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Speaker 1: The Will and Woody podcast. Question for you, Yeah, question

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Speaker 1: if your daughter Max makes something for you, and let's

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Speaker 1: be honest, like, she's she's three this weekend, y'rey exciting. Okay,

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Speaker 1: but she's still at the age where hope, hope this

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Speaker 1: is doesn't land poorly.

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Speaker 2: But she just wrote her first symphony. If that's what

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Speaker 2: you're going to Okay, Your daughter is different to mine,

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Speaker 2: and most she was translating the Bible from Latin at

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Speaker 2: the moment.

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Speaker 1: That is extraordinary. Bilingual as well, speaks two languages.

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Speaker 2: We'll try lingual now she speaks Latin as well. Excuse me, sorry,

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Speaker 2: hard to keep up dipping into the classics. But if

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Speaker 2: she makes something for you and it is a bit crap, No,

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Speaker 2: she just did her first Picasso.

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Speaker 1: Actually, is that right, I'm talking to the wrong guy.

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Speaker 2: Yeah, the theoretically, theoretically, if she made something that you

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Speaker 2: know wasn't a masterpiece, yes.

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Speaker 1: Would you be honest with her and tell her this

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Speaker 1: is crap?

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Speaker 3: No?

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Speaker 2: Of course not. Well, I don't know if it's a

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Speaker 2: lie because I know what she's capable of, which you

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Speaker 2: know largely is crap. She's two years old, so for her,

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Speaker 2: I'm like, hey, mate, if I was just painting in

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Speaker 2: my hands and I had no modus skills, it's unbelievable.

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Speaker 1: So you lower the bar. You lower the bar, the

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Speaker 1: low bar. Next question.

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Speaker 2: It's like when they do a poo, you're like wow,

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Speaker 2: But at the end of the day, she just did

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Speaker 2: a poo. Cares if they do anything really well, if

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Speaker 2: they say to you, look at this, Yeah, you gotta

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Speaker 2: be weak at the knees for whatever they do. You're like, oh, so, at.

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Speaker 1: What age then will you start being honest about her?

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Speaker 1: Like crap creations, like at what age does she come

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Speaker 1: home from school? And you go like, do you know what?

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Speaker 1: You need some honest feedback from dad here? You haven't

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Speaker 1: nailed it? Yeah, oh god, this because you don't want

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Speaker 1: to be dishonest with your child.

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Speaker 2: I have a really tough to so as you know, Sam,

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Speaker 2: my partner, a Dutch lethal incredibly honest. Sometimes we're a detriment.

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Speaker 2: We had this discussion the other day.

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Speaker 1: Who because your daughter is still too young, by the way,

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Speaker 1: keep lying, I think.

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Speaker 2: So, Sam. Sam is quite a good hockey player and

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Speaker 2: she's got very good hand eye coordination. And we went

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Speaker 2: past a football field the other day and we saw

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Speaker 2: a kid shanker kick and I reckon. The kids were

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Speaker 2: six years old. The kid shock you kick, like kick

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Speaker 2: the ground first, just the whole thing. And Sam turned

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Speaker 2: to me and said, God, I really hope MAXs and

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Speaker 2: shit at sport. And I said, well, you know there's

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Speaker 2: a good chance she is. She's my daughter, so you

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Speaker 2: know she very well could be allergic to balls. So

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Speaker 2: and Sam said, if that's the case, I think I

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Speaker 2: don't think. I don't think I can go and watch her.

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Speaker 2: Oh And I said why and she was like, well,

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Speaker 2: because I'm you know, I'm not going to She's not

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Speaker 2: going to get in the car after I'm going to

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Speaker 2: say a good game if she's you know, missed the

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Speaker 2: ball by that much.

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Speaker 1: It's interesting because I was like, Nate, come in. It's

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Speaker 1: an interesting to lemb because my.

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Speaker 2: Mom to keep her. SEM's not going to go to

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Speaker 2: any sport until I go over the first few rounds

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Speaker 2: and see whether or she is any good. Yeah, because

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Speaker 2: I can't. Of course I'll lie, mate, You'll of course

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Speaker 2: I'll lie. Get out there, have a good time with

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Speaker 2: your friends. What that about, whether you kick it or not.

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Speaker 1: I don't necessarily want to take this to sport, but

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Speaker 1: thirteen one oh sixty five is our number. Do you

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Speaker 1: lie when your kid makes something that's crap? Of course,

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Speaker 1: I just want to hear, and I want to hear

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Speaker 1: about the crap thing that they make.

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Speaker 2: I think you've raised You've raised a really interesting question, though,

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Speaker 2: which is at what point do you start dipping into

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Speaker 2: because the last thing you want is for them to realize,

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Speaker 2: because this is also an awful moment, whether it's with

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Speaker 2: your parents, or with your friends or with your partner,

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Speaker 2: is when you realize that they're lying to you, because

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Speaker 2: then you can't rely on them. I know you trust

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Speaker 2: you know, I know you know.

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Speaker 1: That's therapy.

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Speaker 2: No, that's therapy.

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Speaker 1: So the reason I'm talking about alarm, I know, that's

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Speaker 1: the therapist. The reason I'm talking this I don't, Well,

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Speaker 1: you do the therapist's private conversation.

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Speaker 2: You don't deal very well with this, people telling you

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Speaker 2: you've done a good job when you've done badly.

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Speaker 1: Okay, very good, But you don't. No, I don't because

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Speaker 1: I don't believe it. But that's so.

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Speaker 2: Well, going to pass that on to remy Well, God,

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Speaker 2: I don't want to.

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Speaker 1: Do a question you not me, I reckon at some

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Speaker 1: point I will need to start being honest with her

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Speaker 1: about she's something. No, no, no, but not now. Now everything

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Speaker 1: she scribbles on a piece of paper, and I'm like,

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Speaker 1: that is the best thing I've ever seen. Chuck it

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Speaker 1: in the study. I'm going to hang it on the

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Speaker 1: my wall is full.

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Speaker 2: Just scribbles, yeah.

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Speaker 1: Effectively, And I'm going to try and remember like that

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Speaker 1: one's a cool because she questions being so what age

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Speaker 1: double digits?

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Speaker 2: So when she's ten, she's gonna come and go, Daddy,

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Speaker 2: I did it? Think you're painting and you're going to

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Speaker 2: go put it in the shred as way.

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Speaker 1: No, I wouldn't say that. Go here's where you fell down.

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Speaker 1: I think we're gonna used some different colors. I love

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Speaker 1: that you made me something, but I think next.

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Speaker 2: Time, Wow, right, do you have to I don't think No,

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Speaker 2: I don't know. I don't think there's an age. I

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Speaker 2: think they'll do it themselves. Your job as a parent.

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Speaker 2: Oh god.

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Speaker 1: But then if you find out they're lying.

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Speaker 2: Though, the worst it's true.

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Speaker 1: Let's go to Tanya now though we're focusing on our

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Speaker 1: kids here, do you lie or are you honest with them?

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Speaker 1: If they make something and it's a bit.

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Speaker 4: Crap, Look, I can be pretty honest to be yeah,

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Speaker 4: I sometimes I try to kind of go, oh my god,

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Speaker 4: that's amazing. But recently my daughter she traced her hand

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Speaker 4: like to a picture. She traced her hand kind of

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Speaker 4: on the side and turned it into a dog.

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Speaker 5: She's sick.

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Speaker 1: We've got two year olds. That's that's very impressive for

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Speaker 1: our girls. So she sicks. What did you say to

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Speaker 1: her when she brought home hand dog? Oh?

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Speaker 4: Look, she sort of said, oh, do you love it?

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Speaker 4: And I was just like, well, what is it? She said,

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Speaker 4: I it's a dog, and I said, oh, it just

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Speaker 4: looks a bit more like a monster.

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Speaker 1: Did she take the feedback?

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Speaker 2: Ten?

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Speaker 4: Oh, look, she did look a little bit sad, But

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Speaker 4: then I told her how much I loved it, and

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Speaker 4: I actually do. I think the worse the drawings are,

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Speaker 4: the better they are. And they actually go into a

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Speaker 4: bit of a file.

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Speaker 2: To keep a bit of a shit sandwich.

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Speaker 1: Then yeah, yeah, that is also a tough moment though,

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Speaker 1: when like you're trying to say that you love something.

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Speaker 1: I'm sure you've had this just max and you're like,

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Speaker 1: oh my god, yeah, like this is unbelievable. That is

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Speaker 1: like the best dinosaur I've ever seen right, and then

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Speaker 1: it's like, it's not a dinosaur, Yeah, it's a snake.

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Speaker 2: And oh, daddy is an idiot.

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Speaker 1: Yeah, that's lep it around for me. Let's go to

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Speaker 1: William here. William, do you lie if your kid makes

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Speaker 1: any always?

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Speaker 6: Are you going?

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Speaker 3: Yeah? You know what it is?

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Speaker 6: It's not it's not it's it's it's not so much lying,

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Speaker 6: it's more crafting the truth here and how I do it. Yes, yeah,

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Speaker 6: I've got two boys, four and two, and particularly the

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Speaker 6: four year old still too young, by the way to

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Speaker 6: to kind of break the truth exactly how it is,

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Speaker 6: how it happened. However, recently athletics not not not exactly

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Speaker 6: the best athlete. He's not built to be exactly the

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Speaker 6: best Athlete's not too bad at discus though, But when

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Speaker 6: he finishes the race, I didn't wing kind of thing,

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Speaker 6: and it's like, hey, you know, did you have fun?

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Speaker 6: Oh yeah, dad, Oh great? You know what if you

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Speaker 6: want to win, how about we practice and how about

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Speaker 6: we do this? How about we do the things that

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Speaker 6: will make it better and easier for you.

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Speaker 1: And that's what I mean by crafting the truth, that

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Speaker 1: is solid crafting will I really like the flip of

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Speaker 1: did you have like if Remy brings you sign again?

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Speaker 1: When she's older, I'm getting around everything she makes now

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Speaker 1: she's only two. When she's ten, if she makes me

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Speaker 1: something crap, I love the idea of going if she goes, Oh,

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Speaker 1: what do you think? Did you have fun making it?

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Speaker 7: Oh?

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Speaker 2: God, you're patronizing.

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Speaker 1: I think it's good.

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Speaker 2: I love it. Bit more important you have fun doing that,

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Speaker 2: because that's all better about fun, because it's ship Natalie.

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Speaker 2: Natalie's killed, you know. I was actually I don't know

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Speaker 2: if the Compare podcast or whatever I heard it on,

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Speaker 2: but they said that one of the hat Funnily enough,

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Speaker 2: one of the things that toddlers pick up on really

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Speaker 2: early on is when you try to convince them of

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Speaker 2: something that you don't believe. So you know, when you

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Speaker 2: go like yummy, they know immediately when you're when you

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Speaker 2: don't actually like it. So I don't know, there could

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Speaker 2: be some truth in the fact that.

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Speaker 1: They already know.

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Speaker 2: Yeah, they already know Natalie is killedale.

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Speaker 4: Yes, I'm very honest.

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Speaker 8: My daughter is sure.

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Speaker 7: And she uses the wrong colors for the wrong pictures.

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Speaker 4: For example, like chul draw son, but instead of drawing

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Speaker 4: it yellow or orange, drew it green.

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Speaker 2: That's okay, she might Actually I actually am color blind, Natalie,

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Speaker 2: so some sunsets.

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Speaker 1: Look here, Natalie, you've heard.

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Speaker 2: What is that?

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Speaker 9: It could be a watermelon.

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Speaker 2: Oh, she's four years sold right now? Though, would I

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Speaker 2: want to talk about Jay to the l J steadily

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Speaker 2: sliding down a decline into the abyss?

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Speaker 1: Jaelo still guide. We'd happily talked to Jay.

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Speaker 2: Again. I think when she self funded her own documentary

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Speaker 2: and lost tens of millions about her love story with

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Speaker 2: Ben Affleck and then split with him, that for me

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Speaker 2: was probably the beginning of the end.

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Speaker 1: But look, she's the hiccup was a hiccup, Will That

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Speaker 1: was a moment. That was a moment wil Band's back.

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Speaker 1: She might keep making stuff, Jos.

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Speaker 2: She's very talented, very real, very very talented.

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Speaker 10: Hey.

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Speaker 2: So the reason we're talking about Jylo though, is she's

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Speaker 2: getting sued. Oh no, yeah, she's getting sued by Paparazzi company.

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Speaker 2: So she was at the the g GE Weekend Glamour

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Speaker 2: Great Event. Yeah, the Golden Globe Weekend Glamour Awards. She's

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Speaker 2: out there, she's she looks gorgeous. Has an age today,

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Speaker 2: By the way, I repon. She's in the ageless character

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Speaker 2: character category with Tom Cruise. It's a few people in there,

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Speaker 2: isn't there who else is in there? Pitt, Brad, Pitt,

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Speaker 2: DiCaprio is not aging. Yeah, it's weird, isn't it.

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Speaker 1: They're all doing hyperbaric chambers and you know, magnesium showers

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Speaker 1: and they live like like, I think the key to

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Speaker 1: not aging is just don't live.

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Speaker 2: Yeah, well, look she looks beautiful. She's at the GG

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Speaker 2: Weekend Glamor Awards, which I watched all weekend and she

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Speaker 2: had a ball.

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Speaker 1: Did she win?

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Speaker 2: No, it's just the Weekend Glamor. Man, there's no awards there.

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Speaker 2: They just kind of struck their stuff. It just gets

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Speaker 2: you a bit excited. It's a taste testing. You're wet

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Speaker 2: your whistle, you're right? Oh yeah, here they all here

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Speaker 2: are the stars?

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Speaker 1: Your whistle?

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Speaker 3: Is we sure? Sure?

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Speaker 2: Is hey? So anyway, she's on the he's on the

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Speaker 2: carpet at the GG Weekend Glamours Awesome. Yeah, goresome wedding

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Speaker 2: her vessel. She's out there anyway. So she gets these

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Speaker 2: photos taken of her, right, and obviously she sees one

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Speaker 2: of them online and she reposts.

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Speaker 1: It okay to Instagram and to x Oh she didn't

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Speaker 1: credit them, Well she didn't.

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Speaker 2: They've just said that's our copyright. Yeah, fair enough, and

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Speaker 2: they sue her. So they're suing her for one hundred

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Speaker 2: and fifty thousand US dollars for posting a photo of

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Speaker 2: herself woods. Yeah, what are the rules there? Surely she's

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Speaker 2: her own intellectual property. And look, i'd love to get

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Speaker 2: into a legal debate, and I've got another bit to

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Speaker 2: get to and I don't think you'll actually have anything

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Speaker 2: interesting to say about it. Nice, So she's in an argument.

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Speaker 1: I would have had a crack, but we hadn't.

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Speaker 2: Been able to speak for the last two minutes, so

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Speaker 2: I'm going to rule you out. So I think it's

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Speaker 2: pretty fascinating that she's technically in an argument with herself,

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Speaker 2: which I had a little bit of fun with this morning,

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Speaker 2: having an argument. Well, Jayla's effectively suing yourself like it's

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Speaker 2: a photo of her. She's in the photo she posted.

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Speaker 2: It's very straight.

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Speaker 1: Do you realize now how hard it is to argue

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Speaker 1: with you? You're the worst person to argue within the world.

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Speaker 2: So arguing with yourselves really hard.

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Speaker 1: But you in particular, because you're very good. But if

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Speaker 1: you argue yourself, it'd be the end of the world.

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Speaker 2: Is shocking. I flawed myself. I checkmated myself a couple

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Speaker 2: of times. Very frustrating. Do you want to try and

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Speaker 2: have an argument with yourself right now? Because it's tricky.

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Speaker 1: I'm not following.

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Speaker 2: What do you mean?

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Speaker 11: So like?

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Speaker 2: So you've got to play both sides of the argument.

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Speaker 1: Am I me?

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Speaker 2: Yes?

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Speaker 3: Right?

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Speaker 1: Okay? So I'm angry at me for something. Choose someone

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Speaker 1: that you want to argue about recently haven't reached.

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Speaker 2: Choose someone that you want to argue with yourself about,

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Speaker 2: and you've got to argue both sides.

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Speaker 1: Do I change my name for confusion?

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Speaker 2: So don't worry about that, don't?

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Speaker 1: Okay? Okay, hey mate, we want to talk to you

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Speaker 1: for a bit. Did you lose a sock in the wash?

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Speaker 2: Well?

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Speaker 1: No, I wouldn't say it's lost at this point, I'd

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Speaker 1: say it's misplaced. Why do you what is saying that?

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Speaker 7: You know?

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Speaker 1: How you know how angry I get about lost socks?

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Speaker 1: I just I don't know what possibly happened in there

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Speaker 1: for you to have to to to wait?

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Speaker 2: Who am I? It's getting better, getting deep? I want

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Speaker 2: to see if you guys can do this. So what

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Speaker 2: we're going to do, Yeah, it's hard to know how

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Speaker 2: far the rabbit hole goes there. So what I want

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Speaker 2: to do right now? Thirty one of six or five.

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Speaker 2: If you're willing to have an argument with yourself, oh yeah,

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Speaker 2: great on the radio. If you think you pull yourself,

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Speaker 2: give us a call and maybe you are going to

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Speaker 2: be having an argument with yourself, or maybe there is

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Speaker 2: actually someone in the car who you're there to have

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Speaker 2: an argument with. Alon. Now some people may say I'll

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Speaker 2: stretched this segment, but look, I just thought it was

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Speaker 2: a good opportunity for it topical integration. If I really

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Speaker 2: had to break it down what we're talking about. Jennifer Lopa,

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Speaker 2: she's suing herself effectively. Ye, she's posted a photo of

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Speaker 2: herself and she's big sued for posting that photo of herself,

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Speaker 2: which just seems ridiculous. Seems like she's having an argument

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Speaker 2: with herself. So I thought, gee, whiz was normally we

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Speaker 2: play final Line on a Wednesday.

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Speaker 1: Yeah, we love it.

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Speaker 2: We love phonal line. So you give us a call.

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Speaker 2: Thirteen one oh sixty five. We have to try and

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Speaker 2: guess whether you are in the car by yourself or

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Speaker 2: whether there's someone in the car with you. So I

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Speaker 2: thought just to spice it up this week in lieu

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Speaker 2: of in the vein of Jennifer Lope's having an argument

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Speaker 2: with herself, where you have to guess, are you having

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Speaker 2: an argument with yourself, genius or is there someone in

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Speaker 2: the car with you that you're actually arguing with?

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Speaker 1: It's just normal final line, but you're having an argument,

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Speaker 1: and then we decided you're buy yourself or someone exactly right.

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Speaker 1: It's brilliant, absolutely brilliant.

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Speaker 2: I appreciate that, mate. So I don't think anyone's going

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Speaker 2: to be able to have an argument by theirself, and

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Speaker 2: I've been trying all morning to do it. It's really hard.

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Speaker 1: You just forget who you are, You get lost in

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Speaker 1: the vortics. Well, why don't we go to Lisa here

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Speaker 1: before before Lisa get into your argument. I'm sorry to

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Speaker 1: make you hold off, but Lisa, who are you in

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Speaker 1: the car with arguing with?

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Speaker 3: Oh? My sister?

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Speaker 1: What's her name?

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Speaker 3: Remy beautiful?

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Speaker 2: And what do you what are you currently arguing about? Lisa?

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Speaker 8: Yeah, just we really want to get at early night's sleep.

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Speaker 8: We've got heaps on tomorrow, so we've sort of said

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Speaker 8: there's no going on phones and just wasting two hours

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Speaker 8: of scrolling through our phones looking at rubbish.

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Speaker 1: Okay, well don't don't go into your arguments now. Let's

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Speaker 1: you and Remy have a crack start arguing.

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Speaker 8: All right, So, hey, you know tonight after dinner, we've

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Speaker 8: got so much on tomorrow. I was just thinking we

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Speaker 8: are definitely going to not go on our phones all night.

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Speaker 8: We're just got an early night's sleep. We've got heaps

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Speaker 8: on tomorrow.

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Speaker 6: Are you serious?

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Speaker 5: You are so boring? Oh my god, Like we can.

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Speaker 8: Do whatever we've got to do tonight.

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Speaker 3: We can do it.

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Speaker 2: Lisa.

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Speaker 1: It's hard, it is, really, Lisa. You are by yourself

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Speaker 1: of course.

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Speaker 2: Oh send you really what he mad for that one?

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Speaker 2: There was no changes kidding. Wow again, this could be bad,

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Speaker 2: could be good.

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Speaker 1: L Who are you in the car with right now?

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Speaker 2: L having a fight with h.

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Speaker 5: Hi, I'm in the car with my mom.

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Speaker 1: What's what's what's what's mom's name?

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Speaker 2: Andrea won't ask what the arguments because then we'll get

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Speaker 2: into the content crack in l fight with your mom?

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Speaker 10: All right?

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Speaker 11: Mom?

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Speaker 10: You know how I'm doing the washing and I want

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Speaker 10: to put the washing basket back where the laundry is.

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Speaker 10: I get so annoyed when you leave it outside. But

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Speaker 10: why there's like no problem leaving it outside. I don't

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Speaker 10: understand what you were trying to get at because I

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Speaker 10: like the routine of taking things out of the washing machine,

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Speaker 10: putting them in the baskets, then outside on the line,

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Speaker 10: and then I don't want to have to go back

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Speaker 10: outside in look old to go get the working basket,

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Speaker 10: and it just ruins everything. Well, maybe if you just.

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Speaker 2: Give you another pass. I got a long way.

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Speaker 1: I didn't think Andrea had started talking. Then I realized, no,

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Speaker 1: that is Andrea. Yeah, but it is exactly the same as.

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Speaker 2: I don't think anyone's going to be able to do this.

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Speaker 1: Well, let's go to REMYO has called another Remy Hi,

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Speaker 1: Remy Hi. Who are you fighting with?

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Speaker 2: In them?

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Speaker 9: I'm in the car with my mom. I'm fighting with

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Speaker 9: my mom.

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Speaker 2: We're also fighting with your mom.

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Speaker 1: What's her name?

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Speaker 9: Rem Kylie?

383
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Speaker 1: Kylie?

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Speaker 9: All right, okay, all right, So you know how we

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Speaker 9: have dinner tonight, like the important family dinner that's seen

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Speaker 9: on the roster for like two months. Yeah, so I

387
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Speaker 9: kind of have to cancel Bailey's asked me to come

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Speaker 9: over for dinner.

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Speaker 5: So is in three hours?

390
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Speaker 3: Yeah?

391
00:18:02,200 --> 00:18:06,960
Speaker 5: But no, but like no, Nannie are coming, Grandma are coming,

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00:18:07,119 --> 00:18:10,600
Speaker 5: since parents are coming, that's ridiculous. Three hours notice, Remy,

393
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Speaker 5: we're on the way home from work now I need

394
00:18:12,840 --> 00:18:15,840
Speaker 5: you to help me get dinner ready. But no, no,

395
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Speaker 5: you're gonna have to call Bailey and telling me how.

396
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Speaker 2: Stop there? Stop there? We know this is real.

397
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Speaker 1: I'm just loving the fight.

398
00:18:22,560 --> 00:18:25,320
Speaker 2: I reckon. We that is legit. You I I'm just

399
00:18:25,440 --> 00:18:28,320
Speaker 2: loving the fight. Do you think for a second that

400
00:18:28,800 --> 00:18:30,840
Speaker 2: that Remy could be doing that by yourself? No, you

401
00:18:30,880 --> 00:18:36,680
Speaker 2: don't think that's what that is? Mummy. There, the Remy

402
00:18:36,880 --> 00:18:40,120
Speaker 2: is there by herself. You got to drop your pants

403
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Speaker 2: and do a that for the studio table.

404
00:18:42,160 --> 00:18:45,840
Speaker 1: I planned on doing that anyway. But sure, no problem, Remy.

405
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Speaker 1: Your mum is actually there, and I reckon you actually

406
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Speaker 1: do want to go to Bailey tonight and this is

407
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Speaker 1: a heated fight?

408
00:18:52,600 --> 00:18:55,399
Speaker 9: Well yeah, my mum is shit, but no, he is

409
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Speaker 9: coming over tonight. We are leaving home tonight. O.

410
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Speaker 2: God, great argument, make argument, I mean it's great. Start.

411
00:19:04,160 --> 00:19:07,240
Speaker 2: Nobody managed to pull off the solo argument.

412
00:19:07,640 --> 00:19:09,280
Speaker 1: No, no, it's impossible.

413
00:19:10,000 --> 00:19:10,560
Speaker 2: It's impossible.

414
00:19:10,560 --> 00:19:12,879
Speaker 1: I reckon, we should get a trained actor or actress

415
00:19:12,920 --> 00:19:15,080
Speaker 1: on the showder can you have an argument with yourself?

416
00:19:15,119 --> 00:19:17,080
Speaker 1: I don't reckon. Even Rebecca Gidney could do it.

417
00:19:17,119 --> 00:19:19,879
Speaker 2: We can't give me on the show. You you were

418
00:19:19,960 --> 00:19:22,200
Speaker 2: telling us recently there was an actress, big actress you

419
00:19:22,200 --> 00:19:23,439
Speaker 2: wanted to have on the show recently.

420
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Speaker 1: Her name's an Always boll O.

421
00:19:26,240 --> 00:19:29,800
Speaker 2: Jesus, we've got one hundred thousand dollars to give away

422
00:19:33,359 --> 00:19:42,040
Speaker 2: you ems impossible. Every mission has led to this mission impossible,

423
00:19:42,520 --> 00:19:47,720
Speaker 2: the final reckoning in cinemas. Now, William wooded someone here,

424
00:19:48,080 --> 00:19:51,800
Speaker 2: your time starts now. It was happening tomorrow. Would's the

425
00:19:51,800 --> 00:19:54,120
Speaker 2: biggest giveaway of our radio careers. I'm going to say

426
00:19:54,119 --> 00:19:56,280
Speaker 2: the biggest giveaway that any of you in your cars

427
00:19:56,320 --> 00:19:59,480
Speaker 2: listening right now have ever heard on radio. One hundred

428
00:19:59,680 --> 00:20:02,720
Speaker 2: found dollars. If you wind it back to the nineties,

429
00:20:02,760 --> 00:20:05,439
Speaker 2: it was every second day, but not in modern radio.

430
00:20:05,680 --> 00:20:09,600
Speaker 2: One hundred thousand dollars to give away. That is, not

431
00:20:10,880 --> 00:20:12,320
Speaker 2: to turn your nose up at, mate, they.

432
00:20:12,320 --> 00:20:14,320
Speaker 1: Not to turn your nose up at, not to scoff at,

433
00:20:14,440 --> 00:20:16,680
Speaker 1: not to don't do anything but be amazed by it,

434
00:20:16,840 --> 00:20:19,360
Speaker 1: and someone will win one hundred thousand dollars. This isn't

435
00:20:19,600 --> 00:20:21,960
Speaker 1: tomorrow someone has the chance to win one hundred thousand dollars.

436
00:20:22,000 --> 00:20:25,360
Speaker 2: No, there's no consolation prize here. No one's walking away

437
00:20:25,359 --> 00:20:28,679
Speaker 2: in a Suzuki. No, sir, re there were one hundred

438
00:20:28,920 --> 00:20:34,520
Speaker 2: thousand dollars. We three people, three people in the draw,

439
00:20:34,800 --> 00:20:37,760
Speaker 2: yes tomorrow. Two of those people are already in there.

440
00:20:37,920 --> 00:20:40,840
Speaker 1: If you're not across it, we've been doing impossible missions ourselves.

441
00:20:41,040 --> 00:20:43,280
Speaker 2: But you've been bloody hard. I mean you've been suspended

442
00:20:43,320 --> 00:20:45,280
Speaker 2: from the roof. We've had to diffuse a bomb.

443
00:20:45,440 --> 00:20:46,600
Speaker 1: Yeah, I mean, let's listen to a bit of that.

444
00:20:46,720 --> 00:20:49,720
Speaker 1: Here was me hanging from a roof trying to change

445
00:20:49,720 --> 00:20:50,280
Speaker 1: your password.

446
00:20:51,440 --> 00:20:57,320
Speaker 2: Finish my passway has been Yeah, we've got forty seconds

447
00:20:57,320 --> 00:20:58,919
Speaker 2: to get you out of there. Okay, bring me up.

448
00:20:59,160 --> 00:20:59,840
Speaker 2: I'm setting you up.

449
00:21:00,160 --> 00:21:00,760
Speaker 7: Unbelievable.

450
00:21:00,920 --> 00:21:01,600
Speaker 12: First vision of.

451
00:21:01,600 --> 00:21:06,520
Speaker 2: Gold that was huge, good stuff.

452
00:21:06,560 --> 00:21:09,480
Speaker 1: I was unbelievable at that second mission was trying to

453
00:21:09,520 --> 00:21:11,760
Speaker 1: do takes or show differently. Yeah, well we don't show

454
00:21:11,800 --> 00:21:14,200
Speaker 1: the outtakes. Tom Cruise doesn't show the outtakes. He doesn't

455
00:21:14,240 --> 00:21:14,760
Speaker 1: nail him one.

456
00:21:14,840 --> 00:21:16,600
Speaker 2: They do. They do a whole YouTube thing on you know,

457
00:21:16,760 --> 00:21:18,680
Speaker 2: him trying to do it, and maybe we should release

458
00:21:18,680 --> 00:21:21,159
Speaker 2: the outtakes of what he been signed from the roof. Actually,

459
00:21:23,200 --> 00:21:24,920
Speaker 2: I was amazing. He broke the cables.

460
00:21:25,240 --> 00:21:27,959
Speaker 1: No, and I've got a very sore back still. Thankfully

461
00:21:28,000 --> 00:21:31,480
Speaker 1: the company is paying for my Cairo bills. The second challenge, though,

462
00:21:31,480 --> 00:21:33,960
Speaker 1: it was attempting will to diffuse a bomb?

463
00:21:34,560 --> 00:21:35,960
Speaker 2: Do you know how to do morse code?

464
00:21:36,359 --> 00:21:36,560
Speaker 8: Yeah?

465
00:21:36,680 --> 00:21:47,600
Speaker 2: Of course noo. Yeah, so those are our missions. So

466
00:21:47,640 --> 00:21:49,480
Speaker 2: I ended up get us getting covered in slime. I

467
00:21:49,520 --> 00:21:51,000
Speaker 2: haven't seen that in the mission possible movie.

468
00:21:51,200 --> 00:21:51,240
Speaker 1: No.

469
00:21:51,800 --> 00:21:53,280
Speaker 2: One was a bit of a a little bit of

470
00:21:53,320 --> 00:21:56,080
Speaker 2: producer fun that one, no doubt, Just a weally bin

471
00:21:56,200 --> 00:21:57,920
Speaker 2: full of slime hovering over our heads.

472
00:21:57,920 --> 00:21:59,680
Speaker 1: And it could have been warm slime that would have

473
00:21:59,680 --> 00:22:01,200
Speaker 1: been nice, but it was freezing, cold.

474
00:22:01,200 --> 00:22:03,840
Speaker 2: Freezing, freezing colet. We're both in suits. Got told to

475
00:22:03,920 --> 00:22:05,680
Speaker 2: dress our finest that day. Yeah, we did.

476
00:22:06,160 --> 00:22:09,399
Speaker 1: My nipple almost fell off anyway. So two of the

477
00:22:09,520 --> 00:22:11,280
Speaker 1: three finalists have been decided.

478
00:22:11,480 --> 00:22:15,400
Speaker 2: Tomorrow, we've got Kelsey, We've got Maddie, and you guys

479
00:22:15,440 --> 00:22:17,320
Speaker 2: have had to watch this stuff all the way along

480
00:22:17,359 --> 00:22:19,440
Speaker 2: and just answer questions about these mission I possile movies,

481
00:22:19,480 --> 00:22:21,919
Speaker 2: which Kelsey and Maddie did so beautifully. But the final

482
00:22:22,040 --> 00:22:25,160
Speaker 2: mission involves the movie that came out last weekend, Mission Impossible,

483
00:22:25,160 --> 00:22:26,359
Speaker 2: the Final Reckoning. Absolutely.

484
00:22:26,440 --> 00:22:28,359
Speaker 1: The question you had to answer about the movie if

485
00:22:28,400 --> 00:22:30,440
Speaker 1: you'd seen it was how many times did a message

486
00:22:30,920 --> 00:22:34,200
Speaker 1: self destruct that was sent to Ethan Hunt? Now so

487
00:22:34,359 --> 00:22:37,560
Speaker 1: many of you have answered that question at Willinwoody dot com,

488
00:22:37,920 --> 00:22:40,080
Speaker 1: and we will be calling one of you.

489
00:22:40,440 --> 00:22:40,640
Speaker 2: Yes.

490
00:22:40,880 --> 00:22:42,800
Speaker 1: The real excitement for this whole bit has been the

491
00:22:42,840 --> 00:22:45,240
Speaker 1: fact that we've had access to the Tom Cruise.

492
00:22:45,320 --> 00:22:47,600
Speaker 2: Yep, you heard Simon Pegg in the opener there. It's

493
00:22:47,640 --> 00:22:49,159
Speaker 2: been great having Peg on board. We had to be

494
00:22:49,240 --> 00:22:52,760
Speaker 2: with him last night. Lovely guy, love good screenwriter. Good screenwriter.

495
00:22:52,960 --> 00:22:54,479
Speaker 1: Yeah, I mean when we talked about that a lot.

496
00:22:54,760 --> 00:22:57,439
Speaker 1: How do you go about screenwriter? Anyway, We're not going

497
00:22:57,480 --> 00:23:00,119
Speaker 1: to go into a catch up with Peg no, but yes, Tom.

498
00:23:00,040 --> 00:23:02,840
Speaker 2: He was polished, but he really is the diagnos no.

499
00:23:03,000 --> 00:23:05,280
Speaker 1: Dad, and he knows that when he signs up the

500
00:23:05,280 --> 00:23:07,680
Speaker 1: Mission Impossible, he knows no one's watching these movies for me.

501
00:23:08,000 --> 00:23:09,680
Speaker 1: They're obviously watching it for Tom Cruise.

502
00:23:10,000 --> 00:23:12,440
Speaker 2: And we do get access to Tall the one and

503
00:23:12,520 --> 00:23:14,399
Speaker 2: only as he calls you guys to let you know

504
00:23:14,480 --> 00:23:15,080
Speaker 2: you're in the drawer.

505
00:23:15,200 --> 00:23:17,639
Speaker 1: He was him calling Kelsey and Maddy.

506
00:23:19,040 --> 00:23:25,040
Speaker 11: Kelsey, Tom Cruise, Hi, you're in the drawer between one

507
00:23:25,119 --> 00:23:29,639
Speaker 11: hundred thousand dollars. Oh my gosh, I'm gonna have to

508
00:23:29,720 --> 00:23:31,199
Speaker 11: hear you say something, go Kelsey.

509
00:23:31,840 --> 00:23:36,040
Speaker 3: Yeah, I want to hear you say show me the money,

510
00:23:36,880 --> 00:23:40,240
Speaker 3: show me the money. I'm gonna have to hear screaming,

511
00:23:40,640 --> 00:23:43,320
Speaker 3: show me the money. Mattie. I'm gonna need you to

512
00:23:43,359 --> 00:23:47,480
Speaker 3: see something for me. Okay, show me the money, show

513
00:23:47,720 --> 00:23:50,840
Speaker 3: me the money, give it a little bit of something more, Maddie,

514
00:23:50,840 --> 00:23:51,320
Speaker 3: what have you got?

515
00:23:52,600 --> 00:23:53,760
Speaker 2: Show me the money?

516
00:23:54,240 --> 00:23:57,439
Speaker 3: You were in me the chance between one hundred thousand dollars.

517
00:23:59,080 --> 00:24:02,720
Speaker 5: I'm getting on my dark and he's screaming this.

518
00:24:04,760 --> 00:24:09,399
Speaker 1: Up next we have access to Tom Cruise again again.

519
00:24:09,640 --> 00:24:14,000
Speaker 1: Wow is he still in carn I actually don't know. Yeah.

520
00:24:14,040 --> 00:24:15,320
Speaker 1: Again the thumb's he's still in car.

521
00:24:15,560 --> 00:24:16,920
Speaker 2: He's still going to remind us that he does his

522
00:24:17,000 --> 00:24:19,320
Speaker 2: own stuff because we know that, like we've seen it.

523
00:24:19,359 --> 00:24:20,879
Speaker 2: We get it, matey, it's the whole bit.

524
00:24:21,160 --> 00:24:22,160
Speaker 1: Look, I can't speak for Tom.

525
00:24:22,400 --> 00:24:23,600
Speaker 2: Might in another selling point.

526
00:24:23,800 --> 00:24:25,879
Speaker 1: Maybe what would you go for if you were Tom Cruise.

527
00:24:26,680 --> 00:24:27,520
Speaker 2: I'm in great shape.

528
00:24:27,760 --> 00:24:28,119
Speaker 3: He is in.

529
00:24:28,760 --> 00:24:30,600
Speaker 1: He's in many states of undress in the new movie.

530
00:24:30,920 --> 00:24:32,760
Speaker 1: I don't think he's ever been in such good show. No,

531
00:24:33,119 --> 00:24:35,680
Speaker 1: we've got a number to call. Yes, keep your phone

532
00:24:35,760 --> 00:24:37,920
Speaker 1: close by. Do not let this ring out, because this

533
00:24:38,080 --> 00:24:42,520
Speaker 1: might be you and Tom Cruise is going to be

534
00:24:42,560 --> 00:24:46,120
Speaker 1: the one to let them. Benity that there's been contact made.

535
00:24:46,680 --> 00:24:48,919
Speaker 2: We are going to get Tom Cruise crossed.

536
00:24:50,640 --> 00:24:50,920
Speaker 4: Hello.

537
00:24:52,000 --> 00:24:53,800
Speaker 2: Hello, is that Fee speaking?

538
00:24:54,240 --> 00:24:54,440
Speaker 3: Yes?

539
00:24:55,359 --> 00:24:55,520
Speaker 7: Hey?

540
00:24:55,640 --> 00:24:56,840
Speaker 2: Fs will what are you here?

541
00:24:57,200 --> 00:25:00,920
Speaker 5: Oh my god, Hello, I'm good.

542
00:25:01,040 --> 00:25:01,399
Speaker 6: Thank you.

543
00:25:02,960 --> 00:25:05,200
Speaker 2: Your work? What do you do? Faith?

544
00:25:05,760 --> 00:25:07,760
Speaker 7: I work at a school for autistic children?

545
00:25:08,480 --> 00:25:08,720
Speaker 2: Great?

546
00:25:09,160 --> 00:25:12,160
Speaker 1: Awesome, Yeah, awesome. We're just calling a couple of people

547
00:25:12,520 --> 00:25:15,520
Speaker 1: who are hoping to be that third finals for one

548
00:25:15,600 --> 00:25:19,240
Speaker 1: hundred thousand dollars Fee, Oh my god, what would you

549
00:25:19,520 --> 00:25:21,040
Speaker 1: what would you use on hundred thousand dollars for?

550
00:25:21,840 --> 00:25:25,760
Speaker 7: Oh my gosh, I would throw Tom Cruise appreciation party,

551
00:25:26,240 --> 00:25:29,760
Speaker 7: especially everyone to dress up as their favorite favorite Ethan

552
00:25:29,920 --> 00:25:30,639
Speaker 7: from any of the.

553
00:25:30,680 --> 00:25:33,280
Speaker 1: Films, because who is your favorite? Who's your favorite?

554
00:25:33,960 --> 00:25:34,160
Speaker 3: Mention?

555
00:25:34,240 --> 00:25:37,280
Speaker 7: Impossible? Free is my favorite because it's all about his

556
00:25:37,400 --> 00:25:38,280
Speaker 7: wife and everything.

557
00:25:38,359 --> 00:25:42,080
Speaker 2: Oh, we're talking about this the other day. It's a

558
00:25:42,160 --> 00:25:42,760
Speaker 2: great movie.

559
00:25:43,480 --> 00:25:46,840
Speaker 1: They're all good. But yeah, so that's your I'm getting

560
00:25:46,880 --> 00:25:48,879
Speaker 1: the vibe that you are a little bit of a

561
00:25:48,920 --> 00:25:49,560
Speaker 1: crush on Ethan.

562
00:25:49,640 --> 00:25:53,280
Speaker 7: Have thee I do, honestly, so up said it's like

563
00:25:53,320 --> 00:25:58,560
Speaker 7: I'm happily married. But honestly, Ethan, it's my my absolute

564
00:25:58,640 --> 00:25:59,560
Speaker 7: hall past I reckon.

565
00:25:59,800 --> 00:26:01,720
Speaker 2: It's so just to like take this to the real world,

566
00:26:01,720 --> 00:26:04,080
Speaker 2: which I know is ridiculous. But say if you met

567
00:26:04,160 --> 00:26:08,159
Speaker 2: Tom Cruise, Yeah, it's not no interest in Tom Cruise.

568
00:26:10,440 --> 00:26:13,240
Speaker 2: So would it be convincing enough for Tom to go like,

569
00:26:13,240 --> 00:26:15,000
Speaker 2: all right, I'll leave the room and come back in

570
00:26:15,240 --> 00:26:20,480
Speaker 2: and I'll be Ethan and then you'd be Yeah, that's awesome.

571
00:26:20,720 --> 00:26:23,320
Speaker 1: We're a very special guest who has something.

572
00:26:23,520 --> 00:26:24,119
Speaker 2: I tell you.

573
00:26:24,560 --> 00:26:26,719
Speaker 1: His name is Tom Cruise.

574
00:26:28,440 --> 00:26:32,800
Speaker 3: Oh my god, him Cruise.

575
00:26:33,880 --> 00:26:38,760
Speaker 13: Oh my god, how are you okay?

576
00:26:39,800 --> 00:26:44,760
Speaker 11: You're about to be great. You're in the draw tween

577
00:26:44,760 --> 00:26:47,159
Speaker 11: one hundred thousand dollars.

578
00:26:47,680 --> 00:26:48,840
Speaker 7: Thank you so much.

579
00:26:49,040 --> 00:26:49,680
Speaker 9: Oh my god.

580
00:26:51,880 --> 00:26:53,639
Speaker 1: Do you want to tell Tom what you were telling us?

581
00:26:54,119 --> 00:26:54,280
Speaker 6: Oh?

582
00:26:54,520 --> 00:26:58,640
Speaker 7: I just love you, especially as Ethan Hunt. If I'm

583
00:26:59,000 --> 00:27:01,840
Speaker 7: going to win some money, I will throw a party

584
00:27:01,920 --> 00:27:04,800
Speaker 7: in your honor and everyone can dress as their favorite

585
00:27:04,880 --> 00:27:05,359
Speaker 7: version of you.

586
00:27:06,080 --> 00:27:12,359
Speaker 3: Wow, that's great, great Fifi, Yes, did you know I

587
00:27:12,440 --> 00:27:13,280
Speaker 3: do all my own stuff.

588
00:27:14,200 --> 00:27:15,800
Speaker 7: I know it's amazing.

589
00:27:16,160 --> 00:27:18,640
Speaker 11: Show me the money, Fife, show me the money.

590
00:27:19,680 --> 00:27:21,560
Speaker 9: That's what I hope. Show me the money.

591
00:27:22,200 --> 00:27:26,440
Speaker 11: Scream it for me, Fife, show me the money, Show

592
00:27:26,520 --> 00:27:32,120
Speaker 11: me the money. Good work, fefee call self destruct.

593
00:27:33,359 --> 00:27:36,040
Speaker 1: That's very good, Tom, that is very good stuff.

594
00:27:36,840 --> 00:27:37,840
Speaker 2: That's why you're the best.

595
00:27:39,040 --> 00:27:43,520
Speaker 1: Tom's got faith A can congratulations tomorrow you've got a

596
00:27:43,600 --> 00:27:46,919
Speaker 1: one in three chance of winning one hundred thousand dollars.

597
00:27:47,640 --> 00:27:49,520
Speaker 7: Oh my god, that's actually insane.

598
00:27:49,800 --> 00:27:51,560
Speaker 2: Can you believe you this spoke to Tom Crows.

599
00:27:51,800 --> 00:27:52,320
Speaker 5: I can't.

600
00:27:52,640 --> 00:27:53,399
Speaker 10: Oh my gosh.

601
00:27:53,960 --> 00:27:56,960
Speaker 1: Yeah, everything you imagined, the more faith it.

602
00:27:57,080 --> 00:27:59,320
Speaker 7: Was, everything I imagine him more absolutely.

603
00:27:59,600 --> 00:28:03,119
Speaker 2: Gradually is someone means one hundred thousand or so? It's you,

604
00:28:03,760 --> 00:28:05,479
Speaker 2: it's Maddie, or it's Kelsey.

605
00:28:06,080 --> 00:28:06,600
Speaker 12: Each of you.

606
00:28:06,880 --> 00:28:09,239
Speaker 2: Well, we're gonna pick you up in an unmarked car.

607
00:28:09,800 --> 00:28:14,280
Speaker 2: It's an impossible styles dress up feefair record convoy limousines.

608
00:28:14,359 --> 00:28:18,560
Speaker 2: You'll be sent to an undisclosed location, hung from your ankles,

609
00:28:18,720 --> 00:28:20,440
Speaker 2: and then you need to escape that in order to

610
00:28:20,480 --> 00:28:23,160
Speaker 2: get into the draw using only a Swiss army knife.

611
00:28:23,800 --> 00:28:27,080
Speaker 1: So it's gonna be great to watch tomorrow. Some of

612
00:28:27,119 --> 00:28:28,680
Speaker 1: you may die, but that is a you have to

613
00:28:28,720 --> 00:28:31,600
Speaker 1: sign a waiver. Oh yeah, big way, yeah, absolute yeah.

614
00:28:31,640 --> 00:28:33,159
Speaker 2: Life on the line there, and as I said, some

615
00:28:33,240 --> 00:28:34,639
Speaker 2: of you may die, but that is a sacrifice we

616
00:28:34,680 --> 00:28:41,160
Speaker 2: are willing to make. J Flip's on the show.

617
00:28:42,720 --> 00:28:44,400
Speaker 13: Whoo, what's up?

618
00:28:44,480 --> 00:28:48,560
Speaker 2: Cre What is art? Mate? We're pretty excited about playing this.

619
00:28:51,600 --> 00:28:54,960
Speaker 2: Just go Cowgirl. We're gonna play it up next. We're

620
00:28:54,960 --> 00:28:57,440
Speaker 2: gona have a little chat with Jay first, but you

621
00:28:57,520 --> 00:29:00,320
Speaker 2: go get yourself a seven inch final Woods that you

622
00:29:00,360 --> 00:29:03,120
Speaker 2: even know what that is? Big fella, I've you're trying

623
00:29:03,160 --> 00:29:04,640
Speaker 2: to be cool? You know what a seven inch is?

624
00:29:05,160 --> 00:29:05,200
Speaker 11: No?

625
00:29:05,560 --> 00:29:11,000
Speaker 1: Sorry, no, I just thought vinyl was vinyl. Do you

626
00:29:11,080 --> 00:29:14,040
Speaker 1: want to explain to me what a seven inch vinyl is?

627
00:29:14,480 --> 00:29:14,680
Speaker 2: Yeah?

628
00:29:14,720 --> 00:29:16,920
Speaker 12: Wait, I've got it right next to Okay, okay, it's

629
00:29:16,960 --> 00:29:18,320
Speaker 12: the smaller sized vinyl.

630
00:29:18,360 --> 00:29:21,080
Speaker 2: Little single, guy, I have an inches.

631
00:29:21,440 --> 00:29:24,480
Speaker 1: I've never understood that, So what's the idea behind making

632
00:29:24,560 --> 00:29:25,160
Speaker 1: it smaller?

633
00:29:25,960 --> 00:29:28,360
Speaker 2: It's a single, so you get one track, so you

634
00:29:28,440 --> 00:29:30,880
Speaker 2: get you get Disco Cowgirl, and if you buy it,

635
00:29:31,320 --> 00:29:33,000
Speaker 2: you have a chance to be to FaceTime with g

636
00:29:33,320 --> 00:29:36,960
Speaker 2: They'll FaceTime you if you're ordered by midnight Thursday, twenty second. Yeah,

637
00:29:37,280 --> 00:29:37,920
Speaker 2: there's a little.

638
00:29:37,800 --> 00:29:40,240
Speaker 13: Cheky surprise on it as well, A little surprise.

639
00:29:41,360 --> 00:29:44,080
Speaker 1: Okay, can you sell the FaceTime a bit more? G?

640
00:29:44,280 --> 00:29:46,040
Speaker 1: Why would I want to be facetiming with you?

641
00:29:46,720 --> 00:29:51,880
Speaker 13: Well, we're having a great time, a great chat if.

642
00:29:51,760 --> 00:29:55,840
Speaker 2: You want this, mate? Are you not having the time

643
00:29:55,920 --> 00:29:56,600
Speaker 2: of your life?

644
00:30:00,000 --> 00:30:01,400
Speaker 13: This is actually going pretty well?

645
00:30:01,520 --> 00:30:03,480
Speaker 2: You feel like he was saying that, didn't it? What

646
00:30:03,640 --> 00:30:04,360
Speaker 2: have you got to say?

647
00:30:04,640 --> 00:30:07,600
Speaker 1: I actually always loved chatting with you G. Last time

648
00:30:07,680 --> 00:30:10,240
Speaker 1: you were in the studio, G, you were playing the

649
00:30:10,400 --> 00:30:11,960
Speaker 1: drums on my barm.

650
00:30:12,280 --> 00:30:13,040
Speaker 2: Do you recall that?

651
00:30:13,560 --> 00:30:15,120
Speaker 13: I did you have smooth ass?

652
00:30:15,240 --> 00:30:15,480
Speaker 10: Mate?

653
00:30:15,520 --> 00:30:15,560
Speaker 3: It?

654
00:30:15,960 --> 00:30:16,600
Speaker 13: It was nice?

655
00:30:16,720 --> 00:30:19,840
Speaker 1: Thank you have. I mean it was very entertaining for us.

656
00:30:19,920 --> 00:30:23,000
Speaker 1: We've got a lot of hits online when you did that. G.

657
00:30:23,400 --> 00:30:26,680
Speaker 1: Have you ever thought of incorporating that into your live performances?

658
00:30:27,320 --> 00:30:27,360
Speaker 3: No?

659
00:30:27,680 --> 00:30:30,680
Speaker 12: But you know, there might be some Aussie shows on

660
00:30:30,760 --> 00:30:34,000
Speaker 12: the carts. There'll be some big drum solos as always,

661
00:30:34,160 --> 00:30:36,800
Speaker 12: and I think we should involve some cheeks bloody.

662
00:30:36,840 --> 00:30:39,360
Speaker 1: Oh I love it and I'm not sure your cheeks. Yeah,

663
00:30:39,400 --> 00:30:40,480
Speaker 1: that's what I was going to say. It's going to

664
00:30:40,520 --> 00:30:41,960
Speaker 1: make sure it's my cheeks.

665
00:30:42,400 --> 00:30:45,200
Speaker 2: Gee, you're you're a multi instrumentalist. I know that you

666
00:30:45,760 --> 00:30:48,840
Speaker 2: play a lot of the instruments on this tune. I

667
00:30:49,000 --> 00:30:52,960
Speaker 2: was just wondering people come to perform with you, is

668
00:30:53,000 --> 00:30:55,680
Speaker 2: there something in their contract where it's like, hey, just

669
00:30:55,760 --> 00:30:57,480
Speaker 2: so you know, mate, you know you're on guitar, but

670
00:30:57,920 --> 00:31:00,760
Speaker 2: you are the second best guitarist in the band, and

671
00:31:00,800 --> 00:31:02,640
Speaker 2: at any stage I can come over and cost your

672
00:31:02,680 --> 00:31:05,800
Speaker 2: instrument and you just have to sort of stand by

673
00:31:05,840 --> 00:31:08,240
Speaker 2: and watch it while I shred.

674
00:31:08,720 --> 00:31:08,760
Speaker 3: No.

675
00:31:08,960 --> 00:31:11,640
Speaker 12: I feel like everyone in my band we play every instrument,

676
00:31:11,760 --> 00:31:13,560
Speaker 12: so we switch every song.

677
00:31:14,440 --> 00:31:15,520
Speaker 13: That's part of the show.

678
00:31:16,160 --> 00:31:19,080
Speaker 12: Although, like my instrument is drums, I wouldn't say I'm

679
00:31:19,120 --> 00:31:22,080
Speaker 12: even the best drummer in the band. I've I've hired

680
00:31:22,120 --> 00:31:24,720
Speaker 12: some musicians that are way better than me, so that

681
00:31:24,880 --> 00:31:27,040
Speaker 12: I feel inspired and I want to get better at

682
00:31:27,440 --> 00:31:30,200
Speaker 12: each instrument. But part of it is that everyone in

683
00:31:30,280 --> 00:31:33,680
Speaker 12: the band has to play drums and has to play

684
00:31:33,720 --> 00:31:36,520
Speaker 12: at least three instruments because we switch every song.

685
00:31:36,800 --> 00:31:38,800
Speaker 13: I've currently just taken up the saxophone.

686
00:31:38,840 --> 00:31:41,640
Speaker 1: As of last week, my cheeks tick they were doing

687
00:31:41,680 --> 00:31:47,240
Speaker 1: the saxophone. Your performance has seem very very physically demanding

688
00:31:47,400 --> 00:31:49,640
Speaker 1: as well. G And I've read a little bit just

689
00:31:49,720 --> 00:31:52,880
Speaker 1: about the preparation that you go through for your performances.

690
00:31:52,920 --> 00:31:54,080
Speaker 1: Can you run us through a bit of that?

691
00:31:54,800 --> 00:31:55,520
Speaker 13: Uh yeah?

692
00:31:56,720 --> 00:31:59,240
Speaker 12: Or there's singing on the treadmill, there's singing and skipping,

693
00:31:59,400 --> 00:32:01,440
Speaker 12: and then there's headstands.

694
00:32:01,600 --> 00:32:04,040
Speaker 13: Which seems to be the one everyone likes to hear about.

695
00:32:05,040 --> 00:32:07,520
Speaker 1: You're so you're all the weights on your head, you're

696
00:32:07,600 --> 00:32:09,760
Speaker 1: upside down, and you'll punch out a whole song.

697
00:32:10,240 --> 00:32:12,880
Speaker 13: Yeah, or just like some warm ups. It's just like

698
00:32:13,000 --> 00:32:15,560
Speaker 13: some like runs, like you know, and so.

699
00:32:15,600 --> 00:32:17,640
Speaker 1: How does the rest of the gym feel when you're

700
00:32:17,840 --> 00:32:20,640
Speaker 1: on the treadmill or doing your skipping and singing at

701
00:32:20,640 --> 00:32:21,200
Speaker 1: the same time.

702
00:32:21,640 --> 00:32:23,480
Speaker 13: I normally do the singing in private.

703
00:32:23,640 --> 00:32:23,840
Speaker 10: Yeah.

704
00:32:23,920 --> 00:32:27,880
Speaker 12: Sure, I have done headstands in a hotel gym and

705
00:32:28,000 --> 00:32:32,720
Speaker 12: got some weird looks. But it helps my core because

706
00:32:32,760 --> 00:32:35,040
Speaker 12: when you're drumming and singing, you have to keep your

707
00:32:35,200 --> 00:32:38,480
Speaker 12: core still while all your four limbs are moving about,

708
00:32:38,560 --> 00:32:40,480
Speaker 12: and you've got to keep your head and neck and

709
00:32:40,600 --> 00:32:42,560
Speaker 12: call so straight on the microphone.

710
00:32:42,560 --> 00:32:44,520
Speaker 1: Would you never just go for the old the Britney

711
00:32:44,840 --> 00:32:47,800
Speaker 1: microphone g just like, you know, stick that to the face.

712
00:32:47,840 --> 00:32:48,880
Speaker 1: You don't have to worry about the call.

713
00:32:49,120 --> 00:32:52,440
Speaker 13: I tried that back in twenty eighteen. But the symbol bleed.

714
00:32:52,960 --> 00:32:57,720
Speaker 12: The sound of symps though ridiculously loud, and those microphones

715
00:32:58,000 --> 00:33:01,600
Speaker 12: they're not directional enough to just you cup vocal in

716
00:33:02,040 --> 00:33:04,560
Speaker 12: the other sounds around it bleed in, So it made

717
00:33:04,600 --> 00:33:07,080
Speaker 12: it just like a harder vocal to team for the

718
00:33:07,160 --> 00:33:07,840
Speaker 12: mixed engineer.

719
00:33:08,200 --> 00:33:10,840
Speaker 2: Yeah. Wow, And I never thought that you would be

720
00:33:10,920 --> 00:33:14,720
Speaker 2: having an audiophile conversation with Jeff flipp There you go.

721
00:33:14,880 --> 00:33:18,800
Speaker 2: That's just made all my Christmas woods. You clearly had

722
00:33:18,920 --> 00:33:21,080
Speaker 2: no idea what they were talking about either. I just

723
00:33:21,120 --> 00:33:23,640
Speaker 2: saw the eyes tried to keep up with it.

724
00:33:23,920 --> 00:33:25,920
Speaker 1: I'm learning a lot in this chat. Actually seven in

725
00:33:26,040 --> 00:33:29,600
Speaker 1: final audio blea directional mics.

726
00:33:29,640 --> 00:33:32,360
Speaker 2: I get it. It's a private tutorial. And you mentioned

727
00:33:32,760 --> 00:33:34,800
Speaker 2: just before the idea that you were really keen to

728
00:33:34,960 --> 00:33:38,880
Speaker 2: do a key change. Yeah, right, which is which is

729
00:33:38,960 --> 00:33:41,400
Speaker 2: part of the song? Which this is it?

730
00:33:44,440 --> 00:33:48,920
Speaker 1: I just just see your face, watching your tension on

731
00:33:49,240 --> 00:33:53,000
Speaker 1: the table, saying I never felt this.

732
00:33:53,240 --> 00:33:59,880
Speaker 2: Way, Oh red height, red heart, I mean I feel

733
00:34:00,080 --> 00:34:03,360
Speaker 2: that not's it. Musically, key change is much harder radio

734
00:34:03,440 --> 00:34:05,320
Speaker 2: key change. We do it all the time. Oh yeah,

735
00:34:05,960 --> 00:34:10,680
Speaker 2: just talk to you up here. That's a good one.

736
00:34:12,320 --> 00:34:13,480
Speaker 1: He's a professional as well.

737
00:34:13,600 --> 00:34:15,800
Speaker 2: Je, don't you worry. I've been working for years on

738
00:34:15,880 --> 00:34:16,239
Speaker 2: that one.

739
00:34:16,960 --> 00:34:17,960
Speaker 1: Not everyone can do that.

740
00:34:20,480 --> 00:34:23,920
Speaker 2: Pretty okay, you mentioned before Phil Collins Beyonce, I know,

741
00:34:24,840 --> 00:34:26,880
Speaker 2: rad key change. I mean it is kind of a

742
00:34:27,360 --> 00:34:29,000
Speaker 2: it almost feels like a bit of an old school trick.

743
00:34:29,080 --> 00:34:31,279
Speaker 2: That's a that's a bit forgotten now, he said a

744
00:34:31,320 --> 00:34:33,799
Speaker 2: bit in musicals and things like that. Why why did

745
00:34:33,840 --> 00:34:36,560
Speaker 2: you aspire so hard to get that done? And why

746
00:34:36,640 --> 00:34:37,400
Speaker 2: is it so forgotten?

747
00:34:38,160 --> 00:34:41,600
Speaker 12: I feel like back, you know, this this really eighties inspired,

748
00:34:41,680 --> 00:34:44,640
Speaker 12: and back in the eighties, there wasn't as many tricks.

749
00:34:44,920 --> 00:34:47,160
Speaker 12: You know, if I want a sax solo, I can

750
00:34:47,280 --> 00:34:49,160
Speaker 12: go in and find a sax solo and just drag

751
00:34:49,239 --> 00:34:51,960
Speaker 12: it in. Back then, you had to find as many

752
00:34:52,040 --> 00:34:54,200
Speaker 12: tricks as you could, so there was you know, a

753
00:34:54,280 --> 00:34:57,400
Speaker 12: lot of songs that would do crazy chord progressions, and

754
00:34:57,760 --> 00:35:01,279
Speaker 12: the musicality in the eighties was so fun and expressive

755
00:35:01,400 --> 00:35:04,239
Speaker 12: because the songs could never be boring. You needed more

756
00:35:04,320 --> 00:35:07,480
Speaker 12: tricks and more chords and more you know, variation and

757
00:35:07,560 --> 00:35:10,200
Speaker 12: more sounds and adding a key change. She just gave

758
00:35:10,280 --> 00:35:11,720
Speaker 12: that last chorus extra.

759
00:35:12,040 --> 00:35:15,280
Speaker 2: Yeah, it's really kill It's really it's almost Whitney pretty

760
00:35:15,320 --> 00:35:17,480
Speaker 2: famous for a key change at the end of all.

761
00:35:17,520 --> 00:35:19,640
Speaker 2: You've got to have the range, though, G You've got

762
00:35:19,760 --> 00:35:22,280
Speaker 2: to have the range. Bravo and getting up there.

763
00:35:22,600 --> 00:35:23,719
Speaker 13: Oh thanks mate.

764
00:35:23,800 --> 00:35:25,840
Speaker 12: Yeah, a lot of trial and error, just giving it

765
00:35:25,920 --> 00:35:30,160
Speaker 12: a crack basically, Yeah, just pushing my vocals and see

766
00:35:30,200 --> 00:35:31,640
Speaker 12: what comes out of my face.

767
00:35:31,560 --> 00:35:34,600
Speaker 2: Basically, Yeah, singing, singing.

768
00:35:34,840 --> 00:35:38,239
Speaker 1: So is that in the recording studio, G, You'll you'll

769
00:35:38,280 --> 00:35:39,799
Speaker 1: have like a day where it's like, today's the day

770
00:35:39,800 --> 00:35:41,520
Speaker 1: I'm going to try and hit it. I'm going to

771
00:35:41,560 --> 00:35:43,839
Speaker 1: get up there and you'll do all sorts of warm

772
00:35:43,920 --> 00:35:45,840
Speaker 1: ups and stuff and then have a number of cracks

773
00:35:45,920 --> 00:35:47,600
Speaker 1: at hitting the not Yeah.

774
00:35:47,440 --> 00:35:50,200
Speaker 12: I'll normally do like an eight minute warm up that's

775
00:35:50,360 --> 00:35:53,040
Speaker 12: just on YouTube, and then it'll be a vocal like

776
00:35:53,239 --> 00:35:56,120
Speaker 12: day and me and Aiden, who I write and produce

777
00:35:56,160 --> 00:35:58,520
Speaker 12: all the songs with, we'll just give a crack of

778
00:35:58,600 --> 00:35:59,759
Speaker 12: three songs during that.

779
00:36:00,680 --> 00:36:02,160
Speaker 13: But then when it comes to the end we do

780
00:36:02,360 --> 00:36:03,240
Speaker 13: an ad lib.

781
00:36:03,160 --> 00:36:05,480
Speaker 12: Take and that's where I just go crazy and I

782
00:36:05,640 --> 00:36:08,200
Speaker 12: try a bunch of stuff, whether it's like holding a

783
00:36:08,320 --> 00:36:10,880
Speaker 12: note as long as I can, singing as high as

784
00:36:10,960 --> 00:36:15,480
Speaker 12: I can, adding random repeats and echoes of other vocals,

785
00:36:15,600 --> 00:36:16,719
Speaker 12: but yeah, that one.

786
00:36:16,800 --> 00:36:19,400
Speaker 13: I just we were just mucking around and then it

787
00:36:19,520 --> 00:36:20,240
Speaker 13: ended up working.

788
00:36:20,480 --> 00:36:23,040
Speaker 2: Oh sick. It sounds great again. People should go and

789
00:36:23,120 --> 00:36:25,440
Speaker 2: get Disco cow Girl at seven inch. Fine, for get

790
00:36:25,480 --> 00:36:29,840
Speaker 2: it before tomorrow night. G might be giving you a FaceTime.

791
00:36:29,920 --> 00:36:32,640
Speaker 2: That's the big prize there, Hey, G away from your music.

792
00:36:32,800 --> 00:36:34,359
Speaker 2: I don't know if you can see, but I mean

793
00:36:34,440 --> 00:36:36,719
Speaker 2: I recently went to Turkey and got the plugs in

794
00:36:36,760 --> 00:36:41,000
Speaker 2: the hair looks good. Woods recently went for the undercut,

795
00:36:41,080 --> 00:36:43,799
Speaker 2: the pink style, undercut all the way around the hair

796
00:36:43,840 --> 00:36:44,520
Speaker 2: a bit fast.

797
00:36:44,719 --> 00:36:46,359
Speaker 13: I just cut all my hair off as well.

798
00:36:47,320 --> 00:36:49,239
Speaker 2: That's where I was going with it. I know you

799
00:36:49,400 --> 00:36:51,399
Speaker 2: recently got the full lob off?

800
00:36:51,560 --> 00:36:54,480
Speaker 1: Am I right in saying as well? Gee, that Kim

801
00:36:54,560 --> 00:36:59,120
Speaker 1: Kardashian's hairstylist was the one who did the snip on

802
00:36:59,280 --> 00:36:59,640
Speaker 1: the hair.

803
00:37:00,320 --> 00:37:03,360
Speaker 2: Wow, you seem embarrassed. You seem embarrassed. But what with

804
00:37:03,440 --> 00:37:04,600
Speaker 2: the hamlet out of the mouth there?

805
00:37:04,680 --> 00:37:04,719
Speaker 3: What?

806
00:37:04,840 --> 00:37:08,080
Speaker 2: What is that not something you want to admit to

807
00:37:08,160 --> 00:37:08,520
Speaker 2: your mate?

808
00:37:10,280 --> 00:37:11,840
Speaker 13: No, it's it's so awesome.

809
00:37:11,920 --> 00:37:13,920
Speaker 12: I went from not cutting my hair since I was

810
00:37:13,960 --> 00:37:18,439
Speaker 12: twelve years old to having Kim Kardashians. Yeah, my hair

811
00:37:18,560 --> 00:37:20,879
Speaker 12: so It's just pretty wild when I hear it back

812
00:37:20,920 --> 00:37:23,600
Speaker 12: because it's like, oh, yeah, that happened. But I had

813
00:37:23,640 --> 00:37:25,640
Speaker 12: the best person in the beers to do the job,

814
00:37:25,840 --> 00:37:28,280
Speaker 12: so you know, I trusted him with everything.

815
00:37:28,480 --> 00:37:31,800
Speaker 1: Chris Appleton, he's Kim Kardashian's hairstyle. So when you go

816
00:37:31,960 --> 00:37:35,480
Speaker 1: and see someone like him, is it like does he

817
00:37:35,719 --> 00:37:39,560
Speaker 1: decide what to do? Like do you just trust him? Really?

818
00:37:40,239 --> 00:37:42,120
Speaker 2: Yeah, basically you're not telling you to do.

819
00:37:43,160 --> 00:37:46,239
Speaker 12: My wife's best friend, and you know he's the guy,

820
00:37:46,440 --> 00:37:47,439
Speaker 12: he's the hair guy.

821
00:37:47,600 --> 00:37:48,919
Speaker 13: He's the best at what he does.

822
00:37:49,600 --> 00:37:51,600
Speaker 12: Krashelle mentioned to him that I was going to cut

823
00:37:51,640 --> 00:37:54,879
Speaker 12: my hair. Haven't done it since I was twelve. I'll

824
00:37:54,960 --> 00:37:57,160
Speaker 12: do it and I just trusted him with my life

825
00:37:57,640 --> 00:37:58,160
Speaker 12: and I love it.

826
00:37:58,520 --> 00:37:59,560
Speaker 1: It looks does he cut it?

827
00:37:59,640 --> 00:38:01,880
Speaker 13: I was like, this is a great idea, Thank you.

828
00:38:02,280 --> 00:38:03,080
Speaker 1: It looks awesome.

829
00:38:03,239 --> 00:38:06,640
Speaker 2: The song sounds bloody awesome as well. Disco Cowgirl. I'll

830
00:38:06,640 --> 00:38:09,440
Speaker 2: say it one last time, seven inch final If you

831
00:38:09,560 --> 00:38:12,319
Speaker 2: get it before tomorrow night, Gee is going to FaceTime out.

832
00:38:12,320 --> 00:38:13,520
Speaker 2: It doesn't matter what you're sitting on.

833
00:38:14,239 --> 00:38:14,479
Speaker 4: Gee.

834
00:38:14,960 --> 00:38:17,600
Speaker 2: Great to have you on the show as always. Great,

835
00:38:17,600 --> 00:38:20,960
Speaker 2: Thanks so much mate, all the best, mate, good luck

836
00:38:21,000 --> 00:38:21,640
Speaker 2: with the new chunes,