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Speaker 1: So Will m Woody podcast.

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Speaker 2: Will you are currently completely dressed as Elsa here in

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Speaker 2: the studio?

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Speaker 3: A little bit embarrassed, I'd say, because you thought the

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Speaker 3: reason I've brought my daughter and my wife in here

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Speaker 3: was to try and convince her to take off her

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Speaker 3: Elsa dress to pretending to be Elsa.

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Speaker 1: Well, that's not actually why my wife were in here.

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Speaker 3: You can leave the dress on.

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Speaker 4: I am like in the dress.

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Speaker 2: I just have a question to ask Remy. Yeah, very funny.

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Speaker 2: Oh hey, Remy, you ate my nose? Can I have

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Speaker 2: my nose back?

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Speaker 5: Oh?

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Speaker 2: Thank you? Oh no, you atee my nose again? Okay,

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Speaker 2: hey Remy, you ate my nose?

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Speaker 1: Remy?

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Speaker 2: What is in mummy's tummy?

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Speaker 3: A baby?

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Speaker 5: A baby?

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Speaker 6: Hello?

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Speaker 1: I wish she put it in a little bit more

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Speaker 1: effort with a baby?

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Speaker 3: What's in mummy's tummy?

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Speaker 1: Is it a boy or a girl?

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Speaker 7: We are quite.

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Speaker 4: We got there, out go congratskuys.

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Speaker 3: It is quite stressful though, because every time we said, wol,

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Speaker 3: do you want a brother or a sister? She says

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Speaker 3: a sister. So she tell everyone it's going to be

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Speaker 3: quite aw do you want a brother or a sister?

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Speaker 3: She's making that very clear. She wants a sister, but

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Speaker 3: we're not sure it might be a boy.

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Speaker 1: Yeah, a boy, yeah boy.

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Speaker 4: Yeah, maybe we should stop relying on the two year

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Speaker 4: old for comments. Here, I'm actually to her and she's

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Speaker 4: trying to eat the microphone. Great job, rem you nailed it.

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Speaker 4: How are you feeling them more importantly?

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Speaker 3: Good?

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Speaker 1: I mean first trimes is always pretty rough in terms

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Speaker 1: of feeling pretty shabby. But we're over that.

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Speaker 3: Part and yeah, onto bigger things.

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Speaker 1: Get definitely my valley, bigger nice.

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Speaker 3: Definitely sick of this time around a definitely a way

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Speaker 3: way sick of it. And I mean there's that person

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Speaker 3: that just constantly is talking and causing a scene.

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Speaker 4: So a little bit, but she seems excited.

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Speaker 3: She is, she is excited, aren't you?

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Speaker 1: Yeah? Are you going to eat the baby's nose too?

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Speaker 3: Yeah, she's nodding.

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Speaker 1: This is why you don't have a job on radio,

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Speaker 1: my friend.

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Speaker 3: Yeah, it is. It's very very exciting. And does Will

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Speaker 3: look silly in his dress?

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Speaker 4: Georgia crying out?

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Speaker 7: Crying?

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Speaker 4: Are you crying because you just went and got an

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Speaker 4: l's address for me and you spent two hours shopping

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Speaker 4: around costume shops for them to do something else? Yeah?

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Speaker 3: Sorry, about that, Jay, you did a great job.

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Speaker 4: Congrats. More news right up next as well.

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Speaker 1: Yes, actually, business, okay, I'm going to take I have

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Speaker 1: been doing some business behind the scenes.

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Speaker 4: William. Let's get done, let's get down.

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Speaker 3: I told you this yesterday. Will there is a distinct

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Speaker 3: lack of billboards. Yeah, promoting this radio show.

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Speaker 4: Yeah, everyone agrees. Apart from the advertising guys, no doubt.

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Speaker 3: It's just we're not part of the strategy.

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Speaker 4: Did you go with someone from marketing early on and

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Speaker 4: ghost or something?

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Speaker 1: And how dare you make that assumption tainting my image?

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Speaker 3: No? I don't know why, but apparently there is a strategy.

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Speaker 3: The strategy is no billboards for Will and Woody.

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Speaker 1: So I've taken business into my own hands. I was

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Speaker 1: telling you this yesterday.

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Speaker 3: I had this idea of billboard bombing. It's like photo bombing.

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Speaker 3: Everyone knows the concept of photo bombing. You sneak into

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Speaker 3: people's phone.

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Speaker 4: Everyone knows the concept of photograph. You just said it.

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Speaker 4: The question don't need to explain it after.

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Speaker 1: The question is can you sneak onto a billboard?

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Speaker 4: Right?

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Speaker 3: The billboards are everywhere, big companies are paying for billboards.

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Speaker 3: Can we get our faces on another company's billboards. And

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Speaker 3: as I said yesterday, I got a lot of no's

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Speaker 3: from companies.

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Speaker 4: Well, it's hard to model it, put youslf in the issues.

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Speaker 4: It's hard to know what they're after, what they get

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Speaker 4: out of it.

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Speaker 1: Well, my free models, it's like, we're not going to

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Speaker 1: charge you.

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Speaker 4: But if they can pay the model fee and they

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Speaker 4: actually get something that's attractive and now it's their brand.

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Speaker 3: And a lot of people said that to me over

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Speaker 3: the phone. But as I said to you yesterday, Will

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Speaker 3: all we needed was one yes, and we bloody got one.

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Speaker 3: Will you and me are going to with Glowbird Energy

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Speaker 3: be on one hundred billboards nationally?

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Speaker 4: But we're not models.

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Speaker 1: How can I be to skin up.

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Speaker 3: Glowbird Energy, the award winning glow Bird Energy. They have

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Speaker 3: paid for one hundred billboards nationally. We are going to

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Speaker 3: be on those billboards. Will You haven't seen the billboard yet.

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Speaker 3: I've been working tirelessly, tirelessly with their team.

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Speaker 4: But I'm not on the billboard yet. You are, Oh

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Speaker 4: damn it, I'm already on it. Where on it?

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Speaker 1: Oh you've chosen that, I've chosen it.

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Speaker 4: The photo.

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Speaker 3: Yeah, Look, there's a lot of push and Paul because

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Speaker 3: you've got to appreciate I'm trying to promote our radio show.

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Speaker 4: Surely I get signed off. Is this me? I've got

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Speaker 4: to sign off on.

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Speaker 1: This now kind of already been signed off on.

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Speaker 4: What do you mean it's my face.

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Speaker 3: Yes, I was representing our company, Will and Woody Proprietary Limited.

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Speaker 1: I only need one sick apparently.

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Speaker 3: Anyway, there's obviously a lot of push and pul because

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Speaker 3: glow Bird they want to use the billboard to promote

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Speaker 3: their amazing energy deals.

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Speaker 1: And the deals are amazing.

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Speaker 3: I've got to tell you they've paid for one hundred

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Speaker 3: billboards national and you're about to see what Australia is

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Speaker 3: going to see.

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Speaker 4: My friends, Okay, show the billboard.

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Speaker 3: How good is that? How good is that? Tell Australia

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Speaker 3: what you see Will that that is going to be everywhere.

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Speaker 4: It's you.

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Speaker 3: There's a lot of me, there's a lot of me

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Speaker 3: just you. Well, no, you're there, but there's just their

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Speaker 3: tagline is partially covering you, but we've got your.

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Speaker 4: Belly's entirely covering me.

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Speaker 3: But I think it's good. I don't know.

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Speaker 1: I mean, I think that's good that one hundred locations.

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Speaker 4: Nationally, Will and I can't change that, can I.

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Speaker 3: Well, it's been signed off on, mate, that is that

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Speaker 3: is logged in. We can't really see your face, but

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Speaker 3: I and I'm happy. If you guys want to see it.

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Speaker 3: By the way, jump onto our Instagram or TikTok, Will

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Speaker 3: and Woody.

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Speaker 1: You can see the billboard that is going to be

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Speaker 1: rolled out nationally.

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Speaker 3: Let us know your thoughts that look, you've got to.

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Speaker 4: Do with them, Like at this point, what is like

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Speaker 4: a get award winning energy you got to do with

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Speaker 4: you with your shirt off in a purple search? What

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Speaker 4: is that just another man's snail trail? That's it?

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Speaker 3: Absolutely, they're not. No, they've signed off on it. Everyone's happy.

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Speaker 3: It's a little bit confusing, and the more I look

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Speaker 3: at it, the more I like it. I think it

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Speaker 3: is kind of funny that you're completely covered. I'm sorry

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Speaker 3: I was I was hiding that, but that is funny.

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Speaker 4: Can you just get rid of the just one of

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Speaker 4: the shrink the words and move them down or surely

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Speaker 4: there was a bit of jostling going on when they

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Speaker 4: were in the Microsoft paint or whatever they do these

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Speaker 4: things in.

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Speaker 1: Initially we were both covered.

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Speaker 3: Freeing me. I had to choose one of us gone

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Speaker 3: with me.

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Speaker 4: They made the right choice.

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Speaker 3: It anyway, you guys want to say it, get to

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Speaker 3: Will and Woody Instagram.

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Speaker 4: It's going all over the country. Well, yeah, I don't

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Speaker 4: really care. I mean, at the end of the day,

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Speaker 4: it could be anyone that is a part of that.

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Speaker 3: It does just look like I'm promoting global energy at

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Speaker 3: this point.

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Speaker 4: Yeah, well you've also got your hands down your pants.

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Speaker 8: Yeah.

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Speaker 3: Look, there's a lot going on, but let's just say

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Speaker 3: there's a twenty four hour cooling off period. Twenty four

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Speaker 3: I'm not one hundred percent sure these actually might be

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Speaker 3: out there. If you're really unhappy with it, we might

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Speaker 3: be able to go back to him. If you really are,

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Speaker 3: all right, Well, I don't really care.

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Speaker 4: It's not my face. The question is how do you

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Speaker 4: feel about the fact that you got your hands down

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Speaker 4: the pants and you're sealing energy.

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Speaker 1: I think it's sexy. Okay, energy is sexy.

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Speaker 3: Sexy is energy. Anyway, let us know what you guys think.

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Speaker 3: Let us know what you guys think Instagram, Will and

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Speaker 3: Woody TikTok Will and Woody. I think if there's an

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Speaker 3: overwhelming sentiment that this is bad, yeah, maybe we can

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Speaker 3: doesn't a radio show.

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Speaker 4: Doesn't say will and Woody anyway, that's a good argument,

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Speaker 4: and say Fortune six it's a good argument. Just a

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Speaker 4: random guy with a purple suit with his hands down

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Speaker 4: his pants.

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Speaker 1: It don't say Willam Woody anyway. So we can massage this.

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Speaker 3: We're gonna massage. It's just a prototype. I've backed off

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Speaker 3: a lot.

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Speaker 4: Out there.

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Speaker 3: Can I get Glowe bet on the phone? Will I

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Speaker 3: just cards on the table. I really need to help

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Speaker 3: with something, and you're not gonna You're not gonna like

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Speaker 3: doing this, but you've gotta hate it if I'm being honest.

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Speaker 1: But just know that it'll be helping the friend.

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Speaker 3: So before I get to that, yesterday on the show,

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Speaker 3: I was talking about an issue that I'm having with

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Speaker 3: my daughter, Remy yep Rem is currently obsessed with her

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Speaker 3: Elsa dress. So this thing is shabby, it's got holes,

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Speaker 3: it's got stains, like it doesn't matter how many times

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Speaker 3: I put this thing for the washing machine. There is

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Speaker 3: a pong, but she refuses to wear anything else except

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Speaker 3: this Elsea dress.

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Speaker 1: So it's also getting colder now, so it's freezing cold

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Speaker 1: in the morning. Yah, all she wants to wear is

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Speaker 1: there Elsa dress?

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Speaker 3: So you can't put a jacket over the top of

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Speaker 3: that n because Elsa doesn't wear a jacket.

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Speaker 4: She's the ice cream.

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Speaker 3: Cold doesn't bother her exactly. How bad do you think

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Speaker 3: it is or how damaging do you think it will

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Speaker 3: be if I secretly behind Remy's back throw out her

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Speaker 3: favorite dress, Like is this going to be the kind

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Speaker 3: of thing that she just forgets about it in a

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Speaker 3: day and then happy days? Or is this the kind

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Speaker 3: of thing that might leave her slightly traumatized?

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Speaker 4: You could get someone to pretend to be Elsa.

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Speaker 1: It's a good point from you. You could get someone

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Speaker 1: to pretend to be Elsa.

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Speaker 4: Yeah, someone that you know, there's lots of people actually

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Speaker 4: professionally I think are Elsa? Yeah, and that sounds expensive

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Speaker 4: on ice did a frozen thing recently, got a bit

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Speaker 4: of a contra deal on them.

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Speaker 6: You know, she comes on the show. We pumped up

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Speaker 6: the show with.

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Speaker 4: What we normally do.

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Speaker 3: Sounds like a when we're a national radio show.

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Speaker 4: Idea, I aspeak. We could probably ask Adina Menzeld to

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Speaker 4: come in here and be Elsa. I that'd be the cream.

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Speaker 1: We could do that.

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Speaker 4: All those things very available to us, we could we.

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Speaker 1: Could that just to me, that's just setting like a

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Speaker 1: lot of work.

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Speaker 6: Any blonde woman I do produce around least she could

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Speaker 6: be Elsa.

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Speaker 4: Yeah, el about it.

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Speaker 3: Actually had that idea, and now executive producers said, it's

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Speaker 3: just getting weird if you're asking to producer to dress up.

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Speaker 4: So it's a good flake.

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Speaker 1: So it was a good flag.

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Speaker 3: Usually flags too much.

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Speaker 1: But I said, I'll put that one down so.

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Speaker 4: I can't tell her produce.

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Speaker 3: That's his word. And as soon as he said that

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Speaker 3: back to me, I was like to hear it back,

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Speaker 3: I totally get it.

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Speaker 1: But here's what you can do. You can ask your

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Speaker 1: best mate to dress up as Elsa.

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Speaker 3: Why why am I doing?

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Speaker 4: You've got the hair for it.

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Speaker 1: She'll know it. I'm her father.

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Speaker 3: She'll know it's man.

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Speaker 4: Find year old man with a beard.

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Speaker 3: Yeah well maybe well maybe she just won't look at

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Speaker 3: the beard. I think.

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Speaker 1: Look under your desk.

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Speaker 3: Under your desk right now, there's address, there's a wik

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Speaker 3: This is what I'm gonna need.

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Speaker 1: I'm gonna need you to put that on.

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Speaker 4: Why.

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Speaker 1: I'm just I'm pulling the best friend card out mate.

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Speaker 1: I don't do it much. I'm pulling it out.

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Speaker 4: To be fair.

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Speaker 3: I pull this card out of fair bed.

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Speaker 4: But I'm pulling again already out I've been flapping it

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Speaker 4: in for six years.

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Speaker 3: Well I'm pulling that again. I just think that you

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Speaker 3: are my key to getting my daughter to What.

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Speaker 4: Do you want me to do?

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Speaker 3: Well, basically, I need you to train right now as Elsa.

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Speaker 3: But this is your rehearsal. My daughter is going to

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Speaker 3: come into the studio in an hour's time. I've arranged

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Speaker 3: that my wife. She's coming in and by that stage,

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Speaker 3: you're going to be ready to pretend to be Elsa.

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Speaker 3: But before we do that, we need to train. So

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Speaker 3: thirteen one oh six five is our number. There are

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Speaker 3: any kids listening right now that would like to talk

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Speaker 3: to Elsa?

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Speaker 4: Am I? Elsa?

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Speaker 1: Yep?

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Speaker 4: Yep? What else? It doesn't sound like this?

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Speaker 3: We'll work on that. My voice, you're gonna have to

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Speaker 3: work on that. You don't have to work on that.

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Speaker 1: Hey, you're trained.

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Speaker 6: You're seeing any lines here in terms of.

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Speaker 1: I hadn't thought about anyway thirteen one oh six five.

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Speaker 3: So I don't know.

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Speaker 4: Yeah, I think, well it's questionable.

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Speaker 1: I think it was more of a flag to make

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Speaker 1: one of our producers dress up.

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Speaker 4: Definitely look asking twenty four year old to do cosplay.

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Speaker 4: Definitely an issue. We're chosen the best of two evils.

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Speaker 4: I think, what's that if any transgender people?

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Speaker 3: Well no, I don't think. Well, well there's a question.

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Speaker 3: There's a question there.

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Speaker 1: Keep your voice, don't change your voice.

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Speaker 3: Okay, I think Elsa, now that you've you it has

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Speaker 3: changed your voice.

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Speaker 1: Thirteen one o six five.

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Speaker 4: Yeah, what is this like a litmus test to see

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Speaker 4: if I can be Elsa?

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Speaker 3: This is just your rehearsal. Yeah, okay, do you want

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Speaker 3: to talk to Elsa?

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Speaker 6: I'm Elsa.

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Speaker 1: I'll explain it.

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Speaker 3: So my daughter refuses to wear anything but an Elsa

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Speaker 3: dress right now, and it's just it's dirty, it's it's

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Speaker 3: getting cold outside, it's got holes, it's got ribs, and

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Speaker 3: there's a bit of a pong about it.

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Speaker 4: Now.

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Speaker 1: It was actually your idea yesterday.

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Speaker 3: You were like, hey, why don't you get someone to

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Speaker 3: dress up as Elsa and then say to her, hey,

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Speaker 3: it's Elsa. I need a spare change of clothes. Can

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Speaker 3: I have that dress? And it's a way of stopping

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Speaker 3: my daughter when we're in the Elsa dress.

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Speaker 1: I think it's genius. I think it's brilliant.

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Speaker 3: So right now, my daughter and my wife are going

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Speaker 3: to be coming into the studio in about an hour's

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Speaker 3: time where hopefully this whole this whole plan can play out.

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Speaker 3: But I think you need to do a little bit

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Speaker 3: of rehearsal with you with your Elsa. Let's get your

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Speaker 3: Elsa up to scratch. So we've got some kids that

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Speaker 3: have called on thirteen one oh sixty five that we're

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Speaker 3: king to have a chat to Elsa on the radio. So,

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Speaker 3: so I think from this point on, you were Elsa.

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Speaker 4: Yeah, I'm in the character.

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Speaker 3: Okay, okay, we've got THEA here, Hi, THEA.

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Speaker 7: Hello.

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Speaker 4: Hi.

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Speaker 1: Do you you're a big fan of Elsa?

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Speaker 5: Yeah?

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Speaker 3: Okay, Well I've actually got little Elsa, I mean big

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Speaker 3: Elsa or just Elsa right here?

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Speaker 1: Do you want to say hello to Elsa?

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Speaker 5: Yeah?

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Speaker 1: Go on Elsa?

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Speaker 5: He Hello, Hello, Hello? Where I was dress?

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Speaker 4: Why do I wear a blue dress?

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Speaker 9: Because oh my, it's cold cold blues?

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Speaker 4: Ye?

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Speaker 7: I put my white dress in with the colors. When

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Speaker 7: you think, yes, the thing or what do you want

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Speaker 7: for Christmas?

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Speaker 3: Isn't it? Let's go to Brooklyn here? Hey, hey, hey,

348
00:15:09,600 --> 00:15:16,320
Speaker 3: really good, really good, really good? Brooklyn? Is it a

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Speaker 3: special day? Today? Is today special? For you, Brooklyn.

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Speaker 5: It's my eleventh birthday.

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Speaker 3: Hey Brooklyn, would you like Elsa to sing Happy birthday

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Speaker 3: for you?

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Speaker 4: Yes?

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Speaker 1: Okay? Else Elsea, Yeah, come on sing sing Elsa.

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Speaker 7: Happy Birthday.

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Speaker 4: That's all else has got. You've got to pay her

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Speaker 4: for more than that.

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Speaker 9: The ice castle takes the ice castle knees up, keep

359
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Speaker 9: big overheads running, the fridges on full at the moment,

360
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Speaker 9: global warming Eve here.

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Speaker 3: Elsa will be here all night. Try the veal, Hi, Eve, Hello, Hi,

362
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Speaker 3: you've got a request.

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Speaker 1: You've got a request for Elsa?

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Speaker 5: Oh yeah, do you reckon?

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Speaker 3: You could see let it go?

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Speaker 1: I think she could.

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Speaker 8: I think she normally she does charge your fee for

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00:16:23,080 --> 00:16:26,520
Speaker 8: let it go? Come on, I need normally full accompaniment

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Speaker 8: and one Elsa? Is there a backing track?

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Speaker 1: Here we go?

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Speaker 4: Else, I genuinely don't get that high.

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Speaker 1: Sorry, give it go, Else, give it a go?

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Speaker 4: Shut up? Who's laughing in the background? There? Let let

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00:16:47,520 --> 00:16:53,240
Speaker 4: it go? Let it go? You have to pay for

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Speaker 4: anything more than that. That's all you get?

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Speaker 8: What you.

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Speaker 3: That was amazing?

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00:17:00,080 --> 00:17:06,080
Speaker 4: All the best man to one and All says that

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Speaker 4: sometimes we do a little thing called a hook or

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00:17:19,520 --> 00:17:22,840
Speaker 4: a tease, where we say something before a song in

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Speaker 4: order to keep you listening.

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00:17:24,280 --> 00:17:26,760
Speaker 3: During the song, drive Tirut and drive.

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Speaker 4: Time spent listening and they put our numbers up. And

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Speaker 4: so what I said before the song was them a

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Speaker 4: little hook or a little teas whereby I said, Gordon

386
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Speaker 4: Ramsey's so bad at his job that he puts some

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Speaker 4: in the hospital and he's related to that person. And

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Speaker 4: I'm just gonna be honest with you, guys, that's a lie.

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00:17:39,560 --> 00:17:41,400
Speaker 4: It's a straight up lie. But now you're here, We've

390
00:17:41,400 --> 00:17:43,280
Speaker 4: got you here. But you know you start. I mean,

391
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Speaker 4: not that you didn't want to stick around through that

392
00:17:44,640 --> 00:17:47,960
Speaker 4: last absolute bell through of a tune, but doci. But

393
00:17:49,119 --> 00:17:51,000
Speaker 4: let's just get down what this story is actually about.

394
00:17:51,000 --> 00:17:54,280
Speaker 4: So it's arguably the most nothing story I've seen in

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Speaker 4: the last two to three years. I reckon. They've they've

396
00:17:56,680 --> 00:18:00,000
Speaker 4: basically sandwiched together. They just want to put Gordon round

397
00:18:00,080 --> 00:18:02,400
Speaker 4: dinner story. There's the Grand Prix, his daughter I didn't

398
00:18:02,440 --> 00:18:05,919
Speaker 4: know this is an influencer, okay, And they've also managed

399
00:18:05,960 --> 00:18:08,760
Speaker 4: to crowbar in there the fact that David Beckham had

400
00:18:08,760 --> 00:18:12,199
Speaker 4: a fiftieth birthday. So it's actually a modern Actually, this,

401
00:18:12,280 --> 00:18:14,600
Speaker 4: I imagine is what happens at the Daily Mail. They're like, right, guys,

402
00:18:15,359 --> 00:18:17,440
Speaker 4: we've got David Beckhams fiftieth, we've got the Grand Prix,

403
00:18:17,480 --> 00:18:20,640
Speaker 4: we've got Gordon Ramsey, let's get it. And Gordon Ramsey's daughter.

404
00:18:20,680 --> 00:18:23,120
Speaker 4: By the way, no one really cares about god food poisoning.

405
00:18:23,560 --> 00:18:25,960
Speaker 4: Let's just throw some let's just throw some ideas around.

406
00:18:25,960 --> 00:18:27,080
Speaker 4: How do we make a story out of that?

407
00:18:27,160 --> 00:18:31,639
Speaker 3: Yeah? Totally, So what is the story? How'd they do it?

408
00:18:31,640 --> 00:18:35,000
Speaker 4: I'm still trying to do so. Gordon Ramsey arrives at

409
00:18:35,000 --> 00:18:39,800
Speaker 4: the Miami Grand Prix yep, after he's been partying in

410
00:18:39,840 --> 00:18:45,040
Speaker 4: London for David Beckhams fiftieth. Okay, so there's part one

411
00:18:45,080 --> 00:18:49,560
Speaker 4: all the time, anyone, Yeah, yeah, seriously that's going on.

412
00:18:49,840 --> 00:18:50,040
Speaker 6: Yep.

413
00:18:50,520 --> 00:18:52,720
Speaker 4: He rocks up with his wife. They have a great

414
00:18:52,760 --> 00:18:55,880
Speaker 4: time at the Grand Prix, at the Grand Prix after

415
00:18:55,960 --> 00:19:02,000
Speaker 4: David Beckhams fiftieth. It now, I don't think see this

416
00:19:02,080 --> 00:19:08,479
Speaker 4: week gets hard. So so meanwhile, right, Gordon and Tana,

417
00:19:08,720 --> 00:19:13,399
Speaker 4: that's Gordon Ramsey's wife. Their daughter Holly couldn't go to

418
00:19:13,440 --> 00:19:18,639
Speaker 4: the Grand Prix because she got food poisoning, right, not

419
00:19:18,760 --> 00:19:22,000
Speaker 4: from be Beckham's fiftieth, but from a restaurant that she

420
00:19:22,080 --> 00:19:24,920
Speaker 4: went out to and she posted a photo of herself

421
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Speaker 4: with like, you know, water and vitamins, saying, can't go

422
00:19:29,040 --> 00:19:29,640
Speaker 4: to the Grand Prix.

423
00:19:29,680 --> 00:19:31,159
Speaker 1: Oh god, that is a nothing story.

424
00:19:31,400 --> 00:19:36,720
Speaker 4: So that's the whole thing. That is the whole thing. Yeah, right,

425
00:19:36,840 --> 00:19:39,320
Speaker 4: quite remarkable, I argue with the most nothing story of

426
00:19:39,359 --> 00:19:41,040
Speaker 4: the year. But wait for it. I've got a really

427
00:19:41,080 --> 00:19:42,399
Speaker 4: long bow that I want to draw here because I

428
00:19:42,400 --> 00:19:45,159
Speaker 4: think we might well, this is actually analysis I do,

429
00:19:45,240 --> 00:19:46,480
Speaker 4: and I think it's a cracker. I saw it and

430
00:19:46,520 --> 00:19:48,000
Speaker 4: I was like, analyst's got nothing to do with the story,

431
00:19:48,000 --> 00:19:51,919
Speaker 4: but I like the phone topic. So she's gone, you

432
00:19:52,040 --> 00:19:55,280
Speaker 4: got food poisoning, but your dad's a chef. This analysis

433
00:19:55,400 --> 00:19:59,920
Speaker 4: is right, you got food poisoning, your dad's a Chef's

434
00:20:00,000 --> 00:20:01,280
Speaker 4: your dad must be bad at his job.

435
00:20:02,280 --> 00:20:04,440
Speaker 3: That that is a stretch.

436
00:20:05,280 --> 00:20:05,680
Speaker 4: It's there.

437
00:20:05,720 --> 00:20:07,720
Speaker 3: But didn't you get food poison from another restaurant?

438
00:20:07,960 --> 00:20:08,480
Speaker 4: Absolutely?

439
00:20:08,680 --> 00:20:08,920
Speaker 5: Yeah?

440
00:20:08,960 --> 00:20:13,000
Speaker 1: But does he own the restaurant, own the restaurant?

441
00:20:13,040 --> 00:20:14,000
Speaker 4: Nothing to do with the restaurant?

442
00:20:14,200 --> 00:20:16,639
Speaker 1: Was he the coach for one of the chefs?

443
00:20:16,640 --> 00:20:21,840
Speaker 4: I think yeah, he wants there you go. So look,

444
00:20:22,119 --> 00:20:24,560
Speaker 4: let's let's now that we're done with this story. Let's

445
00:20:24,560 --> 00:20:26,600
Speaker 4: move on because I do think that this is a

446
00:20:26,680 --> 00:20:29,800
Speaker 4: very funny concept for people to call up to us

447
00:20:29,880 --> 00:20:32,040
Speaker 4: right now on thirty one and six five and actively

448
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Speaker 4: admit that they are really bad at what they do.

449
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Speaker 1: Can it be past jobs?

450
00:20:36,440 --> 00:20:38,760
Speaker 4: Could be a past job? Could? I mean? Like? I mean,

451
00:20:39,000 --> 00:20:41,840
Speaker 4: I mean I would prefer the current job. Okay, so

452
00:20:42,080 --> 00:20:45,119
Speaker 4: if you've got some if you are someone who just

453
00:20:45,200 --> 00:20:46,639
Speaker 4: really feels like you're about at the job, I mean

454
00:20:46,680 --> 00:20:48,080
Speaker 4: better doesn't know. I feel like I could probably call

455
00:20:48,119 --> 00:20:50,840
Speaker 4: in thirty little election burned there.

456
00:20:51,280 --> 00:20:53,879
Speaker 3: Yeah, give us pet he wouldn't be doing what be

457
00:20:53,960 --> 00:20:57,840
Speaker 3: doing now, he's downtime. Give us corpeate, Yeah, no doubt.

458
00:20:58,560 --> 00:21:00,960
Speaker 3: Yeah for mine, it's a previous job. I mean, it's

459
00:21:00,960 --> 00:21:03,320
Speaker 3: debatable if I'm good at this job. I'm not really

460
00:21:03,359 --> 00:21:07,440
Speaker 3: sure it can be. It definitely can be, but previous job.

461
00:21:07,480 --> 00:21:09,720
Speaker 3: I think every other job I've had I've been very

462
00:21:09,800 --> 00:21:11,520
Speaker 3: very poor at. And this is back on the election.

463
00:21:11,560 --> 00:21:12,960
Speaker 3: Actually look at us going for the election.

464
00:21:13,040 --> 00:21:15,600
Speaker 4: Oh yeah, because you yeah, you worked for the AEC.

465
00:21:16,000 --> 00:21:16,960
Speaker 1: I was at a poling both.

466
00:21:17,200 --> 00:21:20,000
Speaker 3: It was my job to have the electoral role and

467
00:21:20,680 --> 00:21:22,080
Speaker 3: put lines through people's names.

468
00:21:22,119 --> 00:21:23,919
Speaker 1: Yeah, anyway, I didn't know that. I thought I just

469
00:21:23,920 --> 00:21:25,520
Speaker 1: had to find their names on the electoral role.

470
00:21:26,040 --> 00:21:27,359
Speaker 4: A lot of people got fines that day.

471
00:21:27,440 --> 00:21:29,520
Speaker 3: Yeah, yeah, yeah, like would have been over one hundred.

472
00:21:30,040 --> 00:21:31,159
Speaker 1: We went over one hundred.

473
00:21:30,920 --> 00:21:31,840
Speaker 3: People because of me.

474
00:21:34,520 --> 00:21:37,600
Speaker 4: All right, So yeah, so thirteen one six five. Do

475
00:21:37,680 --> 00:21:39,120
Speaker 4: you suck at your current job?

476
00:21:39,240 --> 00:21:40,200
Speaker 1: I had a hotel job.

477
00:21:41,280 --> 00:21:44,320
Speaker 3: I was a bell attendant, which meant I thought I

478
00:21:44,359 --> 00:21:46,320
Speaker 3: was just the guy that hit the bell. Yeah, it

479
00:21:46,359 --> 00:21:48,600
Speaker 3: turns out you've got to take the bags to the

480
00:21:48,640 --> 00:21:51,159
Speaker 3: people's rooms. A lot of bags got left in the

481
00:21:51,160 --> 00:21:53,040
Speaker 3: lobby that day, will before I got fired.

482
00:21:53,359 --> 00:21:56,000
Speaker 4: Do you suck at your job? And the phone line

483
00:21:56,000 --> 00:21:57,680
Speaker 4: has been blocked by all the producers trying to call

484
00:21:57,720 --> 00:21:58,360
Speaker 4: in at the same time.

485
00:21:58,920 --> 00:21:59,200
Speaker 3: Guys.

486
00:21:59,240 --> 00:22:13,440
Speaker 4: Oh sweet, fine, so cheap, so pathetic. Really, yes, call yourself.

487
00:22:13,480 --> 00:22:17,680
Speaker 4: There we go, Sarah. Sarah, you suck at your current job,

488
00:22:17,720 --> 00:22:19,720
Speaker 4: and I, first of all, appreciate your honesty.

489
00:22:20,040 --> 00:22:21,960
Speaker 3: I'd like to really suck.

490
00:22:22,160 --> 00:22:24,520
Speaker 4: I've been at my work for like ten years and

491
00:22:24,560 --> 00:22:26,479
Speaker 4: I've never got an employee.

492
00:22:25,920 --> 00:22:28,640
Speaker 3: Of the quarter and I've been moved to like four

493
00:22:28,720 --> 00:22:32,160
Speaker 3: or five different section. What do you do? Sorry, Sarah?

494
00:22:32,200 --> 00:22:32,520
Speaker 3: What's what?

495
00:22:33,320 --> 00:22:35,120
Speaker 5: I can't disclose that, but.

496
00:22:35,119 --> 00:22:37,000
Speaker 3: What's your role? Like, what are you actually doing from

497
00:22:37,119 --> 00:22:37,760
Speaker 3: nine to five?

498
00:22:37,880 --> 00:22:44,760
Speaker 4: Sarah? Are your waiter? Are you your chef, your bartender? Everything?

499
00:22:45,240 --> 00:22:47,880
Speaker 4: And why do you suck? Like just because you don't care?

500
00:22:48,160 --> 00:22:48,840
Speaker 4: Or you know?

501
00:22:49,359 --> 00:22:52,199
Speaker 3: I care and I'm so lovely and friendly, but no

502
00:22:52,280 --> 00:22:53,400
Speaker 3: one else seems to care.

503
00:22:53,520 --> 00:22:54,600
Speaker 4: Like all the bosses, I.

504
00:22:54,520 --> 00:22:55,359
Speaker 2: Don't think like me.

505
00:22:56,160 --> 00:22:58,800
Speaker 1: Why don't you think you're getting employee of the quarter?

506
00:23:00,400 --> 00:23:01,960
Speaker 3: Maybe they hate doesn't like me.

507
00:23:02,119 --> 00:23:03,720
Speaker 4: I don't know who knows.

508
00:23:03,920 --> 00:23:07,399
Speaker 3: I hate what it would be popular school competition.

509
00:23:07,400 --> 00:23:08,040
Speaker 1: You know what I mean?

510
00:23:08,400 --> 00:23:08,640
Speaker 4: Sure?

511
00:23:08,920 --> 00:23:11,919
Speaker 7: Sure, sure, So you're good to be the popular child

512
00:23:12,359 --> 00:23:13,280
Speaker 7: and I'm not popular.

513
00:23:13,440 --> 00:23:15,639
Speaker 4: You're good waiter, Sarah. You're a good waiter. Like if

514
00:23:15,640 --> 00:23:18,120
Speaker 4: you're come in taking my order? Would you? Yeah?

515
00:23:18,280 --> 00:23:22,080
Speaker 5: Like if you come in, come on?

516
00:23:22,160 --> 00:23:24,560
Speaker 10: I like, no, I can't dispose too much.

517
00:23:25,119 --> 00:23:26,520
Speaker 4: I just do you just pretend to in front of

518
00:23:26,520 --> 00:23:28,280
Speaker 4: the house. I've walked into the restaurant. Well, how are

519
00:23:28,280 --> 00:23:29,840
Speaker 4: you greeting me? Go for it?

520
00:23:30,160 --> 00:23:30,840
Speaker 3: Good morning?

521
00:23:31,160 --> 00:23:32,679
Speaker 5: How are you?

522
00:23:32,760 --> 00:23:34,320
Speaker 3: What are the specials today? Sarah?

523
00:23:35,280 --> 00:23:39,560
Speaker 5: Well, it depends on what the specials are.

524
00:23:39,640 --> 00:23:42,959
Speaker 4: I'm going to be honest. What are the specials depends

525
00:23:42,960 --> 00:23:49,440
Speaker 4: on what they are? Obviously, mate, That's why I'm asking you. Wow, hey,

526
00:23:49,480 --> 00:23:50,879
Speaker 4: look any want to go here. But I went and

527
00:23:50,920 --> 00:23:55,080
Speaker 4: saw christy Burg the other night from my for a

528
00:23:55,280 --> 00:23:59,960
Speaker 4: birthday treat for my mom Illi Mother's Day. President was Yeah,

529
00:24:00,800 --> 00:24:04,080
Speaker 4: he's lost it. Yeah, he's lost at christ Burgh. The

530
00:24:04,160 --> 00:24:04,920
Speaker 4: lady had read.

531
00:24:06,359 --> 00:24:09,560
Speaker 3: He's obviously in an area or yeah, in that age

532
00:24:09,560 --> 00:24:11,320
Speaker 3: bracket and at the level of fame where no one's

533
00:24:11,359 --> 00:24:12,280
Speaker 3: telling him like.

534
00:24:12,200 --> 00:24:14,320
Speaker 4: So he's still doing the two hours he's gone over

535
00:24:14,359 --> 00:24:17,439
Speaker 4: the hill I've never seen. We're at Hamer Hall, by

536
00:24:17,440 --> 00:24:22,480
Speaker 4: the way, the most respected sounding room in Victoria, if

537
00:24:22,480 --> 00:24:23,080
Speaker 4: not Australia.

538
00:24:23,560 --> 00:24:24,439
Speaker 3: Did he do that because he.

539
00:24:25,960 --> 00:24:28,359
Speaker 4: Didn't get that he didn't. But by the way, the

540
00:24:28,400 --> 00:24:31,119
Speaker 4: best part about this is the backing right, like his voice,

541
00:24:31,400 --> 00:24:36,800
Speaker 4: his voice right. He got up there just with a guitar,

542
00:24:37,800 --> 00:24:40,320
Speaker 4: and he was wearing a suit jacket and it was

543
00:24:40,359 --> 00:24:43,040
Speaker 4: too big for him and he's so the sleeve of

544
00:24:43,080 --> 00:24:45,399
Speaker 4: his suit jacket was hitting the strings of his guitar

545
00:24:46,240 --> 00:24:48,920
Speaker 4: on an electric so you could hear he duffed the cords.

546
00:24:49,359 --> 00:24:49,919
Speaker 3: Chris.

547
00:24:50,080 --> 00:24:51,560
Speaker 4: He got out there and some of the song about

548
00:24:51,760 --> 00:24:56,200
Speaker 4: that he'd just written about Blackbeard the Pirate people left

549
00:24:56,240 --> 00:24:59,840
Speaker 4: him droves. Yeah, my mum, mum, Mum wrote a formal

550
00:25:00,080 --> 00:25:04,440
Speaker 4: plate a classic, right between the eyes, classic, Mamma. We're

551
00:25:04,440 --> 00:25:08,560
Speaker 4: talking about people that he's also apparently notoriously thin skinned,

552
00:25:08,680 --> 00:25:09,240
Speaker 4: Christal Birk.

553
00:25:09,359 --> 00:25:10,919
Speaker 3: So hopefully he's not listening.

554
00:25:11,720 --> 00:25:13,840
Speaker 4: He's touring in Australia right now. Crystal, how are you

555
00:25:13,920 --> 00:25:18,119
Speaker 4: welcome to the show. Hello, Hey, Crystal, talk to me,

556
00:25:18,320 --> 00:25:20,239
Speaker 4: Talk to me. We're talking about people that suck at

557
00:25:20,240 --> 00:25:22,560
Speaker 4: their job. Appreciate the honesty. You were once awful at

558
00:25:22,560 --> 00:25:23,160
Speaker 4: your job.

559
00:25:23,600 --> 00:25:24,320
Speaker 10: Yes, I was.

560
00:25:24,480 --> 00:25:26,800
Speaker 4: I worked in a bar service hospitality job when I

561
00:25:26,880 --> 00:25:29,359
Speaker 4: was in high school and I just could not differentiate

562
00:25:29,400 --> 00:25:31,600
Speaker 4: between the barbeue sauce and the chocolate sauce.

563
00:25:31,640 --> 00:25:34,240
Speaker 10: So as constant saving Barbie sauce milkshakes.

564
00:25:36,920 --> 00:25:39,239
Speaker 4: I've got a very talented man and Miles Smith who

565
00:25:39,359 --> 00:25:45,399
Speaker 4: joins us in this city. Welcome Miles. Great to have

566
00:25:45,480 --> 00:25:48,440
Speaker 4: you here. You got into it in the song, didn't

567
00:25:48,480 --> 00:25:52,160
Speaker 4: It got into it, very into it. You're talking about

568
00:25:52,200 --> 00:25:53,640
Speaker 4: how attractive everyone is in Australia.

569
00:25:53,680 --> 00:25:54,680
Speaker 1: It's unbelievable.

570
00:25:54,760 --> 00:25:58,320
Speaker 10: Yeah, the average level of human here is wild.

571
00:25:58,960 --> 00:25:59,880
Speaker 1: See single Mile.

572
00:26:00,600 --> 00:26:03,320
Speaker 10: I never I always say this in answers. If I

573
00:26:03,359 --> 00:26:05,200
Speaker 10: have a girlfriend, I love you dearly, and if I don't,

574
00:26:05,200 --> 00:26:06,199
Speaker 10: I can't wait to find you.

575
00:26:06,720 --> 00:26:07,240
Speaker 1: That's how I.

576
00:26:07,160 --> 00:26:07,880
Speaker 3: Answer that question.

577
00:26:11,680 --> 00:26:12,480
Speaker 1: So, how have you fold?

578
00:26:15,800 --> 00:26:21,760
Speaker 4: I'm trying to do you think he's single? Or taken

579
00:26:21,800 --> 00:26:22,919
Speaker 4: off that answer single?

580
00:26:24,160 --> 00:26:24,639
Speaker 10: No comment?

581
00:26:24,720 --> 00:26:25,480
Speaker 4: Yeah, fair enough?

582
00:26:25,640 --> 00:26:27,919
Speaker 3: It was it was It felt like a lure.

583
00:26:28,400 --> 00:26:29,080
Speaker 4: Do you know what it is?

584
00:26:29,119 --> 00:26:30,600
Speaker 10: I've got a lot of friends in the industry, and

585
00:26:30,640 --> 00:26:32,080
Speaker 10: the one thing they say is keep part of your

586
00:26:32,080 --> 00:26:34,959
Speaker 10: personal life as private as possible. So for me, if

587
00:26:34,960 --> 00:26:37,080
Speaker 10: I do have a girlfriend, I love you very dearly,

588
00:26:37,119 --> 00:26:38,720
Speaker 10: and if you don't, I can't wait to meet you.

589
00:26:39,400 --> 00:26:41,399
Speaker 10: For me, it's just separating that clever.

590
00:26:42,160 --> 00:26:46,200
Speaker 4: What other what other parts are leaving private? Oh?

591
00:26:46,400 --> 00:26:49,680
Speaker 10: My, my belly fat at the moment. But I am

592
00:26:49,720 --> 00:26:52,040
Speaker 10: on a on a training regime, so that won't be

593
00:26:52,040 --> 00:26:53,240
Speaker 10: private for too much longer.

594
00:26:54,240 --> 00:26:54,960
Speaker 3: So what who?

595
00:26:55,000 --> 00:26:57,800
Speaker 1: Who has enforced the trainer regime or are you enforcing

596
00:26:57,800 --> 00:26:58,200
Speaker 1: the training?

597
00:26:59,160 --> 00:27:01,600
Speaker 10: I spent the whole last year after stargaz and I

598
00:27:01,600 --> 00:27:04,240
Speaker 10: had enough. I had enough money to buy fast food constantly,

599
00:27:04,800 --> 00:27:08,840
Speaker 10: and I went, I went, So it was like Ubers

600
00:27:09,080 --> 00:27:09,600
Speaker 10: every day.

601
00:27:09,720 --> 00:27:10,920
Speaker 1: What's your hed of choice there?

602
00:27:11,240 --> 00:27:18,000
Speaker 3: Nando's is so good. Banger, yeah, banger. Someone have to

603
00:27:18,040 --> 00:27:19,880
Speaker 3: like take you on the shoulder and go like, hey,

604
00:27:19,920 --> 00:27:21,440
Speaker 3: you're like quite a famous moment.

605
00:27:28,920 --> 00:27:35,080
Speaker 10: I went, I went over Christian and she's like, I

606
00:27:35,119 --> 00:27:35,959
Speaker 10: went over Christmas.

607
00:27:36,000 --> 00:27:42,040
Speaker 3: She was like healthy, Yeah moment.

608
00:27:41,880 --> 00:27:44,960
Speaker 4: Yeah order, I think this is we're talking about.

609
00:27:45,040 --> 00:27:47,000
Speaker 10: So it's a bit different than menus at home. So

610
00:27:47,040 --> 00:27:49,800
Speaker 10: we've got a great imitator burger. You got something similar

611
00:27:49,800 --> 00:27:53,200
Speaker 10: because I don't eat meat anymore, all right, And it's

612
00:27:53,240 --> 00:27:56,399
Speaker 10: like the most schoeous pea protein thing in a wrap

613
00:27:56,560 --> 00:27:59,640
Speaker 10: with Perry tam sauce, Perry chips, broccoli.

614
00:28:00,000 --> 00:28:00,240
Speaker 4: Anger.

615
00:28:00,920 --> 00:28:01,360
Speaker 10: Can't beat.

616
00:28:01,680 --> 00:28:03,680
Speaker 1: What's your order? That's a pretty healthy order.

617
00:28:03,720 --> 00:28:05,840
Speaker 4: Actually, you've got a pretty hell you got a pretty

618
00:28:05,840 --> 00:28:06,560
Speaker 4: healthy order as well.

619
00:28:06,640 --> 00:28:09,040
Speaker 1: I just go, I'll get like twelve tenders.

620
00:28:11,359 --> 00:28:12,080
Speaker 4: Don't shame me.

621
00:28:12,160 --> 00:28:12,800
Speaker 3: Don't shame me.

622
00:28:14,480 --> 00:28:19,159
Speaker 4: Man, I thought this was the same space or you

623
00:28:19,160 --> 00:28:23,600
Speaker 4: just getting Harry in my private life?

624
00:28:24,640 --> 00:28:25,600
Speaker 3: Thank you very much.

625
00:28:31,040 --> 00:28:35,080
Speaker 1: Oh cool, I read somewhere. It's just speaking of your mum.

626
00:28:35,240 --> 00:28:37,960
Speaker 3: Is she also pretty brutal with feedback to your music

627
00:28:38,000 --> 00:28:38,480
Speaker 3: as well?

628
00:28:38,600 --> 00:28:38,840
Speaker 4: Yeah?

629
00:28:38,880 --> 00:28:39,760
Speaker 1: So what are we talking?

630
00:28:40,160 --> 00:28:43,480
Speaker 10: I mean, it's really awesome because the more sort of

631
00:28:43,480 --> 00:28:46,360
Speaker 10: successful you get in music, the less people tell your

632
00:28:46,400 --> 00:28:49,440
Speaker 10: music's bad, even if they think they do. And so

633
00:28:49,480 --> 00:28:51,840
Speaker 10: my mum's just been on equivocally honest from the start.

634
00:28:51,920 --> 00:28:52,680
Speaker 3: So she doesn't like.

635
00:28:52,640 --> 00:28:56,840
Speaker 10: Something, it's not one of your best well, you know what,

636
00:28:56,880 --> 00:28:58,880
Speaker 10: it's like our language of love, and I wouldn't have

637
00:28:58,880 --> 00:29:01,800
Speaker 10: it any other way. And you standing, Yeah, it's really

638
00:29:01,840 --> 00:29:04,440
Speaker 10: refreshing and really good to have. And yeah, and if

639
00:29:04,440 --> 00:29:06,560
Speaker 10: she loves something, she'll she'll tell me this is amazing.

640
00:29:06,640 --> 00:29:08,680
Speaker 10: I love it, so cool, really good.

641
00:29:08,880 --> 00:29:11,800
Speaker 1: It's usually accurate or are there are times where it's

642
00:29:11,840 --> 00:29:14,120
Speaker 1: just like year off banger, it's weird.

643
00:29:14,200 --> 00:29:16,400
Speaker 10: She's got more technical as we've gone on, but it's

644
00:29:16,440 --> 00:29:20,240
Speaker 10: absolutely rubbish. She's like, oh, the tambourine sounds of what

645
00:29:20,560 --> 00:29:22,360
Speaker 10: you're talking about. A kick drum love.

646
00:29:26,000 --> 00:29:26,960
Speaker 3: Put down the one.

647
00:29:29,960 --> 00:29:31,120
Speaker 1: Maybe should add the harmony.

648
00:29:31,160 --> 00:29:35,800
Speaker 10: There's seven parts in there. So yeah, but you know what,

649
00:29:35,880 --> 00:29:37,560
Speaker 10: I take it with a picture of Sultan love. But

650
00:29:37,600 --> 00:29:40,000
Speaker 10: if she greves, she grews, she don't. She definitely dote.

651
00:29:40,240 --> 00:29:41,720
Speaker 4: It sounds like you need to take everything with the pinch.

652
00:29:41,720 --> 00:29:44,080
Speaker 4: It's alt right now, because there really has been a

653
00:29:44,160 --> 00:29:48,480
Speaker 4: pretty astronomical rise to stardom, and you know, playing shows

654
00:29:48,480 --> 00:29:50,960
Speaker 4: all over the world really quickly. I saw some some

655
00:29:51,040 --> 00:29:53,200
Speaker 4: footage of you when Nice to Meet You was getting

656
00:29:53,200 --> 00:29:55,600
Speaker 4: played in the radio. A lot, and it's you chatting

657
00:29:55,600 --> 00:29:57,040
Speaker 4: with the taxi driver about it.

658
00:29:57,440 --> 00:30:02,720
Speaker 3: Yeah, nothing new like Dieuzy. Do you like this song?

659
00:30:02,920 --> 00:30:03,000
Speaker 5: No?

660
00:30:03,680 --> 00:30:06,640
Speaker 3: I did like and I thought they played eight billion times,

661
00:30:08,440 --> 00:30:11,240
Speaker 3: you know, So.

662
00:30:13,280 --> 00:30:20,200
Speaker 4: I'm gonna be honest. We played it a lot. Tambourini's

663
00:30:20,240 --> 00:30:24,160
Speaker 4: attitude about that. I'm telling you right now, I want

664
00:30:24,200 --> 00:30:26,040
Speaker 4: to talk. So you're about to go. You're doing this

665
00:30:26,080 --> 00:30:30,239
Speaker 4: tour in Australia right outcome more shows, then you're going

666
00:30:30,520 --> 00:30:32,680
Speaker 4: going on tour with it year and is that right?

667
00:30:32,760 --> 00:30:32,960
Speaker 3: Yeah?

668
00:30:32,960 --> 00:30:35,680
Speaker 4: I will be, I will be. It's mad. So I

669
00:30:35,760 --> 00:30:38,400
Speaker 4: heard that there's another song just sort of come out

670
00:30:38,400 --> 00:30:41,040
Speaker 4: called My First Heartbreak, right, which is which is about

671
00:30:41,080 --> 00:30:43,240
Speaker 4: your dad leaving you? Is that right? Yeah?

672
00:30:43,320 --> 00:30:45,880
Speaker 10: Yeah, it's a It's a really deep and personal song

673
00:30:45,880 --> 00:30:47,680
Speaker 10: and it took me a while to write and it

674
00:30:47,760 --> 00:30:49,720
Speaker 10: was just a part of my life from sort of

675
00:30:49,720 --> 00:30:51,520
Speaker 10: like childhood to being an adult where I sort of

676
00:30:51,520 --> 00:30:54,920
Speaker 10: wrote a story of just how my relationship with that

677
00:30:55,200 --> 00:30:57,880
Speaker 10: situation sort of grew and going from sort of like

678
00:30:58,000 --> 00:31:00,720
Speaker 10: being really confused to being really angry to sort of

679
00:31:00,760 --> 00:31:02,680
Speaker 10: being at a point of like, hey, when I get

680
00:31:02,680 --> 00:31:04,200
Speaker 10: to that point of being a father, I hope I

681
00:31:04,200 --> 00:31:06,360
Speaker 10: think do things differently and it sort of came out

682
00:31:06,400 --> 00:31:08,720
Speaker 10: like that and really natural, but took two years to

683
00:31:08,720 --> 00:31:10,760
Speaker 10: put out into the world because I wasn't comfortable because

684
00:31:10,800 --> 00:31:14,760
Speaker 10: some parts of my life I keep private. That part

685
00:31:14,800 --> 00:31:15,600
Speaker 10: I was ready to let go.

686
00:31:15,680 --> 00:31:17,800
Speaker 4: And did it Did it have something to do with that?

687
00:31:17,880 --> 00:31:21,560
Speaker 4: Is I read that it influenced the ur realising that song.

688
00:31:21,760 --> 00:31:24,640
Speaker 10: Yeah, I played it for Ford at his house and

689
00:31:24,720 --> 00:31:27,240
Speaker 10: you know, I played you and yeah, yeah, well.

690
00:31:27,560 --> 00:31:28,920
Speaker 4: In the pub. He's got a pub in his house,

691
00:31:28,920 --> 00:31:30,080
Speaker 4: doesn't he saw that?

692
00:31:30,360 --> 00:31:31,640
Speaker 1: Is he have a tunnel to his pub?

693
00:31:31,800 --> 00:31:33,760
Speaker 10: Is that I don't know his public knowledge, But I'm

694
00:31:33,800 --> 00:31:34,520
Speaker 10: not saying no.

695
00:31:38,120 --> 00:31:41,000
Speaker 4: It's awesome. It's awesome.

696
00:31:41,200 --> 00:31:49,600
Speaker 3: It's real you're in his private pub. Allegedly.

697
00:31:52,080 --> 00:31:54,040
Speaker 10: I played in many records that day, and that one

698
00:31:54,160 --> 00:31:55,800
Speaker 10: particularly got a bit teary, and I was like, hey,

699
00:31:55,880 --> 00:31:58,840
Speaker 10: like this is a super important song, and you know,

700
00:31:58,920 --> 00:32:01,320
Speaker 10: it's like not every song you have to think about, ah,

701
00:32:01,360 --> 00:32:02,920
Speaker 10: this has to be on radio or this has to

702
00:32:02,920 --> 00:32:04,959
Speaker 10: do this is like sometimes songs just have a purpose

703
00:32:05,000 --> 00:32:07,000
Speaker 10: in the world, and you know, they meet people where

704
00:32:07,000 --> 00:32:07,440
Speaker 10: they need it.

705
00:32:07,480 --> 00:32:08,880
Speaker 1: And you know, for me, that was.

706
00:32:09,200 --> 00:32:11,120
Speaker 10: Something there was a perspective that I never thought about

707
00:32:11,120 --> 00:32:13,040
Speaker 10: about how other people would respond to it. It was

708
00:32:13,080 --> 00:32:15,920
Speaker 10: always an in dialogue and so yeah, not too long

709
00:32:15,960 --> 00:32:17,320
Speaker 10: after I put it out, that's.

710
00:32:17,160 --> 00:32:20,080
Speaker 3: So nice they give you any other advice, Like, he's

711
00:32:20,080 --> 00:32:23,040
Speaker 3: obviously a great person to lend the year of giving

712
00:32:23,040 --> 00:32:23,760
Speaker 3: that the's Banes.

713
00:32:23,520 --> 00:32:25,400
Speaker 1: Were at all before he's super super famous.

714
00:32:25,560 --> 00:32:27,480
Speaker 3: Did he give you other advice going into this world

715
00:32:27,480 --> 00:32:28,640
Speaker 3: and becoming super popular.

716
00:32:28,760 --> 00:32:31,600
Speaker 10: Yeah, He's all about just staying true to who you are.

717
00:32:31,680 --> 00:32:33,880
Speaker 10: And I know it sounds so cliche, but I could

718
00:32:33,880 --> 00:32:36,200
Speaker 10: see how it gets difficult. But also at the same time,

719
00:32:36,240 --> 00:32:38,200
Speaker 10: I think when you're you're raised in a certain way,

720
00:32:38,200 --> 00:32:40,840
Speaker 10: and when your values are those that you've been given

721
00:32:40,880 --> 00:32:43,120
Speaker 10: to by amazing people around you, just the more you

722
00:32:43,120 --> 00:32:45,040
Speaker 10: stick to them sort of, the better life is.

723
00:32:45,080 --> 00:32:45,800
Speaker 4: And for me, I.

724
00:32:45,720 --> 00:32:48,360
Speaker 10: Always try to stay grounded, always try to stay within

725
00:32:48,400 --> 00:32:50,680
Speaker 10: my remit and just enjoy music for the reason I

726
00:32:50,720 --> 00:32:52,320
Speaker 10: got into it, and that's just because I love it.

727
00:32:52,760 --> 00:32:56,080
Speaker 4: Yeah, right, And a good reminder with dad song for example,

728
00:32:56,160 --> 00:32:58,840
Speaker 4: that you know, even someone like you who is very grounded,

729
00:32:59,280 --> 00:33:02,960
Speaker 4: once you're in this sort of slipstream which is looks

730
00:33:03,040 --> 00:33:05,560
Speaker 4: hectic by the way from me out, you know, we

731
00:33:05,600 --> 00:33:08,080
Speaker 4: get a lot of people through here that your age

732
00:33:08,160 --> 00:33:11,040
Speaker 4: or younger even who sort of stardom comes really quickly

733
00:33:11,040 --> 00:33:12,880
Speaker 4: and it's very hard to keep fitting the ground. I'm

734
00:33:12,880 --> 00:33:15,160
Speaker 4: often reminded of like the you know, I don't know

735
00:33:15,200 --> 00:33:16,960
Speaker 4: if you can't swimming, if you've been in Australia, if

736
00:33:17,000 --> 00:33:18,880
Speaker 4: you're too scared. Sometimes poems are too scared to go

737
00:33:18,880 --> 00:33:21,120
Speaker 4: out in the water. But sometimes you get you get

738
00:33:21,120 --> 00:33:22,800
Speaker 4: your feet taken out from underneath you, and you can't,

739
00:33:22,840 --> 00:33:24,920
Speaker 4: you can't stay standing anymore. And I'm often reminded of

740
00:33:24,920 --> 00:33:27,320
Speaker 4: that watching young artists come through here. There's often a

741
00:33:27,360 --> 00:33:30,160
Speaker 4: sense of like, she's the momentums really ripping me away

742
00:33:30,240 --> 00:33:32,920
Speaker 4: right now. So it must be nice to get confirmation

743
00:33:33,000 --> 00:33:35,560
Speaker 4: from somebody who's sort of you know, out there surfing,

744
00:33:35,920 --> 00:33:38,000
Speaker 4: so to speak, to be like, hey, look there are

745
00:33:38,000 --> 00:33:39,440
Speaker 4: other things you don't You don't need to get caught

746
00:33:39,520 --> 00:33:40,760
Speaker 4: up in this all the time.

747
00:33:40,680 --> 00:33:43,080
Speaker 10: But you know what, I was just waiting for the punchline,

748
00:33:43,080 --> 00:33:46,080
Speaker 10: because so far this interview, you've been, you've been, You've

749
00:33:46,080 --> 00:33:47,280
Speaker 10: got me so many times it's.

750
00:33:47,200 --> 00:33:57,600
Speaker 4: Like where is it gone? Literally, I don't care.

751
00:34:00,080 --> 00:34:02,800
Speaker 10: You're you're bang on with that man. And it can

752
00:34:02,880 --> 00:34:05,200
Speaker 10: be hard and it can be difficult, but I think, yeah,

753
00:34:05,520 --> 00:34:07,320
Speaker 10: you know, you guys are lovely. I'm sure that you've

754
00:34:07,320 --> 00:34:09,840
Speaker 10: had many a chance to let your egos overwhelm you.

755
00:34:09,880 --> 00:34:15,160
Speaker 4: But why yeah, why that's a really good but you

756
00:34:15,200 --> 00:34:19,120
Speaker 4: know that that's.

757
00:34:18,960 --> 00:34:19,520
Speaker 1: Why we didn't.

758
00:34:19,760 --> 00:34:22,239
Speaker 3: We refused to talk to you in the air. That

759
00:34:22,239 --> 00:34:24,120
Speaker 3: guy kind of in me away from the studio males.

760
00:34:25,320 --> 00:34:27,120
Speaker 4: We've got into a beautiful area with you. But there

761
00:34:27,200 --> 00:34:28,880
Speaker 4: is a slightly juvenile question. And this is this is

762
00:34:28,880 --> 00:34:30,880
Speaker 4: coming from our junior producer, an La. So he's outside

763
00:34:30,920 --> 00:34:34,400
Speaker 4: and he's recently had some gut issues, but she found

764
00:34:34,440 --> 00:34:38,600
Speaker 4: out that you had food poisoning while you're performing shows

765
00:34:40,040 --> 00:34:44,600
Speaker 4: after Anandos and Toronto on.

766
00:34:44,960 --> 00:34:47,279
Speaker 10: It has to Yeah for me, it's like I've been

767
00:34:47,320 --> 00:34:49,319
Speaker 10: playing shows since I was like eleven years old.

768
00:34:49,360 --> 00:34:51,160
Speaker 4: Really yeah, yeah, right.

769
00:34:51,840 --> 00:34:54,239
Speaker 10: Old pubs or clubs and stuff like I remember times

770
00:34:54,239 --> 00:34:55,839
Speaker 10: I used to like be in a bar and see

771
00:34:55,840 --> 00:34:58,560
Speaker 10: like one guy like sinking a guinness looking at me like,

772
00:34:58,640 --> 00:34:59,279
Speaker 10: shut up.

773
00:35:02,080 --> 00:35:06,120
Speaker 4: Bean, it's in his private time.

774
00:35:07,360 --> 00:35:08,040
Speaker 3: I can see you.

775
00:35:09,480 --> 00:35:14,279
Speaker 10: Pretty sure it was you, but no, but and then

776
00:35:14,400 --> 00:35:16,120
Speaker 10: having to convince him I was good by the end

777
00:35:16,160 --> 00:35:17,680
Speaker 10: of the night. And so now that I get to

778
00:35:17,680 --> 00:35:19,520
Speaker 10: walk out in front of like thousands of people to

779
00:35:19,680 --> 00:35:21,600
Speaker 10: night and you know, being able to do the thing

780
00:35:21,600 --> 00:35:23,920
Speaker 10: I love is I never want that, Yeah, I never

781
00:35:23,960 --> 00:35:24,600
Speaker 10: want to miss that.

782
00:35:25,000 --> 00:35:26,960
Speaker 4: Well, mate, it's been a pleasure talking to you, it

783
00:35:27,080 --> 00:35:29,959
Speaker 4: really has. Thank you. Thank you so much for coming

784
00:35:30,000 --> 00:35:33,680
Speaker 4: in and congratulations on all your success. Appreciate good luck

785
00:35:33,719 --> 00:35:36,480
Speaker 4: with the tour, Go hard on the rider obviously yours.

786
00:35:40,239 --> 00:35:44,279
Speaker 3: Sushishi from Toronto stopped.

787
00:35:46,840 --> 00:35:49,400
Speaker 4: It's great to have you any mate. So Mole's latest single,

788
00:35:49,640 --> 00:35:52,960
Speaker 4: as we all know, it's nice to meet you ep

789
00:35:53,280 --> 00:35:57,480
Speaker 4: A minute, a moment. He's out May twenty three, brand

790
00:35:57,480 --> 00:35:58,800
Speaker 4: new music from you, Miles.

791
00:35:58,960 --> 00:36:01,759
Speaker 10: Yes, and hope you guys play it just as much

792
00:36:02,440 --> 00:36:02,680
Speaker 10: you did.

793
00:36:02,760 --> 00:36:02,800
Speaker 4: Not.

794
00:36:02,880 --> 00:36:03,880
Speaker 3: Nice to meet you and everybody.

795
00:36:04,280 --> 00:36:06,719
Speaker 4: You've had your cup, You've had your quite over the year.

796
00:36:08,520 --> 00:36:10,080
Speaker 4: Mill Smith and Wood, It's kiss