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Speaker 1: The will M.

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Speaker 2: Woody podcast.

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Speaker 3: I don't know how exactly we got there, but I

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Speaker 3: think somebody mentioned.

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Speaker 4: Control A, control T, control matrol T. Anly analy you

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Speaker 4: don't tell everyone what controlled T does. Control T adds

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Speaker 4: a new tab to your window.

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Speaker 5: Mine blind because usually I'm on the mouse trying to

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Speaker 5: find that little little plus sign, which is too and

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Speaker 5: then bagger, I've missed the missed the plus.

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Speaker 4: When she told me control T, that has saved me

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Speaker 4: min hours.

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Speaker 3: Well, well, because I realized very quickly I forgot how

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Speaker 3: just bad you are at this stuff. And because would

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Speaker 3: have only been two years ago the button pushing Tommy

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Speaker 3: told you about controls E, control.

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Speaker 5: V, cutting, controls, no control, control CE control C is cut.

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Speaker 4: Which means no control ceas coffy coffee.

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Speaker 5: Sorry, because because what's cut so cut is you you

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Speaker 5: remove it from where you But.

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Speaker 4: What's the keys to get we're not cutting? It is

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Speaker 4: hang on? Oh no X, control X control X to

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Speaker 4: cust it looks like a scissors.

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Speaker 5: And then control V control V is paste. Don't fall

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Speaker 5: for control P. What does control P do paste? You

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Speaker 5: just said it control V past? What is That's a

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Speaker 5: good question?

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Speaker 4: Actually, what is control?

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Speaker 5: Because you'd think paste would be the most popular for

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Speaker 5: the letter of P.

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Speaker 4: Yeah, what do you think control V is?

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Speaker 5: What?

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Speaker 4: What do you think control V is?

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Speaker 6: No?

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Speaker 4: Control V is paced. I don't know what control What

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Speaker 4: do you think control P is? See for me?

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Speaker 5: So what I'm trying to think about it's something that

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Speaker 5: starts with P that is more common than pasting.

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Speaker 4: Involves a computer. Completely outrageous, but could be more common.

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Speaker 5: You've got paste four times today?

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Speaker 4: Come on, where did you meet down at least before print? Well,

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Speaker 4: that makes sense.

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Speaker 3: You met it by the printer, which is a bit weird.

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Speaker 3: I got to say, I don't know why you guys

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Speaker 3: needed to make that a meeting point. What everyone as

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Speaker 3: well come to meet me by the print.

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Speaker 4: To be private, private printed chat? All right, but I've

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Speaker 4: got a few others.

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Speaker 5: But for me, they should change that because how much

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Speaker 5: are you printing? I'm what I'm saying is you're pasting

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Speaker 5: more than.

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Speaker 4: I think probably when the in the in the advent

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Speaker 4: of hot keys, But can they change the It's kind of.

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Speaker 3: Like telling everyone who drives in the left side of

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Speaker 3: the road and a straight driving the right side of

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Speaker 3: the road that we'll be doing it.

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Speaker 4: And at the end of the day.

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Speaker 3: Everyone really does know that control V is paced. All right,

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Speaker 3: let's I'm gonna ask you a few more because this

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Speaker 3: is fun, just to spice it up.

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Speaker 4: A little bit. Surprise you, you might.

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Speaker 5: There was an alt F four joke that was made

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Speaker 5: as we were talking about this, and then that Tim

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Speaker 5: who's filling in for audio today, said I would.

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Speaker 4: Like to alter for this chat. Yeah, and I didn't

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Speaker 4: get it. Everyone laughed.

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Speaker 5: I didn't get it was pretty high brow tech chat,

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Speaker 5: so that'd have been closed down the chat.

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Speaker 3: Yeah, close the window. Yeah, alter four A four. Isn't

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Speaker 3: that just escape or control? Escape won't get you out

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Speaker 3: of the window?

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Speaker 4: Okay?

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Speaker 2: Should they should? They probably should.

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Speaker 4: I've never done it before.

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Speaker 3: No, it doesn't get you out if you if you're

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Speaker 3: in full screen, if you're in full screen, escapable.

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Speaker 4: Get you out of the four. Nothing's happening.

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Speaker 3: No, No, you're not alter for it because you haven't.

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Speaker 3: You haven't got the function lock on for the numbers.

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Speaker 3: You've got the same keyboard. Okay, Well, let's let's get

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Speaker 3: into the functions, because there's they're the F keys at

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Speaker 3: the top.

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Speaker 4: Yeah, yeah, I've got what does F eleven do? Go home?

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Speaker 4: Go back to the home.

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Speaker 5: I never used the FS. I think the fs have

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Speaker 5: been made redundant.

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Speaker 4: That's why they're still on the keyboard. Like what is

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Speaker 4: an F eleven? Do no idea? You don't know that?

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Speaker 4: Have you had to have a guess? I don't know

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Speaker 4: what F one day? What what do you think F

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Speaker 4: eleven might do?

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Speaker 5: That's like asking me, like, just name something that computer does.

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Speaker 5: That is the level of my guests on right now.

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Speaker 5: Simple makes the font a little bit smaller. But you

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Speaker 5: know what, that's just me shooting in the dark. You've

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Speaker 5: literally said to me, name a function of a computer, because.

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Speaker 4: How could that makes them a little bit small?

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Speaker 3: But I'm just you know, I'm okay, I'll give it, okay,

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Speaker 3: enters full screen.

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Speaker 4: Oh that's handy, Yeah, very handy. How do you get

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Speaker 4: the control? I? Control? I? What am I in? Am

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Speaker 4: I in Microsoft?

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Speaker 1: Word?

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Speaker 7: Yeah?

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Speaker 1: A word?

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Speaker 4: You're in a word?

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Speaker 1: Duck?

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Speaker 6: And I press control I italics yes, by control be

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Speaker 6: bold nice and then control you underline Yeah, I h.

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Speaker 3: Highlight Yeah, I don't know know that was.

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Speaker 4: I never highlighted, okay, I usually yeah, it doesn't matter.

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Speaker 4: Uh alt tab alt tab not a word. Dot can

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Speaker 4: be anywhere. I've heard of alt tabbing before. I feel

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Speaker 4: like I'm previously knew what an old tab was.

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Speaker 3: Yeah, I think as a teenager. I think as a

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Speaker 3: fourteen year old boy, you would have known old tab

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Speaker 3: very well.

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Speaker 4: Swap window, it's come back to him.

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Speaker 3: Yeah, it's really Oh my god, parents can't coming in

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Speaker 3: the driveway.

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Speaker 2: Old tab, old tab, old tab, get me out of here.

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Speaker 5: Yeah, no amazing, I'm doing it now. Yes, I definitely

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Speaker 5: used to do that.

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Speaker 3: All the comedy festivals are in all the cities at

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Speaker 3: the moment, and that means all the comedians are in

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Speaker 3: the studio, and today Alex Ward's in with us and.

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Speaker 8: A huge audience for the sounds of that.

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Speaker 4: Absolutely. Yeah, you travel with him, do you?

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Speaker 2: Yeah?

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Speaker 8: I always have that backing track at my show.

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Speaker 2: Wait, surely when you walk out? Yeah, natural, just to

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Speaker 2: beef it up.

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Speaker 8: Yeah, actually I have to usually turn it down. Everyone's like,

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Speaker 8: this is too.

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Speaker 4: Much, so much going on here.

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Speaker 3: Hey, I really want to ask you about this expression,

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Speaker 3: because Woods and I have been throwing.

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Speaker 4: It back and forth, and I don't know what pretty

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Speaker 4: privilege means.

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Speaker 8: I'll tell you don't know what pretty privilege. Okay, okay,

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Speaker 8: you'll know someone I'm looking at both of you. I

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Speaker 8: won't you could have it. We don't know, so pretty privileged.

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Speaker 8: I think one of you is really pretty, and I

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Speaker 8: will reveal which one depending on who treats me the

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Speaker 8: best throughout this.

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Speaker 5: It should be based solely on looks.

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Speaker 8: Pretty privilege is based solely on looks.

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Speaker 4: So you look good and then you get things.

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Speaker 8: Okay, I feel like I've come into this interview on

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Speaker 8: a bad foot. You're both so beautiful, but you also

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Speaker 8: maybe you're just pretty and you don't have the privilege

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Speaker 8: that comes with it, because that's different. So pretty privilege

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Speaker 8: is the theory that if you are a beautiful person

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Speaker 8: I'm talking like I'm talking model level, usually you get

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Speaker 8: things in life quite easily. But the privilege part comes

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Speaker 8: in that you don't actually know that these people who

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Speaker 8: have pretty do not realize people have you ever met,

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Speaker 8: Like I'm mode on, they're so nice, They're just like

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Speaker 8: the nicest person you've ever met. They're like because everyone

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Speaker 8: treats them so good all the time. So it's sort

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Speaker 8: of this idea like.

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Speaker 3: You get you've given the benefit of the doubt there

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Speaker 3: and you go, oh, you don't even realize.

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Speaker 4: I think they're lying.

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Speaker 8: They could be Yeah, maybe, but maybe I'm nicer than

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Speaker 8: you will.

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Speaker 7: No.

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Speaker 2: No, that's what I'm kind of blown away by.

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Speaker 3: I'm like, you're a much better person than I am,

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Speaker 3: because I've always immediately like you.

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Speaker 8: You're doubting someone means you probably don't have pretty privilege.

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Speaker 8: It's like the way they float through the world. Yeah,

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Speaker 8: And so I worked with a girl who had pretty privilege.

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Speaker 1: Did she know?

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Speaker 4: Did she know she had pretty No?

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Speaker 8: So she was like less of a like an office

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Speaker 8: work and more of what I called like a hot

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Speaker 8: ghost that would haunt the building because she never had

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Speaker 8: to touch anything, like to the point that I was like,

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Speaker 8: can she touch anything? It's like and she could go

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Speaker 8: through doors. Every door was automatic because someone was there

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Speaker 8: to open it. I'd be wide be like trying to

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Speaker 8: walk into it. I just bang like, oh, this isn't automated.

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Speaker 8: And then so this is when I really she truly,

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Speaker 8: truly had pretty privileges. One day, I was getting her

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Speaker 8: lunch because even I was like, please, madam, may I

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Speaker 8: do something? Thank you for the privilege getting you lunch? Anyway,

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Speaker 8: So I went and I got her burrito, and I

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Speaker 8: came back and she starts eating it and she goes,

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Speaker 8: she goes, where's the gaucamole? And I go, oh, you didn't.

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Speaker 8: You didn't ask for GK and she goes, yeah, no, no,

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Speaker 8: she goes, they just give it to you. And I

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Speaker 8: was like, what do you mean. She goes, yeah, it's

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Speaker 8: free there, and I was like, excuse in the whole

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Speaker 8: office started listening. You could feel the whole office, and

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Speaker 8: I was like, what do you mean it. She goes,

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Speaker 8: it's free. She goes, they it's free everywhere, and I

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Speaker 8: was like, oh my god, A but no, it's not.

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Speaker 8: She'd never paid for guacamole anywhere. And here's what's crazy.

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Speaker 8: She was twenty three and she had two properties, and

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Speaker 8: I thought that was just something news court made up. Now,

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Speaker 8: if you don't have to pay for Avokada, your step

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Speaker 8: for life, so she has pretty.

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Speaker 4: Privilege and so something you have those.

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Speaker 8: Approached.

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Speaker 1: What's that.

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Speaker 8: I'm still figuring this out for the reason people are

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Speaker 8: very willing to come up to me and help. If

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Speaker 8: it wasn't radio, if you could see my face right now,

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Speaker 8: people feel very comfortable just coming up to me telling

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Speaker 8: me things like I have been okay. A friend once said,

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Speaker 8: I look like I work in every building I'm in.

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Speaker 8: That's pretty accurate for me, right, So like one one

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Speaker 8: day I was mistaken for like a lawyer, and I

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Speaker 8: was also mistaken for a waitress, like on the same day. Yeah,

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Speaker 8: I guess they're like, yes, she's putting herself through law school,

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Speaker 8: and so I just have to live my life now

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Speaker 8: in that way, It's actually easier to just help people

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Speaker 8: because I got sick of being like, well, I don't

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Speaker 8: actually work here, and I'm being myself. I'm not like

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Speaker 8: walking around jbhi if I swinging a lanyard round or something.

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Speaker 8: I'm just being just being me, Like they're just coming.

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Speaker 1: Up and sorry.

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Speaker 4: So then you will then try to help them.

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Speaker 8: Exhausting being like oh, because it's embarrassing for them. So

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Speaker 8: now I'm like yeah, in fact, I kind of just

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Speaker 8: like clock every building I walk into now, like I

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Speaker 8: have blueprints in my head.

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Speaker 5: Have you been any sales meetingwhiles you mean the radio

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Speaker 5: studio people, assuming you're in the haven't.

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Speaker 8: But if you you need to get their wody, I

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Speaker 8: need you to go down the hallway.

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Speaker 4: Why did you quit in the first place?

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Speaker 8: You know what? I quit just because at the time

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Speaker 8: I had. This is so boring, but I'll gloss over it.

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Speaker 8: I had kind of like an acidic stomach, and so

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Speaker 8: for a week I had to cut out all acid

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Speaker 8: and I included coffee. But then I went off it

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Speaker 8: and I wanted to be like, you know what, maybe

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Speaker 8: I don't need to be a coffee drinker.

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Speaker 4: Power YEA understood that.

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Speaker 7: Have you.

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Speaker 4: Off coffee?

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Speaker 3: Like if you like, I get it, if you if

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Speaker 3: you become a you know, people can overstimulate it and

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Speaker 3: they get a little bit jittery.

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Speaker 4: Right, that's you totally get a week one whatever it is.

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Speaker 3: But people that have this, like I've managed to cut

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Speaker 3: coffee out, I'm like, that's.

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Speaker 4: That's the best part of my life. Like I didn't

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Speaker 4: need you and I was totally fine. So that's the

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Speaker 4: thing I don't understand.

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Speaker 2: Yeah, yeah, you feel and I can.

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Speaker 8: I say, well after I've done the experiment for you,

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Speaker 8: so you.

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Speaker 2: Don't thank you so much?

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Speaker 8: All right? It was awful. Firstly, no one cares when

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Speaker 8: you quit. You know, I went off for a month

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Speaker 8: for a month, and everyone's like, oh, you go, don't

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Speaker 8: go off clean, We support you. Where can we give

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Speaker 8: you money? Like that? And then I was like I

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Speaker 8: quit coffee, and everyone was just like I could quit, right,

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Speaker 8: and I was so I don't get I was like,

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Speaker 8: you idiot. In my head, I didn't have they I

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Speaker 8: quit coffee, and I'm like, gold coffee, I would get

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Speaker 8: you back.

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Speaker 3: So so pity everybody else in their nine am meeting

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Speaker 3: on a Monday.

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Speaker 4: I'm like, jeez, you must be ship in the morning.

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Speaker 4: Well you know what happens, right you are?

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Speaker 1: You're awful.

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Speaker 3: You're awful, yeah, because I just got off coffee and

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Speaker 3: I'm like, good one, dickhead. You also got off a

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Speaker 3: good conversation, you know, like I.

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Speaker 4: Can't even talk you.

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Speaker 3: It used to be a vibe in the morning, you know,

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Speaker 3: when you go for a walk with someone, you're like,

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Speaker 3: I'm going to get a coffee. The next fifteen minutes

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Speaker 3: a shit hot You're both downloading and listening, and you get.

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Speaker 8: How embarrassing is decaf because you're like, I don't want

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Speaker 8: a decaff. But I would be like, can I have

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Speaker 8: a decaf? But what I said in my head was like,

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Speaker 8: can I please have an adult baby Chino? Yeah? Exactly.

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Speaker 8: And the hy and loads I like them. It turns

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Speaker 8: out like you you must like these highs and loves.

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Speaker 8: When you wake up in the morning and you sit

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Speaker 8: on the side of the bend, you don't drink coffee,

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Speaker 8: that's it. You just wake up the bottom.

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Speaker 4: There's nothing the.

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Speaker 8: Whole day, however you feel.

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Speaker 2: And that's I get no kick. That's that's awful.

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Speaker 1: Yeah, and I really you know, that's what you found out.

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Speaker 8: That's what I found out. But I also realized everyone

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Speaker 8: is addicted, like well, ninety percent of people are addicted

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Speaker 8: to coffee, but it's never treated the same. And I

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Speaker 8: really like thought about that. I think it's because it's

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Speaker 8: not treated the same, because no one would like steal

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Speaker 8: from their parents for their coffee. Actually, you know, like

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Speaker 8: you see that no one's stealing mum's flat screen.

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Speaker 1: It's for you.

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Speaker 3: He's like, yeah, yeah, so what about what about?

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Speaker 4: What about what about the espresso martinis?

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Speaker 1: Then?

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Speaker 5: So I said, because you you quit espresso, Martini's is

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Speaker 5: the same.

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Speaker 8: I do avoid those now because I think I can't

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Speaker 8: handle the combo of coffee and alcohol, which I think

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Speaker 8: is fair. It's chemically it's like coffee and alcol Chemically,

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Speaker 8: it makes you depressed with energy, right, that's yeah, I mean.

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Speaker 4: Yeah, well that's rich. Really that's wild.

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Speaker 8: Yes, Will sitting here having a martini.

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Speaker 4: Is that right?

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Speaker 8: Yeah, it's like it makes you depressed with energy. It

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Speaker 8: was like one night I had three and found out

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Speaker 8: it's possible to cry faster.

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Speaker 4: Absolutely on the money.

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Speaker 3: Hey, there's one other thing that I want to talk

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Speaker 3: to you about, Alex before you go, by the way,

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Speaker 3: comedy dot com dot you if you see at Alec

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Speaker 3: alex Ward at all the comedy festivals. I saw this

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Speaker 3: on your socials recently and this I think you reposted

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Speaker 3: it for a little while ago, but it really did.

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Speaker 3: I think you know you're onto a good thing with

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Speaker 3: this sort of gear. When you unlock a door in

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Speaker 3: people's minds that they haven't unlocked before, like a memory.

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Speaker 4: And this was on you scared. This is only your

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Speaker 4: parents using.

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Speaker 3: The same bath water when you were kids to save money.

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Speaker 3: I'd forgotten that my mum used to do that until

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Speaker 3: I saw that.

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Speaker 2: That was did you do it?

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Speaker 8: Did you share with just your siblings or did you

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Speaker 8: have what I had where it was the.

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Speaker 4: You're with mum and dad too, as in parents go

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Speaker 4: through the bath.

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Speaker 8: I remember having a bathing dad water like old dad water.

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Speaker 4: Parents first, that was that the order so Dad's first.

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Speaker 4: Dad gets first Dad?

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Speaker 8: Well, sometimes your dad took it first. And then I

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Speaker 8: had to go on old dad dad water? How disgusting

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Speaker 8: is the idea of Dada? At least it wasn't granddad water.

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Speaker 4: Would mum getting there as well? Would you have to

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Speaker 4: deal with mum water?

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Speaker 8: I don't remember being if I did, I don't remember

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Speaker 8: being like as grossed out by mum water. It's something

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Speaker 8: about Dad water that's just and yeah, you know, I'm

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Speaker 8: using the note tears formula. It doesn't work when the

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Speaker 8: pains on the inside. I was like, I'm still crying.

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Speaker 4: That's great stuff, all right.

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Speaker 3: Running on Alex Ward Comedy dot com dot please come

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Speaker 3: get down say at any of it shows Melbourne, pro

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Speaker 3: Brisbane or Sydney.

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Speaker 4: Alex, thanks for coming.

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Speaker 8: In, Thank you for having me. And by the way, Will,

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Speaker 8: I'm going to say you're the pretty one, but mostly

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Speaker 8: because I think you need it more.

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Speaker 4: Yeah, I appreciate that.

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Speaker 2: You say that, so good.

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Speaker 4: A victim of a man in here.

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Speaker 8: We're going back.

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Speaker 2: Let's go back in time, going back in time? Are

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Speaker 2: you telling me that a time machine? Victoria Bitterer for

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Speaker 2: a hard earned first.

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Speaker 5: So every single week we like to follow up with

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Speaker 5: one of the great calls that we've had during the week.

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Speaker 5: I means truth, almighty will this one stayed with me,

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Speaker 5: this I think. And it was Ben who called us,

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Speaker 5: and he told us about a rather extraordinary punishment and

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Speaker 5: his mum gave him.

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Speaker 4: Yes.

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Speaker 9: Alone, me and my girlfriend besic bussed by my mum

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Speaker 9: and my auntie. Oh, I'm doing push ups okay, and

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Speaker 9: then basically she's like not under my roof and basically

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Speaker 9: made me walk home while I was in lack of clothing.

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Speaker 9: So I had to walk my god friend home. She's

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Speaker 9: fully clothed. I was not allowed to be closed, and

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Speaker 9: my mom drove for home me with the car to

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Speaker 9: make sure I walked the whole way home.

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Speaker 4: Wow.

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Speaker 3: Wow, your mum frog marched you nude through the streets.

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Speaker 9: Yeah, about one and a half kilometers away from my Wow.

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Speaker 4: That's great, Benny joins us.

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Speaker 5: Right now, the man who was nude frog marched to

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Speaker 5: drop off his girlfriend at the time.

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Speaker 4: Hello, Benny, hey you guys there. You doing very good. Mate.

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Speaker 5: First off, are you on a thousand bucks and a

387
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Speaker 5: VB prize pack? So congratulations for my friends, legend, your legends,

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Speaker 5: your a legend.

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Speaker 4: But let's talk about your legendary frog war. Yeah.

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Speaker 5: So were you completely nude during the frogs?

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Speaker 7: Yes? Yeah, Lily News So I basically had I covered

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Speaker 7: myself up with my hands. Have you ever tried to

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Speaker 7: have small talk while you're trying, like getting walked through

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Speaker 7: the street.

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Speaker 9: To time?

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Speaker 4: What did you lead with? Were you covering your genitals?

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Speaker 9: I'm sorry, I'm sorry, I'm sorry.

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Speaker 1: I'm.

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Speaker 5: I'm interested, Benny, because for me, this was one of

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Speaker 5: the most creative parental punishments that I then.

401
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Speaker 4: Did your mom have any other rippers when you were.

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Speaker 9: Actually I think my father actually topped the cake with

403
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Speaker 9: that one. Actually, my father, I was told not to

404
00:17:33,720 --> 00:17:36,360
Speaker 9: dry it. You grabbed Daca carry out, took my car out.

405
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Speaker 9: My dad wakes me up the next day and he

406
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Speaker 9: goes put a suit on. He goes, here's a suit.

407
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Speaker 9: We're going to go to a funeral. I'm like, what

408
00:17:42,160 --> 00:17:43,320
Speaker 9: what do you mean we're going to go a funeral.

409
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Speaker 9: I'm like, he's passed away, and he's like, no, come on,

410
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Speaker 9: I get rested. That's like earlier the morning, I'm half

411
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Speaker 9: asleep and I walk out and I go to go

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Speaker 9: to the car, his car, and he goes now come

413
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Speaker 9: with me, and I go out to the actual car,

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Speaker 9: like out to the actual paddic and there's a there's

415
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Speaker 9: an actual cross there bury like like very actual like

416
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Speaker 9: grounds being disturbed and on top of the cross was

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Speaker 9: my number plate buried my car in the middle of

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Speaker 9: the night. Took the time to make a cross, got

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Speaker 9: me dressed for a funeral. Do you want him say

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Speaker 9: any final words?

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Speaker 4: Did you say some words? Did you say some words

422
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Speaker 4: for your cow?

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Speaker 9: Then he I was just like, what the hell the eventful?

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Speaker 7: I said, like they obviously they even said got busted

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Speaker 7: for wagging, Like my mum knew I was wagging. One

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Speaker 7: time I said, I took my bodyboard to go down

427
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Speaker 7: to the beach, and that do that? And I basically

428
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Speaker 7: went around the side of the house and grabbed my

429
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Speaker 7: body board one day going there. Let's go down to bond.

430
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Speaker 7: He went down the BONDEI opened up my bag. There

431
00:18:48,119 --> 00:18:50,399
Speaker 7: was a piece of styrofragm written on the stiroprag you

432
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Speaker 7: grounded when you get home.

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Speaker 3: Great, Well, if you get him on the show, I

434
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Speaker 3: think so a few because Woods and I are very

435
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Speaker 3: young parents ben, so it'd be great to have a

436
00:19:09,160 --> 00:19:11,200
Speaker 3: laugh with, you know, just count with some ideas.

437
00:19:11,280 --> 00:19:13,639
Speaker 5: Yeah, I wouldn't like getting like getting one over then

438
00:19:13,720 --> 00:19:15,680
Speaker 5: though as well. It sounds like they've just dominated you

439
00:19:15,720 --> 00:19:18,520
Speaker 5: all through, so maybe let's try and get some.

440
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Speaker 7: Actually, I think I have one. I got over my

441
00:19:21,400 --> 00:19:24,040
Speaker 7: mother once, and I will say this was the funniest one.

442
00:19:24,840 --> 00:19:26,840
Speaker 7: She asked me, she's trying to buy a present from

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Speaker 7: my partner, and she said I said, like, She said,

444
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Speaker 7: like a massage, like a voucher for a message of that,

445
00:19:32,400 --> 00:19:35,040
Speaker 7: And I said, go get You asked for a voucher

446
00:19:35,080 --> 00:19:37,040
Speaker 7: for a massage with a happy ending. So I sent

447
00:19:37,080 --> 00:19:40,320
Speaker 7: her around to all these massage places. I was for

448
00:19:40,359 --> 00:19:47,320
Speaker 7: this gift voucher six places before actually before later on

449
00:19:47,680 --> 00:19:48,800
Speaker 7: what was actually happening.

450
00:19:49,480 --> 00:19:52,560
Speaker 2: That's family.

451
00:19:52,920 --> 00:19:57,800
Speaker 3: That is awesome, mate, you are so so deserving on

452
00:19:57,960 --> 00:20:01,080
Speaker 3: the BB Friday, fol what made you get yourself a

453
00:20:01,119 --> 00:20:05,000
Speaker 3: thousand dollars and a BB Prize pack and a happy ending?

454
00:20:05,119 --> 00:20:09,560
Speaker 4: Well done, Victoria for a hardened first. Congrats Bend, Thanks

455
00:20:09,560 --> 00:20:10,480
Speaker 4: for the laughs. Mate.

456
00:20:20,280 --> 00:20:22,800
Speaker 3: Man responsible for all your children yearing at, yelling at

457
00:20:22,840 --> 00:20:23,760
Speaker 3: fat swear word in.

458
00:20:23,680 --> 00:20:24,200
Speaker 6: The car.

459
00:20:27,400 --> 00:20:29,480
Speaker 2: Is in the studio with us right now.

460
00:20:33,600 --> 00:20:36,240
Speaker 3: Mike is bumping on with the money.

461
00:20:36,680 --> 00:20:38,639
Speaker 1: Well, this is why I love Australia because you just

462
00:20:38,720 --> 00:20:39,640
Speaker 1: let it all hang out.

463
00:20:41,240 --> 00:20:43,360
Speaker 10: You were like the only country that would play that

464
00:20:43,480 --> 00:20:47,080
Speaker 10: song and its proper version, and as a result, the

465
00:20:47,119 --> 00:20:49,600
Speaker 10: first place where our band got any kind of success

466
00:20:49,640 --> 00:20:50,400
Speaker 10: outside of the UK.

467
00:20:52,560 --> 00:20:54,320
Speaker 2: Yeah, that's cool, that's cool.

468
00:20:54,400 --> 00:20:58,560
Speaker 1: You guys like launched our band internationally launched.

469
00:20:58,600 --> 00:21:00,359
Speaker 4: You also launched the swearing cares.

470
00:21:00,400 --> 00:21:03,040
Speaker 3: As I said, of a lot of children, did we

471
00:21:03,160 --> 00:21:04,879
Speaker 3: come back to did we come back to bite you

472
00:21:04,920 --> 00:21:05,199
Speaker 3: in the art?

473
00:21:05,280 --> 00:21:06,919
Speaker 4: So any feedback about that?

474
00:21:07,160 --> 00:21:07,360
Speaker 3: No?

475
00:21:07,480 --> 00:21:10,719
Speaker 1: But I mean I've got in trouble.

476
00:21:11,040 --> 00:21:14,640
Speaker 10: I got in trouble for dropping too many sea bombs shows.

477
00:21:15,480 --> 00:21:17,560
Speaker 4: Are you slipping seas into your songs?

478
00:21:17,720 --> 00:21:21,160
Speaker 10: Or get in the chat in between? And I got

479
00:21:21,160 --> 00:21:23,560
Speaker 10: a bit loose and my solo tour, and then one

480
00:21:23,640 --> 00:21:25,800
Speaker 10: night there was a six year old kid on the barral,

481
00:21:28,520 --> 00:21:29,359
Speaker 10: six years old.

482
00:21:29,560 --> 00:21:30,919
Speaker 1: It looked like a good but.

483
00:21:37,000 --> 00:21:38,679
Speaker 10: Do you know what bringing a six year old to

484
00:21:38,720 --> 00:21:41,359
Speaker 10: a rock and roll shows, that's not my bad?

485
00:21:41,480 --> 00:21:42,000
Speaker 1: Do you know what I mean?

486
00:21:42,640 --> 00:21:45,199
Speaker 5: If the parents are allowing him to go to a

487
00:21:45,280 --> 00:21:48,080
Speaker 5: rock concert, then I reckon he's heard a few seas before.

488
00:21:47,920 --> 00:21:50,520
Speaker 10: Market My kids were not welcome my ur shows. They

489
00:21:50,560 --> 00:21:54,520
Speaker 10: still aren't really, so do.

490
00:21:54,520 --> 00:21:55,040
Speaker 4: They want to go?

491
00:21:55,160 --> 00:21:56,680
Speaker 5: Do they want to go to the Because if it

492
00:21:56,680 --> 00:21:58,800
Speaker 5: was my daughter, I should be like, nothing you do

493
00:21:59,000 --> 00:22:00,719
Speaker 5: is cool. I don't want to come to your shows.

494
00:22:00,800 --> 00:22:03,040
Speaker 5: Whereas your kids are they are they do? They think

495
00:22:03,040 --> 00:22:03,520
Speaker 5: you're cool?

496
00:22:03,840 --> 00:22:05,640
Speaker 10: I think maybe it's part of my tactic to keep

497
00:22:05,680 --> 00:22:07,600
Speaker 10: them away from it, to make them feel like it's

498
00:22:07,600 --> 00:22:08,359
Speaker 10: cooler than it is.

499
00:22:08,680 --> 00:22:11,680
Speaker 2: Yeah, nice, well played.

500
00:22:11,800 --> 00:22:15,160
Speaker 10: But I can't believe they just let me in this

501
00:22:15,320 --> 00:22:16,560
Speaker 10: beautiful studio on my own.

502
00:22:16,720 --> 00:22:19,080
Speaker 1: I'm having a great time. Glad you're not here.

503
00:22:19,119 --> 00:22:21,080
Speaker 4: Actually, know what do you mean?

504
00:22:21,080 --> 00:22:21,240
Speaker 9: Mate?

505
00:22:21,240 --> 00:22:22,919
Speaker 4: We're all in the same room. We're all talking together

506
00:22:22,960 --> 00:22:23,520
Speaker 4: the Magic.

507
00:22:23,800 --> 00:22:25,440
Speaker 1: By Sorry sorry sorry.

508
00:22:25,480 --> 00:22:27,840
Speaker 2: Yeah, hey, let's talk about the new record.

509
00:22:27,840 --> 00:22:31,800
Speaker 1: Actually, before let's not, let's talk about your.

510
00:22:35,480 --> 00:22:39,600
Speaker 5: Yeah, we got exactly who we're going for the inspiration.

511
00:22:40,200 --> 00:22:42,880
Speaker 10: They're lot me in a room with four you love

512
00:22:42,920 --> 00:22:45,840
Speaker 10: it one, three photos of you lads with your top

513
00:22:45,920 --> 00:22:46,560
Speaker 10: sof you love it?

514
00:22:46,920 --> 00:22:47,320
Speaker 4: You love it?

515
00:22:47,359 --> 00:22:47,840
Speaker 1: I love it?

516
00:22:48,040 --> 00:22:50,080
Speaker 3: Hey, Actually, before we get to the talking about the

517
00:22:50,119 --> 00:22:52,760
Speaker 3: new record, I want to talk about sign No More,

518
00:22:52,760 --> 00:22:54,240
Speaker 3: which is you know the first time that I that

519
00:22:54,280 --> 00:22:56,080
Speaker 3: you guys kind of burst onto the scene. I was

520
00:22:56,119 --> 00:22:58,960
Speaker 3: just explaining to Woody, but Tommy here that you guys

521
00:22:58,960 --> 00:23:02,280
Speaker 3: have got shakes be littered all all the way throughout.

522
00:23:01,920 --> 00:23:06,840
Speaker 4: That record culture and then culture culture, not just swear words.

523
00:23:06,880 --> 00:23:08,600
Speaker 3: This bike probably do me a few listened to real

524
00:23:08,640 --> 00:23:10,560
Speaker 3: I think as I was studying Beth when I heard

525
00:23:10,600 --> 00:23:12,840
Speaker 3: the stars Hide your Fires, like, I was like, hang

526
00:23:12,880 --> 00:23:15,600
Speaker 3: on a second, this is pretty stealing his maderia.

527
00:23:15,680 --> 00:23:21,720
Speaker 10: Yeah, just stealing my way through songs since seven. But

528
00:23:21,760 --> 00:23:23,879
Speaker 10: what he was like, did you get any copywriters ues

529
00:23:23,880 --> 00:23:24,000
Speaker 10: for that?

530
00:23:24,040 --> 00:23:24,440
Speaker 1: And I was like, no.

531
00:23:24,480 --> 00:23:26,760
Speaker 3: I think that's the genius is that Shakespeare is not

532
00:23:26,800 --> 00:23:28,840
Speaker 3: copyright because no one knows who Shakespeare really is.

533
00:23:29,320 --> 00:23:32,320
Speaker 10: I spent a lot of my time sneaking other people's

534
00:23:32,359 --> 00:23:35,359
Speaker 10: words into songs. Brilliant and good good artists copy, but

535
00:23:35,440 --> 00:23:36,840
Speaker 10: the great artists steal.

536
00:23:39,920 --> 00:23:42,600
Speaker 1: I think I think that quote has stolen from Bob Dylan.

537
00:23:42,640 --> 00:23:47,040
Speaker 10: Actually, but I I've got I've only got I've only

538
00:23:47,040 --> 00:23:48,080
Speaker 10: gotten hot water once.

539
00:23:48,600 --> 00:23:49,440
Speaker 1: That wasn't really hot water.

540
00:23:49,520 --> 00:23:53,040
Speaker 10: I just I just hadn't hadn't asked permission of a writer.

541
00:23:53,240 --> 00:23:54,600
Speaker 10: And then they found out about it, and they were

542
00:23:54,600 --> 00:23:57,399
Speaker 10: lovely about it, and they talked about it, impressed, and

543
00:23:57,520 --> 00:23:57,840
Speaker 10: it was.

544
00:23:57,760 --> 00:24:00,800
Speaker 4: Fine, Ah, are you talking specif Shakespeare?

545
00:24:01,160 --> 00:24:01,320
Speaker 1: No?

546
00:24:01,320 --> 00:24:05,800
Speaker 10: No, he was fine with it. He's got other things

547
00:24:05,800 --> 00:24:09,600
Speaker 10: to worry about, like heaven. This was a writer who

548
00:24:10,480 --> 00:24:14,120
Speaker 10: called Hillary Mantel, who wrote these amazing books about Cromwell

549
00:24:14,240 --> 00:24:14,520
Speaker 10: I love.

550
00:24:14,640 --> 00:24:17,399
Speaker 5: Do you realize when you write a Hilary Mantell line

551
00:24:17,440 --> 00:24:19,280
Speaker 5: that it is a Hillary Mantel? Because sometimes I do

552
00:24:19,359 --> 00:24:22,360
Speaker 5: find myself sometimes saying things and then claiming it they're

553
00:24:22,359 --> 00:24:25,119
Speaker 5: my own thought, and then realizing later when someone pulls

554
00:24:25,160 --> 00:24:27,359
Speaker 5: me up on it, that I have actually just stolen

555
00:24:27,400 --> 00:24:28,080
Speaker 5: someone's line.

556
00:24:28,480 --> 00:24:28,720
Speaker 3: Yeah.

557
00:24:28,800 --> 00:24:31,800
Speaker 1: I think most of the time I am.

558
00:24:31,880 --> 00:24:34,880
Speaker 10: And most of the stuff I think I've referenced lyrically

559
00:24:35,040 --> 00:24:39,280
Speaker 10: is public like Shakespeare, so no, and I think, yeah,

560
00:24:40,040 --> 00:24:42,960
Speaker 10: I'm mostly just taking inspiration from stuff and then change it,

561
00:24:43,359 --> 00:24:44,520
Speaker 10: which is which.

562
00:24:44,400 --> 00:24:46,240
Speaker 3: Is really the way that created the creativity has got

563
00:24:46,280 --> 00:24:48,399
Speaker 3: to work, I think for when he got in a

564
00:24:48,440 --> 00:24:51,520
Speaker 3: bit of trouble with I can't remember which someone's got

565
00:24:51,520 --> 00:24:54,840
Speaker 3: to get lucky or something like Forrell, and he was like, like, guys.

566
00:24:54,960 --> 00:24:55,280
Speaker 1: It was that.

567
00:24:55,359 --> 00:24:57,560
Speaker 3: Robin thinks yeah, and he's like, if we're not allowed

568
00:24:57,600 --> 00:25:01,240
Speaker 3: to get inspired by other people's stuff, you know, once

569
00:25:01,280 --> 00:25:03,480
Speaker 3: you open the fud gates there, we're all in trouble.

570
00:25:03,760 --> 00:25:06,520
Speaker 1: I think Sharon started record filming every.

571
00:25:07,200 --> 00:25:09,600
Speaker 4: Right, Oh no, really wow.

572
00:25:10,160 --> 00:25:12,920
Speaker 10: I think I know that some people are because they're

573
00:25:12,920 --> 00:25:15,480
Speaker 10: worried about being sued. And a lot of the time,

574
00:25:15,760 --> 00:25:18,320
Speaker 10: I think most of the time when those copyright things

575
00:25:18,359 --> 00:25:22,200
Speaker 10: come up, it's like either coincidence or accident.

576
00:25:21,960 --> 00:25:23,080
Speaker 4: Or yeah, I don't know.

577
00:25:23,240 --> 00:25:23,920
Speaker 1: Of course, of.

578
00:25:23,880 --> 00:25:28,359
Speaker 5: Course, there's a called parallel thinking, which is this is

579
00:25:28,480 --> 00:25:29,639
Speaker 5: more in the stand up comedy.

580
00:25:29,920 --> 00:25:32,760
Speaker 1: It's a really tech we're really tech now.

581
00:25:33,119 --> 00:25:37,359
Speaker 5: We went from sea bombs to technical deep chap, full range.

582
00:25:37,400 --> 00:25:41,800
Speaker 5: Baby Elton John and I know that he brought you

583
00:25:41,880 --> 00:25:46,520
Speaker 5: out on stage, I believe at the twenty thirteen Grammys.

584
00:25:46,800 --> 00:25:48,960
Speaker 5: Am I right in saying that he said something to

585
00:25:49,040 --> 00:25:52,440
Speaker 5: you right before you walked out on stage markers.

586
00:25:52,640 --> 00:25:54,520
Speaker 10: He did his m my absolute hair for lots of reasons,

587
00:25:54,520 --> 00:25:56,320
Speaker 10: but mostly because we're about to play in front of

588
00:25:56,320 --> 00:25:58,520
Speaker 10: how many many millions of people at the Grammys and

589
00:25:58,520 --> 00:25:59,880
Speaker 10: we're doing a live on helm.

590
00:25:59,680 --> 00:26:02,639
Speaker 1: Trip and he calls it sob just as the curtain's.

591
00:26:02,280 --> 00:26:06,160
Speaker 10: Going on, and he goes when quick, Quick, come here,

592
00:26:06,359 --> 00:26:08,800
Speaker 10: and we're like, well, through Elton's calling, we've got to go,

593
00:26:08,840 --> 00:26:11,159
Speaker 10: and what's wrong. We're holding our instruments and goes now

594
00:26:11,160 --> 00:26:13,040
Speaker 10: it would be a terrible time to get your deck out.

595
00:26:18,760 --> 00:26:21,000
Speaker 1: And he wasn't wrong, wasn't wrong.

596
00:26:21,920 --> 00:26:24,920
Speaker 5: It would have been never He's never wrong.

597
00:26:25,240 --> 00:26:27,480
Speaker 10: And then we like launched straight into the song. I mean,

598
00:26:27,480 --> 00:26:28,880
Speaker 10: his timing was unbelievable.

599
00:26:28,920 --> 00:26:29,600
Speaker 1: It was so good.

600
00:26:30,000 --> 00:26:32,800
Speaker 10: Yeah, he's taught me a lot about giving zero fix

601
00:26:33,040 --> 00:26:35,840
Speaker 10: that man. Really amazing, amazing.

602
00:26:35,520 --> 00:26:37,000
Speaker 3: He was the king of that. I mean, that's probably

603
00:26:37,040 --> 00:26:40,040
Speaker 3: why he's right. There's a sense of play about him, right,

604
00:26:40,080 --> 00:26:40,880
Speaker 3: there always has been.

605
00:26:40,960 --> 00:26:41,160
Speaker 1: Yeah.

606
00:26:41,240 --> 00:26:43,720
Speaker 3: Yeah, I hate sort of bringing up other people in

607
00:26:43,760 --> 00:26:45,480
Speaker 3: your life, but I think we've spoken enough about your

608
00:26:45,520 --> 00:26:51,320
Speaker 3: music for so far, Marcus. But boring, big, big, big

609
00:26:51,359 --> 00:26:55,200
Speaker 3: announcement a couple of weeks ago, now that Jason Steak

610
00:26:55,240 --> 00:26:56,719
Speaker 3: has said that ted Lasso is going to be back

611
00:26:56,720 --> 00:26:57,359
Speaker 3: for season four.

612
00:27:02,920 --> 00:27:05,320
Speaker 4: God, who did that theme song? That theme song is good,

613
00:27:05,359 --> 00:27:06,000
Speaker 4: isn't it.

614
00:27:06,000 --> 00:27:07,840
Speaker 2: It does sound like it's copied from somewhere though.

615
00:27:07,840 --> 00:27:12,160
Speaker 10: That's the most anyone's ever heard of that song because

616
00:27:12,160 --> 00:27:13,360
Speaker 10: you normally press skip intro.

617
00:27:13,560 --> 00:27:14,480
Speaker 1: Yeah, you just.

618
00:27:14,440 --> 00:27:18,359
Speaker 2: Got that's a whole song.

619
00:27:18,600 --> 00:27:20,240
Speaker 1: Who knew that's a whole song?

620
00:27:20,320 --> 00:27:22,360
Speaker 3: I thought it was just fifteen seconds, So there you go.

621
00:27:22,960 --> 00:27:27,520
Speaker 3: Nice hear the nos I've tried, and I'm like, love let's.

622
00:27:28,400 --> 00:27:30,480
Speaker 4: I didn't even reveal now that song? So you wrote

623
00:27:30,520 --> 00:27:31,639
Speaker 4: that theme song, I'm in.

624
00:27:32,400 --> 00:27:34,359
Speaker 2: Because I've joined those darts at this stage.

625
00:27:36,640 --> 00:27:39,439
Speaker 5: If you're ever watching that show, say at home with

626
00:27:39,520 --> 00:27:42,439
Speaker 5: the family, and someone reaches to skip intro, do you

627
00:27:42,480 --> 00:27:43,480
Speaker 5: stop them.

628
00:27:43,720 --> 00:27:45,359
Speaker 1: I've never watched that show once.

629
00:27:46,560 --> 00:27:48,400
Speaker 10: I watched it a lot when I was there because

630
00:27:48,440 --> 00:27:51,240
Speaker 10: I did all the music for the first two seasons

631
00:27:51,280 --> 00:27:54,199
Speaker 10: with my friend Tom Howe and so we I and

632
00:27:54,240 --> 00:27:56,399
Speaker 10: I scored it all to pictures so I'd seen it.

633
00:27:56,880 --> 00:27:59,880
Speaker 10: And the first season I did during COVID at home,

634
00:28:00,080 --> 00:28:02,440
Speaker 10: I was stuck in the studio on my own with

635
00:28:02,520 --> 00:28:05,080
Speaker 10: all the techer's ship, which I'm so bad at. I'm

636
00:28:05,160 --> 00:28:07,080
Speaker 10: really bad at, like doing the computer stuff. I had

637
00:28:07,119 --> 00:28:09,040
Speaker 10: to learn how to do it. It took me six months.

638
00:28:09,680 --> 00:28:11,320
Speaker 10: Did not pay me for six months work.

639
00:28:11,640 --> 00:28:13,920
Speaker 1: Who paid me for a week's work? But it took

640
00:28:13,920 --> 00:28:14,480
Speaker 1: me six months.

641
00:28:14,760 --> 00:28:16,359
Speaker 10: And then by the end of it, I was like,

642
00:28:16,400 --> 00:28:18,600
Speaker 10: I have no idea if the show's any good because

643
00:28:18,600 --> 00:28:19,560
Speaker 10: I've watched it so.

644
00:28:19,760 --> 00:28:21,720
Speaker 1: Much and I had to keep going back and.

645
00:28:21,720 --> 00:28:25,119
Speaker 4: Like, oh I sound you couldn't follow the narrative. You

646
00:28:25,160 --> 00:28:25,840
Speaker 4: were skipping around.

647
00:28:25,840 --> 00:28:25,919
Speaker 3: Now.

648
00:28:25,960 --> 00:28:28,280
Speaker 10: I followed it fine, but I just got sick of it. Yeah,

649
00:28:28,280 --> 00:28:30,720
Speaker 10: you're too close to when it became really successful. I

650
00:28:30,720 --> 00:28:33,359
Speaker 10: was sort of surprised people like us cool.

651
00:28:34,320 --> 00:28:36,080
Speaker 4: You've got a new record out today. So let's talk

652
00:28:36,080 --> 00:28:43,200
Speaker 4: about Rushbia trademark, mumvin and sons banjo in the background.

653
00:28:42,680 --> 00:28:43,080
Speaker 5: There.

654
00:28:44,920 --> 00:28:46,200
Speaker 2: Floading vocals.

655
00:28:46,640 --> 00:28:49,320
Speaker 3: He's gonna, he's gonna cheers, been going on for this.

656
00:28:49,280 --> 00:28:50,800
Speaker 2: One and I one's here to tell me to stop,

657
00:28:51,240 --> 00:28:56,000
Speaker 2: Marcus mom. So Rush mean is where you met? Is

658
00:28:56,040 --> 00:28:58,440
Speaker 2: that right where you decided to become a end?

659
00:28:58,880 --> 00:28:59,040
Speaker 9: Yeah?

660
00:28:59,080 --> 00:28:59,880
Speaker 1: Do you know what today?

661
00:29:00,480 --> 00:29:02,280
Speaker 10: Literally this morning Ben and I figured out it was

662
00:29:02,320 --> 00:29:03,800
Speaker 10: the name of the building where.

663
00:29:03,600 --> 00:29:06,200
Speaker 1: We first met. We didn't know that, Wow, junior school.

664
00:29:06,880 --> 00:29:08,760
Speaker 4: So how long have you guys been making music?

665
00:29:08,840 --> 00:29:11,320
Speaker 1: Deeo then for like fifteen years or something.

666
00:29:12,160 --> 00:29:14,840
Speaker 5: How did you get sons across the line as if

667
00:29:14,920 --> 00:29:16,840
Speaker 5: like you know, they're your children?

668
00:29:17,400 --> 00:29:19,680
Speaker 10: Well, in the UK, I don't know about here, but

669
00:29:19,720 --> 00:29:24,160
Speaker 10: in the UK lots of things are cooled answers. And

670
00:29:24,280 --> 00:29:27,080
Speaker 10: at the time it was like that time in like music,

671
00:29:27,120 --> 00:29:29,040
Speaker 10: where there was lots of like Johnny Flynn and the

672
00:29:29,080 --> 00:29:32,560
Speaker 10: Sussex Wit or like band names that had the name

673
00:29:32,600 --> 00:29:35,080
Speaker 10: of the lead singer in it, and then and then

674
00:29:35,120 --> 00:29:36,560
Speaker 10: the name of the band after it.

675
00:29:38,120 --> 00:29:39,160
Speaker 1: Jenny Lewis, and the.

676
00:29:39,120 --> 00:29:41,440
Speaker 4: Whatever Juey Lewis, and the news there go.

677
00:29:41,600 --> 00:29:44,120
Speaker 10: Yeah, And so rather than that we were like, well,

678
00:29:44,200 --> 00:29:45,880
Speaker 10: let's not just do That's just what everyone's doing.

679
00:29:46,000 --> 00:29:47,000
Speaker 1: Band names and bullshit.

680
00:29:48,000 --> 00:29:49,760
Speaker 8: They are so hard.

681
00:29:50,160 --> 00:29:52,400
Speaker 10: It's funny, like when you come and get about you

682
00:29:52,400 --> 00:29:54,280
Speaker 10: get asked by lot the natural questions to us.

683
00:29:54,920 --> 00:29:56,600
Speaker 1: Yeah, but it's not that original, so you could do

684
00:29:56,640 --> 00:29:57,360
Speaker 1: better with he but.

685
00:29:59,400 --> 00:30:01,240
Speaker 4: It's good for it's good for you.

686
00:30:01,680 --> 00:30:02,600
Speaker 1: It was a ship.

687
00:30:02,440 --> 00:30:04,160
Speaker 3: Question, Well do you want to get The question you

688
00:30:04,240 --> 00:30:06,600
Speaker 3: asked me before you got involved was what do I

689
00:30:06,600 --> 00:30:08,760
Speaker 3: think they're family? And I was like, because it's got

690
00:30:08,960 --> 00:30:14,840
Speaker 3: ensign in the tur al right, well get out of

691
00:30:15,040 --> 00:30:18,840
Speaker 3: your brand new record. Month and Son's new album, rush

692
00:30:18,960 --> 00:30:21,320
Speaker 3: Meya is out Friday, the twenty eighth of March, remember

693
00:30:21,320 --> 00:30:23,560
Speaker 3: which it's rush Meya, not Rushmore. But he was asking

694
00:30:23,640 --> 00:30:26,360
Speaker 3: what reference you guys had to those American presidents in

695
00:30:26,400 --> 00:30:26,680
Speaker 3: the rock?

696
00:30:27,320 --> 00:30:28,120
Speaker 1: No whatsoever.

697
00:30:28,320 --> 00:30:29,520
Speaker 4: No, it's overs