens in this small town. 75 00:03:12,680 --> 00:03:13,359 Speaker 3: It's amazing. 76 00:03:13,400 --> 00:03:16,440 Speaker 2: A lot of attractive people come into this small town. 77 00:03:17,040 --> 00:03:18,079 Speaker 2: Every promo I. 78 00:03:18,040 --> 00:03:20,280 Speaker 3: See we try to vent well obviously only. 79 00:03:20,120 --> 00:03:22,720 Speaker 2: Attractive people allowed in. There's a lot of passion you 80 00:03:22,800 --> 00:03:25,280 Speaker 2: have to do. How does it go when you you're 81 00:03:25,280 --> 00:03:27,400 Speaker 2: having a cup of coffee when you first get to work, 82 00:03:27,440 --> 00:03:29,640 Speaker 2: you think, oh, I've got pashing. I better not have coffee. 83 00:03:29,919 --> 00:03:32,200 Speaker 2: Is it awkward? I know you're an actor, but you're 84 00:03:32,200 --> 00:03:32,919 Speaker 2: a human too. 85 00:03:33,000 --> 00:03:36,080 Speaker 1: Well, the COVID thing was all awkward when we shot this. 86 00:03:36,440 --> 00:03:38,320 Speaker 1: Besides the coffee breath, there was the whole COVID thing 87 00:03:38,360 --> 00:03:40,920 Speaker 1: going on. So because everyone else is wearing masks and 88 00:03:41,000 --> 00:03:43,960 Speaker 1: you know you're going we have to kiss during a 89 00:03:44,080 --> 00:03:45,160 Speaker 1: pandemic that we. 90 00:03:45,120 --> 00:03:47,400 Speaker 3: Had to get tests like every four days. 91 00:03:47,240 --> 00:03:47,960 Speaker 1: Or something like that. 92 00:03:48,800 --> 00:03:51,000 Speaker 3: So I got very used to having a big long 93 00:03:51,000 --> 00:03:52,280 Speaker 3: thing st And can I. 94 00:03:52,320 --> 00:03:54,360 Speaker 2: Ask you this though? When you rehearse do you rehearse 95 00:03:54,400 --> 00:03:55,200 Speaker 2: the pash? 96 00:03:55,440 --> 00:03:57,680 Speaker 3: Especially during COVID? Usually you don't. 97 00:03:57,720 --> 00:04:01,040 Speaker 1: Anyway, you'll talk it through and and actually now there's 98 00:04:01,080 --> 00:04:04,360 Speaker 1: things called there are things. There are people on setting 99 00:04:04,360 --> 00:04:07,880 Speaker 1: there called intimacyve advisers, right, which weren't really around. That's 100 00:04:07,920 --> 00:04:10,280 Speaker 1: kind of come after me too and everything, and it's 101 00:04:10,280 --> 00:04:12,920 Speaker 1: a safety net. But also like a stunt coordinator, they 102 00:04:13,000 --> 00:04:15,360 Speaker 1: sort of help you and it actually helps the dialogue 103 00:04:15,400 --> 00:04:18,400 Speaker 1: a lot better because it's kind of embarrassing, especially if 104 00:04:18,400 --> 00:04:20,360 Speaker 1: it's a really heated kind of one to sort of 105 00:04:20,480 --> 00:04:22,719 Speaker 1: someone who's grown up in the room can kind of 106 00:04:22,720 --> 00:04:23,880 Speaker 1: step it through and go do. 107 00:04:23,880 --> 00:04:24,320 Speaker 3: This and do that. 108 00:04:24,400 --> 00:04:25,680 Speaker 1: There's no surprises on set. 109 00:04:25,760 --> 00:04:28,800 Speaker 4: And when you talk about these intimacy advisors say, for example, 110 00:04:29,320 --> 00:04:31,839 Speaker 4: you'll see a few shows and there's a kiss and 111 00:04:31,880 --> 00:04:34,960 Speaker 4: it's a pretty big tongue pash kiss. So at what 112 00:04:35,120 --> 00:04:39,040 Speaker 4: point would someone complain that you're invading their space? Can 113 00:04:39,080 --> 00:04:41,800 Speaker 4: someone say, oh, he's gone too much on the tongue there, 114 00:04:42,800 --> 00:04:43,400 Speaker 4: there's kind of. 115 00:04:43,400 --> 00:04:47,480 Speaker 1: An un unwritten rule that you try and stage kiss 116 00:04:47,480 --> 00:04:50,120 Speaker 1: as much as possible that maybe some incidental going on. 117 00:04:50,160 --> 00:04:52,000 Speaker 2: There's no tongue. 118 00:04:52,360 --> 00:04:56,680 Speaker 1: Yeah, your mouths are open, but it's pretended that. 119 00:04:56,760 --> 00:04:58,480 Speaker 3: Yeah, sometimes you see that is going on. 120 00:04:58,560 --> 00:05:01,480 Speaker 4: There was a show I was forgot what I was watching, 121 00:05:01,520 --> 00:05:03,160 Speaker 4: but there was something I was watching recently and it 122 00:05:03,200 --> 00:05:04,240 Speaker 4: was full on tongue. 123 00:05:04,800 --> 00:05:07,560 Speaker 1: Well, I mean your more art house film may go eh, 124 00:05:07,600 --> 00:05:09,440 Speaker 1: you know, and you know people who are going, I'm 125 00:05:09,440 --> 00:05:11,839 Speaker 1: sure you you know what was what was what was 126 00:05:11,839 --> 00:05:13,320 Speaker 1: the what was the what was the. 127 00:05:13,240 --> 00:05:15,799 Speaker 3: One that was fifty shapes? Yes, I'm sure that stuff. 128 00:05:16,680 --> 00:05:17,760 Speaker 3: So I'm sure they're going for it. 129 00:05:17,800 --> 00:05:19,120 Speaker 2: Yes, you're just going one shape. 130 00:05:19,200 --> 00:05:21,000 Speaker 3: Remember that we're going we're going half a shape. There 131 00:05:21,040 --> 00:05:22,120 Speaker 3: was there was that movie. 132 00:05:22,520 --> 00:05:25,080 Speaker 4: It was famously I think it was, yeah, nine and 133 00:05:25,080 --> 00:05:25,560 Speaker 4: a half weeks. 134 00:05:25,600 --> 00:05:27,440 Speaker 3: This is the big spit bridge. You don't want to 135 00:05:27,440 --> 00:05:29,040 Speaker 3: say and actually I don't. 136 00:05:28,880 --> 00:05:32,680 Speaker 2: Think people want to see that. 137 00:05:32,440 --> 00:05:34,520 Speaker 1: I'm kicking fifty No one wants to see mom and dad. 138 00:05:36,360 --> 00:05:38,560 Speaker 2: You don't want to mean handshake and be done with. 139 00:05:38,680 --> 00:05:39,600 Speaker 3: Yeah, that's really. 140 00:05:40,960 --> 00:05:42,640 Speaker 2: The coach and just shake hands. 141 00:05:43,640 --> 00:05:45,000 Speaker 3: Roger, It's always great to talk to you. 142 00:05:45,000 --> 00:05:48,880 Speaker 4: You can catch Doctor Doctor tonight eight thirty on Channel nine. 143 00:05:48,920 --> 00:05:52,920 Speaker 4: He's back Hugh Night, being bad, being bad and blown up. 144 00:05:53,440 --> 00:05:56,479 Speaker 3: Thanks Jonesy and Amanda's genation